DOCSLIB.ORG

VUW-Art-Collection-Listing-2016.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
VUW-Art-Collection-Listing-2016.Pdf Object 11:33:40 08 SEP 2016 590 records Page 1 Primary Maker Mark ADAMS Name/Title 7.10.1978. Triangle Rd, Massey, West Auckland. Tattooing Tom. Tufuga tatatau: Su'a Sulu'ape Paulo. Solo: Arona and Leo Maselino Primary Prod Date 1978-2008 Credit Line Victoria Univeristy of Wellington Art Collection Accession No VUW.2008.1 Primary Maker Nancy ADAMS Name/Title Celmisia Coriacea (Otago Mountains) Credit Line Victoria University of Wellington College of Education Art Collection Accession No VUWCE.2009.1 Primary Maker Sandy ADSETT Name/Title Te Rangiatea (Place where the Gods dwell) Credit Line Victoria University of Wellington College of Education Art Collection Accession No VUWCE.2009.2 Primary Maker Gretchen ALBRECHT Name/Title Drift Primary Prod Date 1976 Credit Line Victoria University of Wellington Art Collection Accession No VUW.1976.1 Primary Maker Francis ALYS Name/Title Artspace Turns 21 prints Primary Prod Date 2008 Credit Line Victoria University of Wellington Art Collection, gift of Jim Barr and Mary Barr 2016 Accession No VUW.2016.11 Primary Maker Fiona AMUNDSEN Name/Title City Focus, Rotorua, 24/06/2007, 5.30 (waiting birds) Primary Prod Date 2007 Credit Line Victoria University of Wellington Art Collection Accession No VUW.2007.4 Primary Maker Fiona AMUNDSEN Name/Title Jellicoe Court (facing East), Kawerau, 22/04/2007, 7.05 (glowing lamp) Primary Prod Date 2007 Credit Line Victoria University of Wellington Art Collection Accession No VUW.2007.5 Primary Maker Fiona AMUNDSEN Name/Title Civic Square, Murupara, 02/06/2007, 7.21 (bird and lamp-post) Primary Prod Date 2007 Credit Line Victoria University of Wellington Art Collection Accession No VUW.2007.6 Primary Maker Fiona AMUNDSEN Name/Title Jellicoe Court, Kawerau, 06/05/2007, 6.57 (star burst) Primary Prod Date 2007 Credit Line On permanent loan to the Victoria University of Wellington Art Collection Accession No VUW.2007.7 Primary Maker Fiona AMUNDSEN Name/Title Jellicoe Court (facing North), Kawerau, 06/05/2007, 7.13 (autumn light) Primary Prod Date 2007 Credit Line On permanent loan to the Victoria University of Wellington Art Collection Accession No VUW.2007.8 Primary Maker ANONYMOUS 16TH CENTURY BENIN ARTIST Name/Title Queen Mother Credit Line Victoria University of Wellington Gift of Professor J.C. Beaglehole Accession No VUW.1971.12 Primary Maker Billy APPLE Name/Title From the V.U.W Art Collection Primary Prod Date 2005 Credit Line Victoria University of Wellington Art Collection, commissioned 2005 Accession No VUW.2006.1 Object 11:33:40 08 SEP 2016 590 records Page 2 Primary Maker Billy APPLE Name/Title Window Cleaning 5 June 1971 Primary Prod Date 1971 Credit Line Victoria University of Wellington Art Collection, gift of the artist Accession No VUW.2009.4 Primary Maker Billy APPLE Name/Title Window Cleaning 27 March 2009 Primary Prod Date 2009 Credit Line Victoria University of Wellington Art Collection Accession No VUW.2009.5 Primary Maker Billy APPLE Daniel MALONE Name/Title With All Kinds of Delays Primary Prod Date 2009 Credit Line Victoria University of Wellington Art Collection, purchased 2009 Accession No VUW.2009.6 Primary Maker Billy APPLE Name/Title Preparatory drawing for Billy Apple, From the V.U.W Art Collection, 2006, VUW.2006.1 Credit Line Victoria University of Wellington Art Collection Accession No VUW.2012.20 Primary Maker Billy APPLE Name/Title Turn Your Life Around Primary Prod Date 2001 Credit Line Victoria University of Wellington Art Collection, gift of Jim Barr and Mary Barr 2016 Accession No VUW.2016.7 Primary Maker Billy APPLE Name/Title Art for AIDS Primary Prod Date 2001 Credit Line Victoria University of Wellington Art Collection, gift of Jim Barr and Mary Barr 2016 Accession No VUW.2016.8 Primary Maker Billy APPLE Name/Title For Women's Refuge Primary Prod Date 1999 Credit Line Victoria University of Wellington Art Collection, gift of Jim Barr and Mary Barr 2016 Accession No VUW.2016.9 Primary Maker Hany ARMANIOUS Name/Title Artspace Turns 21 prints Primary Prod Date 2008 Credit Line Victoria University of Wellington Art Collection, gift of Jim Barr and Mary Barr 2016 Accession No VUW.2016.13 Primary Maker David ARMITAGE Name/Title Inanimate object/ Door with towel Credit Line Victoria University of Wellington Art Collection Presented by Mr M L Boyd Accession No VUW.1974.1 Primary Maker John ARMLEDER Name/Title Artspace Turns 21 prints Primary Prod Date 2008 Credit Line Victoria University of Wellington Art Collection, gift of Jim Barr and Mary Barr 2016 Accession No VUW.2016.12 Primary Maker Eve ARMSTRONG Name/Title Artspace Turns 21 prints Primary Prod Date 2008 Credit Line Victoria University of Wellington Art Collection, gift of Jim Barr and Mary Barr 2016 Accession No VUW.2016.14 Primary Maker Mina ARNDT Name/Title The derelict Primary Prod Date 1920s Credit Line Victoria University of Wellington Art Collection Presented by John and May Manoy 1961 Accession No VUW.1961.1 Object 11:33:40 08 SEP 2016 590 records Page 3 Primary Maker Tanya ASHKEN Name/Title Seabird IV Primary Prod Date 1974 Credit Line Victoria University of Wellington Art Collection Presented by students and friends of J C Beaglehole and Ernest Beaglehole. Accession No VUW.1974.2 Primary Maker Tanya ASHKEN Name/Title Head Primary Prod Date 1963 Credit Line Victoria University of Wellington Art Collection Presented by Mr R S V Simpson Accession No VUW.1964.1 Primary Maker Tanya ASHKEN Name/Title Seabird VIII Primary Prod Date 1987 Credit Line Victoria University of Wellington School of Music Art Collection, gift of Douglas Lilburn Accession No VUW.2002.10 Primary Maker Tanya ASHKEN Name/Title Sea Creatures Primary Prod Date 1971 Credit Line Victoria University of Wellington College of Education Art Collection, gifted by the ‘The Renaissance Singers of Wellington’ Accession No VUWCE.2009.4 Primary Maker Nick AUSTIN Name/Title Shark Envelope #7 Primary Prod Date 2013 Credit Line Victoria University of Wellington Art Collection Accession No VUW.2014.4 Primary Maker Catherine BAGNALL Name/Title Harriet's landscape Primary Prod Date 1989 Credit Line Victoria University of Wellington Art Collection Accession No VUW.1993.1 Primary Maker Annie BAIRD Name/Title Victoria University Primary Prod Date 1990 Credit Line Victoria University of Wellington Art Collection Accession No VUW.1991.1 Primary Maker Annie BAIRD Name/Title Albatross at Taiaroa Head, 1983 Primary Prod Date 1983 Credit Line Victoria University of Wellington College of Education Art Collection Accession No VUWCE.2009.5 Primary Maker Bruce BARBER Name/Title Mt Eden Crater Performance Primary Prod Date 1973 2015 Credit Line Victoria University of Wellington Art Collection, purchased 2016 Accession No VUW.2016.1 Primary Maker Bruce BARBER Name/Title Whatipu Beach Performance Primary Prod Date 1973 2015 Credit Line Victoria University of Wellington Art Collection, purchased 2016 Accession No VUW.2016.2 Primary Maker Bruce BARBER Name/Title Projected Performance for a Lake Primary Prod Date 1973 2015 Credit Line Victoria University of Wellington Art Collection, purchased 2016 Accession No VUW.2016.3 Object 11:33:40 08 SEP 2016 590 records Page 4 Primary Maker Alfred BAXTER Name/Title Lyttleton Harbour Primary Prod Date 1897 Credit Line Victoria University of Wellington Art Collection Accession No VUW.1962.1 Primary Maker Malcolm BENHAM Name/Title Nightkite 4 Primary Prod Date 1977 Credit Line Victoria University of Wellington Art Collection Accession No VUW.1983.1 Primary Maker Malcolm BENHAM Name/Title Stage Primary Prod Date 1979 Credit Line Victoria University of Wellington Art Collection Accession No VUW.1980.1 Primary Maker Leo BENSEMANN Name/Title Landscape with group of trees Primary Prod Date 1983 Credit Line Victoria University of Wellington Staff Club Collection Accession No VUW.1983.8 Primary Maker Elva BETT Name/Title Composition, Collage Primary Prod Date 1964 Credit Line Victoria University of Wellington College of Education Art Collection Accession No VUWCE.2009.7 Primary Maker Bridget BIDWILL Name/Title Interior with Purple Spiral Primary Prod Date 1991 Credit Line Victoria University of Wellington Art Collection Accession No VUW.1992.1 Primary Maker Don BINNEY Name/Title Tabernacle Primary Prod Date 1966 Credit Line Victoria University of Wellington Art Collection Accession No VUW.1966.1 Primary Maker Don BINNEY Name/Title Mana Island Primary Prod Date 1971 Credit Line Victoria University of Wellington Students' Association (on loan to Victoria University of Wellington Art Collection) Accession No VUW.2005.1 Primary Maker Mladen BIZUMIC Name/Title From Cube to Ball: Photographed Slide-Show Filmed Primary Prod Date 2010 Accession No VUW.2011.4 Primary Maker Peter BLACK Name/Title Untitled Credit Line Victoria University of Wellington Art Collection, gifted by Gregory O'Brien to the International Institute of Modern Letters, 2012 Accession No VUW.2013.19 Primary Maker Gary BLACKMAN Name/Title Lake Mahinerangi Primary Prod Date 1975 Credit Line Victoria University of Wellington College of Education Art Collection Accession No VUWCE.2009.8 Primary Maker Gary BLACKMAN Name/Title Penguin Primary Prod Date 1975 Credit Line Victoria University of Wellington College of Education Art Collection Accession No VUWCE.2009.9 Object 11:33:40 08 SEP 2016 590 records Page 5 Primary Maker Philippa BLAIR Name/Title Cosmic Ladder Primary Prod Date 1980 Credit Line Victoria University of Wellington Art Collection Accession No VUW.1986.1 Primary Maker Doreen BLUMHARDT Name/Title Ribbed stoneware pot Credit
Load more

Recommended publications
  • A History of Music Education in New Zealand State Primary and Intermediate Schools 1878-1989
    CHRISTCHURCH COLLEGE OF EDUCATION LIBRARY A HISTORY OF MUSIC EDUCATION IN NEW ZEALAND STATE PRIMARY AND INTERMEDIATE SCHOOLS 1878-1989 A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Canterbury by Susan P. Braatvedt B.A. (Natal), Dip.Arts (Auckland), B.A.Rons (Canterbury) VOLUME II University of Canterbury 2002 Chapter Five 1950-1968 266 The growth ofschool music Chapter Five 1950 -1968 The growth of school music "music is fmnly established as an integral part of the school curriculum."l 5.1 Introduction This 18-year period was dominated by the National Party except for one term when Labour was voted back into office from 1958? When the National Party took office in December 1949, they inherited an educational system in which school music had not been particularly well served. Robert Chapman comments: The underlying changes in the golden 1960s were social rather than political, technological rather than legislative, individual rather than public ....The tertiary education boom, television, and the contraceptive pill were transforming family and personal relationships as well as the method by which politics were perceived. Government expenditure underwrote the surging development of health and education ... 3 In chapter one section 1.2 it was pointed out that the influence of English music education endured for many years. It is in this period that we begin to see a development of a more innovative approach which was more eclectic in its character. 1 AE. Campbell, Director-General of Education, AJHR. E-1, 1966, p.17. 2 R Chapman, 'From Labour to National,' The Oxford History ofNew Zealand, W.H.
    [Show full text]
  • A Survey of Recent New Zealand Writing TREVOR REEVES
    A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar.
    [Show full text]
  • Course Code : Course Title
    English Programme Faculty of Humanities and Social Sciences School of English, Film, Theatre, & Media Studies Te Kura Tānga Kōrero Ingarihi, Kiriata, Whakaari, Pāpāho ENGL 234 New Zealand Literature Trimester 2 2013 15 July to 17 November 2013 20 Points TRIMESTER DATES Teaching dates: 15 July to 18 October 2013 Mid-Trimester break: 26 August to 8 September 2013 Study week: 21 to 25 October 2013 Examination/Assessment period: 25 October to 16 November 2013 Note: Students who enrol in courses with examinations are expected to be able to attend an examination at the University at any time during the formal examination period. WITHDRAWAL DATES Refer to www.victoria.ac.nz/home/admisenrol/payments/withdrawalsrefunds If you cannot complete an assignment or sit a test or examination (aegrotats), refer to www.victoria.ac.nz/home/study/exams-and-assessments/aegrotat CLASS TIMES AND LOCATIONS Lectures Mon, Tue, Wed 10.00 – 10.50am Hugh Mackenzie LT105 Tutorials Tutorials begin in WEEK 2. Please register for tutorials via the ENGL 234 site on Blackboard: go to “Tutorials” and then follow the instructions under the “SCubed - Tutorial Enrolment Instructions” link. Please read the instructions carefully. Tutorial rooms will be listed on S-Cubed, Blackboard and on the bulletin board in the Level 3 corridor of the Hugh Mackenzie Building. NAMES AND CONTACT DETAILS Staff Email Phone Room Office Hours Mark Williams (MW) [email protected] 463 6810 vZ 911 Wed 11.00 Jane Stafford (JS) [email protected] 463 6816 vZ 901 TBA Tina Makereti (TM) [email protected] TBA TBA Lydia Wevers (LW) [email protected] 463 6334 Stout Centre COMMUNICATION OF ADDITIONAL INFORMATION This course uses Blackboard for all important information and announcements, as well as running a discussion board, and encourages you to check it regularly.
    [Show full text]
  • Christchurch Writers' Trail
    The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue.
    [Show full text]
  • Staff Publications List
    Staff Publications 1998 Published by the Research Policy Office Victoria University of Wellington PO Box 600 Wellington, New Zealand ISSN 1174-121X CONTENTS FACULTY OF COMMERCE AND ADMINISTRATION 3 Accounting and Commercial Law, School of 3 Business and Public Management, School of 5 Communications and Information Systems Management, School of 11 Economics and Finance, School of 13 FACULTY OF HUMANITIES AND SOCIAL SCIENCES 16 Anthropology 16 Art History 17 Asian Languages 18 Classics 19 Criminology, Institute of 20 Education, School of 22 Institute for Early Childhood Studies 24 English, Film and Theatre, School of 25 European Languages 32 History 33 Linguistics and Applied Language Studies, School of 36 Maori Studies: Te Kawa a Maui, School of 41 Music, School of 41 Nursing and Midwifery 43 Philosophy 45 Political Science and International Relations, School of 46 Sociology and Social policy 47 Women’s Studies 49 FACULTY OF LAW 51 FACULTY OF SCIENCE 54 Architecture, School of 54 Biological Sciences, School of 58 Chemical and Physical Sciences, School of 63 Earth Sciences, School of 65 Mathematical and Computing Sciences, School of 70 Psychology, School of 80 UNIVERSITY INSTITUTES AND CENTRES 82 Centre for Continuing Education/Te Whare Pukenga 82 Health Services Research Centre 83 Institute of Policy Studies 84 University Teaching Development Centre 85 Centre for Strategic Studies 85 Stout Research Centre 86 2 1998 Staff Publications FACULTY OF COMMERCE AND ADMINISTRATION ACCOUNTING AND COMMERCIAL LAW 3. Articles/Chapters/Conference Papers Articles Anderson, Gordon, ‘Interpreting the Employment Contracts Act: Are the Courts Undermining the Act?’, California Western International Law Journal, 28 (1997), pp.
    [Show full text]
  • Embodied Pedagogy: Examples of Moral Practice from Art Education
    EMBODIED PEDAGOGY: EXAMPLES OF MORAL PRACTICE FROM ART EDUCATION Ruth Boyask University of Canterbury, New Zealand Educators operate today in a climate that favours instrumental means to achieve economically rational ends. This emphasis conflicts with the moral purpose of education, which is concerned ostensibly with widening participation and increasing personal liberty. Framed by this potential conflict is an investigation into the activity of historical figures in New Zealand art education to reveal how their deliberate activities negotiated the dominant discourses of their times, and how they shifted cultural production and understandings towards divergent social ends. These historical cases provide insight into possibilities for contemporary educators. Teaching and learning occur both within and outside of educational institutions, policies and sectors. Whilst this premise may not appear particularly innovative or surprising, taken seriously it has the potential to destabilise existing orders of educational practice. It indicates that the creation of knowledge as it is experienced does not necessarily conform to generalised policies nor does it occur within the formal institutions and educational sectors that we have constructed for its legitimation and continuance. However, this premise conflicts with basic assumptions operating currently within the discipline of education, where educational knowledge is positioned in relation to specific and discrete epistemological constructions. This article is developed from a fundamentally phenomenological position, whereby social discourses are constructed through embodied interaction and dialogue, resulting in social practices such as pedagogy, which are ritualised and re-enacted throughout our institutions. The discussion claims that pedagogies have moral implications in that they expand or inhibit social participation and personal liberty, and therefore they encourage educators, when determining a course of action, to deliberate on how their practices intersect with educational structures.
    [Show full text]
  • Mihi Whakatau and Welcome
    Mihi Whakatau and Welcome Tāmaki herenga waka Tāmaki whai rawa Tāmaki pai Tāmaki Makaurau Ko ngā kurī purepure o Tāmaki e kore e ngaro i te pō On behalf of the Aotearoa New Zealand Association of Art Educators (ANZAAE) 2014 conference steering committee, it is my privilege to extend a warm welcome to you all. We are excited to be offering Te Aho I Muri Nei – Supporting Innovation as a forum in which we can all share ideas, perspectives and experiences and engage in constructive dialogue to expand our thinking and weave links that connect us to people, knowledge, theory and practice in the Arts. It gives me great pleasure to welcome so many distinguished guests and participants who have come from near and far to take part in our proceedings over the next three days. As a local, I welcome you to our city and hope you all have an opportunity to enjoy some of what Auckland has to offer. I would also like to take this opportunity to acknowledge and thank our host and major sponsor AUT, and in particular, the Art and Design School for partnering this conference. Your support has been a tremendous help in the shaping and success of Te Aho I Muri Nei – Supporting Innovation. We are privileged to share in your state of the art facilities and welcoming generosity. I hope that these next three days not only provides an opportunity to communicate, but also to collaborate - through interesting and fruitful discussions and conversations, fresh ideas and a new impetus for our work.
    [Show full text]
  • Download PDF Catalogue
    Ron Left Axial No. 9 Corner Painting acrylic on shaped board title inscribed, signed and dated 1985 1690 x 1100 x 700mm $2500 – $4000 Covers: Ann Shelton Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, No. 12 (detail) C type print, edition of 3 1370 x 930mm $3500 – $5000 Important Paintings & Contemporary Art Viewing: Friday 20 November – Thursday 26 November Auction: Thursday 26 November 2009 at 6.30pm Art + Object Telephone: +64 9 354 4646 3 Abbey Street, Newton, Freephone: 0 800 80 60 01 Auckland Facsimile: +64 9 354 4645 PO Box 68 345, Newton, [email protected] Auckland 1145 www.artandobject.co.nz Contents 2 24 74 Catalogue Introduction Photography section Works from the Celia Dunlop commences Collection – lots 84 to 99 6 Objects of Desire – Auction 33 86 Preview Recording artist – a collection This is no Shadowland by Dick of Julian Dashper vinyl records Frizzell – essay by Hamish 10 Coney Twisting the Void – A+O 36 advises NZI on a major Shane Cotton’s Gate (I – XII) sculptural installation to Nga Rangi Tuhaha – essay by celebrate 150 years in New Oliver Stead Zealand 46 15 Sculpture section commences Important Paintings and Contemporary Art (Viewing 56 Times) The Old Sentinel by Charles Goldie – essay by Ben Plumbly 20 Three major works by Peter 70 Robinson from the 1990s – Northland by Colin McCahon – essay by Rebecca Rice essay by Laurence Simmons Welcome to ART+OBJECT’s final major art auction for 2009. This catalogue is the largest and most varied assembled in the company’s history – testimony to the confidence of vendors and collectors in the ongoing performance of the market.
    [Show full text]
  • Download PDF Catalogue
    COLLECTORS NEW ART ART+OBJECT 151 2020 ART + OBJECT 23.06.20 Front cover: Laurence Aberhart Taranaki, Midhurst, 11 July 1991 Back cover: Ann Verdcourt Untitled – Ladybird Figure Art+Object 3 Abbey Street Newton Auckland PO Box 68345 Wellesley Street Auckland 1141 Tel +64 9 354 4646 Free 0 800 80 60 01 Fax +64 9 354 4645 [email protected] www.artandobject.co.nz instagram: @artandobject facebook: Art+Object youtube: ArtandObject Photography: Sam Hartnett Design: Fount–via Print: Graeme Brazier Welcome to Art+Object’s third post-lockdown auction, an absorbing collection of art and decorative arts. In particular we are proud to offer an excellent collection of New Zealand photography from a private collector together with many other interesting consignments. Since returning to the office in May we have completed two auctions that had been on hold since April. Both of these events were remarkably successful and we would like to warmly thank our vendors who remained patient during the lockdown and all those who supported us at the viewings and attended the auctions, whether on-line at home or in person. It is extremely heartening to see that even in the most tumultuous of times, there is still a desire for art in our lives. During the recent lockdown period, like many I agreed with the slogans that suggested we should send 2020 back to where it came from. If only we could rewind and start again! The effect on businesses and families, the many disappointments of cancelled events and travel, will be felt for some time to come.
    [Show full text]
  • 13 1 a R T + O B Je C T 20 18
    NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley.
    [Show full text]
  • Our Finest Illustrated Non-Fiction Award
    Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each.
    [Show full text]
  • Anne Noble – New Zealand Short Cv 2013
    1 ANNE NOBLE ––– NEW ZEALAND CURRICULUM VITAE (Short Version) ANNE NOBLE (Laureate) ONZMONZM,,,, MFA Distinguished Professor of Fine Art (Photography) Massey University, College of Creative Arts P O Box 756, Wellington 6001 New Zealand QUALIFICATIONS 1983 MFA (first class hons) Elam School of Fine Arts, Auckland University 1980 BFA (Senior Scholar in Fine Arts) Elam School of Fine Arts, Auckland University GRANTS AND AWARDS 2013 Fulbright Senior Scholar Award Distinguished Professor, Massey University, New Zealand 2011 US National Science Foundation Polar Medal 2009 NZ Arts Foundation Laureate Award 2009 Massey University Individual Research Medal 2009 Winner of the inaugural Connell’s Bay Sculpture Park Billboard Commission 2009 College of Creative Arts Research Award 2009 Creative New Zealand Publication Grant 2007 US National Science Foundation Artists and Writers Award (US Polar Programme) 2005 Creative New Zealand Project Grant 2005 Massey University Reseach Fellowship 2002 Royal Society, Science and Technology Promotion Fund Grant 2002 Officer of the New Zealand Order of Merit, ONZM 2001 Antarctica New Zealand / Creative New Zealand Antarctic Arts Fellow. 2001 – 2002 2000 Massey University F.I.E.T Award for Innovation and Excellence in Teaching 2000 National Portrait Gallery Biennial Portrait Competition: Runner-up 2000 Visa Gold / Wallace Art Awards: Runner-up SOLE AUTHORED BOOKS 2013 Noble, A. THE LAST ROAD, Clouds, NZ. (In Press) 2011 Noble, A. SPOOLHENGE ANTARCTICA,, University of Plymouth Press, UK 2011 Noble, A. ICE BLINK: An Antarctic Imaginary. Clouds, Auckland, New Zealand 2007 Noble, A. ANNE NOBLE Ruby’s Room , Editions Nicolas Chaudun, Paris, France MAJOR MONOGRAPHS 2012 Server,N. Turner, C & Oates, A (Eds) ANTARCTICA: Sydney Nolan, Anne Noble, Jan Senberg, Philip Hughes, Chris Drury.
    [Show full text]