ASIAN ART 12.6.2019 YEARS SINCE 1959 Auktionstermine Frühjahr 2019 Asiatische Kunst Europäisches Kunstgewerbe 15

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ASIAN ART 12.6.2019 YEARS SINCE 1959 Auktionstermine Frühjahr 2019 Asiatische Kunst Europäisches Kunstgewerbe 15. Mai 2019 Schmuck und Uhren 16. Mai 2019 Alte Kunst 16. Mai 2019 Vorbesichtigung: 10. – 13. Mai 2019 Asian Art Modern 29. Mai 2019 Post War 29. Mai 2019 Contemporary 29. Mai 2019 Sammlung Gerhard F. Reinz 29. Mai 2019 12. Juni 2019 SØR Rusche Collection 29. Mai 2019 Vorbesichtigung: 24. – 27. Mai 2019

Discoveries 5. Juni 2019 Vorbesichtigung: 1. – 3. Juni 2019 Vorbesichtigung Asiatische Kunst 12. Juni 2019 Vorbesichtigung: 6. – 11. Juni 2019

Online Only-Auktionen: Preview Photography 31. Mai – 13. Juni 2019 Vorbesichtigung: 1. – 3. Juni 2019 6. – 11. Juni 2019 Prints and Multiples 14. – 27. Juni 2019

Metropolis 28. Juni – 11. Juli 2019

Auktionstermine Herbst 2019

Europäisches Kunstgewerbe 13. November 2019 Schmuck und Uhren 14. November 2019 Alte Kunst 14. November 2019 Vorbesichtigung: 8. – 11. November 2019 Einlieferungen von Sammlungen, Nach- Modern 27. November 2019 lässen und Einzel stücken sind bis zwei Post War 27. November 2019 Monate vor den Auktionen möglich. Contemporary 27. November 2019 Vorbesichtigung: 22. – 25. November 2019 Unsere Experten informieren Sie gerne über die aktuelle Marktsituation und ge- Discoveries 4. Dezember 2019 ben Ihnen kostenlose Einschätzungen für Vorbesichtigung: 30. November – 2. Dezember 2019 Ihre Kunstwerke. Wir freuen uns auf Ihren Anruf, Ihre E-Mail bzw. Ihre Post. Asiatische Kunst 5. Dezember 2019 洲古董 Vorbesichtigung: 30. November – 4. Dezember 2019 Abbildung Titel: 第433拍 No. 2000 IMPORTANT IMPERIAL PLATE WITH THE EIGHT BUDDHIST 2019年6月12日 TRAESURES. China. Qianlong period. 18th c. 預展時間 Abbildung Rückseite: No. 2104 IMPRESSIVE RELIEF WITH 2019年6月6日11日 FEMALE DEITY RIDING WOLF. Tibet. 18th c. （ 6月9日無預展） Unsere Experten Unser Service Auktionen Termine Our Specialists Our Service im Internet Dates Sales on the Internet

Christoph Bouillon Katalogbestellungen Geschäftszeiten nach der Auktion Live bieten Auktion Vorbesichtigung Katalogredaktion Nicole Burkhard Business hours after the sale Über unsere Website können Sie sich Sale Preview Tel. +49 (221) 925862-32 Tel. +49 (221) 925862-13 Montag bis Freitag 10 bis 17 Uhr zu den Auktionen anmelden und live [email protected] [email protected] Samstag 10 bis 13 Uhr mitbieten. Alle Infos finden Sie auf: Mittwoch, 12. Juni 2019 6. – 11. Juni 2019 www.van-ham.com/kaufen/wie-biete-ich ab 10.00 Uhr Donnerstag 10 bis 18 Uhr Natalie Alfers Schriftliche Gebote Adresse Sammlung Sonderhoff, Freitag 10 bis 18 Uhr Tel. +49 (221) 925862-85 Sebastian Himmes address Auktionen live mitverfolgen Teil II 2000 – 2012 Samstag 10 bis 16 Uhr [email protected] Tel. +49 (221) 925862-16 Van Ham Kunstauktionen Wenn Sie die Auktion nur live mitver- China 2013 – 2102 Sonntag (Pfingsten) geschlossen [email protected] Hitzelerstraße 2 folgen möchten, benötigen Sie keine Buddhistische Kunst 2103 – 2140 Montag (Pfingsten) 11 bis 16 Uhr Walter Bruno Brix 50968 Köln Anmeldung. Sammlung Dr. Börsch 2141 – 2151 Dienstag 10 bis 18 Uhr Tel. +49 (221) 925862-28 Telefonische Gebote Tel.: +49 (221) 925862-0 Südostasien 2152 – 2201 [email protected] Anja Bongartz Fax: +49 (221) 925862-4 Japan 2202 – 2217 Tel. +49 (221) 925862-17 [email protected] Iris Hekeler [email protected] www.van-ham.com LIVE AUKTION ab 14.00 Uhr Tel. +49 (221) 925862-21 Netsuke & Inro 2218 – 2347 [email protected] Versand Am Ende des Kataloges finden Sie Sammlung Holter 2348 – 2426 Diana Breit You will find at the end of the Asiatische Kunst, Part II 2427 – 2628 Hua Yan Tel. +49 (221) 925862-57 catalogue: Tel. +49 (221) 925862-80 [email protected] Erläuterungen zum Katalog [email protected] Einliefererverzeichnis Warenausgabe Geschäftsbedingungen Olaf Schneemann Tobias May Impressum Tel. +49 (221) 925862-85 Tel. +49 (221) 925862-23 [email protected] [email protected] Explanations to the catalogue List of Consignors Eva Seidel Buchhaltung Conditions of sale Beratung Buddhistische Kunst Birgit Uttendörfer Legal notice Tel. +49 (221) 925862-58 [email protected] 預展時間： 2019年6月6日-11日 Auktionatoren Sekretariat 6月6日期 10-18時 Markus Eisenbeis, öffentl. best. Nicole Burkhard 6月7日期 10-18時 und vereidigter Kunst versteigerer Tel. +49 (221) 925862-13 6月8日期 10-16時 Reinhard Singer, öffentl. best. [email protected] 6月9日期日無預展 und vereidigter Kunst versteigerer 拍賣流： 6月10日期一 11-16時 Robert van den Valentyn, Rechnungen 2019年6月12日期三 6月11日期 10-18時 Kunstversteigerer Olga Patriki 上10時開始 Christoph Bouillon, Tel. +49 (221) 925862-15 德人品· 2000-2012號 Kunstversteigerer [email protected] 中國藝術品 2013-2102號拍賣會後業時間：教藝術 2103-2140號期一至期 10-17時拍賣期 10-13 時易士人品 2141-2151號藝術 2152-2201號德國科 VAN HAM（範∙）日本藝術品 2202-2217號藝術拍賣公司 Hitzeler Str. 2, Cologne, Germany 下2時開始電話：+49 (221) 925862-0 日本根、 2218-2347號傳真：+49 (221) 925862-4 特人品 2348-2426號郵：[email protected] 圖錄第部分 2427-2628號網：www.van-ham.com

Unsere Experten Our Specialists Asian Art Part I

v.r.n.l. Christoph Bouillon Hua Yan Natalie Alfers Walter Bruno Brix Iris Hekeler Collection Sonderhoff Part II

Dr. jur. Roland Sonderhoff was born in Felix Jud & Co. in the Colonnaden as a 1897 in Harburg. From 1916 he studied partner. 1933 she followed Sonderhoff law in Munich and Jena, where he also to Japan, where soon their two children received his doctorate early in 1920. Ursula and Hartwig were born. In Hamburg, he worked briefly in the After the end of the war, most Germans civil service at the court and began in living in Japan were expelled and the the same year with the training at the Sonderhoff family also had to travel Norddeutsche Bank. After three years he to Germany with small luggage. The was appointed authorized officer and collection of artworks remained with led the legal department from 1925 to trusted friends in Japan, who later 1929. When in 1927/28 the takeover of returned them one after the other. Norddeutsche Bank by a larger company Sonderhoff was exonerated and moved with a well-equipped legal department with his family to Hamburg. In 1952 became apparent, Sonderhoff saw for a Sonderhoff returned to Japan with new field of activity in his wide circle of the Japanese visa No. 1 to resume the acquaintances. Among others, he got in operations of the lawyers office. contact with the lawyer Dr. Karl Vogt via Since his arrival in East Asia, Dr. 法學士德∙德1897年於出生德國客戶在專利和標法方面的權。藝術品之外，還有來自的 the Hamburg-based representative of the Roland Sonderhoff bought bronzes, Roland Sonderhoff Yokohama Specie Bank Sonoda Saburo. porcelains, scroll paintings, screens and 德國。從1916年起，他在在生期間，德認識圖、斯地的藝術品、造像、 Vogt was looking for a German lawyer other art - he assembled an important 和學法律，並在1920年獲得書人納∙卡特女士。在1923 國像以及藝術品。可為 for his law office, he had established collection. In the period after 1952 it 士學。之後他作為公務員在法工年作為創於的Felix Jud & 只到記錄的第冊。面有 1912 in Japan. As early as 1929, March was supplemented only with a few more 作一時間，同年開始在北德意銀行 Co.書。1933年隨德日底部相同的有字的標。 1st Sonderhoff joined the office in Tokyo pieces in Hong Kong and Tokyo until 接受。三年後，他任為權代理本，不在生下他們的一女。他的女∙內特（原名 as an employee. At the beginning of about 1976. Sonderhoff meticulously 人，並於1925年至1929年擔任法律部次世大結束後，大多在日本德）士根據親手寫的字條並 1932 he became a partner and from documented his purchases in detailed 導。1927年至1928年當北德意銀行的德國人逐，德一家也帶著自大的專業知識，立一份清 now on the office was run as Drs. K. descriptions with date, location and Ursula Lienert, b. Sonderhoff after the 即將一家更大的企業收購時，他開始在行到德國。他們收的藝術品留單，面有關於品的更多息。 Vogt and R. Sonderhoff. Through his provenance as well as the prices paid. handwritten notes of her father and 範圍內新的業會，期間在日本的好處，之後逐全內特士供於藝術 studies of Japanese language and writing The documentation shows his broad supplemented by her immense expertise. 他通過日本正金銀行的代表還。德全家人到，並在物，之後擔任過藝術和工藝 Sonderhoff gained a strong interest in interests. In addition to the East Asian Dr. Lienert worked in the Museum of 人認識律師卡∙格特完成第次國家，到物的展人。品息是用 Asian art and used his travels to acquire works of art he also collected ceramics East Asian Art in Berlin and later as a 士。格特士於1912年在日本成立法權的律師格。1952年正值德國字寫成的，由德本人或他女 numerous works of art. In China, he from Peru, Persian-Iranian objects, Khmer curator in the Museum of Arts and Crafts 一家律師務所，正在一德國律重的產之際，德一完成，還有當時及之後的片。 visited Beijing, but also the city of Harbin, figures, Buddha from Thailand and works in Hamburg. Added to the objects are, as 師。1929年3月1日德開始在於號證重日本，以復務所的作。此處的片顯示的是他們在於Als- where Vogt maintained an office to serve of art from Tibet. Unfortunately only the far as available, information sheets typed 的家律師務所工作，1932年自從他最到後，開始收 terkamp19號別的一間有的 the patent and trademark interests of second volume of the records has been by the collector or his daughter. Also 到合人，務所也更名為、、畫、風等藝術品，間，1970年至1981年間他們每年會在 German clients in Mandchukuo. found so far. In this identical stickers with photos from the period and later. 人的名字。通過學日和文字，立個人收。1952年以後至1976年上至年。 Already in his time in Hamburg, printed four-digit numbers are used as The photo above shows the chimney 德對洲藝術產生，開，他在和日本補品。 Sonderhoff had come to know the on the undersides of the porcelain. room of the villa in Hamburg, Alsterkamp 始以行之收種藝術品。在中國，德以學術方式細描述他的 bookseller Erna Kracht. In 1923 she had Additional information about the pieces 19, where the family lived from 1970 to 他不過北，還到，有品，並記錄下購買日期、地、來 co-founded the Hamburger Buecherstube could be found in a list written by Dr. 1981 at least six months a year. 務所一個辦處，專在洲國護支付的價格。見他之。

Collection Sonderhoff Part II 2000 IMPORTANT IMPERIAL PLATE WITH 口 THE EIGHT BUDDHIST TRAESURES. 清(1735-1796) 18世 BEDEUTENDER KAISERLICHER TELLER 高7.5cm/40.5cm MIT DEN ACHT BUDDHISTISCHEN 形，口，形，底， SCHÄTZEN. ，，部通體以工藝 China. Qing dynasty. Qianlong period ，以為地開的， (1735-1796). 18th c. 外圍分教（即法、、、、、法、、 Dark cinnabar red carved lacquer. Wood- ）及角一週，其間 en core with textile. The large plate in 地。內以字為地，組角 the shape of a lotus flower with an eight- ，口一週。面口一週如 folded rim. In the center a large peony 意，外，處 flower with a wide border of dense scrolls 及一週。底內書大清 with the Eight Buddhist Treasures placed 年製字填金書款。 each above a lotus flower. Further outside 形規重，， a border with square spirals. The back- ，規，有序， ground engraved with a fine pattern of 美之，具和之意，可 chess board. The lip adorned with a leiw- 別具，應為的清品。 en border, the rim with more spiral motifs 品相等級B，有損壞及部分修復。 intertwined with rings. 來：德人。類：物編《國立 On the outside the lip with a ruyi border 物雕》，1971年出版， with lotus scrolls and spear shaped leafs. 第31號。 At the foot another leiwen border. Height 7.5cm, Ø 40.5cm. Underneath lacquered € 20.000 – 30.000 | $ 22.400 – 33.600 black and engraved with a six part Qian- long mark, rubbed with gold and from the period. Condition B. Damaged and partly restored.

Provenance: -Collection Sonderhoff, acquired locally.

Literature: -Palace Museum Taiwan (pb.): Masterpieces of Chinese Carved Lacquer Ware in the National Palace Museum. Taiwan, 1971. Compare no. 31. 2002 STACKED BOX WITH Provenance: POENIES ON A TRAY. -Collection Sonderhoff, acquired locally. STAPELKASTEN MIT PÄONIEN AUF TABLETT. 方角及 China. Qing dynasty. 19th c. 底清高15.5cm/20.5x20.5cm Cinnabar red carved lacquer. Wooden 通體，內及底部。 core with textile. Inside and underneath 品相等級B，部分損壞修復。 lacquered black. The two lower parts and 來：德人。 the lid likewise decorated with cartouches 類：物編《國立 in which the ﬂowers of the twelve months 物雕》，1971年出版， are shown on a chess board background. 第28號。

The drawn-in corners are adorned with € 1.500 – 2.500 | $ 1.680 – 2.800 large peony scrolls. On the lid peonies, begonias and chrysanthemum, on the outside a border with the attributes of the Eight Daoist Immortals. The tray on ruyi shaped feet is carved with ﬁne patterns, like the other parts of the box as background. Height 15.5cm, 20.5x20.5cm. Condition B. Partly damaged and restored.

2002 2001 SMALL TRAY AND BOX FOR INCENSE. 銀式及口 KLEINES TABLETT UND DECKELDOSE 清 19世 FÜR RÄUCHERWERK. 高4.5cm/10.3x10.5cm China. Qing dynasty. 19th c. 高1.8cm/18.7x13.5cm 外，內部及底部，地 Cinnabar red carved lacquer. Wooden 。海水及如意。 core with textile. Inside and underneath 品相等級B，有損壞、及修復。 lacquered black. Both with ﬁnely en- 來：德人。 graved patterns, the lid of the box with plum blossoms on waves and ruyi shapes. Tray height 1.8cm, 18.7x13.5cm, box height.4.5cm, 10.3x10.5cm. Condition B. Damaged, parts missing and restored. 2001

Provenance: -Collection Sonderhoff, acquired locally.

€ 900 – 1.200 | $ 1.008 – 1.344

Collection Sonderhoff Part II 2003 IMPORTANT SCREEN OF FOUR The screen was later disassembled and PANELS CARVED ON BOTH SIDES. the four parts where used as doors for a BEDEUTENDER VIERTEILIGER, cabinet. Each panel height 186cm, width BEIDSEITIG BESCHNITZER PARAVENT. 54.5cm, depth 3cm. Condition A/B. Traces China. Qing dynasty. 18th/19th c. of the screws of the metal ﬁttings.

Dark hard wood, carved in bas-relief. Each Provenance: part consists of a frame on high feet, in -Collection Sonderhoff. which ﬁve panels have been set in. They are carved with depictions of the Twen- 木雕條風 ty-Four Examples of ﬁlial Piety resp. the 清 18/19世 Eight Daoist Immortals. The back shows 每條高186cm/寬54.5cm/3cm signs of luck and long life with bats and 條下承高，牙，主體框 peach twigs. 不同大小的，其內部用高浮雕工藝正面雕人物及圖，面及。風分別改成，可見安的金件。品相等級A/B。來：德人。

€ 6.000 – 8.000 | $ 6.720 – 8.960 2004 2005 PAIR OF MALLOW FLOWER Shape and motiv are refering to dingyao RARE SACRIFICIAL BLUE DISH SHAPED DISHES. cermics from the Song dynasty. Height FOR THE ALTAR OF HEAVEN. 明 1521-1566年 PAAR HIBISKUSBLÜTENTELLER. 4cm, Ø 19.5cm. Underneath in under- SELTENER OPFERBLAUER TELLER 高4.1cm/口20.7cm China. Qing dynasty. 1700-1730. glaze blue a brocade mark in double ring. FÜR DEN ALTAR DES HIMMELS. 口，，深，內收。此 Condition A/B. One lip rim on the under- China. Ming dynasty. Jiajing period 中微，為特徵之一。 White Porcelain with a light greyish green side with minimal chip. (1521-1566). 底內書大明年製字 tint, glazed transparent. Dish with steep 行書款。明、清“”， wall and outswinging lip on a wide, Provenance: Porcelain with dark cobalt blue glaze, “”、“”、“”，為 somewhat retracted footring. Inside -Collection Sonderhoff. Acquired locally ‘sacrificial blue’ (jilan). The wall a bit bul- 明室規定的用。 modelled and with fineley engraved before 1942. Underneath of one dish bous with an outswinging lip, on a wide, 品相等級C，內外部 elegant lines a mallow flower. The inner residue of a paper collection label. somewhat retracted foot ring. Glazed 。微損，有小線。 row of three-lobed flower petals arranged dark blue, inside the footring transparent. 來：德人品，1941年前購 around a chrysanthemum shaped centre 仿定（一對）。底無法識。 of the stamens. The outer petals forming 清 1700-1730年高4cm/口19.5cm Dishes, vases and other vessels from 參閱： the eight-lobed lip of the dish. 此通體，質細輕。口， porcelain have been glazed monochrom -(Regina Krahl)著《茵中國，，造約，有 since the Yuan dynasty (1297-1368). 》(Chinese Ceramics from the 或。中內 They where used every day, but although Meiyintang Collection)，倫1994-2010 織款。品相等級A/B，一口 for rituals and for decoration. This type 年出版，2，編號705。有小磕。 of dark blue, named sacrificial blue was -《物文物品全37∙ 來：德人。1942年之前 used for ceremonies and rituals at the 》，1999年出版，77頁。購。一底有存。 Altar of Heaven (tiantan). Height 4.1cm, Ø 20.7cm. Underneath in underglaze blue € 8.000 – 10.000 | $ 8.960 – 11.200 € 2.000 – 3.000 | $ 2.240 – 3.360 a six part Jiajing mark in double ring and from the period. Condition C. Glaze altered, prob. because of a fire or from the kiln. Inside traces of use. Crack at the rim.

Provenance: -Collection Sonderhoff. Acquired locally before 1942. Underneath an old illegible collection label.

Literature: -Regina Krahl: Chinese Ceramics from the Meiyintang Collection. London 1994-2010. Compare Vol. II, No 705. -The Complete Collection of Treasures of the Palace Museum Beijing 37. Mono- chrome Porcelaine. Hong Kong 1999. Compare p. 77.

Collection Sonderhoff Part II 2006 2007 YELLOW DISH WITH DRAGONS. RARE PAIR OF YELLOW （一對） GELBER TELLER MIT DRACHEN. 清 18/19世高5cm/24.2cm GLAZED BOWLS. 仿清正 China. Qing dynasty. 18th/19th c. 底內書大清年製 PAAR SELTENER GELB 高約5.7cm/口12cm/重97g及103g 字行書款。品相等級A/B，輕微 GLASIERTE SCHALEN. 口，，。小，內外 Porcelain with scratched decoration, 損，底一處。 China. In the style of the 明，面。此種應 glazed yellow and green. Inside a pair of 來：德人品，1972年前購 Yongzheng period, but later. 為、后及后用。 five clawed dragons chasing a flaming 。底部無法識。內書字書寄託款大清 pearl. On the outside four stylized clouds. Thin walled porcelain, glazed yellow 正年製。 Height 5cm, Ø 24.2cm. Underneath in € 900 – 1.200 | $ 1.008 – 1.344 inside and out, underneath transparent. 品相等級B/C，輕微使用痕跡，一口 underglaze blue in double ring mark: Da Elegant shape with outswinging lip on a 處細微線。 Qing Kangxi nian zhi, probl. later. Residue small footring, somewhat retracted. The 來：德人品，1942年之前 of an old label: (...) 523, Nr. 216, 1972 yellow glaze fineley iridescent. 購。一底部有存 (...). Condition A/B. Slight scratches. Underneath small firing impurity. In the Qing dynasty bowls glazed yellow € 8.000 – 10.000 | $ 8.960 – 11.200 inside and out have been reserved for Provenance: use by the emperor, the empress and the -Collection Sonderhoff, acquired dowager empress. Weight resp. 97/103g, before 1972 locally. height ca. 5.7cm, Ø 12cm. Underneath in underglaze blue a six part Yongzheng mark in double ring, but later. Condition B/C. Some scratches from use. One bowl with short crack in the wall.

Provenance: -Collection Sonderhoff. Acquried loacally before 1942. Underneath of one bowl an old illegible collection label.

Collection Sonderhoff Part II 2008 RARE IMPERIAL COLUMN CARPET WITH THE EIGHT BUDDHIST TREASURES. SELTENER SÄULENTEPPICH MIT DEN ACHT BUDDHISTISCHEN KOSTBARKEITEN. China. Qing dynasty. 18. Jh.

Pile wool, warp and weft cotton. The carpet is divided lengthwise into four columns, in each of which four of the Eight Buddhist Treasures are depicted with swinging ribbons. A canopy is shown at the top of each column, a stylized rock rising from waves and the deep water at the bottom. The shape of the carpet suggests that it was made for the bulbous column in a temple. The colours are a little better preserved on the back and show the orange-red ground tone. 221x142cm. Condition A/B.

Provenance: -Collection Sonderhoff, acquiried locally.

見教清 18世 221cm/寬142cm 用為原料，線為。正面垂方向以線分成列，每列，底部為海水圖，中部內種帶教。按此的規，應用於圍的，由於使用過中線期，正面有一定度的化，面應為其本來的。來：德人。參閱：Royal Academy of Arts出版《中國藝術國際展覽會》(International Exhi- bition of Chinese Art)，倫1935/6，第 2295號。

€ 7.000 – 12.000 | $ 7.840 – 13.440

2009 2011 LARGE ROUND TRAY WITH BOWL WITH FRUITS AND FLOWERS. FLOWERING PEONY. SCHALE MIT FRÜCHTEN UND BLÜTEN. GROßES RUNDES TABLETT MIT Burma/Myanmar. Second half 19th c. PÄONIENZWEIG. Japan. 1st. half 20th c. Silber in repoussé. Height 10cm, Ø 19cm. Underneath maker marks and inscription Kamakura bori. Wood carved in bas-relief of the owner. Condition B. Inside green and lacquered. Ø 46cm. Condition A/B. patina. Dented.

Provenance: Provenance: -Collection Sonderhoff, acquired locally. -Collection Sonderhoff, acquired locally.

€ 400 – 600 | $ 448 – 672 € 600 – 900 | $ 672 – 1.008

2010 LARGE TRAY IN THE SHAPE OF A ROTTEN LOTOS LEAF. GROßES RÄUCHERWERK-TABLETT IN FORM EINES VERROTTENDEN LOTOS- BLATTS. Japan. Meiji period (1868-1912). Ca. 1900. Itô Tesseki, attributed.

Dark root wood, carved and polished. The natural damages incooperated in 2011 the design. 59 x 52cm. Condition A/B. Enclosed: Original wooden box (kiribako) from the maker.

Provenance: -Collection Sonderhoff, acquired locally. 2009

€ 1.000 – 1.500 | $ 1.120 – 1.680

2012 RARE PANEL WITH STANDING PADMAPANI. SELTENES PANEL MIT STEHENDEM PADMAPANI. Nepal. 19th c.

Bronze with gilding. Filigrane work with inlays of semi precious stones carved in relief. 31x18cm. Condition A/B.

Provenance: -Collection Sonderhoff, acquired locally.

見金金線細工手 19世 31x18cm 品相等級A/B。來：德人。

2010 € 1.500 – 2.000 | $ 1.680 – 2.240 | ‡

2012 Collection Sonderhoff Part II China

Werner Köntges (1902 –1997) – A Cologne art dealer legend

Werner Köntges was born in 1902 in 威內特根斯1902年生於德國 Cologne during the imperial era. At 科，家代在業小有成 that time, his family had been running ，年輕的特根斯生並不以 one of the most legendary restaurants 此作為自的業，他更多地是將目 in the city named "Em Golde Kappes" 向藝術，其是來自歐洲以外 on Neusser Straße for generations. 國家的藝術品。1937年，他於將此 But the young Werner did not see his 業好發展成自為之生的 future in gastronomy. Since his earliest 業，在科Friesenwall開他的第一 youth he was interested in art and es- 家古董。之後，在的Ho- pecially in the arts and crafts of distant henzollernring新，主要 countries. The globetrotter undertook 洲藝術品。1997年，對著藝術有 a long journey and got to know the 著無情的特根斯生以95高 world even at a young age. 在科世。 In 1937 he finally turned his hobby into profession and opened his first antique shop on Friesenwall in Cologne. After the war, he moved into new, larger premises on the exclusive Hohenzol- lernring. Right from the start, the focus of the objects on offer was clearly on antiques from Asia. Until in old age, he was a passionate art dealer and enjoyed talking about art with customers and friends every day anew. Werner Köntges died in 1997 after a rich and fulfilling life at the age of 95 in his hometown. 2013 A PAIR OF RARE AND LARGE Christoph Bouillon GUANYIN WITH BOY. PAAR SELTENER, GROßER GUANYIN MIT KNABEN. China. Qing dynasty. Kangxi period (1661-1722). Dehua, Fujian Province.

China Blanc de Chine porcelain with later West- 德化加彩子立像一對 ern painting. Here as Songzi Guanyin (The 清 1661-1722年高約65cm Childbearing Goddess of Mercy) standing 子束高，，下 on a rocky pedestal and holding a baby 著，間繫帶，垂結至，一 boy in her right arm. The head of the lady 子，情，立在 with the elaborate hairdo is made sepa- 底上。子手筆，象徵知，手 rately. Her loose and nonchalantly knotted 金元，象徵財。為單獨製 robes are decorated with colourful flower 作，可式安。服上的 twigs. The child holds a brush (symbol 、描金及加彩應為歐洲後。 of curiosity) in his right hand and a gold 子的形象最出現在北時期 ingot (symbol of prosperity) in his left. （960-1127年），在明清時期其常 Height ca. 65cm. Later bases from wood, 見。方手的形 Ø 24.5cm. Condition B. Painting partly 象相，作為外銷品在歐洲受。 rubbed. Gilding partly renewed. Firing 一德化有可能是在歐洲後加 cracks. The brush and gold ingot of one 彩，如此立像的和目加 of the children broken off and one finger 彩，及物加彩明並金。品相 on a Guanyin damaged. 等級B，部分加彩損，部分金修補，裂。一子手中筆和金元裂，一 Songzi Guanyin appeared first in the 的指破損。 Northern Song dynasty (960-1127), but 後形木支，24.5cm。 it was most widespread during the Ming 來：德國科著名古董Werner Köntges and Qing dynasties. Because of their re- （1902-1997年）人品。自1950年代 semblance to Christian Madonnas with 家收並傳承。 child, these figures enjoyed great pop- ularity as export goods to the western € 10.000 – 15.000 | $ 11.200 – 16.800 market. Sometimes the Dehua porcelain figures were additionally painted in color, most likely in the West. Here the hair and the facial features in black with a little bit of red, the robes and jewels in bright colors and with much gilding.

Provenance: -Collection of the famous Cologne antiques dealer Werner Köntges (1902-1997). Family owned since 1950s.

China 2014 2015 2016 CENSER WITH THE EIGHT TRIAGRAMS. LARGE DISH WITH DRAGONS. BELL FROM PROTO POCELAIN. WEIHRAUCHBRENNER MIT DEN GROßE SCHALE MIT DRACHEN. GLOCKE AUS PROTOPORZELLAN. ACHT TRIGRAMMEN. China. Longquan. Qing dynasty China. Warring States till China. Longquan. (1644-1911). Western Han dynasty. Late Ming dynasty. 17th c. Heavy stoneware with green celadon High-fired stoneware i.e. proto porce- Heavy stoneware with crazed celadon glaze. Deep form with rising wall and lain with ash glaze. Reddish patina from glaze. Inside and underneath each an slightly drawn in edge. Inside a four- subterranean storage. In imitation of an unglazed, ironred fired ring. Bulbous clawed dragon with pearl in bas-relief. archaic bronze (zhong) as burial object. body with two twisted handles on the Decorations of stylized foliage cut into Of pointed oval form, cut out in arched wide neck ring with flared lip. Three short the wall. In the rounded, slightly retracted shape at the bottom. At the top a cylindri- feet around a round elevation at the footring, a reddish ring from the firing cal shaft and a lug for hanging. The bell bottom, which probably served as a fire partly omitted from the glaze. Ø 30cm. is divided into rectangular fields, each of support. On the body the Eight Trigrams Condition A/B. Slight scatches due to use. which is structured with three large resp. in relief, above each one knob. Inside in many small knobs in a diamond pattern. a modelled medallion with cash-patterns. The conical smooth field in between Height ca. 11cm, Ø 24.2cm. Underneath 清 1644-1911年 30cm serves to strike different tones in the inscribed in Chinese with ink (ilegible). 體重，通體。深，， bronze bells. In the lower area there is a Collection no. 268. Condition B. One ，口。中浮雕一立 complex multi-part taotie mask in relief handle three times broken and repaired. ，內。內收， on each side. Height ca. 59cm. Fitting ，一處。品相等級 base from acryl glass. Condition A/B. 三 A/B，輕微使用損。明晚期 17世高約11cm/24.2cm Provenance: 體重，通體，面細小 € 800 – 1.200 | $ 896 – 1.344 -Rhenish private collection. Aquried 開裂。，口， ca. 2005 in the art trade. ，三。有，其上一週起的。內形處。底處起，國至高約29cm 應作用，其上書品號268，其原始，帶，表有文字不清。品相等級B，一痕跡。形，仿晚期裂並修復。，梯形，部一及形。正有出的， € 900 – 1.200 | $ 1.008 – 1.344 上下一週，部浮雕，角，口為形。品相等級A/B。底。來：德國萊茵地人收，約2005 年購於古董拍賣會。

€ 4.000 – 6.000 | $ 4.480 – 6.720

2015 2014

China Collection Josef Rieks

Backe, backe Kuchen or a Collector's Life Story

Cake makes people happy or creates the Rolf Fritz, who was director of the mu- The precious pieces found a worthy spot 2017 basis for a happy and fulfilled life. At least seum at that time. A friendship quickly in his newly built house in Selm, where LARGE GU SHAPED VASE. 彩人物 with Josef Rieks, as he was born into a developed between the two of them they were combined affectionately and GROßE GU-FÖRMIGE VASE. 明末清過期約17世中期 renowned confectioner's family. He was and the art historian, known far beyond showcased accordingly by the landlord. China. Transitional period. Ca. mid 17th c. 高39.5cm born in 1923 in Lünen. His childhood and Westphalia, also encouraged him in buil- He enjoyed the exhibits of his collection 造規，古。質 youth were marked by the turmoils of ding up his own collection. Rieks did this on a daily basis into old age. Josef Rieks Porcelain in wucai with underglaze blue ，面細，及彩 the Great Depression, the horrors of the with enthusiasm. In the 1960s and 1970s died in February this year at the blessed and enamel in green, yellow, aubergine, （、、、、）。三式， Nazi dictatorship and the Second World he assembled an important collection of age of 95. iron red and black. Underneath unglazed. 上面口，繪高士圖中 War. As a young man he experienced the sacred art. Rolf Fritz advised him on the Trumpet vase with a stepped, slightly bul- ，下部 war first-hand as a fighter on the Wes- development of the collection. Christoph Bouillon bous central zone and a somewhat flared 式，實。口一週裂 tern Front. It was happiness in disguise 1982 Josef Rieks not only decided to foot. In the upper part, beneath a border ，底。底。 when he was injured in combat and had sell his business, but also considered the of cracked ice, a scholar with servants in 品相等級A/B，許。 to spend the rest of the war in a military thought of parting with his collection to a garden with a banana plant and rocks. 來：德國Josef Rieks人品。 hospital in Czechoslovakia. start a new one. This time with the fo- 約·斯1923年生於德國北部 The middle part with blooming branches, 1977年11月22日Hetjens物收據 After the war he trained to become a cus on European handicraft of the 18th 的世家，年時歷大 large pomegranates and peaches above 及Anne Roselt出具的定書。 baker and confectioner in order to be able century and Classical Modern visual arts. 條和納獨，並作為士歷第 the foot. Height 39.5cm. Condition A/B. to continue his family's tradition. In the Thus, he sold his sacral treasures very suc- 次世大。後他學製作手 At the lip minute glaze spalling. € 3.500 – 4.000 | $ 3.920 – 4.480 1950s he took over his parents' business cessfully. Now as a private man he finally 藝，1950年代承家業並發大，在 in Lünen. He modernised the business and had enough time and leisure for his belo- 當地有名。斯生自年起 Provenance: built a new house to live and work in. The ved “hobby” and he devoted himseld to 於藝術，其是教藝術，並在卡 -Collection Josef Rieks. confectionery quickly became one of the this with great passion. He was always a 格物好· -Receipt from the Hetjens-Museum most renowned companies in the region welcome guest at the TEFAF and the Co- 生的導下開始立自的收。1982 (22.11.1977) and expertise from Anne and the name Josef Rieks represented the logne Fine Art & Antiques. And he repea- 年他定出售企業和多年來收的教 Roselt attached. finest bakery products. Due to this suc- tedly visited renowned art dealers such as 藝術品，開始18世歐洲藝術 cess, a branch was opened soon. Erwin Gierhards, Michael Nolte and Heinz 品以及古現代主義藝術，更多的時 Rieks had been interested in art since ear- Reichert with enthusiasm. In the following 間、和情發展他對藝術的好。 liest childhood. In his limited spare time years he succeeded in assembling a coll- 他是TEFAF等古董展以及知名古董的常 he often visited the museums and castles ection of extremly high-quality pieces 客，專注於收高品質的法式家具、金 of Westphalia and the Münsterland. This of French furniture, gilt bronze statues, 像、代特以及中國。2019 was the beginning of a great love for Delftware Wonderware and Chinese 年2月斯生以95高世，範 sacred art. His most important address on porcelain. But he also collected art of the 拍賣公司首次將他的品進行公開拍 this topic was the nearby Museum Schloss Classical Modern Age, for example works 賣，以下的2017和2018號組拍品即為 Cappenberg. There he met the legendary by Othon Friesz and Gerhard Marcks. 他的人品。

China Collection Josef Rieks 2018 Porcelain painted in underglaze with co- 外銷件 FIVE PART SET OF BLUE balt blue in shaded tones. The set consists 清 1661-1722年高47cm/53.5cm AND WHITE VASE. of three baluster shaped vase, each with 此或組由三和 FÜNFTEILIGE BLAU-WEIßE a domed lotus shaped lid. Decorated 組成，大小形的開 VASEN-GARNITUR. with large and smaller flower leaf shaped ，內繪。發， China. Qing dynasty. Kangxi period forms filled with flowering trees, birds and 次分明，實為外銷中 (1661-1722). flowers of the twelve months. Two vases 的品。品相等級B，三件均有 in phoenix tail shape (fengweizun) with 小磕，一件口及一件部 similar decoration. Height 47cm/53.5cm. 一條線。 Each on the underside a lingzhi mush- 來：德國Josef Rieks人品。 room in doublering in underglaze blue. Condition B. Chips at the rim of all lids. € 4.000 – 6.000 | $ 4.480 – 6.720 Chipped at the lip each at a gu vase and at the neck of a baluster vase.

Provenance: -Collection Josef Rieks.

China Collection Josef Rieks 2019 2020 SMALL TEAPOT WITH PEONIES. 外銷小 LARGE DISH WITH DRAGON On the wall alternating dragons and KLEINE TEEKANNE MIT PÄONIEN. 清 1661-1722年 AND PHOENIX PAIRS. phoenix in profile on a background of 18世或更高8cm/35cm China. Kangxi period (1661-1722). 無高5.5cm/7cm GROßER TELLER MIT DRACHEN- dense flower scrolls. The motiv is similar 深，，。通體重輕，組形開內 UND PHÖNIX-PAAREN. on the outside. At the rim a border of ，有和現象，底無。 Thin walled porcelain, finely painted in 。底部書單字書款。 China. 18th c. or earlier. meander pattern, at the foot with spirals. 中地對圖，一 underglaze blue. Elegant bulbous shape 後，19世末。 Height 8cm, Ø 35cm. In a reserve of the 週帶。內外三對 with thin spout, decorated with lotus 品相等級A/B。 Porcelain painted underglaze with strong meander border at the rim a horizontal 於的之間，口內外 shaped leafs with pots with flowering cobalt blue with heap and pile on the four part mark ‘Wanlin nian zhi’, but later. 一週，處帶。帶開 peonies. Lid later, end of 19th c. Height € 600 – 900 | $ 672 – 1.008 surface. Underneath unglazed. Deep dish Condition C. Gold lacquer repair in the 內書年製字書寄託 5.5cm (without lid). Ø 7cm. Underneath with swung wall on a low footring. In fine wall. Hairline crack and chip at the rim. 款。品相等級C，口處有小磕及線， yu mark. Condition A/B. painting a medallion with a spiral border 金修復。 a pair of dragon and phoenix looking at each other amidst flower scrolls. € 2.200 – 2.800 | $ 2.464 – 3.136

China 2021 2022 TWO POWDERBLUE DISHES WITH 描金古 ROULEAU VASE WITH THE HUNDERT ANTIQUITIES. 清 1661-1722年 LANDSCAPES AND FLOWERS. ZWEI PUDERBLAUE TELLER MIT 高4.2cm/27-27.5cm ROULEAU-VASE MIT DEN HUNDERT ANTIQUITÄTEN. 底內一方及款。 LANDSCHAFTEN UND BLUMEN. China. Qing dynasty. Kangxi period 品相級別B，有小磕，內有現 China. 19th/20th c. (1661-1722). 象，描金部損。 Porcelain glazed powderblue and painted Porcelain glazed powderblue, painted € 2.200 – 2.500 | $ 2.464 – 2.800 with gold. On powderblue background with gold, partly rubbed. Beneath the lip ten square shapes filled with landscapes a swastika border. Height 4.2cm, Ø 27- and flower and bird decoration. Inbe- 27.5cm. Underneath in underglaze blue tween butterflies, fruits and Daoist trea- diamond (fangsheng) resp. censer mark in sures. Height 48.5cm. Condition A/B. double ring. Condition B. Small chips at Goldpainting only a little bit rubbed. lip. Glaze imperfections. 描金開水 19/20世高48.5cm 開間處、果實及。品相級別A/B，描金輕微損。

€ 1.500 – 1.800 | $ 1.680 – 2.016

China 2023 2024 RARE AND EARLY DISH The city wall behind them is adorned with 粉彩人物大 A PAIR OF BEGONIA SHAPED At the sides and beneath the lips fine gold 彩描金開人物海一對 IN FAMILLE ROSE VERTE. sevencolored bricks. At the lip a narrow 清 18世上高6.4cm/39cm VASES WITH HANDLES. scrolls. At the neck two medaillons with 清 1735-1796年高29cm SELTENER UND FRÜHER TELLER border with the attributes of the Four 內大幅人物主題，使用、 PAAR BEGONIENFÖRMIGER flowering shrubs at rocks. Height 29cm. 海式，，，形。 IN FAMILLE ROSE VERTE. Virtues of the Scholar (music, calligraphy, 、、、、、粉等的上 VASEN MIT HENKELN. Condition A/B. At the lip of one vase a 體輕，部及部前後一開內 China. Qing dynasty. First half 18th c. painting and play) in medallions on a 彩，形地開內書畫 China. Qing dynasty. minute chip, the other with a hairline 人物及圖，外的 background of flowers and geometrical 藝圖。品相等級B/C，輕微損， Qianlong period (1735-1796). crack. Painting partly rubbed. 。及口處描金。品相 Porcelain, painted in famille verte with patterns. Height 6.4cm, Ø 39cm. Condi- 有磕，外處加彩痕跡。等級A/B，部損，一口一小 early tones of pink enamel. Rim glazed tion B/C. Chipped at the footring. Color Thin walled porcelain painted in under- 磕，一細微線。 brown. Deep shape with the lip swinging residue on the back. Painting somewhat € 1.600 – 2.000 | $ 1.792 – 2.240 glaze blue and Kanton enamel. Begonia out a little bit. The scene inside shows rubbed. shaped vase with two stylized dragon € 2.400 – 3.000 | $ 2.688 – 3.360 two dignitaries after drinking wine in handles. Front and back each with garden the evening on their way home. One is scene in a medaillon surrounded with a steadied by a young servant, the other is dense flower and scroll pattern in under- already walking over the bridge. glaze blue.

China 2025 2026 A THREE FISH STEM CUP. DRAGON BOWL. FUßSCHALE MIT DREI FISCHEN. DRACHENSCHALE. China. China. Qing dynasty (1644-1911). 19th c.

Porcelain, painted in underglaze copper Porcelain, glazed yellow inside and out, red. Elegant bowl with outswinging lip on decor with green glaze. Elegantly shaped a high, only slightly conical foot. On the bowl on short footring with steep wall outside of the bowl three fishes in strong and outswinging lip. On the outside copper red. Height 10.9cm, Ø 15.6cm. carved with five-clawed dragons in clouds Condition B/C. Two cracks in the wall. chasing flaming pearls. Beneath the lip scrolls and at the foot a ruyi border. 三高 Height 5.1cm, Ø 10.4cm. Underneath in 高10.9cm/15.6cm underglaze blue a doublering and a six- 品相等級B/C，條線。 part mark in regular script: Kangxi, but later. Later storage box. Condition A/B. € 3.000 – 5.000 | $ 3.360 – 5.600 清 19世高5.1cm/口10.4cm 小，，口，。通體，外，口一週，處如意。底內書大清年製字行書寄託款。品相等級A/B。後。

€ 1.200 – 1.500 | $ 1.344 – 1.680

China 2027 2028 PAIR OF LAGER BOWLS WITH 彩開古水大一對 PAIR OF LARGE VASES Porcelain painted in famille verte with iron 彩一對 FLOWERS, INSECTS AND THE 清 18/19世高8/7.6cm，22cm WITH FIGURAL DECORATION. red, black, blue and purple. Underneath 20世高約47cm HUNDERT ANTIQUITIES. 底落。品相等級A/B，一口 PAAR GROßE SCHULTERVASEN partly glazed transparent. Vase in tongping 大，體致，面 PAAR GROßE SCHALEN MIT BLÜTEN, 處一小磕。後。 MIT FIGUREN. shape with wide neck. Decorated with a ，彩。主體為司 INSEKTEN UND DEN HUNDERT China. 20th c. scene from the book Shiji: In a mountain 《史記》中（）的 ANTIQUITÄTEN. € 800 – 1.200 | $ 896 – 1.344 landscape Wu, the king of Zhou and his 。底，底內凹明， China. Qing dynasty. 18th/19th c. adviser Jiang Ziya on horseback with entou- 書大清年製字三行書寄託 rage. In front of them kneeling Bo yi or Shu 款。品相等級A/B，輕微划痕。 Porcelain, decorated in famille verte. Qi with folded hands. Height ca. 47cm. In On the outside each with a landscape the concave part underneath in underglaze € 2.000 – 2.500 | $ 2.240 – 2.800 cartridge and a fan-shaped reserve with blue a six-part Kangxi mark, but later. Con- ﬂowers and birds. Inside on the rim four dition A/B. Slight scratches at the body. cartouches with insects on a border with ﬂower twigs. The well with symbols of the Hundred Antiqities. Height 8/7.6cm, Ø each ca. 22cm. Underneath in underglaze blue a double ring. Later storage box. Condition A/B. Small chip at the rim of one bowl.

China 2029 2030 THREE EPITAPH PLATES LARGE PLATE WITH DOVES FOR LEE BAEK-HYONG. AND CHRYSANTHEMUM. DREI EPITAPH-TAFELN GROßE PLATTE MIT TAUBEN FÜR LEE BAEK-HYONG. UND CHRYSANTHEMEN. Korea. Gwangju kilns, Kyonggi province. China. Dated according inscription to Joseon dynasty (1392-1910). Dated 1831. 1969. Yu Hanqing (1904-1987).

Porcelain, painted underglaze blue. Back Porcelain, painted in famille rose. Three unglazed with kiln sand adherence. Here doves in white and grey on a green lawn. only no. 1, no. 3 and no. 4 of the set are In the background chrysanthemum ﬂow- preserved. Each plate is inscribed with ten ering splendid in pink and purple at a columns on the top and one more column rock with bamboo, day lilies and asters. at the right side with the numbering. 76x45.5cm. Inscription: Spring of free- dom. To the 20th Jubilee of the founding This type of plates are commemorating of the People’s Republik of China at Oc- the merits and ancestors of a decedent. tober 1st in 1969 painted respectfully in In this case related to the Honorable the Jingdezhen Ceramic Institute. Sign.: Lee Baek-Hyong and written by his Yu Hanqing. Seal: Hanqing. Condition B. great-grandson. Each 21.7x16.9cm. Lower right corner chipped. Condition B. One plate restored. Provenance: Compare: -Private collection Netherlands. Brooklyn Museum, compare inv. Acquired in Northern France. no. 2017.29.34. 款和粉彩大 € 1.000 – 1.500 | $ 1.120 – 1.680 1969年10月1日 76x45.5cm無框題識：和之為中人和國成立週年已年月一日繪於德學。：之化品相等級B，下角有磕。來：人品，購於法國北部。（1904-1987年），人，著名藝術家、國畫家。1959年首予“美術家”號。任德學美術教、中國美術家協會會員等。

€ 2.000 – 2.600 | $ 2.240 – 2.912

China 2031 (1514-1595)款以之筆，寫之書登冊。 ZHOU, TIANQIU 行書《》所深者如世過，於未 1514 Taicang, Jiangsu - 1595 – attributed. 明已(1579年) 紙本其，過過此，示人。每張31.5cm，28.5cm，也。 PROSE POEM ABOUT ORCHIDS. 行。張。署款：已至日週書 PROSAGEDICHT ÜBER ORCHIDEEN. 釋文：之，地之：（）， China. Ming dynasty. Cyclically dated on 之，之名。不起（），公（）， the day of the summer solstice of the year 獨，必本生。步，（） Wanli yimao (1579). 。受將低，從風自。：（），當此之時，正美，之子，古（） Ink on paper with twelve columns (letter 之。之，落無品相等級B/C，紙張，許， paper), glued to a multilayered paper, 之，。日部修復。 mounted as four folding papers. Each leaf 之，人之不見。至若水上， 31.5 x 28.5cm. In cursive script a long 若續。，開（1514—1595年），字公，號 poem about orchids based on a text of 。則為洲，海則為。海，號士、人、 Yang Jiong (ca. 650-693), one of the Four 有，有別，交新知。、。（） Famous Paragons of the early Tang dynasty. 如不改，若不。及人。明書畫家，以文、書畫名世。年 Followed by a modest comentary of Zhou 月出，日晚，受女於，時從文徵明，得承其書法，名中。 Qianqiu about his calligraphy. Sign.: Zhou 於。有客（）大小、古、行，一時大 Tianqiu. Seal: Jiang Zuo, Xiaxiang Tingc- ，未，將分。，，出其手。畫，寫法，間作 hang, Zhoushi Gongxia, Qunyu Shangiao. 。，，度清之水。 Collector‘s seal: Hengxiuge zhencang yin, 未，以。若均放逐，離（約650—約693年），州（ guchi miwan. Condition B/C. Browned, 之，下之北。）人。代文學家，寫 slightly stained, some parts restored. 步適，。於文，，、、 The orchid is together with plum, bam- ，於女。洲目，並“”。 boo and chrysanthemum one of the Four 。公子不，結。 Noble Flowers. She is symbol for noblesse 借如有德，通。，請是“子”（、、、）之 of personality and modesty. Orchids are 。下，風高。一，深，象子守清， a popular theme in poems and literaty 登階下，見之。重若有世獨立，是中國古代文人畫中並 painting. 人之，月多。之復出現的題材。此《》應為 This calligraphy should be a present to a 未得，之如何，予“如世”之作品，文字原 friend named Feng Ru. It was written by 為之。：之生，於文有多處出，為作者全記 heart, as some of the characters are dif- 。含之，日月之。美人寫書成。 ferent to the original. ，於木末公子，於北。處，不以無人來：家世代相承，最可追 Provenance: 不。元子：據至上代。 -Since more than four generations in the 圖，復。， possession of a high ranking family of 往來。風之一， € 9.000 – 12.000 | $ 10.080 – 13.440 dignitaries. 為。

China 2032 2033 2034 SHI, JING GE, XIANGLAN （1904-1964年）款 CUI, ZIZHONG active at the end of the Ming dynasty. 1904 Dongtai, Jiangsu - 1964 - attributed. 立圖 1574 - 1644 - attributed. 1947年紙本 MOUNTAIN LANDSCAPE HORSE. 畫面110.5x56cm ELEGANT LADY WITH ATTENDANCE WITH PALACE. PFERD. 以工筆法繪立。署款：。 STROLLING IN EARLY SPRING. GEBIRGSLANDSCHAFT MIT PALAST. China. Dated according to ：（）。 ELEGANTE DAME IN BEGLEITUNG China. Ming dynasty (1368-1644). 17th c. inscription to 1947. 畫面上部文，署款： BEIM SPAZIERGANG IM FRÜHLING. 於。：（）， China. Late Ming dynasty. Ink and pigment on silk. 134.2x88cm, Ink and color on paper. Mounted as hang- 之（）。 frame 138.5 x 92.3cm. Sign.: Fengjiang ing scroll. 110.5x56cm. The upper part 品相等級B，紙張，許， Colors and ink on silk. Mounted as hang- Shi Jing. Seal: Two red seals, unread. with a calligraphy by Shen Yinmo ((1883- 痕，畫面上部分之一處有輕微破損。 ing scroll. Length 265cm, width 69.5cm, Framed behind glass. Condition B/C. 1971) as comment with signature (Yinmo) （1904-1964年），原名， picture size 128 x 49.8cm. In a wide Stongly browned. Folds. Damaged. and two seals (Zhuxi Shen shi, Yinmo). 名，別署主、士， landscape a lady dressed in costly silk Cut back at the margin. Further down in ﬁne painting a standing 安人，定上。公之，中國美 robes with a jade pendant at her waist horse of the wild type Brown with light 術家協會及上海分會會員，任上海中國 and elaborately made up hair is strolling （明代末期畫家） brown fur and the mane and tail in black. 畫畫師，畫，得若“ at a water bank. She turns to her atten- 圖 Sign.: Xianglan Ge Quan. Seal: Ge Xiang- 之”的美，並為“北 dant, who is likely dressed in silk robes. 明 17世 lan. Condition B. Browned, some foxing, ”。 The painting is accomplished skillfully 本框 slightly stained and folded. The upper （1883年-1971年），著名學者、 and with much detail. Sign.: Qing Yin Cui 畫面134.2x88cm/畫框138.5x92.3cm quarter a damage. 人、書法家、教家。 Zi Zhong Xie - painted by Qingying Cui. 署款：來： Seal: Cui Zi Zhong Yin - Seal of the paint- 方不清。 Provenance: -士人，1980年代購於中國。 er. On the outside of the scroll: Cui Qing 品相等級B/C，嚴重，多處痕、 -Private collection Switzerland. -萊茵地人品。 Yin Xian Sheng Xie Zhen Ren Wu Zhen Ji ，。 -Rhenish private collection, acquired - Portrait of a lady by Cui Qingyin. Condi- locally in the 1980s. € 2.000 – 4.000 | $ 2.240 – 4.480 tion B/C. Restored, traces of use according € 700 – 1.200 | $ 784 – 1.344 to age, darkened, blemished and folded.

Provenance: -Collection Oskar Graf 1873-1958 and Cäcilie Graf-Pfaff 1862-1939. -Rhenish private collection by inheritance.

子中（1574-1644年）款女圖明晚期本畫面128x49.8cm，265x69.5cm 署款：子中寫：子中（）畫：生寫真人物真跡品相等級B/C，有修復，使用痕跡，，有破損和痕。來： -Oskar Graf生（1873-1958年）及其人Cäcilie Graf-Pfaff（1862-1939年）人。 -萊茵地人品，通過產承收。

€ 1.500 – 1.700 | $ 1.680 – 1.904

2032 2033

China 2035 2036 EIGTHTEEN COPPER PRINTS SEVENTEEN HISTORICAL PHOTOS WITH VIEWS FROM CHINA. OF THE FORBIDDEN CITY AND ACHTZEHN KUPFERSTICHE THE SUMMERPALACE. MIT ANSICHTEN AUS CHINA. SIEBZEHN HISTORISCHE FOTOS Netherlands. Ca. 1808. Prob. ‚Reinier DER VERBOTENEN STADT UND Vinkeles (1741-1816) after W. Alexander‘. VOM SOMMERPALAST. China. Dated 1938 on the envelope. Partly with Copper etching. The prints show a view the stamp of the photo studio Hartung’s Photo of the Forbidden City and other sights of Shop in Peking, Legation Street. Peking, Kanton and more cities including different pagodas. Partly titled above or Paper print, colored by hand. Four views of the at the lower margin, rarely with written Summer Palace (max. 48.5x34.5cm). Six views of detail. Image size each ca. 21x32cm. the Forbidden City (max. 39x30.5cm). Three views Framed with passepartout and glass. of the Temple of Heaven (max. 39.5x23cm). The Condition A/B. Zhengyang City Gate (25x22cm). Winter camel train. (49.5x33cm). View of a gate (24.5x18.5cm). Reinier Vinkeles was a painter and engrav- Worker (24x18cm). Condition A/B. Supplement: er from Northern Nederlands. He studied Original mail envelope 1938. Two photos framed in Amsterdam, Brabant and Paris. After- with glas: a) German school Beiping 1937. b) Hin- wards he made book illustrations and denburg games German school Peking 1927. prints after the works of Dutch masters. He was the director of the Stadsteken Provenance: akademie. With an oeuvre of more than -Collection family Parge, Hamburg. 3.000 prints was he an important artist of -Rhenish private collection. his time. 清代片（幅）中國風情版畫（幅） 20世上約1808年不同尺寸的銀紙質片，部手工上，部分卡紙框每幅畫面約21x32cm 片下角有北交使的相作者來·斯（1741-1816年），（Hartung‘s Photo Shop, Peking）標記或著名版畫家、圖員、師和雕名。師，應借用1793年首次問中國的體現國期北等地風名及風情的張國使團隨團畫師威∙歷大（Willian 片，內含張（最大尺寸39x30.5cm）， Alexander）的畫，以其細的圖像張和（最大尺寸48.5x34.5cm），三張繪，並結合自的像創作多幅當時（最大尺寸39.5x23cm），一張正中國北、及其它地的及（25x22cm），一張隊（49.5x33cm），張世風情的版畫作品，部分作品有標和片（約24x18cm）。品相等級A/B。單說明。：1938年郵的郵寄。張框品相等級A/B。的片：1937年北德國學教工合影及1927年學生隊合影。 € 1.200 – 1.800 | $ 1.344 – 2.016 | * 來： -德國Parge家。 -萊茵地人品。

€ 2.500 – 4.000 | $ 2.800 – 4.480

from 2035 from 2036 China 2037 LARGE PHOTO ALBUM “TYPE AND STREET SCENES”. GROßES FOTOALBUM “TYPE AND STREET SCENES”. China. Around 1900.

Album with 103 photos in black and white (ca. 8.6 x 14cm). The photos show the daily life in Northern China in the 2038 period of 1900. Besides market and street PHOTO ALBUM ABOUT THE NAVY scenes they tell from festivities, persons AND THE LIFE IN THE GERMAN in mundane acitivities and soldiers in a PROTECTORATE. military parade. This insight with the eye FOTOALBUM ZUR DEUTSCHEN of good photographer allows the study MARINE UND DEM LEBEN IN DER of differnt interests like history of moral- DEUTSCHEN KOLONIE. ity, costumes and historical places. 25 x China. Ca. 1900. 35cm. Condition B. Corner of the photos partly damaged. Album with 169 original photos, as well as 13 seperate. The photos show famous Provenance: excursion destinations in China, but doc- -Collection August Grethe ument as well the life of the navy men (1884-unknown). Grethe came to the and their families. Like the stone boat in Navy in 1906 and became ensign in the see of summer palace. One of the 1912 and later chief petty officer. photos shows the crew with govemor -Private collection by inheritage. Alfred Meyer-Waldeck. Exceptional are 15 photos at the end of the album showing Compare: the destruction in office rooms and titled: -In our 415th auction in June 2018 where Boxer uprising 1900. Ca. 36 x 31.5cm. sold als lot 2081/2082 two photo albums Condition A/B. from the same collection. Provenance: 清末風片相冊 -Collection August Grethe 相冊約25x35cm，相片約8.6x14cm (1884-unknown). Grethe came to the 深紙相冊內含103張紙質 Navy in 1906 and became ensign in 片，卡紙，手書編號。面上 1912 and later chief petty officer. 手寫題材Type and Street Scenes， -Private collection by inheritage. 1910年中國北方（主要是北地）世風情的面及一場 Compare: 面。品相等級B，部分片有破損。 -In our 415th auction in June 2018 where 來： sold als lot 2081/2082 two photo albums -古斯特·格萊特（August Grethe）生 from the same collection. （1884-年不）人。格萊特生1906年加海，1912年海清末德國海生相冊，後為海上士。 1900年 -德國北部人品，通過承產獲紙相冊尺寸約36x31.5cm，內得。含169張銀紙質片，卡紙同一來的類品參見2018年6月第，及13張片，記錄德國海 415拍賣會已成交拍品，編號2081 士及其家日常生及當時中國的風和2082。名。其中一張為德（Alfred Meyer- Waldeck，1864-1928年，德國海 € 1.800 – 2.200 | $ 2.016 – 2.464 ，德借地末任總督）及其手下的合影。相冊末15張義和團動期間辦公之後的片，手書Boxer-Aufstand 1900（1900年義和團動）。品相等級A/B。來： -古斯特·格萊特（August Grethe）生（1884-年不）人。格萊特生1906年加海，1912年海，後為海上士。 -德國北部人品，通過承產獲得。同一來的類品參見2018年6月第 415拍賣會已成交拍品，編號2081 和2082。

€ 900 – 1.200 | $ 1.008 – 1.344 Abteilung

2039 2040 THREE ALBUMS OF A SHIP TRAVEL, 片相冊（三本） ALBUM WITH PHOTOS OF THE PA- 德生閱式片相冊 LANDSCAPES AND PERSONS. 日式手工面相冊。 RADE AT THE IMPERIAL BIRTHDAY. 相冊25.5x19.5cm，內含16張尺寸約 DREI ALBEN MIT EINER SCHIFFSREISE, a) 大相冊約27x35cm，面繪圖卡紙， ALBUM MIT FOTOS DER PARADE ZUM 8.6x14.5cm的銀紙質片，記錄 LANDSCHAFTEN UND PERSONEN. 內含45張德威世、古斯特·格萊 KAISERGEBURTSTAG. 1917年1月29日在部德國州 China. Ca. 1900. One album dated 1901. 特及其親的像片，其中包括 China. Dated 1917, January 29th. 借地行的德生閱式。格萊特學生時期及其受的品相等級A/B。 Three Japanese albums with lacquer cov- 片。b) 式小相冊約14x18.5cm，內含 Notebook (25.5 x 19.5cm) with 16 photos ：a+b) 幅框片。c) 框證書 ers, partly inlaid. a) Large silp-in album 46張多德國及員士和日常生 (ca. 8.6 x 14.5cm). The parade took place （1914/19年）。d-f) 張格萊特本人 (ca.27x35cm): 45 familiy photos and por- 片。c) 式小相冊約14x18.5cm，48 in the German Protectorate Kiautschou in 片（1915年，北相），一 trais of Emperor Willhelm II and August 張手工上的日本片。 the South of the Chinese peninsular Shan- 致格來特的（1919年）。g) Grethe, friends and comrades, the training 品相等級B，個小相冊面或 dong. Supplement: a+b) Two framed 片（1919年）。 ship Nixe and August Grethe as cadet. 底及部分冊頁。 photos: Three mariners on camel back 來： b) Leporello album (ca.14x18.5cm) with 來： in front to the Cheops pyramide and the -古斯特·格萊特（August Grethe）生 46 photos: Departure from Bremerhaven -古斯特·格萊特（August Grethe）生 sphinx. Ca. 1901; Chinese horse drawn （1884-年不）人。格萊特 1901, captain and crew at exercises and （1884-年不）人。格萊特 carrige. c) Framed with glass: Printed 生1906年加海，1912年海 distractions, stations of the travel, differ- 生1906年加海，1912年海 memory leaf 1914/19 Tsingtau. d-f) Two ，後為海上士。 ent ships (SMS Fürst Bismark, SMS Geyer, ，後為海上士。 portraits (1915) of and a letter (1919) to -德國北部人品，通過承產獲得。 mail steamer Sachsen), photos of Tsingtau -德國北部人品，通過承產獲得。 A. Grete. g) Portrait of a friend (1919). 同一來的類品參見2018年6月第 and group pictures with Chinese men and 同一來的類品參見2018年6月第 Condition A/B. 415拍賣會已成交拍品，編號2081 women. c) Leporello album (ca.14x18.5cm) 415拍賣會已成交拍品，編號2081 和2082。 with 48 Japanese photos, colored by hand. 和2082。 Provenance: Condition B. At the smaller albums each -Collection August Grethe (1884-un- € 500 – 800 | $ 560 – 896 one cover missing, pages torn. € 1.400 – 1.800 | $ 1.568 – 2.016 known). Grethe came to the Navy in 1906 and became ensign in 1912 and later Provenance: chief petty ofﬁcer. -Collection August Grethe (1884-unknown). -Private collection by inheritage. Grethe came to the Navy in 1906 and became ensign in 1912 and later chief Compare: petty ofﬁcer. -In our 415th auction in June 2018 where -Private collection by inheritage. sold als lot 2081/2082 two photo albums from the same collection. Compare: -In our 415th auction in June 2018 where sold als lot 2081/2082 two photo albums from the same collection.

China 2041 2042 STELE WITH BUDDHA, MUSEAL MARBLE STELE 大理雕像 BODHISATTVA AND MONKS. OF A BODHISATTVA. 北公元6世高29cm STELE MIT BUDDHA, MUSEALE MARMOR-STELE 大理材料，面形式， BODHISATTVA UND MÖNCHEN. EINES BODHISATTVA. 雕立，形清，面相， China. Northern and Southern dynasties. China. Northern Qi dynasty (550-577). 目下，角內陷含有意，表情 6th c. 6th c. ，，，著，帶於前作結。後面以細手法繪 White marble finely carved and polished. White crystaline marble with yellowish 及人，可見彩繪留。 In the center a Buddha with a high ush- patina and minimal residue of pigment. 品相等級B，部及。金 nish sitting in lotos positure in a niche. On the back residue of a painting. The 底。 Above his head a canopy and large Bodhi narrow figure standing in front of a bro- trees. He is flanked by Bodhisattva and ken leaf-shaped mandorla and with the € 12.000 – 15.000 monks standing on lotos rooting in stems raised right hand holding an object, prob- $ 13.440 – 16.800 | * comming from the beaks of mytholocical ably a lotus bud. The left one at the side animals sitting benath. In the lower reg- pointing downwards and possibly also ister lions flanking a hill censer. Height holding an object. The high headdress is 63cm, wirdth 42cm, depth 11cm. Fixed in decorated with flowers and long ribbons a wooden base. Condition B. Broken and hanging over the shoulders. On the chest restored. a broad collar, around the hips a pleated dhoti. Long ribbons are knotted crosswise Provenance: in front of the belly. The wide and long -Collection Colonel Oberst Paul Kuhlo hanging sleeves end in ruyi-shaped pleats. (1866-1943). Kuhlo studied Sinology in On the back in fine lines the painting of Berlin and served from 1912 as comman- a Guanyin with a monk. Only minimal dant of the East Asian marine detache- remains of the coloured pigments pre- ment in Kiautschou. 1914, after the Ger- served. Height 29cm. On a metal base. man capitulation he was imprissoned until Condition B. Tip and base broken. 1919. The stele he brought back after his retourn to Germany. -Private collection Germany, acquired from the estate of the descendants. -Art trade Germany.

大理雕像北時期公元6世高63cm/寬42cm/11cm 成方形，以之材，式圖。上部中形內雕一主像，高，著通，，自流，，結於須上。高浮雕一人和，後形，手或合、或相，立於之上。上方為的提，下方前方雕和。品相等級B，有破損，修復。式高木。來： -原德國保·（Paul Kuhlo）上（1866-1943年）人。上在德國學學，自1912年擔任中國海海上支隊指，1914年德國後，收在日本的，到 1920年，並將此帶德國。 -德國古董，購於上後人。

€ 10.000 – 20.000 $ 11.200 – 22.400 | *

China 2043 2044 2045 STANDING BODHISATTVA. FRAGMENT OF A STELE 大理雕（部） VERY FINE MARBLE HEAD STEHENDER BODHISATTVA. WITH TWO SITTING BUDDHA. 公元6世 OF A BUDDHA. China. Northern Qi dynasty (550-577). STELENFRAGMENT MIT ZWEI 高18.5cm/寬17.7cm/8cm SEHR FEINER MARMOR-KOPF 6th c. DARSTELLUNGEN DES SITZENDEN 大理材質，式，高浮雕並排 EINES BUDDHA. BUDDHA. 全，前浮雕對及 China. Tang dynasty. 8th c. Creme colored marble, partly with brown China. Southern Qi dynasty (479-502). 。像部以上的。後有 patina. Height 22cm. Condition B. Broken 6th c. Canvas. 文。品相等級B，上角修復。 White marble with silver grey patina. In at the neck and repaired. typical oval shape with a sober counte- Chrystaline white marble with patina. The € 1.500 – 2.000 | $ 1.680 – 2.240 | * nance. The full lips elegantly shaped, the 大理雕立像 two similar figures differ in the headgear high-arched eye brows rooting at the 北公元6世高22cm and the draping of the robes in the chest nose bridge. The eyes curved beneath 品相等級B，部修復。 area. They sit side by side on a pedestal closed lids, the earlobes elongated. The decorated with a pair of lions on the sides hair shown as small bumps covering the € 700 – 1.000 | $ 784 – 1.120 | * of a hill censer. The formerly higher and upper head with the ushnisha. Height probably leaf-shaped Mandorla with a 11cm. On a metal base. Condition A/B.- flame edge is broken off on head resp. shoulder height of the figures. On the 大理雕首 back of the base an extensive donor in- 8世高11cm scription. Height 18.5cm, width 17.7cm, 金底。品相等級A/B。 depth 8cm. Condition B. Left side corner restored. € 2.500 – 3.000 | $ 2.800 – 3.360 | *

2045

2045 A HEAD OF A MONK OR BUDDHA. KOPF EINES MÖNCHS ODER BUDDHA. China. Ming dynasty (1368-1644).

Red sandstone. The full-featured face with narrow eyes and the lips pursed in a light smile. The big ears with long and volumi- nous earlobes. The head shaved. Height 20cm. On a metal base. Condition A/B.

Provenance: -Private collection Northern Germany. Acquired since the 1850s.

首或首明 1368-1644年高20cm 品相等級A/B。金底。 2044 來：德國北部人品， 1850年代。

€ 4.500 – 7.000 | $ 5.040 – 7.840 2043 China 2045 A 2046 EXTRAORDINARY FIGURE 見雕提達像品相等級B，像前有磕，年代 OF BODHIDHARMA. 清可能為 18世及材質產生細微裂。後木，高 AUßERGEWÖHNLICHE FIGUR 高12.5cm/寬9.8cm/深7.8cm 2.2cm，11.5cm，寬7.8cm。 DES BODHIDHARMA. ，至微明，理有來：德國州人品，義和團動 China. Qing dynasty. Problably Qianlong 。造像以的工藝使用立體雕（1900-1901年）期間在中國。現以 period (1735-96). 18th c. 法作，提達，著寬大手包，於歐洲原產木中，手，開，束，前上有字體的人名寫。 Stone similar to spinach jade with an- 。部形，高額，目 thrazit grey inclusions. Carved and with ，口微，面帶微，發須 € 80.000 – 100.000 | $ 89.600 – 112.000 ﬁne engraving, partly rubbed with gold 。下全席地，手 and ink. Sitting in meditation, the robe 於前、於內，自， draped in elegant folds open at his chest. 定重。服自如，多組 The features are depicted with subtle 團，及等， realism. The face with swelling eyes, en- 如意，部描金。體雕 graved beard and head hair also shows 工藝絕，其在達的面部表情及 a masterly hand. Height 12.5cm, width 服等細的處理，具，實為 9.8cm, depth 7.8cm. On a wooden base, 上之作。 h.2.2cm, 11.5x7.8cm. Condition A/B. 達提達，北時或 Supplement: European wooden box, in 斯人，海至州說法， which it was stored. The garment at the 後一北上，面 lower front seam damaged. Natural ma- 修年，並化成，為中國 terial cracks. 的始。

Bodhidharma (Chinese: Damo, c. 440-528) is considered the ﬁrst patriarch of Chan Buddhism. He is said to come from Persia or India and his non-Chinese origin becomes clear in his depiction. His spherical eyeballs are shown in this way because there is a legend that he cut off his eyelids out of anger at falling asleep during meditation. The ﬁrst tea bushes are said to have grown from the discarded lids.

Provenance: -Hessian private collection. Acquired locally during the Boxer Uprising (1900-1901). The ﬁgure was kept in an European wooden box, wrapped in a monogrammed linen napkin.

China 2047 A 2048 2049 DAOIST DEITY. WENSHU ON LION HE-HE ERXIAN – DAOISTISCHE GOTTHEIT. WITH LOTOS THRONE. THE HEAVENLY TWINS. China. Ming dynasty (1368-1644). WENSHU AUF LÖWE HE-HE ERXIAN – MIT LOTOSSOCKEL. DIE HIMMLISCHEN ZWILLINGE. Bronze with residue of gilding. Sitting China. In the style of the China. Yuan/Ming dynasty. on a throne with footrest. In both hands Ming dynasty, but prob. later. holding a hu in front of his chest. He is Bronze with residue of of lacquer gilding. clad in long and wide garments with ﬁne- Bronze with darkened lacquer gilding. Standing next to each other with the arms ly craved borders. From his chest a long Height 23cm. Condition A/B. on the shoulder and laughing. They are knoted ribbon with jade bangles is hang- clad in scholar garments with headgear ing. He is crowned by a headgear with 金文殊像 and jade belt. At the right they hold a pearls. Height 23.5cm. Condition A/B. 明代風格高23cm。 box (he) coverd with a cloth at the other 品相等級A/B。 side the stem of a lotos (he), which is not 金教像 preserved. 明 1368-1644年高23.5cm € 1.000 – 1.500 | $ 1.120 – 1.680 品相等級A/B。 The pair of Daoist immortals are refered as gods and symbols of harmony and € 2.500 – 3.000 | $ 2.800 – 3.360 togetherness. Weight 3834g, height 22.5cm. Condition A/B.

和合像元至明重3834g/高22.5cm 像金留。和合，可，互相立於方形上。一人，一人（）。 “和合”此中國傳形象，象 “家和合，美”。品相等級A/B。

€ 5.000 – 7.000 | $ 5.600 – 7.840 | *

2048

2047

China 2050 2051 2052 2053 SMALL LIDDED POT WITH CHAIN. LIDDED DING WITH CLUB FEET. DING ON HIGH FEET AND LARGE ALTAR VASE WITH KLEINER DECKELTOPF MIT HENKEL- DING MIT DECKEL AUF DREI WITH BULL HORN HANDLES. DRAGON HANDLES. 或晚期高43cm/27x15cm KETTE. KEULENFÜßEN. DING AUF HOHEN FÜßEN UND GROßE ALTARVASE MIT 形，口，， China. In the style of the Han dynasty, China. In the style of the Han dynasty, MIT STIERHÖRNER-HENKELN. DRACHENHENKELN. 形一對，，高且外。 but later. Prob. Song-/Ming dynasty. but later. Prob. Song-/Ming dynasty. Sothern China (Yunnan) or Vietnam. China. In the style of the Song dynasty, 部為和仿古體，部 Han dynasty / Dong Son Culture. but prob. later. 為、和帶。品相 Bronze with dark, green and shiny patina. Bronze with dark, green and brown 等級A/B。 The bulbous body stands on three an- patina, partly shiny from old wax film. Thin walled bronze with fine relief decor, Bronze with dark patina. From flat oval ：首，高20cm，木。 thropomorphic feet. The neck is tapered, The bulbous, flated vessel with vertically green and lapislazuli blue patina, inside shape, lip and footring vertical and offset. 來： the bowl-shaped lid on three ring feet. and curved handles is standing on three crusty. Weight 1660g, height 20cm. Con- The central decor band with large taotie -據現家息，為大使的 Stylized masks with ring eyes on the sides, club feet. The lid in the shape of a bowl dition B. mask and walking dragons, the body and 人品，1949年之前。 in which a chain hangs with a bow handle on three ring-shaped feet completes the neck with spear leaves and with a border -萊茵地人收。 in the form of two dragons. In the lid and spherical body. Height 16cm, Ø 17.5cm. 高三 of small dragons. Height 43cm, 27x15cm. inside the neck of the vessel each a seal Condition B. Repaired and with damages. 中國部（）或 Condition A/B. Supplement: Head of a € 1.800 – 2.500 | $ 2.016 – 2.800 character. Height 15cm, Ø 13cm. 代或文化時期 Guanyin. Bronze. China. H.20.5cm. Fitting Condition B. Smaller damages at the 三重1660g/高20cm wooden base. inner lip rim. 仿代可能為或明代品相等級B。高16cm/17.5cm Provenance: 三分部分，部形，立 € 500 – 600 | $ 560 – 672 -Private collection from an am- 仿代可能為或明代。口有，上分三個，應可 bassador in Tianjin before 1949, 高15cm/13cm 為。下三個。表面有輕微 according to owner. 主體形，部上收。扣化，部分有蠟。品相等級B， -Rhenish private collection. 形，子口扣合，三個，部修復，有。個對的首，形提手。下承人形三。內及口處一字。 € 2.500 – 5.000 | $ 2.800 – 5.600 品相等級B，口處破損。

€ 1.800 – 2.500 | $ 2.016 – 2.800

2051

2053

2050 2052 China 2054 2055 FIVE ELEGANT BELT HOOKS. IMPORTANT AND RARE 三 FÜNF ELEGANTE GÜRTELHAKEN. CYLINDRIC CENSER. 明或晚期高12.7cm/14cm China. In the style of the Waring States BEDEUTENDES UND SELTENES 此形，形如，外於口底 resp. Han-Dynasty, but prob. later. RÄUCHERGEFÄß. 三處三，下承三， China. Ming dynasty or later. 一片。外底中形凹陷處於 Bronze with green patina. a) Fluted and 方框內地文大明德年製 with ﬁne gold inlays. L.19.5cm. b) Inlays Golden colored bronze with dark patina 字款。品相等級A/B，口處處修， from malachite, gold and silver. L.18.3cm. and residue of gilding. Copper inlays. In 一處落。 c) Fine inlays of gold and silver. L.14cm. d) archaizing shape after a ceramic model 來：德國萊茵地人品，2018 Inlays of gold and silver. Head broken off. (lian) of the Han dynasty. The cylindric 年第423拍賣會編號2124號 L.11cm. e) Fluted and with inlays. L.10cm. body adorned with three groups of each 面料為同一家。 Length 10-19.5cm. Condition A/B. three rings in bas-relief. The stout and bulbous feet each inlaid with a copper € 1.000 – 2.500 | $ 1.120 – 2.800 帶一組（件） dot. Height 12.7cm, Ø 14cm. Underneath 仿國及代 engraved a six character Xuande mark. a) 金，19.5cm。b) Condition A/B. Two old repairs on the lip, ，金銀，18.3cm。c) 金銀， one lost. 14cm。d) 金銀，損壞， 11cm。e) 有物，10cm。 Provenance: 品相等級A/B。 -From the same collection as the yellow thron cushion lot 2124 in our auction 423 € 2.000 – 3.000 | $ 2.240 – 3.360 at December 4th, 2018.

2054

China 2056 2057 2058 2059 THE POET DU FU WITH A BOOK. LIUHAI STANDING ON HIS TOAD. CENSER IN THE SHAPE BODHISATTVA WENSHU DER DICHTER DU FU MIT BUCH. LIUHAI AUF DER KRÖTE STEHEND. OF SHOULAO ON BUFFALO. ON THE LIONDEM LÖWEN. China. Ming/Qing dynasty. China. 17th/18th c. WEIHRAUCHBRENNER SHOULAO BODHISATTVA WENSHU AUF AUF BÜFFEL. DEM LÖWEN. Bronze with gilding. Height11cm. Bronze. Height without base 28cm. Fitting China. Qing dynasty (1644-1911). China. Ming dynasty (1368-1644). Condition A/B. base, carved from wood. Condition B. Toad with repair, partly broken out. Bronze with dark patina. Height19cm. Bronze with dark patina and residue of 金書像 Condition A/B. lacquer gilding. Also known as Manjushri 明清高11cm 海金 with his right hand in teaching gesture. 品相等級A/B。 17/18世像通高28cm Provenance: Height 24.5cm. Condition A/B. 海為，金為，可分體。木。 -Collection Carl Imbeck (ca. 1860-1936). € 300 – 500 | $ 336 – 560 品相等級B，金有修，部有損。 Merchant in Peking. Acquired in the peri- Provenance: od of the Boxer Rebellion (1900). -Collection Carl Imbeck (ca. 1860-1936). € 800 – 1.200 | $ 896 – 1.344 | * Merchant in Peking. Acquired in the period of the Boxer Rebellion (1900). 清高19cm 品相等級A/B。文殊像來：卡·（Carl Imbeck）明 1368-1644年高24.5cm 生（約1860-1936年）人，在北來：卡·（Carl Imbeck）從古董生意，於1900年義和團動生（約1860-1936年）人，在北時期。從古董生意，於1900年義和團動時期。 € 500 – 800 | $ 560 – 896 € 900 – 1.200 | $ 1.008 – 1.344

2057 2059 2058 2056

China 2060 2061 LARGE CENSER WITH 式 SMALL TOUHU VASE BAMBOO AND DORMOUSE. 清 19世重17.6kg/高41cm WITH LOTUS SCROLLS. 明（1449-1457年）或晚期高12cm GROßER WEIHRAUCHBRENNER MIT 重，外底於方框內地文 KLEINE TOUHU-VASE MIT 此小，立，口， BAMBUS UND SIEBENSCHLÄFER. 製字書款。 LOTOSRANKEN. 外。部三金，上部 China. Qing dynasty. 19th c. 品相等級A/B。 China. Ming dynasty. Jingtai period 間，以深為地，以下部分 (1449-1457) or later. 均以為地，通體，以 Heavy bronze with dark brown patina. € 900 – 1.200 | $ 1.008 – 1.344 、、、填繪。 Weight 17.6kg, height 41cm. Six part hall Bronze with cloisonné and gilding. The ，上下金，底金， mark underneath. Condition A/B. vase with large lotus ﬂowers with scrolls. 年字書款。 The dark blue is mentioned as Jingtai blue 最於自至清末士 and was characteristic for the era. 的。來：人收，購於倫。 The vase was used for a game of throw- ing arrows or small sticks into the open- € 4.000 – 6.000 | $ 4.480 – 6.720 ing. It got more and more popular in the Ming dynasty with nobles and rich merchants and was enriched with rituals and drinking games. Height 12cm. Un- derneath Jingtai mark, but prob. later. Condition A/B.

Provenance: -Dutch private collection. Acquired in London.

China 2062 LARGE ALM BOWL WITH 2064 Ren Tanghui in scholars outﬁt against the “三口” ASHTAMANGALA AND LOTOS. ROUND PLATE WITH SCENE innkeeper Liu Lihua in black and white 人物圖 GROßE ALMOSENSCHALE MIT OF THE OPERA ‘SAN CHA KOU’. make up with an ally waiting in the back- 清/ 18/19世 39.5cm DEN ASHTAMANGALA UND RUNDE PLATTE MIT SZENE AUS ground. The opponents are held back 以傳“三口”為本，年 LOTOSRANKEN. DER OPER ‚SAN CHA KOU‘. by energenetic young ladies. Ø 39.5cm. 間，三關上將在發中行至三 China. China. Qing dynasty. Qianlong/ Condition A/B. Fitting wooden frame with 口，客中。畫面場為客， Jiaqing period. 18th/19th c. carved scrolls. 中保護的任（生相） Copper bronze with cloisonné and gil- 主利（相）之際， ding. The large bulbous bowl with an Bronze with cloisonné and gilding. The 來，方女（角相） accentuated, retracted rim and a round large plate shows the famous scene of the 開，處有一人物， base. On the outside it is covered with Peking opera ‘San Cha Kou’ (Three Roads 主手。體圖，和 colored lotus tendrils between which the crossing). In the center the white bearded ，人物畫生動，性格表現明顯。品相 Eight Buddhist Treasures are scattered on general Jiao Zan standing in the garden of 等級A/B。原木框，雕。 a turquoise background. Height 20cm, the inn, in which he is staying on the way Ø 30cm. Qianlong mark, but later. to his exile. Holding a candle he intervent- € 10.000 – 15.000 Condition A/B. ed a ﬁght in the dark: $ 11.200 – 16.800 | *

仿風格高20cm/最大30cm 口，，底，口起金。口下一如意，為地，，部由、、、、等繪法、法、、、、、金、傳教。內 2062 。底部組相中正方形填年製書款。品相等級A/B。

€ 3.500 – 4.000 | $ 3.920 – 4.480 2063 PAIR OF LARGE PEACH BOXES WITH POMEGRANATES AND BUDDHAS HAND CITRUS. PAAR GROSSER PFIRSICHDOSEN MIT GRANATÄPFELN UND BUDDHAHAND- ZITRONEN. China. Qing dynasty. Jiaqing period (1796-1820).

Copperbronze with cloisonné and gilding. With ﬂowering and fruit bearing twigs of pomegranate, Buddhas hand citron and peach on a turqouise blue background. This compilation symbolizes wealth and is refered to as The Three Abundances. Here it is combined with bats. Above the rim of the domed lid a ruyi border. Under- neath the pattern of broken ice with plum blossoms and bamboo leafs, inside plain counter enamel. Height 12.5cm, 17 x 18cm. Condition A/B.

三果形（一對）清（1796-1820年）高12.5cm/17x18cm 金，外以為 2063 地，、手及，此“三多”果實象徵“多子、多、多”之意，並，意更加一。一如意，一果，底裂地上和，內彩。品相等級A/B。

€ 7.000 – 8.000 | $ 7.840 – 8.960 | *

China 2065 2066 2067 LARGE MEIPING VASE WITH LARGE EWER IN MONKS 多 GREEN JADE ELEPHANT ISLAMIC INSCRIPTIONS. CAP SHAPE (DUOMOHU). 高5.2cm/14cm WITH VASE AND HALBERDS. GROßE MEIPING-VASE MIT GROßE KANNE IN MÖNCHS - 仿形，金三條 BEDEUTENDER JADE-ELEFANT ISLAMISCHEN INSCHRIFTEN. KAPPEN-FORM (DUOMOHU). 帶將分做，以為地， MIT VASE UND HELEBARDEN. China. China. 及，口形， China. ，流，為面首。 Copperbronze with cloisonné and gilding. Copper bronze with cloisonné and gil- 底部金，書大清年製書寄 Elephant from green stone, similar to On the shoulder two handles in the form ding. Height 52.5cm, Ø 14cm. Under- 託款。品相等級B，部有修復及小磕。 jade. Bronze with cloisonné, gilt and with of lion masks, the neck with a round neath a six-part Qianlong mark, but later. 多為“油”的，多是 semi precious stones. The elephant is lip. The body two large and two smaller Condition B. Restored. 油的，當時中 standing on a stepped pedestal. On his curved medallions with Islamic inscriptions 冊或辦高法會時所用的 back he carries a vase on a saddle with a on a white background. The vase is cov- Provenance: 法，有的風格。 long caparison. His back is adorned with ered with dense lotus vines on a turquoise -Acquired at Art Auction 160 Schloss 來：購於2014年9月德國Schloss Ahl- a net with ribbons and tassels. In the vase background. Large lotus ﬂowers and bats Ahlden, Lot. No. 2537, Sept. 2014. den第160拍賣會。 a long holder with cloud pattern, which above and below the medallions. Under carries a disc with bats, chime stone the neck a ruyi border, at the foot one € 1.800 – 2.200 | $ 2.016 – 2.464 and clouds. On both sides a helbard is with leaves. Height 41cm, Ø 21cm. Un- positioned. This combination formes a derneath a four-part Qianlong mark, but complex homonym (taiping youxiang) for later. Condition A/B. great peace and happiness. Height 59cm. Beneath the base a four-character Qian- 文 long mark, but later. Condition A/B. 高41cm/最大21cm 造像，地，有象件大小開內文，部通高59cm 一面首。口、首、金。品主體為材料象，立於束相等級A/B。方上，垂，，的方形，上 € 2.200 – 2.600 | $ 2.464 – 2.912 ，，內金三一對及。底部方形年製書寄託款。品相等級A/B。

€ 6.000 – 8.000 | $ 6.720 – 8.960

2066

China 2065 2068 IMPRESSIVE THRONE WITH FOOTREST AND FIVE PANEL SCREEN. IMPOSANTER THRON MIT FUßBANK UND STELLSCHIRM. China.

Wood painted dark. Cloisonné. Modelled after Qing dynasty thrones with dragons in clouds on the cloisonné panels. The seat and footrest adorned with lotus tendrils and a medallion with shou signs and ﬁve bats. The wooden frames carved partly in openwork with more dragons in clouds. Thron height 118cm, width 130cm, depth 80cm. Footrest height 15cm, 68x38cm. Screen height 231cm, width 290cm. Condition A/B.

木雕大風一通高118cm/寬130cm/深80cm 高15cm/68x38cm 風高231cm/寬290cm 式圍，體為木雕，、手及面，彩、海水、金及。方形是相圖。後式大風，金。品相等級A/B。

€ 20.000 – 50.000 | $ 22.400 – 56.000

China 2069 2069 A VASE WITH THE SIGN FOR LONG LIFE. NEARLY LIFESIZE STANDING GUANYIN. VASE MIT DEM SCHRIFTZEICHEN FÜR FAST LEBENSGROßE STEHENDE LANGES LEBEN. GUANYIN. China. Qing dynasty. Ca. 1900. China.

Red copper bronze with enamel cham- Wood, carved and with residue of pig- plevé in relief. The baluster shaped vase ments. With serene face, both hands in at the neck hexagonal and with a pair of the mudra of giving fearlessness. In the small handles in the shape of mythical an- high crown a ﬁgure of Amitabha. The imals. In circumventing borders variations multilayered garment in elegant fold and of the sign for Long Life (shou). Height fastened with ribbons. On the chest a 30cm. Condition A/B. Supplement: Two necklace. Height with base 142cm. Con- photos from the marriage of the owner diton B. Rubbed, damaged, some ﬁngers with the vase on the side. missing.

字首 Provenance: 清 1900年高30cm -Private collection Southern Germeny. 質，類，部及口方形，、、部一浮雕大木雕立像單字，內填、、、、 19/20世通高142cm/像高130cm 。品相等級A/B。留金痕跡。品相等級B，有破損，：張片。手指部。此為德國大品。來：德國部人收。

€ 1.000 – 1.200 | $ 1.120 – 1.344 € 5.000 – 7.000 | $ 5.600 – 7.840

China 2070 IMPORTANT FIGURE OF Apparently the lady was once part of a 木雕金立像 A FEMALE BODHISATTVA. larger group, as her pose is referring to 中國或日本 BEEINDRUCKENDE FIGUR EINES something no longer present. Although 明（1368-1644）或更 WEIBLICHEN BODHISATTVA. the characteristics of the ﬁgure are Chi- 高94cm/寬31.5cm/24cm China or Japan. Ming dynasty. nese, the stylistic execution suggests that 存金痕跡及，應為組像之一。 (1368-1644) or earlier. it could have orignated in Japan. Height 品相等級B，專業修復。 94cm, width 31.5cm, depth 24cm. Con- 來： Wood with residue of lacquer and rein- dition B. Professionally preserved and -Oskar Graf生（1873-1958年）及其 forcement fabric. Standing lady in gently restored. 人Cäcilie Graf-Pfaff（1862-1939年） dynamic pose with her hands joined in 人。 front of her chest, once maybe holding an Provenance: -萊茵地人品，通過產承收。 object. The robe shows the elegant style -Collection Oskar Graf 1873-1958 of the Chinese Tang dynasty with an am- and Cäcilie Graf-Pfaff 1862-1939. € 50.000 – 60.000 | $ 56.000 – 67.200 ple and hight-waised skirt held be a long -Rhenish private collection by inheritage. ribbon, combined with a jacket with wide sleeves pushed back in fold on her arms. According to the taste of the period she is shown as full-bodied lady with an oval face and restrained features. Her hair is coiffed in a complex chignon.

China 2071 ELEGANT RHINO GOBLET 犀角雕高士 WITH EREMIT IN A LANDSCAPE 清晚期 WITH HIGH PINES. 高12.5cm/重376g/口15.5x9.8cm ELEGANTER RHINOZEROS-KELCH 以犀角雕成，如，形 MIT EREMIT IN EINER LANDSCHAFT 口，，底。用雕和浮雕相結 MIT HOHEN KIEFERN. 合的法，通式圖，次分明。 China. Late Qing dynasty. 外通體雕深，其間立、，垂，間約出 Rhinozeros horn, carved, partly open- 。下雕一高士息於 work, dyed dark brown and polished. The 下，水順流至底，在 cup is decorated with a circumventing 間水。雕參 landscape in spring with ﬂowering plums 由底至口形成，至 and the waving branches of willows. On 內，內的相匯合，使 one side, a tall pine is shown on a slope 一體。 of rock with hanging plants, which to- 參閱：Jan Chapman著《中國犀角雕 gether form a handle and is continuing to 藝術》(The Art of Rhinoceros Horn the inside. Carving in China)，倫1999年出版， On all sides and inside on the sweeping 第93-94頁，圖77。 part, more rocks and different trees are carved in relief. Near the foot between € 90.000 – 120.000 the ﬂowering plums the eremit is sitting $ 100.800 – 134.400 | ‡ laughingly in front of his pavilion. The wa-wa- tercourse at its feet continues under the foot of the cup, forming a vortex between rocks. Weight 376g, height 12.5cm, rim 15.5 x 9.8cm. Condition A/B.

Literature: -Jan Chapman: The Art of Rhinoceros Horn Carving in China. London. 1999. Compare no. 77, p. 93/4.

China 2072 2073 2074 2075 2076 WATERDROPPER IN THE SHAPE CHINESE CABBAGE WITH INSECTS. LYING SHIZI LION. STANDING BOY WITH CASH COINS. SNUFFDISH. OF TINY TEAPOT WITH FLOWERING CHINAKOHL MIT INSEKTEN. LIEGENDER SHIZI-LÖWE. STEHENDER KNABE MIT CASH- SNUFFDISH. PLUM. China. 1st. half 20th c. China. Ming/Qing dynasty. MÜNZEN. Mongolia. Late Qing dynasty. WASSERTOPFER IN FORM EINES China. Ming-/Qing dynasty. TEEKÄNNCHENS MIT PFLAUMEN- Ivory, very finely carved and partly colored. Grey-green Hetian jade, with brown in- White opaque jade with strong green BLÜTEN. Length 13.5cm. Fitting base, clad with clusions on the underside. Length 5.3cm. Grey green Hetian jade with iron brown inclusions. Height 1.9cm, Ø 5.3cm. China. Qing dynasty. silk. Condition A/B. Condition A/B. inclusions on the back. Height 7.5cm. Condition A/B. In Mongolia, as in China, Condition A/B. it was part of the rituals when receiving Amber, fused from pieces and carved. The Provenance: Provenance: guests to offer a pinch of snuff. The tools vertical walls of the pot are a bit bulbous -Collection Frantisek Kastner. -Rhenish private collection. 雕子 used where a part of the family treasure and overgrown with twigs of flowering Acquired locally. 明清 5.3cm and made from precious materials. plums. Two flowers make the knob of the 雕材質，雕一子手，部有 Beside the snuffbottle small dishes like lid. The handle of the pot with tree bark, 象牙雕件明清 5.3cm 。品相等級A/B。 this where used. on the underside of the pot a long life 20世上 13.5cm 材質，底部有。來：德國萊茵地人品。 medaillon surround by five spirals. 象牙雕一，顯，品相等級A/B。 Provenance: Weight 58g. Height 6cm, width 10cm. ，自之致。其上須、來：德國萊茵地人品。 € 900 – 1.200 | $ 1.008 – 1.344 -Rhenish private collection, acquired in Condition A/B. 、，部。品相等級A/B。 the 1980s locally from a noble. 原束底。 € 900 – 1.200 | $ 1.008 – 1.344 形式來：德國Frantisek Kastner生人清通高6cm/10cm/重58g 品，購於中國。古清晚期高1.9cm/5.3cm 由多片合成，雕口、，。明開的，形部， € 500 – 700 | $ 560 – 784 | ‡ 材，間物、及許。流，雕，底部來：德國萊茵地人品，1980年。品相等級A/B。代購於古當地。

€ 1.500 – 2.000 | $ 1.680 – 2.240 € 1.500 – 2.000 | $ 1.680 – 2.240

2073

2075

2074 2076 2072

China 2077 2079 2081 EIGHT SMALL BOXES WITH DRAGONS, HEXAGONAL BOX WITH DRAGON AND SIX BOXES WITH FLOWERS AND Chinese silver FLOWERS AND BIRDS. PHOENIX AND FIVE MORE BOXES. BIRDS. ACHT KLEINE DOSEN MIT DRACHEN, HEXAGONALE DOSE MIT DRACHE UND SECHS DECKELDOSEN. BLUMEN UND VÖGELN. PHÖNIX UND FÜNF WEITERE DOSEN. China/Vietnam. Beg. 20th c. China/Vietnam. First half 20th c. China/Vietnam. Ca. 1900. Silver in repoussé. Complete 257g. H.2- in Vietnam Silver in repoussé. Residue of gilding. Silver in repoussé, partly openwork. Com- 3.2cm, max. 8.2x5.3cm. Each stamped Complete 385g. Square box with dragon: plete 335g. H.3-7.2cm, max. 6.8x7.5cm. underneath: Da Fu. Condition A/B. H.3.1cm, 5.4x5.5cm. Without mark. Different marks underneath. Condition B. Provenance: Private collection Westphalia. Condition B. Smaller damages. Acquired in the 1930s/40s. Provenance: Private collection Westphalia. Provenance: Private collection Westphalia. Acquired in the 1930s/40s. Acquired in the 1930s/40s. 銀（件）中國/ 20世上總重257g 銀（件）及件銀（件）工藝。高2-3.2cm，最大8.2x5.3cm。中國/ 20世上總重385g 中國/ 1900年總重335g 底部銀大。品相等級A/B。工藝，部金。方高工藝，部。高3-7.2cm，最大來：德國威斯特法倫地人 3.1cm，5.4x5.5cm。均無銀。 6.8x7.5cm。底部銀記、大品，1930/40年代。品相等級B。、金等。來：德國威斯特法倫地人品相等級B，輕微破損。 € 500 – 700 | $ 560 – 784 品，1930/40年代。來：德國威斯特法倫地人品，1930/40年代。 € 300 – 500 | $ 336 – 560 2082 € 500 – 700 | $ 560 – 784 TWO BOXES WITH FLOWERS AND BIRDS. ZWEI DOSEN MIT BLUMEN UND 2078 VÖGELN. FOUR HINGED BOXES WITH PHOENIX. 2080 China/Vietnam. Beg. 20th c. VIER KLAPPDOSEN MIT PHÖNIXVÖGELN. SIX BOXES WITH FLOWERS AND BIRDS. China/Vietnam. Ca. 1900. SECHS DOSEN MIT BLÜTEN UND Silver in repoussé and openwork. Oval: VÖGELN. 161g, H.5cm, 12x5.7cm. Hexagonal: Silver in repoussé. In high relief with paradise China/Vietnam. Ca. 1900. 204g. H.5.2cm, 9.4x9.4cm. Each with birds and flowers of the four seasons. Com- mark underneath: Da Fu. One box later plete 327g. Two hexagonal: H.4.7/5.5cm, Silver in repoussé, partly openwork. Com- punched 925. Condition A/B. 5x5.5/5.3x6cm. Square and flower shaped: plete 383g. Two square: H.4.2cm, 8.5x5cm. Provenance: Private collection Westphalia. H.3.5cm, 6x6/10x7.2cm. Underneath Oval: H.4.4cm, 10.6x7cm. Three boxes: Acquired in the 1930s/40s. stamped: Fan Cheng. Condition A/B. H.max.3cm. Each stamped: Da Guang. Two Provenance: Private collection Westphalia. later punched: 925. Condition A/B. 銀（件） Acquired in the 1930s/40s. Provenance: Private collection Westphalia. 中國/ 20世上 Acquired in the 1930s/40s. 及工藝。銀（件）：161g，高5cm，12x5.7cm。中國/ 1900年總重327g 銀（件）：204g，高5.2cm，9.4x9.4cm。工藝。中國/ 1900年總重383g 底部銀大及925。件方：高4.7cm/5.5cm。工藝，部。品相等級A/B。 Chinese silver in Vietnam – Chinesisches Silber in Vietnam – 19世晚期至20世上期間，中國方及海式：3.5cm，件方形：高4.2cm，8.5x8.5cm。來：德國威斯特法倫地人 a private collection in Westphalia eine westfälische Privatsammlung 大部及法度支地（包括 6x6cm/10x7.2cm。：高4.4cm，10.6x7cm。品，1930/40年代。）出產的銀大多為人銀按中國底部銀成。三件小：最高3cm。 From the late 19th to the first half of the Vom späten 19. bis in die erste Hälfte des 傳製銀工藝製作，用於人家的品相等級A/B。底部銀大，其中件後加歐洲銀 € 600 – 900 | $ 672 – 1.008 20th century, high-quality silverware was 20. Jahrhunderts wurden hochwertige 日常使用。此類銀大多用和來：德國威斯特法倫地人 925。 produced by Chinese artisans in southern Silberarbeiten von chinesischen Kuns- 法，傳圖，如、品，1930/40年代。品相等級A/B。 China, but also in French Indochina, i.e. thandwerkern in Südchina, aber auch 、人物等，圖本上為來：德國威斯特法倫地人 Vietnam. These were intended for the dai- in Französisch-Indochina, also Vietnam 子地開。以不同形的為主， € 400 – 700 | $ 448 – 784 品，1930/40年代。 ly use by wealthy merchants. The works gefertigt. Diese waren für den täglichen 小件多為粉。著名的手藝人多中在 are characterized by similar processing Gebrauch vermögender Kaufleute bes- 承順化地。本拍賣會48 € 500 – 700 | $ 560 – 784 techniques, but also by the interweav- timmt. Die Arbeiten zeichnen sich durch 件德國威斯特法倫地人品（2077 ing of different motifs of the traditional ähnliche Verarbeitungstechniken aus, aber 至2086號），多為“大”和“大”製作 Chinese canon of forms such as the flow- auch durch die Verflechtung unterschiedli- 的高銀。 ers of the four seasons and the twelve cher Motive des traditionellen chine- months, birds and dragons with Western sischen Formenkanons wie den Blumen influences. The best-known silversmith’s der vier Jahreszeiten und der zwölf Mon- are Da Fu (Tai Fook) and Da Guang, from ate, Vögel und Drachen mit westlichen whom most of the pieces in the collection Einflüssen. Die bekanntesten Schmieden presented here come. sind Da Fu (Tai Fook) und Da Guang, von denen auch die meisten Stücke der hier vorgestellten Sammlung stammen.

China 2083 2084 A 2086 OCTAGONAL BOX, ETUI AND DOUBEL WALL BOWL WITH SEVEN BOXES IN OPENWORK. CIGARETTE CASE. CRANES AND BUTTERFLIES. SIEBEN DECKELDOSEN IN DURCH- ACHTECKIGE DOSE, FLACHES ETUI DOPPELWANDIGE SCHALE MIT KRANI- BRUCHARBEIT. UND ZIGARETTENSCHACHTEL. CHEN UND SCHMETTERLINGEN. China/Vietnam. Ca. 1900. China/Vietnam. Beg. 20th c. China/Vietnam. Ca. 1900. Silver in openwork and engraved with ﬂow- Silver in repoussé dragons, phoenix and Silver in repoussé, partly openwork and ers, birds and marine animals. Complete ﬁgures. Complete 374g. Box with res- engraved. 202g. H.5,4cm, Ø 11,3cm. Un- 448g. Round: H.3.1cm, Ø 4.7cm. Oval: max. idue of gilding: H.7cm, 8x7.4cm. Etui: derneath engraved silver mark: Da Guang. H.3.7cm, 9x5.9cm. Marked underneath: Da 2.1x11.5x8.7cm. Case: 9.3x6.5x2.5cm. Condition A/B. Guang resp. Da Fu. Condition A/B. Without mark. Condition A/B. Provenance: Private collection Westpha- Provenance: Private collection Westphalia. Provenance: Private collection Westphalia. lia. Acquired in the 1930s/40. Acquired in the 1930s/40s. Acquired in the 1930s/40s. 銀銀（件）銀（三件）中國/ 1900年重202g 中國/ 1900年總重448g 中國/ 20世上總重374g 工藝，部。高5.4cm，形：高3.1cm，4.7cm。工藝。 11.3cm。底部字中大。形：最高3.7cm，9x5.9cm。形：部金，高7cm，8x7.4cm。品相等級A/B。底部銀大、大。：2.1x11.5x8.7cm。來：德國威斯特法倫地人品相等級A/B。：9.3x6.5x2.5cm。品，1930/40年代。來：德國威斯特法倫地人無銀。品相等級A/B。品，1930/40年代。來：德國威斯特法倫地人 € 400 – 600 | $ 448 – 672 品，1930/40年代。 € 800 – 1.000 | $ 896 – 1.120

€ 700 – 900 | $ 784 – 1.008 2085 SMALL AMULETT OR EVENING BAG. KLEINE AMULETT- ODER 2084 ABENDTASCHE. FOUR HINGED BOXES WITH BIRDS China/Vietnam. 1920s. AND FLOWERS. VIER KLAPPDOSEN MIT VÖGELN UND Silver in repoussé. Flowers and birds. BLUMEN. 141g, 11x9.5x3.3cm. Marked under- China/Vietnam. Ca. 1900. neath: Da Guang. Condition A/B. Provenance: Private collection Westphalia. Silver in repoussé, partly openwork. Com- Acquired in the 1930s/40s. plete 506g. Two cylindrical: H.7.5/6.2cm, 7x8/6.8x6.8cm. Two ﬂat, each: H.4.5cm, 銀包 10.2x6.2cm. Underneath silverstamp: Da Fu. 中國/ 1920年代重141g Three later punched: 925. Condition A/B. 工藝。11x9.5x3.3cm。 Provenance: Private collection Westphalia. 底部銀大。品相等級A/B。 Acquired in the 1930s/40s. 來：德國威斯特法倫地人品，1930/40年代。銀（件）中國/ 1900年總重506g € 400 – 800 | $ 448 – 896 工藝，部。件多形：高7.5/6.2cm， 7x8cm/6.8x6.8cm。件形：高4.5cm，10.2x6.2cm。底部銀大，三件後加歐洲銀 925。品相等級A/B。來：德國威斯特法倫地人品，1930/40年代。

€ 700 – 1.000 | $ 784 – 1.120 2087 LARGE FLOWER-SHAPED PLATE 形水開大銀 WITH EIGHT MEDALLIONS. 清中期 18/19世 GROßE BLÜTENFÖRMIGE PLATTE 重2160g/46cm/高3.5cm MIT ACHT MEDAILLONS. 銀重，部金。 China. Mid Qing dynasty. 18th/19th c. 形，寬，，底。一個形開，內部以子為地用工 Silver partly gilt, finely engraved and 藝其細地組不同的風 punched. In eight round medallions on 圖，如、高士、對 a finely punched ground and in flat and 、品、等題材。開之 high relief various landscapes with people 間組形小開，子地上 and animals in lush vegetation. Between 果。大小開之間一後加 the medallions engraved eight smaller car- 進口銀（1814-1893年），用於含 touches with plants and flowers. Weight 不低於833‰（20k）的大銀。 2160g, Ø 46cm, height 3.5cm. Dutch 類： 2017年12月7日第406拍賣 import mark (1814-1893), used for large 會已成交的清中期，編號2581。 objects consisting of at least 833 silver. 參閱：Adrien von Ferscht著《1785-1940 Condition A/B. 年中國外銷銀：收者必指》 (Chinese Export Silver 1785-1940. The The extremely detailed and fine decora- Definite Collector’s Guide)，Glasgow tion with partial gilding is typical of silver 2015年出版，98和734頁。 from the middle of the Qing Dynasty. The plate was left unmarked, which is € 3.000 – 5.000 | $ 3.360 – 5.600 not unusual for Chinese silver from this period. Only on later export silver more often a Chinese manufacturer mark can be found.

Compare: -A small silver wine ewer with comparable decoration, also unmarked and dated to the same period was auctioned in our auction 406 as lot 2581.

Literature: -Adrien von Ferscht: Chinese Export silver 1785-1940. The Deﬁnite Collector’s Guide. Glasgow, 2015. P. 98+734.

China 2088 2090 SMALL TABLE OR STOOL. IMPORTANT WINDOW LATTICE. KLEINER TISCH ODER HOCKER. BEDEUTENDES FENSTERGITTER. China. 19th/20th c. China. Qing dynasty. (1644-1911)

Dark hard wood with expressive grain. Wood, very fine and minutely carved in The top plate with a frame, beneath the openwork. With some residue of lacquer. feet are connected by stepped elegant Each pane of the two-winged window aprons. The size gives the possiblity to use consists of two small and a larger field, it as small table or stool. Height 52cm, carved in meticulously work with a high 60x60cm. Condition A/B. oval reserve enclosing a display cabinet with antiquities and a cat chasing a 硬木束腰方桌或方凳 butterfly. The upper part of the lattice is 19/20世紀高52cm/60x60cm decorated in three fields with medallions 品相等級A/B。 in lattice work, likewise the narrow side parts. The lower part consisting of one € 2.000 – 2.200 | $ 2.240 – 2.464 large field is filled with flower and peach shaped medallions with more antiquities. The lattice consists of square spirals connected by finely carved flowering twigs to the frame. Each field is carved with different openwork and refined patterns lend- ing the window elegance and diversity. Height 153cm, width 96cm. Condition A/B. One small damage restored.

2088 木雕雙扇檻窗清高153cm/寬96cm 由橫披、格扇窗、檻框和欄窗四部分組成。通扇採用細欞條拼聯迴紋類圖案，以各式瑞果銜接。橫披窗三方為鏤空卍字團花圖案；四抹頭格扇窗兩扇，上下縧環板分別為迴紋地團合整雕玉蘭花和書卷托著瓶，每扇格心榫合環紋錦框，中心精雕博古架；檻框四方；欄窗內中心鑲嵌花形開光雙羊圖，兩側各一桃形開光雕博古件。品相等級A/B，一處細小破損經修復。

€ 1.600 – 2.000 | $ 1.792 – 2.240

2089 TWO PART DISPLAY CABINET. ZWEITEILIGE ETAGERE. China. Qing dynasty. Ca. 1880.

Dark hard wood, partly openwork and carved in relief. In the lower part behind the large doors, carved with flowering peonies, two drawers. The upper part with sides in openwork. Height 208cm (lower 95, upper part 113), width 140cm, depth 48cm. Condition A/B.

硬木雕牡丹紋博古架清 1880年左右高208cm（多寶格高113cm，底櫃 85cm）/寬140cm/深48cm 由單獨的上、下兩部分組成。上部分為不同大小多寶格組成的架子，局部透雕。下半部為對開門的櫃櫥，面板各浮雕牡丹圖案，櫃內底部兩個抽屜。品相等級A/B。

€ 1.800 – 3.000 | $ 2.016 – 3.360

2089

China 2091 LARGE BITONG FOR BRUSHES. GROßER BITONG FÜR PINSEL. China. Carpets

Hardwood. Inset peg later. Cylindrical with slightly indrawn waist and rounded rim. The elegant shape emphasises the grain of the wood. The ﬂat bottom with material typical opening with loose peg. Height 19cm, Ø 21cm. Condition A/B.

木大筆高19cm/21cm 形，束，，。形，物表面無，木，通體理自，包。一形木（後）。品相等級A/B。

€ 2.300 – 2.800 | $ 2.576 – 3.136

2091

2092 RARE AND IMPORTANT PAIR OF TROUSERS FOR MEN. SELTENE UND BEDEUTENDE HERRENHOSE. China. Tang- (618-907) or Liao-Dynastie (916-1125).

Silk damask with diamond pattern in twill and tabby weave. Lining: Silk, tabby weave, light blue. The lower part with large rondels, reserved in lighter brown on a green brown background. Painted in ﬁne black ink lines with ﬂowers and birds.

Wide trousers of this style where folded and fastened in the taille with a ribbon. They have been combined with caftan-like garments. Length ca. 80cm. Condition C. Brittle, dirty and damaged.

見團式或約80cm 外料為形地，多組地工筆團。為。合式，部繫帶。品相等級C，易損，，部。

€ 800 – 1.200 | $ 896 – 1.344 2092

China 2093 RARE PALACE KANG CARPET 金線彩相 WITH DRAGONS AND LOTOS. 明/清 212x125cm SELTENER PALASTTEPPICH FÜR 以幅合成，為 DEN KANG MIT DRACHEN UND 。外為一，內 LOTOSBLÜTEN. 對。向內一週， China. Ming/Qing dynasty. 相，，角一條仿古。角定一結。幅面 Silk velvet, patterned in several colors and ，工致，圖，實為 with metal threads. Sewn from two pan- 作。品相等級B，織線落，角處易 els. The center with a large lotos flower 損、有裂。 (baoxiang) medallion from which large 參閱：Spink & Son 編著《中國 scrolled leafs are stretching into the field. 藝術》(The Minor Arts of China)，倫 In the corners each an arachaising drag- 1983年出版，圖108。 on, the outer border with rain dragons grouped in pairs around flaming pearls. € 20.000 – 25.000 | $ 22.400 – 28.000 A border in between with square scrolls. At the four corners each an ornamental knot. 212 x 125cm.

With turquoise blue lining. Condition B. Loose threads. Brittle at the border and damaged. This type of mat was used on wooden daybeds and on the heated kang in the palaces. They lent not only more comfort but where likewise a status symbol regarding the patterns, the colors and the value of the techniques and materials used. Velvet fabrics are per se expensive, here colored silks and metals threads have be added for patterns.

China 2094 2095 RARE ALTAR CLOTH WITH SHOULAO 圖供 IMPORTANT COLUMN AND THE EIGHT IMMORTALS. 清 1644-1911年 74x86cm CARPET WITH DRAGON. SELTENE ALTARSCHÜRZE MIT 織物，使用。三個內 CHINESISCHER SÄULENTEPPICH SHOULAO UND DEN ACHT 外一及帶，中間以裂 MIT DRACHE. UNSTERBLICHEN. 為地圖，圍，下 China. Late Qing dynasty. China. Qing dynasty (1644-1911). 方海水。品相等級C，易損，，。 Pile wool, warp and weft cotton. A five- Linnen or ramie. Printed with stencils. clawed dragon amidst clouds chasing a Shoulao sitting on his deer in the center € 1.500 – 2.000 | $ 1.680 – 2.240 flaming pearl winds around the column, with four of the Eight Immortals on each when the carpet is in place. In trapezoid side. The background with clouds and shape for fitting around a tapered col- crazed ice. The frame at the side and low- umn. At the top with diamond and pearl er margin with flowers and cash pattern. pattern, at the lower margin with stylized 74 x 86cm. Condition C. Brittle and dirty, water with treasures like ruyi and pearls damaged. and with staggered rocks. 333x193 resp. at the top 165cm. Condition B/C. Damages and bleached.

清晚期 333x193cm/上寬165cm 用為原料，線為。梯形，下寬上。通體深地，底部為海水物圖，中部條，部有如意。品相等級 B/C，破損。

€ 800 – 1.000 | $ 896 – 1.120

China 2096 RARE PAIR OF PILLAR CARPETS WITH DRAGONS. SELTENES PAAR SÄULENTEPPICHE MIT DRACHEN. China. Ningxia. Qing dynasty. Mid 19th c.

Pile wool, warp and weft cottom. This two pillar carpets are exceptionally long and show each a dragon with expressive head. In front of the long snout with large fangs a colored pearl can be found between the barbels. The serpent-like body, which is wrapped twice around the pillar, ﬂoats between clouds. Below, waves, rocks and the deep water close off the carpet, above a border with tassels and multicolored stripes. 569x143cm and 580x148cm. Condition A/B.

Provenance: -Rhenish Privat collection. -Formerly collection David Te-Chun Wang.

Published: -Terry Stratton: Antique Chinese Carpets. England 1978. P. 98/99, pl. 49/50.

見（一對）清 19世中 569x143cm/580x148cm 用為原料，線為。度超常，通體底，底部為海水圖，中部條三，部帶下流。品相等級A/B。來： -德國萊茵地人收。 -原David Te-Chun Wang品。著錄：Terry Stratton著《中國古》 (Antique Chinese Carpets)，國1978年出版，第98/99頁，圖49/50。

€ 8.000 – 12.000 | $ 8.960 – 13.440

China 2097 2098 IMPORTANT PILLAR CARPET IMPORTANT PILLAR CARPET WITH MAUDGALYAYANA. WITH FEMALE NAGA. BEDEUTENDER SÄULENTEPPICH AUßERGEWÖHNLICHER MIT MAUDGALYAYANA. SÄULENTEPPICH MIT WEIBLICHEM China. Gansu. Qing dynasty. Mid19th c. NAGA. China. Gansu. Qing dynasty. Mid 19th c. Pile from wool, warp and weft cotton. Maudgalyayana was, together with Sa- Wool for the pile, cotton for warp and riputra, one of the ﬁrst followers of the weft. The female with the lower body of a Buddha. He is barefoot, dressed in the snake is rising from waves. She is clothed three-piece kasaya robe and holding a in a dhoti loincloth and her hair is coiffed staff with stupa. His body is surround- in a bun and adorned with leaves. With ed by the Eight Buddhist Treasures and both hands she offers a bowl with pearls clouds. Between the staff and his head is and other treasures. Around her shoulder placed in a ruyi-shaped reserve the char- are arranged stems of cloud-like plants acter for the moon. Below waves with ﬂowering at her back. This might sym- rocks and the deep water, above a border bolize lotus or lingzhi, the mushroom of with tassels. 268x121cm. Condition A/B. immortallity. Beneath the waves the deep water lishui, at the upper part a pearl Provenance: border. 230x156cm. Condition A/B. -Rhenish private collection. -Formerly collection David Te-Chun Wang. Provenance: -Rhenish private collection. Published: -Terry Stratton: Antique Chinese Carpets. Literature: England 1978. P. 58/59, pl. 19. -Terry Stratton: Antique Chinese Carpets. England 1978. 見目者清 19世中 268x121cm 見用為原料，線為。通體底清 19世中 230x156cm ，底部為海水圖，中部釋用為原料，線為。通體大子之一的目者著底，底部為海水圖，中部，手法，手，立，人，下，上，彩及教，上方，手，從海水中起，如意內單字月。部一排流。品彩。部一排相等級A/B。。品相等級A/B。來：來：德國萊茵地人收。 -德國萊茵地人收。參閱：Terry Stratton著《中國古》 -原David Te-Chun Wang品。 (Antique Chinese Carpets)，國1978年著錄：Terry Stratton著《中國古》出版。 (Antique Chinese Carpets)，國1978年出版，第58/59頁，圖19。 € 3.000 – 5.000 | $ 3.360 – 5.600

€ 4.000 – 6.000 | $ 4.480 – 6.720

China 2099 2100 PILLAR CARPET WITH LAMA PILLAR CARPET WITH LAMA AND WITH MUSCHELTROMPETE. THE EIGHT BUDDHIST TREASURES. SÄULENTEPPICH MIT LAMA MIT SÄULENTEPPICH MIT LAMA UND DEN MUSCHELTROMPETE. ACHT BUDDHISTISCHEN SCHÄTZEN. China. Kansu. Qing dynasty. Mid 19th c. China. Kansu. Qing dynasty. Mid 19th c.

Pile from wool, warp and weft cottom. Pile wool, warp and weft cotton. The The Gelugpa Lama with yellow hat is lama can be identiﬁed as belonging to shown with a shell trumpet (shanka) and the Gelugpa school, because of his yellow prayer beads. Over his long garment he hat. He is walking on clouds and blows in wears draped a kasaya (Tib. chogo). He is the shell trumpet (shanka). The Eight Bud- surrounded by six of the Eight Buddhist dhist Treasures are arranged around him Treasures, above his head the canopy, only with a canopy above his head. The carpet the umbrella is missing. In the lower part is at the lower part bordered with deep the carpet shows the lines of deep water water lines (li shui) and at the top with a (li shui), at the upper end a pearl border pearl border. 196x122cm. Condition A/B. with ruyi shapes. 240x112cm. Condition A/B. Provenance: -Rhenish private collection. Provenance: -Formerly collection of David Te-Chun -Rhenish private collection. Wang. -Formarly collection David Te-Chun Wang. Published: Published: -Terry Stratton: Antique Chinese Carpets. -Terry Stratton: Antiqued Chinesise Car- England 1978. P. 34/35, pl. 1. pets. England 1978. P. 54/55, photo 17. 海清 19世中 196x122cm 清 19世中 240x112cm 用為原料，線為。通體用為原料，線為。通體底，底部為海水圖，中部格派底，底部為海水圖，中部格派，手海，教，手海，，。部一排。及教（無）。部一排如品相等級A/B。意。品相等級A/B。來：來： -德國萊茵地人收。 -德國萊茵地人收。 -原David Te-Chun Wang品。 -原David Te-Chun Wang品。著錄：Terry Stratton著《中國古》著錄：Terry Stratton著《中國古》 (Antique Chinese Carpets)，國1978年 (Antique Chinese Carpets)，國1978年出版，第34/35頁，圖1。出版，第54/55頁，圖17。 € 3.000 – 5.000 | $ 3.360 – 5.600 € 3.000 – 5.000 | $ 3.360 – 5.600

China 2101

2101 2102 CARPET WITH CRANE ANTIQUE PALACE CARPET. MEDAILLONS AS VALANCE. ANTIKER PALASTTEPPICH. TEPPICH MIT KRANICHMEDAILLONS China. Khotan. Qing dynasty. 19th c. ALS QUERBEHANG. China. Qing dynasty. Early to mid 19th c. Pile wool, warp and weft cottom. Long life lattice pattern with ﬂowers. Pile wool, warp and weft cotton. A pat- 314x163cm. Condition A/B. tern of white crane medallions with blue and yellow clouds adorns the middle part 和古 of the carpet. The inner border show 清 19世 314x163cm ﬂowers, the outer one blue vajra. The 用為原料，線為。 horizontal aligned pattern and the ex- 何。品相等級A/B。 traordinary lenght are giving the idea that the carpet was used as ceiling valance or € 2.500 – 3.000 | $ 2.800 – 3.360 as cladding for a beam in a Buddhist temple. 502x76cm. Condition A/B.

Provenance: -Rhenish private collection.

Literature: -Terry Stratton: Antique Chinese Carpets. England 1978. Compare p. 102/103, plate 54.

清 19世中 230x156cm 圍的通常為對的海水，中間為一個團或者。用為原料，線為。通體底，一，向內次一金及，中為對的組及、。品相等級A/B。來：德國萊茵地人收。參閱：Terry Stratton著《中國古》 (Antique Chinese Carpets)，國1978年出版，參見第102/103頁，圖54。

€ 2.500 – 3.000 | $ 2.800 – 3.360 2102

China Buddhist Art

2103 LARGER THAN LIFE HEAD OF 大 BUDDHIST FIGURE. / 清1644-1911年 ÜBERLEBENSGROßER KOPF EINER 高93cm/寬75cm/深72cm BUDDHISTISCHEN FIGUR. 部加彩，底。品相等級B， Tibet/Nepal. Qing dynasty (1644-1911). 有破損，加彩部分損。

Bronze in repoussé, partly painted with € 30.000 – 50.000 | $ 33.600 – 56.000 pigments. The face shows a serene look with a smiling mouth. The narrow eyes are elegantly swung, likewise the lips. Here are leftovers to find from a meticulous painting with detail. Wearing heavy earrings elongated the lobes and left slits, typical for Buddhist figures. The hairdo is set off from the face and is covered with the residue of lapis lazuli, the hair is depicted by engraved lines. On the back a part of a jeweled headband is partly preserved. On the forehead, at the place of the urna, a remnant of something attached here is preserved. It might have been the frontal part of the headband or an urna. At the neck there is an extension for fixing the head to a body. So we can assume that it was once part of a monumental figure for a temple. Height 93cm, width 75cm, depth 72cm. On frame on a base. Condition B. Damaged, painting rubbed.

Buddhist Art 2104 IMPRESSIVE RELIEF WITH 見金 FEMALE DEITY RIDING WOLF. 18世高60cm/寬55cm/5cm BEDEUTENDES RELIEF MIT ，金。，手上 WEIBLICHER GOTTHEIT AUF ，手，後形。 WOLF REITEND. 形正上方說法，向下其次對 Tibet. 18th c. 為釋、度、成對、、象。下部中， Copper bronze in repoussé and fire 為釋。此應為內大供 gilded. The central female deity riding on 像的一部分。品相等級A/B。 a wolf - recognizable by its characteristic 藝術古董行Joachim Baader mouth, paws and bushy tail. With her 生2008年4月9日寫的描述書。 right hand she swings a sword over her 來：德國部人收，1999年於 head, in her left she holds a bowl of 。 wishing jewels. She wears long garments and a small crown, her hair is tied high € 12.000 – 15.000 | $ 13.440 – 16.800 and a round aureole shines behind her head. The niche surrounding the deity shows various Buddha and Buddhist deities. Centrally above the female deity the teaching Buddha with dharmacakra mudra, below the four-armed Bodhisattva Shadakshari Lokeshvara. Both figures are flanked by the historical Buddha Shakyamuni. At eye level with the main figure are on the left the White and on the right the Green Tara. Below three mythical animals - ram, lion and elephant - arranged in pairs.

The relief may have been part of a larger altarpiece in a temple. Height 60cm, width 55cm, depth 5cm. Condition A/B.

Iconographic description by Joachim Baader, Galerie für tibetische Kunst, Munich, 9 April 2008 available.

Provenance: -Private collection Southern Germany, acquired 1999 in Nepal.

Buddhist Art 2105 IMPORTANT BUDDHA SHAKYAMUNI. 金釋像 BEDEUTENDER BUDDHA 式清 18世重7900g/高39cm SHAKYAMUNI. 未底。品相等級A/B。 Sino-Tibetan. Qing dynasty. 18th c. 來：德國部人品。

Bronze with fire gilding. The historical € 50.000 – 70.000 | $ 56.000 – 78.400 Buddha with serene facial expression sitting in traditional pose. The robe, decorated with tendrils and flowers at the hem, is laid in opulent folds according to Chinese taste. His right hand shows the earth touching gesture (bhumisparsa mudra), but his fingers do not touch the ground. The left hand is in the meditation gesture (dhyana mudra). The wheel of teaching (dharma) is engraved on both soles of his feet. Weight 7900g, height 39cm. Condition A/B.

Provenance: -Private collection Southern Germany. 2106 IMPORTANT TORSO OF A SITTING 金大全像 BUDDHIST FIGURE. / 可能為15/16世或晚期 BEDEUTENDER TORSO EINER 高20cm/寬77cm/深57cm SITZENDEN BUDDHISTISCHEN FIGUR. 多件分體組成。品相等級B，有 Tibet/Nepal. Prob. 15th/16th c. or later. 和破損。

Bronze with fire gilding. The lower part € 30.000 – 40.000 | $ 33.600 – 44.800 of a sitting Buddhist figure with the legs in lotus posture. The feet and toes are shown with fine detail. At the upper margin the edge is elegantly shaped and connected once to the body.

Despite the size gives the idea of a repoussé work, it seems the ﬁgure was cast in parts. This can be determined from the wall thickness. The torso still conveys the great elegance and expressive power of the complete ﬁgure. Height 20cm, width 77cm, depth 57cm. Condition B. According to the age corrossion and damages.

Buddhist Art 2107 2109 THANGKA OF BUDDHA SHAKYAMUNI THANGKA OF BHAISAJYAGURU WITH THE SEVENTH DALAI LAMA. IN THE PALACE OF THE EASTERN THANGKA DES BUDDHA PARADISE. SHAKYAMUNI MIT DEM SIEBTEN THANGKA DES BHAISAJYAGURU IM DALAI LAMA. PALAST DES ÖSTLICHEN PARADIESES. Tibet. 18th c. Mongolia. 18th/19th c.

Pigments and gold on fabric. The Dalai Pigments and gold on fabric. The blue Lama Kalsang Gyatsho lived 1708-57. skinned Medicine Buddha in the center in On the pedestals of this and most other the palace of Vaiduryanirbhasa, Land of ﬁgures an inspription in gold is found, the Pure Lapis Lazuli. He is acompanied giving their names. The ﬁgures are mainly by the Bodhisattva Suryaprabha and Arhat and directional protectors like Candrapabha, representing the light of Ajita, Pantaka, Nagasena, Virupaksha sun and moon. Besides of numerous Vaishravana among others. 62x45cm, Buddha, Bodhisattva, teachers and complete 125x77cm. Mounted with guardians. 62.5 x 40.5cm, complete curtain and Chinese silk as hanging scroll. 107 x 55cm. Mounted with Chinese silk Condition A/B. as hanging scroll. Condition B.

Provenance: Provenance: -Private collection Northern Germany. -Rhenish private collection, acquired in the 1980s locally. 釋及達世格卡 18世師之方世卡面加彩描金古 18/19世中式，帶面加彩金中式畫面62x45cm/125x77cm 畫面62.5x40.5cm/107x55cm 品相等級A/B。品相等級B。來：德國北部人品。來：德國萊茵地人品， 1980年代於古。 € 2.000 – 2.400 | $ 2.240 – 2.688 2108 € 2.800 – 3.500 | $ 3.136 – 3.920 BUDDHA AMOGHASIDDHI. BUDDHA AMOGHASIDDHI. Sino Tibetan. 18th c. 2110 Bronze, ﬁnely engraved, with residue of IMPORTANT GREEN TARA. gilding and cultic painting. BEDEUTENDE GRÜNE TARA. Tibet. 18th/19th c. There are also remains of an old, possibly original cult painting. Base closed, base Copper bronze in repoussé with ﬁre plate with engraved double vajra. Weight gilding and residue of pigments. Sitting in 426g, height 10.8cm. Condition A/B. lalitasana on a double lotus pedestal, her hands show varada and vitarka mudra. Provenance: She wears large earrings, jewelry and -Dutch private collection. Acquired at clothing of a bodhisattva. Base sealed and Christie’s Amsterdam on 1 June 1988, lot plate engraved with double vajra. Weight 42 (copy of Christie’s invoice available). 671g, height 17.8cm, width ca. 12.5cm. -Private collection Hamburg. Acquired Condition B. Some details missing. from Arts & Antiques Group Amsterdam on 14 December 2015, lot 221. Provenance: -Private collection Hamburg. Acquired 金不成像 2016 at Döbritz auction house, from the 式 18世重426g/高10.8cm legacy of Prof. Heinrich Harrer. 存金及加彩痕跡。底部底，字金。金度像來： 18/19世 -原人，購於1988年6月1日重671g/高17.8g/寬約12.5cm 士得斯特拍賣會，拍品編號42。下部底，中字金。發票件。品相等級B，、帶、等。 -德國人品，購於2015年12月來：德國人品，2016年購於 14日斯特Arts & Antiques Group拍 Döbritz拍賣公司，原Heinrich Harrer教賣會，拍品編號221。收品。

€ 3.500 – 4.500 | $ 3.920 – 5.040 € 3.000 – 4.000 | $ 3.360 – 4.480

Buddhist Art 2111 2112 2113 2114 2115 SEATED BUDDHA SHAKYAMUNI. BUDDHA AMITAYUS. AMOGHASIDDHI. ELEGANT FIGURE OF THE Provenance: SHADAKSHARI LOKESHVARA. SITZENDER BUDDHA SHAKYAMUNI. BUDDHA AMITAYUS. AMOGHASIDDHI. GREEN TARA. -Private collection Salzburg. SHADAKSHARI LOKESHVARA. Tibet/Nepal. 18th/19th c. Sino-Tibetan. 17th/18th c. or later. Tibet. 17th c. or later. ELEGANTE FIGUR DER GRÜNEN TARA. -Private collection Hamburg. Sino-Tibetan. Ca. 17th c. Tibet. 18th/19th c. Copper bronze fire gilded. The right hand Copper bronze fire gilded and with Copper bronze with fire gilding. In his 金度像 Copper bronze with fire gilding. Seated in raised to abhaya mudra, the left rests in pigments. Seated in padmasana, the bodhisattva appearance with multipart Copper bronze, finely engraved and fire 18/19世重861g/高16.8cm padmasana on a high double lotus base. his lap and holds the alms bowl. Pedestal hands in dhyana mudra, originally crown and rich jewelry. The right hand gilt. Gracefully sitting on a wide, flat 品相等級A/B。 Two of his four hands in anjali mudra, closed. Weight 450g, height 11.5cm. probably holding the long-life vase. Base raised to vitarka mudra, the left hand lotus base. The right foot rests in typical 來： the other two holding a lotus flower Condition A/B. closed. Weight 1112g, height 15.5cm. shows dhyana mudra. His robe is laid in manner on an emerging single lotus -地利人。 and rosary. He wears rich jewelry, a large Condition A/B. elegant folds and the hem decorated with blossom, expressing her willingness to -德國人品。 crown and an antelope skin over his 金釋像 fine tendrils. Base closed. Weight 548g, act. Grace and femininity of the ‘Green shoulder. His long hair is tied into a high / 18/19世金無像 height 15.3cm. Condition A/B. Liberator’ are expressed in the fine facial € 2.400 – 2.800 | $ 2.688 – 3.136 chignon crowned by the head of Buddha 重450g/高11.5cm 式 17/18世或晚期 features and elegant posture of the Amitabha. Weight 692g, height 19cm. 底部底。品相等級A/B。重1112g/高15.5cm 金不成像 figure. Weight 861g, height 16.8cm. Condition A/B. Old repairs. 部加彩，底部底。品相等級A/B。 17世或晚期 Condition A/B. € 800 – 1.200 | $ 896 – 1.344 重548g/高15.3cm 金像 € 1.000 – 1.200 | $ 1.120 – 1.344 底部底。品相等級A/B。式約17世重692g/高19cm 品相等級A/B，有修。 € 900 – 1.200 | $ 1.008 – 1.344 | * € 1.800 – 2.500 | $ 2.016 – 2.800 | *

2114

2115 2112

2111 2113

Buddhist Art 2116 2117 BUDDHA AMITAYUS. BHAISAJYAGURU. BUDDHA AMITAYUS. BHAISAJYAGURU. Mongolia. 18th c. or later. Sino-Tibetan. Qing dynasty or later.

Copper bronze with fire gilding and partly Copper bronze fire gilded and with dark pigments. Seated on a high double pigments. The Medicine Buddha sitting in lotus base. In both hands he holds the padmasana, the monk’s robe with incised long-life vase. Large earrings and rich borders placed in elegant folds around jewelry adorn his body. The comparatively his body. His left hand holds a bowl, the broad body shape and the design of the other rests on his right knee and with his pedestal suggest Mongolia as the place of thumb and middle finger he is holding an origin. Base closed. Weight 3065g, height Arura fruit. Base closed. Weight 2763g, 23cm. Condition A/B. height 22cm. Condition A/B.

金無像金師像古 18世或晚期重3065g/高23cm 式清或晚期重2763g/高22cm 部加彩。底部底，有。品相等部加彩，底部底。品相等級A/B。級A/B。 € 1.800 – 2.500 | $ 2.016 – 2.800 € 2.600 – 3.000 | $ 2.912 – 3.360

2118 THANGKA OF THE FIGHTING BUDDHA clawed dragons on a blue background, 過完者卡 KING RUDRACAKRIN. which can probably be dated to the 達/ 18世/19世期 THANHGKA DES KÄMPFENDEN 18th century. 63.5x42.5cm, complete 面加彩描金中式 BUDDHAKÖNIGS RUDRACAKRIN. 131x69cm. Comprehensive consecration 畫面63.5x42.5cm/131x69cm Ladakh/Tibet. 18th/19th c. inscription in Lantsa writing and a large 後利內文開文字。 stupa on the back. Mounted with Chinese 品相等級B/C，化痕跡，專業修復。 Pigments and gold on fabric. The finely silk as hanging scroll. Condition B/C. ：小。達，19/20世。 and detailed painted thangka shows the Traces of age. Professionely restored and 來：德國北部地人品，1969年 last Dharmaraja king of the Shambhala preserved. Supplement: Small Buddhist 購於達列提。 empire fighting the battle against the manuscript. Ink and color on paper. negative forces with his warriors in order Ladakh, 19th/20th c. € 2.000 – 2.500 | $ 2.240 – 2.800 to help Buddhism to flourish again. Right above the Heruka Kalachakra in yab yum Provenance: 2117 with his wisdom partner Vishmamata. -Private collection Northern Germany. For the mounting a piece from a courtly Acquired 1969 in Ladakh, city Leh, Chinese robe (chaofu) was used with four- from the monastery Thiksey. 2116

Buddhist Art 2119 Ink, pigments and metal on paper. 大 2120 2121 LARGE BUDDHIST MANUSCRIPT Mountings from silk. Cover plates 19世 15cm/49x21cm SEATED LAMA. CHANGKYA ROLPAI DORJE. 金第三世圖圖 WITH PAINTINGS. from wood. Inside on the first pages 木質，以、彩、金物書寫，起始 SITZENDER LAMA. CHANGKYA ROLPAI DORJE. 若必多像 GROßES BUDDHISTISCHES six paintings, each in pairs on one side 頁。品相等級B。 Sino-Tibetan. Qing dynasty or later. Sino-Tibetan. In the style of the 18th c., 式 18世風格 MANUSKRIPT MIT MALEREIEN. showing the Buddha in bhumisparsa but perhaps later. 重1604g/高15.5cm Tibet. 19th c. and dharmachakra mudra. Also the € 1.800 – 2.500 | $ 2.016 – 2.800 Heavy fire gilded copper bronze. The right 底部底。品相等級A/B。 Bodhisattva Manjusri with Shadakshari hand raised to vitarka mudra, the left in Bronze with gilding, finely engraved 參閱：Donald Dinwiddie編著《大師 and Chenrezig with the wrathful dhyana mudra resting on his right foot. patterns. Seated on a mat on three 像》(Portraits of the Masters)，加和 Vajrapani. Height 15cm, 49x21cm. Pedestal closed. Weight 1266g, height cushions the depicted Lama is probaly 倫2003年出版，第326-327頁，編號93。 Condition B. 14.3cm. Condition A/B. Rolpai Dorje, the third Changkya Hutuktu (1717-1786). The borders of his robe € 1.700 – 2.200 | $ 1.904 – 2.464 Provenance: as well as the cushions are decorated -Private collection Nothern Germany. with finely engraved patterns. Lips and eyes are painted with pigments. Weight 金像 1604g, height 15.5cm. Base unclosed. 式清或晚期重1266g/高14.3cm Condition A/B. 底部底。品相等級A/B。來：德國北地人品。 Literature: -Donald Dinwiddie (Ed.): Portraits of the € 2.200 – 2.400 | $ 2.464 – 2.688 Masters. Chicago and London 2003. Compare pp. 326-7, no.93.

2121

2120 Buddhist Art 2122 2124 RARE THANGKA OF PEHAR GYALPO. THANGKA OF THE FOURARMED SELTENES THANGKA DES PEHAR GYALPO. AVALOKITESHVARA. Mongolia. 18th-19th c. THANGKA DES VIERARMIGEN AVALOKITESHVARA. Pigments and metal on fabric. In the center the Bhutan. 18th/19th c. six-armed Pehar Gyalpo with three faces on a white snow lion with green mane. He is surrounded by Pigments and metal on fabric. Above four other gyalpo spirits each on their mount and the central Bodhisattva the Buddha buffeted by flames. Above him the red Hayagriva. Amithabha, flanked by two Lama, the left Pehar was an original deity of the non Buddhist with kundika, the right one with vajra. Bhata Hor Meditation school of Mongolia and was Two more Bodhisattva sittting to the side subdued in the 9th c. by Padmasambhava. In the of the central figure, in the lower row the 17th c. he was chosen as divine guardian of the yellow Jambhala and the Tara flanking the Nechung temple, in which the official state oracle of Buddha in teaching gesture. 51x38cm. Tibet is conducted. 32 x 24cm, with mounting Condition B. Unmounted, rubbed. 59 x 37cm. Mounted as hanging scroll with Chinese silk. Condition B. 卡不 18/19世 Provenance: 面加彩無 -Rhenish private collection, acquired locally in the 畫面51x38cm 1980s. 品相等級B，部損。

見卡 € 1.200 – 1.500 | $ 1.344 – 1.680 古 18/19世面加彩中式畫面32x24cm/59x37cm 品相等級B。來：德國萊茵地人品，1980年代於古。

€ 1.400 – 2.000 | $ 1.568 – 2.240 2122 2124

2123 RARE THANGKA OF DAMCHEN GARWA NAGPO. SELTENES THANGKA DES DAMCHEN GARWA NAGPO. 2125 Mongolia. 19th c. THANGKA OF THE GREEN TARA. THANGKA DER GRÜNEN TARA. Pigments and metal on fabric. 32 x 25cm, Bhutan. 19th c. with mounting 61 x 33.5cm. Mounted with Chinese silk and curtain as hanging scoll. Pigments and gold on fabric. 33 x 22cm, Condition A/B. complete 66 x 37cm. Condition B. Darkened and rubbed. Provenance: -Rhenish private collection, acquired in the Provenance: 1980s locally. -Private collection, acquired in the 1990s locally. 見護法當卡古 19世度卡面加彩中式，帶不 19世畫面32x25cm/61x33.5cm 面加彩描金中式品相等級A/B。畫面33x22cm/66x37cm 來：德國萊茵地人品，1980年代於品相等級B，，部損。古。來：人收，1900年代。

€ 1.200 – 1.500 | $ 1.344 – 1.680 € 900 – 1.200 | $ 1.008 – 1.344 2123 2125

Buddhist Art 2126 2128 2129 LOTUS LEAF WITH STANDING PADMAPANI WITH STANDING PADMAPANI. 金手立像 SHADAKSHARI LOKESHVARA. BLOSSOMING LOTUS. STEHENDER PADMAPANI. 14世風格晚期 LOTOSBLATT MIT STEHENDER PADMAPANI MIT Nepal. In the style of the 14th c., but later. 重1673/像高29.3cm SHADAKSHARI LOKESHVARA. BLÜHENDEM LOTOS. 品相等級A/B。 Sino Tibetan. 16th/17th c. Tibet/Nepal. Ca. 17th/18th c. or earlier. Copper bronze with residue of gilding 來：德國利斯·人品。 Pala style. and soot patina. The Bodhisattva Copper bronze, repoussé with residue of Avalokiteshvara in his padmapani form € 1.200 – 1.500 | $ 1.344 – 1.680 gilding. At the lower margin two mounting Yellowish bronze with residue of gilding with large lotus flower to his left shoulder. holes. Sitting in padmasana on a lotus throne. and shiny patina. Weight 1347g, The right hand in varada mudra. He is Both central hands in anjali mudra in front of figure height 23.5cm. Wooden base. dressed in a long dhoti, the head adorned the chest, the other hands raised with prayer Condition A/B. with a large five-part crown. Weight beads in the right and the stem of a lotus 1673g, height 29.3cm. Condition A/B. flower in the left. Height 16.5cm, width 7.2cm, Provenance: depth 4cm. Condition A/B. -Private collection Northern Germany. Provenance: -Collection Felix Schäfer. Provenance: 金手立像 -Collection Oskar Graf 1873-1958 and Cäcilie / 約17/18世或更 Graf-Pfaff 1862-1939. 風格 -Rhenish private collection by heritage 重1347g/像高23.5cm 木。品相等級A/B。來：德國北部地人品。式 16/17世高16.5cm/寬7.3cm/4cm € 500 – 700 | $ 560 – 784 品相等級 A/B。來： -Oskar Graf生（1873-1958年）及其人 Cäcilie Graf-Pfaff（1862-1939年）人。 -萊茵地人品，通過產承收。

€ 1.200 – 1.500 | $ 1.344 – 1.680

2126

2127 LARGE SHADAKSHARI LOKESHVARA. GROßER SHADAKSHARI LOKESHVARA. Sino-Tibetan.

Bronze with residue of gilding. The fourarmed Avalokiteshvara with its characteristic attributes, lotus blossom and rosary, in the outer hands. The two inner hands form anjali mudra. Pedestal closed. Weight 4050g, height 35.5cm. Condition A/B.

金像式重4050g/高35.5cm 底部底。品相等級A/B。

€ 1.000 – 1.500 | $ 1.120 – 1.680

2128 2129

Buddhist Art 2127 2130 2131 2132 2133 PADMASAMBHAVA. USHNISHAVIJAYA. LAMA WITH PANDITA THANGKA OF THE WHITE TARA. PADMASAMBHAVA. USHNISHAVIJAYA. HAT AND VESSEL. THANGKA DER WEIßEN TARA. Tibet. 18th/19th c. Tibet. Early 19th c. LAMA MIT PANDITA-MÜTZE Mongolia. 19th/20th c. UND GEFÄß. Bronze with residue of pigments. Base Bronze with gilding and residue of Bhutan. 18th/19th c. Pigments and gold on fabric. The Tara with seven closed with wood. Weight 139g, height pigments. Weight 204g, height 9.8cm. eyes is sitting on a lotus. She wears the Bodhisattva 10cm. Condition A/B. Condition A/B. Copper bronze with residue of gilding. jewelry and with her left hand she holds the stem Base sealed and possibly ﬁlled. Weight of blue lotus. She is revered as the emanation of Provenance: 金加彩像 275g, height 10cm. Condition A/B. Avalokiteshvara. 40x32cm, complete 87x50cm. -Private collection Northern Germany. 19世重204g/高9.8cm Consecration inscription on the back. Mounted with 品相等級A/B。 Provenance: curtain and silk as hanging scroll. Condition A/B. 生大士像 -Private collection Northern Germany. Greyed, repaired. Supplement: Thangka of the 18/19世重139g/高10cm € 400 – 600 | $ 448 – 672 | * eleven-headed Avalokiteshvara. Mongolia. 20th c. 部加彩，底部木底。金像 Pigment on farbic, hanging scroll. 29x22cm, 品相等級A/B。不 18/19世重275g/高10cm complete 70x35cm. 來：德國北部地人品。底部底，可能有。品相等級A/B。來：德國北部地人品。 Provenance: € 600 – 800 | $ 672 – 896 -Rhenish private collection, acquired locally in the € 500 – 700 | $ 560 – 784 1980s.

度卡古 19/20世面加彩描金，帶畫面40x32cm/87x50cm 後開文字。品相等級A/B，，有修復。：一面卡，古，20世。面加彩，。畫面29x22cm，70x35cm。來：德國萊茵地人品， 1980年代於古。

€ 1.500 – 2.000 | $ 1.680 – 2.240 2133

2134 THANGKA OF AMITAYUS. THANGKA DES AMITAYUS. Mongolia. 19th - early 20th c.

Pigments and gold on fabric. Above the red skinned Amitayus holding the receptable with the Amrita elixir for long life the teacher Je Tsongkhapa, ﬂanked by his disciples Gyaltsab Je and Khedrup Je. In the lower register the White and the Green Tara at the sides of the Yellow Jambhala. 47.5 x 34cm, with mounting 90 x 51cm. Mounted as hanging scroll. Condition B. Rubbed and creased.

Provenance: -Rhenish private collection, acquired locally in the 1980s.

無卡 2130 2132 古 19世/20世期面加彩描金畫面47.5x34cm/90x51cm 品相等級B，有損。 2131 來：德國萊茵地人品，1980年代於古。

€ 1.200 – 1.500 | $ 1.344 – 1.680 2134 Buddhist Art 2135 2137 LARGE BLACK GROUND THANGKA OF THANGKA OF BUDDHA AMITABHA VAJRABHAIRAVA AND VAJRA VETALI. IN HIS WESTERN PARADISE. GROßES SCHWARZGRUNDIGES THANGKA DES BUDDHA AMITABHA THANGKA DES VAJRABHAIRAVA MIT IN SEINEM WESTLICHEN PARADIES. VAJRA VETALI. Tibet/Nepal. 19th/20th c. Tibet/Nepal. 20th c. Pigments and gold on fabric. On a lotus Goldleaf and red on black ground fabric. flower is sitting a very small adept in Holding a chopping knife and scull cup front of the Buddha in red. Left and right he is striding in alidhasana on prostrate the Bodhisattva Avalokiteshvara und deities, humans and animals. With his Mahasthamaprapta, at lower part the other hands, he is holding an array of Green Tara and the Yellow Jambhala. weapons. His body is adorned with 38x29.5cm, complete 99x60cm. Mounted garlands of severed heads and a naga with curtain and silk as hanging scroll. snake. His heads are crowned with skull Condition A/B. tiaras and he is backed by an aureole of flames. Above him Tsongkhapa flanked 無方卡 by Tara and other Lama, at the lower / 19/20世 register three wrathful guardian deities. 面加彩描金，帶 93 x 66cm, with mounting 152 x 96cm. 畫面38x29.5cm/99x60cm Consecrative inscription in red on the 品相等級A/B。 back. Framed with Chinese silks as hanging scroll. Condition A/B. € 1.400 – 1.800 | $ 1.568 – 2.016

大大威德金卡 / 20世面加彩金中式畫面93x66cm/152x96cm 後開文字。品相等級A/B。

€ 900 – 1.500 | $ 1.008 – 1.680 2135 2137

2136 2138 BODHISATTVA MAITREYA. THANGKA OF PALDEN LHAMO. BODHISATTVA MAITREYA. THANGKA DER PALDEN LHAMO. Tibet/Nepal. Mongolia. 19th/early 20th c.

Bronze with dark patina and residue of Pigments on fabric. 42 x 30.5cm, red pigment. Standing in tribhanga on complete 85 x 44cm. Consecrated in a high, double, separate lotus pedestal. red on the back. Mounted with silk and With the hair made up high, adorned curtain as hanging scroll. Condition B. with jewels and the lower body clothed Darkened, cracks, brittle, water margins. with a light dhoti. Over the shoulder and around the body a yogi string. The hands Provenance: in abhaya and varada mudrâ. Height -Rhenish private collection, acquired in 46cm. Condition A/B. the 1980s locally.

Provenance: 卡 -Private collection Northern Germany. 古 19世/20世面加彩，帶立像畫面42x30.5cm/85x44cm / 高46cm 面字開。品相等級B，，品相等級A/B。裂，易損，有水跡。來：德國北部地人品。來：德國萊茵地人品，1980年代於古。 2136 € 2.500 – 3.500 | $ 2.800 – 3.920 € 900 – 1.300 | $ 1.008 – 1.456 2138 Buddhist Art 2139 2140 TWO MINIATURE THANGKA 幅小幅卡及幅卡（幅） TWO TEAPOTS WITH AND TWO TSAKLI. 古/ 18/19世 DRAGONS AND TENDRILS. ZWEI MINIATUR-THANGKA 面加彩描金 ZWEI TEEKANNEN MIT UND ZWEI TSAKLI. a) 金像，16.5x13.5cm。 DRACHEN UND BLATTRANKEN. Mongolia/Tibet. 18th/19th c. b) 度像，17x12.5cm。 Tibet. 19th c. c) 及度像，8.5x7.5cm。 Pigments and gold on fabric. d) 像，面文無字go ba‘i Silver in repoussé, very finely engraved. a) Guhyasamaja in yabyum, 16.5x13.5cm. lha nga‘i （守），6.4x5.4cm。 The bulbous body on a flared foot, the b) Green Tara, 17x12.5cm. c). Maitreya 每幅後字開。品相等級A/B。 lid domed and with a round knob. The with two Tara, 8.5x7.5cm. d) Mo Lha. 來：德國萊茵地人品，1980年 handles in form of a dragon and the Inscribed at the back in dbu med: The 代於古。 spout as the head of a Makara. Both godess of the five deities of the head pots are decorated with lotus leaves and (go ba’i lha nga’i), 6.4x5.4cm. All with € 900 – 1.200 | $ 1.008 – 1.344 tendrils. The large pot is furthermore red consecration inscription an the back. adorned with two large dragon heads. Condition A/B. Weight 1371/505g, height 28.5/17cm. Condition A/B. Provenance: -Rhenish private collection, acquired 及銀（） locally in the 1980s. 19世大高28.5cm，重1371g。小高17cm，重505g。品相等級A/B。

€ 1.800 – 2.200 | $ 2.016 – 2.464 2139 c)

2139 b)

2139 d)

2139 a)

2140

Buddhist Art Collection Dr. Günther Börsch Auction for the beneﬁt of German Cancer Aid

2141 SIXARMED DURGA AS CONQUERER Provenance: OF THE BUFFALO DEMON MAHISHA. -Estate Dr. Günther Börsch, Cologne. SECHSARAMIGE DURGA ALS Acquired 1982 at A. Vecht, Amsterdam. BEZWINGERIN DES BÜFFELDÄMONS MAHISHA. Auction for the beneﬁt of Indonesia. East Java. Majapahit period. German Cancer Aid. Prob. 14th/15th c. € 1.200 – 1.500 | $ 1.344 – 1.680 Ferrous red ceramic with brown patina. This demonic form of Parvati is represented in the art of Java. The depicted moment shows the demon leaving the wounded buffalo through the ear. Durga has clasped the buffalo by its tail and the demon by the hair. Height 33cm. Mounted on a base. Condition A/B.

Collection Dr. Günther Börsch 2142 2144 SMALL HEAD OF A BODHISATTVA. EXQUISITE SMALL BRONZE KLEINER KOPF EINES BODHISATTVA. OF GANESHA. Indo-Javanese. Ca. 10th c. EXQUISITE KLEINE BRONZE DES GANESHA. Sandstone. Height 15cm. Central Java. Ca. 9th c. Mounted on a base. Condition B. Bronze with dark patina. Height 10.5cm. Provenance: Condition A/B. Crack at the back of the - Estate Dr. Günther Börsch, Cologne. nimbus. Acquired 1989 at H. Polak, Netherlands/ Belgium. Provenance: - Estate Dr. Günther Börsch, Cologne. Auction for the beneﬁt of Acquired 1991 at Paul Rutten. German Cancer Aid. Auction for the beneﬁt of € 800 – 1.200 | $ 896 – 1.344 German Cancer Aid.

€ 900 – 1.500 | $ 1.008 – 1.680

2142

2143 HEAD OF A BODHISATTVA WITH HEAVY EARRINGS. KOPF EINES BODHISATTVA MIT SCHWEREM OHRSCHMUCK. Thailand. Khmer/Lopburi. 12th/13th c.

Sandstone. Height ca. 30cm. Mounted on a base. Condition B.

Provenance: - Estate Dr. Günther Börsch, Cologne. Acquired 1973 Aalderink, Amsterdam.

Auction for the beneﬁt of German Cancer Aid.

€ 800 – 1.200 | $ 896 – 1.344

2143

Collection Dr. Günther Börsch 2145 2147 IMPORTANT STANDING PADMAPANI. RARE DOUBLE FIGURE AND TWO AUßERGEWÖHNLICHER STEHENDER SEPERATE FIGURES OF SHIVA AND PADMAPANI. PARVATI. Nepal/Tibet. In Malla style, but prob. later. SELTENE DOPPELFIGUR UND ZWEI EINZELFIGUREN VON SHIVA UND Silverbronze with residue of silver PARVATI. plating and stone inlay. Height 9.8cm. Indien. Prob. 15th/16th c. Condition A/B. Bronze with dark patina. a) Double figure Provenance: Height 7.5cm, width 8cm. Acquired 1973 - Estate Dr. Günther Börsch, Cologne. at Aalderink, Amsterdam. b) Standing Acquired 1991 at Paul Rutten Parvati. Height 16.8cm. Acquired 1973 at Aalderink. c) Four armed Shiva. Height Auction for the benefit of 9.5cm. Acquired 1972 at Italiander, German Cancer Aid. Amsterdam. Condition A/B. Typical casting defects at the double figure. Other figures € 900 – 1.500 | $ 1.008 – 1.680 rubbed.

Provenance: - Estate Dr. Günther Börsch, Cologne.

Auction for the beneﬁt of German Cancer Aid.

€ 500 – 900 | $ 560 – 1.008

2147

2145

2146 STELE OF THE FOUR ARMED SHIVA WITH A CANOPY OF NAGA HEADS. STELE DES VIERARMIGEN SHIVA MIT EINEM BALDACHIN VON NAGA- KÖPFEN. Nepal. Ca. 17th c. 2148 BUDDHA IN MARAVIJAYA. Schist with residue of cultic painting. BUDDHA IN MARAVIJAYA. Height 24cm, width 14cm, depth 4cm. Thailand. Ratanakosin. 18th/19th c. Mounted on a base. Condition A/B. Rubbed from long cultic use. Bronze with gilding. Height 50.5cm. Condition A/B. Provenance: - Estate Dr. Günther Börsch, Cologne. Provenance: Acquired 1998 Art Fair Brede at Paul - Estate Dr. Günther Börsch, Cologne. Rutten. Acquired 1967 at Aalderink.

Auction for the beneﬁt of Auction for the beneﬁt of German Cancer Aid. German Cancer Aid.

2146 € 900 – 1.500 | $ 1.008 – 1.680 € 300 – 800 | $ 336 – 896 2148 Collection Dr. Günther Börsch 2149 2151 TSUBA WITH FISH AND BAMBOO. LOT OF SEVEN PORCELAIN PIECES. TSUBA MIT FISCHEN UND BAMBUS. KONVOLUT VON SIEBEN Japan. Edo period. 18th/19th c. PORZELLANTEILEN. China. End Qing dynasty/Republic period. Naga marugata, ko niku mimi. Shakudô 19th/20th c. with gold. The very ﬁne nanako ground forms an elegant contrast to the trout Porcelain with enamel. Stacked box, in relief, which are threaded on bamboo lidded box and box for seal paste with twigs. Diameter 3.7mm, length 7.3cm. qilin and boys. Teacaddy with metal lid Old Japanese collection no. in red lacquer. and the tea cups decorated with ﬂowers. Condition A/B. Height 3.6-15.3cm. Partly with mark. Condition A/B. Hairline cracks and chips. Provenance: - Estate Dr. Günther Börsch, Cologne. Provenance: Acquired 1999 at Kadotakai. - Estate Dr. Günther Börsch, Cologne.

Auction for the beneﬁt of Auction for the beneﬁt of German Cancer Aid. German Cancer Aid.

€ 1.200 – 1.500 | $ 1.344 – 1.680 € 250 – 500 | $ 280 – 560

2149

2150 FOUR TSUBA. VIER TSUBA. Japan. Edo period. 18th/19th c.

Bronze and three of iron with bronze and gold. a) Maru kakugata, ko niku mimi. H.8.1cm, d.3.7mm. Boat with towing men. Sign.: Katsumi Tô… & kakihan. 18th c. Bronze with shakudô, gold and copper. b) Naga marugata, maru mimi. H.7.9cm, d.4.5mm. Large crane. 19th c. Acquired 1990 at Aalderink. c) Maru kakugata, ko niku mimi. H.6.9cm, 2150 b) d.5.5mm. Flower tendrils and fruits 2150 d) on window lattices. Partly in sukashi. Acquired from Toni Cammert 1987. d) Kaku mokko-gata, maru mimi. H.8.6cm, d.3.7mm. Dragonﬂy and spider with dew drops. 18th c. Acquired in 1988 at Toni Cammert. Condition A/B.

Provenance: - Estate Dr. Günther Börsch, Cologne.

Auction for the beneﬁt of 2150 c) German Cancer Aid. 2150 a) € 800 – 1.200 | $ 896 – 1.344

Collection Dr. Günther Börsch South-East Asia

2152 IMPORTANT FIGURE OF THE DANCING GANESHA. BEDEUTENDE FIGUR DES TANZENDEN GANESHA. India. Prob. Madhya Pradesh. Ca. 10th c.

Light pink sandstone, ﬁnely carved and polished. The dancing god is shown with six arms. His hair is cofﬁed up high and his forehead adorned with a tiara. Likewise is he wearing jewels at his chest, hips, arms and feet. In his six hands he holds a bowl with sweet dipping his trunk into it, a long ax and club. The musicans are depicted smaller in the corners. Height 53cm, width 35cm, depth 15cm. On a wooden base. Condition A/B.

€ 15.000 – 20.000 $ 16.800 – 22.400 | *

South-East Asia 2153 2154 THE TREE NYMPH SALABHANJIKA. THE SPLENDID RETURN OF Provenance: DIE BAUMNYMPHE SALABHANJIKA. RAMA AND SITA. -Private Collection Hong Kong since 1990. Central India. 12th c. DIE GLANZVOLLE RÜCKKEHR VON -Thermoluniscence certificate Oxford RAMA UND SITA. Authentication N116c43. Grey stone. Shown as a sensual young East India. Gupta period. 5th/6th c. woman in extreme contrapost and € 9.000 – 12.000 | $ 10.080 – 13.440 | * with reclined head. The exposed upper Low temperature fired ceramic body with the full breasts is adorned (terracotta) formed by hand. The pair with chains and diadems, her hair is is sitting in loving embrace in a chariot coiffied elegantly and her earlobes are beneath a jeweled canopy carried by elongated by rich jewelry. The dhoti clings columns. Both wear heavy earrings and tightly against her legs and her hips are an array of jewels. Shiva is armed with accentuated by a jewel belt with long bow and arrows to commemorate the strings. Height 38cm, width 19cm, depth victorious battle for his Rama. 44x37cm. 10cm. On a base. Condition A/B. Condition A/B.

€ 8.000 – 10.000 | $ 8.960 – 11.200 | *

South-East Asia 2155 2156 EXTREMELY RARE FIGURE LARGE HEAD OF A GUARDIAN LION. OF A CROCODILE. GROSSER KOPF EINES EXTREM SELTENE DARSTELLUNG WÄCHTERLÖWENS. EINES KROKODILS. Khmer. Angkor Wat period. 12th c. Khmer. Bayon period. 12th c. Sandstone. The gaping mouth with bared Sandstone. The crocodile is shown lying teeth is surrounded by three edges, with the tail in a tense s-bend and the which might depict the crinkled mucous mouth slightly open. The teeth are clearly membrane. The nose is widened, the eyes visible, as are the scales. The illustration opened up threateningly and the ears are captures the animal amazingly lifelike and set up listening. The chest and the back shows the skills and keen observation of of the head covered with dense, small, the stone sculptors of Khmer. ﬂame-shaped curls. The back additionally structured with a ridge. In the Ankor Thom temple a relief scene of a crocodile holding a ﬁsh resembles the Figures of such guardian lions were appearance of this animal. Length 102cm, placed in pairs in front of temples and width 26cm, height 16cm. Condition B. palaces to ward off evil. Height 40cm, Repaired, tail tip missing. Supplement: width 28,5cm, depth 27cm. Condition B. Base. Supplement: Mounted on a pedestal.

€ 20.000 – 40.000 € 5.000 – 6.000 $ 22.400 – 44.800 | * $ 5.600 – 6.720 | *

2156

2155

South-East Asia 2157 2158 SITTING GANESHA. INSCRIPTION STELE WITH GANESHA SITZENDER GANESHA. AND KING JAYAVARMAN VII. Khmer. Angkor Wat period. 12th c. INSCHRIFTENSTELE MIT GANESHA UND KÖNIG JAYAVARMAN VII. Sandstone. Ganesha sitting with crossed Khmer. Angkor period. 12th / 13th c. legs and has a small bowl with sweets in his left hand. His hair is braided in many Sandstone. The stele, inscribed on both sides, fine strands and shaped into a conical ends at the bottom in a lotus pedestal with a hairstyle crowned with a diadem, which sculptural figure on each side. The elephant- is tied on the back with a ribbon. The headed god Ganesha sits with his legs crossed, finely pleated sampot hip scarf is tied on probably holding his characteristic bowl of the back with a fishtail fold over the belt. sweets in his left hand. On the opposite side Height 43cm, width 25,5cm, depth 19cm. sits a male figure in royal raja lalitasana posture, Condition A/B. adorned with a diadem. This could be a representation of King Jayavarman VII. The stele € 6.000 – 8.000 | $ 6.720 – 8.960 | * ends at the bottom in a cone. Height 80cm, width 33cm, depth 30cm. Mounted on a metal base. Condition B. Damages.

Provenance: -Rhenish private collection.

€ 4.500 – 5.500 | $ 5.040 – 6.160

South-East Asia 2159 2160 STANDING SHAKYAMUNI. BODHISATTVA LOKESHVARA. STEHENDER SHAKYAMUNI. BODHISATTVA LOKESHVARA. Khmer. Angkor Wat period. 12th/13th c. Khmer. Ca. 10th c.

Bronze with powdry green patina. Both Bronze with reddish and green patina. hands raised in teaching gesture and Four arms, standing on a square base from the arms the robe swings in an plate. The hair put up elegantly and elegant bow. Chest, arms, legs and belt adorned with jewels, the ears with large are adorned with jewels and ribbons. His earrings. At the hips a sampot from a hair is gathered in a pointy tip on the top sheer fine fabric and secured with a belt. of his head, around his forehead is placed a diadem. The earlobes are elongated by The jewel-like temple of Banteay Srei, heavy jewelry. Height 24cm. On a base. some 40 kilometers north of Angkor Condition A/B. Thom was, unlike most other temples in Angkor, not a royal foundation. A conse- € 8.500 – 12.000 | $ 9.520 – 13.440 cration inscription, dated 967/968, credits Yajnyavaraha, a Brahmin and royal guru to the future King Jayavarman V, with its construction. Only a handful of bronzes can firmly be attributed to this style which is considered to be one of the most refined of Angkorian sculpture; less than twenty stone sculptures of this style are published. The fragmentary Bodhisattva Lokeshvara from Tuol Chi Thep, now in the Musée Guimet, Paris (see literature), is arguably one of the finest stone sculptures of the Banteay Srei period.

This remarkable bronze sculpture, depicting the Bodhisattva Lokeshvara, is closely related to the Tuol Chi Thep image. The sculpture is exquisitely modeled, with a sense of sublime realism that is the magic of Banteay Srei works. The volumes of the muscular body are well balanced and the powerful chest seems to be ﬁlled with the dynamic energy of the inner prana. Separately modeled attributes, possibly in precious metal, and now lost, were ﬁtted into the four hands. The coiffure is a typical 10th century style jatamukuta, which originally probably included a tiny seated Amithaba Buddha.

Its sculptural ﬁnesse and rarity make this delightful bronze Lokeshvara an important addition to the small body of known Ban- teay Srei style sculptures. Height 37.7cm. Condition A/B. Supplement: On a base. Fitting storage box.

Provenance: -Private collection Hong Kong.-Art Loss Register certiﬁcate ref. S00029010. Literature: -Baptiste, Pierre., and Zéphir, Thierry, L’Art khmer dans les collections du Musée Guimet. Paris 2008. Compare ﬁg. 48, p.166-170.

€ 17.000 – 20.000 $ 19.040 – 22.400 | *

South-East Asia 2161 2163 2164 2165 VERY LARGE BRONZE BELL. A PAIR OF ELEPHANT BELLS WITH PAIR OF PALANQUIN HOOK. LARGE PALANQUIN HOOK SEHR GROSSE BRONZEGLOCKE. HORIZONTAL RINGS AND LEAF PAAR SÄNFTENHAKEN. WITH KALA. Khmer. Angkor Wat period. 12th c. PATTERN. Khmer. Angkor Wat period. GROßER SÄNFTENHAKEN MIT KALA. PAAR ELEFANTENGLOCKEN MIT Khmer. Bayon style. 12th/13th c. Bronze with powdery, green patina WAAGRECHTEN RINGEN UND Bronze with green, partly powdery patina. and residue of blue pigment. The BLÄTTERSCHMUCK. The middle part shaped as a winged Bronze with green, powdry patina. slightly elongated, spherical bell with Khmer. Angkor Wat period being, presumably Garuda with a high On each side in the center a Garuda, two horizontal, wide ridges. The lower (1100-1175). 12th c. leafy crown and the body ending in a holding up a winged mask, probably the part formed from four relief-shaped long curved naga tail forming the hook. face of Kala. This is considered a form leaves. The two lateral, smaller leaves Bronze with green powdery and partly All parts are ﬁnely formed and engraved of Yama, the god of death, but also an with ribs, along all thickened margins lapis lazuli blue patina. Bell ball of iron with patterns. The two hooks are very embodiment of time. The upper part, smaller, thorn-like spikes. Height 23cm, preserved inside. The extraordinary similar to each other and probably already through which the carrying bar was led, Ø 19cm. Matching presentation base. beautiful bells are designed in the lower formed a pair from the beginning. Each is decorated with erected ends, similar Condition A/B. part in the form of stylized leaves. In height 19cm, width 12cm. On a metal to leaves, and also unusually with four addition, the patina shimmers lapis lazuli frame. Condition A/B. tiny ﬁgures. The hook at the bottom in € 3.000 – 4.000 | $ 3.360 – 4.480 | * blue in many places and is partly shiny the shape of a Naga snake, which in turn green. Height each 22cm. Hanging on a € 1.500 – 2.000 | $ 1.680 – 2.240 ends in a Garuda head. Height 23cm, frame. Condition A/B. width 19.5cm. Condition A/B. One side with a crack. € 1.200 – 1.500 | $ 1.344 – 1.680 € 2.500 – 4.000 | $ 2.800 – 4.480

2161

2162 BUDDHA MEDITATING UNDER THE BODHI TREE. BUDDHA MEDITIEREND UNTER DEM BODHI BAUM. 2163 Khmer. Bayon period. 12th/13th c.

Bronze with green Patina. Sitting on a stepped lotus base in the gesture of calling the earth to witness (bhumisparsa mudra). The ﬁgure is surround by a leaf shaped halo ﬁlled with leafs and buds from the Bodhi tree. Height 21.5cm. Condition A/B.

Provenance: -Collection R. v. Bueren, Germany, 1970s. -Private Collection, Germany, 1980s.

€ 2.400 – 2.800 | $ 2.688 – 3.136 | * 2165 2162

South-East Asia 2164 2166 2167 PORTRAIT HEAD OF A WISE MAN. RARE AND LARGE FIGURE PORTRAITKOPF EINES WEISEN. OF GANESHA. Gandhara. 4th-5th c. SELTENE UND GROßE DARSTELLUNG DES GANESHA. Yellowish marble, polished. Impressive Java. Ca. 10th/11th c. portrait of an older, lean man, probably that of a sage. The straight nose and Bronze with very fine green patina. This chin are powerfully shaped, as is the rare and comparatively large bronze straight high forehead. Under the Ganesha image is a tour-de-force of strong cheekbones, the skin has fallen. workmanship. Ganesha sits in the posture Overall, the face is slightly asymmetrical. of Royal Ease (rajalalitasana) on a lotus On the right temple still few curls are throne, his trunk mischievously dipped preserved, suggesting formerly a free into the bowl with sweets. His hands hold abundantly swinging hair. Height 20.2cm. his classic attributes: the broken tusk, the Condition A/B. battle axe, and a (fragmentary) rosary. His crown is decorated with Shiva’s crescent Provenance: and a skull. The elaborate halo with -Private collection Japan, since the 1980s. lotus flowers and leaves, and a group of -Private collection Belgium, since 1998. worshipping figures. -Art Loss Register certificat S00106863. Ganesha, the son of Shiva and Parvati, is € 7.000 – 10.000 | $ 7.840 – 11.200 | * the most popular Hindu deity. Known to be the remover of obstacles, offerings are made to him prior to the beginning of any venture, be it an exam, a long journey or the beginning of a new business. Not surprisingly, Ganesha was not only venerated in India itself, but also in the distant trading outposts in Southeast Asia. Mostly of small size, a number of Ganesha bronze images are known from Java, and some rather spectacular stone sculptures commanded prime positions in early Javanese temples. Height 20.5cm, without base 17.5cm. Condition A/B.

Provenance: -Private collection Singapore, since 1980s. -Private collection Belgium, since 2014.

€ 18.000 – 22.000 $ 20.160 – 24.640 | *

South-East Asia 2168 2170 MONUMENTAL HEAD OF A BUDDHA. LARGE BUDDHA HEAD. MONUMENTALER KOPF EINES GROßER BUDDHA-KOPF. BUDDHA. Thailand. Early Ayutthaya period. Late Thailand. Ayutthaya period (1350-1767). 14th/early 15th c. 15th/16th c. Yellow sandstone with residue of gilding, Yellowish sandstone partly with dark red and black lacquer. The eyes with orig- patina. The countenance is introverted, inal mother-of-pearl inlay. The long and the look is downward, eyes and lips are straight shape of the nose continues in two bordered with fine lines. The eyebrows elegant brow arching above the expressive swing from the root of the nose beneath eyes with half closed lids. This shape is the high forehead. The hair is shown as repeated in the hairline. The two-stepped small round spikes covering the head and ushnisha as well as the hairstyle is decorat- the ushnisha. The earlobes are elongated ed with fine relief dots depicting the hair. from the use of heavy jewelry. Height The ketumala flame is missing. The lips 55cm. Mounted on a base. Condition A/B. showing a slight smile, are accentuated by a fine, circumferential engraved line. € 9.000 – 12.000 | $ 10.080 – 13.440 The ears are elongated and refer to the royal descent of the Buddha. Height 47cm, width 31.5cm, depth 27cm. Mounted on a metal frame. Condition A/B.

Provenance: -Private collection Hong Kong. -Art Loss Register No. S00041593.

€ 5.000 – 8.000 | $ 5.600 – 8.960 | *

2170

2168

2171 2169 LARGE BUDDHAHEAD. LARGE BUDDHA HEAD. GROßER BUDDHAKOPF. GROSSER BUDDHAKOPF. Thailand. Chieng Seng style. 15th/16th c. Thailand. Early Ayutthaya style. 15th/16th c. Bronze with dark patina. In the expressive face, lips and eyes are accentuated by Yellowish grey sandstone with residue clear, curved lines. The hair is depicted as of lacquer. Eyes inlaid with mother-of- spirals that also cover the ushnisha on the pearl, possibly later supplemented. With top of the head. The ears are shown with a relaxed expression on the full lips. The elongated earlobes. Height 33cm. On a chiselled nose ending in two elegantly base. Condition A/B. curved eyebrows above the narrow eyes. The chin is set off by a line and at the Provenance: neck a fold is visible. Height 38cm, width -Acquired in an auction at Christie’s 22cm, depth 23cm. Condition A/B. Amsterdam, 13. April 1999.

€ 6.000 – 8.000 | $ 6.720 – 8.960 | * € 3.000 – 5.000 | $ 3.360 – 5.600

South-East Asia 2169 2171 2172 BUDDHA MARAVIJAYA. BUDDHA MARAVIJAYA. Thailand or Laos. Lan Na. Chiang Saen- or U Thong-Stil. In the style of the 16th/17th c., but later.

Bronze with dark patina. Eyes inlaid in mother-of-pearl. Sitting and with his right calling the earth to witness, the Buddha is shown in the typical slender and stylized form of Lan Na. The kasaya garment appearing in the simplest relief lines, the hair in ﬁne, spiral curls. Height including the seperate ﬂame tip 86cm. Prof. Dr. Reinhold Lucius Condition A/B.

Provenance: 2174 -Private collection Belgium, aquired RARE LONG PA BAI BANNER WITH 1993 at a French Art dealer. JATAKA FOR A TEMPLE. SELTENER LANGER PA BAI-BEHANG MIT € 4.000 – 6.000 | $ 4.480 – 6.720 JATAKA-SZENEN FÜR EINEN TEMPEL. Thailand. Chakri dynasty (seit 1782). 19th c.

Pigment on handwoven silk. The hanging shows situations from the life of the Buddha, as they are spread especially in Thailand. 336x88cm. Condition B. Rubbed.

Provenance: -Collection Prof. Dr. Reinhold Lucius -Private collection Baden-Württemberg by inheritance.

€ 3.000 – 6.000 | $ 3.360 – 6.720

2172 2175 RARE LONG PA BAI BANNER WITH BUDDHA FOR A TEMPEL. SELTENER LANGER PA BAI-BEHANG FÜR EINEN TEMPEL MIT BUDDHA. Thailand. Chakri dynasty (since 1782). 19th c.

Pigments and gold on handwoven silk. Large standing Buddha with his hands in the gesture of conferring fearlessness (abhaya mudra). At the bottom of the flower frame there is a 2173 cartouche for the names of the donors. BUDDHA MARAVIJAYA. This type of hangings are called pa bai in Thai- BUDDHA MARAVIJAYA. land and is donated to temples. Their produc- Thailand. Ratanakosin. 18th/19th c. tion creates merit (thamboon) for the soul of the donors, as well as the painter. 316x96cm. Bronze with original lacquer gilding. The Condition B. Middle fold and rubbed. Buddha with serene expression on a high, double lotus base. He is dressed in a Provenance: kasaya garment with fine patterns in bas- -Collection Prof. Dr. Reinhold Lucius (1880- relief. The lotus leaves and the pedestal 1966). Worked until 1914 in Thailand as an below are also densely covered with fine university professor. He donated a temple in patterns. On the lower central part of the the north of Bangkok and out of gratitude base a rectangular reserve for the name of these long temple hangings were given to the temple and the donors. Height 86cm, him. width 58cm. Condition B. Tip missing, -Private collection Baden-Württemberg by base broken, gilding rubbed. inheritance.

€ 2.700 – 4.500 | $ 3.024 – 5.040 € 3.000 – 6.000 | $ 3.360 – 6.720 2173 2174 2175

South-East Asia 2176 2178 SITTING BUDDHA ON LOTOS BASE. LARGE STANDING BUDDHA SITZENDER BUDDHA AUF WITH ALMS BOWL. LOTOSSOCKEL. GROSSER STEHENDER BUDDHA Thailand. 15th/16th c. MIT ALMOSENSCHALE.

Gold sheet in repoussé over a core. Sitting Thailand. Rattanakosin period. 19th c. in padmasana on a double lotos with his Bronze with lacquer gilding, the eyes hands in bhumisparsa and dyana mudra. inlaid with mother-of-pearl. He is standing The face shows a calm expression, the on an octagonal, stepped throne holding elongated ears worked separately. Height the alms bowl with his left and keeping 18.7cm. Condition A/B. Supplement: it steady with his right hand. The bowl Fitting box. likewise the ketumala flame crowning his head are cast separately. The elegant Provenance: three-part kasaya robe covered with -Private collection Switzerland, since the fine flower patterns in bas-relief with a 1970s. separate border at the sangathi over the left shoulder. Complete height 180cm, € 2.400 – 2.800 | $ 2.688 – 3.136 | * base height 34cm, width 50cm, depth 33cmcm. Condition A/B. Base a bit damaged at the edge.

€ 6.000 – 8.000 | $ 6.720 – 8.960 | *

2176

2177 LARGE SITTING BUDDHA. GROSSER SITZENDER BUDDHA. Thailand. Rattanakosin period. 19th c.

Bronze with lacquer gilding. The eyes inlaid with mother-of-pearl. The Buddha sitting in paryankasana on a high four- tiered throne with drapery. His hands in dyana mudra, the eyes lowered under elegantly curved eyebrows. The royal robe, as well as the corresponding high crown with separate tip and the throne are completely covered with ﬁne ﬂower patterns in bas-relief. Total height 97cm, base height 36cm, width 73cm, depth 36cm. Condition A/B.

€ 10.000 – 15.000 $ 11.200 – 16.800 | *

2177

South-East Asia 2179 IMPORTANT LARGER THAN LIFE BUDDHA MARAVIJAYA. BEDEUTENDER ÜBERLEBENSGROßER BUDDHA MARAVIJAYA. Burma/Myanmar. Shan. Konbaung dynasty (1752-1885).

Silvery bronze with residue of lacquer gilding. Important and larger than life ﬁgures of the Buddha have been donated to temples and where shown on festivities in processions. This can be deducted from the iron rings set in the base. The donor and sometimes the temple, for which the Buddha was dedicated, was listed in the inscription at the base. Height with separate tip 140cm. At the base front a donation inscription. Condition A/B. Inside residue of the casting core.

€ 25.000 – 30.000 $ 28.000 – 33.600 | *

South-East Asia 2180 2181 VERY FINE AND RARE FIGURE A RARE LIMESTONE STELE OF THE RECLINING BUDDHA. WITH BUDDHA. SEHR FEINE UND SELTENE FIGUR SELTENE KALKSTEINSTELE DES LIEGENDEN BUDDHA. MIT BUDDHA. Burma/Myanmar. Mandalay period. Burma/Myanmar. Mandalay period 19th c. (1857-1948). 19th c.

White marble with pigments and lacquer White limestone with residue of gilding. The resting Buddha supports his pigments. Sitting in maravijaya between head with his right hand and his left hand two columns holding a stupa-like roof. is placed on his hip. His robe is draped in The robe draped in rich folds over the elegant folds and emphasizes the almost shoulder. Below a scene with people in a feminine forms of the body. Height carriage drawn by horses, probably from 31cm, length 85cm. At the base a donor the life of Buddha (jataka). inscription. Condition A/B. The stele is rich in detail and the residue € 8.000 – 10.000 | $ 8.960 – 11.200 | * of the pigments shows how colorful such ﬁgures and reliefs have been originally. Height ca. 70cm. Condition A/B.

€ 7.000 – 9.000 | $ 7.840 – 10.080 | *

South-East Asia 2182 2184 BUDDHA IN MARAVIJAYA LARGE SITTING BUDDHA. ON A HIGH THRONE. GROßER SITZENDER BUDDHA. BUDDHA IN MARAVIJAYA Burma/Myanmar. 19th/20th c. AUF HOHEM THRON. Burma/Myanmar. 18th c. Bronze with lacquer gilding. The face with serene look and soft smile. The three part Heavy wood with lacquer gilding, on the kasaya garment draped in elegant folds base red lacquer. Sitting in padmasana and embelished in bas-relief with ﬂower on the hourglass-shaped throne. Over patterns. Height 85cm. Zustand A/B. the left shoulder the kasaya robe with a fold. His hair is shown by small, ﬂat curls, Provenance: at the top of the head the ushnisha with -Private collection Southern Germany. the usual pointed tip. His face with a soft, sunken expression and the ears elongated € 9.000 – 12.000 | $ 10.080 – 13.440 from heavy jewelry. Height 70cm, width 33.5cm, depth 16cm. Condition A/B.

€ 2.500 – 3.000 | $ 2.800 – 3.360 | *

2182

2183 VERY LARGE APSARA. SEHR GROSSE APSARA. Burma/Myanmar. 18th c.

Wood with residue of colored lacquer and gilding. The ﬁgure of a female resident of the heavenly realms is holding a large lotus bud in her hands. The skirt is gathered into a central, stepped fold and the garment is adorned with ﬂoral spirals spreading to both sides and providing wings at the shoulders. The conical headgear is coverd with rows of leaves and has also wing-like attachments placed behind the ears. It is crowned by a removeable tip. Height 185cm, width 48cm, depth 19cmcm. Condition B

2183 € 4.000 – 5.000 | $ 4.480 – 5.600 | *

South-East Asia 2185 IMPORTANT ARMOR WITH Provenance: HUNTING SCENES. -Collection Assböck, acquired early BEDEUTENDE RÜSTUNG in the 20th c. MIT JAGDSZENEN. India or Persia. 17th/18th c. Literature: -Stephen V. Grancsay: The New Galleries Steel chased and with koftgari inlays of of Oriental Arms and Armor. In: The gold. The cuirass in char aina shape (lit. Metropolitan Museum of Art Bulletin four mirrors) with a three dimensional New Series, Vol. 16, No. 9, May 1958. sun face on the chest plate. Arm guard Compare p. 241-256. (bazuband/dastana) with smaller part. Round shield with six bosses on the € 10.000 – 20.000 front and a leather mounting on the $ 11.200 – 22.400 back. All metal parts are covered with Paul Assböck a dense pattern of rinding hunters and (1902 – unknown) prey in swung medaillons. In the center of the shield the monarch, surrounded by hunters with arrows and bows resp. with spears looking for hares, foxes and other animals. Cuirass height 38cm, 32x24cm, arm guard length 36cm, shield Ø 43cm. Condition A/B. Somewhat rusty. Supplement: Belt bag with small quiver. Leather, embroiderd. Condition B.

South-East Asia 2186 2188 HELMET (KULAH KHUD) FOR A BOY. CUIRASS OF A WESTERN HELM (KULAH KHUD) FÜR STYLE ARMOUR. EINEN KNABEN. KÜRASS EINER RÜSTUNG Persia or India. 17th/18th c. IM WESTLICHEN STIL. Mughal India. 17th/18th c. Iron with ﬁne bas-relief and koftgari inlay. The helmet bowl worked from one Damascus steel. Made of two large parts piece and crowned on the vertex by a with hinges on the sides and shoulders. long, square pointy tip in the manner A separate neck guard attached. On the of a spear. At the front there is an front a central burr and the chest set off. adjustable splint to protect the face. At The edges with curved trimmings, on the both sides two small pods for a feather shoulders and at the neckline front and decoration. As neck guard a light chain back leaf-shaped applications. mail is fastened around the lower edge of the helmet, which is longer at the back. Armour in this form was made by Height 23cm, Ø 16cm. Condition A/B. the armoury of Nizam Ali Khan in Hyderabad and used by the local € 1.200 – 1.500 | $ 1.344 – 1.680 army. Height 45cm. On the left shoulder a signature, probably of the manufacturer. Condition B. Inside and below rusty. Hinge bars renewed.

€ 4.500 – 7.000 $ 5.040 – 7.840

2186

2187 SHIELD WITH ISLAMIC CALLIGRAPHY. SCHILD MIT ISLAMISCHER KALLIGRAPHIE. Al-Andalus. Moorish Iberia (711-1492).

Iron with ﬂat relief. Leather straps backside renewed. The Almohad slogans engraved on the shield make it possible to assign it to the Iberian-Moorish culture. The four humps are worked separately and hold the leather handles on the back. Ø 49cm. Condition A/B.

€ 1.500 – 2.000 | $ 1.680 – 2.240

2187 South-East Asia 2189 2190 2191 2192 CANDELABER (SHAMADAN) WITH Bronze with openwork and engraved WATER EWER IN THE SHAPE TWO CASKETS. A PAIR OF FRAMES. HUNTING SCENES. patterns. The upper part with the five OF A GANDER. ZWEI SCHATULLEN. PAAR RAHMEN. FÜNFFLAMMIGER LEUCHTER candle bowls is showing in openwork WASSERKANNE IN FORM Mughal India. 18th/19th c. Mughal India. 19th/20th c. (SHAMADAN) MIT a hunter in fight with a cat animal and EINES GANTERS. JAGDDARSTELLUNGEN. in the lower register five other animals. India. Deccan. 18th/19th c. Iron with gold inlays. Koftgari. a) With a Koftgari. Iron with inlays of silver Persia/Mughal India. 18th/19th c. The shaft with the wide foot is decorated domed lid in the style of a chest with nail and gold. At the back stand-up rod. with figures and fighting animals in Bronze, finely engraved. The aquamanile bands. Height 12.5cm, 15x9.5cm. b) With 22.5x13cm. Condition A/B. medallions. Height 63cm, width 33.5cm. in the shape of a gander stands on two crown-shaped top on the lid and flared Condition A/B. legs on a round, slightly arched base legs. Pedestal with inscription. Height € 1.000 – 1.600 | $ 1.120 – 1.792 plate with a water pattern in openwork. 14cm, 17x12cm. Condition A/B. € 2.500 – 3.000 | $ 2.800 – 3.360 A dragon-shaped handle was attached, starting from the tail and curved to the € 1.500 – 2.000 | $ 1.680 – 2.240 funnel-shaped filling opening on the animal’s back. A spout in the shape of an elephant’s trunk sits in front of the neck. The body of the bird is covered with stylized feathers, the wings are accentuated with long feathers, the lower part is engraved on each side with an image of a bird. Height 32.5cm, length 31cm. Condition A/B.

€ 4.500 – 6.000 | $ 5.040 – 6.720

2192

2191

2189 2190 South-East Asia 2193 IMPORTANT RICHLY PAINTED BOOK COVER (JILD-I KITAB). BEDEUTENDER REICH BEMALTER BUCHEINBAND (JILD-I KITAB). Persia. Safavid (1501-1722) or Qajar period (1779-1924). 17th/18th c.

Fine lacquer painting with gold. Back in leather. Front and back with garden landscape with persons having a picknick. In the center three curvated cartridges with each a person. Three frames with ﬂower scrolls. Inside with cartridges with drinking person on strong red background. 34.5 x 22.5cm. Condition A/B.

Compare: -In the collection of the Harvard Art 2195 2196 Museum in Cambridge there is a similar WESTERN PALACE SCENE. NOBLE SITTING ON A GARDEN TERRACE. binding under object no. 196.149, PALASTSZENE IM WESTEN. ADLIGER SITZEND AUF EINER GARTENTERRASSE. but dated to the 16th century. Mughal India. 18th c. Mughal India. 18th/19th c.

€ 1.500 – 2.000 | $ 1.680 – 2.240 2193 Pigments and gold on paper. Through an arched gate we Pigments and gold on paper. 22.5 x 14.5cm. At the upper look through another arched gate with backdrawn curtain. frame an unread inscription. Framed with passepartout and Here is sitting a gentleman with feather at his hat waiting glass. Condition A/B. for the servant passing him an objekt. In the court more € 800 – 1.200 | $ 896 – 1.344 gentlemen are sitting on a bench and talk. A lady is discussing with a merchant. The faces and likewise the landscape in the background is painted exquisitely ﬁne. 15x8cm. Condition B. Mounted on cardboard, a bit rubbed. € 700 – 900 | $ 784 – 1.008

2194 MAHARADJA IN FRONT OF A TENT. MAHARADJA VOR EINEM ZELT. Mughal India. 17th/18th c.

Pigments and gold on paper. He gets offered fruits and musicians are playing for him. The tent is situated in a garden with flowers and a small running water in the foreground. 22x14cm. Condition A/B. Supplement: Book cover. Pigments and gold on paper. Mughal India. 18th/19th c. 2197 2198 Later remade into a box. H.5.5cm, PAINTING FROM A MANUSCRIPT. DINKING YOUNG NOBLE. 40x27.5cm. Mounted on cardboard. MALEREI AUS EINEM MANUSKRIPT. JUNGER ADLIGER BEIM TRINKEN. Mughal India. 17th/18th c. Mughal India. 17th/18th c. € 800 – 1.200 | $ 896 – 1.344 Pigments and gold on paper. The leaf is divided into four Pigments and gold on paper. The elegant young noble is clad 2194 panes. In the top pane an unread inscription, beneath two in a long garment with scroll pattern on a blue background. plants and a wall with floral pattern. The two lower panes Underneath he wears red trousers and green shoes. His a monarch and nobles discussing in the rooms of a palace. head is crowned by a golden turban and his girdle is golden On the back more inscription on golden clouds. 15.5x7.5cm. likewise. He carries a small cup and a bottle. The background Condition A/B. Front rubbed, back with initials in ballpen. with plants and golden clouds. 16.5x8.5cm. Condition A/B. € 600 – 900 | $ 672 – 1.008 Mounted on cardboard. € 700 – 900 | $ 784 – 1.008 South-East Asia 2199 2201 PROCESSION OF THE MAHARANA SUZANI WITH FLOWERS. BEFORE THE WHITE PALACE OF SUZANI MIT BLÜTEN. UDAIPUR. Uzbekistan. Nurata region. Late 18th/early PROZESSION MIT DEM MAHARANA 19th c. VOR DEM WEIßEN PALAST VON UDAIPUR. Creme colored linnen embroidered with Mughal India. Late 19th c. Company colorful silk. A wide frame with flowers school. in diamonds is surrounding the central field with seven large and two smaller leaf Pigment and gold on paper. The monarch, shapes composed from flowers. In the probably the most important ruler of the corners drop shaped elements with flower Rajput state of Mewar, Udai Singh II, is scrolls. Two narrower frames with flowers marked by a golden corona. He is carried at the margin. 227 x 175cm. Lined with in a sedan and surrounded by numerous linnen. The upper margin with velcro for dignitaries and armed soldiers. 18x23cm. mounting. Condition B. Professionely Framed with passe-partout and glass. restored, damages underlayed and fixed. Condition A/B. € 8.000 – 12.000 | $ 8.960 – 13.440 € 900 – 1.200 | $ 1.008 – 1.344

2199

2200 THE KATABUL ZIYARAT OF IMAN HUSSEIN. DAS KATABUL ZIYARAT DES IMAN HUSSEIN. Persia. Qajar dynasty (1779-1925).

Pigments, ink and gold on paper. Book cover from embossed leather with gold leaf. 14x14.5cm. Condition A/B.

€ 900 – 1.200 | $ 1.008 – 1.344

2200

South-East Asia 2202 MÔGAMI DÔ WITH KABUTO HELMET. MÔGAMI DÔ-RÜSTUNG MIT Japan KABUTO-HELM. Japan. Early to middle Edo period (1603-1868).

Sanjûni ken suji bachi kabuto, black lacquered iron. Gilded tehen no kanamono with delicate details. Back with a kasajiru-no-kan. Six-part shikoro, black lacquer, sugake odoshi in kon-ito. Top lame with gilded hassô-byô. Mabisashi, fukigaeshi and parts of the dô with shôhei-gawa facing. Inside with ukebari, shinobi-no-o attached at three points. Môgami-dô, black and partly gold lacquered, in sugake odoshi, kon-ito and a gilded brass saihai-no-kan. Inside covered in red lacquer. Below, seven kusazuri. Five in front and side with ﬁve lamellae, two in the back with four lamellae. On the back, gattari with ukezutsu. Machiuke missing. Five-part tôsei-sode en suite with kusazuri of the dô and the shikoro of the kabuto. Fukube gote, with tekô hand plates and hiji-gane and ikada (rafts). Etchû haidate. Shino suneate of splint construction with sectional brigandine tateage, black lacquered with kikkô tateage in white fabric. Mempo: Menoshita-bô-ryûbu-men with two orikugi. Lacquered black outside, inside red. Tare with four ribs. Condition B. Restored. Supplement: Gusoku bitsu with a golden Chûkagetôuchiwa mon (Japanes Warrior fan).

Provenance: -Formerly collection Enomoto, Kagoshima. -Rhenish private collection. Acquired in the late 1970s-90s.

€ 5.000 – 7.000 | $ 5.600 – 7.840 2203 2205 HELMET (KABUTO) FROM ARMOR WITH KATANA. THIRTY PLATES. RÜSTUNG MIT KATANA. HELM (KABUTO) AUS Japan. Early Edo period (1603-1868). DREIßIG PLATTEN. Japan. Early Edo period (1603-1868). Roku ken suji bachi kabuto in heichôzan shape, iron with traces of gold. With Iron. Sanjû ken suji bachi kabuto, iron. a lotus brass tehen no kanamono and Simple gilded lotus tehen no kanamono in delicate details. Three-part kasa jikoro, five layers with details. Four-part shikoro, partly covered with black lacquer, sugake black lacquer, sugake odoshi in kon-ito. odoshi in kon ito. Top lame with four Top lame with gilded hassô-byô. The gilded hassô byô. A tsunomoto above the small fukigaeshi and the inner rim of the flat mabisashi. Yokohagi okegawa ni mai kabuto are faced with blue leather, details dô, black and at the rim gold lacquered. are white sakura. Inside with ukebari, The plates of the dô and kusazuri laced shinobi-no-o attached at three point. in sugake odoshi, kon-ito and a gilded Height 25cm. Condition B. brass saihai and tenugui-no-kan (one ring missing). Inside covered with leather. All € 2.000 – 3.000 | $ 2.240 – 3.360 kusazuri with five lamellae covered in black lacquer. Tôsei sode, kozane gashira shaped lames, nawame garami (wave-eye stitchin). On the back, gattari. Ukezutsu and machiuke are missing. Mune ita, waki ita and oshitsuke no ita with shôhei gawa facing. One shino gote, with tekô hand plates and hiji gane. Kawara haidate, 2203 scales with kon ita laycing. Condition C. Incomplete. Partly restored. Supplement: Katana sword, rusty. L.90cm.

Provenance: -Collection Assböck, acquired 1st half 20 th c.

2204 € 5.000 – 7.000 | $ 5.600 – 7.840 HELMET (KABUTO) WITH 62 PLATES. HELM (KABUTO) MIT 62 PLATTEN. Japan. Late Edo period. Munetsugu (active: 1809-30), Province of Iwashiro.

Iron with light sabi. Rokujû ni ken suji bachi kabuto, tenkokuzan. Simple Lotos- tehen no kanamono in three layer, ﬁnely engraved and gilt. Small fukigaeshi with shôhei gawa, each with a gilt migi futatsu tomoe kanamono. Go dan shikoro, lacquered black, with sugake odoshi in kachi iro. Simple mabisashi with three shinogi. Old lining with shôhei gawa edge, leaving open the signature. Maedate maybe later from bronze with residue of gilding. Sign.: Munetsugu saku. Condition A/B.

Provenance: -Formerly Enomoto Collection, Kagoshima. -Rhenish private collection. Acquired late 1970s-1990s.

Literature: -Hawley, Compare No. MUN555. -Toko Taikan, Compare p. 622.

€ 4.500 – 8.000 | $ 5.040 – 8.960 2204 Japan 2206 2207 WAKIZASHI IN SHIRASAYA. TÔSEN SUKASHI TSUBA WITH WAKIZASHI IN SHIRASAYA. FLOWERING PLUM (UME) AND Japan. Edo period. Steel. SCYTHE (KAMA). TÔSEN SUKASHI TSUBA MIT Shirasaya. Shinto. Shinogi zukuri, torii BLÜHENDEM PFLAUMENZWEIG UND zori. Masame jihada, guome midare SICHEL. hamon. Small shinogi ji, hikushi mune. Japan. Edo period (1603-1868). Akasaka Chû kissaki, fukura tsuke, jizô boshi. school, unsigned. Nakago kuri jiri, kiri yasurime. Complete length 71cm, length 71cm, blade 57,2cm. Naga marugata. Maru mimi. Iron. The Condition A/B. ﬂowering plum combined with a kama (a small axe or scythe) is evoking the Nô Expertise: piece ‘hachi no ki’ about an impoverished -Tokubetsu kicho token No. 309202 samurai cutting his beloved last bonsai 1975, May 11th: Without signature, trees as ﬁrewood for the surprising visit of Echizen Kanenori. his master. This loyalty is amply rewarded later. D.6mm, h.7.5cm, w.7.3cm. € 6.000 – 8.000 | $ 6.720 – 8.960 Condition A/B. Supplement: Kiribako.

Expertise: -NBTHK paper no. 451924/19200702 dated 20.2.2007.

€ 2.000 – 2.200 | $ 2.240 – 2.464

2208 ARMOR PIERCING SWORD YOROI DÔSHI. PANZERBRECHER YOROI DÔSHI. Japan. Edo period (1603-1868).

Steel. Aiguchi saya with chrysanthemum kanemono and metal splint with hammer of fortune. Kurikata with ring en suite with kogai. Yari tantô of the type yoroi dôshi with triangular blade, tapered in the middle. Ken zukuri, muzori, itame hada, notare hamon. Koshi hi maru dome, nakago kiri jiri, one mekugi ana, ilegible signature. Complete length 36cm, length 29.6cm, blade 19.3cm. Condition B.

€ 1.500 – 1.600 | $ 1.680 – 1.792

Japan 2209 IMPORTANT SITTING BUDDHA The mudra is exactly called jôbon jôshô AMIDA NYÔRAI. and is within the nine steps the one for BEDEUTENDER SITZENDER the rebirth in the highest level of the BUDDHA AMIDA NYÔRAI. western paradise of Buddha Amida. Japan. Kamakura period (1185-1333). Such a large ﬁgure was certainly placed Dated according C14 Analysis. in a temple. Complete height 72cm. Condition A/B. Partly restored. Wood with lacquer and gilt. Base from numerous parts and with an openwork Provenance: middle part of bronze. The Buddha sits in -Collection Robert W. Moore, lotus posture with his hands in meditation Los Angeles. gesture (jô in). With his eyes almost -Collection Michael Phillips, Los Angeles. closed, his expression is introverted. The -Private collection. kesa garment is draped in elegant folds and leaves his chest free. The original Published: base in the shape of a lotus blossom is -Tingley, Nancy: Buddhas. Crocker Art separated from the base by an openwork Museum. Sacramento 2009. P. 82-83, middle section. Fig. 22. -Little, Stephen: Images of Buddha from the Michael Phillips Collection. In: Arts of Asia, Jan-Feb 2013, Hongkong. p. 113, photo 33.

Exhibited: -Crocker Art Museum, Sacramento. 30.01.-17.04.2009.

Expert report: -C14 Analysis (Rafter, New Zealand). -Art Loss Register Certiﬁcate ref. S00092556.

€ 45.000 – 60.000 $ 50.400 – 67.200 | * 2210 SMALL EXQUISITE LIDDED VESSEL IN SHIBAYAMA STYLE. KLEINES EXQUISITES DECKELGEFÄß IM SHIBAYAMA-STIL. Japan. Meiji period. Hiratsuka Mohei (born ca. 1836).

Silver partly enameled, Gold lacquer with very finely carved and engraved inlays of multi-colored mother-of-pearl, coral, jade, horn, and colored bone. Rectangular, bulbous vessel with indrawn corners standing on four feet. On the front and back a gold lacquered cartouche with flower bouquets with flowering peonies, chrysanthemums, clovers (hagi), bellflowers and cherry blossoms. Two small curved leaves serve as side handles and the lid is crowned by a knob in the form of a half-opened blue peony flower. The vessel and lid are richly decorated with tendrils and flowers. Height 15cm, width 11.5cm, depth 9cm. In the bottom signed: Hiratsuka. Condition A/B. Few inlays missing.

€ 6.000 – 8.000 | $ 6.720 – 8.960 2211 2213 HOUSE SHRINE OF THE PAINTING SCROLL WITH JÔDÔ SHINSHU. THIRTEEN SKETCHES. HAUSSCHREIN DER JÔDÔ BILDROLLE MIT DREIZEHN SKIZZEN. SHINSHU-SCHULE. Japan. Edo period. 18th/19th c. Japan. Meiji/Taishô period. Beg. 20th c. Ink and few colors on paper, partly reused Wood with lacquer and gold, partly and assembled. According to the table hiramaki e. Inner doors with silk gauze. of contents the sketches show among Inside three scrolls with Amida Buddha others cranes with pines, three gods of and the two patriarchs in bonji script. good fortune, the Buddhists Vimalakirti Height 117cm, width 51cm, depth 39cm. and Hotei, poultry, an empress (kôgo), Condition the Fuji and a tiger in rain. In some drawings in small characters informations € 2.500 – 4.000 | $ 2.800 – 4.480 about coloration and other are given. Some of the drawings are cyclically dated, signed and titled. Length 12.6m, width 40cm. Signatures from different masters of the Kanô school. Outside and at the end of the roll there is a collector mentioned named Suzue. Condition B. Partly yellowed and minor damage. Supplement: Wooden box, not original.

Provenance: -Private collection Switzerland. -Rhenish private collection.

€ 5.000 – 8.000 | $ 5.600 – 8.960

2211 2213

2212 LARGE LURKING TOAD. 2214 GROßE LAUERNDE KRÖTE. SCREEN (BYÔBU) WITH Japan. 19th/early 20th c. THE FUJI IN THE MIST. STELLSCHIRM (BYÔBU) MIT Cypress wood (hinoki). Eyes inlaid of DEM FUJI IM DUNST. back-painted and gold-plated glass. The Japan. Edo or Meiji period. toad is depicted with his head slightly turned to the right. The inlaid eyes are Ink, some colors with gold and silver leaf alive and expressive due to the gold leaf on paper. Monted as six-part screen. behind the glass. The wood grain was Frames from silk and wood with finely cleverly used to depict the warty skin. engraved bronze fittings. With the mount The different hard and dark growth layers Fuji rising huge from the mist the focus of the Japanese cypress wood were also lies in the left part. In the foreground clearly worked out by scorching and small huts duck beneath pines. A few brushing. Length 42cm. Sign.: Yasutane flowering shrubs give early spring as the tô. Condition A/B. Left hind toe chipped. season. The painter used free space to give the large painting atmosphere. The Provenance: painting might be attributed to the Shijô -Japanese private collection. school in Kyoto. Six part. Height 107.5cm, -Private collection Belgium. width 380cm. Condition A/B. Restored.

€ 7.000 – 9.000 | $ 7.840 – 10.080 | * € 3.000 – 5.000 | $ 3.360 – 5.600 2212 2214

Japan 2215 2217 LARGE OKIMONO OF AN EGG TESTER. LARGE OKIMONO OF GROßES OKIMONO EINES FUDÔ MYÔÔ WITH THREE ONI. EIERPRÜFERS. GROßES OKIMONO DES Japan. Meiji period. Ca. 1900. FUDÔ MYÔÔ MIT DREI ONI. Japan. Meiji period. Ca. 1900. Walruss tooth, assembled from parts. Standing on a plinth with tree stump Ivory, carved and with engraved patterns. and song birds. He carries a basket with The surface with yellowish brown patina eggs on his shoulder and a smaller one and polished. Standing in long hip cloth on a stick in his hand. Height 52cm. and with rich jewelry he holds one of the Sign.: Underneath on red lacquer plate: oni playfully at the neck. He has his lasso Mitsuyuki. Condition B. Smaller damages. wrapped around his right arm and holds his sword ready. At his feet one of the oni € 2.500 – 2.800 | $ 2.800 – 3.136 | ‡ plays with his shoulder ribbons, while the other presents a burning candle on a lotus leaf. On the back the extremely expressive ﬂamming aureole.

Fudô Myôô is considered the Immovable and is invoked in esoteric Buddhism as an ally against demons in ﬁre rites. At the same time he is also the Mantra King of Love, who transforms people’s earthly passions into the right feelings of a bosatsu. Weight 8.5kg, height 62.5cm. Sign.: On red lacquer plate: Toshimitsu (Shunkô). Condition A/B. In the base age cracks.

€ 10.000 – 15.000 $ 11.200 – 16.800 | ‡

2215

2216 OKIMONO OF A SOWING FARMER. OKIMONO EINES SÄENDEN BAUERN. Japan. Meiji period. Ca. 1900.

Ivory, ﬁnely carved. At the base some original skin of the tooth preserved. Height 16.5cm. Condition A/B.

€ 600 – 900 | $ 672 – 1.008| ‡

2216 Japan Netsuke from a Dutch private collection

2218 EXQUISITE NETSUKE OF THE FAMOUS It could be the famous dancer and Published: DANCER IZUMO NO OKUNI. founder of kabuki, Izumo no Okuni, who -Hurtig, Bernard: The Netsuke Hall of EXQUISITES NETSUKE DER embodies an elegant travelling lady. The Fame`s Record Breakers. Honolulu 1983. BERÜHMTEN TÄNZERIN IZUMO NO overstretched posture in S-curve is also P. 162. OKUNI. typical for the kabuki. A splendid, multi- -Lazarnick, George: Netsuke and Inro Japan. Tôkyô, around 1900. layered garment, low obi and the hairstyle Artists, and how to read their signatures. Kawahara Ryo. also refer to the early Edo period. Honolulu 1981. P. 881. -International Netsuke Collectors Society. Ivory, very delicately carved and engraved The netsuke is masterfully carved and Vol. 9, no. 4, p. 33. with darkly accentuated details. Standing despite its complex composition very well -Oriental Treasure: Japanese Netsuke. on one leg in a dynamic dancing pose, balanced, so that the ﬁgure can solely 1981. P. 98. the toes of the other just touch the stand on one foot. Kawahara Ryo is -Malcom Fairley Japanese Works of ground. Her head and upper body known for his excellently carved netsuke, Art: Netsuke from a Private European are turned back. She wears a wide- which are both balanced and expressive in Collection, Part I. 2007. No. 47. brimmed travel hat, holding a fan in her their design. Height 4.9cm. Sign.: Ryo & right hand and a stick in her left. The kakihan, see LA p. 881. Condition A/B. Exhibition: multi-layered garment, decorated with -Los Angeles County Museum. 21 chrysanthemums, is held in place by an Provenance: August-25 October 1981. No. 122. obi falling down long in her back. The -Ex Guggenheim collection. -The International Netsuke Society sweeping folds of the robe show that -Ex Sylvia and Rolf Schmoll collection. Convention, Miama, Florida. 26-31 the lady is moving with her whole body. -Dutch private collection. January 2007. Dancing amidst, she has taken off the left sleeve of her outer garment - a movement € 12.000 – 14.000 that can also be found in the kabuki. $ 13.440 – 15.680 | ‡

Netsuke from a Dutch private collection 2219 2220 2221 2222 2223 2224 NETSUKE: EGUCHI NO KIMI. NETSUKE: ENDO MORITO NETSUKE: FUKUROKUJU. NETSUKE: SHÔKI WITH ONI. NETSUKE: SEATED SHÔKI MIT ONI. NETSUKE: KINKO SENNIN. NETSUKE: EGUCHI NO KIMI. WITH THE HEAD OF KESA. NETSUKE: FUKUROKUJU. NETSUKE: SHÔKI MIT ONI. NETSUKE: SITZENDER SHÔKI MIT ONI. NETSUKE: KINKO SENNIN. Japan. Late 19th c. NETSUKE: ENDO MORITO Japan. 19th c. Japan. 19th c. Japan. 19th c. Japan. 19th. MIT DEM HAUPT VON KESA. Ivory, details finely engraved. The Japan. 19th c. Ivory. Karako cleaning the big ears Ivory, dark accentuated details. The Ivory, finely carved and engraved, details Ivory, partly dark accentuated, eyes of the courtesan in elegant posture sitting on of the sitting god of fortune. Sign.: demon vanquisher Shôki holding his big darkly accentuated. The demon hunter fish inlaid with dark horn. With smiling the back of a recumbent elephant and Ivory with shiny patina. Kneeling on the Hashiragyoku. Condition A/B. sword in his left hand, with his right he carries a large bundle of captured oni face riding home on a big carp after reading in a sutra scroll. Her garment is ground and holding aloft the severed has seized an oni who tries to escape on his back. Three small oni are visible visiting the king of fishes. Height 3.4cm. adorned with a leaf pattern and her long head of Kesa with his left hand, he holds Provenance: in vain. Height 4.6cm. Sign.: Naomasa. through holes in the fabric, trying to free Sign.: Masamine. Condition A/B. hair, held by a small band, falls down her the knife in his right hand. His face shows -Dutch private collection. Condition A/B. themselves. Possibly more oni will try to back. Smiling benevolently is the huge uttermost grieve. escape. Height 3.5cm. Sign.: Ryukôsai, cf. Provenance: animal turning to her. Height 4.3cm. It tells the tragic tale of Endo Morito, € 900 – 1.100 | $ 1.008 – 1.232 | ‡ Provenance: LA S. 893. Condition A/B. -Dutch private collection. Sign.: Tomokazu. Condition A/B. who fell in love with Kesa, the wife of -Dutch private collection, acquired from Minamoto no Wataru. One day she gave Marsha Vargas, Xanadu Gallery, San Provenance: € 2.500 – 2.800 | $ 2.800 – 3.136 | ‡ Provenance: in to his urge and pretended to meet Francisco. -Dutch private collection. -Dutch private collection. him at night. On the condition, however, that Endo Morito should murder her € 800 – 1.000 | $ 896 – 1.120 | ‡ € 2.000 – 2.400 | $ 2.240 – 2.688 | ‡ € 2.000 – 2.400 | $ 2.240 – 2.688 | ‡ husband, who slept alone in the house. Endo Morito did as he was told and decapitated the sleeping person he found in the house, only to find that he had just killed Kesa, who had taken her husband’s place to protect her honor. Height 5.5cm. Condition A/B.

Provenance: -Dutch private collection.

€ 1.600 – 1.800 | $ 1.792 – 2.016 | ‡

Netsuke from a Dutch private collection 2225 2226 2227 2228 2229 NETSUKE: TWO KARAKO NETSUKE: TWO KARAKO NETSUKE: SLEEPING NETSUKE: GROUP OF TWO NETSUKE: FUKUSUKE DOING BEKKAKO. PLAYING WITH HOTEI’S BAG. FISHERMAN WITH OCTOPUS. SEVEN BLIND MEN. AND HOTEI IN HIS BAG. NETSUKE: ZWEI KARAKO NETSUKE: ZWEI KARAKO MIT NETSUKE: SCHLAFENDER NETSUKE: GRUPPE VON ZWEI NETSUKE: FUKUSUKE BEIM BEKKAKO. HOTEIS SACK SPIELEND. FISCHER MIT OKTOPUS. SIEBEN BLINDEN. UND HOTEI IN SEINEM SACK. Japan. 19th c. Japan. 19th c. Japan. 18th c. Japan. Edo period. 18th/19th c. Japan. 19th c.

Ivory, finely carved and with beautiful, Ivory. One of the two sunk up to his neck Ivory, finely carved and engraved, details Ivory, partly dark accentuated. Clinging Boxwood with ivory. a) Head movable. shiny patina. Both crouching on the in the big sack of the god of fortune, the stained dark. The fisherman is clad in a to each other and each following the Height 2.9cm. Sign.: Rakumin. b) Height ground, one boy hiding a lion mask other sitting next to him. Both have taken mino straw cape to stay dry in the spray blind man in front. Height 2.7cm. 3cm. Sign.: Hôkei. Condition A/B. behind his back and making the bekkako Hotei’s fan and seem to be fighting over of the sea. He dozed off with his head on Condition A/B. gesture. The other boy has to guess what it. Width 3.7cm. Sign.: Hôjitsu, see LA p. his right arm next to a rock. Meanwhile a Provenance: he is hiding by looking into his eyes. 477-9. Condition A/B. tiny octopus is trying to escape from the Provenance: -Dutch private collection. However, he tries to cheat and look over basket on his back. Height 3.4cm. Sign.: -Dutch private collection, acquired from the shoulder of his counterpart. Height Provenance: Tsunemasa. Condition A/B. Marsha Vargas, Xanadu Gallery, San € 600 – 900 | $ 672 – 1.008 | ‡ 3.6cm. Sign.: Tadachika, cf. MCI p. 834. -Dutch private collection, acquired from Francisco. Condition A/B. Marsha Vargas, Xanadu Gallery, San Provenance: Francisco, -Dutch private collection, acquired from € 1.600 – 1.800 | $ 1.792 – 2.016 | ‡ Provenance: 2007. Denise Cohen, New York. -Dutch private collection. € 1.500 – 1.800 | $ 1.680 – 2.016 | ‡ € 2.000 – 2.200 | $ 2.240 – 2.464 | ‡ € 2.200 – 2.500 | $ 2.464 – 2.800 | ‡

Netsuke from a Dutch private collection 2230 IMPORTANT NETSUKE OF The dragon is the ﬁfth animal of the A COILED DRAGON. Japanese zodiac sign and at the same BEDEUTENDES NETSUKE EINES time one of the Four Mythical Beings. ZUSAMMENGEROLLTEN DRACHEN. Although the long, mighty animal has Japan. Edo period. 19th c. coiled itself up small, the carver is able to make the dragon appear very powerful Ivory, very ﬁnely carved and details dark and majestic. The animal with its snake- accentuated, eyes inlaid with dark horn like body is depicted vividly. The face and and with beautiful, shiny patina. Closely especially the eyes are extremly expressive. coiled and entwined in itself, the three- Height 2.6cm, width 4.8cm. Sign.: clawed feet placed close to the scaly Kagetoshi, in rectangular reserve. body. His short horns and long hair nestle Artist from Nagoya, cf. LA p. 554-6. harmoniously against his body in the Condition A/B. same way. The bearded mouth slightly opened and the gaze directed upwards. Provenance: -Dutch private collection, acquired from Denise Cohen, New York.

€ 10.000 – 12.000 $ 11.200 – 13.440 | ‡

Netsuke from a Dutch private collection 2231 2232 2233 NETSUKE: TENGU NO TAMAGO. NETSUKE: KAPPA WITH CLAM. NETSUKE: SEATED KIRIN. NETSUKE: TENGU NO TAMAGO. NETSUKE: KAPPA MIT MUSCHEL. NETSUKE: SITZENDES KIRIN. Japan. Edo period. 18th/19th c. Japan. 19th c. Japan. 18th/19th c.

Ivory, carved, eyes inlaid with brass, nose Ivory, partly dark accentuated, eyes inlaid Ivory, ﬁnely carved and with dark ring of silver. A karasu tengu hatching with dark horn. Lying on his stomach on a accentuated details, eyes inlaid with dark from an egg. The right foot on the large clam and clinging to it with all fours. horn. The head turned backwards and ground and one wing is already freed Length 4cm. Sign.: Masatoshi. looking up with its mouth open. Its long from the shell. With his claw-like hands Condition A/B. beard reaches down to his curly tail. The he tries to break the shell apart to free scaly body of the animal is covered by himself from the egg. Height 3.7cm. Provenance: ﬂames. Hight 5.6cm. Sign.: Mitsuharu, Condition A/B. -Dutch private collection. cf. LA p. 772-3, a very similar piece by the artist is depicted here. Condition A/B. Provenance: € 800 – 1.000 | $ 896 – 1.120 | ‡ Vertical age crack. -Dutch private collection. Provenance: € 1.800 – 2.200 | $ 2.016 – 2.464 | ‡ -Dutch private collection.

Compare: -In our 356th auction a similar netsuke in the style of Mitsuharu was auctioned under lot 215.

€ 8.000 – 9.000 | $ 8.960 – 10.080 | ‡

Netsuke from a Dutch private collection 2234 2235 2236 2237 2238 2239 NETSUKE: RAT ON A PIECE NETSUKE: RAT ON A FAN. NETSUKE: FISH, SHELLS AND SQUID. NETSUKE: GROUP OF SHELLS. NETSUKE: THREE EDAMAME. NETSUKE: THREE EDAMAME. OF DRY SALMON. NETSUKE: RATTE AUF EINEM FÄCHER. NETSUKE: FISCHE, MUSCHELN UND NETSUKE: GRUPPE VON MUSCHELN. NETSUKE: DREI EDAMAME. NETSUKE: DREI EDAMAME. NETSUKE: RATTE AUF EINEM Japan. Edo period. 19th c. TINTENFISCH. Japan. 19th/20th c. Japan. 19th c. Japan. Late 19th c. STÜCK TROCKENLACHS. Japan. 19th c. Japan. 18th/19th c. Ivory with accentuated details in color, Ivory with fine details. Different types Ivory with beautiful, shiny patina. One Ivory with beautiful, shiny patina. Three the eyes of the rat inlaid with dark horn. Ivory finely engraved and in parts darkly of shells. Three open shells show each a bean inlaid from dark ebony wood. Two ripe legumes laid round and one pod with Ivory with darkly accentuated details, eyes Sitting on an open fan, the long tail is laid accentuated. One blowfish, two flat fish, famous landscape view with Mount Fuji large and one small bean pod on one long, thick stem. Length 5.3cm. Sign.: of rat inlaid with dark horn. The small rat round. A flowering plum branch adorns two Awabi snails and another shell, and in the background: Kanazawa in Ishikawa stem. A single bean bursts out of the Nagatsune, in oval reserve. Condition A/B. sitting on the headpiece of a dried salmon the fan, the other side shows the branch a squid grouped together. Width 3.7cm. prefecture, Shichirigahama in Kanagawa large, ripe legume. Length 6cm. Sign.: (shiozake) and nibbling on the fin with of a pine. Width 6cm. Sign.: Masatami. Sign.: Ippo, cf. LA p. 516. Condition A/B. prefecture and Inoshima. Width 3.5cm. Masatsugu. Condition A/B. Provenance: pleasure. Length 5.8cm. Condition A/B. Condition A/B. Sign.: Hoshinsai. Condition A/B. -Dutch private colletion, acquired from Provenance: Provenance: Denise Cohen, New York. Provenance: Provenance: -Ex Mark T. Hindson collection. Provenance: -Dutch private collection. -Dutch private collection, acquired from -Dutch private collection. -Ex Jacques le Carré collection. -Dutch private collection, acquired € 900 – 1.000 | $ 1.008 – 1.120 | ‡ Scholten Japanese Art, New York. -Dutch private collection. from Marsha Vargas, Xanadu Gallery, € 1.200 – 1.500 | $ 1.344 – 1.680 | ‡ € 1.000 – 1.100 | $ 1.120 – 1.232 | ‡ San Francisco. € 2.500 – 2.800 | $ 2.800 – 3.136 | ‡ Published: -Davey, Neil K.: Netsuke. A comprehensive € 1.000 – 1.200 | $ 1.120 – 1.344 | ‡ study based on the M. T. Hindson collection with a preface by W. W. Winkworth. London 1974. P. 117, no. 336 (without ill.).

€ 1.400 – 1.600 | $ 1.568 – 1.792 | ‡

Netsuke from a Dutch private collection 2240 2241 2243 KAGAMIBUTA-NETSUKE: SHÔJÔ THREE NETSUKE: HANNYA NETSUKE: GROUP OF NINE MASKS. WITH HISHAKU ON MINOGAME. AND OKAME MASKS. NETSUKE: GRUPPE VON NEUN KAGAMIBUTA-NETSUKE: SHÔJÔ DREI NETSUKE: HANNYA- MASKEN. MIT HISHAKU AUF MINOGAME. UND OKAME-MASKE. Japan. Edo period. 19th c. Japan. 19th c. Japan. 19th c. Ivory, dark accentuated details. In the Shibuichi with gold, silver and copper. Ivory. a) Hannya. Height 4.7cm. Sign.: center Hannya surrounded by Usobuki, Capsule from ivory. Ø 4.4cm. Ikkô. b) Hannya. Height 4 cm. Sign.: Oni, Okame and Samurai. On the back Condition A/B. Masayuki & kakihan c) Okame. Okina, Shôjô, Beshimi and Shishi-guchi. Height 3cm. Condition A/B. Width 4.6cm. Sign.: Tadachika & kakihan, Provenance: on a fundô shaped reserve. -Dutch private collection. Provenance: Condition A/B. -Dutch private collection, acquired from € 600 – 700 | $ 672 – 784 | ‡ Marsha Vargas, Xanadu Gallery, Provenance: San Francisco, -Dutch private collection. 2007-2009. 2240 € 2.000 – 2.500 | $ 2.240 – 2.800 | ‡ € 900 – 1.100 | $ 1.008 – 1.232 | ‡

2242 SASHI-NETSUKE: DORMOUSE ON GOURD. SASHI-NETSUKE: SIEBENSCHLÄFER AUF FLASCHENKÜRBIS. Japan. 19th c. 2241 Ivory. Height 11.2cm. Condition A/B.

Provenance: -Dutch private collection, acquired from Denise Cohen, New York.

€ 600 – 700 | $ 672 – 784 | ‡

2242 2243

Netsuke from a Dutch private collection 2246 NETSUKE: EBI SENNIN KENSU OSHÔ. Provenance: Netsuke NETSUKE: EBI SENNIN KENSU OSHÔ. -Harry Seymour Trower Collection Japan. Edo period. 18th c. -Victor Frederic Weber Collection

Ivory with amber-yellow patina on Literature: the back. Dressed in a bast skirt and -Koji Hoten, PL XXVII-12. wraparound gaiters, he holds a lobster over his shoulder with his right hand and € 1.500 – 2.000 | $ 1.680 – 2.240 | ‡ his face shows the enraptured expression of enlightenment. Legend has it that the Buddhist priest Kensu (Chinese: Xianzi) of the Tang period was enlightened when fishing lobster. Height 12cm, width 2.7cm. Sign.: Shugetsu, cf. MCI p. 761 with illustration. Condition B. Age cracks, one foot replaced. 2244 2245 NETSUKE: DAIKOKU IN A BAG. NETSUKE: FUKUROKUJU NETSUKE: DAIKOKU IM SACK. WITH MINOGAME. Japan. Edo period. 19th c. NETSUKE: FUKUROKUJU MIT MINOGAME. Ivory with yellow patina, finely carved Japan. Edo period. 19th c. Ryukei II, and engraved details. The eyes of the rat ca. 1830-50. inlaid with black horn. Exceptionally fine work of the laughing god of fortune, Boxwood with finely carved and engraved looking out of his bag. On his back the rat details. The laughing god of Good associated with luck and wealth. Height Fortune and Long Life in a wide robe 3.7cm, width 3.6cm. Sign.: Mitsuhiro & holds a minogame turtle with a long seal Ohara, cf. MCI pp. 535. Condition algea tail. Height 5.2cm, width 2.9cm. A/B. Age cracks. Sign.: Ryukei, cf. MCI p. 673-4 with ill. Condition A. Literature: Compare two very similar netsuke € 1.500 – 1.800 | $ 1.680 – 2.016 with Hotei in the bag: -Luigi Bandini, A report on the auctions, in: Netsuke kenkyukai Study Journal, vol. 6, no. 2 (1986), p. 30, fig. 124a&b. -Gabor Wilhelm: Netsuke. Collection Michel Edde, Editions Dar An-Nahar, 1998, p. 92, no. 97.

€ 2.000 – 2.500 | $ 2.240 – 2.800 | ‡

2245 2244 Netsuke 2247 2248 2249 2253 2254 2255 NETSUKE: SHÔKI AND ONI NETSUKE: SMOKING COURT SERVANT. NETSUKE; SENNIN WITH CALABASH. NETSUKE: SEALS AND NETSUKE: GRAZING HORSE. NETSUKE: MONKEY WITH HARE. UNDER A LARGE BELL. NETSUKE: RAUCHENDER HOFDIENER. NETSUKE: SENNIN MIT KALEBASSE. SHISHI WITH BALL. NETSUKE: GRASENDES PFERD. NETSUKE: AFFE MIT HASEN. NETSUKE: SHÔKI UND ONI Japan. Edo period. 19th c. Japan. Edo period. 18th c. NETSUKE: SIEGEL UND Japan. Edo period. 19th c. Japan. Edo period. Late 18th c. Tôkyô UNTER EINER GROßEN GLOCKE. SHISHI MIT BALL. school. Japan. 19th c. Reddish wood with dark accentuated Ivory with dark accentuated details. Japan. 19th c. Ivory with dark stained details. Condition details. Height 4.1cm, width 3.1cm. Height 4.6cm. Condition A/B. Age cracks. A/B. Age cracks, small chip at the right Reddish fruitwood, probably cherry, the Maritime ivory. Height 4.8cm. Sign.: Condition A/B. Ivory, partly accentuated in color. Length ear. eyes of the hare inlaid from dark horn. Yozen, in mother-of-pearl reserve. € 300 – 500 | $ 336 – 560 | ‡ 4.1cm. Condition A/B. Height 4.9cm, width 3.3cm. Sign.: Miwa Condition A/B. € 400 – 500 | $ 448 – 560 € 500 – 600 | $ 560 – 672 | ‡ & Kakihan c, cf. MCI pp. 557. Condition Provenance: Dutch private collection, Provenance: A/B. acquired from Marsha Vargas, Xanadu -Dutch private collection, acquired from Gallery, San Francisco. Marsha Vargas, Xanadu Gallery, San € 400 – 500 | $ 448 – 560 Francisco. € 600 – 800 | $ 672 – 896 | ‡ € 600 – 800 | $ 672 – 896 | ‡

2250 2251 2252 2256 2257 NETSUKE: KARASHISHI WITH SPHERE. NETSUKE: TWO SEALS WITH SHISHI. NETSUKE: MIGHTY SHISHI NETSUKE: PAIR OF QUAILS ON MILLET. TWO NETSUKE: RAT WITH NETSUKE: KARASHISHI MIT BALL. NETSUKE: ZWEI SIEGEL MIT SHISHI. WITH MOVING BALL. NETSUKE: PAAR WACHTELN AUF TWO CUBS AND SKULL. Japan. Edo period. 18th c. Japan. Edo period. 19th c. NETSUKE: MÄCHTIGER SHISHI HIRSEKOLBEN. ZWEI NETSUKE: RATTE MIT MIT BEWEGLICHER KUGEL. Japan. Edo period. 19th c. ZWEI JUNGEN UND SCHÄDEL. Ivory with brown coloured details, eyes Maritime ivory. Height each 4.3cm. Japan. Edo period. 18th c. Kyôto school. Japan. inlaid with dark horn. Finely carved Sign.: a) Masachika, both seals unread. Ivory, ﬁnely engraved and dark and detailed shishi crouching over his Condition A/B. Age cracks, tip of the Ivory with golden patina. Height 2.3cm, accentuated, eyes inlaid with horn. Height 19th c. Ivory, eyes inlaid with dark horn. brocade sphere. Due to the lacquer the nerve canal visible in the large shishi. width 6.2cm. Condition B. Age cracks, 2.6cm. Sign.: Okatomo, ascribed/referred Length 4.4cm. b) 19th/20th c. Ivory. once moveable ball in his mouth is now missing part on tail. to. Condition A/B. Height 3.2cm. Condition A/B. ﬁxed. Height 4.2cm, width 3.4cm. Sign.: Provenance: Mitsuharu, cf. MCI p. 531-32. Condition -German private collection since 1985. € 600 – 700 | $ 672 – 784 | ‡ € 900 – 1.200 | $ 1.008 – 1.344 | ‡ Provenance: A/B. Age cracks, traces of red and golden -Dutch private collection. lacquer. € 800 – 1.000 | $ 896 – 1.120 | ‡ € 500 – 600 | $ 560 – 672 | ‡ € 1.500 – 2.000 | $ 1.680 – 2.240 | ‡

Netsuke 2258 2259 TWO NETSUKE: Ivory, partly dark accentuated. Height THREE NETSUKE: DANCER, DRUM AND CHESTNUTS. 4.3/3.3cm. Sign.: Chestnuts with kakihan. HORSEMAN AND TIGER. ZWEI NETSUKE: TROMMEL Condition A/B. DREI NETSUKE: TÄNZER, REITER UND KASTANIEN. Provenance: UND TIGER. Japan. 19th c. -Dutch private collection. Japan. Edo period. 19th c.

€ 600 – 700 | $ 672 – 784 | ‡ a) Shishimai dancer. Boxwood. Height 4.3cm. b) Riding Chinese. Boxwood. Height 4.7cm. c) Tiger. Ivory. Height 3.1cm. Condition A/B.

€ 400 – 600 | $ 448 – 672 | ‡

2260 2261 THREE NETSUKE OF IMMORTALS Ivory and bone with patina. Height FIVE NETSUKE: Ivory. a) Fukurokuju with boy and large leaf fan. H.2.7-8.1cm, Kagamibuta AND MERCHANT. 4-4.5cm. Condition A/B. Supplement: FUKUROKUJU AND HOTEI. Minogame. Kyôto school. Sign: Kinryûsai, Ø 4cm. Condition A/B. Supplement: Two DREI NETSUKE VON UNSTERBLICHEN Paperweight (bunchin). Chinese sage. FÜNF NETSUKE: cf. MCI p. 923 (under Tomotane, here a Netsuke: Fukurokuju and Daikoku. Meiji UND HÄNDLER. Bronze with gold. Height 6.5cm. Oni with FUKUROKUJU UND HOTEI. later pupil). b) Fukurokuju with extremely period. Ivory. H.4.3/5cm. Sign.: Ishimitsu/ Japan. 18th/19th c. club and fortune hammer. Sign. unread. Japan. Ca. 19th c. long head. c) Kagamibuta. Capsule ivory, Kogyokusai. Condition A/B. Ivory. Height 5.5cm. the plate shibuichi with details in gold. d) Seated Hotei. e) Fukurokuju with € 600 – 900 | $ 672 – 1.008 | ‡ € 800 – 1.000 | $ 896 – 1.120 | ‡

Netsuke Netsuke & Inrô from a West German private collection

2262 NETSUKE: MALLET OF THE GOD OF The magic hammer itself also belongs FORTUNE DAIKOKU. to the takarazukushi and it is said that NETSUKE: HAMMER DES with it every wish can be fulﬁlled in one GLÜCKSGOTTES DAIKOKU. stroke. Length 3.9cm, width 2.5cm, depth Japan. 19th c. 1.7cm. Condition A/B.

Ivory with inlays in Shibayama style in Provenance: mother-of-pearl, aogai, jade, coral, horn -West German private collection, old as well as gold and nashiji. On the magic collection number 823. hammer (uchide no kozuchi) of the god of fortune Daikoku there are different € 600 – 800 | $ 672 – 896 | ‡ treasures (takarazukushi): Hat of invisibility (kakuregasa), treasure bag (kinnô), scrolls (makimono), wish jewel (nyoihôju), cloves (chôji), coral, seven treasures (shippô), key to the treasure house (hôyaku), cloak of invisibility (kakuremino) as well as a counterweight (fundô).

Netsuke & Inrô from a West German private collection 2263 2264 2265 2266 2267 2268 NETSUKE: SENNIN WITH STICK. NETSUKE: SENNIN WITH BASKET. NETSUKE: KAN‘U WITH HIS HALBERD. NETSUKE: ENTERTAINER WITH NETSUKE: OGURI HANGAN WITH HIS NETSUKE: THE GOD OF NETSUKE: SENNIN MIT STOCK. NETSUKE: SENNIN MIT KORB. NETSUKE: KAN‘U MIT SEINER HORSE HEAD HAND PUPPET. HORSE ONIKAGE ON A GO BOARD. FORTUNE FUKUROKUJU. Japan. Meiji period. 19th c. Japan. Edo period. 18th/19th c. HELLEBARDE. NETSUKE: GAUKLER MIT NETSUKE: OGURI HANGAN MIT NETSUKE: DER GLÜCKSGOTT Japan. Edo period. 18th/19th c. PFERDEKOPF-HANDPUPPE. SEINEM PFERD ONIKAGE AUF FUKUROKUJU. Boxwood, finely carved and engraved, Boxwood, finely carved and with dark Japan. Edo period. 18th/19th c. EINEM GO-SPIELBRETT. Japan. Edo period. 18th/19th c. partly dark accentuated. Pupils inlaid accentuated details, fruits inlaid with light Boxwood. The Chinese general with his Japan. 19th c. with dark horn. In his right hand he horn. The immortal holds a small basket guandao sword, called ‘Green Dragon’, Boxwood. Scratching his head with his Persimmon (kaki) wood. Height 5.7cm. holds a knot stick while he grabs his long filled with fruits in his right hand while he in his right hand while he strokes his long left hand, a hand puppet in the shape Persimmon (kaki) wood. Height 7.3cm. Condition A/B. beard with his left hand. The face of strokes his long beard with his left hand. beard with his left hand. Height 8.4cm. of a horse’s head is striped over his right Condition A/B. the immortal is designed very lively and Height 7.5cm. Sign.: unread. Condition A/B. Tip of the right foot hand. The well-known shishimai dance is Provenance: expressive. Height 9.2cm. Sign.: Rokkô, Condition A/B. added. caricatured. Height 8cm. Condition A/B. Provenance: -West German private collection, cf. LA p. 880. Condition A/B. -West German private collection, old collection number 21. Provenance: Provenance: Provenance: old collection number 697. Provenance: -West German private collection, -West German private collection, -West German private collection, € 400 – 600 | $ 448 – 672 -West German private collection, old collection number 1060. old collection number 939. old collection number 410. € 900 – 1.200 | $ 1.008 – 1.344 old collection number 399. € 1.200 – 1.500 | $ 1.344 – 1.680 € 1.200 – 1.400 | $ 1.344 – 1.568 € 900 – 1.200 | $ 1.008 – 1.344 € 1.400 – 1.600 | $ 1.568 – 1.792

Netsuke & Inrô from a West German private collection 2269 2270 2271 2275 2276 2277 NETSUKE: DANCING SHÔJÔ. NETSUKE: SEATED KARAKO NETSUKE: KARAKO IN FESTIVE NETSUKE: LYING MAN WITH DICE. TOGGLE USED AS A NETSUKE: NETSUKE: SQUATTING MAN ON BASE. NETSUKE: TANZENDER SHÔJÔ. WITH PUPPY. ROBE WITH LANTERN. NETSUKE: LIEGENDER MANN MIT CROUCHING INFANT. NETSUKE: HOCKENDER MANN AUF Japan. 19th c. NETSUKE: SITZENDER KARAKO NETSUKE: KARAKO IN FESTLICHEM SPIELWÜRFEL. TOGGLE ALS NETSUKE BENUTZT: SOCKEL. MIT HÜNDCHEN. GEWAND MIT LATERNE. Japan. Edo period. 18th c. ZUSAMMENGEKAUERTES KLEINKIND. Japan. Edo period. 18th c. Boxwood, partly colored red and with Japan. Edo period. Early 19th c. Japan. 19th c. China. 18th c. mother-of-pearl inlays. Height 4.1cm. Ivory, probably maritime. Length 6.4cm. Ivory with beautiful shiny patina. Sign.: unread. Condition A/B. Wood with red lacquer. Height 3.7cm. Wood with polychrome lacquer and gold. Condition A/B. Mammoth ivory. In China, toggle in the Width 4cm. Condition A/B. Age cracks. Provenance: Condition A/B. Height 4.6cm. Condition A/B. Provenance: form of an infant were a popular fertility Provenance: -West German private collection, old Provenance: Provenance: -West German private collection, symbol. Length 4.3cm. Condition A/B. -West German private collection. collection number 1133. -West German private collection, old -West German private collection, old old collection number 191. Age cracks. collection number 1019 and 188. collection number 981. Provenance: € 700 – 900 | $ 784 – 1.008 | ‡ € 700 – 900 | $ 784 – 1.008 € 700 – 900 | $ 784 – 1.008 | ‡ -West German private collection, old € 500 – 700 | $ 560 – 784 € 800 – 1.000 | $ 896 – 1.120 collection number 53a.

€ 300 – 400 | $ 336 – 448

2272 2273 2274 2278 2279 2280 NETSUKE: CHOKARO SENNIN NETSUKE: SAMBASÔ DANCER. NETSUKE: SHINTÔ PRIEST ON NETSUKE: KARAKO GRABBING NETSUKE: SLEEPING SHÔKI WITH ONI. ITAKURA SHIGEMUNE FALLEN WITH GOURD. NETSUKE: SAMBASÔ-TÄNZER. LARGE MOKUGYO. A BIG FISH BY ITS TAIL. NETSUKE: SCHLAFENDER SHÔKI ASLEEP OVER A TEA MILL. NETSUKE: CHOKARO SENNIN Japan. 1st half 19th c. NETSUKE: SHINTÔ-PRIESTER AUF NETSUKE: KARAKO EINEN GROßEN MIT ONI. ITAKURA SHIGEMUNE ÜBER EINER MIT KALEBASSE. RIESIGER MOKUGYO. FISCH AM SCHWANZ ERGRIFFEN. Japan. 19th c. TEEMÜHLE EINGESCHLAFEN. Japan. Edo period. 18th/19th c. Boxwood with residue of polychrome Japan. Edp period. 18th c. Japan. 18th/19th c. Japan. Edo period. 18th/19th c. painting. With his typical Sambasô mask, Dark wood, ﬁnely carved. The demon Ivory with a beautiful golden patina. fan and bell tree, he goes through town Boxwood. Sitting with his legs apart on Dark wood, eyes of the ﬁsh inlaid. hunter lying on his stomach and sunk to Black wood. Width 4.7cm. Condition A/B. Sitting and looking upwards. He carries on New Year singing and dancing to raise the wooden slit drum. With a brush in Width 6cm. Condition A/B. sleep. He doesn’t notice that a little oni Provenance: the calabash on his shoulder and holds money. Height 5.7cm. Sign.: Shuzan, see his right hand he cleans the mokugyo Provenance: has approached him from behind and -West German private collection, it with his right hand. Height 4.3cm. LA p. 1014-16. Condition A/B. while holding on to it with his left. Height -West German private collection, may be trying to take the opportunity to old collection number 334. Condition A/B. Provenance: 5.2cm. Sign.: Gyokuzan. Condition A/B. old collection number 210. reach the demon hunter’s sword, which Provenance: -West German private collection, old Tip of left foot added. he carries on his belt. Length 7.6cm. € 600 – 800 | $ 672 – 896 -West German private collection, old collection number 300. Provenance: € 500 – 700 | $ 560 – 784 Sign.: unread. Condition A/B. collection number 1163. -West German private collection, old Provenance: € 1.000 – 1.200 | $ 1.120 – 1.344 collection number 950. -West German private collection, € 900 – 1.200 | $ 1.008 – 1.344 | ‡ old collection number 741. € 1.000 – 1.200 | $ 1.120 – 1.344 € 1.200 – 1.500 | $ 1.344 – 1.680 Netsuke & Inrô from a West German private collection

2281 2282 2283 2287 2288 2289 NETSUKE: KÔSEKIKÔ ON MULE AND NETSUKE: FARMER WITH OX. NETSUKE: ELEPHANT WITH NETSUKE: SEATED MAN ON BASE. NETSUKE: SHISHI ON FLAT BASE. NETSUKE: GROUP OF AUSPICIOUS CHÔRYÔ GIVING HIM BACK HIS LOST NETSUKE: BAUER MIT OCHSE. TWO BLIND MAN NEXT TO PINE NETSUKE: SITZENDER MANN AUF NETSUKE: SHISHI AUF FLACHEM CHILDREN’S TOYS. SHOE. Japan. Edo period. 18th/19th c. COVERED HUT. SOCKEL. SOCKEL. NETSUKE: GRUPPE VON NETSUKE: KÔSEKIKÔ AUF MAULTIER NETSUKE: ELEFANT MIT ZWEI BLINDEN Japan. Edo period. 18th c. Japan. Edo period. 18th c. GLÜCKVERHEIßENDEM UND CHÔRYÔ, DER IHM SEINEN Ivory. Height 2.3cm. Condition A/B. NEBEN KIEFERN BEDECKTER HÜTTE. KINDERSPIELZEUG. VERLORENEN SCHUH ZURÜCKGIBT. Provenance: Japan. 19th c. Ivory with beautiful shiny patina. Height Ivory. Height 2.5cm. Condition A/B. Japan. 19th c. Japan. 19th c. -West German private collection, 4.2cm. Condition A/B. Age cracks. Provenance: old collection number 780. Hippopotamus ivory. Height 2.4cm. Sign.: Provenance: -West German private collection, Ivory. Width 3.8cm. Sign.: Mitsuyuki. Dark wood. Height 4.8cm. Sign.: Masamitsu, cf. LA p. 714. Condition A/B. -West German private collection, old collection number 369. Condition A/B. Doraku. Condition A/B. € 600 – 900 | $ 672 – 1.008 | ‡ Provenance: old collection number 509. Provenance: Provenance: West German private -West German private collection, € 400 – 600 | $ 448 – 672 | ‡ -West German private collection, collection, old collection number 360. old collection number 470. € 400 – 600 | $ 448 – 672 | ‡ old collection number 153.

€ 800 – 1.100 | $ 896 – 1.232 € 700 – 900 | $ 784 – 1.008 | ‡ € 600 – 800 | $ 672 – 896 | ‡

2284 2285 2286 2290 2291 2292 NETSUKE: ENTERTAINER WITH NETSUKE: KARAKO WITH LION NETSUKE: SQUATTING KARAKO WITH NETSUKE: FOX AS THE PRIEST NETSUKE: TANUKI AS SAKE SELLER. NETSUKE: SQUATTING ACTOR MONKEY ON HIS BACK. MASK WITH MOVABLE BALL. FAN AND BUTTERFLY ON HYAKUZÔSU. NETSUKE: TANUKI ALS SAKE- WITH FOX MASK. NETSUKE: GAUKLER MIT ÄFFCHEN NETSUKE: KARAKO MIT HIS SHOULDER. NETSUKE: FUCHS ALS DER PRIESTER VERKÄUFER. NETSUKE: HOCKENDER AUF SEINEM RÜCKEN. LÖWENMASKE MIT BEWEGLICHER NETSUKE: HOCKENDER KARAKO MIT HYAKUZÔSU. Japan. Edo period. 1st half 19th c. SCHAUSPIELER MIT FUCHSMASKE. Japan. 18th/19th c. KUGEL. FÄCHER UND SCHMETTERLING AUF Japan. Edo period. Late 18th/early 19th c. Japan. 19th c. Japan. 19th c. DER SCHULTER. Ivory. Height 5.8cm. Condition A/B. Ivory, dark colored. Height 10.2cm. Japan. 19th c. Ivory. Height 5.2cm. Condition A/B. Provenance: Wood with gold lacquer, face of dark Condition A/B. Ceramic glazed. Height 5.7cm. Provenance: -West German private collection, colored ivory. Height 3.1cm. Provenance: Condition A/B. Ivory, buttons of clothing made of dark -West German private collection, old collection number 944. Condition A/B. -West German private collection, Provenance: horn. Height 3.6cm. Condition A/B. old collection number 442. Provenance: old collection number 484. -West German private collection, Provenance: € 800 – 1.200 | $ 896 – 1.344 | ‡ -West German private collection, old collection number 340. -West German private collection, € 700 – 900 | $ 784 – 1.008 | ‡ old collection number 1051. € 900 – 1.200 | $ 1.008 – 1.344 | ‡ old collection number 233. € 300 – 500 | $ 336 – 560 € 600 – 800 | $ 672 – 896 | ‡ € 800 – 1.000 | $ 896 – 1.120 | ‡

Netsuke & Inrô from a West German private collection 2293 2294 2295 2299 NETSUKE: RECLINING SHIKA DEER. NETSUKE: STANDING HORSE WITH NETSUKE: STANDING HORSE. NETSUKE: SQUATTING TIGER. NETSUKE: LIEGENDER SHIKA-HIRSCH. CHRYSANTHEMUM DECORATED NETSUKE: STEHENDES PFERD. NETSUKE: HOCKENDER TIGER. Japan. Edo period. 18th/19th c. BLANKET. Japan. 19th c. Japan. Edo period. 18th/19th c. NETSUKE: STEHENDES PFERD Ivory, eyes inlaid with dark horn. MIT CHRYSANTHEMEN Ivory. Height 4.5cm. Condition A/B. Boxwood, carved and engraved, eyes Length 4.8cm. Sign.: rubbed, illegible. VERZIERTER DECKE. Provenance: inlaid with gold and pupils of dark horn. Condition A/B. Japan. Edo period. 18th/19th c. -West German private collection, The crouching animal turned its head 2299 Provenance: old collection number 124. back and opened its mouth. The long tail -West German private collection, Ivory with beautiful patina, eyes inlaid winds its way up its back. Vigorous design old collection number 1011. with dark horn. Height 6.2cm. Condition € 400 – 600 | $ 448 – 672 | ‡ in the style of Minkô. Length 4.5cm. A/B. Fine age cracks. Sign.: Minkô. Condition A/B. € 400 – 600 | $ 448 – 672 | ‡ Provenance: -West German private collection, Provenance: old collection number 302. -West German private collection, old collection number 306. € 700 – 900 | $ 784 – 1.008 | ‡ € 800 – 1.000 | $ 896 – 1.120

2300 LARGE NETSUKE OF A KAPPA ON A CLAM. GROßES NETSUKE EINES KAPPA AUF EINER MUSCHEL. Japan. 19th c. 2296 2297 2298 NETSUKE: SQUATTING NETSUKE: SHISHI WITH CUB ON BASE. NETSUKE: LARGE LION MASK Boxwood, very ﬁnely carved and SHISHI WITH BALL. NETSUKE: SHISHI MIT JUNGES WITH MOVABLE LOWER JAW. engraved, eyes inlaid with dark horn. The NETSUKE: HOCKENDER AUF SOCKEL. NETSUKE: GROßE LÖWENMASKE long-haired scaly creature squatting on SHISHI MIT BALL. Japan. 19th c. MIT BEWEGLICHEM UNTERKIEFER. a large clam. While holding on to it with Japan. Edo period. 18th/19th c. Japan. Edo period. 1st half 19th c. his left hand, he tries to free his right Ivory. Height 5cm. Condition A/B. foot, which is trapped in the closed shell, Ivory, pupils of horn. Height 4.6cm. Provenance: Ivory with dark accentuated details, pupils with his right hand. Height 4.9cm. Sign.: Condition B. Upper jaw added. -West German private collection, inlaid with dark horn. Height 3.5cm. Hideharu, cf. LA p. 457. Condition A/B. Provenance: old collection number 715. Sign.: Tomotada. Condition A/B. -West German private collection, Provenance: Provenance: old collection number 563. € 900 – 1.200 | $ 1.008 – 1.344 | ‡ -West German private collection, -West German private collection, old collection number 737. old collection number 235. € 500 – 700 | $ 560 – 784 | ‡ € 900 – 1.200 | $ 1.008 – 1.344 | ‡ € 1.400 – 1.600 | $ 1.568 – 1.792

Netsuke & Inrô from a West German private collection 2300 2301 2302 2303 2307 2308 2309 NETSUKE: PUPPY WITH AWABI SHELL. NETSUKE: CAT NIBBLING ON BIG FISH. NETSUKE: COILED RAT. NETSUKE: LYING BIRD NETSUKE: CICADA. NETSUKE: SQUATTING TOAD. NETSUKE: WELPE MIT AWABI- NETSUKE: KATZE AN GROßEM FISCH NETSUKE: ZUSAMMENGEROLLTE WITH EGG AND CHICK. NETSUKE: ZIKADE. NETSUKE: HOCKENDE KRÖTE. MUSCHEL. KNABBERND. RATTE. NETSUKE: LIEGENDER VOGEL Japan. 19th c. Japan. Edo period. 18th c. Japan. 19th c. Japan. 19th c. Japan. Edo period. Early 19th c. MIT EI UND KÜKEN. Japan. 19th c. Bone. Width 4.3cm. Condition A/B. Boxwood with dark accentuated details, Ivory, eyes inlaid with dark horn. Height Bone, probably stag antler, eyes inlaid Ivory, eyes inlaid with dark horn. Provenance: eyes inlaid with dark horn. Height 3cm. 2.6cm. Sign.: Ikkô. Condition A/B. with dark horn. Length 6.5cm. Height 2.2cm. Condition A/B. Ivory, eyes inlaid with light horn. Width -West German private collection, old Condition A/B. Provenance: Condition A/B. Provenance: 4.3cm. Sign.: Mitsuhiro. Condition A/B. collection number 85. Provenance: -West German private collection, old Provenance: -West German private collection, old Provenance: -West German private collection, old collection number 919. -West German private collection. collection number 488. -West German private collection, old € 300 – 400 | $ 336 – 448 collection number 1157. collection number 662. € 500 – 700 | $ 560 – 784 | ‡ € 500 – 600 | $ 560 – 672 € 300 – 400 | $ 336 – 448 | ‡ € 700 – 900 | $ 784 – 1.008 € 400 – 600 | $ 448 – 672 | ‡

2304 2305 2306 2310 2311 2312 NETSUKE: BIG RAT AND THREE NETSUKE: RECLINING HÔÔ BIRD. NETSUKE: BIRD HATCHING NETSUKE: TURTLE. NETSUKE: TURTLE. NETSUKE: MOKUGYO IN FISH SHAPE. SMALL RATS WITH CHESTNUTS. NETSUKE: LIEGENDER HÔÔ-VOGEL. FROM AN EGG. NETSUKE: SCHILDKRÖTE. NETSUKE: SCHILDKRÖTE. NETSUKE: MOKUGYO IN FISCHFORM. NETSUKE: GROßE RATTE UND DREI Japan. Meiji period. NETSUKE: VOGEL AUS Japan. Edo period. 19th c. Japan. 19th c. Japan. 19th c. KLEINE RATTEN MIT KASTANIEN. EINEM EI SCHLÜPFEND. Japan. 19th c. Maritime ivory. Length 5cm. Sign.: Japan. 19th c. Dark wood, probably persimmon (kaki) Wood. Length 5.2cm. Sign.: Yoshinaga. Boxwood. Width 3.8cm. Gyokuzan. Condition A/B. wood. Length 4.4cm. Sign.: Josen, cf. LA Condition A/B. Middle peg added. Condition A/B. Dark wood, eyes inlaid from dark horn. Provenance: Bone, eyes inlaid from dark horn. p. 541. Condition A/B. Provenance: Provenance: Height 4.5cm. Condition A/B. Crack on -West German private collection, old Width 3.9cm. Condition A/B. Provenance: -West German private collection, old -West German private collection, the back restored. collection number 1130. Provenance: -West German private collection, old collection number 1142. old collection number 908. Provenance: -West German private collection, old collection number 374. -West German private collection. € 400 – 500 | $ 448 – 560 | ‡ collection number 659. € 600 – 800 | $ 672 – 896 € 300 – 400 | $ 336 – 448 € 600 – 800 | $ 672 – 896 € 600 – 800 | $ 672 – 896 € 300 – 400 | $ 336 – 448

Netsuke & Inrô from a West German private collection 2313 2314 2317 2318 LARGE NETSUKE OF A FISH. NETSUKE: CLAM’S DREAM WITH RYÛJIN. NETSUKE: OKAME MASK. NETSUKE: GROUP OF NINE MASKS. GROßES NETSUKE EINES FISCHES. NETSUKE: MUSCHELTRAUM MIT RYÛJIN. NETSUKE: OKAME-MASKE. NETSUKE: GRUPPE VON NEUN MASKEN. Japan. 19th c. Japan. 19th c. Japan. 19th. Japan. 19th c.

Umimatsu (black coral), tongue of red coral and eyes Ivory. While breathing, the clam reveals the palace Boxwood. Height 4.7cm. Sign.: Gyokkô. Boxwood. Height 3.7cm. inlaid with mother-of-pearl and dark horn. Small of Ryûjin, the dragon king of the sea. In the palace Condition A/B. Condition A/B. metal eyelet. The head tilted to the left and the surrounded by waves a small person is depicted, Provenance: Provenance: body in slight S-curve, showing the ﬁsh in swimming probably Ryûjin. Height 6.7cm. Condition A/B. -West German private collection, old collection -West German private collection, old collection movement. Length 11.8cm. Condition A/B. Provenance: number 316. number 166. Provenance: -West German private collection, old collection -West German private collection, old collection number 8. € 500 – 600 | $ 560 – 672 € 500 – 600 | $ 560 – 672 number 96. € 800 – 1.000 | $ 896 – 1.120 | ‡ € 900 – 1.200 | $ 1.008 – 1.344 | ‡

2315 2316 2319 2320 NETSUKE: GOURDS. TOGGLE USED AS A NETSUKE: NETSUKE: LION MASK. NETSUKE: ONI AND USOBUKI MASK. NETSUKE: FLASCHENKÜRBISSE. BUDDHA HAND CITRUS FRUIT. NETSUKE: LÖWENMASKE. NETSUKE: ONI- UND USOBUKI-MASKE. Japan. Edo period. 18th/19th c. TOGGLE ALS NETSUKE BENUTZT: Japan. Edo period. 18th c. Japan. 19th c. BUDDHAHANDZITRUSFRUCHT. Ivory. Height 5.2cm. Condition A/B. China. 18th/19th c. Dark wood. Height 2.8cm. Sign.: Yôshisei(?) Bone. Width 4.5cm. Condition A/B. Provenance: hachijûgo saku. Condition A/B. Provenance: -West German private collection, old collection Maritime ivory with beautiful old patina. Provenance: -West German private collection, old collection number 1099. Height 5.7cm. Condition A/B. -West German private collection, old collection number 111. Provenance: number 1013. € 500 – 700 | $ 560 – 784 | ‡ -West German private collection, € 300 – 400 | $ 336 – 448 old collection number 1032. € 400 – 600 | $ 448 – 672

€ 300 – 400 | $ 336 – 448 | ‡ Netsuke & Inrô from a West German private collection 2321 2323 INRÔ WITH A LADY AND LONG AND SLENDER INRÔ A PLAYING KITTEN. WITH A FALCON. INRÔ MIT EINER DAME LANGES SCHMALES INRÔ UND EINEM KÄTZCHEN. MIT FALKE AUF KIEFER. Japan. 19th c. Japan. 19th c.

Five part with offset cord runner. Ge and Six part with offset cord runner. Fundame yo ﬂat. Gold lacquer with takamakie, gold lacquer with takamakie in gold, aogai and silber. Inside gold lacquer. silver and with kirikane and aogai. Inside Certainly the representation is intended nashiji. The elegant shape gives the ideal as a travesty (mitate) of the scene with background for the well-made design. the imperial cat Myobu from the Genji The falcon perched on a high pine with monogatari. Height 7.2cm, width 5.6cm. outspread wings expresses great tension. Condition A/B. Supplement: Kagamibuta His feathers, the trunk of the tree and netsuke with dragon. Ivory and silber. the pine needles all given in ﬁne detail Ø 3.7cm. contrast masterly with the free space. Length 10.3cm, width 3.7cm. Sign.: On Provenance: the lowest compartment at the side: -West German private collection. Ryûgyokusai. Condition A/B.

€ 900 – 1.200 | $ 1.008 – 1.344 | ‡ Provenance: -West German private collection.

€ 1.100 – 1.500 | $ 1.232 – 1.680 2322 INRÔ WITH FLOWERING CLEMATIS. INRÔ MIT BLÜHENDEN CLEMATIS. Japan. 19th c. 2324 TONKOTSU WITH CHRYSANTHEMUM. Six part with offset cord runner. Ge and TONKOTSU MIT CHRYSANTHEMEN. 2321 yo sligthy domed. Fundame gold lacquer Japan. Ca. 1900. 2322 with hiramakie in silver, gold and with kirikane. Inside nashiji. Height 9.3cm, Bronze with patina and engraved. Inside width 4.8cm. Condition A/B. A few chips lined with silver. Height 8.8cm, width at the margins. 6.7cm. Sign.: Yoshiyuki and seal: Hô. Inside silver mark (ginsei). Condition Provenance: A/B. Supplement: Netsuke, awabi snail. -West German private collection. Boxwood. Ø 3.7cm.

€ 900 – 1.200 | $ 1.008 – 1.344 Provenance: -West German private collection.

€ 900 – 1.200 | $ 1.008 – 1.344

2323 2325 INRÔ WITH ROOSTER AND HEN. INRÔ MIT HAHN UND HENNE. Japan. 19th c.

Four part with offset cord runner. Fine ray skin, gold lacquer, hiramakie with aogia. The cock looking around vigilantly, while the hen is searching under the carnations for something to peck. Height 9.5cm, width 6.1cm. Condition A/B. Minor damages due to use.

Provenance: -West German private collection.

€ 1.200 – 1.400 | $ 1.344 – 1.568

Netsuke & Inrô from a West German private collection 2324 2325 2326 2327 2329 INRÔ WITH MORNING GLORIES SMALL INRÔ WITH THE SIGNS INRÔ WITH HORSE AND AT A LADDLE. FOR MANY TREASURES. MONKEY WITH GOHEI. INRÔ MIT WINDEN AN EINER KLEINES INRÔ MIT DEN INRO MIT PFERD UND ÄFFCHEN SCHÖPFKELLE. SCHRIFTZEICHEN FÜR ‚VIELE MIT GOHEI. Japan. 19th c. SCHÄTZE‘. Japan. 18th/19th c. Japan. 19th c. Five part with offset cord runner. Ge and Five part with offset cord runner. Ge and yo offset and ﬂat. Black lacquer with Four part with open cord runner. Ge yo domed. On rubbed nashiji takamakie gold hiramakie with inlays of aogai, gold and yo ﬂat with engraving. Gilt copper in gold, partly rubbed in the style of kirikane and lead. Inside nashiji. The bronze, inside white metal. Height 6.3cm, Negoro, inlays of coral. Old label with motif tells from a Japanese story of a width 4cm. Condition A/B. Supplement: no. 138. Length 8.2cm, width 4.5cm. teamaster asking his neighbor for water. Netsuke: Jurôjin. Ivory. Height 5.3cm. Condition B. Supplement: Ojime from He was known to have a good well in green and yellow glass. Rubbed. his own garden. So asked he tells that Provenance: the trellies of the morning glories had -West German private collection. Provenance: embraced the laddle and he didn’t want -West German private collection. to disturb them. Height 8.3cm, width € 500 – 700 | $ 560 – 784 | ‡ 5.9cm. Condition A/B. Supplement: € 600 – 800 | $ 672 – 896 | ‡ Manju netsuke. Black lacquer with pines and trellies.

Provenance: 2330 -West German private collection. MINIATURE INRÔ WITH BUTTERFLIES. MINIATUR-INRÔ MIT € 1.000 – 1.200 | $ 1.120 – 1.344 SCHMETTERLINGEN. Japan. 19th c.

Three part with offset cord runner. Ge and yo domed. Black lacquer with hiramakie in gold with some silver and 2326 2328 aogai nashiji. Height 4.2cm, width 3.4cm. Sign.: Beneath in gold lacquer: Kansai and kao (prob. Koma Kansai II, 1767-1835). 2327 Condition A/B. Supplement: Netsuke, hozuki fruit with mouse. Martime ivory. Ojime coral.

Provenance: -West German private collection.

€ 300 – 500 | $ 336 – 560 | ‡

2328 INRÔ WITH THE SIGN FOR 2331 GRATULATION (KOTOBUKI). INRÔ WITH SUITEKI ORNAMENTAL INRÔ MIT DEM ZEICHEN FÜR STONE IN CHINESE STYLE. GRATULATION (KOTOBUKI). INRÔ MIT SUITEKI-ZIERSTEIN IM Japan. 18th/19th c. CHINESISCHEN STIL. Japan. 19th c. Five part with hidden cord runner. Ge and yo somewhat domed. On fundame Five part with offset cord runner. Black red lacquer silver inlays, hiramakie lacquer (roiro) with inlays of tin and with aogai and kirikane. Inside nashiji. mother-of-pearl. Inside red lacquer. Height 8.5cm, width 5.2cm. Condition Height 6.8cm, width 6cm. Sign.: Shôô A/B. Supplement: Toggle as netsuke. (vermutlich Tenmin). Condition A/B. Fish dragon. Walruss tooth. China. Supplement: Crystal netsuke with silver. 18th/19th c. Calabash.

Provenance: Provenance: 2330 -West German private collection. -West German private collection.. 2329 2331

€ 700 – 900 | $ 784 – 1.008 | ‡ € 500 – 700 | $ 560 – 784

2332 2333 2334 TONKOTSU WITH SNAKES INRÔ WITH BUKAN, TONKOTSU WITH TWO LADIES AND INSECTS. KANZAN AND JITTOKU. AND A SERVANT WITH MODEL SHIP. TOKOTSU MIT SCHLANGE INRÔ MIT BUKAN, TONKOTSU MIT ZWEI DAMEN UND UND INSEKTEN. KANZAN UND JITTOKU. EINEM DIENER MIT SCHIFFCHEN. Japan. 19th/20th c. Japan. 19th c. Japan. 19th c.

Fruit wood, prob. cherry with inlays of Three part with hidden cord runner. Kiri wood with inlays of ivory and bone. mother-of-pearl, horn and other wood. Boxwood, carved in bas-relief and Back with poem strips. Lid with two lead Height 8.7cm, width 8.4cm. Condition polished. Height 6.7cm, width 6cm. braces repaired. Height 6.2cm, width A/B. Supplement: Netsuke from ivory, Condition A/B. Supplement: Ojime from 9cm. Condition A/B. mouse with fruits. 18th c. Ojime from ivory with bamboo. wood. Provenance: Provenance: -West German private collection. Provenance: -West German private collection. -West German private collection. € 600 – 800 | $ 672 – 896 | ‡ € 600 – 800 | $ 672 – 896 | ‡ € 800 – 900 | $ 896 – 1.008 | ‡

2335 TONKOTSU WITH NETSUKE AND OJIME IN THE SHAPE OF THREE MOKUGYO. TONKOTSU MIT NETSUKE UND OJIME IN FORM DREIER MOKUGYO. Japan. 19th/20th c.

Two part with open cord runner. Wood with orange red and green lacquer, partly in the style of Negoro lacquer. Height 8.8cm, width 9.6cm. Sign.: The humoristic signature refers to the Japanese name of 2332 the wooden bell (mokugyo - wood ﬁsh). Condition A/B. 2333 Provenance: -West German private collection.

€ 700 – 900 | $ 784 – 1.008

2334

Netsuke & Inrô 2335 from a West German private collection Inrô

2336 INRÔ: DRIED PERSIMMON. INRÔ: GETROCKNETE KAKI. Japan. Edo period. Ca. 1887. Shibata Zeshin (1807-1891).

Fond of dense nashiji, detail in hiramakie in gold, red and brown lacquer. Inside dense nashiji and ﬂoral patterns in red and gold. Five-piece. Realistic representation of drying kaki fruits on a bamboo pole. The same motif was used by him in a woodcut from 1887, one of which is kept in the Museum für Kunst und Gewerbe in Hamburg (IE1900.44). 8.5 x 6.3 x 1.8cm. Sign.: Zeshin. Condition A.

€ 4.500 – 5.000 | $ 5.040 – 5.600

Inrô 2337 2338 2340 INRÔ WITH BAMBOO CURTAIN INRÔ WITH SAMBASÔ DANCER. INRÔ: AMA NO HASHIDATE. ABOVE AUTUMN FLOWERS. INRÔ MIT SAMBASÔ-TÄNZER. INRÔ: AMA NO HASHIDATE. INRÔ MIT BAMBUSVORHANG Japan. 19th c. Japan. Edo period. 19th c. ÜBER HERBSTBLUMEN. Japan. 18th/19th c. Tôyô(sai) I or one of Five part with offset cord runner. Ge and Painting in black lacquer on a dense gold his students. yo flat. Black lacquer (roiro) with gold ground. Five-piece. Landscape scene of hiramakie. Height 6.6cm, width 5.3cm. the bay of Ama no Hashidate in the style Three part with hidden cord runner. Condition A/B. of Sesshu Toyo (1420-1506). The so-called Ge and yo domed. Black lacquer (roiro) “sky bridge” is known for its pine covered with nashiji and gold hiramakie. The Provenance: sandbank. 7.4 x 6.7 x 2.0cm. Sign.: elegant bamboo curtain of the sudare -Dutch private collection. Kanshôsai Tôyô & kaô. Condition A/B. type with wide brocade border and a Supplement: Ojime, probably amber. large silk tassel at the hook give the look € 500 – 700 | $ 560 – 784 Slight scratches and edges rubbed slightly. from a palace to the autumn flowers. Besides bush clover (hagi) and suzuki € 800 – 1.000 | $ 896 – 1.120 grass small chrysanthemum (kiku) and patriniae (ominaeshi), a symbol for female 2339 beauty. Height 6.6cm, width 7cm. Sign.: INRÔ: EVENING STROLL. Underneath in gold lacquer: Kanshôsai. INRÔ: ABENDSPAZIERGANG. 2341 Condition B. Not openable. Japan. Edo period. 19th c. NARROW INRÔ WITH TEA PAVILLON AND WATERFALL. € 2.000 – 2.500 | $ 2.240 – 2.800 | ‡ Five part. Loose nashiji with kinji, red SCHMALES INRÔ MIT TEEPAVILLON and silver and mother-of-pearl inlays, UND WASSERFALL. 2338 2339 dense nashiji inside. The front with two Japan. 18th/19th c. ladies and two fathers showing their offspring a screen painting with a pair of Six part with offset cord runner. Ge and hôô-birds. On the other side two elegant yo slightly domed. Kin taka and hiramakie ladies accompanied by a Samurai with with kirikane and nashiji. Inside nashiji. sedge hat. 6,4 x 5,3 x 2cm. Condition Landscape with hills and a fast flowing A/B. Edges slightly rubbed. Supplement: river stretching over all parts of the inrô, Ojime, red stained ivory. even top and bottom. Beneath high pines the straw thatched roofs of tea huts a € 1.000 – 1.200 | $ 1.120 – 1.344 | ‡ ducking above the interior with mats. Height 8.1cm, width 4.6cm. Condition A/B.

Provenance: -Dutch private collection.

€ 600 – 800 | $ 672 – 896

2340 2342 INRÔ WITH KOTO BENEATH JAPANESE IVY. INRÔ MIT KOTO UNTER WILDEM WEIN. Japan. 19th c.

Five part with offset cord runner. Ge and yo domed. On ﬁne nashiji gold hiramakie with some red and kirikane. Inside nashiji. The dense scrolls with large leafs nearly hide the complete instrument, only the elegant end part is visible. Height 9cm, width 4.8cm. Condition A/B.

Provenance: 2337 -Dutch private collection.

€ 700 – 900 | $ 784 – 1.008

2341 2342

Inrô 2343 2344 2345 TONKOTSU: DAIKOKU WITH FUJI AND INRÔ WITH NEW YEAR INRÔ WITH RAVEN, DRAGON. DANCERS AT NIHONBASHI. MOON AND MAPLE. TONKOTSU: DAIKOKU MIT DEM FUJI INRÔ MIT NEUJAHRSTÄNZERN INRÔ MIT RABE, SICHELMOND UND EINEM DRACHEN. AN DER NIHONBASHI. UND AHORN. Japan. Meiji period. Late 19th c. Japan. 19th c. Japan. 19th c.

Two part made of wood. The fortune Five part with hidden cord runner. Ge Five part with hidden cord runner. Silver god Daikoku leaning with closed eyes at and yo hardly domed. Kinji, hiramakie fundame with sumie in black and red, fine a large rice bag with his attributed rat with silver, kirikane and seidô nuri. nashiji. Inside nashiji. Netsuke from crystal at this feet. The other side with a huge Inside nashiji. Height 7cm, width 4.6cm. in fish shape. Height 7.5cm, width 5.2cm. dragon flying in clouds past the Fuji - a Condition A/B. Supplement: Manju Sign.: Koma Kyûhaku. Condition A/B. theme painted several times by Hokusai. netsuke with karako. Sign.: Hôjitsu and Supplement: Netsuke. Ivory. Chinese 7.8 x 6.4 x 2.9cm. Sign.: Komatsu kakihan. Ivory. 19th c. Netsuke. Monkey with karako on large bag. H.4.4cm. Mitsukata. Condition A/B. Supplement: family. Maritime ivory. Paper weight 18th c. Ojime made of wood. (bunchin). Plum. Copper. € 800 – 1.000 | $ 896 – 1.120 | ‡ € 800 – 1.000 | $ 896 – 1.120 € 800 – 1.000 | $ 896 – 1.120 | ‡

2346 PORCELAIN INRÔ WITH LANDSCAPE MEDALLIONS AND FLOWERS. PORZELLAN-INRÔ MIT LANDSCHAFTSKARTUSCHEN UND BLÜTEN. 2344 Japan. 19th/20th c.

Three part with offset cord runner. Ge 2345 with footring, yo somewhat domed. Porcelain, painted underglaze blue. Inside gilt. Height 4.9cm, width 4.3cm. Condition A/B. Supplement: Netsuke: Square manju, en suite.

Provenance: -Dutch private collection.

€ 500 – 600 | $ 560 – 672

2347 INRÔ WITH DRAGON IN THUNDERSTORM. INRÔ MIT DRACHE IN REGENSTURM. Japan. 19th c. 2346

Five part with offset cord runner. Ge and yo ﬂat. Fundame, taka and hiramakie with kirikane, ﬁne nashiji and silver relief appliqué. Inside nashiji. Height 6.6cm, width 5.3cm. Condition A/B. Supplement: Small inrô with Genji ko and the sign for pine. Gilt bronze. Height 5.2cm.

Provenance: -Dutch private collection.

€ 700 – 900 | $ 784 – 1.008

2343 2347 2347

Inrô Collection Andreas Holter

Andreas Holter (1946-2017) studied Andreas Holter (1946-2017) studierte 安德斯·特生（1946-2017年） 2348 2349 2350 Sinology at the University of Göttingen, Sinologie an der Universität in Göttin- 在根、和大學學學， LARGE AND SMALL DISH FOUR EARLY CERAMICS. SEVEN TEABOWLS. Hamburg and Bonn, among others with gen, Hamburg und Bonn, u. a. bei Prof. 從師·德格教，多次以專家 WITH YING DRAGON. VIER FRÜHKERAMIKEN. SIEBEN TEESCHALEN. Prof. E. von Erdberg. He was mainly E. von Erdberg. Sein Interesse galt vor 份為物工作，如在登將 GROßER UND KLEINER TELLER China. Eastern Han dynasty or earlier. China. Song dynasty and later. interested in Chinese, but also Vietnamese allem chinesischer, aber auch vietnames- Bernhard August von Lindenaus 收 MIT YING-DRACHEN. ceramics and porcelain. With his own ischer Keramik und Porzellan. Bei seiner 品理出版。 China. Ming dynasty. 16th/17th c. Reddish low fired ceramic with green Stoneware. Black and persimon brown collection, Holter was able to make good eigenen Sammlung konnte Holter sein 他於中國和的藝術品，借 lead glaze, resp. grey low fired ceramic glaze, partly hare’s fur glaze. H.4.2-6.5cm, use of his extensive expert knowledge and weitreichendes Fachwissen gut einsetzen 的專業知識和開始他致生的 Porcelain, painted underglaze blue. The with residue of white slip. a) Vessel on Ø 9.5-11.6cm. Condition B. One bowl lip acquire pieces that enriched his studies und Stücke erwerben, die sein Studium 收生，品主要以中國和的 large dish with a winged dragon amids three feet, with mountain shaped lid rim in silver. Smallest bowl repaired at the of Chinese and Vietnamese porcelain. chinesischen und vietnamesischen Por- 為主，大部分購於歐洲古董和拍賣行，一 flaming pearls above waves. Underneath and a border with hunting scenes on lip. Brown bowl with kiln sand adherence He devoted himself to collecting for a zellans bereicherten. Er widmete sich 來自日本，此之外還有日本藝 four caracter mark: Yutang Jiaqi. the wall. H.24cm, Ø 19cm. b) Green at the foot. long time with great passion and so he dem Sammeln über lange Zeit mit großer 、等。 Ø 32cm/19.5cm. Condition A/B. Minimal vase. H.13.2cm. c) Three legged li vessel. Proveance: succeeded in assembling an interesting Leidenschaft und so gelang es ihm eine 品第一部分將在本次拍賣會以79件拍 chips at the rim and footring. Large dish H.13cm. d) Recumbent mythical animal. -Estate Andreas Holter. collection. As a result, his collection interessante Sammlung zusammentra- 賣號碼（2348至2426號）向大家 at the footring restored. H.15cm, l.22cm. Condition B. € 400 – 600 | $ 448 – 672 includes unusual pieces of Chinese gen. In seiner Sammlung finden sich in- 現，第部分中國書畫將在本年拍中 Provenance: Provenance: porcelain and Vietnamese ceramics, folgedessen ungewöhnliche Stücke chi- 拍賣。 -Estate Andreas Holter. -Estate Andreas Holter. including those collected in Japan. In nesischen Porzellans und vietnamesischer € 800 – 1.000 | $ 896 – 1.120 € 500 – 700 | $ 560 – 784 addition, there are some tea bowls and Keramik, unter anderem auch solche die other ceramics made in Japan in relation in Japan gesammelt wurden. Dazu einige to Chinese and other foreign traditions. Teeschalen und andere Keramiken, die in Holter worked as an expert for various Japan in Bezug auf chinesische und an- museums and published for example dere fremdländische Traditionen entstan- the Chinese porcelain in the Altenburg den waren. Holter war für verschiedene Castle of the Porcelain Collection Museen als Experte tätig und publizierte Bernhard August von Lindenaus and the beispielsweise das chinesische Porzellan Sybillenkabinett. im Altenburger Schloss der Porzellansam- mlung Bernhard August von Lindenaus und des Sybillenkabinetts.

2351 2352 2353 LONG NECKED VASE AND THREE FOUR BOWLS AND FOUR EWERS. FOUR SAUCER. JARS WITH LUG EAR HANDLES. VIER SCHALEN UND VIER GEFÄßE. VIER KLEINE TELLER. LANGHALSVASE UND DREI GEFÄßE China. Song dynasty (960-1279) and later. China. MIT OHRENHENKELN. China. Late Tang dynasty and later. Stoneware with creme colored and Stoneware and porcelain with beige greenish glaze. Decorated differently. colored and white glaze. Ø 10.7- Stoneware with teadust glaze Ewer H.12.5-17,2cm. bowls H.5.6-7.5cm, 13.8cm. Condition B. Hairline cracks. and iron and black brown glaze. Ø 17.2-18.7cm. Water ewer H.6.4cm, Supplement: Lower part of box for seal H.24.7/20/12.3/12cm. Condition B. Long Ø 11.4cm. Condition B. One bowl repaired paste. Porcelain, glazed. Ø 11cm. Old necked vase repaired at the lip. at the lip. paper label: Vermeer & Griggs Collection. Provenance: Provenance: Condition A/B. -Estate Andreas Holter. -Estate Andreas Holter. Provenance: € 300 – 500 | $ 336 – 560 € 200 – 400 | $ 224 – 448 -Estate Andreas Holter. € 150 – 300 | $ 168 – 336 2354 2355 2356 2360 2361 2362 WINE EWER AND TWO SMALL EWER. MAKE UP BOX WITH LOTUS PLANTS CENSER ON THREE LION FEET. FIVE BOWLS. FIVE BOWLS. FOUR LOBED VASE WITH LOTUS WEINKANNE UND ZWEI KÄNNCHEN. AND SAUCER WITH TWO FISH. WEIHRAUCHBRENNER AUF FÜNF SCHALEN. FÜNF SCHALEN. FLOWERS AND SCROLLS: China. In the style of the Song dynasty. SCHMINKDOSE MIT LOTOSPFLANZEN LÖWENFÜßEN. China. China. Ming dynasty and later. VIERPASSIGE VASE MIT UND TELLERCHEN MIT ZWEI FISCHEN. China. Yuan/Ming dynasty or later. LOTOSBLÜTEN- UND RANKEN. Porcelain with blueish white, crazed China. Prob. Song dynasty. Stoneware with blueish and olive green Stoneware with crème colored and light China. Ming dynasty (1368-1644). qingbai glaze. H.22/8.5/6.8cm. Light grey porcelain, partly changed to celadon glaze. Partly with engraved green glaze in the type of yingqing, Condition A/B. Porcelain with qingbai glaze. Box H.4cm, iron red, with a blueish green, crazed design and lotus pattern. H.3.8-8cm. partly crazed. H.5-6.8cm, Ø 15.6-18.7cm. Porcelain painted in underglaze blue. Provenance: Ø 10.2cm. Saucer Ø 10.6cm. Condition B. celadon glaze, omitting the well and the Ø 16.2-17.8cm. Condition A/B. Condition A/B. H.ca.12cm. Underneath four character -Estate Andreas Holter. Cracks at the lid. Tiny chips. bottom. The wall with a deeply cut relief Firing damage. mark: Xuande nian zao. Condition B/C. € 400 – 700 | $ 448 – 784 Supplement: Storage box. peony scroll with large flowers, framed Provenance: Provenance: Firing crack. Restored at the lip. Provenance: by a smaller scroll with stylized flowers. -Estate Andreas Holter. -Estate Andreas Holter. Provenance: -Estate Andreas Holter. H.12cm, Ø 32.4cm. Condition B/C. At the € 300 – 400 | $ 336 – 448 € 250 – 400 | $ 280 – 448 -Estate Andreas Holter. € 300 – 500 | $ 336 – 560 foot kiln adherences chopped. Japanese € 800 – 1.200 | $ 896 – 1.344 gold lacquer repair at the lip. Provenance: Estate Andreas Holter. Acquired at Klefisch Auktion 28.1.2013. € 600 – 1.200 | $ 672 – 1.344

2357 2358 2359 2363 2364 2365 THREE CELADON PORCELAIN PIECES. LIDDED BOX AND TWO VASES. TWO SMALL TWIN FISH SAUCERS GOURD VASE WITH METAL SMALL JAR AND THREE SAUCERS. NINE SMALL PORCELAIN PIECES. DREI STÜCKE SELADON-PORZELLAN. DECKELDOSE UND ZWEI VASEN. AND FOUR CELADON BOWLS. MOUNTING AND SMALL JAR. KLEINER TOPF UND DREI TELLERCHEN. NEUN BLAUWEIßE PORZELLANE. China. China. Ming dynasty (1368-1644) or later. ZWEI KLEINE TWIN FISH-TELLER KALEBASSENVASE MIT METALL- China. Ming dynasty. 16th/early 17th c. China. 17th c. UND VIER SELADON-SCHALEN. MONTIERUNG UND KLEINER TOPF. Porcelain with matte celadon glaze, resp. Stoneware with light green and brown China. Song dynasty (960-1279) resp. China. Transitional. Ca. 17th c. Porcelain painted in underglaze blue Porcelain painted in underglaze blue. grazed glaze, recalling guan. celadon glaze. Box with egret pair later. with mythical animals and fruits. Two tea pots, five wine cups, small vase a) Kendi with engraved peony flowers. H.6cm, Ø ca. 13cm. Vase H.23.7cm, vase Porcelain. Blue and white. Decorated H.12cm/Ø 13cm. Saucer Ø max. 15cm. and cup with six character mark: Da H.14.5cm. b) Large and heavy plate with H.15.5cm. Condition A/B. Porcelain with olive green, crazed celadon with dragons and fruits. H.20/13cm. Condition B/C. Cracks, chips and repaired. Ming Chenghua nian zhi. H.4.2-12,2cm. fish in bas-relief. Ø 33.4cm. c) Flat dish Provenance: resp. brown glaze. Twin fisch saucer Condition B. Provenance: Underneath paper label from Christie’s. in chrysanthemum shape. Ø 17.5cm. -Estate Andreas Holter. Ø 12.5cm. Bowls H.4-5.5cm, Ø 11- Provenance: -Estate Andreas Holter. Condition A/B. Condition A/B. -Underneath the vase paper label of the 14.3cm. Censer H.6.2cm, Ø 11.2cm. -Estate Andreas Holter. € 300 – 600 | $ 336 – 672 Provenance: Provenance: collection Alfred Schoenlicht (?-1955). Condition B. Brown saucer restored € 500 – 700 | $ 560 – 784 -Estate Andreas Holter. -Estate Andreas Holter. € 300 – 500 | $ 336 – 560 at the rim. -Hatcher Collection. Christie’s Auction, € 500 – 800 | $ 560 – 896 Provenance: March/June 1984. -Estate Andreas Holter. € 300 – 400 | $ 336 – 448 € 500 – 700 | $ 560 – 784 Collection Andreas Holter 2366 2367 2368 2372 2373 2374 FOUR PORCELAIN PIECES FOUR BLUE AND WHITE TWO LOBED VASES AND THREE LIDED TEN DISHES WITH FLOWERS FIVE PORCELAIN PIECES WITH TWO DISHES AND BOWL WITH LOTUS. VIER PORZELLANE. KRAAK DISHES. VASES WITH SHELL ADHERENCE. AND LANDSCAPE. LANDSCAPES AND SCHOLARS. ZWEI TIEFE TELLER UND SCHALE MIT China. 17th/18th c. VIER BLAUWEIßE KRAAK TELLER. ZWEI MEHRPASSIGE VASEN ZEHN TELLER MIT BLUMEN FÜNF PORZELLANE MIT LOTOS. China. Ming dynasty (1368-1644). 17th c. UND DREI DECKELVASEN MIT UND LANDSCHAFT. LANDSCHAFTEN UND GELEHRTEN. China. Qing dynasty. 18th/19th c. Underglaze blue. Ewer H.11.5cm. Square MUSCHELABLAGERUNGEN. China. Qing dynasty. 18th c. China. 18th-20th c. vase H.8.7cm. Pair of boys H.8cm. Porcelain, underglaze blue. China. Qing dynasty (1644-1911). Porcelain underglaze blue. Ø 34cm. Small Condition A/B. Ø 21.5/28.7/32.3cm. One plate Porcelain in underglaze blue and with Porcelain with underglaze blue. Dish, plate. Ø 22cm. Engraved Johanneum Provenance: underneath a paper label: S. Marchant & Porcelain painted underglaze blue with brown glaze. Ø 21.2-27.3cm. Some with 30x22.5cm. Underneath an old label. No. N:48 z. Label: Peter Brandt-Jensen, -Estate Andreas Holter. Son. London. Condition B. Cracks. Small garden landscapes. H.20.3-33.5cm. mark. Condition B/C. Hairline crack. Schloß Nimritz, Schleser Kunst & Copenhagen. Bowl with similar € 300 – 400 | $ 336 – 448 restoration at the rim. Supplement: Two Two vases with leaf marks underneath. Repaired at the rim. Antiquitäten. Brushwasher on three feet, decoration. H.7.2cm, Ø 14.8cm. Condition lobed dishes with flower vase. China. Condition B. Provenance: H.7.2cm, Ø 20cm. Sauce boat, H.6.7cm, B. Minute chips at the rim and footring. 18th c. Ø 19,6cm. Condition A/B. Provenance: -Estate Andreas Holter. L.18.5cm. Label Xi’An Antiquitätenladen. Provenance: Provenance: -Estate Andreas Holter. € 500 – 700 | $ 560 – 784 Tea caddy and brush pot, H.13.5/11.8cm. -Estate Andreas Holter. -Estate Andreas Holter. € 300 – 400 | $ 336 – 448 Condition B. Chips. € 700 – 900 | $ 784 – 1.008 € 1.000 – 1.500 | $ 1.120 – 1.680 Provenance: -Estate Andreas Holter. € 400 – 600 | $ 448 – 672

2369 2370 2371 2375 2376 2377 THREE BLUE AND WHITE VASES. LARGE EWER WITH POMEGRANATE; LARGE GU SHAPED VASE FOUR BOWLS AND DISHES: EIGHT SCHOLAR OBJECTS. DISH WITH BUDDHAS HAND CITRON DREI BLAUWEIßE VASEN. VASE WITH SCHOLAR AND JAR WITH WITH RIVER LANDSCAPE. VIER SCHALEN UND TELLER. ACHT GELEHRTENOBJEKTE. AND ELEVEN MORE PORCELAINS. China. DRAGON. GROßE GU-FÖRMIGE VASE China. China. Qing dynasty (1644-1911). TIEFER TELLER MIT BUDDHASHAND- GROßE HENKELKANNE MIT MIT FLUSSLANDSCHAFT. ZITRONEN UND ELF WEITERE Porcelain painted underglaze blue. Tong GRANATAPFEL, VASE MIT GELEHRTEN China. Qing dynasty (1644-1911). Porcelain in underglaze blue resp. copper Porcelain, partly openwork, painted in PORZELLANE. ping vase H.19.8cm. Pharmacist bottle UND TOPF MIT DRACHEN. red. a) Large bowl with landscape. underglaze blue, iron red, green, black. China/Vietnam. 18th c. resp. 19th c. H.17.8cm. Small vase with lotus and China. In Ming style. Porcelain painted in underglaze blue in H.9.5cm, Ø 22cm. Six part Xuande mark, Blanc-de-Chine. H.max. 6.3cm. Square in Kangxi style. ducks. Mark: Baozhu liji. H.12.8cm. different shades. H.40.8cm. Underneath but later. b) Footed bowl with peony and bowl 17.3x11cm. Condition B/C. Chips, Condition B. Chipped. Repaired. Porcelain painted underglaze blue. a six part Kangxi mark in double ring. poem. H.10.2cm, Ø 20.3cm. Old label: hairline cracks, restored. Porcelain painted in underglaze blue, Supplement: Part of a sweet meat H.29.5cm/21.5cm/15.2cm. Underneath Condition B. Tiny chips. Restored at the Lysberg, Hansen & Therp. c) Dish with Provenance: partly Blue de Hue. H.4.8cm, Ø 22.5cm. dish. China. Blue and white porcelain. the ewer a six character Xuande mark, but lip. ﬂowers. Ø 19.5cm. Brocade mark. d) -Estate Andreas Holter. Cup H.max.5.2cm. Underneath diverse Eight character mark Kangxi, but later. later. Condition B. Firing crack underneath Provenance: Dish with dragon over the rim. Ø 20cm. € 200 – 300 | $ 224 – 336 marks. Condition B. Chipped, repaired. Condition A/B. the jar. Hairline crack on the vase. -Estate Andreas Holter. Condition B. Material impurities. Provenance: Provenance: Estate Andreas Holter. Provenance: € 600 – 900 | $ 672 – 1.008 Provenance: -Estate Andreas Holter. € 200 – 400 | $ 224 – 448 -Estate Andreas Holter. -Estate Andreas Holter. € 300 – 500 | $ 336 – 560 € 500 – 700 | $ 560 – 784 € 300 – 500 | $ 336 – 560 Collection Andreas Holter 2378 2379 2380 2384 2385 2386 FIVE DISHES, TWO BOWLS ELEVEN SMALL VAES AND LIDED JARS. DISH WITH PLUM AND SMALL THREE BOWLS WITH PEONIES, TEN DISHES EXPORT PORCELAIN. LARGE AND SMALL DISH WITH AND ONE VASE. ELF KLEINE VASEN UND PHOENIX TAIL VASE WITH LOTUS AND LADIES. ZEHN TELLER EXPORTPORZELLAN. FLOWERS, CHINESE CABBAGE AND FÜNF TELLER, ZWEI SCHALEN DECKELGEFÄßE. LANDSCAPE. DREI SCHALEN MIT PÄONIEN, China. Qing dynasty. 18th/19th c. GOATS. UND EINE VASE. China/Vietnam. In Ming resp. Swatow TELLER MIT PFLAUMEN UND LOTOS UND DAMEN. GROßER UND KLEINER TELLER MIT China/Vietnam. In Ming style. style. KLEINE PHÖNIXSCHWEIF-VASE MIT China. Qing dynasty. 18th/19th c. Porcelain painted in famille rose, BLUMEN, CHINAKOHL UND ZIEGEN. LANDSCHAFT. underglaze blue, iron red, brown, Grisaille China. Qing dynasty. 18th c. Porcelain painted underglaze blue. Porcelain painted in underglaze blue resp. China. Qing dynasty. 18th c. resp. later. Porcelain. a) Large bowl. Ø 34.2cm. and gold. Ø 20.4-23.6cm. Condition B. Yuhuchun vase H.30,5cm. Bowls H.6- copper red. H.3.5-13cm. Condition B. Underneath a diamond mark (fangsheng). At the rim chips and restored. Export porcelain painted in famille rose 7cm, Ø 15-17cm. Dishes Ø 17-23cm. Provenance: Porcelain with powder blue glaze and b) Bowl. Café au lait glaze. Ø 27.2cm. Provenance: and gold. Ø 38.5/23cm. Condition B. Condition B. Rubbed. Minute chips. One -Estate Andreas Holter. decorated in gold. Dish Ø 27.5cm. d) Dish with two ladies in the garden. -Estate Andreas Holter. At the dish rim small chips. dish rim repaired. € 150 – 250 | $ 168 – 280 Underneath knot mark in double ring. Underneath a double ring. Condition B. € 600 – 1.000 | $ 672 – 1.120 Provenance: Provenance: Vase H.19,8cm. Condition B. Gold Chips at the lip rim. -Estate Andreas Holter. -Estate Andreas Holter. painting rubbed and partly overpainted. Provenance: € 400 – 600 | $ 448 – 672 € 300 – 500 | $ 336 – 560 Chips at lip of the vase. -Estate Andreas Holter. Provenance: € 1.000 – 1.500 | $ 1.120 – 1.680 -Estate Andreas Holter. € 500 – 800 | $ 560 – 896

2381 2382 2383 2387 2388 2389 FOUR VESSELS GLAZED FIVE MONOCHROME FIVE CERAMIC PIECES. FIFTEEN PORCELAIN PIECES. SEVENTEEN IMARI PORCELAIN PIECES. SIX IMARI DISHES WITH FLOWERS. MONOCHROME BLUE. PORCELAIN PIECES. FÜNF KERAMIKTEILE. FÜNFZEHN PORZELLANTEILE. SIEBZEHN IMARI-PORZELLANE. SECHS IMARI-TELLER MIT BLUMEN. VIER MONOCHROM BLAUE GEFÄßE. FÜNF MONOCHROME PORZELLANE. China/Vietnam. China. Qing dynasty. 18th c. China. Qing dynasty. 18th/19th c. China. 18th/19th c. China. Qing dynasty. China. 18th/19th c. Stoneware with black, crème colored, Porcelain, painted in famille rose, gold, Porcelain painted underglaze blue and Porcelain painted cobalt blue and in Porcelain with sacrificial blue glaze. a) Small yuhuchun vase and wide bowl, brown, turquoise colored and green glaze. Grisaille, Café-au-lait and underglaze in enamel with iron red, green and gold. enamel with iron red, green and gold. Small pot, H.9.1cm. Firing crack in the glazed in copper resp. raspberry red. H.4-17.5cm, Ø 13.6cm. Condition B/C. blue. Various floral and figural decoration. Teapot with bronze lid, cadogan, large Ø max. 23.5cm. Condition C. Cracks. wall and at the lip repaired. b/c) Two long H.14.3/6.7cm, Ø 14.7cm. Small vase Chipped. Teapot with lid, H.16.5cm. Four cups mug with silver rim, milk jug, water jar, Chips. Restored. necked vases, H.ca.14.7cm. One repaired with apple green, finely crazed glaze. Provenance: with saucer and one seperate saucer, tea caddy with metal lid, five cups with Provenance: at the lip, the other one with Chenghua H.11.7cm. Ink vessel in fan shape, glazed -Estate Andreas Holter. H.4-4.5cm, Ø ca.12cm. Small vase, saucer, seperate saucer. H.4-12.8cm. -Estate Andreas Holter. mark, but later. d) Water vessel, H.6.6cm, dark brown. 9x4.5cm. Meiping vase, € 150 – 200 | $ 168 – 224 H.10cm. Three more cups and a lid. Saucer Ø 10.8-11.8cm. Condition B/C. € 300 – 600 | $ 336 – 672 Ø 13.8cm. Inside four signs of good glazed black. H. 9cm.Condition A/B Some with mark. Condition B. Hairline Hairline cracks and Chips. fortune. Condition B/C. Provenance: cracks. Chips. Restored. Provenance: Provenance: -Estate Andreas Holter. Provenance: -Estate Andreas Holter. -Estate Andreas Holter. € 500 – 700 | $ 560 – 784 -Estate Andreas Holter. € 500 – 700 | $ 560 – 784 € 500 – 700 | $ 560 – 784 € 400 – 700 | $ 448 – 784 2390 2391 2392 2396 2397 2398 GU VASE AND TWO SMALLER VASES. LARGE BOWL WITH LOCUST AND SIX THREE VASES AND ONE LANTERN. LOTUSBOWL AND CENSER. LID AND SAUCER FOR TEABOWL. SEVEN JADES. GU-VASE UND ZWEI KLEINE VASEN. DISHES WITH DRAGONS, FLOWERS DREI VASEN UND EINE LATERNE. LOTOSSCHALE UND DECKEL UND UNTERSETZER FÜR SIEBEN JADEN FÜR RUYI UND China. Qing dynasty (1644-1911). AND FRUITS. China. 20th c. WEIHRAUCHBRENNER. TEESCHALE. ALS SCHMUCK. China. Republic period (1912-1949) China. Qing dynasty. Prob. 18th c. Sino Tibetan. Qing dynasty (1644-1911). China. 18th-20th c. Porcelain painted in wucai. a) Vase in resp. later. Porcelain, painted underglaze blue and in transitional style H.25.4cm. b) Vase with enamel. a) Bulbous vase with gold fishes Copper bronze with cloisonné and partly Copper, Repoussé, enamel and residue Jades in different colors. Rectangular flowers H.17cm. Repaired underneath and Porcelain painted unterglaze blue and H.48.5cm. Six part Jiaqing mark. b) Purple gilt. Lotusbowl H.8.3cm, Ø 15.5cm. of gilding. Ø 10.5cm. Condition B. dragon plate in openwork and with at the lip. Wooden base and lid. c) Vase with enamel. Bowl H.7.4cm/Ø 16,6cm. vase H.35.2cm. Six part Qianlong mark. Censer H.9.5cm, Ø 12cm. Underneath the Supplement: Bowl and two saucer. openwork carved wood frame, complete with peonies H.8.7cm. Wooden base. dishes 9.3-23.5cm. Bowl with Guangxu c) Small rouleau vase H.20cm. Four part censer engraved a sign: Dao. Condition Cloisonné. China. Censer. Bronze with size 8.6x12.4cm. Ruyi scepter plate, Condition B. mark. Dish glazed yellow, dragon dish Kangxi mark. d) Hexagonal lantern in A/B. Supplement: Belt clasp. Cloisonné. enamel Champleveé. Japan. Condition 10.2x7.2cm. Two butterflies, each Provenance: and saucer from egg shell porcelain with openwork, H.30cm, base later. Condition China. 6.5 x 4.3cm. Condition A/B. A/B. w.7.8cm. Ruyi pendant, 4x5cm. Dragon -Estate Andreas Holter. Qianlong mark, but later. Condition B. B/C. Butterfly vase: Hairline crack in the Provenance: Provenance: pendant, gold mounting, 2.7x3.2cm. € 500 – 700 | $ 560 – 784 Hairline crack in the wall of the bowl. wall, repaired at the lip. -Estate Andreas Holter. -Estate Andreas Holter. Bi disc Ø 3.5cm. Condition A/B. Provenance: Provenance: € 800 – 1.200 | $ 896 – 1.344 € 600 – 900 | $ 672 – 1.008 Supplement: Four objects from agate. -Estate Andreas Holter. -Estate Andreas Holter. Ca. Ø 3cm. China. € 300 – 500 | $ 336 – 560 € 600 – 900 | $ 672 – 1.008 Provenance: Estate Andreas Holter. € 500 – 900 | $ 560 – 1.008

2393 2394 2395 2399 2400 2401 SIX VASES WITH LILING MARK. FOUR SMALLER BRONZE. GU VASE, CENSER AND FIVE FIGURES FROM JADE AND COVERED VASE, SEAL, INK STONE 24 RINGS USED AS EAR OR HAIR SECHS VASEN MIT LILING-MARKE. VIER KLEINE BRONZEN. THREE TEA CUPS. TWO THUMB RINGS. AND SMALL CUP. ORNAMENT AND A SMALL FIGURE. China. People’s Republic of China China. Qing dynasty. 18th/19th c. GU-VASE, WEIHRAUCHBRENNER FÜNF FIGÜRLICHE JADEN UND DECKELVASE, SIEGEL, 24 RINGE ALS OHR- ODER (since 1949). UND DREI TEEBECHER. ZWEI DAUMENRINGE. TUSCHEREIBSTEIN UND BECHERCHEN. HAARSCHMUCK UND EINE KLEINE Bronze with dark patina. Duck as censer. China. Late Qing dynasty. 18th/19th c. China. Qing dynasty. China. Qing-Dynastie. 18th/19th c. FIGUR. Porcelain painted in underglaze wucai. H.19.5cm. Rhyton with rams head. South China or North Vietnam. Dong Son Vase with gold fish H.8,5cm. Long necked L.14cm. Lying lady as Budai. L.7.5cm. Pair Copper, partly gilt and with cloisonné. Green jade with brownish inclusions, Vase (quarz) H.10.5cm, seal (quarz) culture. vases with flowers, fruits and cicada masks with rings for appliqué on vase. H.34/10/5.5cm. Condition A/B. some from Hetian jade. One thumb H.2.7cm, ink stone (marble) 9.5x6.5cm, H.20.5-25.5cm. Mark underneath: Liling L.4.3cm. Condition A/B. Provenance: ring from agate. Two Mandarin ducks cup (stone) H.3.5cm. H.8.3cm. Condition Jade of different color. One ring from blue Qunli. Condition A/B. Provenance: -Estate Andreas Holter. L.13/9.5cm, two ducks with ruyi A/B. Supplement: Three pendants. Silk. glass. 21 penannlulare rings with slit in jue Provenance: -Estate Andreas Holter. € 800 – 1.200 | $ 896 – 1.344 L.5.5/3.7cm, dragon pendant L.5.5cm. China. 19th c. L.ca.15cm. Condition B. shape. Three thicker slit rings in lingling-o -Estate Andreas Holter. € 500 – 900 | $ 560 – 1.008 Condition A/B. Provenance: shape with arrow heads. Rings Ø 1.8 - € 200 – 300 | $ 224 – 336 Provenance: -Estate Andreas Holter. 8.5cm, figure H.5.5cm. Condition A/B. -Estate Andreas Holter. € 300 – 500 | $ 336 – 560 Provenance: € 700 – 1.200 | $ 784 – 1.344 -Estate Andreas Holter. € 400 – 900 | $ 448 – 1.008 Collection Andreas Holter 2402 2403 2404 2408 2409 2410 RARE SMALL TRAY FOR TEA OR FOUR COVERED BOXES AND DOKUMENT BOX AND TWO CHAWAN IN VIETNAMESE STYLE. CHAWAN IN VIETNAMESE STYLE GOSHOMARU CHAWAN INCENCE WITH LOTOS SCROLLS A SNUFFBOTTLE. TWO BITONG BRUSH HOLDER. ZWEI CHAWAN IM VIETNAMESISCHEN AND CHAWAN WITH LEAFY TWIG. WITH AMAMORI. AND PEACHES. VIER DOSEN UND EIN SNUFFBOTTLE. DOKUMENTENKASTEN UND STIL. CHAWAN IM VIETNAMESISCHEN STIL GOSHOMARU CHAWAN MIT SELTENES TEETABLETT MIT China. 19th/20th c. ZWEI PINSELBECHER. Annam (Vietnam)/Japan after Vietnamese UND CHAWAN MIT BLÄTTERZWEIG. AMAMORI-MUSTERUNG. LOTOSRANKEN UND PFIRSICHEN. China. Qing dynasty. 19th c. model. 14th/15th c. In Japan later used as Vietnam and Japan. 16th and 20th c. Korea. 17th c. For the use in Japan. China. Qing dynasty. Porb. 18th c. Red carved lacquer, partly synthetic. teabowl/17th c. Oktogonal box. H.24cm, Ø 29cm. Peach Leather box with gilding. Separate a) Chawan with tendril and lotos flower Porcelain-like, ferrous stoneware, glazed. Wood with red lacquer, finely engraved, shaped box. H.11cm, 16x14.5cm. Flower compartement inside, lock from brass. a) Large tea bowl. Stoneware, cobalt blue. decoration. Vietnam, 16th c., Stoneware, Amamori spots. H. 7.8cm, Ø 10.8cm. engraving rubbed with gold and painted shaped box. H.5.6cm, Ø 14.5cm. Square H.14.5, 51x14cm. Bitong from bamboo. Lacquer repair. H 10.6cm, Ø 12.7cm. b) cobalt blue and iron brown. H. 7.6cm, Wooden box with inscription. Condition with green and red lacquer. H.1.7cm, box. H.4.5cm, 14x9.5cm. Snuffbottle H.12.2/25cm. Condition A/B. Chawan with. Japan. Mino, Ofuke. Edo Ø 13.7cm. Condition B. Glaze at the lip A/B. Supplement:: Lotus vase. Korea. 17.2x12.5cm. Condition B. Smaller repair. H.7.5cm. Condition B. Partly repaired and Provenance: period. 17th-century. Stoneware with and foot brittle. b) Shigaraki stoneware 14th-17th c. Stoneware with celadon Provenance: restored. -Estate Andreas Holter. white glaze. H 7.1cm, Ø 10.8/11.2cm. with ishihaze inclusions. Japan, 20th c. glaze. H.24.5cm. Condition B/C. Neck cut -Estate Andreas Holter. Provenance: € 400 – 600 | $ 448 – 672 Old gold lacquer repairs H.8.5cm, Ø 11.5cm. Condition A/B. and framed with metal. € 600 – 900 | $ 672 – 1.008 -Estate Andreas Holter. Provenance: Provenance: Provenance: € 400 – 800 | $ 448 – 896 -Estate Andreas Holter. -Estate Andreas Holter. -Estate Andreas Holter. -Formerly collection Ulrich Vollmer, -Formerly collection Ulrich Vollmer, -Formerly collection Ulrich Vollmer, acquired locally 1990s. acquired locally 1990s. acquired locally 1990s. € 700 – 1.000 | $ 784 – 1.120 € 500 – 900 | $ 560 – 1.008 € 500 – 700 | $ 560 – 784

2405 2406 2407 2411 2412 2413 SEAL WITH LION AND FIGURE THREE RARE VASES FROM FOUR BOWLS. TWO CHAWAN IN KOREAN STYLE. BLACK SETOGURO CHAWAN AND RARE TEABOWL IN THE SHAPE OF TWO IMMORTALS. NAMBAN CERAMIC. VIER SCHALEN. ZWEI TEESCHALEN IM CHINESE PORCELAIN INCENSE BOX. OF A WESTERN WINE GOBLET. SIEGEL MIT LÖWE UND FIGUR Vietnam/Indonesia. Imported in the Vietnam/Annam. Tran dynasty KOREANISCHEN STIL. SCHWARZE SETOGURO CHAWAN SELTENE TEESCHALE IN DER FORM ZWEIER UNSTERBLICHER. Momoyama period by the Portugiese (1225-1400). Japan or Korea the Japanese market. UND WEIHRAUCHKÄSTCHEN AUS EINES WESTLICHEN WEINKELCHS. China. Qing dynasty. 19th c. and Dutch for tea adepts in Japan. Edo period. 17th/18th c. or later. PORZELLAN. Japan. Edo period. Ca. 1650. 16th/17th c. Stoneware. Two ﬂuted bowls with green Japan/China. Edo period (1603-1868). Seal from ivory H.5,3cm. Bamboo celadon glaze, two bowls with beige a) Goshomaru chawan. Glazed stoneware. Beg. 17th c. Oribe stoneware, glazed transparent, carving: Li Tieguai and Lan Caihe Stoneware. Large vase with wooden box glaze. H.7-9.5cm, Ø 11-19cm. Condition Pink Amamori spots. Crack with old painted with iron oxid. H 8.7cm, Ø 13.4cm. H.9.5cm. Condition A/B. Supplement: with inscription: Namban Hanaire. Two B. With cracks and some gold lacquer gold lacquer repair. H.7.2cm, Ø 12.2cm. a) Chawan. Seto, Mino. White stoneware Wooden box. Condition A/B. Condition Three carved walnuts. China. 19th c. smaller vases of Namban nawa sudare repairs. Wooden box. b) Ichimonji chawan. with black iron glaze (oni ita). H. 8.3cm, A/B. Supplement: Oribe-mizusashi Condition A/B. yaki (Southern Barbarian ceramic with Provenance: H. 9cm, Ø 13.6cm. Unsigned wooden box. Ø 10.4cm. b) Nanking incense box (kôgô). (19x12cm) and chawan (7x12cm), painted Provenance: rope curtain pattern). H.32.5/17/11cm. -Estate Andreas Holter. Provenance: Porcelain, painted with enamel. Old wood- iron brown. Japan. 20th c. Condition A/B. -Estate Andreas Holter. Condition A/B. € 400 – 900 | $ 448 – 1.008 -Estate Andreas Holter. en box. H. 2.5cm, 4x4cm. Condition A/B. Provenance: € 300 – 500 | $ 336 – 560 | ‡ Provenance: -Formerly collection Ulrich Vollmer, Provenance: -Estate Andreas Holter. -Estate Andreas Holter. acquired in the 1990s in Japan. -Estate Andreas Holter. -Formerly collection Ulrich Vollmer, -Large vase formerly collection Ulrich Vollmer. € 600 – 900 | $ 672 – 1.008 -Formerly collection Ulrich Vollmer, acquired in the 1990s in Japan. Collection Andreas Holter € 800 – 1.200 | $ 896 – 1.344 acquired in the 1990s in Japan. € 800 – 1.100 | $ 896 – 1.232 € 500 – 900 | $ 560 – 1.008 2414 2415 2416 2420 2421 2422 MOKUZUKE IN ORIBE STYLE AND SIX CERAMICS FOR THE MUSEALE HAGI CHAWAN IN HISSEN- TOKKURI, VASE, TWO DISHES, BOWL RARE COFFEE POT, TEA POT AND CUP. TWO SATSUMA VASES, ONE WITH SUMMER CHAWAN WITH BAMBOO. TEA CEREMONY. SHAPE AND FLAT RED RAKU CHAWAN. AND A PAIR OF CUPS WITH SAUCERS. SELTENE KAFFEEKANNE, BAMBOO, THE OTHER WITH GENJ I MOKUZUKE IM ORIBE-STIL UND SOM- SECHS KERAMIKEN FÜR MUSEALE HAGI-CHAWAN IN HISSEN- TOKKURI, VASE, ZWEI TELLER, TEEKÄNNCHEN UND BECHER. MOTIV. MER-TEESCHALE MIT BAMBUSDEKOR. DIE TEEZEREMONIE. FORM UND FLACHE ROTE RAKU- SCHALE UND PAAR KOPPCHEN MIT Japan. Edo period. ZWEI SATSUMA-VASEN, EINE MIT Japan. Mino. Early Edo period. Japan. 19th/20th c. CHAWAN. UNTERTELLERN. BAMBUS, EINE MIT GENJI-MOTIV. 17th/18th c. Japan. Edo period. 17th c. Japan. Edo period. Arita porcelain, partly with relief, Japan. Meiji period (1868-1912). Stoneware, glazed and partly painted. painted in imari colors with gold. a) Mino, Oribe yaki. Stoneware. H.10.1cm, Dish (ishizara) for an oil lamp. Oribe. Seto. a) Teabowl. Hagi stoneware. H. 6.9cm, Arita porcelain, painted in Imari colors H.35.5/11/8.2cm. Condition B/C. Satsuma stoneware, painted ﬁnely with Ø 8,2cm. Wooden box. b) Tea bowl. Ø 22cm. Bowl with handle for sweets. Ø 12.4cm. b) Unusual summer. Japan. with gold. Bell shaped tokkuri H.17cm, Supplement: Tea pot with gilt silver enamel and gold. H.31/29cm. Bamboo Stoneware. Seto. 18th c. H. 6cm, Ø 15cm. Karatsu. H.11cm, Ø 16cm. The small 20th. c. Red raku. H.5.3cm, Ø 16cm. Con- vase H.18cm, dishes Ø 21/23cm, bowl mounting. Wooden box for cup, vase with unread signature underneath. Provenance: dishes with acorn leafs. Ø 12cm. Small dition A/B. Supplement: Box for incense. Ø 16.5cm. Condition B. Enclosed: Large inscripted. Coffee pot: Two feet broken Condition A/B. -Estate Andreas Holter. bowl for cooling down water for Sencha. Red black guri lacquer. H.8, Ø 6,5cm. plate. Kutani porcelain, painted in gold and repaired. Provenance: -Mokuzuke formerly Ulrich Vollmer Mishima. L.10.5cm. Condition A/B. Japan. 19th/20th c. Condition B. Repaired. and red. Japan. Ø 33.5cm. Condition C. Provenance: -Estate Andreas Holter. collection, acquired in Japan in the 1990s. Provenance: Provenance: Partly chipped. -Estate Andreas Holter. € 400 – 800 | $ 448 – 896 -Tea bowl acquired in an art gallery, -Estate Andreas Holter. -Estate Andreas Holter. Provenance: € 400 – 600 | $ 448 – 672 formerly from an old German private -Formerly from different private -Formerly Ulrich Vollmer collection. -Estate Andreas Holter. collection. collections. -From the possession of a Daimyô family. € 600 – 900 | $ 672 – 1.008 € 500 – 900 | $ 560 – 1.008 € 250 – 500 | $ 280 – 560 € 800 – 1.200 | $ 896 – 1.344

2417 2418 2419 2423 2424 2425 PHARMACIST BOTTLE, JAR WITH DISH WITH MOUNTAIN LANDSCAPE FOUR DISHES WITH FLOWERS. LARGE SQUARE TRAY WITH TWELVE VASES, KENDI AND SMALL FIGURE OF THE DRAIN AND TWO DISHES. AND CRANES. VIER TELLER MIT LANDSCAPE UNDER MOONLIGHT. COVERED BOXES. FOUR ARMED VISHNU. APOTHEKERFLASCHE, GEFÄß MIT TELLER MIT GEBIRGSLANDSCHAFT BLÜTENDEKORATION. GROßES QUADRATISCHES TABLETT ZWÖLF VASEN, KENDI UND KLEINE FIGUR DES AUSGUSS UND ZWEI TELLER. UND KRANICHEN. Japan. Edo/Meiji period. MIT LANDSCHAFT IM MONDLICHT. DECKELDOSEN. VIERARMIGEN VISHNU. Japan. 17th-18th c. Japan. 18th/19th c. Japan. 1. H. 20. Jh. Thailand. Sukhothai period (1238-1438) Khmer. Angkor period. Ca. 12th/13th c. Arita porcelain, painted in Imari and or Ayutthaya period (1350-1767). 13th- Arita porcelain painted underglaze Kutani porcelain painted with enamel gold. Ø 17.5-55cm. Condition B. Large Porcelain, painted in Grisaille und light 16th c. Bronze with green patina. H.8.3cm. blue. Drain from bronze. H.28,5/27cm, and gold. Ø 22cm. Underneath a fuku dish with crack and gold lacquer repair blue enamel. 37x37cm. Sign.: Hyakutazô. On a black base. Condition A/B. dishes Ø 29.5/25.5cm. Condition A/B. mark. Condition A/B. Supplement: (kintsugi), fan shaped dish chipped. Condition A/B. Supplement: A pair of Sawankhalok stoneware. Two vases. Provenance: Supplement: Two more dishes. Porcelain, Small hexagonal dish with reishi mark. Provenance: bowls. Porcelain with enamel. Ø 12.8cm. H.15/12cm. Kendi. H.9.5cm. Three pots. -Estate Andreas Holter. painted unterglaze blue. Ø 20cm. Japan. Ø 11.6cm. Globular vase H.6cm. Ao de -Estate Andreas Holter. Paperweight. Porcelain with enamel and Glazed green. H.9.5/6.5cm. Three covered € 600 – 800 | $ 672 – 896 Condition B. Kutani porcelain painted with enamel. € 500 – 700 | $ 560 – 784 gold. Ø 10cm. Six lotus bowls. Japan. 1. h. boxes. H.8/5.6/5cm. Kendi. H.7.8cm. Provenance: Japan. Condition A/B. 20th c. Condition B. Small handle pot. H.5,5cm. Lotus bowl -Estate Andreas Holter. Provenance: Provenance: H.8.3cm, Ø 15.5cm. Censer H.9.5cm, € 800 – 1.200 | $ 896 – 1.344 -Estate Andreas Holter. -Estate Andreas Holter. Ø 12cm. Underneath the censer engraved € 150 – 300 | $ 168 – 336 € 250 – 500 | $ 280 – 560 the character dao. Condition A/B. Collection Andreas Holter Provenance: Estate Andreas Holter. € 600 – 1.000 | $ 672 – 1.120 Asian Art Part II

2427 2428 2429 2430 A RARE SET OF SIX PANELS GUARDING DOG. SMALL EWER AND TWO TEA BOWLS. TWO VASES WITH DARK RED GLAZE. WITH JATAKA. WACHENDER HUND. KLEINE KANNE UND ZWEI TEESCHALEN. ZWEI VASEN MIT DUNKELROTER GLASUR. EIN SELTENES ENSEMBLE VON SECHS China. Han dynasty (206 B.C.-220 A.C.). China. China. 18th/20th c. PANELEN MIT JATAKA SZENEN. Burma/Myanmar. 19th/early 20th c. Iron red ceramic with green lead glaze. Ewer: Porcelain glazed qingbai. H.14.8cm. Stoneware/porcelain. Yuhuchun ping, In position of attention with his mouth Larger bowl: Stoneware with thick, black oxblood-glaze (lang yao hong). Guanyin Wood, carved and painted with pigments. opend with visible tounge and teeth. brown and creme colored glaze. H.7cm, ping, ﬂambé glaze (yao bian), Qingdezhen Size each ca. h. 62cm, w. 52cm. Mounted h. 30.5cm, l. 27cm. On a custom-made Ø 13.2cm. Chips at the lip. Smaller bowl: mark (20th c.). a) h. 22cm. b) h. 16.5cm. on a metal base. Condition A/B. base. Condition B/C. Back feet partly Stoneware junyao type. H.4.2cm, Condition A/B. Supplement: Guanyin Provenance: missing. Rubbed. Repaired. € 600 – 700 | $ 672 – 784 vase. Stoneware, ﬂambé. China. 19th c. -Private Collection Belgium, since 1990s. € 1.000 – 1.200 | $ 1.120 – 1.344 H.17cm. Condition B/C. € 900 – 1.200 | $ 1.008 – 1.344 | * Provenance: Private collection Northern Germany, since 1850s. € 500 – 700 | $ 560 – 784

2431 2432 2433 SMALL MEIPING VASE. VASE IN YUHUCHUNPING SHAPE. SMALL WATER POT GLAZED YELLOW. KLEINE MEIPING-VASE. YUHUCHUN-VASE. KLEINES GELB GLASIERTES China. China. WASSERGEFÄß. China. Porcelain glazed monochrome in raspberry Porcelain with oxblood red ﬂambé glaze. red. H.15cm. Underneath in underglaze Underneath glazed transparent. H.32cm. Porcelain, ﬁnely grazed monochrome blue in a double ring a six part Yongzheng Underneath a six part Yongzheng mark, citron yellow glaze. H.5.8cm, Ø 8.5cm. mark, but later. Condition A/B. but later. Condition A/B. Underneath in underglaze blue six part Provenance: € 600 – 800 | $ 672 – 896 apocryph Kangxi mark in double ring. -Private collection Netherlands. Condition A/B. € 2.000 – 2.500 | $ 2.240 – 2.800 Provenance: -Private collection Netherlands. € 2.800 – 3.200 | $ 3.136 – 3.584

Asian Art Part II 2434 2435 2436 2440 2441 2442 LARGE ZUN SHAPED VASE EGG SHAPED VASE WITH DRAGON. SITTING BUDDHA SHAKYAMUNI TWO CYLINDRICAL BRUSH HOLDER. MOON FLASHK WITH FLOWER SHAPED DISH WITH WITH HANDLES. EIFÖRMIGE VASE MIT DRACHEN. ON LOTOS THRONE. ZWEI ZYLINDRISCHE PINSELBECHER. BUDDHIST LOTUS. PERSONAGE IN GARDEN LANDSCAPE. GROßE ZUN-FÖRMIGE VASE China. SITZENDER BUDDHA SHAKYAMUNI China. Late Qing dynasty. 19th c. MONDFLASCHE MIT LOTOS. BLÜTENFÖRMIGER TELLER MIT PERSO- MIT HENKELN. AUF LOTUSTHRON. China. NEN IN EINER GARTENLANDSCHAFT. China. Prob. 19th c. Porcelain, glazed in Clair-de-lune. China. Dehua. Porcelain, painted underglaze blue. China. Qing dynasty. Kangxi period H.17.5cm. Underneath six part Yong- H.11/12cm, Ø 7.5cm. Underneath each Porcelain painted underglaze blue. (1661-1722). Porcelain, glazed monochrom dark blue. zheng mark in underglaze blue, but later. Blanc-de-Chine porcelain. H.ca. 29cm. On a red export seal. Condition B. Hairline H.ca.34cm. Underneath a six part Underneath unglazed. H.ca.38cm. Condi- Condition A/B. the back: He Chaozong mark and double cracks at the bottom of the smaller one. Qianlong mark, but later. Condition A/B. Porcelain, ﬁnely painted in famille verte. tion A/B. Light scratches at the body. € 1.200 – 1.500 | $ 1.344 – 1.680 gourd mark Dehua. Woden base. Condi- Provenance: € 800 – 1.200 | $ 896 – 1.344 Ø 21cm. Condition B. Hairline cracks and € 1.500 – 1.800 | $ 1.680 – 2.016 tion B. One lotus leaf repaired. Tiny chips. -German private collection since 1985. chips. € 900 – 1.200 | $ 1.008 – 1.344 € 300 – 400 | $ 336 – 448 € 500 – 700 | $ 560 – 784

2437 2438 2439 2443 2444 2445 PAIR OF BEAKER VASES AND GOURD VASE WITH LOTUS LARGE DISH WITH CHRYSANTHEMUM LARGE DISH WITH PEONIES AND THREE DISH WITH PEACOCKS. FOUR RARE DISHES WITH A PAIR OF LIDS WITH SHIZI. AND PEONIES. AND THREE CUPS WITH SAUCER. SMALLER DISH WITH LOVERS AND DREI TELLER MIT PFAUEN. ARABIC INSCRIPTION. China. Qing dynasty, Guangxu KÜRBISVASE MIT LOTUS China. Qing dynasty. Kangxi period BOYS PLAYING. China. Qing dynasty. 18th c. VIER SELTENE TELLER MIT (1875-1908). UND PÄONIEN. (1661-1722). 18th c. GROßER TELLER MIT PÄONIEN UND ARABISCHER INSCHRIFT. China. Ming dynasty (1368-1644) or later. KLEINER TELLER MIT LIEBESPAAR UND Porcelain, famille rose. Small Ø 23cm, China for the Arabic market. Qing dynas- Porcelain, painted underglaze blue. Procelain, underglaze blue. Dish SPIELENDEN KNABEN. large Ø 35.5cm. Condition B. Large dish ty. End 19th c. h. 30cm. Underneath one vase a four Porcelain painted underglaze blue. Ø 38.5cm. Cup H.4.5cm, saucer China. Qing dynasty. 18th c. chipped at the lip. Supplement: Large part mark: Guangxu and from the period. Underneath unglazed. H.25.3cm. Ø 13.2cm. Condition B. Dish: Scratches, dish. Porcelain; underglaze blue and gold. Porcelain, painted in famille rose Manda- Condition A. Supplement: Square vase. Condition A/B. minute chip. Saucer hairline crack. Porcelain painted in famille verte resp. China. 18th c. H.4cm, Ø 35.8cm. rin. Ø 21cm. Insciption: Dahr Dine Shah Porcelain, powder blue. China. h. 29cm. € 3.000 – 4.000 | $ 3.360 – 4.480 Provenance: famille rose and gold. Ø 30/20.5cm. Con- Condition B. Sultan Ishak. Underneath paper label of a Provenance: -Private collection North Rhine-West- dition C. Restored. Large dish unglazed Provenance: Christie’s auction. Condition B. One dish -Private collection, acquired in the 1850s. phalia. Acquired 1967, original invoice underneath, chipped at the footring. -Private collection Southern Germany. restored. € 600 – 800 | $ 672 – 896 preserved. € 400 – 500 | $ 448 – 560 € 500 – 800 | $ 560 – 896 € 400 – 700 | $ 448 – 784 € 900 – 1.200 | $ 1.008 – 1.344

Asian Art Part II 2446 2447 2448 2452 2453 2454 VASE, HAT STAND AND TERRINE. SQUARE VASE WITH FLOWERS. LARGE GARLIC VASE WITH VASE PAINTED IN WOOD GRAIN. DOUBLE GOURD VASE WITH POEMS. LONG NECKED VASE WITH TWELVE VASE, HUTSTÄNDER UND TERRINE ECKIGE VASE MIT BLÜTEN. PHOENIX PAIR. HENKELVASE MIT HOLZMASERUNG. DOPPELKÜRBIS-VASE MIT GEDICHTEN. MAGPIES ON FLOWERING PLUMS. China. Ca. 1900. China. Qing dynasty. 18th c. GROßE KNOBLAUCHVASE MIT PHÖ- China. 20th c. China. Republic period. 20th c. LANGHALSVASE MIT ZWÖLF ELSTERN NIXPAAR UNTER WUTONG-BAUM. AUF BLÜHENDEN PFLAUMENZWEIGEN. Porcelain. a) Vase with ﬂambé glaze in Porcelain painted in the colors famille noir. China. In Kangxi style, but 19th c. Porcelain in famille rose with brown red. Porcelain with enamel in iron red and China. 20. Jh. red and yellow. H.28.7cm. b) Hat stand h. 35.5cm. Six part apokryph mark: Da Inside and underneath glazed turquoise. black. Imitating marble. H.19cm. Under- with lotus scrolls in iron red. H.29cm. Ming Jiajing nian zhi (1522-66), but later. Porcelain famille verte. H.38.8cm. Under- H.25.7cm. Underneat mark in iron red: neath mark in iron red: Qianlong nian zhi, Porcelain, painted in famille rose. Six part Tongzhi mark. c) Terrine with Condition B. Typical for this type of vase neath a double ring in underglaze blue. Da Qing qianlong nian zhi, but later. but later. Condition A/B. Hairline cracks at H.36.9cm. Underneath in underglaze birds and ﬂowers. Famille rose and gold. the neck set in. Two chips, one repaired. Condition A/B. Condition A. the footring. blue a six part Guangxu mark, but later. H.15.7cm/25x21.6cm. a+b Each with a Provenance: € 600 – 900 | $ 672 – 1.008 € 800 – 1.000 | $ 896 – 1.120 € 900 – 1.200 | $ 1.008 – 1.344 Condition A/B. red wax seal. Condition A/B. -Private collection Northern Germany, € 2.000 – 2.500 | $ 2.240 – 2.800 € 400 – 500 | $ 448 – 560 acqurired since the 1850s. € 900 – 1.200 | $ 1.008 – 1.344

2449 2450 2451 2455 2456 2457 JAR WITH LADIES AND PLAYING PAIR OF DAGON AND BOWL WITH TWO LARGE CACHEPOT WITH PLATE WITH THE FLOODED PLATE WITH LYING TIGER CHILDREN IN GARDEN LANDSCAPE. PHOENIX BOWLS. DRAGONS AND PEARL. PEONIES AND BUTTERFLIES. JINSHAN TEMPLE FROM THE IN THE MOUNTAINS. TOPF MIT DAMEN UND SPIELENDEN PAAR DRACHEN- UND SCHALE MIT ZWEI DRACHEN. GROßER CACHEPOT MIT PÄONIEN LEGEND OF THE WHITE SNAKE. PLATTE MIT LIEGENDEM TIGER KINDERN IM GARTEN. PHÖNIXSCHALEN. China. UND SCHMETTERLINGEN. PLATTE MIT DEM ÜBERSCHWEMMTEN IM GEBIRGE. China. China. China. 20th c. JINSHAN-TEMPEL AUS DER LEGENDE China. 20th c. Dated according to Porcelain, painted in underglaze copper DER WEIßEN SCHLANGE. insription to 1980. In the style of Bi Porcelain, painted in wucai. Underneath Porcelain, decorated in wucai. H.5.1cm, red in the style of peachbloom glaze. Porcelain, painted in famille rose. Un- China. End of Qing dynasty/Republic. Yuanming (1907-1991). unglazed. H.27cm. Condition A/B. Ø 10.5cm. Underneath a six part Kangxi H.7cm, Ø 14.5cm. Condition B. Inside the derneath and lower inner part unglazed. € 2.000 – 3.000 | $ 2.240 – 3.360 mark in double ring, but later. footring sanded and polished. H.37.5cm, Ø ca. 39.5cm. Condition B. Porcelain, ﬁnely painted in famille rose. Porcelain with enamel. Plate Condition A. € 600 – 900 | $ 672 – 1.008 Bottom with drilled hole. Minimal scratch- D.7mm, 30x21.5cm. Condition A. ca. 25.5x17.5cm, frame 30x22cm. € 2.500 – 3.000 | $ 2.800 – 3.360 ing and glaze spalling. € 600 – 800 | $ 672 – 896 Den.: Bi Yuanming. Wooden frame. Provenance: Condition B. Glaze imperfection. -Private collection Cologne. € 500 – 900 | $ 560 – 1.008 € 1.000 – 1.200 | $ 1.120 – 1.344

Asian Art Part II 2458 2459 2460 2464 2465 2466 PLATE WITH FLOWERING PLUM. PLATE WITH BIRDS AND WISTERIA. PLATE WITH FLOWERING PLUM BUDDHA SHAKYAMUNI. GUANYIN ON LOTUS BASE. DAOIST IMMORTAL. PLATTE MIT BLÜHENDEM PFLAUMEN- PLATTE MIT SINGVÖGELN UND AND A PAIR OF SINGING BIRDS. BUDDHA SHAKYAMUNI. GUANYIN AUF LOTOSSOCKEL. DAOISTISCHE UNSTERBLICHE. BAUM UND SINGVOGEL. GLYZINIEN. PLATTE MIT BLÜHENDEM PFIRSICH- Northern China. Ming dynasty. China. 17th c. China. 17th/18th c. China. 20th c. Dated according to inscrip- China. 20th c. Dated according to insrip- BAUM UND EINEM PAAR SINGVÖGEL. tion to 1949. In the style of Hu Xianya tion to 1952. In the style of Shi Honggu- China. Dated according inscription to Bronze with gilding. Base in rare coloring Bronze with dark patina. Inside residue of Bronze with dark patina and residue of (1902-1996). ang (1917-?). 1989. In the style of Wu Kang (1914- with red and green. W.4260g, h.36cm. the original red painting. h. 23.5cm, with lacquer gilding. H.30cm. Condition B. 1991). Condition A/B. base 29cm. Condition A/B. Typical casting Repaired at the neck. Porcelain painted in underglaze blue Porcelain with enamel colors. Plate Provenance: defects. Provenance: and copper red. Plate 42x27cm, frame 37x23cm, frame 42.5x29cm. Den.: Shi Porcelain painted in underglaze blue with -Private collection Westphalia. € 1.800 – 2.200 | $ 2.016 – 2.464 -Private collection Northern Germany. The 56x38.5cm. Den.: Hu Xianya. Wooden Hongguang. Wooden frame with hanging some copper red. Plate ca. 54 x 32cm, € 800 – 1.000 | $ 896 – 1.120 family lived in China from 1925-35. frame with hanging device, back re- device. Condition A/B. frame 59 x 37.5cm. Den.: Wu Kang. Sie- € 700 – 1.100 | $ 784 – 1.232 newed. Condition A/B. € 600 – 1.000 | $ 672 – 1.120 gel. Wooden frame with hanging device. € 800 – 1.000 | $ 896 – 1.120 Condition A/B. € 1.200 – 1.500 | $ 1.344 – 1.680

2461 2462 2463 2467 2468 2469 TWO SNUFFBOTTLE. TEN PORCELAIN SNUFFBOTTLE. SIX SNUFFBOTTLE IN BLUE SITTING GUANYIN WITH WENCHANG WANG AND CHILD BRINGING GUANYIN ZWEI SNUFFBOTTLE. SECHS PORZELLAN-SNUFFBOTTLE. AND WHITE. RUYI SCEPTRE. HEAVENLY GUARD. WITH BABY. China. Qing dynasty. 18th/19th c. China. Qing dynasty. 18th/19th c. SECHS BLAUWEIßE SNUFFBOTTLE. SITZENDE GUANYIN MIT WENCHANG WANG UND KINDERBRINGENDE GUANYIN China. Qing dynasty. RUYI-SZEPTER. EIN HIMMELSWÄCHTER. MIT SÄUGLING. Porcelain, glazed with yaobian resp. Porcelain. Underglaze blue and copper China. Qing dynasty. China. Ming Dynasty. 17th c. China. Ming dynasty. sancai. H.9.5/10.5cm. Condition A/B. red. H.5.2-9.8cm. Partly with marks. Con- Porcelain painted underglaze blue with € 600 – 800 | $ 672 – 896 dition A/B. Supplement: Two snuffbottle figures, dragons and shou signs. H.5.2- Bronze with black lacquer patina and Bronze with dark patina, the smaller fig- Bronze with dark patina and residue of millefiori. Cloisonné. China. H.7.5/8cm. 9.8cm. Some with marks. Condition A/B. residue of lacquer gilding. H.15.5cm. Un- ure with lacquer gilding. H.27.5/15cm. lacquer gilding. H.19cm. Condition B. Condition A/B. Provenance: derneath clothed with plate with double Condition A/B. Supplement: Small figure Some casting defects and a crack at the Provenance: -Private collection Southern Germany. vajra. Prob. originally filled. Condition A/B. of Lu. Bronze with dark patina. China. front. -Private collection Southern Germany. € 400 – 600 | $ 448 – 672 € 800 – 1.200 | $ 896 – 1.344 19th c. H.9.4cm. Condition A/B. Provenance: € 400 – 600 | $ 448 – 672 Provenance: -Private collection Southern Germany. -Private collection Westphalia. € 500 – 800 | $ 560 – 896 € 700 – 900 | $ 784 – 1.008

Asian Art Part II 2470 2471 2472 2476 2477 2478 AGRAFFE IN THE SHAPE JUE RITUAL WINE CUP. SMALL CENSER. RUYI-SHAPED BOX WITH PAIR OF SMALL ROUND LOTUS BOXES. PAIR OF FLOWER-SHAPED PLATES OF TAOTIE MASK. JUE RITUELLER WEINBECHER. KLEINES RÄUCHERGEFÄß. LOTUS FLOWER. PAAR KLEINE RUNDE DOSEN MIT WITH FENGHUANG BIRDS AND LOTUS. AGRAFFE IN FORM EINER China. Qing dynasty. China. Ming/Qing dynasty. RUYI-FÖRMIGE DECKELDOSE LOTOS. PAAR BLÜTENFÖRMIGE TELLER MIT TAOTIE-MASKE. MIT LOTOS. China. Qing dynasty. 18th c. FENGHUANG-VÖGELN UND LOTOS. China. Bronze with dark patina. H.15.2cm. Con- Bronze with black patina. Base and China. Qing dynasty. Qianlong period China. Qing dynasty. dition A/B. lid from wood carved in openwork. (1735-1796). Copper bronze with cloisonné and gilding. Bronze with later gilding. 7.5x9cm. On Provenance: h. complete 17cm, censer H.11.5cm. The cover six-petalled ﬂowers between Metal with canton enamel and gilding, wooden base. Condition A/B. -Private collection Northern Germany. The Condition B. Casting defect underneath. Lid plate copper bronze with cloisonné small clouds, the wall with each four lotus lip and foot bordered with copper. H.2cm, € 500 – 900 | $ 560 – 1.008 family lived in China from 1925-35. Provenance: Private collection North and gilding. Box made from dark hard- ﬂowers surrounded by spiral tendrils. Uni- Ø 18cm. Underneath a shou sign in red. € 400 – 600 | $ 448 – 672 Rhine-Westphalia. wood, curved in the form of a ruyi jewel coloured counter enamel inside and in the Condition A/B. € 400 – 600 | $ 448 – 672 with straight walls and a short foot ring. base. H.3.8cm, Ø 6.3cm. Condition A/B. Provenance: H.5.4cm, 15.8x8.8cm. Condition A/B. € 1.200 – 1.600 | $ 1.344 – 1.792 | * -Private collection Northern Germany. € 3.500 – 5.000 | $ 3.920 – 5.600 | * The family lived in China from 1925-35. € 300 – 500 | $ 336 – 560

2473 2474 2475 2479 2480 2481 CENSER IN PEACH FORM. CENSER. ROUND BOX WITH PHOENIX THREE IMMORTALS. RECTANGULAR PENDANT WITH BOY. BI DISK WITH A PAIR OF WEIHRAUCHBRENNER IN WEIHRAUCHBRENNER. AND DRAGON. DREI FIGUREN VON UNSTERBLICHEN. RECHTECKIGER ANHÄNGER MIT QILONG DRAGONS. PFIRSICHFORM. China. Qing Dynasty. RUNDE DECKELDOSE MIT PHÖNIX, China. Qing dynasty. 18th/19th c. KNABE. BI-SCHEIBE MIT EINEM China. Qing dynasty. Presumably 19th c. DRACHE UND DOPPELTEM GLÜCK. China. Qing dynasty or Republic period. QILONG-DRACHENPAAR. Bronze with dark patina. Bulbous shape China. Qing dynasty. Jiaqing period a) Dongfang Shuo with the peach. Light China. In the style of the Warring States Bronze. With three dimensional leaves. with slightly protruding lip, on ﬂat bot- (1796-1820). green Hetian jade. H.5cm. b) The poet Almost white jade, maybe mutton- period, but later. H.15.5cm, l.24cm. Underneath a six char- tom. H.9.8cm, Ø 18cm. Condition A/B. Du Fu stroking his beard. Hippopotamus. fat-jade. L.5.5cm, w.4.1cm, d.0.9cm. acter mark Da Ming Xuande nian zhi, but Provenance: Copperbronze with cloisonné and gilding. H.9cm. c) Shoulao sitting on a lingzhi Condition A. Celadon green, opaque jade with small, probably later. Condition B. -Private collection Northern Germany. H.11cm, Ø 19.4cm. Condition A/B. throne with a deer next to him. Wood Provenance: black inclusions, partly brownish. W.300g, Provenance: The family lived in China from 1925-35. € 4.000 – 5.000 | $ 4.480 – 5.600 | * with lacquer gilding. H.5.5cm. -Acquired from an important l.23.4cm, Ø 12cm, d.0.9cm. Condition A. -Private collection Northern Germany. The € 300 – 600 | $ 336 – 672 Condition A/B. private collection in Spain, 2011. Provenance: family lived in China from 1925-35. € 900 – 1.200 | $ 1.008 – 1.344 | ‡ € 700 – 900 | $ 784 – 1.008 -Private collection Northern Germany, € 400 – 600 | $ 448 – 672 since the 1850s. € 600 – 800 | $ 672 – 896

Asian Art Part II 2482 2483 2484 2488 2489 2490 FELINE HEAD. EIGHT SEALS. REFERENCE BOOK: CHINESE DRAGEONSLAYER IN ARMOR. BALUSTER VASE WITH SCHOLAR COVERED BOX WITH TWO SAGES KOPF EINES KATZENTIERS. ACHT SIEGEL. JADE ANCIENT AND MODERN. DRACHENTÖTER MIT RÜSTUNG. IN GARDEN LANDSCAPE. BENEATH PINES IN THE MOUNTAINS. China. Qing dynasty. China. FACHBUCH: CHINESE JADE Qing dynasty. BALUSTERVASE MIT GELEHRTEN DECKELDOSE MIT ZWEI WEISEN IM ANCIENT AND MODERN. IN GARTENLANDSCHAFT. GEBIRGE. Pale green and russet jade, probably Het- Soapstone, partly in strong red, brown, Bronze with lacquer and gilding. H.44cm. China. Qing dynasty. 19th c. China. Qing dynasty. ian jade. On the back a bore hole, proba- grey and beige colors. One seal with drag- Berlin. Pl: Dietrich Reimer/Ernst Vohsen. Condition A/B. bly the former fastening. H.4.5cm, l.5cm, on on top. H.3.7-13cm. Condition A/B. 1925. P. De Tanner. Two vol. Numerous Provenance: Cinnabar red carved lacquer. Inside and Red carved lacquer on wood. Inside and w.4.1cm. Condition A/B. € 350 – 600 | $ 392 – 672 photos (some in color). Originaly bound in -Collection Felix Schäfer. underneath black lacquer. H.32cm. Condi- underneath lacquered black. H.9.5cm, Provenance: linnen. Large horizontal format, € 500 – 900 | $ 560 – 1.008 tion A/B. Restored at the lip and foot. Ø 15.4cm. Condition A/B. -Acquired at Alexis Renard Gallery, 24 x 32cm. Condition A/B. € 1.000 – 1.500 | $ 1.120 – 1.680 € 400 – 500 | $ 448 – 560 Paris, 2009. € 900 – 1.500 | $ 1.008 – 1.680 € 600 – 900 | $ 672 – 1.008

2485 2486 2487 2491 2492 2493 PAIR LIDED VASES WITH LOTUS RELIEF TWO THUMB RINGS, A BELT HOOK FOUR SCARF PINS WITH JADE. BRUSH POT, BUSINESS CARD ETUI TWO BRUSH POTS AND GUANYIN ON LION. AND CHAINS. AND A BUTTON. VIER BROSCHEN MIT JADE. AND GENRE FIGURINE. A RUYI SCEPTER. GUANYIN AUF LÖWE. PAAR DECKELVASEN MIT LOTOSRAN- ZWEI DAUMENRINGE, EIN GÜRTELHA- China. 19th c. PINSELBECHER, VISITENKARTENETUI ZWEI PINSELBECHER UND China. 18th/19th c. KEN UND KETTENSCHMUCK. KEN UND EIN KNOPF. UND FIGURENGRUPPE. EIN RUYI-SZEPTER. China. Qing dynasty. 19th c. Mongolia. 19th/20th c. Light green jade with silver mounting. China. Qing dynasty. 19th c. China. Republic period or later. 20th c. Boxwood. H.11,2cm. Condition B. Circular jade Ø 5.5cm. Condition A/B. Chipped Supplement: Miniature face. Light green jade, carved in bas-relief and Jade. Strong green, light green and One oblong jade broken. Ivory, carved and engraved. H.9cm, Brush pot. Bamboo. Go player. H.17cm, Pappmaché like material with glass eyes. moveable chain. h. with lid each 22cm. brownish. Button Ø 4.5cm. Condition A/B. Provenance: 9.5x5.7cm, H.11.4cm. Condition A/B. Ø 12.5cm. Brush pot. Dark hardwood. China, 19th/20th c. H.3.8cm. Condition B. Together in a wooden base. Provenance: -Rhenish private collection. Provenance: Bamboo and bat. H.14.5cm, Ø 6cm. Ruyi Provenance: Condition A/B. -Rhenish private collection, acquired -Collection Parge family, Hamburg. -Private Collection Carl Wilhelm Engel- scepter. Dark hardwood. L.32cm. Condi- -Collection Oskar Graf 1873-1958 and € 1.800 – 2.200 | $ 2.016 – 2.464 in the 1980s locally. € 500 – 900 | $ 560 – 1.008 brecht von Pustau (1820-1879. tion A/B. Cäcilie Graf-Pfaff 1862-1939. € 800 – 1.000 | $ 896 – 1.120 -Hanseatic family inheritance € 1.200 – 1.400 | $ 1.344 – 1.568 -Rhenish private collection by inheritance. € 600 – 800 | $ 672 – 896 | ‡ € 600 – 900 | $ 672 – 1.008

Asian Art Part II 2494 2495 2496 2500 2501 2502 STANDING LUOHAN. ADORANT AND HEAVENLY CHEST OF DRAWERS WITH LONG HANGING SCROLL. TWO SCROLL PAINTINGS: GRAPES AND BANANA SCRUB. STEHENDER LUOHAN. GUARDIAN. DEER AND HORSES. LANGE HÄNGEROLLE. AUTUMN AND RIVER LANDSCAPE. TRAUBEN UND BANANENSTAUDE. China. Ming/Qing dynasty. 17th/18th c. ADORANT UND HIMMELSWÄCHTER. KOMMODE MIT HIRSCHEN China. Qing Dynasty. ZWEI HÄNGEROLLE: HERBST- UND Situ, Qi (1907-97). China. 20th c. or earlier. China. 17th/18th c. UND PFERDEN. FLUSSLANDSCHAFT. Lingnan school of painting. China. Qing dynasty. 19th c. Powerful colors and ink on paper. China. Qing dynasty. 19th c. Wood, carved, lacquer painting nearly lost Wood with original lacquer gilding. L.435cm, w.34cm. Exterior inscribed, part Ink and wash on paper. Hanging scroll. completely. Eyes inlaid in glass. H.57cm. H.19.7-22.5cm. Condition B/C. Both dam- Wood, carved in bas-relief and partly of a series or a pair. Condition B. Ink and wash on paper. Mounted as Painting size 83x38.8cm/119.5x42cm. Condition B. aged. openwork. Reddish lacquer. H.84.5cm, Provenance: hanging scroll. a) In the style of Mi Fu. Cy- Sign.: Situ Qi. Seal: Situ, Lingnan qi hua Provenance: Provenance: w.110cm, d.50cm. Zustand B. Traces of -Private collection Northern Germany. The clically dated dingyou (1897). 160x43cm. resp. Situ, Cangcheng. Condition A. Sup- -Private collection Aachen, acquired in the -Private collection Northern Germany. The use. Lower ﬁttings and drawer inside family lived in China from 1925-35. Sign. and Seal: Zheng Cheng. b) River plement: Album leaf. China. 20th. 1960s to 1980s. family lived in China from 1925-35. renewed. € 300 – 500 | $ 336 – 560 landscape. 68.5x37cm. Sign. and seal Provenance: € 200 – 400 | $ 224 – 448 € 100 – 200 | $ 112 – 224 € 1.200 – 1.500 | $ 1.344 – 1.680 unread. Condition B. Browned, damages -Private collection North Rhine-Westpha- and restored. lia. Acquired from the artist. € 400 – 500 | $ 448 – 560 € 900 – 1.200 | $ 1.008 – 1.344

2497 2498 2499 2503 2504 2505 CHEST OF DRAWERS WITH CHEST WITH TWO DRAWERS. CALLIGRAPHY IN CURSIVE SCRIPT. SEVEN ALBUM LEAFS. TWO REVERSE GLASS TWO REVERSE GLASS PAINTINGS ARCHAISING DRAGONS. KOMMODE MIT ZWEI SCHUBLADEN. KALLIGRAPHIE IN KURSIVSCHRIFT. SIEBEN ALBUMBLÄTTER. PAINTINGS WITH LADIES. WITH FAMOUS BEAUTIES. KOMMODE MIT ARCHAISIERENDEM China. Qing dynasty. Ca. 1900. China. Li Jian/Li Er Qiao (1748-1799), China. Dated according to inscriptions to ZWEI HINTERGLASBILDER MIT ZWEI HINTERGLASBILDER MIT DRACHENMUSTER. calligraph of the Qianlong and Jiaqing 1958. Lin Jin (1923-2004, calligraphers in DAMEN. BERÜHMTEN SCHÖNHEITEN. China. Qing dynasty. Ca. 1900. Wood with old lacquer. Fittings and nubs period. Macao) and different painters, Situ Qi et al. China. Canton, for the export. Qing dy- China. Canton, for the export. from iron. H.80.5cm, w.112cm, d.50cm. nasty. Late 19th c. Qing dynasty. Late 19th c. Wood carved in bas-relief. H.86.5cm, Condition B. Ink on paper. Mounted as hanging scroll. Ink and pigment on silk. Calligraphy w.105cm, d.50.5cm. Condition B. Fire € 900 – 1.200 | $ 1.008 – 1.344 119x32.5cm. Sign.: Li Jian. Two seals: and painting with landscapes, flowes Pigment behind glass. Western lady Pigments behind glass. Lady with flower damage at one drawer, fittings renewed. Wubai Sifeng Caotang. Li Jian si yin. Con- and birds. Picture size ca. 37.5x30cm, with sheep 47x37cm. Lady with letter basket 43.5x33cm, Lady in lotus pond € 1.100 – 1.400 | $ 1.232 – 1.568 dition B/C. Browned, inscect damages complete 45x35cm. Sign.: Lin Jin. Seal: 45x35cm. Black wooden frames with 59x43cm. In wooden frames. € 700 – 900 | $ 784 – 1.008 Lin Jin, Lin Chongshi and other artists. residue of gold painting. Condition B. One Condition A/B. Condition A/B. restored. Provenance: Provenance: € 900 – 1.200 | $ 1.008 – 1.344 -Private collection. Acquired from Felix -Private collection North Rhine- Schäfer. Westphalia. Acquired from the artist. € 300 – 600 | $ 336 – 672 € 400 – 600 | $ 448 – 672 Asian Art Part II 2506 2507 2508 2512 2513 2514 PAIR OF RANK BADGES (BUZI) RARE CEREMONIAL COLLAR (PILING). LARGE EMBROIDERY SHOWING LADIES SKIRT (MAMIAN QUN) 28 PAIRS OF SLEEVE BANDS BRACELET AND FITTING RING. WITH LIONS. SELTENER ZEREMONIELLER KRAGEN A WEDDING PROCESSION. WITH PEONIES. FOR LADIES. ARMBAND UND PASSENDER RING. PAAR RANGABZEICHEN (BUZI) (PILING). China. 1930s. DAMENROCK (MAMIAN QUN) 28 PAARE VON ÄRMELBÄNDERN. China. 19th/20th c. MIT LÖWEN. China. Qing dynasty (1644-1912). MIT PÄONIEN. China. Qing dynasty. China. Late Qing dynasty. Satin silk, backed with cotton, embroiderd China. Qing dynasty. Silver filigree, gilt. Coral and enamel. Komplex brocaded silk weave. Frame from with colored silk. Ca. 142x190cm. Con- Colorful silk, embroidered. Each Braclet l. 18cm. Silver. Made in China. Silk satin with satin stich embroidery, silk velvet. Lining: Silk damask. 37x93cm. dition A/B. Supplement: Two paintings. Jade green silk. l. without waistband ca. 100x15cm. Condition B. Supplement: Condition A/B. details in gold thread. Symbol of the Condition C. Browned, brittle, discolored. Each 25.5x63cm. Dated 1936. Good 80cm, w.114cm. Condition A/B. Supple- Four separate sleeve bands. Partly used. Provenance: second military court rank. 28x30cm. € 600 – 800 | $ 672 – 896 condition, unused. ment: Fragments of garments. Colorful Provenance: -Rhenish private collection. Condition B. Browned. Provenance: silk, embroidered. -Private collection. Acquired in the early -Collection Parge family, Hamburg € 800 – 1.000 | $ 896 – 1.120 -Rhenish private collection. Provenance: 20th c. locally. € 1.000 – 1.200 | $ 1.120 – 1.344 | ‡ -Collection family Parge, Hamburg. -Private collection. Acquired in the € 400 – 600 | $ 448 – 672 € 800 – 1.200 | $ 896 – 1.344 early 20th c. locally. € 250 – 400 | $ 280 – 448

2509 2510 2511 2515 2516 2517 OFFICIAL ROBE (JIFU) BLUE DRAGONROBE. RED WEDDING GARMENT THREE PENDANTS AND THREE BRACELETS AND A RING. A PAIR OF HAIR ORNAMENTS. WITH NINE DRAGONS. BLAUES DRACHENGEWAND. FOR A LADY. A BAG WITH JADE. DREI ARMBÄNDER UND EIN RING. PAAR SCHMUCKANHÄNGER. BEAMTENROBE (JIFU) China. Qing dynasty. 19th c. China. Qing dynasty. DREI ANHÄNGER UND EINE TASCHE China. 19th/20th c. Inner Mongolia, prob. Alashan. MIT NEUN DRACHEN. MIT JADE. 19th/20th c. China. Ca. 1900. Silk, embroiderd with metal threads. Red silk, embroidered, partly pleated by China. 19th/20th c. Silver ﬁligree, partly gilt, with ivory, L.140cm, w.204cm. Condition C. Strong hand. a) Upper garment (ao), L.113cm, jade and enamel. Braclets l. ca. 18cm. Silver, coral, semiprecious stones, bronze, Silk embroidered with metal threads and light damage, brittle, bleached. w.172cm. b) Skirt (qun), l. without waist- Strong green jade, with silver ﬁligree, Condition A/B. Peking glass beads. L.38.5cm. Condition silk. Cuffs with woven patterns. L.132cm, Provenance: band 80cm, w.114cm. c) Overskirt, l. with- partly gilt. Bag from silk. Two pendants as € 600 – 900 | $ 672 – 1.008 | ‡ B. Supplement: Forehead ornament. w.220cm. Condition B. Brittle and -Private collection Aachen, acquried out waistband but with fringe 70cm, scarf pins l. ca. 4cm. Condition A/B. China. 19th/20th c. Copper, silver, gilt, damaged. in the 1960s to 80s. w.106cm. Condition A/B. € 800 – 1.200 | $ 896 – 1.344 semiprecious stones and glass. W.19cm. € 300 – 500 | $ 336 – 560 € 250 – 400 | $ 280 – 448 Provenance: Condition A/B. -Private collection. Acquired in the early € 600 – 800 | $ 672 – 896 | ‡ 20th c. locally. € 1.200 – 2.000 | $ 1.344 – 2.240

Asian Art Part II 2518 2519 2520 2524 2525 2526 EIGHT HAIR ORNAMENTS. TIEPIN, SCARF PIN AND A PAIR OF SITTING CARPET WITH THANGKA WITH SHAKYAMUNI AND THANGKA OF JAMBHALA IN LAMA WITH PANDITA HAT. ACHT TEILE HAARSCHMUCK. CUFFLINKS. LOTUS PATTERN. THE 35 CONFESSION BUDDHA. DIFFERENT MANIFESTATIONS. LAMA MIT PANDITA-MÜTZE. China. Qing dynasty. 19th/20th c. KRAWATTENNADEL, ANSTECKER UND SITZTEPPICH MIT LOTOSMUSTERN. Mongolia. 18th-19th c. THANGKA DES JAMBHALA IN VER- Tibet. 17th c. MANSCHETTENKNÖPFE. China. Ningxia. Qing dynasty. 18th/19th c. SCHIEDENEN ERSCHEINUNGSFORMEN. Silver, partly ﬁligree, with enamel and China. 19th/20th c. Pigments and gold on fabric. 32x25cm, Mongolia. 1st half 20th c. Copper bronze with residue of pigments. jade. L.7.2-15.3cm. Condition A/B. Pile wool, warp and weft cotton. complete 60x36.5cm. Condition B. Sitting on two high cushions covered with € 350 – 500 | $ 392 – 560 Strong green jade with gold. scarf pin 66x62cm. Condition A/B. Provenance: Pigments on fabirc. 42x29.5cm, com- a textile. Base closed with prob. the origi- from hair needle with ear spoon L.7.7cm. € 800 – 1.200 | $ 896 – 1.344 -Private collection, acquired locally in the plete 86x41cm. On the back inscribed in nal plate and ﬁlled from the consecration. Condition A/B. 1990s. Chinese. Mounted as hanging scroll with W.209g, h.10.5cm, w.6cm. Condition Provenance: € 900 – 1.200 | $ 1.008 – 1.344 curtain. Condition B. A/B. -Rhenish private collection. Provenance: Provenance: -Collection Parge family, Hamburg -Rhenish private collection, acquired in the -Private collection Hamburg. € 500 – 900 | $ 560 – 1.008 1980s locally. € 1.500 – 1.700 | $ 1.680 – 1.904 € 700 – 1.100 | $ 784 – 1.232

2521 2522 2523 2527 2528 2529 DRAGONCARPET. CARPET WITH VASES AND FLOWERS. THANGKA WITH THOUSAND TARA GREEN TARA. AMITAYUS. PANEL WITH THE FOUR ARMED TEPPICH MIT DRACHEN. TEPPICH MIT VASEN UND BLUMEN IN AND THE GREEN TARA IN THE CENTER. GRÜNE TARA. AMITAYUS. VISHNU AND LAKSHMI. China. Pao Tou. 19th/20th c. DEN ECKEN. THANGKA MIT DER GRÜNEN TARA Tibet. 18th c. or earlier. Sino-Tibetan. Ca. 18th c. PLATTE MIT DEM VIERARMIGEN China. Style Art Déco. 1. half 20th c. UMGEBEN VON TAUSEND TARA. VISHNU UND LAKSHMI. Pile wool, warp and weft cotton. In the Tibet. 17th/18th c. Bronze with residue of pigments. W.502g, Bronze with gilding. W.862g, h.17cm. Nepal. 18th/19th c. center ﬁlled with a coin pattern a large Pile wool, warp and weft cotton. h.15.2cm. Condition B. Condition A/B. Ribbon on the left dam- dragon medallion with four other dragons 467x350cm. Condition C. Slight damage Pigments and gold on fabric. 101x68cm. Provenance: aged. Amrita vessel missing. Repoussé. Bronze with gilding. H.14.5cm. in the corners. The frame with ﬂower to sides and fringe edges. Without mounting. Condition C. Consid- -Private collection Munich. € 600 – 900 | $ 672 – 1.008 Condition A/B. diamonds with a smaller one with key € 300 – 400 | $ 336 – 448 erably browned, rubbed and with traces € 1.500 – 1.700 | $ 1.680 – 1.904 € 500 – 700 | $ 560 – 784 | * fret pattern. The nicely preserved colors of long use. in pleasing contrast. 200x140cm. € 700 – 900 | $ 784 – 1.008 Condition A/B. € 1.800 – 2.500 | $ 2.016 – 2.800 | *

Asian Art Part II 2530 2531 2532 2536 2537 2538 SEATED BODHISATTVA. SEATED INDRA. VAJRASATTVA WITH VAJRA AND BELL. HERUKA IN YAB-YUM. TWELVE-ARMED CHAKRASAMVARA TSONGKHAPA ON LOTUS BASE. SITZENDER BODHISATTVA. SITZENDER INDRA. VAJRASATTVA MIT VAJRA UND HERUKA IN YAB-YUM. WITH VAJRAYOGINI IN YAB-YUM. TSONGKHAPA AUF LOTOSSOCKEL. Sino-Tibetan. Ca. 19th c. Nepal. Pala style. 18th/19th c. GLOCKE. Tibet/Nepal. ZWÖLFARMIGER CHAKRASAMVARA Mongolia. Tibet/Nepal. MIT VAJRAYOGINI IN YAB-YUM. Copper bronze with fire gilding and Bronze with residue of gilding and dark Copper bronze fire gilded. W.480g, Tibet/Nepal. 19th/20th c. Bronze with residue of gilding. residue of pigments. W.326g, h.11.1cm. patina. Base closed. W.494g, h.11.2cm. Yellowish bronze finely engraved and h.11.2cm. Condition A/B. W.1392g, H.20.3cm. Condition B. Condition B. Some parts damaged and Condition A/B. with residue of fire gilding. W.1957g, € 300 – 500 | $ 336 – 560 | * Copper bronze with fire gilding and pig- Greenish oxidation. missing. € 300 – 500 | $ 336 – 560 | * h.25.5cm. Condition A/B. ments. Base cast separately. H.32.5cm. Provenance: € 500 – 700 | $ 560 – 784 | * € 900 – 1.200 | $ 1.008 – 1.344 Condition A/B. -Rhenish private collection, € 1.400 – 1.600 | $ 1.568 – 1.792 acquired locally in the 1980s. € 1.200 – 1.500 | $ 1.344 – 1.680

2533 2534 2535 2539 2540 2541 SEATED INDRA ON LOTUS BASE. VAJRASATTVA IN YAB-YUM. SEATED BUDDHA SHAKYAMUNI. LARGE FIGURE OF PADMAPANI. TRAVEL SHRINE (GA U). VAJRA WITH FIVE PRONGS. SITZENDER INDRA AUF LOTOSSOCKEL. VAJRASATTVA IN YAB-YUM. SITZENDER BUDDHA SHAKYAMUNI. GROßE FIGUR DES PADMAPANI. REISESCHREIN (GA U). VAJRA MIT FÜNF SPITZEN. Nepal. Ca. 16th-18th c. Tibet/Nepal. Asia, probably Himalaya region. Probably Mongolia. Tibet. 19th/20th c. Tibet. 18th/19th c. or earlier.

Bronze with residue of fire gilding. Copper bronze with fire gilding. Bronze with residue of gilding. Later Bronze, partly gilded. Base closed. Front plate from silvery and golden Bronze. L.10cm. Condition A/B. W.330g, h.10.2cm. Condition A/B. W.1224g, h. figure 16.5cm. Wooden filled with bronze. W.993g, h.12cm. W.2437g, h.42.8cm. Condition A/B. bronze. Box from copper. H.15cm, € 300 – 500 | $ 336 – 560 € 500 – 700 | $ 560 – 784 base. Condition A/B. Condition A/B. Greenish oxidation. w.11,5cm, d.6.5cm. Condition A/B. € 400 – 800 | $ 448 – 896 | * € 400 – 600 | $ 448 – 672 Provenance: Supplement: Weel of life as mandala. -Rhenish private collection, Bronze, back from copper with vajra. acquired locally in the 1980s. Prob. filled. 15.7x12cm. Nepal. 20th c. € 800 – 1.200 | $ 896 – 1.344 Condition B. € 500 – 700 | $ 560 – 784

Asian Art Part II 2542 2543 2544 2548 2549 2550 KILA WITH VAJRA. KILA OR PHURBU WITH MAKARA. ALTAR VESSEL AND LARGE SMALL FROG DRUM PAM KLO’. DAGGER WITH FIGURE AND FIGURE OF VISHNU RIDING GARUDA. KILA MIT VAJRA. KILA ODER PHURBU MIT MAKARA. SNUFFBOTTLE. KLEINE FROSCHTROMMEL PAM KLO’. BANGLE WITH DRAGON MOTIV. FIGUR DES VISHNU AUF GARUDA. Tibet/Nepal. Tibet/Nepal. 19th/20th c. ALTARGEFÄß UND GROßES Burma/Laos. Karen. 19th/20th c. DOLCH MIT FIGUR UND ARMREIF Khmer. Angkor period (800-1431). SNUFFBOTTLE. MIT DRACHENMOTIV. Ca. 11th-13th c. Brass and iron. W.572g, l.34.5cm. Bronze, the three part blade from iron. Mongolia. 19th/20th c. Copperbronze with dark, greenish Vietnam/Sothern China. Condition A/B. L.24cm. Condition A/B. patina. Heger Type III. H.14.5cm, Dong Son culture. Bronze with strong green, powdery and € 500 – 700 | $ 560 – 784 Provenance: Silver sheet, repoussé, ﬁnely engraved Ø 20cm. Condition A/B. partly lapis lazuli blue patina. On the back -Private collection Southern Germany. and with inlaid stones. H.26/12.5cm. € 600 – 1.100 | $ 672 – 1.232 Bronze with green patina. L.23.5cm, of the head of Vishnu an eyelet for ﬁxing. € 300 – 500 | $ 336 – 560 Condition A/B. Ø 8.5cm. Condition A/B. H.27cm. Condition A/B. € 1.200 – 1.500 | $ 1.344 – 1.680 € 400 – 600 | $ 448 – 672 € 1.200 – 1.500 | $ 1.344 – 1.680

2545 2546 2547 2551 2552 2553 STOVE WITH KETTLE AND TEA POT. MONK‘S HAT EWER. A FINE SMALL SCEPTRE WITH STAFF FINIAL IN THE SHAPE SMALL VOTIVE FIGURE OF BELL AND FIVE PRONGED VAJRA. OFEN MIT ZWEI KANNEN FÜR TEE KANNE IN FORM EINES MÖNCHSHUT. DOUBLE-SIDED LAPIS LAZULI SEAL. OF A CLAPPER DRUM. VISNU WITH TRISHULA. GLOCKE UND DONNERKEIL MIT UND WASSER. Tibet. 19th c. KLEINES SCHMALES SZEPTER MIT STABBEKÖRNUNG IN FORM KLEINE VOTIVFIGUR DES VISNU FÜNF SPITZEN. Tibet. 19th c. SIEGELKOPF. EINER RASSELTROMMEL. MIT TRISHULA. Khmer. Angkor period (800-1431). Copper bronze and yellowish bronze in Central Asia, Bactria - Margiana Khmer. Angkor Wat period (1100-1175). Khmer. 11th/12th c. or later. Ca. 11th/12th c. or later. Copper, wrought. Partly with bronze repoussé and ﬁnely engraved. H.26.8cm. Archaeological Complex. Bronze Age, decor. Kettle lid from amber. Stove with Condition A/B. circa 2300 - 1700 BCE. Bronze with green powdery patina. Bronze with partly green and brown Bronze with green patina. kettle H.44cm. Teapot h.29cm. Provenance: H.22cm, w.10cm. Condition A/B. powdry patina. Attended by Sridevi Each l.14cm. Condition A/B. Condition A/B. Traces of use. -Private collection Western Germany, Copper handle. Head from lapis lazuli. € 900 – 1.200 | $ 1.008 – 1.344 and the four armed Bhudevi. H.15cm. € 800 – 1.200 | $ 896 – 1.344 € 1.200 – 1.800 | $ 1.344 – 2.016 since the 1960s. L.ca. 18cm. Fitting base. Condition B. Condition A/B. € 300 – 500 | $ 336 – 560 Provenance: € 700 – 1.000 | $ 784 – 1.120 -Private collection Belgium, since the 1980s. € 2.400 – 2.800 | $ 2.688 – 3.136 | *

Asian Art Part II 2554 2555 2556 2560 2561 2562 THREE PART PALANQUIN HOOK. ARCHITECTURAL ELEMENT STANDING FEMALE DEITY. BUDDHA MARAVIJAYA. HEAD OF A BUDDHA. TWO BUDDHA, ONE WITH SAMGHATI DREITEILIGER SÄNFTENHAKEN. WITH VYALA AND ELEPHANT. STEHENDE WEIBLICHE GOTTHEIT. BUDDHA MARAVIJAYA. BUDDHAKOPF. GARMENT, THE OTHER IN ROYAL Khmer. Ca. 12th c. ARCHITEKTURELEMENT MIT India. Gupta period. 5th/6th c. Burma/Myanmar. 18th c. Burma/Myanmar. 18th c. REGALIA. VYALA UND ELEFANT. Thailand, Lopburi. 12th-14th c. Bronze with dark, partly green patina. South India. Tamil Nadu. 17th/18th c. Low-ﬁred ceramic (terracotta), formed Wood, carved and with lacquer gilding. Sandstone with original black lacquer Tip h.11cm, hook l.16cm, lug l.15.5cm. by hand. H.44.5cm. Condition A/B. Sitting on a stepped base, his kasaya and residue of gold. H.35cm, w.25cm, Bronze with patina and residue of Condition A/B. Wood, carved and with residue of pig- Provenance: garment draped in elegant fold on his d.20cm. Condition A/B. gilding and pigments. H.23.5/15.8cm. € 900 – 1.200 | $ 1.008 – 1.344 | * ments. The chimera Vyala resembles a lion -Private collection Hong Kong, seit 1990. shoulder. The face smiling and the head Supplement: On a base. Condition A/B. and seems here to spew out gifts which Expert report: crowned with a conical ushnisha. H.62cm. € 1.500 – 2.500 | $ 1.680 – 2.800 | * Provenance: are eagerly received from the small ele- -Thermoluminescens test by Oxford Condition A/B. -Private collection Westphalia. Acquired phant beneath. Authentiﬁcation Ltd. Ref. N112m42. € 1.500 – 2.000 | $ 1.680 – 2.240 | * end of the 1990s at art dealers in London. H.66cm, w.23.5cm, d.6.5cm. Mounted on € 900 – 1.200 | $ 1.008 – 1.344 | * € 600 – 900 | $ 672 – 1.008 a pedestal. Condition A/B. Insect damage and minor damage. € 1.200 – 1.500 | $ 1.344 – 1.680 | *

2557 2558 2559 2563 2564 2565 SQUARE WITH ELEPHANT. THREE ARCHITECTURAL SITTING BUDDHA JAMBUPATI. SITTING BUDDHA. BIG AND SMALLER BUDDHA. BUDDHA MARAVIJAYA KACHEL MIT ELEFANT. ELEMENTS (VEDIKA). SITZENDER BUDDHA JAMBUPATI. SITZENDER BUDDHA. GROßER UND KLEINER BUDDHA. ON HIGH BASE. India. Gupta period. 5th-6th c. DREI ARCHITEKTURELEMENTE Burma/Myanmar. Konbaung dynasty Burma/Myanmar. Mandalay period Burma/Myanmar. Mandalay style. BUDDHA MARAVIJAYA (VEDIKA). (1752-1885). (1853-1948). Ca. 1900. AUF HOHEM SOCKEL. Ceramic, formed by hand and fired at low India, Mathura. Kushan period. 1st/2nd c. Burma. Konbaung (1752-1885). temperature (Terracotta). 14.2x15.5cm. Wood, carved, lacquer gilding. Wood with lacquer gilding and mirrors. Bronze, the bigger one with mirror inlays. 18th/19th c. On a base. Condition A/B. Red sandstone. With different pattern, part- H. with separate tip 95cm. Condition B. H.56cm. Condition B. Damaged and Left hand of each figure cast separately, Provenance: ly floral and with c-shapes in lattice. h. resp. Some smaller damages and cracks. cracks. eyes inlaid. H.20.5cm, 35cm. Smaller Bronze. H.19cm. The base with engraved -Private collection Hong Kong, since 1990. 83cm, 62cm, 64cm. Condition A/B. Provenance: € 600 – 800 | $ 672 – 896 figure with inscription at the base. Condi- donation inscription. Condition A/B. € 1.000 – 1.200 | $ 1.120 – 1.344 | * Provenance: Private collection Hong Kong, -Private collection Western Germany, tion A/B. € 300 – 500 | $ 336 – 560 since the 1980s; Art Loss Register certifi- since the 1960s. Provenance: cat Nr. S00042716. € 1.800 – 2.000 | $ 2.016 – 2.240 -Private collection Westphalia. Bigger € 3.800 – 4.300 | $ 4.256 – 4.816 | * Buddha acquired at Lempertz Auction, Lot 463. € 300 – 500 | $ 336 – 560

Asian Art Part II 2566 2567 2568 2572 2573 2574 THREE BUDDHA JAMBHUPATI. IMPORTANT SILVER BOWL PAIR OF ROSE WATER BOTTLES. PORTRAIT OF SHRI MAHARANA BHU- FOUR SWORDS. SUZANI WITH HEXAGONS DREI BUDDHA JAMBHUPATI. WITH JATAKA SCENES. PAAR ROSENWASSER-SPRENG- PAL SINGH OF UDAIPUR. India/Nepal/Ottoman. AND SUN FACES. Burma/Myanmar. 18th c. BEDEUTENDE SILBERSCHALE FLASCHEN MIT WAIDTIEREN India. Biographical dates 1884-1955, SUZANI MIT SECHSECKEN MIT JATAKA-SZENEN. ZWISCHEN BLÜTENRANKEN. reigned 1948-55. Middle 20th c. a) Rare Nagan sword. India. 18th/19th c. UND SONNENGESICHTERN. Bronze, partly gilt. H.15-20cm. Burma/Myanmar. 19th/20th c. India or Batavia. 18th/19th c. Steel with fine relief, at the handle koft- Iran/Persia. Resht. Condition A/B. Very fine painting in the style of the gari. L.96cm. b) Curved Tulwar sword. Late Kajar period (1789-1925). Provenance: Silver in repoussé with high relief partly Silver. Repoussé. H.30cm. Condition A/B. Company school. 27x21.5cm. In a met- India. 19th c. Steel, bronze, wood. L.94cm -Private collection Westphalia. in undercut relief. W.755g, h.13.5cm, At the foot somewhat dented. al frame, might be original. Condition with leather sheath. c) Yatagan sword. Ot- Wool, woven, felted, sewn, appliqué and € 300 – 600 | $ 336 – 672 Ø 23cm. Underneath a flower medallion € 800 – 1.000 | $ 896 – 1.120 A/B. Supplement: Six paintings from toman. 18th/19th c. Steel, bronze, walrus embroidered. 182 x 127cm. Condition B. with owner marking and maybe a dating. manuscripts. Pigments and ink on paper. tooth. L.74cm. d) Khukri sword. India/Ne- Restored, open seams, bleached. Condition A/B. Ca. 23x16cm. India 19th/20th c. Condi- pal. Gurkha. 19th c. Steel, bronze, horn. € 500 – 900 | $ 560 – 1.008 € 1.200 – 1.500 | $ 1.344 – 1.680 tion A/B and B. L.67.5cm with leather sheath. Condition Provenance: B/C. Supplement: Four other swords and -Private collection Southern Germany, epee. Steel, rusty. Rusty, traces of use. acquired locally. Provenance: € 500 – 700 | $ 560 – 784 -Collection Assböck, collected ca. 1900. € 900 – 1.200 | $ 1.008 – 1.344 | ‡

2569 2570 2571 2575 2576 2577 DAGGER WITH HORSE HEAD HANDLE. BOAR HUNT ON HOSEBACK. TWELFE PAINTINGS FROM PAIR OF BOWLS WITH LOTUS DECOR. CELADON BOWL. TWO BOWLS AND THREE SAUCERS. DOLCH MIT PFERDEKOPF-GRIFF. WILDSCHWEINJAGD ZU PFERDE. PALACES AND PROCESSIONS. PAAR SCHALEN MIT LOTOSDEKOR. SELADONSCHALE. ZWEI SCHALEN UND DREI KLEINE Mughal India. 19th/20th c. Mughal India. 18th/19th c. ZWÖLF MALEREIEN VON PALÄSTEN China. Song/Yuan dynasty or later. Prob. Korea. Goryeo (918-1392) or TELLER. UND PROZESSIONEN. Cizhou in Heibei. Joseon dynasty (1392-1897). Korea. Joseon dynasty (1392-1897) Green jade, engraved and polished. Blade Ink, red and white pigment with gold on Mughal India. 19th/20th c. and prob. older. from Damascene steel with gold inlay. paper. 24.5x17cm. Condition B. Stoneware with thin, ﬁnely crazed, creme Stoneware with ﬁnely crazed celadon L.31cm. Condition A/B. Handle cracked at € 600 – 800 | $ 672 – 896 Pigments on paper. Ca. 20.5x16.5 - colored glaze. Lip unglazed. H.6.4cm, glaze. Inside spur marks, underneath kiln Stoneware with celadon glaze, partly the lower part. 22x30.5cm. Condition A/B. Ø 17.5cm. Underneath with ink: Name sand adherence. H.7.6cm, Ø 17.2cm. crazed. Bowls and one saucer with spur € 400 – 600 | $ 448 – 672 | * € 900 – 1.200 | $ 1.008 – 1.344 and dating. Condition A/B. Condition A/B. marks inside. a) H.7, Ø 18cm. b) H.9, € 600 – 800 | $ 672 – 896 € 300 – 400 | $ 336 – 448 Ø 14.5cm. c) H.3.7, Ø 14.5cm. d) H.3, Ø 13.5cm. e) H.3.5, Ø 10.2cm. Condition A/B. € 300 – 500 | $ 336 – 560

Asian Art Part II 2578 2579 2580 2584 2585 2586 TWO WATER DROPPER. VASE, FIVE BOWLS AND OPIUM POT. SIX DISHES AND THREE BOWLS. KITAGAWA, UTAMARO I. UTAGAWA, HIROSHIGE II. & FOUJITA, TSUGOUHARU ZWEI WASSERTROPFER. VASE, FÜNF SCHALEN UND OPIUM- SECHS TELLER UND DREI SCHALEN. 1753 – 1806 - attributed KUNISADA I. (LÉONARD FOUJITA) Korea. Joseon dynasty (1392-1910). PFEIFENTOPF. China for Vietnam. Qing dynasty. 19th c. SHUNGA WOODBLOCK PRINT: LOVERS WOODBLOCK PRINT: 1886 Tokyo - 1968 Zürich 19th/20th c. China for Vietnam. Qing dynasty. 19th c. ON PORCH. HASHIBA SETCHÛ. WOODBLOCK PRINT: Porcelain, underglaze blue. Lip metal. SHUNGA-HOLZSCHNITT: LIEBESPAAR HOLZSCHNITT: HASHIBA SETCHÛ. SELF-PORTRAIT WITH CAT. Porcelain with cobalt blue and light tur- Porcelain, underglaze blue. Vase. Noi Mark: Thieu Tri nien che (1841-1848). AUF VERANDA. Japan. Edo period. 7th month 1864. HOLZSCHNITT: SELBSTPORTRAIT quoise glaze. Carp: Ø 7.5cm. With crane phu mark. H.24cm. Bowl. Gia lac mark. Ø 14.5cm. Invisibly restored. Hexagonal Japan. Edo period. End 18th c. MIT KATZE. motif: 7x4cm. Condition A/B. H.8.5cm, Ø 18cm. Pair of bowls. Noi phu dish. Ø 12cm. Nhuroc tham tran tang Nishiki-e, bokashi. Ôban, tate-e. Series: Japan. Shôwa period. 1928. € 250 – 400 | $ 280 – 448 mark. H.6cm, Ø 12.5cm. Pair of cups. Noi mark. Two dishes. Ø 14.5cm. Thou mark. Benizuri-e, kirazuri. 19.5x26.1cm. Couple Edo jiman sanjû rokkei (The Pride of Edo: phu mark. H.4.7cm, Ø 9.5cm. Opium pot. Phuong trai mark. Two small dishes. in a passionate act of love on a porch over- 36 Scences). Sign.: Hiroshige hitsu & kiô 37x30cm. Sign.: Foujita (Jap. and Romaji). Tho mark. H.10.5cm, Ø 10.5cm. Condi- Ø 11.5cm. Noi phu thi huru mark. Tuyen looking a river. Condition A/B. Very good Toyokuni ga. Publisher: Hiranoaya shinzô. Condition A/B. Good impression, slightly tion B. Scratched, chipped. Hoa nien che mark. Bowl. H.5.5cm, impression, strongly faded, slightly stained. Encraver: Ôta Tashichi. Condition A. Early browned, stains at margins. € 400 – 600 | $ 448 – 672 Ø 14cm. Pair of bowls. H.6.5cm, Ø 12cm. € 1.000 – 1.200 | $ 1.120 – 1.344 print, good condition. € 900 – 1.000 | $ 1.008 – 1.120 Wan yu zhen chang mark. Condition A/B. € 500 – 600 | $ 560 – 672 € 400 – 600 | $ 448 – 672

2581 2582 2583 2587 2588 2589 TWO LIME POTS FOR KATSUKAWA, SHUNSHÔ TORII, KIYONAGA FOUJITA, TSUGOUHARU KIMONO SCREEN. HAGI BYÔBU SCREEN WITH MANDALA. THE BETEL CEREMONY. 1726 - 1792 1752 - 1815 (LÉONARD FOUJITA) KOSODE BYOBU. BYÔBU STELLSCHIRM MIT MANDALA. ZWEI KALKBEHÄLTER FÜR WOODBLOCK PRINT: TWO WOODBLOCK PRINTS 1886 Tokyo - 1968 Zürich HAGI KOSODE BYOBU. KIMO- Japan. Dated Shôwa 8 (1936). DIE BETELZEREMONIE. SAWAMURA SÔJÛRÔ III. WITH ACTORS. WOODBLOCK PRINT: GIRL WITH DOLL. NO-STELLSCHIRM. Vietnam. 18th/19th c. Bat Trang kiln. HOLZSCHNITT: ZWEI HOLZSCHNITTE MIT HOLZSCHNITT: MÄDCHEN MIT PUPPE. Japan. 19th/20th c. Paper with silver leaf on wooden frame. SAWAMURA SÔJÛRÔ III. SCHAUSPIELERN. Japan. Shôwa period. About 1930. Four papers are glued to the silver leaf Ceramic with relief, green brown glaze Japan. Edo-Zeit. 1784. Japan. Edo period. Kimono silk (yoko ro, twisted war surface. 156x158cm. Condition A/B. resp. painted blue with transparent glaze. 43x26cm. Sign.: Foujita (Jap. and Romaji). gauze) dyed with yûzen and embroi- Provenance: H.12.5/20cm. Condition A/B. With the Benizuri-e. 29.9x13.4cm. Sign.: Shunshô A) Benizuri-e. 28x13.5cm. B) Around Condition A/B. Good impression, slightly dered. Mounted on a two fold screen. -Private collection Japan. typical hole. ga. Condition B. Good impression, oxida- 1770. 32,5 x 14,6cm. Both: Sign.: Kiyona- browned. H.192.3cm, w.177cm. Condition A/B. € 700 – 900 | $ 784 – 1.008 | * € 600 – 900 | $ 672 – 1.008 tion, center fold. ga ga. Condition B. € 300 – 400 | $ 336 – 448 Supplement: Matching storage box. Provenance: Provenance: Collection: Tony Straus-Neg- € 1.400 – 1.600 | $ 1.568 – 1.792 | * -Ernst Henke Collection (1881-1974), baur (1859-1942), New York (Sheet B, col- Essen (purchased 1942 from Kunsthandel lector’s seal on the reverse); Ernst Henke Krenz, Berlin). Collection (1881-1974), Essen (purchased € 1.200 – 1.500 | $ 1.344 – 1.680 1942 from Kunsthandel Krenz, Berlin). Asian Art Part II € 1.800 – 2.000 | $ 2.016 – 2.240 2590 2591 2592 2596 2597 2598 TWO PARTS FROM A SCREEN WITH PAIR OF FUSUMA DOOR WITH EIGHT SCENES FROM THE GENJI VERY LARGE SHISHI LION KÔRO CENSER WITH TAOTIE MASKS. SMALL BOX IN KOMAI STYLE SAMURAI AND LADIES. LARGE PINE, CHERRY AND BIRDS. MONOGATARI WITH BROCADE SPHERE. KÔRO WEIHRAUCHBRENNER MIT WITH THE BYÔDÔ IN. ZWEI TEILE AUS EINEM STELLSCHIRM PAAR FUSUMA-HOLZTÜREN MIT GRO- ACHT SZENEN DES GENJI- SEHR GROßER SHISHI-LÖWE TAOTIE-MASKEN. KLEINE DOSE IM KOMAI-STIL MIT SAMURAI UND DAMEN. ßER KIEFER, KIRSCHE UND VÖGELN. MONOGATARI. MIT BROKATBALL. Japan. 17th/18th c. MIT DEM BYÔDÔ-IN. Japan. Early Edo period. 17th c. Japan. 19th/20th c. Japan. Edo period (1603-1868). Japan. Edo/Meiji period. Japan. Meiji period. Iron with dark patina and lighter colored Ink, colors and gold on paper. Mounted Paulownia wood (kiri) with pigments. Ink and some pigment on paper. Bronze with dark patina. The bushy tail inlays, maybe silver. H.16.5cm, Ø 15cm. Iron with inlays in gold, wooden bottom. with silks from Meiji period. a) Evening Frame lacquerd black. Fittings from Eight paintings framed with glass. with curled spirals is worked separately Condition A/B. 8.3x6.4x3.2cm. Signed at the bottom palace scene with samurai and court la- bronze. Each 114x76cm. Condition A/B. Each 40x28.5cm. and can be removed. L. ca. 18cm. Condi- Provenance: (possibly Ueda sei). Condition A/B. dies. b) Samurai, Wakashû and lady meet Wood partly with insect damage. Condition A/B. tion B. Left hind paw broken and repaired. -Collection Oskar Graf 1873-1958 and Provenance: three monks. Painting size 78x37cm, Provenance: Provenance: € 2.000 – 5.000 | $ 2.240 – 5.600 Cäcilie Graf-Pfaff 1862-1939. -Private collection North Rhine-Westpha- with frame 114.5x53.5cm. Condition B. -Private collection Aachen, acquired -Collection Dr. Julius Kurth (1870-1949). -Rhenish private collection by inheritage. lia, since the beginning of the 20th c. Restored. in the 1960s-80s. -German private collection since 1985. € 1.800 – 2.500 | $ 2.016 – 2.800 € 800 – 1.200 | $ 896 – 1.344 € 900 – 1.200 | $ 1.008 – 1.344 € 400 – 600 | $ 448 – 672 € 400 – 600 | $ 448 – 672

2593 2594 2595 2599 2600 2601 MOUNTAIN LANDSCAPE WITH LAKE. TWO INK PAINTINGS WITH RARE REFERENCE BOOK: PAPER WEIGHT IN THE FORM SMALL COVERED VESSEL WITH LONG NECK VASE, ROUND GEBIRGSLANDSCHAFT MIT SEE. BAMBOO AND POMEGRANATE. THE SHÔSÔIN MEDICINALS. OF A LYING OX. MEDALLIONS AND FLOWER DECOR. COSMETIC BOX AND TWO SMALL Japan. Edo period (1603-1868). ZWEI TUSCHZEICHNUNGEN MIT SELTENES FACHBUCH: THE SHÔSÔIN BUNCHIN PAPIERGEWICHT IN FORM KLEINES DECKELGEFÄß MIT FLOWER-SHAPED BOWLS. BAMBUS UND GRANATAPFEL. MEDICINALS. EINES LIEGENDEN OCHSEN. MEDAILLONS UND BLÜTENDEKOR. Japan. 20th c. Ink on paper. 25x38cm. Signed and dated Japan. Edo/Meiji period. Japan. Ôsaka. 1955. Japan. 19th/20th c. Japan. 19th c. at the bottom right (possibly by Fujiwara Sokubutsu Bunken Kankô-kai. Silver, partly with enamel. Glass. a) Vase: Nobuyuki). Mounted as hanging scroll. Ink on paper. 43.5x28cm, 33.5x31cm. Solid bronze. L.8.8cm. Inscription Cloisonné. H.8.5cm. At the bottom H.24cm. With dedication and signed (un- Condition B. Pomegranate attributed to Maekana In original slipcase. Asahina, Yasuhiko ed.: and signed at the bottom, unread. signed. Condition A/B. read). b) Box: H.6.7cm, Ø 8.5cm. Mark: € 300 – 500 | $ 336 – 560 Korei. Condition A/B. Bamboo painting Shôsôin Yakubutsu. The Shôsôin Medic- Condition A/B. € 300 – 400 | $ 336 – 448 Miyamoto ginsei. Maker: Miyamoto damaged and restored. inals; a Report on Scientiﬁc Researches. € 200 – 300 | $ 224 – 336 Shôkô. c) Two bowls: Ø 7.8cm. Mark: 950 Provenance: With an English abstract by Obata Shigey- Suzuyo. Ø 6.8cm. Mark: Sterling K. Uyeda -Private collection, acquired from gallery oshi. Condition A/B. & jungin. Maker: Kichigoro Uyeda, Tokyo. Japan Art, Frankfurt. € 800 – 1.200 | $ 896 – 1.344 Condition A/B. Supplement: Mandarin € 200 – 400 | $ 224 – 448 duck. Meiji period or early 20th c. Silver, marked. L.6.3cm. Condition A/B. € 250 – 350 | $ 280 – 392 Asian Art Part II 2602 2603 2604 2608 2609 2610 THREE MASKS DEPICTING RAKAN. ACCOMPANIMENT FIGURE ELEGANT IKEBANA BASKET. SHISHIMAI LION MASK SMALL INCENSE BOX (KÔGÔ). YOUNG WOMEN. Japan. 18th/19th c. HOLDING A BOOK. ELEGANTER IKEBANAKORB. WITH MOVEABLE CHIN. RÄUCHERWERKDOSE (KÔGÔ). Japan. Edo/Meiji period. BEGLEITFIGUR, EIN BUCH HALTEND. Japan. 1. half 20th c. Maeda Chikubosai SHISHIMAI-LÖWENMASKE Japan. 19th/20th c. Wood lacquerd dark and with some pat- Japan. Edo period. 17th/18th c. (1872-1950). MIT BEWEGLICHEM KIEFER. Wood painted. a) Fukai. Kao Daimyô terns in gold lacquer. H.32cm. Condition Japan. Edo/Meiji period. 19th c. Negoro lacquer. H.3.7cm, Ø 8.5cm. family of Kage Maeda. Prob. 18th c. B. Toes at the left foot missing. Repaired. Wood, lacquered. H.20cm. Bamboo stained dark brown. H.53cm. Condition A/B. H.20.5cm, w.13.3cm. Condition B. Paint- Provenance: Condition B. Lacquer damaged. Signed on a stake underneath: Chiku- Mingei art. Wood with dark patina. € 200 – 300 | $ 224 – 336 ing rubbed. b) Ko omote. 19th/20th c. -Collection Oskar Graf 1873-1958 and Provenance: bosai kore o tsukuru. Condition A/B. Moveable ears. At the forehead horsehair. H.21.4cm, w.13.4cm. Condition A/B. c) Cäcilie Graf-Pfaff 1862-1939. -Collection Oskar Graf 1873-1958 and Supplement: Basket from pine needles. L.18.5cm. Condition B. Traces of use. Kagura ko omote. Late 19th/early 20th c. -Rheinish private collection by inheritage: Cäcilie Graf-Pfaff 1862-1939. North American original culture. 20th c. Provenance: H.21.2cm, w.13.3cm. Condition B. Sup- € 400 – 700 | $ 448 – 784 -Rhenish private collection by inheritage. H.14.5cm. Vase basket, rattan. Indonesia. -Rhenish private collection. Since the plement: Protecting fabric (menate). € 500 – 900 | $ 560 – 1.008 20th c. H.17cm. Condition A/B. 1960s aquried in the Berlin art trade. Provenance: € 800 – 1.200 | $ 896 – 1.344 € 250 – 300 | $ 280 – 336 -Collection Oskar Graf 1873-1958 and Cäcilie Graf-Pfaff 1862-1939. -Rhenish private collection by inheritance. € 1.800 – 2.500 | $ 2.016 – 2.800

2605 2606 2607 2611 2612 2613 SMALL LACQUER BOX WITH SMALL INK STONE IN FLAT BOX IN LOTUS LEAF WRITING BOX SUZURIBAKO SMALL TABLE SCREEN WITH LARGE TSUBA WITH WOOD GRAIN. RIVER LANDSCAPE AND PINES PUMPKIN SHAPE. SHAPE WITH BUDS. WITH CHRYSANTHEMUM. MURASAKI SHIKIBU. GROßES TSUBA MIT HOLZMASERUNG. AND THREE DRAWERS. KLEINER TUSCHEREIBSTEIN FLACHE DOSE IN FORM VON SCHREIBKASTEN SUZURIBAKO KLEINER TISCHSTELLSCHIRM Japan. Edo period (1603-1868). 18th c. KLEINES LACKKÄSTCHEN MIT IN MELONENFORM. LOTOSBLÄTTERN MIT KNOSPEN. MIT CHRYSANTHEMEN. MIT MARUSAKI SHIKIBU. FLUSSLANDSCHAFT UND KIEFERN Japan. 19th/20th c. Japan. Meiji period. Ca. 1900. Japan. Meiji period (1868-1912). Japan. Meiji period (1868-1912). Beg. Iron. Mokkôgata. Uchikaeshi mimi. UND DREI SCHUBLADEN. 20th c. Wood grain (mokume ji). H.9.8cm. Japan. Meiji period. Brown schist. In a box of dark hard wood. Darkly stained bamboo and wood, carved. Wood with gold and silver lacquer in Sign.: unread. Condition A/B. 12x9.5cm. Condition A/B. Lid knob and inside inlay from bone. hiramaki e. Waterdroper from gilt bronze. Ivory, both sides carved in relief, inlays Supplement: Wooden box. Gold lacquer with hiramaki-e, nashiji Provenance: H.6.3cm, Ø 11cm. Condition A/B. H.4.5cm, 24x22cm. Condition B. Lid dent- from coral. In a wooden frame. Condition € 800 – 1.000 | $ 896 – 1.120 and gyôbu. Fittings in silver with gold. -Dutch private collection. Provenance: ed. Suzuri missing. B/C. Repaired and damaged. H.10.1cm, w.8.2cm, d.11cm. € 300 – 500 | $ 336 – 560 -Collection Oskar Graf 1873-1958 and Provenance: € 600 – 800 | $ 672 – 896 | ‡ Condition A/B. Cäcilie Graf-Pfaff 1862-1939. -Collection Oskar Graf 1873-1958 and € 400 – 600 | $ 448 – 672 -Rhenish private collection by inheritage. Cäcilie Graf-Pfaff 1862-1939. € 250 – 400 | $ 280 – 448 -Rhenish private collection by inheritence € 500 – 800 | $ 560 – 896

Asian Art Part II 2614 2615 2616 2620 2621 2622 LARGE TSUBA WITH DRAGON. TÔSEN SUKASHI TSUBA WITH GRASS. TWO TSUBA WITH CHERRY MINIATURVASE AND TEA VASE WITH LANDSCAPE SCENE AND BALUSTER VASE WITH BIRDS GROßES TSUBA MIT DRACHE. TÔSEN SUKASHI TSUBA MIT AND CRANES. CADDY WITH FIGURES. CENSER WITH FLOWERS AND BIRDS. IN PEONY GARDEN. Japan. Edo period (1603-1868). GRÄSERN. ZWEI TSUBA MIT KIRSCHBLÜTEN MINIATURVASE UND TEEDOSE VASE MIT LANDSCHAFT UND RÄU- BALUSTERVASE MIT VÖGELN Early 18th c. Japan. Late Edo period (1603-1868). UND KRANICHEN. MIT FIGÜRLICHEN SZENEN. CHERGEFÄß MIT BLUMEN UND VÖ- IM PÄONIENGARTEN. Japan. Edo period (1603-1868). Japan. Meiji period (1868-1912). GELN. Japan. 19th c. Iron. Bas-relief and inlaid with gold. Marugata, maru mimi. Myochin Toshio, Late 19th c. Japan. 19th/20th c. Mokkôgata. Maru mimi. Tsuchime ji. Tosa province. Iron. Ø 7.9cm. Sign.: Tosa Iron. a) Marugata. Cherry ﬂower and Arita porcelain with relief decora- D.3.2mm, h.10cm. Condition A/B. koku-jû Myochin ki Toshio. Condition A/B. shinobu. Sign.: Bushû-jû Masamichi. Satsuma, painted in overglaze and gold. a) Vase: Porcelain, enamel colors in red tion, painted in Imari colors and gold. Supplement: Wooden box. Supplement: Kiribako with silk wadding. Ø 7.8cm. b) Kawarigata. Three cranes, H.9,3/6,3cm. Vase signed: Ranzan. and gold. H.21cm. Mark: Kutani Kinyo. H.47.5cm. Condition A/B. € 600 – 700 | $ 672 – 784 € 800 – 1.000 | $ 896 – 1.120 eyes inlaid. H.6.5cm. Early 18th c. Condition B. Vase restored at the lip. b) Censer: Satsuma, decoration in blue € 150 – 200 | $ 168 – 224 Condition A/B. Provenance: and gold. H.18.1cm. Bottom with blue € 700 – 900 | $ 784 – 1.008 -Private collection North Rhine-Westpha- shimazu mon and signed (unread). lia, since the beginning of the 20th c. Condition A/B. € 600 – 800 | $ 672 – 896 € 500 – 700 | $ 560 – 784

2617 2618 2619 2623 2624 2625 ARMOR PIERCING SWORD ONE SINGLE AND A PAIR OF TWO BOWLS WITH WISTERIA DECOR BOWL WITH PEONY, ORIBE CHAWAN AND TWO CHAIRE TEA CADDIES. YOROI DÔSHI. LARGE PLATES. AND FIGURATIVE SCENES. CHRYSANTHEMUM AND HÔÔ BIRD. MIMITSUKI CHAIRE. ZWEI CHAIRE-TEEDOSEN. PANZERBRECHER YOROI DÔSHI. EINZELNER UND PAAR GROßE TELLER. ZWEI SCHALEN MIT GLYZINIEN-DEKOR SCHALE MIT PÄONIEN, Japan. 18th/19th c. Japan. Ca. 1800 and 1st h. 20th c. Japan. Edo period (1603-1868). Japan. Edo/Meiji period. UND FIGÜRLICHEN SZENEN. CHRYSANTHEMEN UND HÔÔ-VOGEL. Japan. Meiji period (1868-1912). Japan. About 1900. Chawan: Oribe stoneware, glazed trans- Glazed stoneware resp. with natural fire Steel. Shirasaya. Tantô of the type yoroi Porcelain, underglaze blue. a) Three parent and green. H.5.5cm, 12x10cm. pattern. a) Katatsuki shape. Satsuma dôshi with strong blade. Hira and moro- friends of the winter (shô chiku bai) and Satsuma, fine painting in enamel and Imari porcelain with painting in un- Underneath: Hayashiguchi. Condition C. stoneware. Ca. 1800. With shifuku silk ha zukuri, muzori, hada masugu, notare tako karakusa. H.11.5cm, Ø 53cm. b) Pair gold. a) H.6.6cm, Ø 12.3cm. Mark: derglaze blue and enamel colors in Glaze spalling. Chaire: Bizen stoneware, pouch. H.7cm. b) Bizen stoneware with hamon, very good polish. Nagako might of plate with chrysanthemum. H.7.5cm, Kinkôzan, in Satsuma mon. b) H.4.9cm, red, green, black and gold. H.8.3cm, natural ash glaze. H.6.7cm, Ø 6cm. Ivory botan mochi fire pattern. 1st h. 20th c. be ubu, one mekugi ana, mu mei. Com- Ø 49cm. With typical apokryph Chinese Ø 12cm. Mark: Matsumoto Hôzan, along Ø 24.5cm. Condition A/B. Rubbed. lid. Condition A/B. Supplement: Silk H.8.5cm. Condition A/B. Supplement: plete l. 38cm, l.32.5cm, blade 22cm. marks. Condition A/B. Supplement: Each with Satsuma mon and Yasuda trademark. € 300 – 400 | $ 336 – 448 pouches (shifuku). Each with ivory lid and paulownia box Condition A/B. with metal hanging device. Condition A/B. Provenance: (kiribako). € 330 – 430 | $ 370 – 482 € 1.800 – 2.500 | $ 2.016 – 2.800 Provenance: -Collection Oskar Graf 1873-1958 and € 700 – 900 | $ 784 – 1.008 | ‡ -North Rhine-Westphalian Cäcilie Graf-Pfaff 1862-1939. private collection. -Rhenish private collection by inheritage € 900 – 1.200 | $ 1.008 – 1.344 € 800 – 1.200 | $ 896 – 1.344 | ‡ Asian Art Part II CHINESE CONTEMPORARY ART sale: 29 may 2019 viewing: 24 – 27 may 2019

2626 2627 2628 LARGE TOAD. RARE TRAILING GARMENT BUDDHIST CLOAK WITH SEVEN GROßE KRÖTE. (UCHIKAKE). COLUMNS (KESA UTTARASÔ). Japan. 19th/20th c. SELTENES OBERGEWAND (UCHIKAKE). BUDDHISTISCHER UMHANG MIT Japan. Edo/Meiji period. 19th c. SIEBEN KOLUMNEN (KESA Ceramic, glazed brown, black and white. UTTARASÔ). L.20cm, w.19cm. Underneath signed: Silk. Warp ikat (tate gasuri). Weft compos- Japan. Edo/Meiji period. 19th c. Nobuyoshi saku. Condition B. Both front it weave (karaori). Completely padded and paws broken and restored. lined with red silk. L.178cm. Condition Complex silk weave (lampas) with hôô € 500 – 700 | $ 560 – 784 A/B. Somewhat bleached, seams open for birds, clouds and tiny dragons. Upper short parts. margin cut diagonal after historical mod-mod- Provenance: el. Ties and appliqués original. 110/133 -Private collections Southern Germany, x 214cm. Condition B. Width shortened acquired in the 1990s. (one column missing). Lining frayed. € 800 – 1.200 | $ 896 – 1.344 € 250 – 400 | $ 280 – 448

In the course of our auction „Contemporary Art“ on Artists represented with works: 29.5.2019, we are pleased to present you a larger Ding Yi | Fang Lijun | Feng Mengbo |Jiang Huan selection of contemporary Chinese art. Compiled Lu Song | Ma Liuming | Shen Fan | Wang Mai from various german private collections, we o er Wei Guangqing | Yan Lei | Yang Shaobin more than 35 works, which provide an overview of Yuan Gong | Qiu Shihua | Zhang Huan the up-and-coming and exciting current art scene Zhang Linhai | Zhu Wei | Zhuang Hong Yi in China. We are particularly pleased to be able to o er pieces from the collection of Berlin gallery owner Alexander Ochs, who is known for his com- Fang Lijun mitment to Chinese artists in Germany. 1963 Hebei, China Untitled. 2000. The series can be found as part of our ”Contempo- Oil on canvas. rary Art“ catalogue online. For a detailed overview 110 x 140cm of the series in English and Chinese please contact: Estimate: [email protected] € 70,000 – 90,000

Asian Art Part II Unser Haus für Ihre Kunst

Im Sommer 2014 ist VAN HAM von und im Bereich der Ausstellung eine gleichzeitig in die Gegenwart. Hier sehen Bayenthal nach Köln-Raderthal in einen museale Ruhe ausstrahlt, in der sich wir den Schwerpunkt für die Zukunft außergewöhnlichen Neubau gezogen. die eigene Schönheit und Qualität der von VAN HAM. Selbstverständlich fühlen Die Herbstauktionen 2014 waren der Kunstobjekte entwickeln können. wir uns der Tradition unseres Hauses spektakuläre Auftakt für den modernen verpﬂichtet und werden auch weiterhin Bau, dessen großzügige Architektur Der Bau, der vom Kölner Architekten „Generalisten“ bleiben. Unsere traditi- viel Raum für Kunst aus allen Bereichen Klaus Müller entworfen wurde, ist nicht onellen Gebiete der Alten Meister, der bietet, von Alten Meistern bis hin zur nur ein Bekenntnis zum Standort Köln, Malerei des 19. Jahrhunderts und des Zeitgenössischen Kunst. Auf dem mehr sondern spiegelt auch das Konzept von Kunstgewerbes bringen wir auch im als 5.000m² großen Grundstück im VAN HAM für die Zukunft wider: Bei Neubau wunderbar zur Geltung, Kölner Süden wurde ein prägnanter aller Eigenständigkeit ist dieser Entwurf ebenso wie unser neuester Bereich Baukörper geschaffen, der von außen beispielhaft für die Moderne und weist der Asiatischen Kunst.

„Auktionshaus baut museal“ Kölner Stadtanzeiger

„Schließlich ist das Auktionshaus eine Kölner Erfolgsgeschichte“ Kölner Stadt-Anzeiger

„Funktional und elegant genug, um die Konkurrenz auf dem Kölner Kunst- markt neu zu bestimmen“ FAZ

„Neubau ist ein Bekenntnis“ Kölner Stadt-Anzeiger 圖錄註釋出口拍賣須知

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2018年版本 Erläuterungen zum Explanations to the Katalog Catalogue Sie möchten wissen,

Jeder Zustandsbericht, der von VAN HAM Kunstauktionen Each condition report which has been made available by vorliegt, ist die Meinung unserer Experten und kann nicht als VAN HAM Fine Art Auctioneers is the opinion of our experts was Ihre Kunst wert ist? zugesicherte Eigenschaft geltend gemacht werden. and does not constitute any claim of guarantee by VAN HAM Fine Art Auctioneers. Zustandsbeschreibungen für Möbel und Kunstgewerbe Zustand A Guter Zustand, kleine Ergänzungen, Descriptions of condition for furniture and works of art leichte Gebrauchsspuren, minimale Beschädi- Condition A in good condition, minor additions, gungen slight signs of wear, very minor damage Zustand B gebrauchsfähig, Oberﬂächen beschädigungen, Condition B in working order, surface abrasions, Ergänzungen, bestoßen, leicht repariert und additions, minor repairs and minor damage, beschädigt, gedellt, zerkratzt scratched, chipped, dented Zustand C restaurierungsbedürftig, Ergänzungen, Condition C in need of restoration, additions, stark repariert und beschädigt major repairs and major damage

Zusatzabbildungen und Kodierung zu Zustands - You will find additional illustrations for many objects beschreibungen bei japanischen Holzschnitten finden and the Codes for the description of Japanese prints on: Sie unter: www.van-ham.com www.van-ham.com JETZT Gemälde Paintings Maßangaben gelten in folgender Reihenfolge: Höhe, Breite, Specification of measurements are given in the following BEWERTEN Tiefe. Maße für Arbeiten auf Papier beziehen sich auf die Blatt- order: height, width, depth. Specification of measurements on größe, sofern nicht anders angegeben. paper refer to the size of the sheet, if not noted differently. LASSEN

Zustand Condition Da die Katalogtexte i.d.R. keine Angaben über den Zustand von Since the catalogue text normally contains no particulars Medium, Träger und Rahmen enthalten, erteilen wir Ihnen gerne about the condition of medium, substrateand frame, we will einen Zustandsbericht auf Anfrage. Für Rahmen kann keine be happy to provide you a condition report information upon Haftung übernommen werden. request. No liability can be accepted for frames.

Name ohne Zusatz Unserer Meinung nach ein zweifelsfreies Name without addition In our opinion undoubtedly a work Werk des angegebenen Künstlers. of the stated artist. zugeschrieben Unserer Meinung nach wahrscheinlich in Gänze zugeschrieben (attributed) In our opinion probably wholly oder in Teilen ein Werk des angegebenen Künstlers. or partly a work of the stated artist.

Werkstatt/Schule Unserer Meinung nach aus der Werkstatt des Werkstatt/Schule (workshop/school) In our opinion from angegebenen Künstlers, vermutlich unter seiner Aufsicht. the workshop of the stated artist, presumably under his super- vision. Umkreis Unserer Meinung nach ein zeitgenössisches Werk, das den Einﬂuss des angegebenen Künstlers zeigt. Umkreis (circle) In our opinion a contemporary work showing the inﬂuence of the stated artist. Nachfolge Unserer Meinung nach ein Werk im Stil des genann- ten Künstlers, aber nicht notwendigerweise von einem seiner Nachfolge (follower) In our opinion a work in the style of the Schüler. Ohne verbindliche Angabe der Zeit. stated artist, but not necessarily by a pupil of his. Without a binding statement about the time of creation Art des Unserer Meinung nach ein Werk im Stil des angegebe- VAN HAM bewertet Ihre Kunst kostenlos nen Künstlers zu späterer Zeit. Art des (style of) In our opinion a work in the style of the und unverbindlich – vor Ort, per Post, stated artist from a later period. per E-Mail oder ganz einfach über: nach Unserer Meinung nach eine Kopie eines Werkes des ange- www.van-ham.com/objektbewertung gebenen Künstlers. nach (after) In our opinion a copy of a work of the stated artist. Gemäldetitel in „...“ Unserer Meinung nach ist das Werk von Im Online-Formular der Hand des Künstlers betitelt. Painting title in ”...“ In our opinion the work was personally müssen Sie nur: titled by the artist. 1. Kontaktdaten hinterlegen Signiert/datiert Unserer Meinung nach ist das Werk von der 2. Objektinformationen eingeben Hand des Künstlers signiert und/oder datiert. signiert/datiert (signed/dated) In our opinion the work was 3. Fotos hochladen personally signed and/or dated by the artist. Unsere Experten melden sich zeitnah Bezeichnet Unserer Meinung nach ist das Werk von anderer mit einer Bewertung bei Ihnen. Hand signiert/datiert. bezeichnet In our opinion the work was signed/dated by someone else later.

Stand: 1.6.2018 Käufe Purchases

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Schecks Payment of the total amount shall be made via Electronic Cash, Anmeldung zur Auktion werden nur erfüllungshalber angenommen. Alle Steuern, Kos- Registering for Auction by wire transfer or by bank certified cheque. Cheques shall Falls Sie zum ersten Mal bei VAN HAM bieten möchten, ten, Gebühren (inklusive der VAN HAM in Abzug gebrachten In the event that you are bidding at Van Ham for the first time, only be accepted on account of performance. Any taxes, costs, registrieren Sie sich bitte mindestens 24 Stunden vor der Bankspesen) gehen zu Lasten des Kunden. Barzahlungen ab please register as a bidder at least 24 hours before the auction transfer or encashment fees (including any bank fees charged Auktion über unser „Erstbieterformular“, das Sie auf unserer € 10.000 pro Kalenderjahr werden entsprechend der gesetz- begins by filling out the relevant “Registration Form for First to VAN HAM) shall be borne by the buyer. Payments in cash Homepage unter dem Punkt „Kaufen“ finden. lichen Vorgaben dokumentiert. Zahlungen können nur vom Time Bidders”, which can be found on our homepage under or cash equivalents from € 10,000 per calendar year will be Rechnungsempfänger entgegengenommen werden. Geprüfte the rubric “Buy”. registered according to legal requirements. Payments can only Schriftliche/telefonische Gebote und ausgestellte Rechnungen können nicht mehr umgeschrie- be made by the person named on the invoice. Verified and Bitte beachten Sie, dass Gebote schriftlich, per Fax oder über ben werden. Bei Zahlungsverzug können auf den Rechnungs- Commission/telephone bids issued invoices cannot be altered. In the event of a delay in unseren Online-Katalog, spätestens 24 Stunden vor der Aukti- betrag Zinsen in Höhe von 1% pro angebrochenem Monat Please note that written or faxed bids or bids via our online payment, delay interest shall be charged at a rate of 1 % per on, bei uns eintreffen müssen, da wir sonst deren Ausführung berechnet werden. catalogue must be received at least 24 hours before the month begun. nicht zusichern können. Die angegebenen Höchstgebote wer- auction commences. Otherwise we will not be able to den nur so weit in Anspruch genommen, bis die Mindestpreise Abholung warrant consideration. The stated maximum bid will only be Pick-up erreicht oder bis die Saalbieter bzw. andere schriftliche Aufträ- Bezahlte Objekte können während der Auktion abgeholt wer- exploited until the reserve has been achieved or a bidder at Paid objects may be picked up during the auction. In case of ge überboten sind. Bei Schätzpreisen ab € 500 haben Sie auch den. Bei späterer Abholung bitten wir um kurze Nachricht, um the auction resp. other written quotations are outbid. On lots pick-up at a later date, we kindly request notification in order die Möglichkeit, telefonisch mitzusteigern. Bitte verwenden Sie Wartezeiten zu vermeiden. Objekte, die nicht spätestens drei with estimates exceeding €500 you are also able to bid by to avoid waiting times. Objects not picked up three weeks after zur Gebotsabgabe das Gebotsformular am Ende des Kataloges. Wochen nach Rechnungslegung abgeholt wurden, können auf telephone. To submit your bid please use the bidding form at invoicing at the latest may be stored at the purchaser’s expenses. Kosten des Käufers eingelagert werden. the end of the catalogue. Ausruf und Bietschritte Shipment/Export licence Die im Katalog aufgeführten Objekte werden ca. 20 % un- Versand/Zoll Announcement and bidding steps Upon receipt of a written shipment notification, shipment will be terhalb des Schätzpreises, damit i.d.R. unterhalb des Limits, Nach Erhalt einer schriftlichen Versandanweisung wird der The objects listed in the catalogue will be offered for sale made to the best conditions possible and will be insured upon ausgerufen. Gesteigert wird in max. 10 %-Schritten, wobei sich Versand bestmöglich durchgeführt und auf Wunsch versichert. approximately 20% below the estimated price i.e. usually request. For shipment to a NON-EU-country in case of invoices der Auktionator Abweichungen vorbehält. Bei einem Versand in ein Nicht-EU-Land ist bei einem Gesamt- below the reserve. Auctioning will progress in max. 10%-steps; of more than € 1,000 export documents have to be presented at warenwert ab € 1.000 die Vorlage von Ausfuhrgenehmigungen the auctioneer reserves the right to deviations. costumes which we will prepare for your for a fee of € 25. Aufgeld beim Zoll zwingend erforderlich. Für die Erstellung dieser Papiere Auf den Zuschlag wird ein Aufgeld von 29 % auf die ersten berechnen wir € 25. Buyers premium Auction results € 400.000 und auf die darüber hinausgehenden Beträge von For objects sold under the margin scheme a buyers premium of Auction results are transferred in real time to the online 25 % inkl. MwSt. (ohne Ausweis) berechnet. Objekte mit Auktionsergebnisse 29 % on the first € 400,000 and 25% on all monies in excess catalogue. No responsibility is taken for the correctness of the Sternchen (*) werden mit MwSt-Ausweis berechnet. D.h. Auktionsergebnisse werden in Echtzeit in den Onlinekatalog thereof including VAT will be added on the bid award. Lots results. List of results and unsold items will be mailed upon auf den Zuschlag wird ein Aufgeld von 25 % auf die ersten übertragen. Diese bedürfen der Nachprüfung und sind ohne marked with * will be sold with VAT and are calculated in line request. Starting the first workday after the auction, you may € 400.000 und auf die darüber hinausgehenden Beträge von Gewähr. Auf Wunsch schicken wir Ihnen Ergebnis- und Restan- with standard taxation, i.e. statutory turnover tax is levied on enquire about the results and find them at www.van-ham.com 21% berechnet. Auf die Summe von Zuschlag und Aufgeld tenlisten zu. Ab dem ersten Werktag nach Auktion können Sie the bid price plus 25 % premium on the first € 400,000 and (telephone: +49 221 925862-0). wird hierbei die gesetzliche Umsatzsteuer von z.Zt. 19 % erho- bei uns die Ergebnisse erhalten und unter www.van-ham.com 21% on all monies in excess thereof. VAT currently amounts to ben. Für Personen, die vorsteuerabzugsberechtigt sind, besteht einsehen (Telefon: 0221 925862-0). 19%. Dealers who are entitled to prior-tax deduction generally After sale generell die Möglichkeit des MwSt.-Ausweises. Wir bitten um have the option of regular taxation. We kindly request these Starting the first day after the auction, the unsold objects may schriftliche Mitteilung vor Rechnungsstellung. Nachverkauf dealers to inform us before invoicing. be inspected at our premises and may be purchased at the In der Woche nach der Auktion können die unverkauften Objek- estimate plus premium. Einlieferungen aus Drittländern te bei uns besichtigt und zum Schätzpreis plus Aufgeld erworben Acquisition from third countries Objekte, die temporär aus einem Drittland eingeführt wurden, werden. Objects, that have been imported from outside the EU to be One Euro is equivalent to 1.12 US $ concerning the estimates. sind im Katalog mit einem „N“ gekennzeichnet. Bei der Überga- sold at auction under Temporary Admission, marked with “N”. be dieser Kunstwerke durch VAN HAM an den Käufer wird dieser Ein Euro entspricht 1,12 US $ bei den Schätzpreisen. When VANHAM releases such property to the buyer, he/she zum Importeur und schuldet VAN HAM die Einfuhrumsatzsteuer will become the importer and must pay VAN HAM’s import in Höhe von z.Zt. 7 %. So gekennzeichnete Kunstwerke werden VAT of currently 7% to VAN HAM. These lots will be invoiced differenzbesteuert angeboten und die Einfuhrumsatzsteuer wird under the margin scheme and are thus offered under on- als Umlage in Höhe von 8% weiterberechnet. Auf Anfrage un- charging the import VAT as apportionment in the amount of mittelbar nach der Auktion, kann die Rechnung für diese Objekte 8 %. Upon request immediately after the auction the invoice regelbesteuert ausgestellt werden. Der Mehrwertsteuerausweis for these objects can be made out with regular taxation. kann dann zum Vorsteuerabzug berechtigen bzw. kann bei The value added tax can then entitle to deduct pre-tax or be einem Ausfuhrnachweis in ein Drittland erstattet werden. refunded with an export certificate for a third country.

Stand: 1.11.2018 Stand: 1.11.2018 Einlieferung Consignment Export Export

Schätzungen Estimates Umsatzsteuer Export Wir geben Ihnen gerne kostenlose und unverbindliche münd- We will gladly give you free and non-committal oral estima- Von der Umsatzsteuer (USt) befreit sind Ausfuhrlieferungen Exports to third (i.e. non-EU) countries will be exempt from liche Schätzungen für Ihre Objekte, die Sie während unserer tions for your objects, which you may bring onto our premises in Drittländer (d.h. außerhalb der EU) und – bei Angabe der VAT, and so will be exports made by companies from other EU Geschäftszeiten präsentieren. during our business hours. USt.-ldentikations-Nr. – auch an Unternehmen in anderen member states if they state their VAT identification number. Sollten Sie nicht die Möglichkeit haben, persönlich zu kom- Should you be unable to come personally, we will gladly mail EU-Mitgliedstaaten. Nehmen Auktionsteilnehmer ersteigerte Persons who have bought an item at auction and export it men, geben wir gerne eine Schätzung anhand von Photos, you an estimate based upon photographs which you kindly will Gegenstände selber in Drittländer mit, wird ihnen die USt as personal Luggage to any third country will be refunded die Sie uns bitte mit zusätzlichen Informationen über Größe, send to us by post or email along with additional information erstattet, sobald dem Versteigerer der Ausfuhr- und Abneh- the VAT as soon as the form certifying the exportation and Signaturen, Zustand etc. per Post oder Email zuschicken. on size, signatures, condition, etc. mernachweis vorliegen. the exporter’s identity has been returned to the auctioneer. Bei größeren Sammlungen kommen unsere Experten auch gern For larger collections, our experts will also visit you at home, if Our staff will be glad to advise you on the export formali- auf Wunsch zu Ihnen nach Hause. you wish. Ausfuhr aus der EU: ties. Export to countries outside the European Community is Bei Ausfuhr aus der EU sind das Europäische Kulturgüter- subject to the restrictions of the European Agreement for the Provision Commission schutzabkommen von 1993 und die UNESCO-Konvention von Protection of Cultural Heritage from 1993 and the Unesco con- Unsere Provision beträgt 15 % vom Zuschlagpreis, bzw. 25 % Our commission is 15 % of the hammer price resp. 25 % in 1970 zu beachten. Bei einem Gesamtwarenwert ab € 1.000 ventions from 1970. bei Zuschlägen bis € 2.000. Sollte ein Objekt unverkauft case of a hammer price up to € 2.000. Should an object not be ist die Vorlage von Ausfuhrgenehmigungen beim Zoll zwin- bleiben, entstehen für Sie keine Bearbeitungs- bzw. Versiche- sold, you will not incur any handling resp. insurance cost. gend erforderlich. Für die Erstellung dieser Papiere berechnen Export from the EU: rungskosten. wir € 25. Proof of lawful export at the customs is obligatory if the Artist´s Resale Right (Droit de Suite) Bei Kunstwerken, die älter als 50 Jahre sind und folgende overall value is € 1,000 or more. For preparing the documents Folgerechtsumlage In accordance with § 26 of the German Copyright Law / UrhG Wertgrenzen übersteigen, ist zusätzlich eine Genehmigung des of proof we will charge € 25. Art work that are older than Der Einlieferer ist gemäß § 26 UrhG zur Zahlung einer gesetz- the consigner is legally obligated to pay droit de suite (artists’ Landeskultusministeriums erforderlich: 50 years and exceed the following values need an additional lichen Folgerechtsgebühr auf den Verkaufserlös aller Original- resale rights) on all original works of art as well as original permit by the State Ministry of Culture: werke der bildenden Kunst und der Photographie verpflichtet, photographic works, whose authors are not dead or did not • Gemälde ab einem Wert von € 150.000 deren Urheber noch nicht 70 Jahre vor dem Ende des Kalen- decease 70 years before the end of the legal year of purchase. • Aquarelle, Gouachen und Pastelle ab € 30.000 • Paintings with a value of € 150,000 or more derjahres des Verkaufs verstorben sind. The consignor is currently required to contribute 1% of the • Skulpturen ab € 50.000 • Water colours, gouaches und pastels with a value Der Einlieferer wird für diese Gebühr pauschal mit 1 % vom hammer price plus statutory VAT, if applicable, for this purpose • Antiquitäten ab € 50.000 of € 30.000 or more Hammerpreis, ggf. zuzüglich gesetzlicher Mehrwertsteuer, be- and is therefore released from all personal obligations to pay • Sculptures with a value of € 50.000 or more lastet und ist damit von der eigenen Verpflichtung zur Zahlung the droit de suite. Ausfuhr innerhalb der EU: • Antiques with a value of € 50.000 or more des Folgerechts befreit. Seit 6.8.2016 gilt das neue deutsche Kulturgutschutzgesetz Illustrations (KGSG) für Exporte auch in ein anderes EU-Land. Bei Kunst- Export within the EU: Abbildungen The illustration costs for colour are graduated depending upon werken, die älter als 75 Jahre sind und folgende Wertgrenzen The new Act to Protect German Cultural Property against Die Kosten für Farbabbildungen sind gestaffelt nach Größe size (from € 125 and € 600 net). übersteigen, ist eine Genehmigung des Landeskultusminis- Removal (Kulturgutschutzgesetz, hereafter KGSG) has come (von € 125 bis € 600 netto). teriums erforderlich: into effect on 6 August, 2016 also for exports into another Transport EU country. Art works that are older than 75 years and exceed Transport We will gladly take over pick-up including packaging of your • Gemälde ab einem Wert von € 300.000 the following values need an additional permit by the State Gerne organisieren wir Ihnen günstige Transporte auf Anfrage. items to be brought to our premises. Please enquire about our • Aquarelle, Gouachen und Pastelle ab € 100.000 Ministry of Culture: favourable conditions also for a collect transport. In case of • Skulpturen ab € 100.000 Versicherung visits to your house, we will gladly transport your items to be • Antiquitäten ab € 100.000 • Paintings with a value of € 300,000 or more Die uns anvertrauten Gegenstände sind auf unsere Kosten brought to our premises to the extent possible free of charge. • Water colours, gouaches und pastels with a value versichert. Ausfuhrgenehmigungen werden durch Van Ham beim Landes- of € 100.000 or more Insurance kultusministerium NRW beantragt und sollen lt. KGSG binnen • Sculptures with a value of € 100.000 or more Restaurierung The items entrusted to us will be insured at our expenses. 10 Tagen erteilt werden. Bei Fragen wenden Sie sich bitte an • Antiques with a value of € 100.000 or more Wir vermitteln Ihnen fachgerechte Restaurierungen, die bei Frau Olga Patriki ([email protected]; Verkäufen empfehlenswert erscheinen. Restoration Tel.: +49 (221) 925862-15). Van Ham will apply for the export license at the State Ministry We will procure favourably-priced restoration services for you, of Culture which according to the KGSG shall be approved Abrechnung which appear recommendable for sales. Cites within 10 days. If you have further questions, please Fünf bis sechs Wochen nach Auktion erhalten Sie Ihre Abrech- Mit einem ‡ gekennzeichnete Objekte wurden unter contact Olga Patriki ([email protected]; nung zusammen mit einem Verrechnungsscheck, vorbehaltlich Accounting Verwendung von Materialien hergestellt, für die beim Export in phone: +49 (221) 925862-15). des Zahlungseingangs vom Käufer. Für andere Zahlungsmetho- Five to six weeks after the auction you will receive your settle- Länder außerhalb des EU-Vertragsgebietes eine Genehmigung den bitten wir um kurze Nachricht. ment statement together with a collection-only check subject nach CITES erforderlich ist. Wir machen darauf aufmerksam, Cites to receipt of payment from the buyer. Please inform us of any dass eine Genehmigung im Regelfall nicht erteilt wird. Objects marked with a ‡ are made of materials, for whose other desired payment modes. export into countries outside the EU contract area a permission Markus Eisenbeis due to Cites regulations is necessary. We point out that such a geschäftsführender Gesellschafter permission is usually not given. öffentl. best. u. vereidigter Kunstversteigerer Markus Eisenbeis Managing Director | General Partner | Publicly appointed, sworn auctioneer for arts and antiques

Stand: 1.4.2018 Stand: 1.10.2018 Allgemeine Geschäftsbedingungen

V1. Versteigerung Rechts- und Sachmängeln sowie aus sonstigen Rechtsgründen page von VAN HAM oder einer von VAN HAM zugelassenen zurücknehmen und die Sache erneut ausrufen, wenn irrtümlich abzuholen. VAN HAM organisiert die Versicherung und den kommission und Aufgeld) zu verlangen. Der Erwerber hat das (inkl. Ersatz vergeblicher Aufwendungen, entgangenen Gewinn Plattform abgegeben werden. ein rechtzeitig abgegebenes höheres Gebot übersehen worden Transport der versteigerten Gegenstände zum Kunden nur Recht zum Nachweis eines geringeren oder keines Schadens. V1.1 VAN HAM Kunstauktionen GmbH & Co. KG (nachfol- sowie Ersatz von Gutachterkosten) sind ausgeschlossen, soweit ist oder wenn der höchstbietende Kunde sein Gebot nicht gel- auf dessen schriftliche Anweisung hin und auf seine Kosten gend VAN HAM) versteigert in einer öffentlichen Versteige- sie nicht auf vorsätzlichem oder grob fahrlässigem Handeln von V3.9 Für die im gedruckten Katalog aufgeführten Katalog- ten lassen will oder sonst Zweifel über den Zuschlag bestehen. und Gefahr. Da der Kaufpreis sofort fällig ist und der Erwerber Tritt VAN HAM vom Vertrag zurück und wird der Gegenstand in rung gemäß §§ 474 Abs.1 Satz 2, 383 Abs. 3 Satz 1 BGB VAN HAM oder auf der Verletzung wesentlicher Vertragspflich- nummern, welche mit „+“ gekennzeichnet sind, gelten die Wenn trotz abgegebenen Gebots ein Zuschlag nicht erteilt zur unverzüglichen Abholung verpflichtet ist, befindet er sich einer neuen Auktion nochmals versteigert, so haftet der säumi- als Kommissionär im eigenen Namen und für Rechnung der ten durch VAN HAM beruhen. Bestimmungen der sog. „Stillen Auktion“ (vgl. Ziffer V10). wird, haftet VAN HAM dem jeweiligen Kunden nur bei Vorsatz spätestens 14 Tage nach Zuschlagserteilung oder Annahme des ge Kunde außerdem für jeglichen Mindererlös gegenüber der Auftraggeber, die unbenannt bleiben. oder grober Fahrlässigkeit. Bei einem unter Vorbehalt erteilten Nachgebotes in Annahmeverzug, so dass spätestens dann auch, früheren Versteigerung sowie für die Kosten der wiederholten V2.7 VAN HAM haftet nicht auf Schadensersatz (inkl. Ersatz V3.10 Alle Gebote beziehen sich auf den sog. Hammerpreis Zuschlag bleibt der jeweilige Kunde einen Monat an sein Gebot unabhängig von der noch ausstehenden Übergabe, die Gefahr Versteigerung; auf einen etwaigen Mehrerlös hat er keinen V1.2 Die zur Versteigerung kommenden Gegenstände vergeblicher Aufwendungen, entgangenen Gewinn oder dem und erhöhen sich um das Aufgeld, Umsatzsteuer sowie ggf. gebunden. Ein unter Vorbehalt erteilter Zuschlag wird nur auf den Kunden übergeht. Anspruch. VAN HAM hat das Recht, den Kunden von weiteren können vor der Versteigerung besichtigt und geprüft werden. Ersatz von Gutachterkosten) im Falle einfacher Fahrlässigkeit Folgerecht und Zollumlage. Bei gleich hohen Geboten, unab- wirksam, wenn VAN HAM das Gebot innerhalb eines Monats Geboten in Versteigerungen auszuschließen. Dabei haften die Kunden für von ihnen verursachte Schäden an sowohl eigener als auch seiner Organe, gesetzlichen Vertreter, hängig ob im Auktionssaal, telefonisch, schriftlich oder per nach dem Tag der Versteigerung schriftlich bestätigt. V6.2 Hat der Kunde die erworbenen Gegenstände nicht den ausgestellten Objekten. Angestellten oder sonstigen Erfüllungsgehilfen, soweit es sich Internet abgegeben, entscheidet das Los. Schriftliche Gebote spätestens drei Wochen nach erfolgtem Zuschlag bzw. nach V8.3 Einen Monat nach Eintritt des Verzuges ist VAN HAM nicht um eine Verletzung vertragswesentlicher Pflichten handelt. oder Gebote per Internet werden von VAN HAM nur mit dem V5. Kaufpreis und Zahlung Mitteilung hierüber bei VAN HAM abgeholt, wird VAN HAM den berechtigt und auf Verlangen des Auftraggebers verpflichtet, V2. Beschaffenheit, Gewährleistung Vertragswesentlich sind die Verpflichtung zur Übergabe des Betrag in Anspruch genommen, der erforderlich ist, um ein Kunden zur Abholung der Gegenstände binnen einer Woche diesem Namen und Adressdaten des Kunden zu nennen. Gegenstandes nach Eingang des vollständigen Verkaufspreises anderes abgegebenes Gebot zu überbieten. V5.1 Neben der Zuschlagssumme ist vom Kunden, der auffordern. Nach Ablauf dieser Frist hat VAN HAM das Recht, V2.1 Die zur Versteigerung gelangenden und im Rahmen in dem Zustand in dem der Gegenstand zum Zeitpunkt der den Gegenstand gekauft hat, für die ersten € 400.000,00 ein nach eigener Wahl die nicht abgeholten Gegenstände auf V9. Einwilligungserklärung Datenschutz der Vorbesichtigung prüfbaren und zu besichtigenden Gegen- Versteigerung war, Angaben über die Urheberschaft des Gegen- V3.11 Gebote in Abwesenheit werden in der Regel zugelas- Aufgeld von 29 % und auf die darüber hinausgehenden Beträge Kosten und Gefahr des Kunden stände sind ausnahmslos gebraucht. Sie haben einen ihrem standes sowie Beratungs-, Schutz- und Obhutspflichten, die den sen, wenn diese mindestens 24 Stunden vor Beginn der Ver- von 25 % zu zahlen. Hierin ist die gesetzliche Umsatzsteuer Der Kunde ist damit einverstanden, dass sein Name, seine Ad- Alter und ihrer Provenienz entsprechenden Erhaltungszustand. Schutz von Leib oder Leben des Kunden oder dessen Personal steigerung bei VAN HAM eingehen und, sofern erforderlich, bereits enthalten, welche jedoch wegen Differenzbesteuerung • an den Kunden zu versenden oder resse und Käufe für Zwecke der Durchführung und Abwicklung Beanstandungen des Erhaltungszustandes werden im Katalog bezwecken. die weiteren Informationen gemäß Ziffer V3.5 vorliegen. Das nach § 25a UStG nicht ausgewiesen wird. Bei regelbesteuerten • bei einem Lagerhalter einlagern zu lassen oder des Vertragsverhältnisses, sowie zum Zwecke der Information nur erwähnt, wenn sie nach Auffassung von VAN HAM den Gebot muss den Gegenstand unter Aufführung von Katalog- Objekten, die im gedruckten Katalog mit einem „*“ gekenn- • selbst einzulagern. über zukünftige Auktionen und Angebote, elektronisch von optischen Gesamteindruck des Gegenstandes maßgeblich beein- Bei einfach fahrlässiger Verletzung wesentlicher Vertragspflich- nummer und Katalogbezeichnung benennen. Im Zweifel ist die zeichnet sind, wird auf den Zuschlag auf die ersten € 400.000 VAN HAM gespeichert und verarbeitet werden. Sollte der Bieter trächtigen. Das Fehlen von Angaben zum Erhaltungszustand hat ten ist die Haftung von VAN HAM begrenzt auf den Ersatz des Katalognummer maßgeblich; Unklarheiten gehen zu Lasten ein Aufgeld von 25 % und auf die darüber hinausgehenden Vor einer Aufbewahrung unterrichtet VAN HAM den Kunden. im Rahmen der Durchführung und Abwicklung dieses Vertrags- damit keinerlei Erklärungswirkung und begründet insbesondere vertragstypischen, vorhersehbaren Schadens, pro schadens- des Bieters. Die Bearbeitung der Gebote in Abwesenheit ist Beträge von 21 % erhoben. Auf die Summe von Zuschlag und Bei einer Selbsteinlagerung durch VAN HAM wird 1 % p.a. des verhältnisses seinen vertraglichen Pflichten nicht nachkommen, keine Garantie oder Beschaffenheitsvereinbarung im kaufrecht- verursachendem Ereignis bis zu einer Höhe von maximal dem ein zusätzlicher und kostenloser Service von VAN HAM, daher Aufgeld wird die gesetzliche Umsatzsteuer von z.Zt. 19 % Zuschlagpreises für Versicherungs- und Lagerkosten berechnet. stimmt der Kunde zu, dass diese Tatsache in eine Sperrdatei, die lichen Sinne. Kunden können einen Zustandsbericht für jeden Doppelten der vom Kunden für den Gegenstand, auf den sich kann keine Zusicherung für deren Ausführung bzw. fehlerfreie erhoben. Unabhängig davon kann VAN HAM wahlweise Erfüllung des allen Auktionshäusern des Bundesverbands Deutscher Kunstver- Gegenstand vor der Auktion anfordern. Dieser Bericht, mündlich die verletzte Vertragspflicht bezieht, zu zahlenden Vergütung. Durchführung gegeben werden. Dies gilt nicht, soweit VAN Vertrages verlangen oder die gesetzlichen Rechte wegen Pflicht- steigerer e.V. zugänglich ist, aufgenommen werden kann. Der oder in Schriftform, enthält keine abweichende Individualabrede Insbesondere mittelbare Schäden werden nicht ersetzt. HAM einen Fehler wegen Vorsatzes oder grober Fahrlässigkeit V5.2 Objekte, die temporär aus einem Drittland eingeführt verletzung geltend machen. Zur Berechnung eines eventuellen Datenerhebung und weiteren Nutzung kann durch Streichen und bringt lediglich eine subjektive Einschätzung von VAN HAM zu vertreten hat. Die in Abwesenheit abgegebenen Gebote wurden, sind im gedruckten Kataloge mit einem „N“ gekenn- Schadens wird auf Ziffern V5 und V8 dieser Bedingungen dieser Klausel oder jederzeit durch spätere Erklärung gegenüber zum Ausdruck. Die Angaben im Zustandsbericht werden nach V2.8 Die vorstehenden Haftungsausschlüsse und -beschrän- sind den unter Anwesenden in der Versteigerung abgegebe- zeichnet. Bei der Übergabe dieser Gegenstände durch VAN verwiesen. VAN HAM mit Wirkung für die Zukunft widersprochen werden. bestem Wissen und Gewissen erteilt. Sie sind keine Garantien kungen gelten in gleichem Umfang zugunsten der Organe, nen Geboten bei Zuschlag gleichgestellt. HAM an den Kunden wird dieser zum Importeur und schuldet oder Beschaffenheitsvereinbarungen und dienen ausschließlich gesetzlichen Vertreter, Angestellten und sonstigen Erfüllungsge- VAN HAM die Einfuhrumsatzsteuer in Höhe von z. Zt. 7 %. V6.3 VAN HAM trägt in keinem Fall eine Haftung für Verlust V10. Stille Auktion der unverbindlichen Information. Gleiches gilt für Auskünfte jed- hilfen von VAN HAM. V3.12 Das schriftliche Gebot muss vom bietenden Kunden So gekennzeichnete Gegenstände werden differenzbesteuert oder Beschädigung nicht abgeholter oder mangels Bezahlung weder Art, sei es mündlich oder schriftlich. In allen Fällen ist der unterzeichnet sein. Bei schriftlichen Geboten beauftragt der angeboten und die Einfuhrumsatzsteuer wird als Umlage in nicht übergebener Gegenstände, es sei denn, VAN HAM führt für die im gedruckten Katalog aufgeführten tatsächliche Erhaltungszustand des Gegenstands zum Zeitpunkt V2.9 Die Einschränkungen der Ziffern V2.6 und V2.7 gelten Kunde VAN HAM, für ihn Gebote abzugeben. Höhe von 8 % weiterberechnet. Auf Anfrage unmittelbar nach VAN HAM fiele Vorsatz oder grobe Fahrlässigkeit zur Last. Objekte, die mit „+“ gekennzeichnet sind, eine sog. „Stille seines Zuschlages die vereinbarte Beschaffenheit im Sinne der nicht für die Haftung von VAN HAM wegen vorsätzlichen der Auktion kann die Rechnung für diese Objekte regelbesteuert Auktion“ durch. Für diese „Stille Auktion“ gelten diese Verstei- gesetzlichen Bestimmungen (§§ 434ff BGB). Der Gegenstand Verhaltens, für garantierte Beschaffenheitsmerkmale, wegen V3.13 Bei Schätzpreisen ab € 500,00 können telefoni- und ohne diese Umlage ausgestellt werden. V6.4 VAN HAM weist darauf hin, dass bestimmte Ge- gerungsbedingungen entsprechend, jedoch mit der Maßgabe, wird verkauft, wie er zum Zeitpunkt der Versteigerung steht und Verletzung des Lebens, des Körpers oder der Gesundheit oder sche Gebote abgegeben werden. Hierbei wird ein im Saal genstände (wie insbesondere Elfenbein, Rhinozeroshorn und dass Kunden nur in schriftlicher Form sowie über das Internet liegt. nach dem Produkthaftungsgesetz. anwesender Telefonist beauftragt, nach Anweisung des am V5.3 Der Veräußerer des Gegenstandes ist gemäß § 26 Schildpatt) Im- bzw. Exportbeschränkungen (insbesondere mitbieten können. Die Objekte der „Stillen Auktion“ werden Telefon bietenden Kunden, Gebote abzugeben. Telefonische Abs.1 UrhG zur Zahlung einer gesetzlichen Folgerechtsgebühr außerhalb der Europäischen Union) unterliegen, die einer nicht aufgerufen, so dass keine persönlichen oder telefonischen V2.2 Alle Angaben im Katalog beruhen auf den bis zum V2.10 Alle Ansprüche gegen VAN HAM verjähren ein Jahr Gebote können von VAN HAM aufgezeichnet werden. Mit auf den Verkaufserlös aller Originalwerke der bildenden Kunst Versendung der Gegenstände in Drittstaaten entgegenstehen Gebote abgegeben werden können. Die Gebote für eine „Stille Zeitpunkt der Drucklegung veröffentlichten oder sonst allgemein nach Übergabe des zugeschlagenen Gegenstandes, soweit sie dem Antrag zum telefonischen Bieten erklärt sich der Kunde und der Photographie verpflichtet, davon trägt der Kunde können. Der Kunde ist selbst dafür verantwortlich, sich darüber Auktion“ müssen der Gültigkeit wegen mindestens 24 Stunden zugänglichen wissenschaftlichen Erkenntnissen. Wird zusätzlich nicht auf einer vorsätzlichen Rechtsverletzung beruhen oder mit der Aufzeichnung von Telefongesprächen einverstanden. anteilig in Form einer pauschalen Umlage von: zu informieren, ob ein von ihm erworbener Gegenstand einer vor Auktionsbeginn schriftlich bei VAN HAM vorliegen. ein Internet-Katalog erstellt, sind dennoch die Angaben der ge- gesetzlich unabdingbare, längere Verjährungsfristen vorgegeben VAN HAM haftet nicht für das Zustandekommen und die solchen Beschränkung unterliegt und ob sowie wie diesbe- druckten Fassung maßgeblich; nur in den Fällen, in denen kein sind. Aufrechterhaltung von Telekommunikationsverbindungen oder • 1,5% auf einen Hammerpreis bis zu € 200.000 züglich eine entsprechende Genehmigung eingeholt werden V11. Sonstige Bestimmungen gedruckter Katalog vorliegt, bzw. die Gegenstände im Rahmen Übermittlungsfehler. • 0,5% für den übersteigenden Hammerpreis kann. Beauftragt der Kunde VAN HAM mit dem Versand eines einer sog. stillen Auktion versteigert werden, ist der Internetka- V3. Durchführung der Versteigerung, Gebote von € 200.001 bis € 350.000 bzw. Gegenstandes, so werden, soweit nicht ausdrücklich etwas V11.1 Diese Versteigerungsbedingungen regeln sämtliche talog maßgeblich. VAN HAM behält sich vor, Katalogangaben V3.14 Für die aktive Teilnahme an der Versteigerung über • 0,25% für einen weiteren Hammerpreis anderes vereinbart wurde, die ggf. hierfür erforderlichen Geneh- Beziehungen zwischen dem Kunden und VAN HAM. Allgemeine über die zu versteigernden Gegenstände zu berichtigen. Diese V3.1 Die im Katalog angegebenen Schätzpreise sind keine das Internet ist eine Registrierung sowie eine anschließende von € 350.001 bis € 500.000 sowie migungen (z.B. nach den CITES-Bestimmungen) sowie sonstige Geschäftsbedingungen des Kunden haben keine Geltung. Berichtigung erfolgt durch schriftlichen Aushang am Ort der Mindest- oder Höchstpreise, sondern dienen nur als Anhalts- Freischaltung durch VAN HAM erforderlich. • 0,125% für den weiter übersteigenden Hammerpreis Zulassungen und Dokumente vom Kunden eingeholt und VAN Mündliche Nebenabreden bestehen nicht. Änderungen bedür- Versteigerung und/oder mündlich durch den Auktionator punkt für den Verkehrswert der Gegenstände ohne Gewähr für bis zu fünf Millionen; maximal insg. € 6.250. HAM zum Zwecke des Versandes des Gegenstandes zur Verfü- fen zu ihrer Gültigkeit der Schriftform. unmittelbar vor der Versteigerung des einzelnen Gegenstandes. die Richtigkeit. Andere Währungsangaben als Euro dienen ledig- Internet-Gebote können sowohl als sog. „Vor-Gebote“ vor Be- gung gestellt. Etwaige Kosten, Zölle oder Abgaben etc., die im Die berichtigten Angaben treten an die Stelle der Katalogbe- lich der Information und sind unverbindlich. Gegenstände von ginn einer Versteigerung als auch als sog. „Live-Gebote“ wäh- sofern die Urheber noch nicht 70 Jahre vor dem Ende des Zusammenhang mit der Aus- und Einfuhr des Gegenstandes V11.2 Erfüllungsort ist Köln. Ist der Auftraggeber Kaufmann, schreibung. geringem Wert können als Konvolute außerhalb des Katalogs rend einer im Internet live übertragenen Versteigerung sowie Verkaufes verstorben sind. entstehen, trägt der Kunde. Soweit bekannt, sind diese Objekte eine juristische Person des öffentlichen Rechts oder ein versteigert werden. als sog. „Nach-Gebote“ nach Beendigung der Versteigerung im gedruckten Katalog mit einem „‡“ gekennzeichnet. Dieser öffentlich-rechtliches Sondervermögen oder hat er in der V2.3 Unabhängig von der Regelung unter Ziffer V2.1 nach Maßgabe der nachstehenden Regelungen abgegeben V5.4 Soweit der Kunde den Gegenstand per Live-Gebot Hinweis befreit den Käufer jedoch nicht von der Verantwortung, Bundesrepublik Deutschland keinen allgemeinen Gerichtsstand, sind Teil der mit dem Käufer vereinbarten Beschaffenheit nur V3.2 VAN HAM behält sich das Recht vor, während der werden. Gebote, die bei VAN HAM während einer laufenden ersteigert hat, hat er wegen der hierdurch VAN HAM entstehen- sich selbst über die Exportbedingungen sowie die weiteren so ist Gerichtsstand für alle etwaigen Streitigkeiten aus der Ge- diejenigen Katalogangaben, die sich auf die Urheberschaft des Versteigerung Nummern des Katalogs zu vereinen, zu trennen, Versteigerung via Internet eingehen, werden im Rahmen den Kosten eine zusätzliche Gebühr in Höhe von drei Importbedingungen zu informieren. Ein Fehlen eines solchen schäftsbeziehung zwischen VAN HAM und dem Auftraggeber Gegenstandes beziehen. Eine besondere Garantie, aus der sich außerhalb der Reihenfolge anzubieten oder zurückzuziehen. der laufenden Versteigerung nur dann berücksichtigt, wenn (3) % vom Zuschlag an VAN HAM zu entrichten. Hinweises zu etwaigen Exportbedingungen enthält keine Aus- Köln. Zwingende gesetzliche Bestimmungen über ausschließli- darüber hinausgehende Rechte (§§443, 477 BGB) ergeben, wird es sich um eine live im Internet übertragene Versteigerung sage und bedeutet insbesondere nicht, dass hier keine Im- oder che Gerichtsstände bleiben von dieser Regelung unberührt. von VAN HAM nicht übernommen. Weitere Beschaffenheits- V3.3 Von Kunden, die VAN HAM noch unbekannt sind, behandelt. Im Übrigen sind Internet-Gebote nur dann zulässig, V5.5. Für Unternehmer, die zum Vorsteuerabzug berechtigt Exportbeschränkungen bestehen. merkmale als die Urheberschaft des Gegenstandes sind auch nötigt VAN HAM spätestens 24 Stunden vor Beginn der Auktion wenn der Kunde von VAN HAM zum Bieten über das Internet sind, kann die Rechnung auf Wunsch (nach vorheriger Mittei- V11.3 Es gilt deutsches Recht; das UN-Abkommen über dann nicht vertraglich vereinbart, wenn der Gegenstand aus eine schriftliche Anmeldung mit gültigem Personaldokument durch Zusendung eines Benutzernamens und eines Passwortes lung) nach der Regelbesteuerung ausgestellt werden. Von der V7. Eigentumsvorbehalt, Aufrechnung, Verträge des internationalen Warenkaufs (CISG) findet keine Gründen der Werbung herausgestellt wird. Der Katalog enthält mit aktueller Meldeadresse. Ist der Käufer eine Gesellschaft, zugelassen worden ist. Internet-Gebote sind nur dann gültig, Umsatzsteuer befreit sind Auslieferungen in Drittländer (d.h. Zurückbehaltungsrecht Anwendung. insoweit nur Angaben und Beschreibungen, ohne dass damit Körperschaft, Stiftung oder sonstige juristische Vereinigung, wenn sie durch den Benutzernamen und das Passwort zwei- außerhalb der EU) und – bei Angabe der USt.-ID-Nr. – auch an eine Beschaffenheit vereinbart wird. Das gleiche gilt für die im benötigen wir zusätzlich einen aktuellen und gültigen Unterneh- felsfrei dem Kunden zuzuordnen sind. Die über das Internet Unternehmen in EU-Mitgliedsländer. Verbringen Auktionsteil- V7.1 Das Eigentum am ersteigerten Gegenstand geht erst V11.4 Vorstehende Bestimmungen gelten sinngemäß auch Katalog befindlichen Abbildungen. Diese Abbildungen dienen mensnachweis (z.B. Handelsregisterauszug). VAN HAM behält übertragenen Gebote werden elektronisch protokolliert. Die nehmer ersteigerte Gegenstände selbst in Drittländer, wird mit vollständigem Eingang aller nach Ziffern V5 und V8 geschul- für den freihändigen Verkauf der zur Auktion eingelieferten dem Zweck, dem Interessenten eine Vorstellung von dem sich das Recht vor, eine zeitnahe Bankauskunft, Referenzen oder Richtigkeit der Protokolle wird vom Kunden anerkannt, dem je- ihnen die Umsatzsteuer erstattet, sobald VAN HAM der Ausfuhr- deten Zahlungen auf den Kunden über. Für den Fall, dass der Gegenstände und insbesondere für den Nachverkauf, auf den, Gegenstand zu geben; sie sind weder Bestandteil der Beschaf- ein Bardepot für die Zulassung zur Auktion anzufordern. doch der Nachweis ihrer Unrichtigkeit offen steht. Live-Gebote und Abnehmernachweis vorliegt. Kunde diesen Gegenstand veräußert, bevor er sämtliche Forde- da er Teil der Versteigerung ist, die Bestimmungen über Käufe fenheitsvereinbarung noch eine Garantie für die Beschaffenheit. werden wie Gebote aus dem Versteigerungssaal berücksich- rungen von VAN HAM erfüllt hat, tritt der Kunde bereits jetzt im Fernabsatz keine Anwendung finden. Im Rahmen der Auktion werden ausschließlich die jeweiligen V3.4 Jeder Kunde erhält nach Vorlage eines gültigen tigt. Auch bei Internet-Geboten haftet VAN HAM nicht für V5.6 Während oder unmittelbar nach der Auktion ausge- sämtliche Forderungen, die aus dem Weiterverkauf entstehen, Gegenstände, nicht jedoch die Rahmen, Passepartouts sowie Personaldokuments mit aktueller Meldeadresse und Zulassung das Zustandekommen der technischen Verbindung oder für stellte Rechnungen bedürfen der Nachprüfung; Irrtum bleibt zur Sicherheit an VAN HAM ab. VAN HAM nimmt die Abtretung V11.5 Sollte eine der vorstehenden Bestimmungen ganz Bildglas versteigert. Für Teile, die kein Bestandteil des versteiger- zur Auktion von VAN HAM eine Bieternummer. Nur unter dieser Übertragungsfehler. insoweit vorbehalten. hiermit an. oder teilweise unwirksam sein, wird die Gültigkeit der übrigen ten Gegenstandes sind, übernimmt VAN HAM keine Haftung. Nummer abgegebene Gebote werden auf der Auktion berück- davon nicht berührt. Die unwirksame Bestimmung ist durch eine sichtigt. V3.15 Der Nachverkauf ist Teil der Versteigerung. Bei Nach- V5.7 Die Zahlung des mit dem Zuschlag fälligen Gesamt- V7.2 Der Kunde kann gegenüber VAN HAM nur mit wirksame zu ersetzen, die in ihrem wirtschaftlichen Gehalt der V2.4 Eine Haftung von VAN HAM wegen etwaiger Mängel geboten kommt ein Vertrag erst dann zustande, wenn VAN betrages ist per Electronic Cash, per Überweisung oder durch unbestrittenen oder rechtskräftig festgestellten Forderungen unwirksamen Bestimmung am nächsten kommt. Entsprechen- wird ausdrücklich ausgeschlossen, sofern VAN HAM seine Sorg- V3.5 Alle Gebote gelten als vom Kunden im eigenen Namen HAM das Gebot annimmt. bankbestätigten Scheck zu entrichten. Schecks werden nur aufrechnen. des gilt, wenn der Vertrag eine ergänzungsbedürftige Lücke faltspflichten erfüllt hat. Die Haftung für Leben, Körper- und und für eigene Rechnung abgegeben. Will ein Kunde Gebote erfüllungshalber angenommen. Alle Steuern, Kosten, Gebühren aufweist. In Zweifelsfällen ist die deutsche Fassung der Verstei- Gesundheitsschäden bleibt davon unberührt. im Namen eines Dritten abgeben, so hat er dies 24 Stunden vor V3.16 Das Widerrufs- und Rückgaberecht bei Fernabsatzver- der Überweisung (inklusive der VAN HAM in Abzug gebrachten V7.3 Ein Zurückbehaltungsrecht des Kunden aufgrund von gerungsbedingungen maßgeblich. Übersetzungen in andere Versteigerungsbeginn unter Nennung von Namen und Anschrift trägen findet auf Schrift-, Telefon- und Internetgebote keine Bankspesen) gehen zu Lasten des Kunden. Bar zahlungen ab Ansprüchen aus einem anderen Geschäft mit VAN HAM ist Sprachen dienen nur der inhaltlichen Orientierung. V2.5 Weist der Käufer jedoch innerhalb eines Jahres nach des Vertretenen und unter Vorlage einer schriftlichen Vollmacht Anwendung, sofern die Versteigerung nicht im Rahmen einer € 10.000 pro Kalenderjahr werden entsprechend den gesetzli- ausgeschlossen. Soweit der Kunde Kaufmann ist, verzichtet er Übergabe des Gegenstandes nach, dass Katalogangaben über einschließlich dessen Identifikationsnachweis mitzuteilen. sog. stillen Auktion erfolgt. Die Widerrufsbelehrung finden Sie chen Vorgaben dokumentiert. Persönlich an der Versteigerung auf seine Rechte aus §§ 273, 320 BGB. die Urheberschaft des Gegenstandes unrichtig sind und nicht mit Andernfalls kommt der Kaufvertrag bei Zuschlag mit dem am Ende der vorliegenden Versteigerungsbedingungen. teilnehmende Kunden haben den Kaufpreis unverzüglich nach der anerkannten Meinung der Experten am Tag der Drucklegung bietenden Kunden zustande. erfolgtem Zuschlag an VAN HAM zu zahlen. Bei Geboten in V8. Verzug übereinstimmten, verpflichtet sich VAN HAM unabhängig von V4. Zuschlag Abwesenheit gilt unbeschadet der sofortigen Fälligkeit die Van Ham Kunstauktionen GmbH & Co. KG Ziffer V2.4, seine Rechte gegenüber dem Auftraggeber geltend V3.6 Bietet der Auftraggeber oder ein von diesem beauf- Zahlung binnen 14 Tagen nach Rechnungsdatum noch nicht als V8.1 Der Kaufpreis ist mit dem Zuschlag fällig. Zahlungsver- Hitzelerstraße 2, 50968 Köln zu machen. Im Falle der erfolgreichen Inanspruchnahme des tragter Dritter auf selbst eingelieferte Ware und erhält den V4.1 Der Zuschlag erfolgt nach dreimaligem Aufruf an verspätet. zug tritt 14 Tage nach Vertragsschluss, also Zuschlagserteilung Amtsgericht Köln HR A 375 Auftraggebers erstattet VAN HAM dem Erwerber das von dem Zuschlag, so ist er jedem anderen Kunden gleichgestellt. Für den den Höchstbietenden. Mit dem Zuschlag kommt zwischen oder Annahme des Nachgebotes ein. Zahlungen sind in Euro phG: Van Ham Kunstauktionen Verwaltung GmbH Auftraggeber selbst tatsächlich Erlangte bis maximal zur Höhe des selbst bietenden Auftraggeber gelten die Bestimmungen der VAN HAM und dem Kunden, dem der Zuschlag erteilt wird, V5.8 Die Gegenstände werden erst nach vollständiger Bezah- an VAN HAM zu leisten. Entsprechendes gilt für Schecks, die Amtsgericht Köln HR B 80313 gesamten Kaufpreises. Darüber hinaus verpflichtet sich VAN HAM Versteigerungsbedingungen daher gleichermaßen. ein Kaufvertrag zustande. Ein Anspruch auf Annahme eines lung aller vom Kunden geschuldeten Beträge ausgehändigt. erst nach vorbehaltloser Bankgutschrift als Erfüllung anerkannt Geschäftsführer Markus Eisenbeis für die Dauer von einem Jahr bei erwiesener Unechtheit zur Rück- Gebotes besteht nicht. VAN HAM kann den Zuschlag deshalb werden. (von der IHK Köln öffentlich bestellter und vereidigter gabe der vollständigen Kommission. Voraussetzung ist jeweils, V3.7 VAN HAM kann für den Auftraggeber bis zu einem verweigern oder unter Vorbehalt erteilen. Dies gilt insbeson- V5.9 Aufgrund der gesetzlichen Bestimmungen können Versteigerer für Kunst und Antiquitäten) dass keine Ansprüche Dritter an dem Gegenstand bestehen und Betrag unterhalb des Limits auf dessen eingeliefertes Los bieten, dere dann, wenn ein Kunde VAN HAM nicht bekannt ist oder Zahlungen nur von dem registrierten Bieter akzeptiert werden. V8.2 Bei Zahlungsverzug werden Verzugszinsen in Höhe von der Gegenstand am Sitz von VAN HAM in Köln in unverändertem ohne dies offenzulegen und unabhängig davon, ob anderweiti- der Kunde nicht spätestens bis zum Beginn der Versteigerung Nach Ausstellung und Prüfung (siehe V5.6) der Rechnung ist 1 % pro Monat berechnet. Der Erwerber hat das Recht zum Zustand zurückgegeben wird. Der Unrichtigkeitsnachweis gilt ge Gebote abgegeben werden oder nicht. Sicherheit in Form von Bankauskünften oder Garantien geleis- eine Umschreibung auf einen Dritten nicht mehr möglich. Nachweis eines geringeren oder keines Schadens. Im Übrigen u.a. als geführt, wenn ein international anerkannter Experte für tet hat. kann VAN HAM bei Zahlungsverzug wahlweise Erfüllung des den im Katalog angegebenen Urheber die Aufnahme des Ge- V3.8 Der Preis bei Aufruf wird von Van HAM festgelegt; V6. Abholung, Gefahrtragung und Export Kaufvertrages verlangen oder nach angemessener Fristsetzung genstandes in das von ihm erstellte Werkverzeichnis („Catalogue gesteigert wird im Regelfall um maximal 10 % des vorange- V4.2 Wird ein Gebot abgelehnt, so bleibt das vorangegange- vom Vertrag zurücktreten. Im Fall des Rücktritts erlöschen alle Raisonné“) verweigert. gangenen Gebotes in Euro. Gebote können persönlich im ne Gebot wirksam. Wenn mehrere Personen das gleiche Gebot V6.1 Der Zuschlag verpflichtet zur Abnahme. Abwesen- Rechte des Kunden am ersteigerten Gegenstand und VAN Auktionssaal sowie bei Abwesenheit schriftlich, telefonisch abgeben und nach dreimaligem Aufruf kein höheres Gebot de Kunden sind verpflichtet, die erworbenen Gegenstände HAM ist berechtigt, Schadensersatz in Höhe des entgangenen V2.6 Schadensersatzansprüche gegen VAN HAM wegen oder mittels Internet über den Online-Katalog auf der Home- erfolgt, entscheidet das Los. VAN HAM kann den Zuschlag unverzüglich nach Mitteilung des Zuschlages bei VAN HAM Gewinns für den nicht versteigerten Gegenstand (Einlieferer-

Stand: 1.11.2018 Conditions of Sale

V1. Auction V2.6 Claims for damages against VAN HAM based on le- of 10 % above the previous bid. Bids may be made in higher bid is made after three calls, the decision shall be V6. Collection, Assumption of Risk and Export default in payment VAN HAM may at its discretion choose gal and material defects and on other legal grounds (includ- person in the auction hall or, in case of absence, in writing, made by drawing lots. VAN HAM may revoke acceptance to demand performance of the contract of sale or rescind V1.1 VAN HAM Kunstauktionen GmbH & Co. KG (here- ing compensation for futile expenses, lost proceeds or costs by telephone or over the internet via the online catalogue of a bid and re-offer the item if a higher bid made in due V6.1 Acceptance of a bid establishes an obligation to the contract after setting a reasonable period for perfor- inafter referred to as VAN HAM) sells in a public auction of expert opinions) shall be excluded, unless they are based on VAN HAM’s homepage or via a platform approved by time was accidentally overlooked, if the highest bidder collect the item. Absent buyers shall collect their items mance. In the event of rescission, all of the buyer’s rights pursuant to §§ 474 (1) Sent. 2, 383 (3) Sent. 1 of the Ger- on VAN HAM acting intentionally or grossly negligently, or VAN HAM. does not want the bid to stand, or if there are other without undue delay after VAN HAM has notified them that to the item acquired by auction shall lapse, and VAN HAM man Civil Code (BGB), acting as a commissioner on its own on VAN HAM breaching material contractual duties. doubts as to the acceptance. If no bid is accepted even their bid has been successful. VAN HAM shall organise the shall be entitled to claim damages in the amount of the lost behalf and for the account of the Consignors who remain V3.9 The provisions regarding silent auctions (cf. Clause though a bid was placed, VAN HAM shall be liable to the insurance and shipment of the auctioned items to the buyer proceeds from the non-auctioned item (Consignor’s com- unnamed. V2.7 VAN HAM shall not be liable for damages (includ- V10) apply to the catalogue numbers marked in the print bidder only in case of intent or gross negligence. A bidder only upon the buyer’s written instruction and at the buyer’s mission and premium). The buyer shall be entitled to furnish ing compensation of futile expenses, lost proceeds or costs catalogue with “+”. shall remain bound by a bid that has been condition- cost and risk. Since the purchase price is due immediately evidence that a lesser or no loss was incurred. V1.2 Prior to auction the items consigned to be auc- of expert opinions) in case of simple negligence of itself or ally accepted for a period of one month. A conditionally and the buyer is obliged to collect the items without undue tioned may be inspected and examined. Here the potential its bodies, legal representatives, employees or other vicari- V3.10 All offers shall be based on the so-called hammer accepted bid shall only become effective if VAN HAM delay, the buyer shall be in default of acceptance no later If VAN HAM rescinds the contract and the item is re-offered buyers will be liable for any damages to the exhibited ous agents, unless in case of breach of material contractual price and shall be exclusive of the premium, VAT (Umsatzs- confirms the bid in writing within one month from the than 14 days after acceptance of the bid or post-bid, and at another auction, the defaulting buyer shall additionally objects caused by them. duties. Material contractual duties shall be (i) the duty of teuer) and, where applicable, resale right (Folgerecht, droit date of the auction. consequently the risk shall be transferred to the buyer at be liable for any shortfall in proceeds compared to the prior handing over the item in its condition at the time of the de suite) and customs charges (Zollumlage). When there are this time at the latest, irrespective of the fact that the item auction and for the costs of the repeated auction; the buyer V2. Condition, Representations and Warranties auction upon receipt of the full sales price, (ii) providing equal bids, irrespective of whether they are submitted in the V5. Purchase Price and Payment has not yet been handed over. shall not be entitled to receive any surplus proceeds. VAN information regarding the authorship of the item, as well auction hall, by telephone, in writing or over the internet, a HAM shall be entitled to exclude such a buyer from making V2.1 The items that are up for auction and available for as (iii) the duties of advice, protection and care which serve decision shall be made by drawing lots. Written bids or bids V5.1 The buyer shall pay the bid price plus a premium V6.2 If the buyer has not collected the items from VAN further bids at auctions. examination and viewing during the advance viewing are, the purpose of protecting life and body of the buyer or its submitted via the internet shall only be drawn on by VAN of 29 % on the first € 400,000.00 and a premium of 25 % HAM three weeks after acceptance of the bid and/or rel- without exception, used items. These items are in a state personnel. HAM to the extent required to outbid another bid. on all sums exceeding this amount. This includes statutory evant notification at the latest, VAN HAM shall request that V8.3 One month after default has occurred, VAN of preservation that is consistent with their age and prov- In case of a simply negligent breach of material contractual VAT, which will, however, not be listed separately due to the the buyer collect the items within one week. At the end of HAM shall be entitled and, upon the Consignor’s request, enance. Objections to the state of preservation shall only be duties, the liability of VAN HAM shall be limited to the com- V3.11 Bids in absence shall be generally permitted if they margin scheme as per § 25a UStG (German Sales Tax Act). said period VAN HAM shall be entitled to have the items at required to disclose the buyer’s name and address to the indicated in the catalogue if VAN HAM believes that they pensation of any damage typical and predictable for such a are received by VAN HAM at least 24 hours prior to the In case of items marked in the print catalogue with “*” as the cost and risk of the buyer Consignor. significantly affect the overall visual impression of the item. contract, per event causing the damage up to a maximum start of the auction and any additional information pursu- subject to standard taxation a premium of 25 %, on the The absence of information on the state of preservation of twice the amount which the buyer had to pay for the ant to Clause V3.5 has been provided. Bids shall specify the first € 400,000.00 of the bid price and of 21 % on all sums • delivered to the buyer, or V9. Privacy Statement has thus no effect of declaration and does, in particular, item to which the breached contractual duty relates. In relevant item, along with its catalogue number and cata- exceeding this amount shall be levied on. Statutory VAT of • stored in a contract warehouse, or not establish any warranty or quality agreement as defined particular any liability for indirect damage shall be excluded. logue description. In case of doubt, the catalogue number currently 19 % shall be levied on the total of the hammer • store the uncollected items itself. The bidder hereby agrees to the bidder’s name, address and by the sale of goods laws. Potential buyers may request a shall be decisive; the bidder shall bear the consequences of price and the premium. purchases being stored electronically and processed by VAN condition report for every item prior to the auction. Such V2.8 The aforementioned exclusions and limitations of any ambiguities. VAN HAM provides the service of process- VAN HAM shall inform the buyer prior to storage. If VAN HAM for the purpose of performing and implementing the a report, be it verbal or in writing, shall not contain any liability shall apply to the same extent for the benefit of the ing bids in absence for the convenience of clients free of V5.2 Items which have been temporarily imported from HAM stores the items in its own warehouse, up to 1 % contractual relationship, and for the purpose of providing diverging individual agreement, and shall express VAN bodies, legal representatives, employees and other vicarious charge. VAN HAM therefore makes no representations a fiscal third country are marked in the print catalogue with p.a. of the hammer price shall be charged for insurance information about future auctions and offers. Should the HAM’s subjective assessment only. The information con- agents of VAN HAM. regarding the effectuation or error-free processing of bids. “N”. When VAN HAM hands over such items to the buyer, and storage costs. Irrespective of this, VAN HAM may bidder fail to meet its contractual duties within the scope tained in the condition report shall be provided to the best This does not apply where VAN HAM is liable for mistakes he/she will become the importer and owes VAN HAM’s alternatively demand performance of the contract or assert of performance and implementation of this contractual of VAN HAM’s knowledge and belief. It shall not constitute V2.9 The limitations of Clauses V2.6 and V2.7 shall not made intentionally or through gross negligence. Bids in import VAT of currently 7 %. Items identified like this are statutory rights for breach of duties. For the purpose of relationship, the bidder consents to this fact being included any warranty or quality agreement and shall serve the apply to VAN HAM’s liability for intentional acts, for guaran- absence shall be deemed equivalent to bids made in person subject to margine scheme and are thus offered under on- calculating any damage, reference is made to Clauses V5 in a blacklist accessible to all auction houses of the German purpose of providing non-binding information only. The teed qualities, for injury to life, body or health or under the during the auction when bids are accepted. charging the import VAT as apportionment in the amount and V8 of these Terms. Association of Art Auctioneers (Bundesverband Deutscher same applies to general information of any kind, be it verbal product liability law. of 8 %. Upon request immediately after the auction the Kunstversteigerer e.V.). The future collection and use of or in writing. The actual state of preservation of the item V3.12 Written bids must be signed by the bidder. In case invoicing for these objects can be issued with standard taxa- V6.3 VAN HAM shall under no circumstances be liable data may be objected to by deleting this clause or by at the time the relevant bid is accepted shall, in all events, V2.10 Any claims against VAN HAM shall come under of written bids, the interested party shall authorise VAN tion and without such apportionment. for loss of or damage to items that have not been collected submitting a subsequent declaration to VAN HAM, with be its agreed condition as defined by statutory regulations the statute of limitations, expiring one year after the item HAM to submit bids on its behalf. or handed over due to non-payment, unless VAN HAM effect for the future. (§§ 434 et seq. German Civil Code (BGB)). The item is sold awarded by bid has been handed over, provided that they V5.3 Pursuant to § 26 (1) of the German Copyright Act acted with intent or gross negligence. in its actual condition at the time of the auction. are not based on an intentional violation of rights, or longer V3.13 Telephone bids are possible for estimates of € 500 (UrhG), the seller is obliged to pay the statutory resale rights V10. Silent Auction periods of limitation are stipulated by statutory law. and above. In this case a telephone operator present in fee on the sales proceeds of all original works of art and V6.4 VAN HAM points out that specific objects (such as, V2.2 Any information contained in the catalogue is the auction room shall be authorised to submit bids as per original photographic works whose creators died less than in particular ivory, rhinoceros horn and tortoise shell) are VAN HAM shall conduct a so-called “silent auction” for the based on available data published at the time of publica- V3. Conduct of Auctions, Bids the telephone bidder’s instructions. Telephone bids may be 70 years before completion of the sale, whereof the buyer subject to import and export restrictions (especially outside items marked in the print catalogue with “+”. These Gen- tion of the catalogue or other generally available scientific recorded by VAN HAM. By applying for telephone bidding, shall bear a proportionate lump-sum charge amounting to: the European Union) which may prevent the shipment of eral Auction Terms shall apply accordingly to such “silent insights. If an additional internet catalogue is prepared, the V3.1 The estimates stated in the catalogue do not con- applicants accept that telephone conversations may be such objects to third countries. It is the buyer’s own respon- auction”; however, bidders may only bid in written form or information in the printed version shall nevertheless prevail; stitute minimum or maximum prices, but shall serve merely recorded. VAN HAM accepts no liability for establishing and • 1.5 % of the hammer price up to € 200,000 sibility to find out whether an acquired object is subject to via the internet. Since the items in “silent auctions” are not the internet catalogue shall only prevail in the event that as an indication of the market value of the respective items, maintaining telecommunication connections or for trans- • 0.5 % of the hammer price in excess of € 200,001 such a restriction, and whether it is possible to obtain any called out, no bids can be made in person or by telephone. no printed catalogue exists or the items are auctioned by without any warranty being given as to their accuracy. mission errors. up to € 350,000, respectively necessary authorisation in respect of the object in question. Bids for a “silent auction” must be submitted to VAN HAM a so-called silent auction. VAN HAM reserves the right to Information as to the value in currencies other than euros • 0.25 % of the further hammer price of € 350,001 Should the buyer instruct VAN HAM with the shipment in writing at least 24 hours before the start of the auction correct catalogue information on the items that are to be is provided for information purposes only and shall not be V3.14 To actively participate in an auction via internet a up to € 500,000, and of the object, unless explicitly provided for otherwise, the in order to be valid. auctioned. Said corrections shall be made by written notice binding. Low-value items may be auctioned as group lots registration and a subsequent activation by VAN HAM is • 0.125 % of the further hammer price in excess of this customer shall procure the necessary authorisations (e.g. at the auction site and/or announced by the auctioneer outside the catalogue. required. price up to five million, with an overall maximum of € pursuant to the CITES rules), if any, as well as any other V11. Miscellaneous Provisions immediately before the specific item is to be auctioned. The Bids made via the internet may be submitted as “pre-bids” 6,250. permits and documents and make these available to VAN corrected information shall replace the description in the V3.2 VAN HAM reserves the right to combine, separate, prior to the beginning of an auction, as “live bids” during HAM for the purpose of shipment of the object. Any costs, V11.1 These General Auction Terms shall govern all catalogue. offer out of sequence or withdraw numbered lots during an a live web-cast auction, or as “post-bids” after conclusion V5.4 When the buyer has purchased an item at a live duties or charges etc. related to the import or export of the relations between the client and VAN HAM. The client’s auction. of the auction in accordance with the following provisions. webcast auction, he/she shall indemnify VAN HAM for any object shall be borne by the buyer. If known, such objects general commercial terms and conditions shall not be valid. V2.3 Irrespective of the provisions of Clause V2.1, only Bids received by VAN HAM via internet during an auction costs incurred by paying an additional fee in the amount of are identified by “‡” in the printed catalogue. Such refer- No oral side agreements are valid. Any amendments shall the catalogue information regarding the authorship of the V3.3 Bidders previously unknown to VAN HAM need to shall only be considered for the ongoing auction if it is a three (3) % of the accepted hammer price to VAN HAM. ence, however, does not release the buyer from his respon- be made in writing. item shall form part of the condition agreed with the buyer. submit to VAN HAM a written registration accompanied by live web-cast auction. Apart from that, internet bids shall sibility to gather information on export terms and other VAN HAM does not provide any special warranties that a valid identification card that states an official address no only be admissible if VAN HAM has approved the bidder for V5.5. For buyers entitled to deduct input tax (Vorsteu- regulations for import by himself. The absence of such a V11.2 Place of performance is Cologne. If the client is a may establish any additional rights (§§ 443, 477 German later than 24 hours before the start of the auction. If the internet bidding by providing the bidder with a user name erabzug), the invoice may, upon request (and after prior reference to any export terms does not have any meaning merchant, an entity under public law or a fund under public Civil Code (BGB)). No characteristics other than author- buyer is a company, an entity, a foundation, or any other and password. Internet bids shall only be valid bids if they notification) be made out in line with standard taxation and does under no circumstances indicate that there are no law or if the client has no general place of jurisdiction in ship of the item shall be contractually agreed, even if the type of legal association we will additionally require a cur- can be unequivocally matched to the bidder by means of (Regelbesteuerung). VAT is not levied on shipments to such import or export restrictions. the Federal Republic of Germany, the Courts of Cologne item is presented for advertising purposes. The catalogue rent and valid proof of organisation (for example an extract the user name and password. Internet bids shall be record- third countries (i.e. outside the EU) nor on shipments to shall have jurisdiction over any disputes between VAN HAM thus contains only information and descriptions without from the commercial register). VAN HAM reserves the right ed electronically. The accuracy of the corresponding records companies in EU member states, provided the VAT ID V7. Retention of Title, Set-off, Right of Retention and the client. Mandatory statutory provisions on exclusive agreeing on the condition of the item. The same applies to request a current bank reference or other references or a shall be accepted by bidders/buyers, who shall nevertheless number is stated. If participants in an auction transfer places of jurisdictions shall remain unaffected by this provi- to reproductions contained in the catalogue. The purpose cash deposit before admitting bidders to the auction. be free to furnish evidence to the contrary. Live bids shall be purchased items to third countries themselves, they shall V7.1 The title to an item acquired by auction shall only sion. of said reproductions is to give potential buyers an idea of considered equivalent to bids made in the auction hall. VAN be reimbursed for VAT as soon as proof of export and pass to the buyer upon full receipt of all payments owed the item; they form neither part of the quality agreement V3.4 VAN HAM provides each bidder with a bidder HAM accepts no liability for establishing technical connec- purchase (Ausfuhr- und Abnehmernachweis) has been as per Clauses V5 and V8. In the event that the buyer sells V11.3 German law shall apply; the United Nations nor do they warrant the condition of the item. During the number following presentation of a valid identification tions or for transmission errors in case of internet bids. provided to VAN HAM. such an item without having satisfied all of VAN HAM’s Convention on Contracts for the International Sale of Goods auction procedure only the respective items are sold but not document with the official address and admission to the claims, the buyer hereby already assigns by way of security (CISG) shall not apply. the frames, mounts and picture glass. VAN HAM assumes auction. Only bids made using this number shall be consid- V3.15 Subsequent sales form part of the auction. In the V5.6 Invoices issued during or immediately after an auc- (Sicherungsabtretung) to VAN HAM any claims arising from no liability for parts that are not part of the auctioned item. ered during the auction. event of post-bids, a contract shall only be made once VAN tion must be verified; errors remain reserved to this extent. the resale. VAN HAM hereby accepts such assignment. V11.4 The aforementioned provisions shall also apply HAM accepts a bid. mutatis mutandis to the private sale of items consigned V2.4 VAN HAM expressly excludes any liability for poten- V3.5 All bids shall be considered as made by the bidder V5.7 Payment of the total amount due upon acceptance V7.2 The buyer shall only be entitled to set off claims for auction and, in particular, to post-sales, which are not tial defects, provided that VAN HAM has complied with its on its own behalf and for its own account. If a bidder in- V3.16 In case of distance contracts (Fernabsatzverträge), of a bid shall be made via Electronic Cash, by wire transfer against VAN HAM that are unchallenged and that have governed by the provisions on distance sales as they form duties of care. The liability for injury to life, body or health tends to bid on behalf of a third party, a respective notifica- the right of return and rescission shall not apply to written, or by bank certified cheque. Cheques shall only be accept- been recognised by declaratory judgement. part of the respective auction. remains unaffected. tion shall be given not later than 24 hours prior to the start telephone or internet bids unless the bid was made in a ed on account of performance. Any taxes, costs, transfer of the auction, stating the name and address of the repre- so-called silent auction. Please refer to the cancellation policy or encashment fees (including any bank fees charged to V7.3 The buyer shall have no right of retention based on V11.5 In the event that any of the above provisions are in- V2.5 However, if the buyer is able to prove, within sented party and submitting a written power of attorney, as (Widerrufsbelehrung) at the end of the present General Auc- VAN HAM) shall be borne by the buyer. Payments in cash claims arising from any prior transactions with VAN HAM. valid in whole or in part, the validity of the remaining provi- one year from handing over of the item, that catalogue well as a proof of identity of the third party. Otherwise the tion Terms. or cash equivalents from € 10,000 per calendar year will Insofar as the buyer is a merchant (Kaufmann), the buyer sions shall remain unaffected. The invalid provision shall be information regarding authorship of the item was incorrect contract of sale shall be made with the bidder when the bid be registered according to legal requirements. Buyers who waives its rights under §§ 273, 320 of the German Civil replaced by a valid provision which most closely resembles and did not correspond to the generally accepted expert is accepted. V4. Acceptance of Bids participate in the auction in person shall pay the purchase Code (BGB). the commercial content of the invalid provision. This applies opinion at the date of publication, VAN HAM undertakes price to VAN HAM immediately after their bid has been correspondingly if the contract contains a gap in need of to assert its rights vis-à-vis the Consignor, irrespective of V3.6 If the Consignor, or a third party instructed by V4.1 A bid is accepted after the auctioneer has called accepted. Without prejudice to the fact that payment is V8. Default amendment. In cases of doubt the German version of the Clause V2.4. Where successful recourse is taken against the the Consignor, submits a bid on an item consigned by the the highest bidder’s bid three times. When a bid is ac- due immediately, bids made in absence may be paid within General Auction Terms shall prevail. Translations into other Consignor, VAN HAM shall reimburse the buyer for up to Consignor, and this bid is accepted, the Consignor’s status cepted, a contract of sale is concluded between VAN HAM 14 days of the invoice date without being deemed to be in V8.1 The purchase price shall be due upon acceptance languages merely support the textual orientation. a maximum of the full purchase price which the consignor shall be equivalent to that of any other bidder. The General and the bidder whose bid was accepted. There shall be no default. of the bid. The buyer shall be considered in default 14 days has achieved. VAN HAM additionally undertakes to return Auction Terms therefore apply accordingly to the Consignor entitlement to have a bid accepted. VAN HAM may refuse from conclusion of the contract, i.e. acceptance of the bid its commission in full within a period of one year, if the item making a bid for its own items. to accept the bid or accept it conditionally. This applies V5.8 Auctioned items shall, as a matter of principle, only or post-bid. Payment is to be made to VAN HAM in Euros. Van Ham Kunstauktionen GmbH & Co. KG proves not to be authentic. This is subject to there being no in particular where a bidder who is not known to VAN be handed over after receipt of full payment of all amounts The same shall apply to cheques which shall only be rec- Hitzelerstraße 2, 50968 Cologne, Germany third party claims to the item, and the item being returned V3.7 VAN HAM shall be entitled to place a bid below HAM or with whom no business relationship has yet been owed by the buyer. ognised as fulfilment of the payment obligation once they Local Court Cologne HR A 375 to the VAN HAM head office in Cologne in an unaltered the limit for the consigned lot on behalf of the Consignor, established fails to provide security in the form of bank have been unconditionally credited to the bank account. General Partner: Van Ham Kunstauktionen Verwaltung state. Inaccuracy shall be considered to have been proven without being required to disclose such procedure and references or guarantees by the start of the auction at the V5.9 Due to statutory provisions VAN HAM can only GmbH if an internationally recognised expert on the author listed irrespective of whether or not other bids are placed. latest. accept payments from the registered bidder. Once issued V8.2 In the event of a default in payment, default Local Court Cologne HR B 80313 in the catalogue refuses to have the item included in the and reviewed (see V5.6) we cannot change the buyer’s interest shall be charged at a rate of 1 % per month begun. Managing Director Markus Eisenbeis catalogue of works (Catalogue Raisonné) prepared by the V3.8 The initial bid price shall be determined by VAN V4.2 Where a bid is rejected, the previous bid shall name on the invoice or re-issue the invoice in the name of The buyer shall be entitled to furnish evidence that a lesser (auctioneer for art and antiques, officially appointed and expert, among others. HAM; bids are generally submitted in Euros at a maximum remain valid. If several individuals place equal bids and no a third party. or no loss was incurred. Apart from that, in the event of a sworn by the Cologne Chamber of Commerce and Industry)

Stand: 1.11.2018 Einliefererverzeichnis Gebotsformular | Bidding form List of consignors Auktion Nr. | Sale no: 433

101104: 2259, 2599, 2601, 2605, 2610, 2621 - 101345: 2023, 2618 - 101455: 2158 - 102795: 2077, 2078, 2079, Firma | Company Name Telefon für Auktion | Telephone for the sale 2080, 2081, 2082, 2083, 2084, 2084A, 2085, 2086, 2464, 2468, 2505, 2562, 2564, 2566 - 103266: 2466, 2471, 2473, 2474, 2478, 2495, 2500 - 103338: 2019, 2022, 2030, 2061, 2431, 2433, 2438, 2451, 2452, 2453, 2457, 2458, 2459, 2460, 2492 - 104371: 2095 - 104523: 2045A, 2430, 2437, 2447, 2481 - 104565: 2034, 2070, 2126, 2493, Vorname, Nachname, Titel | First, Last name, Title Telefon für Auktion | Telephone for the sale 2597, 2602, 2603, 2604, 2607, 2611, 2624 - 104819: 2129, 2488 - 104933: 2050, 2051, 2092, 2093, 2094, 2119, 2193, 2201, 2470, 2485, 2506, 2507, 2574 - 104942: 2480, 2482 - 105453: 2154, 2160, 2162, 2166, 2167, 2170, 2176, 2209, 2212, 2427, 2547, 2556, 2557, 2558, 2588, 2589 - 106537: 2026, 2027, 2066, 2441 - 106640: 2261, Straße | Street Tel.| Fax 2444, 2462, 2463 - 107055: 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012 - 107059: 2523 - 107284: 2491 - 107722: 2348, 2349, 2350, 2351, 2352, 2353, 2354, 2355, 2356, 2357, 2358, 2359, 2360, 2361, 2362, 2363, 2364, 2365, 2366, 2367, 2368, 2369, 2370, 2371, 2372, 2373, 2374, 2375, 2376, 2377, PLZ, Ort | Postcode, city E-Mail 2378, 2379, 2380, 2381, 2382, 2383, 2384, 2385, 2386, 2387, 2388, 2389, 2390, 2391, 2392, 2393, 2394, 2395, 2396, 2397, 2398, 2399, 2400, 2401, 2402, 2403, 2404, 2405, 2406, 2407, 2408, 2409, 2410, 2411, 2412, 2413, 2414, 2415, 2416, 2417, 2418, 2419, 2420, 2421, 2422, 2423, 2424, 2425, 2426 - 108656: 2215 - 108833: 2058, Bitte keine Rechnung vorab per E-Mail Land | Country Please do not send invoice in advance via e-mail. 2059 - 108873: 2062, 2137 - 108875: 2582, 2583 - 108880: 2014, 2055 - 109040: 2465 - 109111: 2031 - 109114: 2074, 2075, 2096, 2097, 2098, 2099, 2100, 2101 - 109393: 2041 - 109448: 2141, 2142, 2143, 2144, 2145, 2146, 2147, 2148, 2149, 2150, 2151 - 109671: 2251, 2440, 2578, 2592, 2593 - 110032: 2140 - 110102: 2622 - 110213: Aufgrund der gesetzlichen Bestimmungen können Zahlungen nur von den registrierten Bietern entgegengenommen werden. 2135 - 110214: 2127 - 110215: 2563 - 110280: 2612 - 110340: 2598, 2600, 2620 - 110791: 2024, 2048, 2091, Due to legal regulations payments can only be accepted by registered bidders. 2116, 2443, 2483, 2499 - 110974: 2571 - 111006: 2054, 2090, 2163, 2164, 2165, 2168, 2173, 2496, 2497, 2498, 2541, 2545, 2549, 2550, 2551, 2552, 2553, 2581 - 111113: 2052 - 111115: 2256 - 111194: 2017, 2018 - 111195: Wir bitten Neukunden, uns eine Kopie ihres Personalausweises sowie das Erstbieterformular zukommen zu lassen. 2035, 2057, 2113, 2115, 2131, 2179, 2529, 2530, 2531, 2534, 2536, 2554, 2569 - 111254: 2033, 2036, 2053, We ask new clients to provide us with a copy of their ID card or passport as well as the firt-time bidders registration form. 2069, 2072, 2076, 2109, 2122, 2123, 2125, 2133, 2134, 2138, 2139, 2213, 2436, 2446, 2448, 2461, 2486, 2487, 2489, 2508, 2514, 2515, 2516, 2518, 2519, 2524, 2525, 2538, 2539, 2544, 2576 - 111269: 2172 - 111298: 2087 ANGABEN BITTE IN DRUCKBUCHSTABEN | PLEASE WRITE CLEARLY - 111307: 2344, 2345 - 111310: 2203, 2206, 2207, 2208, 2613, 2614, 2615, 2616, 2617, 2625 - 111315: 2218, Gebote müssen 24 Stunden vor Auktion für Bestätigung eingehen. Bei identischen Geboten wird das als erstes eingegangene akzeptiert. 2219, 2220, 2221, 2222, 2223, 2224, 2225, 2226, 2227, 2228, 2229, 2230, 2231, 2232, 2233, 2234, 2235, 2236, Bids must arrive 24 hours prior to the auction for confirmation. In the event of identical bids, the earliest bid received will take precedence. 2237, 2238, 2239, 2240, 2241, 2242, 2243, 2247, 2253, 2257, 2258, 2338, 2341, 2342, 2346, 2347, 2606 - 111343: 2067, 2432 - 111374: 2494, 2501, 2510, 2591, 2628 - 111391: 2511, 2512, 2513 - 111411: 2088, 2102, 2103, 2106, 2171, 2214, 2520 - 111444: 2016 - 111472: 2104, 2105, 2184, 2543 - 111473: 2069A, 2211, 2469, 2572 - Lot Titel Tel. Gebot Max.Gebot (Gebot ohne Aufgeld) 111545: 2337, 2585, 2594 - 111550: 2118 - 111568: 2428 - 111589: 2546, 2559 - 111606: 2186, 2187, 2188, 2189, Title Tel. bid Max.bid (Bid without premium 2190, 2191, 2192, 2199, 2200, 2445, 2568, 2570 - 111669: 2159 - 111670: 2073 - 111672: 2619 - 111686: 2196 - 111717: 2174, 2175 - 111718: 2185, 2205, 2573 - 111741: 2068, 2509 - 400152: 2029, 2121, 2577, 2579, 2580 € - 401024: 2194, 2195, 2197, 2198 - 402425: 2244, 2245, 2246, 2248, 2250, 2252, 2254, 2255, 2336, 2339, 2340, 2343 - 402429: 2202, 2204 - 402441: 2262, 2263, 2264, 2265, 2266, 2267, 2268, 2269, 2270, 2271, 2272, 2273, 2274, 2275, 2276, 2277, 2278, 2279, 2280, 2281, 2282, 2283, 2284, 2285, 2286, 2287, 2288, 2289, 2290, 2291, € 2292, 2293, 2294, 2295, 2296, 2297, 2298, 2299, 2300, 2301, 2302, 2303, 2304, 2305, 2306, 2307, 2308, 2309, 2310, 2311, 2312, 2313, 2314, 2315, 2316, 2317, 2318, 2319, 2320, 2321, 2322, 2323, 2324, 2325, 2326, 2327, 2328, 2329, 2330, 2331, 2332, 2333, 2334, 2335 - 45025: 2540 - 46319: 2442 - 47211: 2522 - 48638: 2028, 2065, € 2504, 2586, 2587, 2596, 2626 - 49807: 2609 - 56866: 2060 - 60278: 2013, 2455 - 60838: 2435 - 66235: 2249, 2260, 2479, 2528, 2565, 2608 - 67184: 2439, 2623 - 67971: 2046, 2216, 2517 - 68362: 2037, 2038, 2039, 2040 - 71254: 2032, 2089, 2627 - 73615: 2590 - 76108: 2047, 2124, 2548, 2575 - 84228: 2111, 2117, 2210 - 85879: € 2484, 2595 - 87415: 2567 - 89930: 2472, 2502, 2503 - 90698: 2217 - 94951: 2107, 2108, 2110, 2114, 2120, 2128, 2130, 2132, 2136, 2526, 2527, 2532, 2533, 2535, 2537, 2542 - 95096: 2042, 2043, 2044, 2045, 2049, 2063, 2064, 2152, 2153, 2155, 2156, 2157, 2161, 2169, 2177, 2178, 2180, 2181, 2182, 2183, 2475, 2476, 2477, 2521, 2555, Nur für Kunst-Händler | For art dealers only: 2560, 2561 - 95884: 2015, 2020, 2021, 2025, 2056, 2071, 2112, 2429, 2434, 2449, 2450, 2454, 2456, 2467, 2490 - Bitte mit MwSt-Ausweis Please use my VAT-No. for my invoice (VAT-identification number) 96275: 2584.

Bitte beachten Sie, dass die Ausführung von schriftlichen und telefonischen Geboten ein Service unseres Hauses ist. VAN HAM kann daher keine Zusicherung für deren Ausführung bzw. fehlerfreie Durchführung geben. Hiermit erkenne ich die im Katalog abgedruckten Geschäftsbedingungen an. I understand that VAN HAM provides the service of executing absentee bids for the convenience of clients and that VAN HAM is not responsible for failing to execute bids or for errors related to the execution of bids. I accept the standard business conditions (see catalogue).

Impressum Legal notice Ort, Datum | Place, date Unterschrift | Signature Digitale Photographie: Sasˇa Fuis Digitale Bildbearbeitung: Sasˇa Fuis Expertenfoto: © Meike Wirsel Van Ham Kunstauktionen GmbH & Co. KG Tel. +49 (221) 925862-0 Persönlich haftender Gesellschafter: Layout und Satz: Ben Wozniak Hitzelerstraße 2 | 50968 Köln Fax. +49 (221) 925862-4 Van Ham Kunstauktionen Verwaltung GmbH USt-ID Nr. DE 122 771 785 [email protected] Amtsgericht Köln HR B 80313 VAN HAM Kunstauktionen, Köln Amtsgericht Köln HR A 375 www.van-ham.com Geschäftsführer Markus Eisenbeis Druck: VD Vereinte Druckwerke

Köln, 1.11.2018 Mitgliedschaften Unsere Repräsentanzen

Berlin Olaf Schneemann Tel.: +49 172 5391429 [email protected]

Hamburg Lot Titel Tel. Gebot Max.Gebot (Gebot ohne Aufgeld) Dr. Katrin Stangenberg Title Tel. bid Max.bid (Bid without premium) Van Ham ist Partner von The Art Loss Register. Sämtliche Gegenstände Magdalenenstr. 18 in diesem Katalog, sofern sie eindeutig identifizierbar sind und einen 20148 Hamburg € Schätzwert von mindestens € 1.500 haben, wurden vor der Versteigerung Tel.: +49 40 41 91 05 23 mit dem Datenbestand des Registers individuell abgeglichen. Fax: +49 40 41 91 05 24 Mobil: +49 172 14 81 800 € Bundesverband deutscher Kunstversteigerer e.V. (BDK) [email protected] Kunsthändlerverband Deutschland (KD) München € Dr. Barbara Haubold Elly-Ney-Str. 15 82327 Tutzing € Tel.: +49 81 58 99 712 88 Fax: +49 81 58 90 34 61 [email protected] € Belgien und Niederlande Dr. Petra Versteegh-Kühner € Sterrenlaan 6 3621 Rekem | Belgien Tel.: +32 89 71 60 04 € Fax: +32 89 71 60 05 Mobil: +31 620 40 21 87 [email protected] € Luxemburg Marina Gräfin von Kamarowsky MvK Fine Art Hinweise für nicht anwesende Bieter | Information for absentee bidders 2, Rue Nicolas Braunshausen Schriftliche / telefonische Gebote | Absentee / Telephone bids 1257 Luxemburg Die umstehend und hier eingetragenen Gebote sind bindend und werden nur soweit in Anspruch genommen, wie andere Gebote überboten werden Tel.: +352 44 04 95 müssen. Das Aufgeld ist nicht enthalten; maßgeblich sind die eingetragenen Katalog nummern. Bei Schätzpreisen ab € 500 haben Sie auch die Mög lichkeit, Fax: +352 44 04 92 telefonisch mitzusteigern. Per Fax geschickte Gebote müssen uns mit Original-Unterschrift bestätigt werden. Telefonische Gebote werden wie schriftliche Mobil: +352 691 16 88 22 Gebote behandelt. Bitte ge ben Sie uns statt des Höchst gebotes Ihre Te le fon-Nr. an, unter der Sie zum Zeit punkt der Auktion zu erreichen sind. Gespräche [email protected] beim telefonischen Bieten können aufgezeichnet werden. Im Interesse der Einlieferer können Gebote unter zwei Drittel der Schätzpreise nicht be rücksichtigt werden. Aus fuhrlieferungen sind von der Mehrwertsteuer be freit, innerhalb der EU jedoch nur bei branchengleichen Unternehmen mit Umsatz steuer-Identifikations-Nr.

The overleaf and here inscribed bids are binding and will only be utilized to the extent necessary to overbid other bids. The buyer’s premium is not included. Decisive are the inscribed lot numbers. You have the possibility to bid for lots from € 500 upwards. Bids sent via fax have to be conﬁrmed with the original signature. Telephone bids are treated like absentee bids. Telephone bidders should provide the telephone number at which they can be reached instead of a maximum bid. Phone calls during the telephone bidding can be recorded. Bids below 2/3rds of the estimate price cannot be accepted. Exported purchases are free of VAT and within the EU only for art dealers with a VAT number.

Abholung | Transport Bezahlte Objekte können während der Auktion abgeholt werden. Bei späterer Ab ho lung bitten wir um kurze Nachricht vorab, um Wartezeiten zu vermeiden. Objekte, die nicht spätestens drei Wo chen nach Rechnungslegung abgeholt wurden, können auf Kosten des Käufers eingelagert oder zugesandt werden. Paid objects can be collected during the auction. In case of a later pick-up, please inform us to avoid delays. Objects not collected within three weeks of the invoice‘s issue date can be shipped or stored at the buyer‘s expense.

Auktionsergebnisse | Auction results Ab dem ersten Werktag nach Auktion können Sie die Ergebnisse im Internet unter www.van-ham.com einsehen. Hauptsitz You ﬁnd our results one day after the auction on www.van-ham.com. Van Ham Kunstauktionen Beirat Hitzelerstraße 2 50968 Köln Tel.: +49 221 92 58 62-0 Kommerzialrat Prof. Ottmar Braun Sprecher Fax: +49 221 92 58 62-4 Ort, Datum | Place, date Unterschrift | Signature Prof. Dr. Albert Mayer [email protected] Drs. Guido de Werd www.van-ham.com 亚洲古董珍玩 2019年6月12日