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What Makes Me Feel Drawn to KROKE Music Is Spiritual Reality of the Musicians, This Means Honesty and Authenticity of the Music
What makes me feel drawn to KROKE music is spiritual reality of the musicians, this means honesty and authenticity of the music. Nigel Kennedy The music is too dark to really represent traditional klezmer. At times, it is almost as if the Velvet Underground have been reborn as a klezmer band. Ari Davidov KROKE live are a hair-raisingly brilliant, unforgettable experience. John Lusk At times they sound jazzy, at times contemporary, at times classical. Their music is at once passionate and danceable. Dominic Raui KROKE (which means Kraków in Yiddish) was formed in 1992 by three friends and graduates of the Kraków Academy of Music: Jerzy Bawoł (accordion), Tomasz Kukurba (viola) and Tomasz Lato (double bass). The members of the group completed all stages of standard music education, including contemporary music. KROKE began by playing klezmer music, which is deeply set in Jewish tradition, and adding a strong influence of Balkan music. Currently, they draw inspiration from a variety of ethnic music from around the world, combining it with elements of jazz and improvisation, creating their own distinctive style. Initially, KROKE performed only in clubs and galleries situated in Kazimierz, a former Jewish district of Kraków. There, for the first time, one could listen to KROKE's songs. They later recorded their first cassette released at their own expense in 1993. While performing at the Ariel gallery, they came to the attention of Steven Spielberg, who was shooting Schindler's List in Kraków at the time. Spielberg invited them to Jerusalem, where he was shooting the final scenes. The group performed a concert at the Survivors' Reunion for those of Oskar Schindler's list who made it through the war. -
Tuareg Music and Capitalist Reckonings in Niger a Dissertation Submitted
UNIVERSITY OF CALIFORNIA Los Angeles Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Eric James Schmidt 2018 © Copyright by Eric James Schmidt 2018 ABSTRACT OF THE DISSERTATION Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger by Eric James Schmidt Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Timothy D. Taylor, Chair This dissertation examines how Tuareg people in Niger use music to reckon with their increasing but incomplete entanglement in global neoliberal capitalism. I argue that a variety of social actors—Tuareg musicians, fans, festival organizers, and government officials, as well as music producers from Europe and North America—have come to regard Tuareg music as a resource by which to realize economic, political, and other social ambitions. Such treatment of culture-as-resource is intimately linked to the global expansion of neoliberal capitalism, which has led individual and collective subjects around the world to take on a more entrepreneurial nature by exploiting representations of their identities for a variety of ends. While Tuareg collective identity has strongly been tied to an economy of pastoralism and caravan trade, the contemporary moment demands a reimagining of what it means to be, and to survive as, Tuareg. Since the 1970s, cycles of drought, entrenched poverty, and periodic conflicts have pushed more and more Tuaregs to pursue wage labor in cities across northwestern Africa or to work as trans- ii Saharan smugglers; meanwhile, tourism expanded from the 1980s into one of the region’s biggest industries by drawing on pastoralist skills while capitalizing on strategic essentialisms of Tuareg culture and identity. -
OFF Festival Katowice 2018 Warsaw Village Band Meets Poznań City Revival
OFF Festival Katowice 2018 Warsaw Village Band meets Poznań City Revival Here at the OFF Festival, we always enjoy reminiscing: there’s the 2007 debut by Muchy, and the songs of our forefathers as reinterpreted by the Warsaw Village Band. But we also look boldly into the future, as personified by a pair of excellent debut artists: Rolling Blackouts Coastal Fever and Fontaines D.C. Kapela ze Wsi Warszawa – mazovian re:action No one has done more to demystify folk music in the ears of popular young audiences than the Warsaw Village Band (known in Poland as Kapela ze Wsi Warszawa), who often resort to audacious experiments that draw the ire of their own musical milieu. No one has been bolder when it comes to combining local roots with musical shoots growing all over the world and in all eras. Only they could spice up a Slavic melody with a voice from India, a solo by an Iranian virtuoso, and a electronic beat lifted from a London dance club. On Warsaw Village Band’s latest album, mazovian re:action (a late 2017 release that’s already scored a Fryderyk Award), the artists head home from their distant travels, playing Mazovian songs learned from old masters and sharing those tunes with the world. Muchy performing „Xerroromans” This Poznań band made their memorable debut in 2007 with Terroromans, an album that launched Muchy into immediate indie-rock stardom. More than a decade later, the group returns with the same lineup, the same material (and an extra track on the re-edition of Terroromans), and the same drive. -
ZAREGISTRUJTE SA Dnes Objavte Radosť Z Grilovania: Zaregistrujte Váš Plynový Gril SPIRIT II a Získate Špeciálny Obsah, Ktorý Z Vás Urobí Majstra Grilovania
Návod na použitie GRILOV PLYNOVÝCH E-220 GBS • E-320 GBS • S-320 GBS ZAREGISTRUJTE SA dnes Objavte radosť z grilovania: Zaregistrujte Váš plynový gril SPIRIT II a získate špeciálny obsah, ktorý z Vás urobí majstra grilovania. Registrácia je jednoduchá a opýtame sa Vás iba na pár rýchlych otázok. Za menej než 2 minúty aktivujete Vaše jedinečné WEBER-ID a odomknete svet znalostí a rád WEBER. Inšpirujte sa na Vašej ceste. 54755 062918 TELEFÓN MOBIL E-MAIL ONLINE sk - Slovak Tento Návod na použitie si uchovajte pre ďalšiu potrebu, dôkladne si ho prečítajte a pokiaľ máte nejaké otázky, prosíme, kontaktujte nás ešte dnes. Dôležité bezpečnostné informácie NEBEZPEČENSTVO, VAROVANIE a UPOZORNENIE sú oznámenia, ktoré sa používajú v celom Návode na použitie za účelom zdôraznenia kritických a dôležitých informácií. Čítajte a dodržiavajte tieto oznámenia za účelom zaistenia bezpečnosti a prevencie vzniku vážnych škôd. Oznámenia sú definované nižšie. m NEBEZPEČENSTVO: Indikuje rizikovú situáciu, ktorá, ak sa jej nevyhnete, vyústi do smrti alebo vážneho úrazu. Vitajte u WEBER m VAROVANIE: Indikuje rizikovú situáciu, ktorá, ak sa jej nevyhnete, môže vyústiť do smrti alebo vážneho úrazu. m UPOZORNENIE: Indikuje rizikovú situáciu, ktorá, ak sa jej nevyhnete, môže vyústiť do ľahkého alebo stredne ťažkého úrazu. m NEBEZPEČENSTVO Ak cítite plyn: • Uzatvorte prívod plynu na zariadení (grile). • Uhaste každý otvorený plameň. • Otvorte poklop. • Ak zápach pretrváva, vzdiaľte sa od zariadenia (grilu) a ihneď zavolajte Vášmu dodávateľovi plynu alebo hasičov. m VAROVANIE • Neuskladňujte ani nepoužívajte benzín ani iné horľavé kvapaliny alebo plyny vitajte v našej rodine v okolí tohto (grilu) ani v okolí iných zariadení. Sme veľmi radi, že ste sa k nám pridali na ceste k radosti z grilovania. -
Best of 2012
http://www.afropop.org/wp/6228/stocking-stuffers-2012/ Best of 2012 Ases Falsos - Juventud Americana Xoél López - Atlantico Temperance League - Temperance League Dirty Projectors - Swing Lo Magellan Protistas - Las Cruces David Byrne & St Vincent - Love This Giant Los Punsetes - Una montaña es una montaña Patterson Hood - Heat Lightning Rumbles in the Distance Debo Band - Debo Band Ulises Hadjis - Cosas Perdidas Dr. John - Locked Down Ondatrópica - Ondatrópica Cat Power - Sun Love of Lesbian - La noche eterna. Los días no vividos Café Tacvba - El objeto antes llamado disco Chuck Prophet - Temple Beautiful Hello Seahorse! - Arunima Campo - Campo Tame Impala - Lonerism Juan Cirerol - Haciendo Leña Mokoomba - Rising Tide Lee Fields & The Expressions - Faithful Man Leon Larregui - Solstis Father John Misty - Fear Fun http://www.bestillplease.com/ There’s still plenty of time to hit the open road for a good summer road trip. Put your shades on, roll down the windows, crank up the tunes and start cruising. Here are some of CBC World's top grooves for the summer of 2012. These are songs that have a real rhythm and a sunny, happy, high-energy vibe to them. 6. Mokoomba, “Njoka.” Mokoomba is a band from the Victoria Falls area of Zimbabwe, made up of musicians from the Tonga people of Zimbabwe. The textures on this first single, from Mokoomba's second album Rising Tide, are great, especially the vocals http://music.cbc.ca/#/blogs/2012/8/Road-trip-playlist-with-Quantic-the-Very-Best-Refugee-All-Stars-more CHARTS & LISTS AFRICAN MUSIC: THE BEST OF 2012. This list considers only new, original studio recordings released this year. -
2019 11 November.Pdf (702.8 Kib)
NOVEMBER 2019 KHARIFA l HABIB KOITE MALI (CONTRE-JOUR) RECIFE 19 l DJ DOLORES BRAZIL (STERN’S) SISSOKO & SISSOKO l BALLAKE SISSOKO & BABA SISSOKO MALI (HOMERECORDS) REBUJO l DONA ONETE BRAZIL (MAIS UM DISCOS) DO YOU LOVE l OTAVA YO RUSSIA (ARC) JDID l ACID ARAB FRANCE (CRAMMED) ABAN l THE GARIFUNA COLLECTIVE BELIZE (STONETREE) DERIN DERIN l BABA ZULA TURKEY (GLITTERBEAT) JE SUIS AFRICAIN l RACHID TAHA ALGERIA/FRANCE (NAIVE) SABUR l KORJEN VARIOUS ARTISTS (INDIES SCOPE) 9 The WORLD MUSIC CHARTS EUROPE Panel: Austria: Albert Hosp (ORF), Johann Kneihs (ORF); Belgium: Didier Melon (RTBF), Zjakki Willems (vrt); 1 0 Czech Republic: Milan Tesar (Radio Proglas), Petr Doruzka (VLTAVA); Croatia: Emir Fulurija (Radio Student); Estonia: Tonu Timm (Vikkerraadio); 2 c Finland: ; France: ; Germany: i Harri Tuominen (YLE) Bintou Simpore (Radio Nova), Herve Riesen (Radio France), Laurence Aloir (RFI) Francis Gay s (WDR-COSMO), Jay Rutledge (Bayerischer Rundfunk), Johannes Theurer (Rundfunk Berlin-Brandenburg, RadioEINS); Greece: Georgios Markakis u m (Kosmos 93.6), Manos Tzanakakis (Globalistas); Hungary: Balázs Weyer (MR3-Bartok), László Marton (Radio Q 99.5); Italy: Marcello Lorrai (Popolare t f Milano); Latvia: Gita Lancere (Radio Latvia); Ilmars Slapins (Radio NABA, Rigas Slaiks); Netherlands: Bas Springer (NTR); Norway: Arne Berg (nrk); i Poland: Jakub Borysiak (Polski Radio 2), Wojciech Ossowski (Polski Radio 3), Maciej Szajkowski (Polskie Radio 4), Kleszcz Wlodzimierz (Polski Radio g RCKL); Portugal: Nuno Sardina (RDP Africa); Romania: Cristi Marica (RBA); Russia: Artemy Troitsky (Echo Moskwy); Serbia: Bojan Djordjevic (Radio © B92), Ivana Komadina (Radio Belgrade 2); Slovakia: Vladimìr Potancok(Radio_FM); Slovenia: Drago Vovk (SRAKA); Spain: Albert Reguant (Ona de Sants Montjuic 94,6), Jose-Miguel Lopez (RNE 3), Lara Lopez (RNE), Oscar Losado Castro (RADIOFUSION); Switzerland: Jean Marc Baehler (RSR Couleur 3); United Kingdom: Lopa Kothari (BBC 3), DJ Ritu (BBC). -
2012 09 Topten.Pdf (609.3 Kib)
SEPTEMBER 2012 GREEKADELIA l KRISTI STASSINOPOULOU & STATHIS KALYVIOTIS GREECE (WORLD MUSIC NETWORK) NORD l WARSAW VILLAGE BAND POLAND/SWEDEN (JARO) NO NA ORELHA l CRIOLO BRAZIL (STERNS) LA CANTIGA DEL FUEGO l ANA ALCAIDE SPAIN (A.ALCAIDE PROD) SONGS FOR DESERT REFUGEES l V.A. VARIOUS (GLITTERHOUSE) ONDATROPICA l ONDATROPICA COLOMBIA (SOUNDWAY) A CURVA DA CINTURA l A.ANTUNES, E.SCANDURRA, T.DIABATE BRAZIL/MALI (MAIS UM DISCOS) MEYHANE - KAFE AMAN l LOXANDRA GREECE (POLYPHONON) INNOVATION l SEKOUBA BAMBINO GUINEE (LUSAFRICA) EL AAIUN AGDAT l MARIEM HASSAN WESTERN SAHARA (NUBENEGRA) 2 The WORLD MUSIC CHARTS EUROPE Panel: Austria: Albert Hosp (ORF), Johann Kneihs (ORF); Belgium: Didier Melon (RTBF), 1 0 Zjakki Willems (vrt); Czech Republic: Petr Doruzka (VLTAVA); Estonia: Tonu Timm (Vikkerraadio), Aimar Ventsel (Radio2 Tallinn); 2 c Finland:, Marten Holm (YLE,Radio Vega), Ole Holmberg (YLE), Harri Tuominen (YLE); France: Laurence Aloir (RFI), Daniel Brown i s (RFI), Bintou Simpore (Radio Nova); Germany: Klaus Frederking (NDR), Francis Gay (WDR-Funkhaus Europa), Michael Kleff (DLF), u m Gülbahar Kültür (Radio Bremen), Jay Rutledge (Bayerischer Rundfunk), Johannes Theurer (Rundfunk Berlin-Brandenburg); Greece: t f i Giorgos Markakis (Kosmos), Manos Tzanakakis (Mylos); Hungary: Balázs Weyer (MR3-Bartok), László Marton (MR2); Ireland: Gerry g Godley ( RTE); Italy: Paolo Ferrari (Popolare Firenze), Patrick Fassiotti (Popolare Milano) ; Latvia: Gita Lancere (Radio Latvia); © Ilmars Slapins (Radio NABA, Rigas Slaiks); Netherlands: Bas Springer -
Nine Constructions of the Crossover Between Western Art and Popular Musics (1995-2005)
Subject to Change: Nine constructions of the crossover between Western art and popular musics (1995-2005) Aliese Millington Thesis submitted to fulfil the requirements for the degree of Doctor of Philosophy ~ Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide October 2007 Contents List of Tables…..…………………………………………………………....iii List of Plates…………………………………………………………….......iv Abstract……………………………………………………………………...v Declaration………………………………………………………………….vi Acknowledgements………………………………………………………...vii Chapter One Introduction…………………………………..…..1 Chapter Two Crossover as a marketing strategy…………....…43 Chapter Three Crossover: constructing individuality?.................69 Chapter Four Shortcuts and signposts: crossover and media themes..…………………...90 Chapter Five Evoking associations: crossover, prestige and credibility………….….110 Chapter Six Attracting audiences: alternate constructions of crossover……..……..135 Chapter Seven Death and homogenization: crossover and two musical debates……..……...160 Chapter Eight Conclusions…………………..………………...180 Appendices Appendix A The historical context of crossover ….………...186 Appendix B Biographies of the four primary artists..…….....198 References …...……...………………………………………………...…..223 ii List of Tables Table 1 Nine constructions of crossover…………………………...16-17 iii List of Plates 1 Promotional photograph of bond reproduced from (Shine 2002)……………………………………….19 2 Promotional photograph of FourPlay String Quartet reproduced from (FourPlay 2007g)………………………………….20 3 Promotional -
C O N T E N T S
c o n t e n t s editorial Dear Readers! 1 Romana Maliti interviews For the first time the Theatre Institute publishes 2 The Absence of Freedom is our Responsibility a year catalogue about the current situation in With Darina Kárová, director of International Theat- Slovakia. Interviews, reviews and analytical articles re Festival Divadelná Nitra are the selection of the most interesting articles 6 Ballet – Almost a Perfect Medium from 10 issues of KÓD – KONKRÉTNE O DIVADLE With Mário Radačovský, choreographer and director magazine. The magazine started to be published of the Ballet of the Slovak National Theatre in 2OO7 and filled the gap of a long absence of 9 A Mirror Held Up to the Absurdity of Living a theatre magazine for professional and broad With Miloš Karásek, director, stage designer and public. The catalogue in English language brings also a survey of theatre playwright critics offering you a complete view on dramatic works of theatre in 13 The Moment of Insight Slovakia and the structure of the network of professional theatres. With Ján Šimko, dramaturge of Studio 12 Bratislava and director I believe that THE CODE TO THE SLOVAK THEATRE will „un-code“ our 18 Man at the Centre of Interest theatre culture to everyone of its readers. It will give you a basic view With Viera Dubačová, director of Arteterapia Festival of what is happening in the Slovak theatre world and it will bring you the and Zuzana Ferenczová, dramaturge of Arteterapia critical ideas concerning theatre in Slovakia in the articles by theatre Festival directors, playwrights, dramaturges, theatre scientists and critics who 20 We Have a Responsibility to the Audience are presented in the catalogue. -
Nigel Kennedy Is Back and He's Showing No Signs of Mellowing
Still playing the rebel: Nigel Kennedy is back and he's showing no signs of mellowing Nigel Kennedy returns for a gig at London's Tower Festival as his seminal Vivaldi album gets a 20th anniversary re- release. He still has the haircut, the attitude, and he's still angry – about conductors, the price of CDs, Palestine, country music, Margaret Thatcher, and much more. Jessica Duchen met him, and then partied... Friday, 4 September 2009 Sunset over the Brandenburg Gate, Berlin, and Nigel Kennedy is giving a special performance with his jazz quintet to mark the conclusion of the World Athletics Championships. "Berlin – nummer eins!" the mohican-crested renegade fiddler shouts to the crowd from a stage opposite the landmark. He takes a spoof bow, flapping his hands while pony-galloping forward and back, telling the crowd that this is "Shakespearean". "Oh, Nigel," his manager sighs, "what are you doing?" Later, after his trademark greeting, "monster!", we settle in his dressing-room tent, Kennedy nursing an outsize tumbler of neat vodka, to discuss what he really is doing. At 52, outwardly the bad boy of the violin hasn't changed much since his ever-controversial recording of Vivaldi's The Four Seasons 20 years ago, when it got into The Guinness Book of Records as the highest-selling classical album ever and caused near-apoplexy in the classical world. The record industry is marking the anniversary with a special re-release, but Kennedy has long since moved on. He works hard, plays hard – the night before he'd been partying until 9am – and never stops dreaming up new projects. -
Unemployed Intellectuals in the Sahara: the Teshumara Nationalist Movement and the Revolutions in Tuareg Societyã
IRSH 49 (2004), Supplement, pp. 87–109 DOI: 10.1017/S0020859004001658 # 2004 Internationaal Instituut voor Sociale Geschiedenis Unemployed Intellectuals in the Sahara: The Teshumara Nationalist Movement and the Revolutions in Tuareg Societyà Baz Lecocq Summary: In the past four decades the Tuareg, a people inhabiting the central Sahara, experienced dramatic socioeconomic upheaval caused by the national independence of the countries they inhabit, two droughts in the 1970s and 1980s, and prolonged rebellion against the state in Mali and Niger in the 1990s. This article discusses these major upheavals and their results from the viewpoint of three groups of Tuareg intellectuals: the ‘‘organic intellectuals’’ or traditional tribal leaders and Muslim religious specialists; the ‘‘traditional intellectuals’’ who came into being from the 1950s onwards; and the ‘‘popular intellectuals’’ of the teshumara movement, which found its origins in the drought-provoked economic emigration to the Maghreb, and which actively prepared the rebellions of the 1990s. By focusing on the debates between these intellectuals on the nature of Tuareg society, its organization, and the direction its future should take, the major changes in a society often described as guarding its traditions will be exposed. INTRODUCTION ‘‘In this still untamed Sahara – among the camel herdsmen, young Koranic students, government officials, and merchants now anticipating a more peaceful and prosperous future – we were seeking rhythms of life unbroken since the time of Muhammad, 1,300 years ago.’’1 When the Tuareg rebellions in Mali and Niger ended in the second half of the 1990s, journalists set out to look for the unchanging character of Saharan life, ruled by tradition and ways as old as mankind. -
The-St-Petersburg-Times-2014-12.Pdf
NO. 12 (1804) САНКТ-ПЕТЕРБУРГ-ТАЙМС WEDNESDAY, APRIL 2, 2014 WWW.SPTIMES.RU ALEXANDER BELENKY / SPT Due to unseasonably warm weather, despite Monday’s brief snowstorm, the Neva River opened for navigation on Apr. 1, a month earlier than usual. Early- OPENING NIGHT morning openings of the drawbridges along the river are to be rolled out over the next few days. For the latest schedule of opening times, visit www.sptimes.ru. BUSINESS FEATURE Irina Prokhorova Russian Dogs TRAVEL Led to Greener Myshkin: Pastures Where The Mouse Is King International humane societies make it their The fairy-tale origin of a sleepy On publishing, education mission to find homes town along the Volga. Page 18. and social change. Page 9. for Russian dogs. Page 6. LocalNews www.sptimes.ru | Wednesday, April 2, 2014 ❖ 2 Ombudsman Releases Report on Human Rights By Sergey Chernov which led to the effective cancellation of THE ST. PETERSBURG TIMES screenings, while anti-gay groups gath- Xenophobia in the city rose to alarming ered outside festival venues and at- heights in 2013, sometimes resulting in tempted to force their way in. violent crime, St. Petersburg ombuds- The most serious offence took place man Alexander Shishlov pointed out in on Nov. 3, 2013, when two masked men the presentation for his annual report at entered the LGBT community center the Legislative Assembly on Mar. 26. LaSky and began shooting a pneumatic The year was marked by the right- firearm at those present. The attack left wing initiative called “Russian clean- LGBT activist Dmitry Chizhevsky blind ups,” directed against migrant vendors in one eye.