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Experiences of Youth in the Sex Trade in Chicago: Issues in Youth Poverty and Homelessness
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Experiences of Youth in the Sex Trade in Chicago: Issues in Youth Poverty and Homelessness Author(s): Laurie Schaffner, Grant Buhr, Deana Lewis, Marco Roc, Haley Volpintesta Document No.: 249954 Date Received: June 2016 Award Number: 2009-MC-CX-0001 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this federally funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Experiences of Youth in the Sex Trade in Chicago Issues in Youth Poverty and Homelessness By Laurie Schaffner, Grant Buhr, deana lewis, Marco Roc, and Haley Volpintesta 520 Eighth Avenue, 18th Floor New York, New York 10018 646.386.3100 fax 212.397.0985 www.courtinnovation.org This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Experiences of Youth in the Sex Trade in Chicago: Issues in Youth Poverty and Homelessness By Laurie Schaffner, Grant Buhr, deana lewis, Marco Roc, and Haley Volpintesta © March 2016 Center for Court Innovation 520 Eighth Avenue, 18th Floor New York, New York 10018 646.386.3100 fax 212.397.0985 www.courtinnovation.org This document is a research report submitted to the U.S. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
University of Houston Oral History of Houston Project Early LGBT Houston
HHA# 00820 Interviewee: Van Cleave, Kay Interview Date: July 6, 2010 University of Houston Oral History of Houston Project Early LGBT Houston Interviewee: Kay Van Cleave Interview Date: July 6, 2010 Place: Van Cleave Home, Houston Heights Interviewer: John Goins Transcriber: Michelle Kokes Keywords: Gay life, 1950s, 1960s, Houston, Diana’s, Diana Awards, Houston gay bars, Rock Hudson, gay life for blacks, lesbians, gay men, drag queens, fund raising, house parties, race, class, A Group, Charles Hebert, Lambda, Houston Gay Pride Abstract: Born in 1937 and moving to Houston in 1953, Kay Van Cleave offers a glimpse into early gay life there and the beginnings of its organization. As a member of the group that founded the Diana’s in the 1950s, she was present at the earliest of the events. In her early years, she associated with an elite, moneyed, group that did not involve itself politically. Her interview reveals the atmosphere in the fifties and sixties with regard to coming out in those years, the lifestyle of gay individuals, and the issues of race and class. In time, however, Kay became more “out” publicly and participated in groups that she considered to be important. This included among others, membership in PFLAG and forming the first Alcoholics Anonymous chapter, Lambda, for gay women and men in Houston. HHA# 00820 Page 1 of 40 Interviewee: Van Cleave, Kay Interview Date: July 6, 2010 UNIVERSITY OF HOUSTON ORAL HISTORY OF HOUSTON PROJECT Kay Van Cleave Interviewed by: John Goins Date: July 6, 2010 Transcribed by: Michelle Kokes Location: Houston, Texas KVC: Okay I was born in 1937 in Fort Worth, Texas and my aunt (my father’s sister) had a lot of money. -
Virtual It's About Time Writers' Reading Series, Meeting 371
Virtual It's About Time Writers' Reading Series, Meeting 371 00:00:01 Peggy I'm very happy that for reading number 371, we've had some incredibly talented writers from this year's 2020, Jack Straw Writers Program - JackStraw.org. Our first reader is Rob Arnold, Rob Arnold’s poems have appeared in Ploughshares, Gettysburg Review, Poetry Northwest, Hyphen, RED INK, Yes Poetry, and The Ocean State Review, among others. His work has been nominated for a Pushcart Prize and has received support from the Somerville Arts Council and Artist Trust. He is a Program Director and Curator of Events at Hugo House, Rob. 00:00:46 Rob Thank you so much. I'm going to read a long poem which sort of feels apropos for this moment with the pandemic. It's a meditation on love and loss and distance which seems really sadly appropriate for our times. So these are nine part poem called "The Channel." 00:01:11 One. We had come again to the longshore to look outward as if into the depths of memory. We're alone. House lights burn with secrecies where the black tide raised and the moon's negation filtered down. How long could we return here? Hoping our solace would come back to us. The naked waves distant aurora reflecting in the moisture on our bodies. One by one, our beacons have gone out until the beachside arc. It was like this every time the two of us coming together, cupped in the illusions that played over the water's skin, like moonlight or like something unnamable that passed between us, swiftly, before we could control ourselves and was gone. -
How REAL ID's Credibility and Corroboration Requirements Impair
CONROY_MACRO2 (DO NOT DELETE) 4/20/2009 9:47:08 AM Real Bias: How REAL ID’s Credibility and Corroboration Requirements Impair Sexual Minority Asylum Applicants Melanie A. Conroy† I. INTRODUCTION ..........................................................................................2 II. SEXUAL MINORITIES AND THE LAW OF ASYLUM.......................................3 III. PRE-REAL ID CREDIBILITY AND CORROBORATION LAW AND PROBLEMS..................................................................................................5 A. Pre-Real ID Corroboration Law......................................................... 5 B. Pre-Real ID Corroboration Problems................................................. 7 i. Corroborating the Persecution of Similarly-Situated Individuals ...................................................................................8 ii. Corroborating One’s Sexual Minority Membership ..................10 C. Pre-Real ID Credibility Law............................................................ 11 D. Pre-Real ID Credibility Problems .................................................... 13 i. Airport Statements .....................................................................13 ii. The Social Visibility Requirement: Demeanor, Plausibility, and Consistency .........................................................................15 iii. Social Constructions of Gender and Sexuality: External Consistency................................................................................18 IV. REAL ID: ITS HISTORY, CONTENT, -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Heterosexism Within Educational Institutions
HETEROSEXISM WITHIN EDUCATIONAL INSTITUTIONS: COPING EFFORTS OF LESBIAN, GAY, AND BISEXUAL STUDENTS IN WEST TEXAS by VIRGINIA J. MAHAN, B.A., M.Sp.Ed. A DISSERTATION IN EDUCATIONAL PSYCHOLOGY Submitted to the Graduate Faculty of Texas Tech University in Partial FulfiUment of the Requirements for the Degree of DOCTOR OF EDUCATION Approved December, 1998 /, Ac f3 7^? z^ ^.3 1 A/^ ^ l'^ C'S Copyright 1998, Virginia J. Mahan ACKNOWLEDGMENTS I particularly wish to thank the nine members of the Steering Committee of the Lambda Social Network who served on my advisory panel and offered comments on the first draft of Chapter IV, as well as other external reviewers: Gene Dockins, Lawrence Holbrooks, M. M., Dorinda Ann Ruiz, Virginia, and other anonymous readers. I am grateful to my committee members, Mary Tallent Runnels, Camille DeBell, and Richard Powell, for their support and valuable assistance. My appreciation goes to Terry Ann Andersen, Kathy Lewallen and the rest of the library staff at South Plains College for their assistance, as well as to Fred Logan and Kaaren Mahan for running innumerable errands. I am also grateful to Texas Tech University which provided partial support for this study through a 1998 Summer Research Scholarship Award. Pivotal to this dissertation, of course, are the 14 lesbian and gay college and university students who told their sometimes painful tales so that educators might hear, learn, and know what it is like to be a gay student in Texas. I will forever hear the echoes of their voices. Lastly, thanks to Victor Shea for his courageous letter to the editor and to whom this dissertation is dedicated. -
Heterosexist Suspicion of a Queer Outsider
Heterosexist Suspicion of a Queer Outsider by Quinn McGlade-Ferentzy A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Masters of Arts in Philosophy Guelph, Ontario, Canada © McGlade-Ferentzy, January, 2020 !ii ABSTRACT HETEROSEXIST SUSPICION OF A QUEER OUTSIDER Quinn McGlade-Ferentzy Advisor(s): University of Guelph, 2019 Samantha Brennan Maya Goldenburg This project is an attempt to reconcile an increased legal inclusion of queer people into Canadian law, with an existing and troubling vein of transphobic thought in feminist philosophy. The centre of this project is Bill C-16, and how this bill exemplifies the classic liberal ideals of equality. All citizens should, in theory, be able to participate in public life. My goal is to explore what norms make this difficult if not impossible, and different ways to think about citizenship that can ameliorate inequality. My core interest is to answer, “why don’t people listen”? I use this question to ask why people do not listen to women about sexism, to non binary people about their gender, and so forth. I ask “why don’t people listen?” to explore the ways in which our understanding of belonging and civility, and even reasonableness, is rooted in a binary gender system !iii ACKNOWLEDGEMENTS To my supervisors, Professor Samantha Brennan and Professor Maya Goldenburg, thank you for sticking through this project through the many twists and turns. Thank you to the Canadian Society for Women in Philosophy, for giving space for the paper that grew into this. Thank you to Professor Kathryrn Norlock who let me do a huge undergraduate thesis at a school that didn’t offer that as an option. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
American Composers: 4-H Songs and Others Extension Service State College
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Cooperative Extension Circulars: 1917-1950 SDSU Extension 10-1936 American Composers: 4-H Songs and Others Extension Service State College Follow this and additional works at: http://openprairie.sdstate.edu/extension_circ Recommended Citation State College, Extension Service, "American Composers: 4-H Songs and Others" (1936). Cooperative Extension Circulars: 1917-1950. Paper 359. http://openprairie.sdstate.edu/extension_circ/359 This Circular is brought to you for free and open access by the SDSU Extension at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Cooperative Extension Circulars: 1917-1950 by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. EXT ENS I ON Cl RCULAR 360 OCTOBER 1936 om POSERS 4-H SONGSam.(OTHERS American Composers The music numbers for the 1936-37 South Dakota music achievement program have been selected from the 1937 national 4-H music program. The songs are being grouped in historical episodes and it is hoped that at the close of the year's work the episodes may be combined in a musical and historical pageant to be used at achievement days or community festivals. Some of the songs used in programs of previous years have been re peated, but good songs like good thoughts and -
APPENDIX D the Interview Transcriptions Olivia
The Experience of Coming Out 207 APPENDIX D The Interview Transcriptions Olivia [1] Can you tell me when the possibility first occurred to you that you were sexually attracted to women? I think I was about…23. I was asexual…for a long time. Through undergrad and the first part of grad school. A woman approached me. Many women would approach me. And um…a lot of people assumed I was gay before I even acknowledged or even dealt with it. Once I left my father’s house, I just was not sexual. [2] So you were 23 years old, and then what happened? You were out of the house. I was out of the house. I was in graduate school already. Her name was Sara Lincoln. She befriended me. There were a couple of women but I didn’t really know what the response was. To give you some background on that, my mother left my father when I was ten. Okay? Um, So he…there was four of us, and he raised us. I took her place in the household. Okay, um …[pause] and I was a chubby child. I was bulimic. And as a young adult, I didn’t want the weight. I didn’t like um “you have a fat ass” type of thing. So even now my sister goes through this thing about how I eat. Um…If I gain, you know, too much weight I [shifted around on the couch with a deep breath] get real paranoid-hysterical? Because I don’t like the attraction of the body. -
Top 40 UPDATE BILLBOARD.COM/NEWSLETTERS BILLBOARD.BIZ/NEWSLETTER JUNE 6, 2013 | PAGE 1 of 9
MID WEEK Top 40 UPDATE BILLBOARD.COM/NEWSLETTERS BILLBOARD.BIZ/NEWSLETTER JUNE 6, 2013 | PAGE 1 OF 9 INSIDE Top 40 And Radio Geeks, Unite! The Connected Consumer PAGE 3 RICH APPEL [email protected] What’s With a multitude of entertainment options out there, it’s easy to YOUNGER = HIGHER, LONGER, MORE New At forget that in top 40’s long history, a listener’s favorite station has Who are top 40’s P1s, and how engaged are they in the digital uni- The New never been the only game in town. There was always something verse? According to Edison Research VP Jason Hollins, 60% are Music else a consumer could do. Not to mention there are only so many female, 50% are age 12-24 and 60% 12-34, with an average age of hours in a day, right? 28. This younger skew means a greater Seminar The good news suggested by the HOW TOP 40’S P1s COMPARE TO THE POPULATION level of connectivity compared with PAGE 4 PERSONS TOP 40 Infinite Dial’s study of the format’s 12+ P1s not just other formats but to the 12- P1s—released last week by Edi- AM/FM radio usage in car 84% 88% plus and 12-34 population in general. Macklemore son Research and Arbitron—is that Awareness of Pandora 69% 88% Nearly 80% of P1s have Internet ac- & Ryan Lewis there seems to be plenty of room— Having a profile on any social network 62% 82% cess and use Wi-Fi, and one-third own and time—for all players.