53. Using Multicultural Dimensions to Teach Astronomy
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Scienza E Cultura Universitalia
SCIENZA E CULTURA UNIVERSITALIA Costantino Sigismondi (ed.) ORBE NOVUS Astronomia e Studi Gerbertiani 1 Universitalia SIGISMONDI, Costantino (a cura di) Orbe Novus / Costantino Sigismondi Roma : Universitalia, 2010 158 p. ; 24 cm. – ( Scienza e Cultura ) ISBN … 1. Storia della Scienza. Storia della Chiesa. I. Sigismondi, Costantino. 509 – SCIENZE PURE, TRATTAMENTO STORICO 270 – STORIA DELLA CHIESA In copertina: Imago Gerberti dal medagliere capitolino e scritta ORBE NOVVS nell'epitaffio tombale di Silvestro II a S. Giovanni in Laterano (entrambe le foto sono di Daniela Velestino). Collana diretta da Rosalma Salina Borello e Luca Nicotra Prima edizione: maggio 2010 Universitalia INTRODUZIONE Introduzione Costantino Sigismondi L’edizione del convegno gerbertiano del 2009, in pieno anno internazionale dell’astronomia, si è tenuta nella Basilica di S. Maria degli Angeli e dei Martiri il 12 maggio, e a Seoul presso l’università Sejong l’11 giugno 2009. La scelta della Basilica è dovuta alla presenza della grande meridiana voluta dal papa Clemente XI Albani nel 1700, che ancora funziona e consente di fare misure di valore astrometrico. Il titolo di questi atti, ORBE NOVUS, è preso, come i precedenti, dall’epitaffio tombale di Silvestro II in Laterano, e vuole suggerire il legame con il “De Revolutionibus Orbium Coelestium” di Copernico, sebbene il contesto in cui queste parole sono tratte vuole inquadrare Gerberto nel suo ministero petrino come il nuovo pastore per tutto il mondo: UT FIERET PASTOR TOTO ORBE NOVVS. Elizabeth Cavicchi del Massachussets Institute of Technology, ha riflettuto sulle esperienze di ottica geometrica fatte da Gerberto con i tubi, nel contesto contemporaneo dello sviluppo dell’ottica nel mondo arabo con cui Gerberto era stato in contatto. -
Abd Al-Rahman Al-Sufi and His Book of the Fixed Stars: a Journey of Re-Discovery
ResearchOnline@JCU This file is part of the following reference: Hafez, Ihsan (2010) Abd al-Rahman al-Sufi and his book of the fixed stars: a journey of re-discovery. PhD thesis, James Cook University. Access to this file is available from: http://eprints.jcu.edu.au/28854/ The author has certified to JCU that they have made a reasonable effort to gain permission and acknowledge the owner of any third party copyright material included in this document. If you believe that this is not the case, please contact [email protected] and quote http://eprints.jcu.edu.au/28854/ 5.1 Extant Manuscripts of al-Ṣūfī’s Book Al-Ṣūfī’s ‘Book of the Fixed Stars’ dating from around A.D. 964, is one of the most important medieval Arabic treatises on astronomy. This major work contains an extensive star catalogue, which lists star co-ordinates and magnitude estimates, as well as detailed star charts. Other topics include descriptions of nebulae and Arabic folk astronomy. As I mentioned before, al-Ṣūfī’s work was first translated into Persian by al-Ṭūsī. It was also translated into Spanish in the 13th century during the reign of King Alfonso X. The introductory chapter of al-Ṣūfī’s work was first translated into French by J.J.A. Caussin de Parceval in 1831. However in 1874 it was entirely translated into French again by Hans Karl Frederik Schjellerup, whose work became the main reference used by most modern astronomical historians. In 1956 al-Ṣūfī’s Book of the fixed stars was printed in its original Arabic language in Hyderabad (India) by Dārat al-Ma‘aref al-‘Uthmānīa. -
The Magic of the Atwood Sphere
The magic of the Atwood Sphere Exactly a century ago, on June Dr. Jean-Michel Faidit 5, 1913, a “celestial sphere demon- Astronomical Society of France stration” by Professor Wallace W. Montpellier, France Atwood thrilled the populace of [email protected] Chicago. This machine, built to ac- commodate a dozen spectators, took up a concept popular in the eigh- teenth century: that of turning stel- lariums. The impact was consider- able. It sparked the genesis of modern planetariums, leading 10 years lat- er to an invention by Bauersfeld, engineer of the Zeiss Company, the Deutsche Museum in Munich. Since ancient times, mankind has sought to represent the sky and the stars. Two trends emerged. First, stars and constellations were easy, especially drawn on maps or globes. This was the case, for example, in Egypt with the Zodiac of Dendera or in the Greco-Ro- man world with the statue of Atlas support- ing the sky, like that of the Farnese Atlas at the National Archaeological Museum of Na- ples. But things were more complicated when it came to include the sun, moon, planets, and their apparent motions. Ingenious mecha- nisms were developed early as the Antiky- thera mechanism, found at the bottom of the Aegean Sea in 1900 and currently an exhibi- tion until July at the Conservatoire National des Arts et Métiers in Paris. During two millennia, the human mind and ingenuity worked constantly develop- ing and combining these two approaches us- ing a variety of media: astrolabes, quadrants, armillary spheres, astronomical clocks, co- pernican orreries and celestial globes, cul- minating with the famous Coronelli globes offered to Louis XIV. -
Indigenous Astronomies and Progress in Modern Astronomy
Indigenous Astronomies and Progress in Modern Astronomy Clive Ruggles1 School of Archaeology and Ancient History, University of Leicester University Road, LEICESTER LE1 7RH, U.K. E-mail: [email protected] From an anthropological point of view, the whole concept of a ‘path of progress’ in astronomical discovery is anathema, since it implicitly downgrades other cultural perspectives, such as the many ‘indigenous cosmologies’ that still exist in the modern world. By doing so, one risks provoking those who hold them and—as is most obvious in places such as Hawaii where the two ‘world-views’ come into direct contact—creating avoidable resistance to that very progress. The problem is complicated by the existence of ‘fringe’ and ‘new-age’ views that are increasingly confused with, and even passed off as, indigenous perceptions. In a modern world where widespread public perceptions include many that are unscientific in the broadest sense of the term, I shall argue that there are actually a range of positive benefits for progress in scientific astronomy to be derived from the mutual awareness and comprehension of ‘genuine’ cultural world-views whose goals—in common with those of modern science—are to make sense of the cosmos within which people live. While two-way education is clearly a prerequisite, I shall argue that the necessary level of reconciliation can only be achieved through more fundamental attempts by modern astronomers to understand, and ultimately to respect, both the non-Western frameworks of thought that give rise to other cultural perspectives and the heritage associated with them. One of the most obvious potential benefits could derive from common attitudes towards the natural heritage of astronomy, namely dark skies. -
Presentation Slides
Forgotten History Al-Sufi's Book Of Fixed Stars Khalid Baheyeldin January 2018 Who Is This Guy? ● Khalid (ª ... edº not ª ... eeeeedº) ● Pharmacist by education ● Open Source Software Development and Consulting by experience (32 years) ● One of the developers of Drupal, a Web Content Management System ● NASA ● RASC Condensed History ● Egyptians (3100 B.C.E - 323 B.C.E) – Rise of stars every 10 days (Decans) ● Babylonians, Assyrians (1st millenium B.C.E) ● Alexander the Great 323 B.C.E ● Library of Alexandria, by Ptolemy (his general) – Library, University, and Research Institute ● Roman Occupation of Egypt 30 B.C.E Hipparchus ● Hipparchus of Nicaea ~ 130 B.C.E. – Precession (1 degree per century) – Magnitude Scale – Star Catalog, lost but incorporated in Almagest Claudius Ptolmey ● Lived in Alexandria ~ 150 C.E. ● Authored Almagest, Tetrabiblos (Astrology), translated to Arabic (800s), then from Arabic to Latin in (1100s) ● 48 Constellation visible from mid northern latitudes (Alexandria ~ 31 N) – Grouped by `North of ecliptic', zodiacal, and `South of Ecliptic' ● 1025 stars, 5 nebulous, 6 reddish ● Star catalog and magnitude scale of Hipparchus Where In The World? Arab Folk Astronomy ● Pre-Islamic (before 622 C.E.) ● Wide area – Southern Iraq, Syria, all of Arabia ● Preserved in poetry, and handed down in stories and proverbs ● Not the regular signs of the zodiac ● 28 stations of the moon, one per day ● Various asterisms Anwaa Tradition ● Rising and setting of certain stars (e.g. Sirius, Canopus, Pleiades, ...etc) ● Timing of important -
The Epoch of the Constellations on the Farnese Atlas and Their Origin in Hipparchus’S Lost Catalogue
JHA, xxxvi (2005) THE EPOCH OF THE CONSTELLATIONS ON THE FARNESE ATLAS AND THEIR ORIGIN IN HIPPARCHUS’S LOST CATALOGUE BRADLEY E. SCHAEFER, Louisiana State University, Baton Rouge 1. BACKGROUND The Farnese Atlas is a Roman statue depicting the Titan Atlas holding up a celestial globe that displays an accurate representation of the ancient Greek constellations (see Figures 1 and 2). This is the oldest surviving depiction of the original Western constellations, and as such can be a valuable resource for studying their early development. The globe places the celestial fi gures against a grid of circles (including the celestial equator, the tropics, the colures, the ecliptic, the Arctic Circle, and the Antarctic Circle) that allows for the accurate positioning of the constellations. The positions shift with time due to precession, so the observed positions on the Farnese Atlas correspond to some particular date. Also, the declination of the Arctic and Antarctic Circles will correspond to a particular latitude for the observer whose observations were adopted by the sculptor. Thus, a detailed analysis of the globe will reveal the latitude and epoch for the observations incorporated in the Atlas; and indeed these will specify enough information that we can identify the observer. Independently, a detailed comparison of the constellation symbols on the Atlas with those from the other surviving ancient material also uniquely points to the same origin for the fi gures. The Farnese Atlas1 fi rst came to modern attention in the early sixteenth century when it became part of the collection of antiquities in the Farnese Palace in Rome, hence its name. -
Celestial Globe Fragment SK1050A
Evidence for a new interpretation of the Berlin Celestial Globe fragment SK1050A Ulrich Kuehne (Berlin) ULRICH . KUEHNE . 1 9 8 7 @ BALLIOL . ORG Version: 1.0 ABSTRACT Since Thiele (1898) the fragment SK1050A in the Neue Museum in Berlin has been interpreted as being part of an ancient vessel garnished with arbitrary astronomical ornaments. In this paper evidence is collected that the fragment was in fact part of a sophisticated astronomical instrument: (1) Structures of the fragment indicate that the celestial globe was fitted with a water-clock similar to the design by Ctesibius and that this water-clock propelled an astronomical model of the universe. (2) Iconographic parallels between SK1050A and the Atlas Farnese suggest that the latter was intended to be a replica of the Berlin celestial globe. (3) The arrangement of the ‘star-markings’ on SK1050A might be explained as geometrical constructions to establish spherical coordinate transformations. In consequence, SK1050A appears to be the product of a profound astronomer while some evidence beyond that prompts the hypothesis that the fragment is from the celestial globe of Archimedes. CONTENTS I. The traditional interpretation of SK1050A by Georg Thiele (1898) II. Towards an new interpretation of SK1050A a. SK1050A as part of a water-clock b. A comparison of SK1050A and the Atlas Farnese c. The astronomical engravings on SK1050A (i) The placement of the constellation figures (ii) The placement of the 16 ‘star-markings’ III. Open questions Appendix: Figures Ulrich Kühne SK1050A_100.odt 28.09.2011 14:49 page 1 I. T HE TRADITIONAL INTERPRETATION OF SK1050A BY G EORG THIELE (1898) The Berlin Celestial Globe (BCG) fragment was bought 1889 by the Antikensammlung Berlin from unknown provenance and is listed with inventory number SK1050A. -
The Astronomy of Many Cultures: a Resource Guide
The Astronomy of Many Cultures: A Resource Guide by Andrew Fraknoi (Fromm Institute, U. of San Francisco) Version 5.1; July 2020 © copyright 2020 by Andrew Fraknoi. The right to use or reproduce this guide for any nonprofit educational purpose is hereby granted. For permission to use in other ways, or to suggest additional materials, please contact the author at e-mail: fraknoi {at} fhda {dot} edu The teaching of astronomy in our colleges and high schools often sidesteps the contributions of cultures outside of Europe and the U.S. white mainstream. Few educators (formal or informal) receive much training in this area, and they therefore tend to stick to people and histories they know from their own training -- even when an increasing number of their students or audiences might be from cultures beyond those familiar to them. Luckily, a wealth of material is becoming available to help celebrate the ideas and contributions of non-European cultures regarding our views of the universe. This listing of resources about cultures and astronomy makes no claim to be comprehensive, but simply consists of some English-language materials that can be used both by educators and their students or audiences. We include published and web-based materials, plus videos and classroom activities. In this edition, we have made a particular effort to enlarge resources about African-American and Hispanic American astronomers. Note that there’s a separate listing about the role of women in astronomy at: http://bit.ly/astronomywomen Table of Contents: 1. General Resources on the Astronomy of Diverse Cultures 2. -
The Universe Mechanized
08/12/2016 1 08/12/2016 Pergamum Syracuse Rhodos Alexandria 2 08/12/2016 3 08/12/2016 Hipparchus Euclides Heron Apollonius of Perga Aristarchus Ptolemaeus Eratosthenes Archimedes 4 08/12/2016 Various astronomers made significant, even amazing, contributions. Noteworthy examples: ∑ Aristarchus of Samos ‐ Heliocentric Universe ‐ distance Moon & Sun ‐ size Sun ∑ Archimedes ‐ Planisphere/Planetarium ? ∑ Eratosthenes ‐ Diameter Earth ∑ Hipparchus ‐ multitude essential contributions Problematic is the loss of nearly all, except for a few, of the books and works they have written … 5 08/12/2016 “On the Sizes & Distances of the Sun and Moon ”: Only one work of Aristarchus survives: On the Sizes and the Distances of the Sun and Moon First mathematically based attempt to measure distance Earth‐Sun, thus First attempt to measure scale Universe Based upon geocentric view of Universe On the Sizes and the Distances Greek copy 10th century 6 08/12/2016 Aristarchus' geometric construction used to estimate the distance to the Sun. Earth (E) –Sun (S)‐Moon (M) triangle and sizes are not drawn to scale. Measure angle b: c = 90±‐b EM/ES = sin(c) Aristarchus: b = 87± real value: b = 89±50 ES = 19 EM real value: ES = 397 EM Numerically, very unstable procedure, reason for huge error. Nonetheless, On the Sizes and the Distances Greek copy 10th century Aristarchus' estimate of size Sun: angular diameter Sun ~ angular diameter Moon Dist. Earth‐Sun = 19 Dist. Earth‐Moon size Sun = 19 x size Moon size Sun > size Earth On the Sizes and the Distances Greek copy 10th century 7 08/12/2016 Archimedes, “the Sand Reckoner” (~200 BCE): You King Gelon are aware the ‘universe' is the name given by most astronomers to the sphere the center of which is the center of the Earth, while its radius is equal to the straight line between the center of the Sun and the center of the Earth. -
April Meeting with Jack Szelka & Dave Huestis
the vol. 37 no. 4 April Skyscraper 2010 Amateur Astronomical Society of Rhode Island 47 Peeptoad Road North Scituate, Rhode Island 02857 www.theSkyscrapers.org Seagrave Memorial Observatory is open April Meeting to the public weather permitting with Jack Szelka & Dave Huestis Saturdays 8pm - 10pm Please note that the observatory may be inac- Friday, April 2, 7:30pm cessible for several weeks following a winter North Scituate Community Center storm. See web site for updates. The Skyscrapers' Monthly Meeting on April 2, 2010 at the Scituate Community Center will feature two talks by Skyscrapers' members Dave Huestis and Jack Szelka. North Scituate Community Center Yerkes Observatory and Adler Planetarium by Jack Szelka All of our winter meetings (Dec-April) are held at the Community Center. From Seagrave Member Jack Szelka will present a Also presented, a tour of the Yerkes Observatory, the Community Center is the first Powerpoint presentation highlighting a visit Observatory including highlights of the building on the right side going south on Rt. to the Adler Planetarium in Chicago, Illinois buildings, equipment and history of the 116 after the intersection of Rt. 6 Bypass (also and Yerkes Observatory in Williams Bay, many great astronomers who have worked Rt. 101) and Rt. 116. Parking is across the street. Wisconsin. there. The main feature is the worlds largest He will cover some of the astronomical refractor, the 40-inch Alvan Clark lens and a exhibits at the Adler; the Telescope display, night of viewing with this scope. Atwood Sphere and the other astronomy In this issue… related displays. 2 President’s Message The Sesquicentennial Birthday of Frank Evans Seagrave (1860-1934) by Dave Huestis 2 Sirius Dave Huestis, a Skyscrapers member Skyscrapers purchased Frank’s observa- 3 Sesquicentennial Birthday of since 1975 and the society’s historian for tory and 8¼-inch Alvan Clark refractor Frank Evans Seagrave many years, will be presenting a talk to on Peeptoad Road back in 1936. -
6 • Globes in Renaissance Europe Elly Dekker
6 • Globes in Renaissance Europe Elly Dekker Introduction Abbreviations used in this chapter include: Globes at Greenwich for In 1533 Hans Holbein the Younger, the foremost painter Elly Dekker et al., Globes at Greenwich: A Catalogue of the Globes and then in London, made the portrait now known as The Armillary Spheres in the National Maritime Museum, Greenwich (Ox- Ambassadors (fig. 6.1).1 One of the remarkable features ford:OxfordUniversityPressandtheNationalMaritimeMuseum,1999). 1. The best study of the painting and its provenance still is the book of this painting is the abundance of scientific instru- by Mary Frederica Sophia Hervey, Holbein’s “Ambassadors”: The Pic- ments depicted in it. On the top shelf there is a celestial ture and the Men (London: Bell and Sons, 1900). See also Susan Fois- globe, a pillar dial, an equinoctial dial (in two parts), ter, Ashok Roy, and Martin Wyld, Holbein’s Ambassadors (London: a horary quadrant, a polyhedral dial, and, on top of a National Gallery Publications, 1997), esp. 30 – 43; the information book, an astronomical instrument known as a tor- about the globes and the instruments provided in this catalog should be considered with some care. quetum. On the lower shelf there is a terrestrial globe, a 2. The book on arithmetic is that by Peter Apian, titled Eyn newe und book on arithmetic, a set square and a pair of dividers, wolgegründete underweisunge aller Kauffmans Rechnung (Ingolstadt, a lute with broken strings, a case of flutes, and a hymn- 1527), and the hymn book is by Johann Walther [Walter], Geystliche book.2 The objects displayed between the two men are gesangk Buchleyn (Wittenberg, 1525). -
Cultural Star Knowledge Story Sheets
Cultural Star Knowledge Star Knowledge For thousands of years, people across the world have looked up at the night sky and marveled at what they saw. They create different pictures from the patterns of the stars, and tell stories about the stars, planets, comets, and other objects in the sky. They use astronomical knowledge to tell time, navigate, predict the weather, create art, tell stories, and make sense of the world around them. Astronomy traditions vary across cultures, communities, and individuals. The information collected here is a small sample of how some cultures view the night sky. Night sky at Denali National Park. Image: National Park Service/Jacob W. Frank Cultural Star Knowledge Yup’ik Astronomy The Yup'ik people of southwest Alaska have identified many constellations, based on the animals, tools, and concepts familiar in their lives. There are many stories about these constellations and patterns in the sky. For example, the story "How Raven Made the Milky Way" explains how Raven snowshoed across the sky in search of light; the tracks he left behind became the Milky Way. For generations, Yup'ik people have used their knowledge of the stars to navigate at night. Learning the patterns of the stars and how they appear to move can help guide travelers safely to their destinations. The most important star landmarks for navigating are Tunturyuk (the Caribou, known in English as the Big Dipper), Agyarrluk (the North Star), and Qengartarak (the Nose with Two Nostrils, known as English as Cassiopeia). Note: Yup’ik constellations and names vary across villages and regions.