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PA 4-H Horse Cloverbud Activity Book B
PA 4-H Horse Cloverbud Activity Book B Name: Club Name: County: Thank you for helping with the PA 4-H Horse Cloverbud Program! Here are some notes to help you lead this project: The PA 4-H Horse Cloverbud Policy & Safety Guidelines must be followed at all times when using this activity book. Please see your Extension Office or http://extension.psu.edu/4-h/projects/ horses/cloverbud-program/cloverbud-policy-and-guidelines for a copy of the policy and guidelines. Many sections include a variety of activities. At least one activity per section must be completed. There will be three PA 4-H Horse Cloverbud Activity Books. All Cloverbud members in one club or group should complete the same book in the course of one year, regardless of their ages or the length of time they have been members. Ex: This year, all Cloverbud Horse Club members complete Book B. Next year, all members will complete Book C, etc. Currently, this curriculum is available as an electronic publication. Please contact your local Extension Office for printed copies. For additional Cloverbud activities, please refer to our Leader & Educator Resource page located at http://extension.psu.edu/4-h/projects/horses/cloverbud-program/leader-resources. PA 4-H Horse Cloverbud Mission This educational program provides safe, fun, hands-on, developmentally appropriate learning opportunities for 4-H youth ages 5 to 7 years (as of January 1st). Using horses, this program will focus on participation as well as cooperative learning in informal settings. Summary of Differences Between -
Ame R I Ca N Pr
A Century of ME R I CA N R IDE A P August 1 3th- 16th 2014 R EGULAR A DMISSION Adults $9.00 | Kids 6-12 $5.00 | Age 5 & under Free W EDNESDAY S PECIAL All Day Adult $5.00 |Kids 6-12 $3.00 | Age 5 & under Free Fair Passes & Carnival Armbands Discounted July 1st - August 1 2th Courtesy of Grants Pass Daily Courier 2 2014 Schedule of Events SUBJECT TO CHANGE 9 AM 4-H/FFA Poultry Showmanship/Conformation Show (RP) 5:30 PM Open Div. F PeeWee Swine Contest (SB) 9 AM Open Div. E Rabbit Show (PR) 5:45 PM Barrow Show Awards (SB) ADMISSION & PARKING INFORMATION: (may move to Thursday, check with superintendent) 5:30 PM FFA Beef Showmanship (JLB) CARNIVAL ARMBANDS: 9 AM -5 PM 4-H Mini-Meal/Food Prep Contest (EB) 6 PM 4-H Beef Showmanship (JLB) Special prices July 1-August 12: 10 AM Open Barrow Show (SB) 6:30-8:30 PM $20 One-day pass (reg. price $28) 1:30 PM 4-H Breeding Sheep Show (JLB) Midway Stage-Mercy $55 Four-day pass (reg. price $80) 4:30 PM FFA Swine Showmanship Show (GSR) Grandstand- Truck & Tractor Pulls, Monster Trucks 5 PM FFA Breeding Sheep and Market Sheep Show (JLB) 7 PM Butterscotch Block closes FAIR SEASON PASSES: 5 PM 4-H Swine Showmanship Show (GSR) 8:30-10 PM PM Special prices July 1-August 12: 6:30 4-H Cavy Showmanship Show (L) Midway Stage-All Night Cowboys PM PM $30 adult (reg. -
Council of Europe Landscape and Education
COUNCIL OF EUROPE / CONSEIL DE L’EUROPE EUROPEAN LANDSCAPE CONVENTION CONVENTION EUROPEENNE DU PAYSAGE 22e REUNION DES ATELIERS DU CONSEIL DE L’EUROPE POUR LA MISE EN ŒUVRE DE LA CONVENTION SUR LE PAYSAGE 22nd MEETING OF THE WORKSHOPS FOR THE IMPLEMENTATION OF THE COUNCIL OF EUROPE LANDSCAPE CONVENTION “Water, landscape and citizenship in the face of global change” « Eau, paysage et citoyenneté face aux changements mondiaux » Seville, Spain / Séville, Espagne, 14-15 March / mars 2019 Study visit,/ Visite d’études, 16 March / mars 2019 ___________________________________ WORKSHOP 4 - Citizenship and social participation in management water landscapes Switzerland - Water, cultural diversity and solidarity Mrs Corinne WACKER Professor, College of Life Sciences, University of Engineering, Institute of Eco-Responsibility, Switzerland The Traditional Snow Harvesting Water Landscape of Ladakh (Indian Himalaya) and its Adaptation to Climate Change and Modernity As defined in the Council of Europe Landscape Convention (2000, Article 1) ‘Landscape’ means an area, as perceived by people, whose character is the result of the action and interaction of natural and/or human factors. Landscape is a reflection of identity and diversity, a living natural and cultural heritage which evolves through time as a result of being acted upon by natural forces and human beings. The term “water landscape” designates the perception and use of water in its different manifestations. Viewed from an ecological perspective (Falkenmark 1992), the term water encompasses the whole water cycle, the precipitation in form of rain, hail and snow, the “blue” surface water of rivers and lakes and the “green water” residing in the vegetation. In this article we explore how natural water is perceived and used by an agro-pastoralist community in the Indian Himalaya, in Ladakh and transformed into a water-landscape providing sustenance, self- identity and a perfect ecological adaptation to a cold mountain desert environment. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Samlealbum Fra Dolly Parton, Linda Ronstadt Og Emmylou Harris
14-03-2016 19:00 CET Samlealbum fra Dolly Parton, Linda Ronstadt og Emmylou Harris Dolly Parton, Linda Ronstadt og Emmylou Harris er alle tre legender i musikkens historie. Sammen har de solgt over 200 millioner album på verdensbasis, og har turnert i flere tiår fremfor utallige fans verden over. At suksessen var stor da disse ikonene gikk sammen og satt i gang et samarbeid, var ingen overraskelse. Trioen ga ut to album sammen; Trio(1987) og Trio II (1999) og resultatet var oppsiktsvekkende! De to albumene ble til sammen solgt i over fem millioner eksemplarer – og ble belønnet med tre Grammy Awards. Albumene har nylig blitt remastret, og den 9. september kommer samlealbumet The Complete Trio Collectionsom består av tre CD-disker fylt av klassikerne samt sjelden og uutgitt musikk. Produsentrollen har Harris selv hatt. Selv om det tok lang tid fra Parton, Ronstadt og Harris begynte å spille inn musikk sammen til det ble ferdigstilt et album – var det verdt ventetiden. Trioankom i 1987; og inneholdt hit-låtene ”To Know Him Is To Love Him”, ”Wildflowers” og ”Father Along”. Det tok mer enn et tiår til før etterfølgerenTrio IIkom i 1999, men resultatet var minst like imponerende som det forrige albumet. Nå er det god grunn til å glede seg til å høre de uutgitte låtene som The Complete Trio Collection inneholder! Samme dato slippes også: My Dear Companion: Selections From The Trio Collection, et enkelt-album som vil inneholde noen låter fra samlealbumet. Father Along – en dobbel vinyl med alt av bonusmateriale fra The Complete Trio Collection. -
A Celebration of Wood
A Celebration of Wood The family compound is nestled in a private valley set back from the main road. CASE STUDY: April 2011 (Part 1) LANCASTER COUNTY, PENNSYLVANIA Introduction et deep in the heart of Lancaster County, SPennsylvania, is a project that rapidly attained the title Celebration of Wood. True to the 140 acre farmland property’s roots, this project was designed from the start to showcase the natural beauty of forest products. A finished Certi-Sawn® yellow cedar tapersawn shake roof of planning and consultation have gone into this project, and he is clearly thrilled to see his firm’s designs come to life. The theme of this project is “community” and the buildings are designed to suit the lifestyle of a remarkable couple with three grown children, each who have settled Tranquil, tree-lined drive en route to a unique family retreat in a different area of the U.S. After decades spent in Reed Axelrod, AIA, LEED AP of Reed Axelrod Architects in suburban areas, the family decided that a more rural Philadelphia, PA, has a successful 15-year track record lifestyle was preferred. The owners wanted a fully with this project’s clients. He and Project Architect, Diana functional home, equipped with the latest technologies, Henze, have worked together on three previous projects yet also one that remained true to its country roots. for this particular client. He describes his clients as Axelrod has created a design that is perfectly sensitive to “wonderful to work with” as they are open to new ideas, his clients' needs by combining modern amenities with love creative solutions, and encourage spaces that allow living space that permits treasured privacy and reflection. -
INSTITUTION of LOCOMOTIVE ENGINEERS, LONDON. Some
THE INSTITUTION OF LOCOMOTIVE ENGINEERS, LONDON. Some French Train Services and Locomotive Performances. BY C. F. BURTT, Member, Lewes. With an abstract of the discussion upon the Paper. NINETEENTH PAPER (OF TRANSACTIONS). SESSION 1913. Read on Friday, October 3rd, 1913, at Caxton Hall, Yictoria Street, Westminster. Presided oYer by Mr. William A. Lelean, MJ.Mech.E., Yice-Chairman. LONDON : gnblisbeb bp tbe Institufion 1913. Price One Shilling and Sixpence net. Downloaded from jil.sagepub.com at UNIV OF VIRGINIA on June 4, 2016 PAPER No. 19. Some French Train Services and Locomotive Performances. BY C. F. BURTT, Member, Lewes. In presenting this paper before the Institution, the author wishes to emphasisc the fact that it has not been written with a i.iew of criticising French practice-as that may be well left to the discussion-but with the idea 'ot bringing to the notice of the meeting the actual practice prevailing on the railways under consideration. To draw comparisons of the methods that prevail in one country with that of another is, in the opinion of the writer, hardly compatible with reason or justice, as the customs and requirements of one nation are frequently so entirely different from that of others. France is served by six great railway systems, each accommodating a \veil defined area which their names indi- cate; the Nord, Est, hlidi, Paris Lyon et M&ditterranCe, Paris a Orleans, and the Etat, tvhich latter serves a district situated between I3orde;iux in the west and Dieppe in the north. France is perhaps unique to the extent that being a country largely devoted to agricultural pursuits, it has few really very large towns besides Paris, Lille, Lyon, Mar- seille, Bordeaux and Nantes, and these are situated many miles apart, and in no instance excepting Bordeaux and Nantes do any two lincs serve the same district or even town of any importance from a competitive point of view. -
MF-Romanticism .Pdf
Europe and America, 1800 to 1870 1 Napoleonic Europe 1800-1815 2 3 Goals • Discuss Romanticism as an artistic style. Name some of its frequently occurring subject matter as well as its stylistic qualities. • Compare and contrast Neoclassicism and Romanticism. • Examine reasons for the broad range of subject matter, from portraits and landscape to mythology and history. • Discuss initial reaction by artists and the public to the new art medium known as photography 4 30.1 From Neoclassicism to Romanticism • Understand the philosophical and stylistic differences between Neoclassicism and Romanticism. • Examine the growing interest in the exotic, the erotic, the landscape, and fictional narrative as subject matter. • Understand the mixture of classical form and Romantic themes, and the debates about the nature of art in the 19th century. • Identify artists and architects of the period and their works. 5 Neoclassicism in Napoleonic France • Understand reasons why Neoclassicism remained the preferred style during the Napoleonic period • Recall Neoclassical artists of the Napoleonic period and how they served the Empire 6 Figure 30-2 JACQUES-LOUIS DAVID, Coronation of Napoleon, 1805–1808. Oil on canvas, 20’ 4 1/2” x 32’ 1 3/4”. Louvre, Paris. 7 Figure 29-23 JACQUES-LOUIS DAVID, Oath of the Horatii, 1784. Oil on canvas, approx. 10’ 10” x 13’ 11”. Louvre, Paris. 8 Figure 30-3 PIERRE VIGNON, La Madeleine, Paris, France, 1807–1842. 9 Figure 30-4 ANTONIO CANOVA, Pauline Borghese as Venus, 1808. Marble, 6’ 7” long. Galleria Borghese, Rome. 10 Foreshadowing Romanticism • Notice how David’s students retained Neoclassical features in their paintings • Realize that some of David’s students began to include subject matter and stylistic features that foreshadowed Romanticism 11 Figure 30-5 ANTOINE-JEAN GROS, Napoleon at the Pesthouse at Jaffa, 1804. -
Art List by Year
ART LIST BY YEAR Page Period Year Title Medium Artist Location 36 Mesopotamia Sumerian 2600 Standard of Ur Inlaid Box British Museum 36 Mesopotamia Sumerian 2600 Stele of the Vultures (Victory Stele of Eannatum) Limestone Louvre 38 Mesopotamia Sumerian 2600 Bull Headed Harp Harp British Museum 39 Mesopotamia Sumerian 2600 Banquet Scene cylinder seal Lapis Lazoli British Museum 40 Mesopotamia Akkadian 2254 Victory Stele of Narum-Sin Sandstone Louvre 42 Mesopotamia Akkadian 2100 Gudea Seated Diorite Louvre 43 Mesopotamia Akkadian 2100 Gudea Standing Calcite Louvre 44 Mesopotamia Babylonian 1780 Stele of Hammurabi Basalt Louvre 45 Mesopotamia Assyrian 1350 Statue of Queen Napir-Asu Bronze Louvre 46 Mesopotamia Assyrian 750 Lamassu (man headed winged bull 13') Limestone Louvre 48 Mesopotamia Assyrian 640 Ashurbanipal hunting lions Relief Gypsum British Museum 65 Egypt Old Kingdom 2500 Seated Scribe Limestone Louvre 75 Egypt New Kingdom 1400 Nebamun hunting fowl Fresco British Museum 75 Egypt New Kingdom 1400 Nebamun funery banquet Fresco British Museum 80 Egypt New Kingdom 1300 Last Judgement of Hunefer Papyrus Scroll British Museum 81 Egypt First Millenium 680 Taharqo as a sphinx (2') Granite British Museum 110 Ancient Greece Orientalizing 625 Corinthian Black Figure Amphora Vase British Museum 111 Ancient Greece Orientalizing 625 Lady of Auxerre (Kore from Crete) Limestone Louvre 121 Ancient Greece Archaic 540 Achilles & Ajax Vase Execias Vatican 122 Ancient Greece Archaic 510 Herakles wrestling Antaios Vase Louvre 133 Ancient Greece High -
Maria Marshall Au Affaire De Famille» Un Texte Sur Charles Des Médicis), La Nourriture, Il Nous Livre Dans Les Dynamisme Ambiant
Trimestriel d'actualité d'art contemporai n : avril.mail.juin 2013 • N°61 • 3 € L u c T u y m a n s , © F b B l u u e r x l e g N L a 9 ï e i e u / P è 2 - w B g . d 1 P s e e e 7 . l 0 X g d i é q p u ô e t Sommaire Edito « ... Et si je vieillis seule et sale je n’oublierai jamais dial. Dans ce cadre prestigieux où l’art et le luxe que l’Art est ma seule nourriture ». C’est la dernière sont rois, j’ai eu l’occasion de croiser un galeriste 2 Édito . Dogma, un projet de ville. Focus sur une strophe de l’autoportrait écrit à la main de Manon philosophe. Le galeriste NewYorkais m’a surpris agence d’architecture un peu particulière, 3 Michel Boulanger.Jalons, un texte de Bara qui fait la cover de FluxNews. Un élan sous par la teneur de son discours. Ironisant sur sa posi - par Carlo Menon. Yves Randaxhe. forme de rayon de soleil dans le petit monde de l’art tion de plus en plus marginalisée face à la montée en 21 Suite d’On Kawara par Véronique Per - d’aujourd’hui. La petite entreprise de Manon ne puissance d’une galerie comme Gagosian qui grâce 4 Concentration de galeries dans le haut riol. connaît pas la crise, elle carbure à l’essentiel... L’art à ses nombreuses succursales occupe plus de trois de Bruxelles, texte de Colette Dubois. -
Towych W Wiśle Autorstwa Stefana Tworkowskiego Sprzed 1937 R. (Il. 6
turach mieszkaniowych, w Vród których najwi Bkszy rozg os przynios a mu tzw. Superjednostka (il. 7), wywodz =ca si B z idei bloku marsylskiego - Unité d’Habitation. Dowodz = tego tak be realizacje Hen- ryka Buszko i Aleksandra Franty - tandemu pos u- guj =cego si B corbusierowskim alfabetem w wielkich za obeniach urbanistycznych, jak: 30-to tysi Bczne Osiedle 1000-lecia w Katowicach czy O Vrodek sa- natoryjno-wypoczynkowy w Ustroniu (il. 8); obiek- ty zaprojektowane przez Tadeusza Teodorowicza Todorowskiego: gmach Laboratorium Wydzia u 10. Makieta w konkursie na Ko Vció w Nowej Hucie - I wyró b- Budownictwa oraz Pawilon Architektury Politech- nienie, proj. Jurand Jarecki, 1958, archiwum w asne Autora 10. Mock-up in the contest for the church in Nowa Huta - I niki Ul=skiej w Gliwicach (il. 9), czy wreszcie twór- award, by Jurand Jarecki, 1958, Author’s archive czo V4 znakomitego architekta konstruktora Juranda Jareckiego, który w konkursowej wersji Ko Vcio a towych w Wi Vle autorstwa Stefana Tworkowskiego w Nowej Hucie (il. 10) przyswoi rze `biarskie, pro- sprzed 1937 r. (il. 6) czy gmach Poczty w Miko owie stokre Vlne formy ci Bgnowe zastosowane w Pawilonie zaprojektowany prawdopodobnie przez Juliana Pa- Philipsa na EXPO w Brukseli w roku 1958, nie wspo- termana-Sad owskiego w 1932 r. Co najmniej dwie minaj =c o niezwykle nowoczesnych rozwi =zaniach generacje górno Vl=skich architektów w okresie mi B- szklanych Vcian kurtynowych Domu Handlowego dzywojennym i tzw. PRL-owskiego socfunkcjonali- Zenit w Katowicach. Wymienieni architekci poprzez zmu zyska y wówczas poka `ny rozg os w kraju i za swoje dzie a niew =tpliwie stworzyli wyró bniaj =c= granic = dzi Bki indywidualnej transpozycji corbusie- si B mark B górno Vl=skiej szko y architektury 16 . -
The Electroacoustic Tuba: a Study of Selected Works for Tuba with Fixed Media and Live Processed Electronic Accompaniments
ABSTRACT Title of Dissertation: THE ELECTROACOUSTIC TUBA: A STUDY OF SELECTED WORKS FOR TUBA WITH FIXED MEDIA AND LIVE PROCESSED ELECTRONIC ACCOMPANIMENTS Craig Garrett Potter, Doctor of Musical Arts, 2018 Dissertation directed by: Professor Michael Votta, Wind and Percussion Division, School of Music The purpose of this project is to explore repertoire for solo tuba combined with either fixed electronic media accompaniments (CD/tape/computer audio) or with live electronic processing. The music selections represent a variety of styles of solo works from the 1970s through the present and have been interspersed through three recitals to provide better musical flow in performance. The works performed and discussed in this dissertation are: • Jess Ayers – The Dancing King for Tuba and Synthesized Accompaniment on Tape • D. Edward Davis – Let There Be Funk for tuba and two channel digital playback • Alice Gomez – Shaman Returns for tuba, didgeridoo, jingle bells, and CD • Jonathan Harvey – STILL for Tuba and Electronics • Benjamin McMillan – Tomes of Hardened Steel for tuba and CD • Benjamin McMillan – Tomes of the Wanderer for tuba and CD • Peter Meechan – Floating Dreams for tuba and CD • Walter Ross – Piltdown Fragments • Brian Sadler – Kick-ass Sonata for Tuba and Orchestra (CD) • Andy Scott – Going Down for Tuba and Sampled Tuba CD • Andy Scott and Lemn Sissay – My Mountain Top for solo tuba with accompanying CD • Roland Szentpáli – “I. Very Good Morning” from Pearls III for Tuba and Piano • Monte Weber – Colossus for Tuba + Electronics • Mark Zanter – Perpetuum Mobile for tuba and live processing. THE ELECTROACOUSTIC TUBA: A STUDY OF SELECTED WORKS FOR TUBA WITH FIXED MEDIA AND LIVE PROCESSED ELECTRONIC ACCOMPANIMENTS by Craig Garrett Potter Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Musical Arts 2018 Advisory Committee: Dr.