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The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Super Junior
Super Junior Super Junior ((hangulhangul: )?, también conocido co- momo SuJu o o SJ SJ, es unauna boy boy band, proveniente dede Corea Corea del Sur. Formada en el 2005 porpor SM SM Entertainment,, Suju consconstabataba orioriginaginalmelmentente de 12 miemiembrmbros,os, espespe-e- cializados en el ámbito del entretenimiento musical y actoral. Los miembros originales eran:eran: Leeteuk Leeteuk (el lí- der),der), Heechul,, Yesung Yesung,, Shindong,, Kang-in Kang-in,, Sungmin Sungmin,, Eunhyuk,, Donghae Donghae,, Siwon Siwon,, Kibum Kibum,, Ryeowook Ryeowook yy Han Geng. Luego se agregó un decimotercer miembmiembroro llama- dodo Kyuhyun Kyuhyun en el 2006. Super Junior ha realizado siete álbumes de estudio y unun sencillo sencillo desde el 2005, alcanzando el reconocimien- to internacional tras el lanzamiento de su álbum “Sorry, Seúl, ciudad donde se formó Super Junior. Sorry” en el 2009. Además de su éxito comercial, Super Junior ha ganado trece premios en los Mnet Asia Music Awards, dieciséis en los Golden Disk Awards, once pre- 1.1 20002000–200–2005:5: ForFormacmaciónión y DDebebutut popularidadmios en los Seoul de Golden Music Disk Awards Awards, además los años del 2009,premio 2010 a la y 2011. En 2002000,0, SM SM Entertainment tuvo su primer casting En el 2012, fueron nominados como “Mejor Acto Asiá- en el extranjero enen Pekín Pekín,, China China, y descubrió aa Han tico” en loslos MTV MTV Europe Music Awards, mostrando una Geng, quien se presentó a la audición junto con otros vez más su popularidapopularidadd en el mundo. 3.000 participantes. Ese mismo año,año, Leeteuk Leeteuk,, Yesung Yesung yy Eunhyuk Eunhyuk fueron seleccionados después de audicionar Kibum, está como miembro inactivo para seguir con su para la compañía en un sistema de casting anual enen Seúl Seúl. -
Welcome, Guests
Welcome, guests. Dear friends, family, professors, alumni, and other cherished ones, It’s that time of the semester again—when the weather gets warmer, the days get longer, the flowers start blooming, and PennSori puts on our Spring Show! Spinning off of the popular Korean talk show, You Hee-yeol's Sketchbook, we bring you Sori’s Sketchbook, a show that showcases PennSori’s very own talented members as the celebrities that they are. This semester, we have 8 returning members, along with 2 visiting members who will be performing with us for select songs. Combining talent and humor, we have prepared 9 English and Korean a cappella songs intermixed with musical skits and interviews to bring you a variety of entertainment. We want to thank our alumni for their continual support year after year. We also want to thank Jeremy, Phil, our photographers, and our ushers. Finally, we want to thank all of you in the audience for coming to support us. This show would not be possible without all of you. Tonight, we hope to show you the hard work and passion we’ve put into each of our songs and performances as part of our gratitude. We hope you will laugh with us, cry with us, and immerse yourself into the music and the moment as we will. Sit back and enjoy the show; we want you to all feel like stars by the end of the night. Love, P E N N O R I Program: First Act BTS Medley Groupshine Arr. Jin Young Cho What better K-pop idol group to start off our show with other than BTS? The legendary group has accumulated a vast international fanbase ever since their debut in 2013. -
Download/Constitution of the Republic of Korea.Pdf (Accessed August 12, 2013)
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation Permalink https://escholarship.org/uc/item/42f9j7mr Author Kim, Jisung Catherine Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation By Jisung Catherine Kim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel, Chair Professor Mark Sandberg Professor Elaine Kim Fall 2013 The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation © 2013 by Jisung Catherine Kim Abstract The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation by Jisung Catherine Kim Doctor of Philosophy in Film and Media University of California, Berkeley Professor Kristen Whissel, Chair In The Intimacy of Distance, I reconceive the historical experience of capitalism’s globalization through the vantage point of South Korean cinema. According to world leaders’ discursive construction of South Korea, South Korea is a site of “progress” that proves the superiority of the free market capitalist system for “developing” the so-called “Third World.” Challenging this contention, my dissertation demonstrates how recent South Korean cinema made between 1998 and the first decade of the twenty-first century rearticulates South Korea as a site of economic disaster, ongoing historical trauma and what I call impassible “transmodernity” (compulsory capitalist restructuring alongside, and in conflict with, deep-seated tradition). -
Travail Personnel Korean Entertainment
Travail Personnel Korean Entertainment Nom: Alves Chambel Prénom: Carolina Classe: 6G3 Tutrice: Amélie Mossiat 2019/2020 Introduction Hello, my name is Carolina and I am 14 years old. My 2019/2020 TRAPE is about Korean Entertainment! I have been into K-Pop for almost 3 years and I have always been researching lots of things about Korean celebrities, their activities and their TV shows. Since I was a child, I have always been very curious about the Asian culture, even though I thought they were gangster. As I grew up, I have become more and more connected to their culture. Then, at the end of 2016, I listened to my first K-Pop song ever. I was 10 years old and I was in primary school when I got to know EXO, the first group I listened to. They had a big impact in my life because in that moment I was struggling mentally and physically... The only thing that made me happy, was listening to their songs! They would make feel better in every way possible, once I listened to some music, I’d completely forget about my worries. It was always the best part of my days. That is why I have grown attached to K-Pop songs, dances and singers. Table of contents WHAT WERE THE MOST FAMOUS SERIES (KOREAN DRAMAS)? (2019) IS IT POPULAR IN OTHER COUNTRIES? WHO IS MY FAVOURITE ACTOR AND ACTRESS? ARE IDOLS ALSO ACTORS? WHAT GENRES OF DRAMAS ARE THERE? WHAT GENRE OF MUSIC DO THEY DO? WHAT ARE THE MOST FAMOUS GROUPS IN KOREA AND INTERNATIONALLY? WHAT ARE THE MOST FAMOUS SONGS? DO K-DRAMAS ALSO HAVE SONGS? What were the most famous series (Korean Dramas)? (2019) Since we are at the beginning of 2020, it would be better to make a list of the 10 most popular K- Dramas in 2019. -
Super Junior
Super Junior From Wikipedia, the free encyclopedia For the professional wrestling tournament, see Best of the Super Juniors. Super Junior Super Junior performing at SMTown Live '08 in Bangkok,Thailand Background information Origin Seoul, South Korea Genres Pop, R&B, dance, electropop, electronica,dance-pop, rock, e lectro, hip-hop, bubblegum pop Years active 2005–present Labels S.M. Entertainment (South Korea) Avex Group (Japan) Associated SM Town, Super Junior-K.R.Y., Super Junior-T,Super acts Junior-M, Super Junior-Happy, S.M. The Ballad, M&D Website superjunior.smtown.com,facebook.com/superjunior Members Leeteuk Heechul Han Geng Yesung Kangin Shindong Sungmin Eunhyuk Donghae Siwon Ryeowook Kibum Kyuhyun Korean name Hangul 슈퍼주니어 Revised Romanization Syupeojunieo McCune–Reischauer Syupŏjuniŏ This article contains Koreantext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of Hangul or Hanja. This article contains Chinesetext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of Chinese characters. This article contains Japanesetext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of kanji and kana. Super Junior (Korean: 슈퍼주니어; Japanese: スーパージュニア) is a South Korean boy band from formed by S.M. Entertainment in 2005. The group debuted with 12 members: Leeteuk (leader), Heechul, Han Geng, Yesung, Kangin, Shindong, Sungmin, Eunhyuk, Donghae, Siwon,Ryeowook, Kibum and later added a 13th member named Kyuhyun; they are one of the largest boy bands in the world. As of September 2011, eight members are currently active,[1] due to Han Geng's lawsuit with S.M. -
K-Pop – What’S in a Name?
K-pop – What’s in a Name? ACADEMIC ARTICLE: ROUNDTABLE Ed. Dr. Candace Epps-Robertson Assistant Professor of English and Comparative Literature, University of North Carolina at Chapel Hill (United States) Ed. Katie Hulme Physicist by day, (amateur) poet by night (United States) Introduction What is a “Roundtable”? A rhizome consists of a multitude of interconnected nodes — and while those nodes might have more that connects than divides them, individual nodes don’t always agree. Learning means being in conversation with one another. Our perspectives are often shaped by our immediate networks and personal experiences, and it never hurts to take a step back and invite some voices to the table — especially those we might not otherwise hear, and those that bring wisdom, experience, and specialized knowledge into the conversation. “ ” 양극화 세상에서 가장 추한 꽃 “Polarization, the ugliest flower in the world” (Agust D, 2020) We have all witnessed heated and emotionally charged debates ignited by particular topics, fueled by the anonymity and speed afforded by social media. Discussions can quickly become polarized, and when polarization begins to play, discourse often begins to falter. Slowing down, taking time to pause, engaging with the ideas of others, and listening are essential to growth and creating new knowledge. The most famous roundtable is probably that of the legendary King Arthur, who insisted that his knights sit at a roundtable because such a table has no head — thus no designated leader. The purpose of a roundtable is to invite individuals into a space where the notion of “us” and “them” is temporarily dispelled, and each voice is given an equal platform to articulate itself. -
South Korean Pop Style: the Main Aspects of Manifestation of Hallyu in South America
SOUTH KOREAN POP STYLE: THE MAIN ASPECTS OF MANIFESTATION OF HALLYU IN SOUTH AMERICA VIRGINE BORGES DE CASTILHO∗ ABSTRACT This article aims to understand the appearance of hallyu in the countries of South America (Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Paraguay, Peru, Uruguay and Venezuela). Other countries (Guyana and Suriname) and territories (Falkland Islands, South Georgian Islands, South Sandwich Islands and French Guiana) will not be discussed due to the lack of information about this phenomenon in these regions. After understanding the appearance of hallyu in these countries, it will be possible to analyze the differences and similarities of the phenomenon among the various nations. The study of this subject is relevant because it is an attempt to understand the impact that a culture that is so different can have on the peoples of South America. To arrive at a conclusion, it was necessary to divide the article into different parts: first, an understanding of the term hallyu and its initial appearance, and second, the understanding of hallyu in South America and its development in each country for which information is available. Due to the immense amount of information, only the most important points connected with the purpose of the article will be emphasized. Keywords: hallyu, phenomenon, South America, culture. INTRODUCTION Recently, the drama Pinocchio exhibited in the fourth chapter of series a dialogue between the characters Hwang Gyo Dong (Captain), Lee Young-tak and Jo Won-gu in which the word hallyu was mentioned. This term is not common among Korean dramas, however the mention was told by journalists (characters) that are part of the press, a situation similar to the actual origin of the word hallyu. -
El K-Pop Y La Interacción Parasocial En España
TESIS DOCTORAL 2020 - UNIVERSIDAD DE MÁLAGA EL K-POP Y LA INTERACCIÓN PARASOCIAL EN ESPAÑA: EL FENÓMENO FAN EN INSTAGRAM JULIA RODRÍGUEZ CASTILLO DIRECTORA: ANA ALMANSA MARTÍNEZ Doctorado Interuniversitario en Comunicación de las universidades de Málaga, Cádiz, Huelva y Sevilla en la línea de Publicidad y Relaciones Públicas AUTOR: Julia Rodríguez Castillo https://orcid.org/0000-0003-4379-9820 EDITA: Publicaciones y Divulgación Científica. Universidad de Málaga Esta obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial- SinObraDerivada 4.0 Internacional: http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cualquier parte de esta obra se puede reproducir sin autorización pero con el reconocimiento y atribución de los autores. No se puede hacer uso comercial de la obra y no se puede alterar, transformar o hacer obras derivadas. Esta Tesis Doctoral está depositada en el Repositorio Institucional de la Universidad de Málaga (RIUMA): riuma.uma.es UNIVERSIDAD DE MÁLAGA, ESPAÑA Facultad de Ciencias de la Comunicación 2017-2020 Tesis Doctoral EL K-POP Y LA INTERACCIÓN PARASOCIAL EN ESPAÑA: EL FENÓMENO FAN EN INSTAGRAM Programa de Doctorado: Doctorado Interuniversitario en Comunicación de las universidades de Málaga, Cádiz, Huelva y Sevilla en la línea de Publicidad y Relaciones Públicas DOCTORANDA: JULIA RODRÍGUEZ CASTILLO DIRECTORA: ANA ALMANSA MARTÍNEZ Dra. Dña. Ana Almansa Martínez, Profesora Titular de Universidad, adscrita al Departamento de Comunicación Audiovisual y Publicidad, de la Universidad de Málaga, como tutora y directora de esta tesis doctoral, realizada por Dña. Julia Rodríguez Castillo, INFORMA QUE: Una vez finalizada la investigación y conforme a la normativa vigente, AUTORIZA la presentación y defensa de la tesis, por considerar que reúne los requisitos formales, científicos y de originalidad necesarios para ser defendida ante el Tribunal constituido al efecto, para la obtención del Grado de Doctor. -
Kpop Album Checklist My Bank Account Says Nope but My Boredness Told Me to Make It Babes Xoxo
KPOP ALBUM CHECKLIST MY BANK ACCOUNT SAYS NOPE BUT MY BOREDNESS TOLD ME TO MAKE IT BABES XOXO 2NE1 - First mini album 2NE1- Second mini album 2NE1 - To anyone 2NE1 - Crush 2NE1 - Nolza (Japan) 2NE1 - Collection (Japan) 2NE1 - Crush (Japan) 3YE - Do my thang (Promo) 3YE - Out of my mind (Promo) 3YE - Queen (Promo) 4MINUTE - 4 Minutes left 4MINUTE - For muzik 4MINUTE - Hit your heart 4MINUTE - Heart to heart= 4MINUTE - Volume up 4MINUTE - Name is 4minute 4MINUTE - 4minute world 4MINUTE - Crazy 4MINUTE - Act 7 4MINUTE - Diamond (Japan) 4MINUTE - Best of 4minute (Japan) 4TEN - Jack of all trades 4TEN- Why (Promo) 9MUSES - Sweet rendevouz 9MUSES - Wild 9MUSES - Drama 9MUSES - Lost (OOP) 9MUSES- Muses diary part 2 : Identity 9MUSES - Muses diary part 3 : Love city 9MUSES - 9muses S/S edition 9MUSES - Lets have a party 9MUSES - Dolls 9MUSES - Muses diary (Promo) AFTERSCHOOL - Virgin AFTERSCHOOL - New schoolgirl (OOP) AFTERSCHOOL - Because of you AFTERSCHOOL - Bang (OOP) AFTERSCHOOL - Red/Blue (OOP) AFTERSCHOOL - Flashback (OOP) AFTERSCHOOL - First love AFTERSCHOOL - Playgirlz (Japan) AFTERSCHOOL - Dress to kill (Japan) AFTERSCHOOL - Best (Japan) AILEE - Vivid AILEE - Butterfly AILEE - Invitation AILEE- Doll house AILEE - Magazine AILEE - A new empire AILEE - Heaven (Japan) AILEE - U&I (Japan) ALEXA - Do or die (Japan) ANS - Boom Boom (Promo) ANS - Say my name (Promo) AOA - Angels knock AOA - Short hair (OOP) AOA - Like a cat AOA - Heart attack AOA - Good luck AOA - Bingle bangle AOA - New moon AOA - Angels story AOA - Wanna be AOA - Moya AOA -
On-Chart Success Dynamics of Popular Songs
On-Chart Success Dynamics of Popular Songs Seungkyu Shin and Juyong Park Graduate School of Culture Technology and BK21 Plus Postgraduate Programme for Content Science, Korea Advanced Institute of Science & Technology, Daejeon, Republic of Korea 34141 In the modern era where highly-commodified cultural products compete heavily for mass consump- tion, finding the principles behind the complex process of how successful, “hit” products emerge remains a vital scientific goal that requires an interdisciplinary approach. Here we present a frame- work for tracing the cycle of prosperity-and-decline of a product to find insights into influential and potent factors that determine its success. As a rapid, high-throughput indicator of the preference of the public, popularity charts have emerged as a useful information source for finding the market performance patterns of products over time, which we call the on-chart life trajectories that show how the products enter the chart, fare inside it, and eventually exit from it. We propose quantitative parameters to characterise a life trajectory, and analyse a large-scale data set of nearly 7 000 songs from Gaon Chart, a major weekly Korean Pop (K-Pop) chart that cover a span of six years. We find that a significant role is played by non-musical extrinsic factors such as the established fan base of the artist and the might of production companies in the on-chart success of songs, strongly indicative of the commodified nature of modern cultural products. We also review a possible mathematical model of this phenomenon, and discuss several nontrivial yet intriguing trajectories that we call the “Late Bloomers” and the “Re-entrants” that appears to be strongly driven by serendipitous exposure on mass media and the changes of seasons. -
Representasi Pelaku Roleplay Dalam Cover Dance
REPRESENTASI PELAKU ROLEPLAY DALAM COVER DANCE (Studi Pada Komunitas Shapphire Blue Squad (SBSQuad) Cover Dance Kota Malang) S K R I P S I Diajukan Sebagai Persyaratan Guna Memperoleh Gelar Sarjana Strata 1 (S1) Pada Jurusan Sosiologi Fakultas Ilmu Sosial dan Ilmu Politik Oleh: Lailatul Maghfiroh 201410310311129 JURUSAN SOSIOLOGI FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS MUHAMMADIYAH MALANG TAHUN 2018 HALAMAN JUDUL REPRESENTASI PELAKU ROLEPLAY DALAM COVER DANCE (Studi Pada Komunitas Shappire Blue Squad (SBSquad) Di Kota Malang) S K R I P S I Diajukan Kepada Fakultas Ilmu Sosial dan Ilmu Politik Universitas Muhammadiyah Malang Sebagai Persyaratan Untuk Memperoleh Gelar Sarjana Strata 1 (S1) DIAJUKAN OLEH: Lailatul Maghfiroh (201410310311129) JURUSAN SOSIOLOGI FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS MUHAMMADIYAH MALANG 2018 i ii iii iv v HALAMAN PERSEMBAHAN Syukur Alhamdulillah penulis curahkan kepada Allah SWT, dengan rahmat dan hidayah-Nya yang telah mengabulkan segala do’a, sehingga memberikan jalan dan kelancaran kepada penulis dalam menyelesaikan penyusunan tugas akhir skripsi ini. Penulis persembahkan hasil karya ini untuk orang-orang yang tidak pernah berhenti memberikan supportnya, baik secara moril maupun materiil. Terimakasih kepada : 1. Kedua orang tua, Bapak Ruda’in dan Ibu Jumsiyah yang selalu memberikan doa dan dukungan kepada penulis untuk menyelesaikan skripsi hingga memperoleh gelar Sarjana Strata I. 2. Adikku Farhan Nur As-Shidiqi yang selalu memberikan doa dan dukungan kepada penulis untuk menyelesaikan skripsi sebagai persyaratan memperoleh Gelar Sarjana Strata I 3. Keluarga Besar di Lumajang yang telah memberikan doa, dukungan moral dan materiil kepada penulis untuk menyelesaikan skripsi. 4. Keluarga besar Komunitas Shappire Blue Squad (SBSquad) Malang yang telah membantu penulis dalam mempermudah untuk mencari data laporan akhir skripsi ini.