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Luke Elwes a D a M G a L L E R Y
Luke Elwes a d a m g a l l e r y Luke Elwes 13 JOHN STREET BATH BA1 2JL t: 01225 480406 e: [email protected] www.adamgallery.com floating world Over the last few years the work on paper - both those made here on the east coast and during recent US residencies - as well as the new ‘floating world’ paintings have begun not only to revolve around the aqueous realm but also grow into a wider meditation on natural forces. If they are reflections on landscape and memory, both many layered and recurring across time (and within which questions about how we might locate ourselves in the world have remained more or less constant), they are also fleeting commentaries – made through images uncertainly balanced between emergence and disappearance - on an increasingly unstable present. It is as if the cumulative experience of travelling over many years to deserts, mountains and coastlines have been drawn together to form a locus around a time and space that is less culturally inflected and much more wildly elemental in its references to physical erasure, submersion and loss. The sense of discovery that still comes from exploring, walking or just ‘being’ in a place has also given rise to a feeling of reverie 1. Crossing | Oil on Canvas | 150 x 100 cm In particular the passage of days (marked out here with fugitive impressions on paper) spent by the tidal waters at Landermere in the interzonal territory of creeks and marshes on the East Anglian coast has developed into an extended reflection on dissolution and the return to wilderness (as witnessed also in the remote mountain tracts and extreme climates of Tibet and Mustang with their wind scoured walls and surfaces). -
Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1Pm Knightsbridge, London
Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1pm Knightsbridge, London Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1pm Knightsbridge Bonhams Bids Enquiries Please see page 2 for bidder Montpelier Street +44 (0) 20 7447 7448 Modern British & Irish Art information including after-sale Knightsbridge +44 (0) 20 7447 7401 fax Emma Corke collection and shipment London SW7 1HH To bid via the internet please visit +44 (0) 20 7393 3949 www.bonhams.com www.bonhams.com [email protected] Please see back of catalogue for important notice to bidders Viewings Please note that bids should be Shayn Speed submitted no later than 24 hours +44 (0) 20 7393 3909 Illustration [email protected] East Anglian Pictures only before the sale. Front cover: Lot 91 The Guildhall Back cover: Lot 216 East Anglian Pictures Guildhall Street New bidders must also provide Inside front: Lot 46 Daniel Wright Bury St Edmunds proof of identity when submitting Inside back: Lot 215 +44 (0) 1284 716195 Suffolk, IP33 1PS bids. Failure to do this may result [email protected] in your bids not being processed. Tuesday 5 November 9am to 7pm Bidding by telephone will only be Customer Services Monday to Friday 8.30am to 6pm Wednesday 6 November accepted on a lot with a lower +44 (0) 20 7447 7447 9am to 4pm estimate in excess of £400. ----------- St Michael’s Hall Sale Number: 20779 Church Street Live online bidding is Reepham available for this sale Catalogue: £12 Norfolk, NR10 4JW Please email [email protected] with “Live bidding” in the subject Tuesday 12 November line 48 hours before the auction 9am to 7pm to register for this service. -
Prints and Multiples and Prints
Wednesday 23 March 2016 23 March Wednesday Knightsbridge, London PRINTS AND MULTIPLES PRINTS AND MULTIPLES | Knightsbridge, London | Wednesday 23 March 2016 23544 PRINTS AND MULTIPLES Wednesday 23 Mar 2016 at 1pm Knightsbridge, London BONHAMS ENQUIRIES ILLUSTRATIONS IMPORTANT INFORMATION Montpelier Street Robert Jones Front cover: Lot 51 The United States Government Knightsbridge + 44 (0) 20 7393 3941 Inside front cover: Lot 176 has banned the import of ivory London SW7 1HH [email protected] Inside back cover: Lot 321 into the USA. Lots containing www.bonhams.com Back cover: Group Shot ivory are indicated by the symbol Lucy Iliff Ф printed beside the lot number VIEWING +44 (0) 20 7393 3901 in this catalogue. Sunday 20 March 2016 [email protected] NB 11am – 3pm To request condition reports With special thanks to S McLean. Monday 21 March 2016 PRESS ENQUIRIES on any of the lots in the 9am – 4.30pm [email protected] sale, please contact the Tuesdya 22 March 2016 department directly. 9am – 4.30pm CUSTOMER SERVICES Wednesday 23 March 2016 Monday to Friday 9am – 11am 8.30am – 6pm +44 (0) 20 7447 7447 BIDS +44 (0) 20 7447 7447 SALE NUMBER +44 (0) 20 7447 7401 fax 23544 To bid via the internet please visit www.bonhams.com CATALOGUE £15 New bidders must also provide proof of identity when submitting Please see page 2 for bidder bids. Failure to do this may result information including after-sale in your bids not being processed. collection and shipment. Bidding by telephone will only Please see back of catalogue Be accepted on lots with the for important notice to bidders Lower estimate of £500. -
Bonhams 1793 : Prints
Bonhams 1793 : Prints http://www.bonhams.com/auctions/19781/?list_grid_result=results&print_... Prints Auction 19781 London, Knightsbridge 16 May 2012, starting at 13:00 BST. Sessions This auction is now finished. If you are interested in consigning in future auctions, please contact the specialist department. If you have queries about lots purchased in this auction, please contact customer services. Auction highlights Sold for £13,750 inc. Sold for £8,750 inc. Sold for £8,125 inc. Sold for £5,000 inc. premium premium premium premium Henry George Rushbury, Christopher Richard David Hockney R.A. Patrick Hughes (British, RA, RWS, RE (British, Wynne Nevinson A.R.A. (British, born 1937) Paper born 1939) St. Ives 2007 1889-1968) An Extensive (British, 1889-1946) Les Pools (MCA Tokyo 234) Hand painted multiple with Collection Comprising Bibliophiles Drypoint, Lithograph in colours, lithography, 2007, signed etchings, drypoints and a 1931, on laid, signed in 1980, on Arches cover and numbered 4/45 in ... single wood engraving, pencil, from the ... paper ... various ... 1 Various Artists A Collection of Old Master, Eighteenth and Nineteenth Century Prints Including a loose sheet album of architectural £ 525 designs, theatrical scenes and some frontispieces such as 'Theatrum Sive Hollandiae' by H.Hondius, plus a collection of miscellaneous prints of portraits, religious, literary and mythological subjects, by various artists including S.Mulinari, W.Walker, J.Collyer, J.Macardell, on various papers, album size 285 x 233mm (11 1/4 x 9 1/8in) Coll -
Modern Art, Design & Studio Ceramics (579)
MODERN MADE: Modern Art, Design & Studio Ceramics (579) Thu, 14th Nov 2019, Noho Studios, London Viewing Times: Viewing at Noho Studios, 48 Great Titchfield Street, London, W1W 7QA Tues 12 November 10am - 5pm Wed 13 November 10am - 5pm Morning of the sale 10am - 12pm Lot 163 Estimate: £1500 - £2000 + Fees § BRYAN INGHAM (BRITISH 1936-1997) CUBIST HEAD Partial studio stamp (to base), plaster 21.5cm high (8.5in) Provenance: Estate of the artist. Note: FROM THE ESTATE OF BRYAN INGHAM Bryan Ingham was an independent and dedicated artist, who furrowed his own artistic path throughout a long and productive career, attributing his successful endeavours to ‘sheer, bloody hard work.’ Born and raised in Yorkshire, he was introduced to poetry and music by his bachelor uncle, who also forged in him a deep love of reading, despite his struggles at school. His first encounter with visual art and painting was through attendance at Scouts, where one evening a lady artist shared her watercolours; Ingham fell in love and was inspired to start painting himself. Later called up to the RAF, an ‘artistic sort of airman,’ he was fortunate enough to be paired in accommodation with a designer who had attended the Royal College of Art, whom further encouraged Ingham’s creative instincts and set him up still-life studies to work from. Ingham returned to Britain following his service armed with the ambition to be an artist. His ensuing formal artistic training took place at Central St. Martins and then the Royal College of Art, as the young Ingham felt a move to London entirely necessary to both his personal and artistic development. -
2017–2018 Report
UNIVERSITY OF IOWA STANLEY MUSEUM OF ART ANNUAL REPORT 2017–2018 The University of Iowa Stanley Museum of Art is funded by the General Education Fund of the University of Iowa (UI) through the Office of the Provost and by the generous support of its members and donors. Cover image: Jackson Pollock (American, 1912–1956) Mural (detail), 1943 150 North Riverside Drive Tel: +1 319 335 1727 Oil and casein on canvas 100 Old Museum of Art E-mail: [email protected] 95 5/8 x 237 3/4 in. (242.9 x 603.9 cm) Gift of Peggy Guggenheim, 1959.6 Iowa City, IA 52242 Website: uima.uiowa.edu Reproduced with permission from the University of Iowa Copyright ©2018 TABLE OF CONTENTS 4 From the Director 5 Volunteers, Museum Staff 6 The Year in Review 10 Audience and Participant Totals 11 Exhibition, Event, and Education Sponsors 12 Curatorial 23 Education 38 University Teaching Division 41 Registrar and Collections Management 72 Membership Activities 75 Press Collaborations and Mentions in Regional Media 79 Development and Finance 2017–2018 ANNUAL REPORT 3 FROM THE DIRECTOR I am very proud to have been hired as Director groundbreaking exhibitions at home. Building vision statements, shaping a collections plan, of the University of Iowa Stanley Museum of on the innovative "Iowa Idea" of linking art to and preparing for the inaugural installation Art during this pivotal and eventful year. As the interdisciplinary teaching, first formulated by of the collection. In addition, we hope to museum approaches its fiftieth anniversary University of Iowa President Walter Jessup in offer UI students more opportunities to gain and we prepare to break ground for a beautiful the 1920s, we partnered with faculty and staff valuable knowledge through pre-professional new building, I am conscious of all the visionary across the university’s campus to make these work experiences in the Museum, build new directors, curators, collections managers, exhibitions focal points of cross-disciplinary partnerships on and off campus, and assemble educators, and board members who have teaching and learning. -
Homa Dictionary V1.Pdf
John Hyatt: Art Wars, 1983,(detail) Leeds City Art Gallery Horsforth Modern Art: A Working Dictionary of Modern and Post Modern Artists in West Yorkshire (PDF version #1) A Images: http://www.axisweb.org/p/ karenbabayan/ Jake Attree 1950- Painter, James Bateman 1893-1959 Lives and works in Halifax, Dean Clough Painter and engraver, Leeds College of Art 1910-14 Biog: http://www.jakeattree.co.uk/ Biog: http://en.wikipedia.org/wiki/ index.html James_Bateman_(artist) Images: http://www.bbc.co.uk/arts/ Images: http://www.bbc.co.uk/arts/ yourpaintings/artists/jake-attree yourpaintings/artists/james-bateman Messums, Dean Clough, Gable Fine Art Glen Baxter 1944- Norman Ackroyd 1938- Cartoonist and Printmaker, Etcher, painter, RA Born Leeds, Leeds College of Art Born Leeds, Leeds College of Art Biog: http://en.wikipedia.org/wiki/ 1957-61 Glen_Baxter_(cartoonist) http:// Biog: http://en.wikipedia.org/wiki/ www.glenbaxter.com/ Norman_Ackroyd http:// Images: http://www.glenbaxter.com www.normanackroyd.com https:// www.royalacademy.org.uk/artist/norman- Trevor Bell 1930- ackroyd-ra Painter, Images: http://www.bbc.co.uk/arts/ Born Leeds, Leeds College of art yourpaintings/artists/norman-ackroyd 1947-52, Gregory Fellow 1960-63 Biog: http://trevorbellartist.com/ Kenneth Armitage 1916-2002 Images: http://www.bbc.co.uk/arts/ Sculptor, RA yourpaintings/artists/trevor-bell Born Leeds, Leeds College of Art, Gregory Fellow (Sculpture) 1953-55 Tony Bevan 1951- Biog: http://en.wikipedia.org/wiki/ Painter, RA Kenneth_Armitage Born Bradford, studied Bradford College of Images: http://www.bbc.co.uk/arts/ Art 1971-74 yourpaintings/artists/kenneth-armitage NPG, Marlborough Fine Art, L.A. -
Sale Catalogue
20TH CENTURY & CONTEMPORARY & CONTEMPORARY 20TH CENTURY 20th Century & Contemporary Tuesday 11th June 2019 I 11th JUNE 2019 ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU CC02 01392 413100 I [email protected] I www.BHandL.co.uk SALEROOM FORTHCOMING SALE DATES 2019 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk MANAGING DIRECTOR JUNE C.J. Hampton, A.S.F.A.V. Tues 18th Antiques & Interiors EX230 DIRECTORS D.J.K.Goddard, B.A. (Hons), A.S.F.A.V., R.E. Littlewood, B.A. (Hons), N.J. Saintey, A.S.F.A.V. JULY Tues 2nd Antiques & Interiors EX231 VALUATIONS Inheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Tues 9th & Weds 10th Quarterly Fine Art FS43 Department offer a complete and comprehensive service to Executors, Solicitors and Bank Tues 23rd Antiques & Interiors EX232 Trustees administering an Estate containing all forms of art and antiques including Books, Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of coins and stamps. AUGUST th Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience Tues 6 Antiques & Interiors in preparing insurance valuations and inventories for the purpose of substantiating claims in the including jewellery EX233 event of losses resulting from accident, fire or theft. Weds 14th Maritime MA19 Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or Tues 20th Antiques & Interiors EX234 obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or other purposes. -
ISSUE 2458 | Antiquestradegazette.Com | 12 September 2020 | UK £4.99 | USA $7.95 | Europe €5.50
To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp ISSUE 2458 | antiquestradegazette.com | 12 September 2020 | UK £4.99 | USA $7.95 | Europe €5.50 koopman rare art antiques trade KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Warring States US tariffs on Chinese art take effect as NY series begins and grace period comes to an end This month’s Asian art series in New eight art categories in July, allowing York could be the last sales to avoid the consignments for the autumn round of sales in new trade tariffs that have been imposed New York to avoid this extra cost. However, by the Trump administration. this grace period ended on September 1, As part of an ongoing trade war with meaning future consignments will now be China, certain Chinese goods, including subject to a 7.5% tariff. works of art, are now taxed on entry to the Peter Tompa, a Washington DC-based US, regardless of the port of origin. lawyer who previously represented US Auction houses and the trade fought the cultural bodies in opposing the levy, said: planned tariffs last year and temporary exemptions were confirmed for seven of the Continued on page 4 The lot carrying the highest Chinese works of art was applied, it today as a key patron of Josef expectations at this year’s carries an estimate of $2.5m-3.5m. -
Modern British and Irish Art | Knightsbridge, London | Tuesday 2 June 2015 22609
RT A RISH I Tuesday 2 June 2015 Tuesday Knightsbridge, London MODERN BRITISH AND MODERN BRITISH AND IRISH ART | Knightsbridge, London | Tuesday 2 June 2015 22609 MODERN BRITISH AND IRISH ART Tuesday 2 June 2015 at 14.00 Knightsbridge, London BONHAMS ENQUIRIES Please see page 2 for bidder IMPORTANT INFORMATION Montpelier Street Emma Corke information including after-sale The United States Government Knightsbridge +44 (0) 20 7393 3949 collection and shipment has banned the import of ivory London SW7 1HH [email protected] into the USA. Lots containing www.bonhams.com Please see back of catalogue ivory are indicated by the symbol Shayn Speed for important notice to bidders Ф printed beside the lot number VIEWING +44 (0) 20 7393 3909 in this catalogue. Sunday 31 May [email protected] ILLUSTRATION 11.00 – 15.00 Front cover : Lot 182 Monday 1 June PRESS ENQUIRIES Back cover: Lot 171 09.00 – 16.30 [email protected] Inside front: Lot 99 Tuesday 2 June Inside back: Lot 174 09.00 – 11.00 CUSTOMER SERVICES Monday to Friday 08.30 – 18.00 BIDS +44 (0) 20 7447 7447 +44 (0) 20 7447 7447 +44 (0) 20 7447 7401 fax LIVE ONLINE BIDDING IS To bid via the internet please visit AVAILABLE FOR THIS SALE www.bonhams.com Please email [email protected] with “Live bidding” in the subject Please note that bids should be line 48 hours before the auction submitted no later than 24 hours to register for this service. before the sale. SALE NUMBER New bidders must also provide 22609 proof of identity when submitting bids. -
Modern Art, Design & Studio Ceramics (579) Lot
MODERN MADE: Modern Art, Design & Studio Ceramics (579) Thu, 14th Nov 2019, Noho Studios, London Viewing Times: Viewing at Noho Studios, 48 Great Titchfield Street, London, W1W 7QA Tues 12 November 10am - 5pm Wed 13 November 10am - 5pm Morning of the sale 10am - 12pm Lot 160 Estimate: £1000 - £2000 + Fees § BRYAN INGHAM (BRITISH 1936-1997) INTERLOCKING STILL LIFE Studio stamp (on backboard), pencil and oil on board 36.5cm x 30.5cm (14.37in x 12in) Provenance: Estate of the artist. Note: FROM THE ESTATE OF BRYAN INGHAM Bryan Ingham was an independent and dedicated artist, who furrowed his own artistic path throughout a long and productive career, attributing his successful endeavours to ‘sheer, bloody hard work.’ Born and raised in Yorkshire, he was introduced to poetry and music by his bachelor uncle, who also forged in him a deep love of reading, despite his struggles at school. His first encounter with visual art and painting was through attendance at Scouts, where one evening a lady artist shared her watercolours; Ingham fell in love and was inspired to start painting himself. Later called up to the RAF, an ‘artistic sort of airman,’ he was fortunate enough to be paired in accommodation with a designer who had attended the Royal College of Art, whom further encouraged Ingham’s creative instincts and set him up still-life studies to work from. Ingham returned to Britain following his service armed with the ambition to be an artist. His ensuing formal artistic training took place at Central St. Martins and then the Royal College of Art, as the young Ingham felt a move to London entirely necessary to both his personal and artistic development. -
VITAL SIGNS Work on Paper
VITAL SIGNS Work on paper Tony Bevan Christopher Le Brun Luke Elwes Timothy Hyman Andrzej Jackowski Merlin James Glenys Johnson Alex Lowery Lino Mannocci Thomas Newbolt Arturo Di Stefano Charlotte Verity 9 March – 24 April 2015 Vital Signs Vital Signs features twelve artists who, rather than having any particular technique or style in common, are drawn together by shared sympathies. Having long sustained a dialogue amongst themselves, they feel affinities and respect differences or, more accurately, respond to the stimulus of differences. This is a group defined by patterns of friendship, rather than any community of style. But as art historian Brendan Prendeville, writing about an early exhibition of the group, noted ‘Friendships are not only grounded in affinity, but create new common ground.’ The informal group not only share galleries and exhibitions together, but also have spent time in one another’s studio, as well as many animated evenings in each other’s company, discussing painting and painters, past and present. While this has deepened their familiarity with each other’s work, it has also helped facilitate an understanding of their own particular concerns, in each case about some essential engagement with the possibilities and problems of the act of painting. In this their latest manifestation, Vital Signs focuses on works on paper. As Luke Elwes explains ‘This exhibition is about the activity of mark making and the myriad thoughts and imaginings that surface on paper through this elemental act. Sometimes it is simply a beginning, a way of moving forward into as yet unknown territory – a ‘voyage’ as Andrzej Jackowski describes it.