Felix Issue 0286, 1970
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Don Airey …………………………………………………………… 40 - 44
1 Los teclistas del rock Indice 1.- Rick Wakeman ………………………………………………………… 2 - 4 2.- Keith Emerson ………………………………………………………… 5 - 8 3.- Jon Lord …………………………………………………………………. 9 - 12 4.- Peter Bardens ………………………………………………………… 13 - 15 5.- Tony Banks ……………………………………………………………. 16 - 20 6.- Richard Wright ………………………………………………………. 21 - 24 7.- Dave Greenslade …………………………………………………… 25 - 31 8.- Thijs Van Leer ……………………………………………………….. 32 - 35 9.- Ray Manzarek ………………………………………………………. 36 - 39 10.- Don Airey …………………………………………………………… 40 - 44 11.- Jordan Rudess ……………………………………………………. 45 - 49 12.- Patrick Moraz …………………………………………………….. 50 - 53 13.- Eddie Jobson ……………………………………………………… 54 - 58 2 Rick Wakeman Cuando Ángel me propuso colaborar con este excelente blog no tenía muy claro sobre que podía basarse mi participación en ZRS. Estuve meditando durante un tiempo hasta que la iluminación llego a mi mente y recordé cuales fueron mis orígenes en la música. Hace ya mucho tiempo, cuando era un adolescente, entre en el mundo del rock de la mano de lo que en aquella época se llamaba “rock sinfónico”. Mi fascinación por este género era total y el instrumento que me imaginaba tocando eran los teclados, con el tiempo comprendí que no tenía capacidad para asumir semejante tarea. Hablar de sintetizadores, órganos, mellotrones, etc, para mí sería un placer pero entiendo que para la mayoría de los mortales podría suponer un gran dolor de cabeza. Por todo ello creo que mi colaboración puede versar sobre los teclistas del rock. RICK WAKEMAN No pretendo contar exhaustivamente la obra y milagros de este genio, eso sería muy largo y tedioso, simplemente daré unas pinceladas sobre su trayectoria basándome en mi experiencia. Rick Wakeman nació en 1,949 en Perivale, Londres, y como era de esperar estudio diversos instrumentos entre ellos el piano, pero el bueno de Rick era un inconformista y no se regía por los cánones clásicos por lo cual fue expulsado del Royal College Music. -
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse, -
Renaissance Renaissance Mp3, Flac, Wma
Renaissance Renaissance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Renaissance Country: Austria Released: 1976 Style: Art Rock, Psychedelic Rock, Prog Rock, Classic Rock MP3 version RAR size: 1981 mb FLAC version RAR size: 1721 mb WMA version RAR size: 1770 mb Rating: 4.3 Votes: 411 Other Formats: WMA VQF AU MPC MP2 VOX AUD Tracklist Hide Credits A1 Kings & Queens 10:55 A2 Innocence 7:05 B1 Island 5:57 Wanderer B2 4:00 Written-By – John Hawken B3 Bullet 11:24 Companies, etc. Distributed By – Ariola Phonographic Copyright (p) – Island Records Ltd. Printed By – Mohndruck Reinhard Mohn OHG Published By – B. Feldman & Co. Ltd. Published By – Renaissance Music Recorded At – Olympic Studios Credits Arranged By [Classical Interpretation, Riffs] – John Hawken, Louis Cennamo Bass – Louis Cennamo Design [Sleeve] – Jack Levy Engineer – Andrew Johns* Percussion, Vocals, Written-By – Jim McCarty Photography By [At Victoria And Albert Museum] – John Clamp Piano, Harpsichord – John Hawken Producer – Paul Samwell-Smith Vocals, Guitar, Harmonica – Keith Relf Vocals, Percussion – Jane Relf Written-By – Keith Relf (tracks: A1 to B1, B3) Notes Repress of the debut-album comes with gatefold sleeve and orange ("blue rim") island center label design. All songs copyright B. Feldman & Co. Ltd, trading as Renaissance Music. Recorded at Olympic Sound Studios Austro Mechana Barcode and Other Identifiers Rights Society: Austro Mechana Other versions Category Artist Title (Format) Label Category Country Year Island ILPS 9114, Renaissance (LP, Records, -
Re-Issues Reviews
Re-issues Reviews Home To the reviews index News A healthy nihilism goes all bellicose for the poet who turns his pen into a sword. Interviews In the most Orwellian of years Joseph Smalkowski, or Copernicus, decided it was time Reviews for his verses to not only produce a verbal music but also put some external sound to the words - and got himself a kindred-minded band. "Let the musicians declare war!!" goes Index "I Know What I Think", and they do so, indeed, with a full-blown aural onslaught onto DVD which the leader lays his punky stentorian chant. Deranged delight! - unlike the mournful Magazines recital of "Let Me Rest" clocking at 11.11. Books But the opener "I Won't Hurt You" delivers on its sweet, slithery, soulful promise that Specials either skanks or slides to form the most romantic song Copernicus could offer. Still, COPERNICUS - being himself he couldn't help but break such an innocence in the sonic terror of Photo Nothing Exists "Nagasaki", hung on an urgent, oscillating and scintillating rock 'n' roll guitar riff. It's here that the poet denies the existence of everything, him included, so "Atomic Nevermore" Links Nevermore 1984 spreads its spoken word over the emotional desert which somehow makes the listener MoonJune 2010 explore the album's dry landscape again. DME/Personal ***1/2 Guestbook Mail me The original angularity seeps away for guitar to feed on - and feedback - on a honeysuckle vine. Having tapped into the fusion fad of the day with "Bundles", the machinists might have thought they arrived at the right station, yet the restless passenger in Allan Holdsworth knew better. -
Poetical Sketches of the Interior of Ceylon
Poetical Sketches of the Interior of Ceylon Benjamin Bailey (1791-1853), aged 26 years Framed colour portrait by an anonymous artist Courtesy: Keats catalogue, London Metropolitan Archives "One of the noblest men alive at the present day" was John Keats's description of Bailey Poetical Sketches of the Interior of the Island of Ceylon Benjamin Bailey's Original manuscript, 1841 Introduction: Rajpal K de Silva, 2011 Serendib Publications London 2011 Copyright:© Rajpal Kumar de Silva, 2011 ISBN 978-955-0810-00-0 Published by: Serendib Publications 3 Ingleby Court Compton Road London N21 3NT England Typesetting / Printing Lazergraphic (Pvt) Ltd 14 Sulaiman Terrace Colombo 5 Sri Lanka iv CONTENTS Acknowledgements Foreword: Professor Emeritus Ashley Halpe Benjamin Bailey as a friend of John Keats: Professor Robert S White Benjamin Bailey, (1791 — 1853) Preface The Manuscript Present publication Some useful sources Introduction Biography Bailey's personality Bailey and Keats Bailey's poetry Ecclesiastical appointments Courtship and marriage Later in France Bailey in Ceylon Appendices I England during Bailey's era Early British Colonial rule in Ceylon II The Church Missionary Society, (CMS) CMS in Ceylon and Kottayam Comparative resumes of the two Baileys III Benjamin Bailey, Scrapbook Guide: Harvard University, USA IV Keats House Museum, Hampstead, London V St Peter's Church, Fort, Colombo: Bailey Memorials VI Six letters of Vetus in the Ceylon Times, 1852 Benjamin Bailey: Poetical Sketches of the Interior of the Island of Ceylon Part I -- Preface, Sonnets and Notes Part II -- Sonnets and Notes Part III -- Sonnets, Poems, Stanzas, Appendix and Notes Notes Bibliography V Acknowledgements Benjamin Bailey's manuscript of 1841 would probably have faded into oblivion had it not been for my chancing to pick it up in an antiquarian bookstore. -
May 2017 New Releases
May 2017 New Releases what’s featured exclusives PAGE inside 3 RUSH Releases Vinyl Available Immediately! 63 Vinyl Audio 3 CD Audio 13 FEATURED RELEASES Music Video PLASMATICS - LIVE! ROD BRAIN DAMAGE LIMITED STARLIGHT DVD & Blu-ray 43 SWENSON’S LOST TAP... EDITION [BLU-RAY + D... PAGE 49 Non-Music Video PAGE 45 PAGE 55 DVD & Blu-ray 47 MVD Distribution Independent Releases 58 Order Form 73 Deletions and Price Changes 76 ARTHUR LEE & LOVE - RENAISSANCE - LIVE AT ROBIN TROWER - TIME 800.888.0486 COMPLETE FOREVER... FILLMOREWEST 1970 AND EMOTION PAGE 19 PAGE 11 PAGE 39 203 Windsor Rd., Pottstown, PA 19464 ARTHUR LEE & LOVE - FRED SCHNEIDER & CAMP LO - www.MVDb2b.com COMPLETE FOREVER CHANGES THE SUPERIONS - ON THE WAY UPTOWN LIVE FRED SCHNEIDER & THE SUPERIONS MVD brings you Love this May! Allow MVD to lay a lot of love on you this month, kicking off with the legendary LA band LOVE, featuring the enigmatic Arthur Lee! COMPLETE FOREVER CHANGES LIVE was recorded live at the Glastonbury Festival, and features that album-start to finish. You will also love this. It’s available on CD and LP! Your heart will pound when you hear the twelve new blues drenched jams from ROBIN TROWER on his new CD, TIME AND EMOTION. Get intimate with Robin this May, when he embarks on a theatre tour. A lot more legends recorded live rock this month’s schedule. The psychedelic rock of BLUE CHEER with LIVE AT ROCKPALAST: BONN 2008 would be one of the late founding member’s DICKIE PETERSON’s last show with the band, and this set does ample justice to their heritage. -
Cash Box, N Y
iood Idea: Making Light Of Classical Music ^rial ) . at o Auto Tape Thefts Put At $40 Million 1 Irammy Nominees For 1969 BMI Anti-Trust Suit against ASCAP, February 14, 1970 BS, NBC Nets, ohn Rook To rake . WB's Ostin: 'No Major Changes'. An Ipsurge In Canadian Disk Sounds Despite isappointments . Rennie Tops DGG London rs SPROUT FROM GRASS ROOTS INT’L SECTION BEGINS ON PAGE 65 Columbia KStereoJI Rrst Hymn From GrarxJ Terr^e Leaving on a Jet Rane Something The Name of My Sorrow Miss America Man From Houston Love s Been Good to Me Sunday Mornin' Cornin’ Down Small Town Woman I II Never Fall in Love Again * Arizona i 'Arizona'.’ Mark Lindsay's single that has sold over 500,000 copies. Arizona’.’ Now the title song of his first solo album. Arizona. On Columbia Records s A .so nvniinbifi on 8-tmrk .stomo tnno rnrtritdoo 3 VOL XXXI - Number 29/February 14, 1970 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 /Cable Address: Cash Box, N Y, GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor ALLAN RINDE West Coast Editor JOHN KLEIN NORMAN STEINBERG ED KELLEHER EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Good Idea: Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York HARVEY GELLER, Hollywood Light HARDING Making WOODY Art Director COIN MACHINE & VENDING ED ADLUM General Manager Of Classical Music BOB COHEN, Assistant CAMILLE COMPASIO, Chicago LISSA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. HOLLYWOOD HARVEY GELLER 6430 Sunset Blvd., Hollywood, Calif. -
Warren Dosanjh the Music Scene Of
i-spysydincambridge.comi-spysydincambridge.com The Music Scene of 1960s CAMBRIDGE Walking Tour, Venues, Bands, Meeting Places and the People Award Winner 2014 researched and compiled by Warren Dosanjh 6th Edition April 2015 Walking Tours 2009-12 Photos © Mick Brown For information on how to book a fascinating guided walking tour of the 1960s Cambridge music scene, please contact: [email protected] Introduction ambridge developed its own unique music scene during the 1960s. Some local musicians later left and became internationally Cfamous while others, equally talented, chose to remain in the city. This booklet describes the venues, meeting places, the way of life of young people during the 1960s and some of the bands that entertained them. The story is told by Cambridge residents and musicians who were there in those times and are still here today! Contents III Map of City Centre showing positions of venues 1-22 Venues, meeting places and gallery of local people 24-26 Roots of Cambridge Rock photos and links 27 Devi Agarwala remembered and Maxpeed Printers 28-31 Pete Rhodes, Alan Styles, Tony Colleno and Clive Welham remembered 32-67 Bands and Vocalists 68 About this booklet 1 Photo by Ralph Goodfellow Publisher and main contributor: Warren Dosanjh, email: [email protected] Editing/Layout/Selected Youtube clips: Mick Brown, email: [email protected] with editorial help, advice and research by David Chapman Further contributions and research: Lee Wood, Alan Willis, Jenny Spires, Brian Foskett, Viv ‘Twig’ -
Armageddon: the Musical Free
FREE ARMAGEDDON: THE MUSICAL PDF Robert Rankin | 336 pages | 25 Apr 1991 | Transworld Publishers Ltd | 9780552136815 | English | London, United Kingdom Armageddon (British band) - Wikipedia Armageddon were an English hard rock band formed in The albums' original liner notes use the term " supergroup ", as their personnel were drummer Bobby Caldwell previously a member of Captain Beyondsinger Keith Relf who had fronted the band Yardbirds and was a co-founder of Renaissanceguitarist Martin Pugh from Steamhammerand bassist Louis Cennamo also formerly of Renaissance and Steamhammer. Cennamo's old friend, Peter Framptonwas also now in Los Angeles and helped them to make contact with his management and record label. In a interview, drummer Caldwell mentioned that the band's management became increasingly more difficult to communicate with; consequently they were not being promoted properly. Bassist Cennamo stated in liner notes of the CD re-release of the album on the Repertoire label in that Caldwell and Pugh's drug problems heroin [5] had created difficulties within the band, which apparently ran at cross purposes with the fact that the record received good reviews and significant FM radio attention, and was selling reasonably well. Cennamo also states that Relf's long-time asthma problems were turning into emphysema making it increasingly hard for Relf to draw air into his lungs to singand the band had dissolved many months prior to the sudden death of Keith Relf in May After Armageddon folded, bassist Cennamo reunited with his Renaissance bandmates under the name Illusionand later worked Armageddon: The Musical Jim McCarty in the bands Stairway and Renaissance Illusion. -
NEW RELEASE for the Week of Feb. 26, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now!
NEW RELEASE for the week of Feb. 26, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! CHAI "WINK" (SUB POP) SP1420 CASS/ LP/ CD May 21 street date. Since breaking out in 2018, CHAI have been associated with explosive joy. At the core of their music, CHAI have upheld a stated mission to deconstruct the standards of beauty and cuteness that can be so oppressive in Japan. Like all musicians, CHAI spent 2020 forced to rethink the fabric of their work and lives. But CHAI took this as an opportunity to shake up their process and bring their music somewhere thrillingly new. Having previously used their maximalist recordings to capture the exuberance of their live shows, with the audiences' reactions in mind, CHAI instead focused on crafting the slightly-subtler and more introspective kinds of songs they enjoy listening to at home. Their third full-length and first for Sub Pop, "WINK" contains CHAI's mellowest and most minimal music, and also their most affecting and exciting songwriting by far. CHAI draw R&B and hip-hop into their mix of dance-punk and pop-rock, all while remaining undeniably CHAI. DINOSAUR JR. "Sweep It Into Space" (JAGJAGUWAR) JAG366 LP/ CD DINOSAUR JR. "Sweep It Into Space (JAGJAGUWAR) JAG366LPC1 LP (translucent purple ripple)" April 23 street date. Here is "Sweep It Into Space", the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. -
1 the Absent Presence of Progressive Rock in the British Music Press, 1968
The absent presence of progressive rock in the British music press, 1968-1974 Chris Anderton and Chris Atton Abstract The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding progressive rock were deployed in popular culture in the past, especially within the music press. To recover the historical place of the music and its critical reception, we present an analysis of three British weekly music papers of the 1960s and 1970s: Melody Maker, New Musical Express and Sounds. We find that there appears to be relatively little consensus in the papers studied regarding the use and meaning of the term ‘progressive’, pointing to either multiple interpretations or an instability of value judgments and critical claims. Its most common use is to signify musical quality – to connect readers with the breadth of new music being produced at that time, and to indicate a move away from the ‘underground’ scene of the late 1960s. 1 Introduction Beginning in the 1990s there has been an upsurge of academic interest in the genre known as progressive rock, with the appearance of book-length studies by Edward Macan (“Rocking”) and Bill Martin (“Music of Yes”, “Listening”), to which we might add, though not strictly academic, Paul Stump. The 2000s have seen further studies of similar length, amongst them Paul Hegarty & Martin Halliwell, Kevin Holm-Hudson (“Progressive”, “Genesis”) and Edward Macan (“Endless”), in addition to scholarly articles by Jarl A. Ahlkvist, Chris Anderton (“Many-headed”), Chris Atton (“Living”), Kevin Holm-Hudson “Apocalyptic”), and Jay Keister & Jeremy L. -
Armageddon Complete Score Download
Armageddon complete score download LINK TO DOWNLOAD rows · Listen free to Trevor Rabin & Harry Gregson-Williams – Armageddon (Complete Score). renuzap.podarokideal.ru - MP3 - Download album Armageddon (Complete Score CD1) - Here you'll find all the world music in the mp3 format and videos of your favourite singers. The greatest collection of all time! Also: programs for listening, skins, covers, music news, karaoke and what else! Wir bieten jedes Musikalbum und jedes Hörbuch auf kostenlosen Hostern wie z.b. renuzap.podarokideal.ru an. Armageddon is one of the best action scores in many years but also this version is just expanded because there are two missing cues: The complete part of the mir evacuation and death (like 5 minuts) and the film version of the evacuation when the ship leaves the asteroid and harry blow up the bomb. 20 rows · Armageddon: Score Original Motion Picture Soundtrack: the ost, music, songs, score, . Title on spine: Armageddon The Score Title on cd: Armageddon - Original Motion Picture Score Title on back tray: Original Motion Picture Score Barcode and Other Identifiers Barcode: 0 5; Matrix / Runout (Variant 1): CTDP G2 1A 02 (Original Motion Picture Complete Score). All 50 songs from the Armageddon () movie soundtrack, with scene descriptions. Listen to and download the music, ost, score, list of songs and trailers. Armageddon: Complete Motion Picture Score Prologue; 48 videos; , views; Last updated on Jan 22, ; Play all Share. Loading Save. Sign in to YouTube. Sign in. Armageddon Main Title. Download Movie Armageddon Pda Summary movie - Armageddon. It is just another day at the National Aeronautics and Space Administration (NASA), a few astronauts were repairing a satellite until, out of nowhere, a series of asteroids came crashing into the shuttle, destroying it.