Cowen Correspondence Recent Amendments to the Vagrants, Gaming Under This Act Or Any Other Act" Display an and Other Offences Act

Total Page:16

File Type:pdf, Size:1020Kb

Cowen Correspondence Recent Amendments to the Vagrants, Gaming Under This Act Or Any Other Act 2 semper floreat 30th april 1971 at suggestions that he might actually have the second reading stage of the.Bill, that been conailted by the Government about certain other sections of the Vagrancy Act the introduction of this legislation, a number place the onus of proof upon the defendant of members of staff addressed to Professor it is also true that the same act is notorious Cowen the following letter (the name of one as being one of the most oppressive pieces of signatory is omitted at his request): legislation in this state and that the Queensland legal profession has at various times expressed its grave concern at the 6th April, 1971. reversal of the onus of proof in this and other legislation. The onus of proof Professor Zelman Cowen, provision Is the source of especially acute Vice-Chancellor, concern when contained in legislation University of Queensland, directed primarily at restricting a form of ST. LUCIA. political dissent. letters Thirdly, we think that the stiff fines and Dear Professor Cowen, gaol sentences provided for offences defined We are writing to you because we are in such a catch-all manner as doing any act seriously alarmed at the implications for or using any language which "if done or used freedom and order within the University of by him in a public place would be an offence cowen correspondence recent amendments to the Vagrants, Gaming under this Act or any other Act" display an and Other Offences Act. What Is especially utter disregard for the rule of law. perturbing is that the Minister for Police disruption to University activities have (Mr. Hodges) is reported as having stated As well as reassuring us on the question of cowen lashes out appalled me, and 1 have drawn and will that the legislation could be used to cover consultation between the Government and continue to draw the attention of the Senate sit-ins and similar occurrences within the the University, would you please let us have to any such threats or actions. What, in a different buildings of the Queensland Uni­ your own views on the points we have Dear Robyn, more fundamental sense, has destroyed all versity campus (Courier Mail, 27.3.71). In raised. For reasons that wilt be clear on reading the vestiges of respect is your association and view of the Minister's statement we should Yours sincerely, following it seems to me to be in the public collaboration with persons who will produce like to be assured that the Government did interest to have it reprinted, tt is a letter such documents as that which appeared in not at any time consult with the University N, Thornton, received by me from the Vice Chancellor the last issue of Semper Fioreat. What you concerning any of the provisions contained J. P. Richardson, after a circular in my name went out to are associated with, and involved in, is at in the amended Act In our opinion this type M. Hauber, members of the Senate inviting tiiem to a least as ugly as anything I have seen in my of repressive legislation is not merely illiberal I. Hinckfuss, lunch-hour meeting to discuss the proposed lifetime. but counterproductive and likely to lead to P. Wertheim, State legislation against sit-ins. serious unrest and disorder within the G. A. Malinas, Yours sincerely, University-we note that the Acting Presi­ C. Brown, Sth April, 1971 dent of the University Union is already on J. Bain, Zelman Cowen, record as having said that the new legislation G. R. Cochrane, Mr. D. O'Neill, Vice-Chancellor, would not stop occupations or demonstra­ R, Forward, Department of English, tions by students {Courier Mail, 27.3,71). J.W.Cleary, ST. LUCIA. I want to make a couple of comments about this. But first 1 would make it clear that I The Vagrants, Gaming and Other Offences R. M. D. Brown, Act has been amended by the insertion of a J. Damm, Dear Mr. O'Neill, had nothing whatever to do with either the planning or the execution of the article in new section, section 4A. This section R. Yeates. I have your circular letter inviting me, with Semper on the Vice Chancellor. 1 would be provides a penalty of 200 dollars or six other members of Senate, to attend a willing to swear to that on oath. Further months Imprisonment for entering or re­ In a curt (100 words) reply, the Vice meeting on Thursday, April Sth. 1 see also than that, there is not a shred of evidence maining, without lawful excuse, in or upon Chancellor stated that he is on record as that a broadsheet distributed at the end of advanced in the letter as to the Character of any public or private building or on land saying that the University will, if need be, last week states that Professor Cowen and my supposedly influential relationship with associated with such a building. It further have recourse to the civil authorities, that is others have been invited to that meeting. the people (why not person?) who produced provides that if anyone, without lawful to say the police, to protect itself against excuse, remains in a private building or on Since you have included me in the circular it sit-ins, and that this Act gives the University land occupied or used in connection with letter, I think it proper to write to you to protection against such acts. He added that But my main concern is not with these such 3 building, and there does or says tell you that I shall not be attending. Over in this respect he wished to make it clear matters of fact. It is that the head of an anything which would be an offence in a the lunch hour on that day 1 have a that he supports the Act He added further institution like this should think this is a public place, he is guilty of an offence commitment of longer standing to address a that this is not to be construed as an fitting document to convey above his bringing a penalty of 200 dollars or six student meeting on issues relating to the expression of opinion in favour of the onus signature and title to a member of the staff, months in gaol. Finally, the section provides University. The rest of the day is taken up of proof provisions and that he does not on no more provocation than is occasioned that the onus is on the person accused to with University duties. by a uniformly polite circular. For this Is make any comnient on any other aspects of prove that he had a lawful excuse for the Act There are other reasons which would have obviously more than a personal communica­ entering or remaining in or upon any such led me to decline the invitation, even if I had tion, containing, as it does, declarations of building or land. The unsatisfactory nature of this reply not had such prior commitments. They are official intentions, and officially signed. scarcely needs underlining. Particular atten­ clear and simple enough. The very text of Potentially, any member of staff or any There are many objections which could be tion is drawn, however, to the Vice the broadsheet distributed at the end of last, student could receive such a letter. The brought against this legislation. Three of its Chancellor's refusal to say whether or not week, to which 1 have referred above, implications for the conduct of public life features are of special concern to us: it is a the Government consulted with the Uni­ demonstrates very cleariy to me the want of within the university are alarming. blatant restriction of the right to engage in versity concerning any of the provisions of value in any discussion with you. The text of A further disquieting element in the letter is non-violent demonstrations; it erodes one of the new legislation. Again, while explicitly the article about mc which appeared in the its suggestion that guilt can be incurred not the fundamental principles of justice; and it saying he is not to be construed as last issue of Semper Floreat reveals to me an only by a person's own character and acts carries harsh and excessive penalties. expressing an opinion in favour of the onus of proof provisions he does not explicitiy attitude of mind which I find appalling. 1 do but by those oi his associates and friends.' The right to demonstrate lias for long been express an opinion criticising these pro­ not say that you were involved in its From a lawyer this is a remarkable attitude. an important aspect of freedom of speech visions. And he explicitiy declines any composition, but 1 cannot doubt that you I think I speak for more people than myself and assembly but with the repeated failure comment on the further matters raised by exercise a considerable influence on the when 1 say that if the Vice Chancellor has of governments and other institutions to the letter he received, including the matter people who produced it. The false state­ anything to charge against a staff member or respond in a constructive way to dissent of harsh and excessive penalties laid down in ments in it will be exposed in letters by student he would be better advised to charge expressed through the customary modes of the new clauses. others, which have been sent to the paper it quite publicly where it can be examined democratic communication and control, the and which I hope will be printed.
Recommended publications
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Don Airey …………………………………………………………… 40 - 44
    1 Los teclistas del rock Indice 1.- Rick Wakeman ………………………………………………………… 2 - 4 2.- Keith Emerson ………………………………………………………… 5 - 8 3.- Jon Lord …………………………………………………………………. 9 - 12 4.- Peter Bardens ………………………………………………………… 13 - 15 5.- Tony Banks ……………………………………………………………. 16 - 20 6.- Richard Wright ………………………………………………………. 21 - 24 7.- Dave Greenslade …………………………………………………… 25 - 31 8.- Thijs Van Leer ……………………………………………………….. 32 - 35 9.- Ray Manzarek ………………………………………………………. 36 - 39 10.- Don Airey …………………………………………………………… 40 - 44 11.- Jordan Rudess ……………………………………………………. 45 - 49 12.- Patrick Moraz …………………………………………………….. 50 - 53 13.- Eddie Jobson ……………………………………………………… 54 - 58 2 Rick Wakeman Cuando Ángel me propuso colaborar con este excelente blog no tenía muy claro sobre que podía basarse mi participación en ZRS. Estuve meditando durante un tiempo hasta que la iluminación llego a mi mente y recordé cuales fueron mis orígenes en la música. Hace ya mucho tiempo, cuando era un adolescente, entre en el mundo del rock de la mano de lo que en aquella época se llamaba “rock sinfónico”. Mi fascinación por este género era total y el instrumento que me imaginaba tocando eran los teclados, con el tiempo comprendí que no tenía capacidad para asumir semejante tarea. Hablar de sintetizadores, órganos, mellotrones, etc, para mí sería un placer pero entiendo que para la mayoría de los mortales podría suponer un gran dolor de cabeza. Por todo ello creo que mi colaboración puede versar sobre los teclistas del rock. RICK WAKEMAN No pretendo contar exhaustivamente la obra y milagros de este genio, eso sería muy largo y tedioso, simplemente daré unas pinceladas sobre su trayectoria basándome en mi experiencia. Rick Wakeman nació en 1,949 en Perivale, Londres, y como era de esperar estudio diversos instrumentos entre ellos el piano, pero el bueno de Rick era un inconformista y no se regía por los cánones clásicos por lo cual fue expulsado del Royal College Music.
    [Show full text]
  • Renaissance Renaissance Mp3, Flac, Wma
    Renaissance Renaissance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Renaissance Country: Austria Released: 1976 Style: Art Rock, Psychedelic Rock, Prog Rock, Classic Rock MP3 version RAR size: 1981 mb FLAC version RAR size: 1721 mb WMA version RAR size: 1770 mb Rating: 4.3 Votes: 411 Other Formats: WMA VQF AU MPC MP2 VOX AUD Tracklist Hide Credits A1 Kings & Queens 10:55 A2 Innocence 7:05 B1 Island 5:57 Wanderer B2 4:00 Written-By – John Hawken B3 Bullet 11:24 Companies, etc. Distributed By – Ariola Phonographic Copyright (p) – Island Records Ltd. Printed By – Mohndruck Reinhard Mohn OHG Published By – B. Feldman & Co. Ltd. Published By – Renaissance Music Recorded At – Olympic Studios Credits Arranged By [Classical Interpretation, Riffs] – John Hawken, Louis Cennamo Bass – Louis Cennamo Design [Sleeve] – Jack Levy Engineer – Andrew Johns* Percussion, Vocals, Written-By – Jim McCarty Photography By [At Victoria And Albert Museum] – John Clamp Piano, Harpsichord – John Hawken Producer – Paul Samwell-Smith Vocals, Guitar, Harmonica – Keith Relf Vocals, Percussion – Jane Relf Written-By – Keith Relf (tracks: A1 to B1, B3) Notes Repress of the debut-album comes with gatefold sleeve and orange ("blue rim") island center label design. All songs copyright B. Feldman & Co. Ltd, trading as Renaissance Music. Recorded at Olympic Sound Studios Austro Mechana Barcode and Other Identifiers Rights Society: Austro Mechana Other versions Category Artist Title (Format) Label Category Country Year Island ILPS 9114, Renaissance (LP, Records,
    [Show full text]
  • Re-Issues Reviews
    Re-issues Reviews Home To the reviews index News A healthy nihilism goes all bellicose for the poet who turns his pen into a sword. Interviews In the most Orwellian of years Joseph Smalkowski, or Copernicus, decided it was time Reviews for his verses to not only produce a verbal music but also put some external sound to the words - and got himself a kindred-minded band. "Let the musicians declare war!!" goes Index "I Know What I Think", and they do so, indeed, with a full-blown aural onslaught onto DVD which the leader lays his punky stentorian chant. Deranged delight! - unlike the mournful Magazines recital of "Let Me Rest" clocking at 11.11. Books But the opener "I Won't Hurt You" delivers on its sweet, slithery, soulful promise that Specials either skanks or slides to form the most romantic song Copernicus could offer. Still, COPERNICUS - being himself he couldn't help but break such an innocence in the sonic terror of Photo Nothing Exists "Nagasaki", hung on an urgent, oscillating and scintillating rock 'n' roll guitar riff. It's here that the poet denies the existence of everything, him included, so "Atomic Nevermore" Links Nevermore 1984 spreads its spoken word over the emotional desert which somehow makes the listener MoonJune 2010 explore the album's dry landscape again. DME/Personal ***1/2 Guestbook Mail me The original angularity seeps away for guitar to feed on - and feedback - on a honeysuckle vine. Having tapped into the fusion fad of the day with "Bundles", the machinists might have thought they arrived at the right station, yet the restless passenger in Allan Holdsworth knew better.
    [Show full text]
  • May 2017 New Releases
    May 2017 New Releases what’s featured exclusives PAGE inside 3 RUSH Releases Vinyl Available Immediately! 63 Vinyl Audio 3 CD Audio 13 FEATURED RELEASES Music Video PLASMATICS - LIVE! ROD BRAIN DAMAGE LIMITED STARLIGHT DVD & Blu-ray 43 SWENSON’S LOST TAP... EDITION [BLU-RAY + D... PAGE 49 Non-Music Video PAGE 45 PAGE 55 DVD & Blu-ray 47 MVD Distribution Independent Releases 58 Order Form 73 Deletions and Price Changes 76 ARTHUR LEE & LOVE - RENAISSANCE - LIVE AT ROBIN TROWER - TIME 800.888.0486 COMPLETE FOREVER... FILLMOREWEST 1970 AND EMOTION PAGE 19 PAGE 11 PAGE 39 203 Windsor Rd., Pottstown, PA 19464 ARTHUR LEE & LOVE - FRED SCHNEIDER & CAMP LO - www.MVDb2b.com COMPLETE FOREVER CHANGES THE SUPERIONS - ON THE WAY UPTOWN LIVE FRED SCHNEIDER & THE SUPERIONS MVD brings you Love this May! Allow MVD to lay a lot of love on you this month, kicking off with the legendary LA band LOVE, featuring the enigmatic Arthur Lee! COMPLETE FOREVER CHANGES LIVE was recorded live at the Glastonbury Festival, and features that album-start to finish. You will also love this. It’s available on CD and LP! Your heart will pound when you hear the twelve new blues drenched jams from ROBIN TROWER on his new CD, TIME AND EMOTION. Get intimate with Robin this May, when he embarks on a theatre tour. A lot more legends recorded live rock this month’s schedule. The psychedelic rock of BLUE CHEER with LIVE AT ROCKPALAST: BONN 2008 would be one of the late founding member’s DICKIE PETERSON’s last show with the band, and this set does ample justice to their heritage.
    [Show full text]
  • Cash Box, N Y
    iood Idea: Making Light Of Classical Music ^rial ) . at o Auto Tape Thefts Put At $40 Million 1 Irammy Nominees For 1969 BMI Anti-Trust Suit against ASCAP, February 14, 1970 BS, NBC Nets, ohn Rook To rake . WB's Ostin: 'No Major Changes'. An Ipsurge In Canadian Disk Sounds Despite isappointments . Rennie Tops DGG London rs SPROUT FROM GRASS ROOTS INT’L SECTION BEGINS ON PAGE 65 Columbia KStereoJI Rrst Hymn From GrarxJ Terr^e Leaving on a Jet Rane Something The Name of My Sorrow Miss America Man From Houston Love s Been Good to Me Sunday Mornin' Cornin’ Down Small Town Woman I II Never Fall in Love Again * Arizona i 'Arizona'.’ Mark Lindsay's single that has sold over 500,000 copies. Arizona’.’ Now the title song of his first solo album. Arizona. On Columbia Records s A .so nvniinbifi on 8-tmrk .stomo tnno rnrtritdoo 3 VOL XXXI - Number 29/February 14, 1970 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 /Cable Address: Cash Box, N Y, GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor ALLAN RINDE West Coast Editor JOHN KLEIN NORMAN STEINBERG ED KELLEHER EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Good Idea: Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York HARVEY GELLER, Hollywood Light HARDING Making WOODY Art Director COIN MACHINE & VENDING ED ADLUM General Manager Of Classical Music BOB COHEN, Assistant CAMILLE COMPASIO, Chicago LISSA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. HOLLYWOOD HARVEY GELLER 6430 Sunset Blvd., Hollywood, Calif.
    [Show full text]
  • Rock & Roll's War Against
    Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429
    [Show full text]
  • Armageddon: the Musical Free
    FREE ARMAGEDDON: THE MUSICAL PDF Robert Rankin | 336 pages | 25 Apr 1991 | Transworld Publishers Ltd | 9780552136815 | English | London, United Kingdom Armageddon (British band) - Wikipedia Armageddon were an English hard rock band formed in The albums' original liner notes use the term " supergroup ", as their personnel were drummer Bobby Caldwell previously a member of Captain Beyondsinger Keith Relf who had fronted the band Yardbirds and was a co-founder of Renaissanceguitarist Martin Pugh from Steamhammerand bassist Louis Cennamo also formerly of Renaissance and Steamhammer. Cennamo's old friend, Peter Framptonwas also now in Los Angeles and helped them to make contact with his management and record label. In a interview, drummer Caldwell mentioned that the band's management became increasingly more difficult to communicate with; consequently they were not being promoted properly. Bassist Cennamo stated in liner notes of the CD re-release of the album on the Repertoire label in that Caldwell and Pugh's drug problems heroin [5] had created difficulties within the band, which apparently ran at cross purposes with the fact that the record received good reviews and significant FM radio attention, and was selling reasonably well. Cennamo also states that Relf's long-time asthma problems were turning into emphysema making it increasingly hard for Relf to draw air into his lungs to singand the band had dissolved many months prior to the sudden death of Keith Relf in May After Armageddon folded, bassist Cennamo reunited with his Renaissance bandmates under the name Illusionand later worked Armageddon: The Musical Jim McCarty in the bands Stairway and Renaissance Illusion.
    [Show full text]
  • ARTICLE Imaginaries of Spirituality, Violence and Health Impacts in Metal Music: a Critical History and Case Study
    Approaches: An Interdisciplinary Journal of Music Therapy Special Issue 11 (1) 2019 ISSN: 2459-3338 | www.approaches.gr ARTICLE Imaginaries of spirituality, violence and health impacts in metal music: A critical history and case study Owen Coggins Nordoff Robbins, UK ABSTRACT KEYWORDS In popular discourse, and in some research on music and health, a vague but metal, universal healing potential is sometimes attributed to music in general. An drone metal, important counterpoint appears in heavy metal music, which is often assumed noise, to have deleterious effects on listeners and on society. This article reviews violence, debates in politics, news media and research on health and metal music from transgression, the 1970s to the present, with particular focus on the UK and US contexts. religion, Showing that research has been influenced by moral panics and legal music and health, controversies, the article demonstrates how ideas about transgressive moral panic, religiosity have often influenced debates about health and harm surrounding controversy, metal music. A disciplinary and methodological polarisation is noted between, methodology on one hand, psychological and behavioural lab experiments, and on the other, social sciences and humanities research with more ethnographic or contextual approaches. Noting that some lab-based methods seem highly contrived and even unethical, this article argues for an approach to research in this field which studies real listening practices. A case study of violence, religion and health is then outlined concerning the extreme subgenre of drone metal. In this music culture, listener discourses touch on mysticism, ritual and the sacred; on health, healing and catharsis; and on different modes of abstract and physical violence, in highly interrelated and sometimes surprising ways.
    [Show full text]
  • Armageddon Complete Score Download
    Armageddon complete score download LINK TO DOWNLOAD rows · Listen free to Trevor Rabin & Harry Gregson-Williams – Armageddon (Complete Score). renuzap.podarokideal.ru - MP3 - Download album Armageddon (Complete Score CD1) - Here you'll find all the world music in the mp3 format and videos of your favourite singers. The greatest collection of all time! Also: programs for listening, skins, covers, music news, karaoke and what else! Wir bieten jedes Musikalbum und jedes Hörbuch auf kostenlosen Hostern wie z.b. renuzap.podarokideal.ru an. Armageddon is one of the best action scores in many years but also this version is just expanded because there are two missing cues: The complete part of the mir evacuation and death (like 5 minuts) and the film version of the evacuation when the ship leaves the asteroid and harry blow up the bomb. 20 rows · Armageddon: Score Original Motion Picture Soundtrack: the ost, music, songs, score, . Title on spine: Armageddon The Score Title on cd: Armageddon - Original Motion Picture Score Title on back tray: Original Motion Picture Score Barcode and Other Identifiers Barcode: 0 5; Matrix / Runout (Variant 1): CTDP G2 1A 02 (Original Motion Picture Complete Score). All 50 songs from the Armageddon () movie soundtrack, with scene descriptions. Listen to and download the music, ost, score, list of songs and trailers. Armageddon: Complete Motion Picture Score Prologue; 48 videos; , views; Last updated on Jan 22, ; Play all Share. Loading Save. Sign in to YouTube. Sign in. Armageddon Main Title. Download Movie Armageddon Pda Summary movie - Armageddon. It is just another day at the National Aeronautics and Space Administration (NASA), a few astronauts were repairing a satellite until, out of nowhere, a series of asteroids came crashing into the shuttle, destroying it.
    [Show full text]
  • Spooky Tooth Eigenlijk Begon Voor Deze Band Alles Met Een Combo
    Spooky Tooth Eigenlijk begon voor deze band alles met een combo genoemd The VIPS dat in 1965 naar London kwam om het te maken. Ze hebben het nooit gemaakt onder deze naam, en hun eerste accommodaties gingen van een bed bij een vriend tot in een koude kelder ergens in de buurt van Berwick Street. De VIPS waren Mike Harrison, Greg Ridley, Jim Henshaw, Frank Kenyon en Walter Johnstone. Ze speelden meestal soul en bluesnummers. Ze konden steeds optreden in zeer selecte clubs en uiteindelijk werden ze de band waar andere bands naar kwamen kijken. Maar al snel, en dit na een optreden in de beroemde Duitse Star Club, zag drummer Walter Johnstone het niet meer zitten. Hij kreeg te veel heimwee en miste zijn homestee, en verliet daarom The VIPS. Chris Blackwell, destijds de manager van The Spencer Davis Group, was de eerste die The VIPS aan een platencontract hielp; hij was onder de indruk van hun sound en ook hun houding heeft een doorslaggevend argument geweest voor Blackwell. Chris’ naam zal vanaf hier een grote rol spelen tot de creatie van Spooky Tooth. In The Elbow Room, Birmingham, speelde een jonge Steve Winwood piano en gitaar en vertoefde er steeds in het gezelschap van Jim Capaldi, Chris Wood en Mike Kellie. Jim was destijds de frontman van de groep Deep Feeling, waarin ook een uitstekende gitarist speelde, nl. Luther Grosvenor. Chris Wood (tenor sax) en Mike Kellie (drums) speelden beiden in Locomotive. Het was een idee van Steve Winwood die via Paul Metcalf (later te zien als Mr.
    [Show full text]
  • (11.96Mb) Issue-Theoaklandobserver
    - That Means Happy Hanukkah, Goyim VOL. 11- NO. 10 FRIDAY, DECEMBER 5, 1969 United Republic of Oakland "In giving "dinners," the apparently The Union Life Cook Book (1846) trifling details are of great importance when taken as a whole." From the private collection of Don Downing 1 OBSERVER/2 THE SENATE 1 ANSING,_ CHIGAN SIXTEENTH DISTRICT 'ill" STATE AFFAIRS, CHAIRMAN ROBERT J. HUBER ADMINISTRATIVE RULES, CHAIRMAN SENATE OFFICE CORPORATIONS ROOM 129 CAPITOL BUILDING CHAIRMAN, SPECIAL SENATE COM- LANSING, MICHIGAN 48902 MITTEE TO INVESTIGATE COLLEGES TELEPHONE 373-17513 AND UNIVERSITIES 19 NovemberNovember 1969 TEAR GAS Dear Editor: I was ticketed and am being dragged Michael D. Hitchcock In recent weeks it has become Oparent into court by the university for selling Oakland Observer the that the peace movement is splitting into a newspaper on campus. Of course or the militant and moderate wings. The increas- Oakland University newspaper is not the Free Press News. The Bulletin, is ing militancy of certain groups has created Rochester, MI 48063 Detroit paper, The League, a a great deal of fear, not only in the govern- a publication of the Worker's ment and the silent plurality but also in Trotskist organization. Dear Mr. Hitchcock: This ticketing infringes on one's po- the moderate peace groups and the para- litical rights. It should not be tolerated. military neutralists. Certain findings of this reporter may be able to quell some of the Our present plans call for a release of the After all, my right of press and speech is also your right. The Dean of Students' dismay.
    [Show full text]