Armageddon: the Musical Free
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Making Musical Magic Live
Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Bachelor of Science in Computer Science and Engineering Massachusetts Institute of Technology, 2012 Master of Sciences in Media Arts and Sciences Massachusetts Institute of Technology, 2014 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology February 2020 © 2020 Massachusetts Institute of Technology. All Rights Reserved. Signature of Author: Benjamin Arthur Philips Bloomberg Program in Media Arts and Sciences 17 January 2020 Certified by: Tod Machover Muriel R. Cooper Professor of Music and Media Thesis Supervisor, Program in Media Arts and Sciences Accepted by: Tod Machover Muriel R. Cooper Professor of Music and Media Academic Head, Program in Media Arts and Sciences Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, on January 17 2020, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology Abstract Fifty-two years ago, Sergeant Pepper’s Lonely Hearts Club Band redefined what it meant to make a record album. The Beatles revolution- ized the recording process using technology to achieve completely unprecedented sounds and arrangements. Until then, popular music recordings were simply faithful reproductions of a live performance. Over the past fifty years, recording and production techniques have advanced so far that another challenge has arisen: it is now very difficult for performing artists to give a live performance that has the same impact, complexity and nuance as a produced studio recording. -
The Iron Butterfly Free
FREE THE IRON BUTTERFLY PDF Chanda Hahn | 276 pages | 18 Apr 2012 | Createspace Independent Publishing Platform | 9781475070378 | English | United States Iron Butterfly Definition Iron Butterfly is an American rock band best known for the hit " In-A-Gadda-Da-Vida ", providing a dramatic sound that led The Iron Butterfly way towards The Iron Butterfly development of hard rock and heavy metal music. Formed in San Diego, Californiaamong band members who used to be "arch enemies", their heyday was the late s, but the band has been reincarnated with various members with varying levels of success, with no new recordings since Iron Butterfly was the first group to receive an In-House platinum album award from Atlantic Records. The band formed in in San Diego. The group were soon joined by vocalist and tambourine player Darryl DeLoach. Jerry Penrod replaced Willis after the band relocated to Los Angeles in the summer of Pinney eventually left to return to school. Bruce Morse then replaced The Iron Butterfly until Ron Bushy from a group called the Voxmen came aboard The Iron Butterfly Morse left due to a family emergency. In earlythe band's debut album Heavy The Iron Butterfly released after signing a deal with Atco Recordsan Atlantic Records subsidiary. The group was signed by Atlantic's Charles Greene, who was co-producer of Heavy. All but Ingle and Bushy left the band after completing the album in the late summer of The Iron Butterfly two remaining musicians, faced with the possibility of the record The Iron Butterfly being released, quickly found replacements in bassist Lee Dorman and year-old guitarist Erik Brann also known as "Erik Braunn" and "Erik Braun" and resumed touring. -
CSUSB Scholarworks April 29 1975
California State University, San Bernardino CSUSB ScholarWorks Paw Print (1966-1983) Arthur E. Nelson University Archives 4-29-1975 April 29 1975 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/pawprint Recommended Citation CSUSB, "April 29 1975" (1975). Paw Print (1966-1983). 199. https://scholarworks.lib.csusb.edu/pawprint/199 This Article is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Paw Print (1966-1983) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. OfHce of Publjcotion California Siofe CcfJ$0«, San Bernardino LWF121NT Volume Vll No. 21 Published by The Associated Students of California State College/ San Bernardino April 29, 1975 Fireball kicks off. A dunking concession, with continue through 8 p.m., Saturday; faculty members as targets, is one and 10 a.m. to 5 p.m., Sunday. of the numerous activities at Cal Certain games, such as "hole-in- State, San Bernardino's festival for one," archery and horseshoes, will all ages, Fireball '75, Saturday and be open from 10 a.m. to 5 p.m., Sunday, May 3 and 4. Saturday and 1 to 4 p.m., Sunday. Cal State students are inviting Saturday special events include the community to join in the two- a karate demonstration at 1 p.m. day spring event, which features a and a tug-of-war at 4 p.m. variety of attractions, including A band contest is planned for 12 food and game booths, exhibits, noon until 5 p.m. -
Claimed Studios Self Reliance Music 779
I / * A~V &-2'5:~J~)0 BART CLAHI I.t PT. BT I5'HER "'XEAXBKRS A%9 . AFi&Lkz.TKB 'GMIG'GCIKXIKS 'I . K IUOF IH I tt J It, I I" I, I ,I I I 681 P U B L I S H E R P1NK FLOWER MUS1C PINK FOLDER MUSIC PUBLISH1NG PINK GARDENIA MUSIC PINK HAT MUSIC PUBLISHING CO PINK 1NK MUSIC PINK 1S MELON PUBL1SHING PINK LAVA PINK LION MUSIC PINK NOTES MUS1C PUBLISHING PINK PANNA MUSIC PUBLISHING P1NK PANTHER MUSIC PINK PASSION MUZICK PINK PEN PUBLISHZNG PINK PET MUSIC PINK PLANET PINK POCKETS PUBLISHING PINK RAMBLER MUSIC PINK REVOLVER PINK ROCK PINK SAFFIRE MUSIC PINK SHOES PRODUCTIONS PINK SLIP PUBLISHING PINK SOUNDS MUSIC PINK SUEDE MUSIC PINK SUGAR PINK TENNiS SHOES PRODUCTIONS PiNK TOWEL MUSIC PINK TOWER MUSIC PINK TRAX PINKARD AND PZNKARD MUSIC PINKER TONES PINKKITTI PUBLISH1NG PINKKNEE PUBLISH1NG COMPANY PINKY AND THE BRI MUSIC PINKY FOR THE MINGE PINKY TOES MUSIC P1NKY UNDERGROUND PINKYS PLAYHOUSE PZNN PEAT PRODUCTIONS PINNA PUBLISHING PINNACLE HDUSE PUBLISHING PINOT AURORA PINPOINT HITS PINS AND NEEDLES 1N COGNITO PINSPOTTER MUSIC ZNC PZNSTR1PE CRAWDADDY MUSIC PINT PUBLISHING PINTCH HARD PUBLISHING PINTERNET PUBLZSH1NG P1NTOLOGY PUBLISHING PZO MUSIC PUBLISHING CO PION PIONEER ARTISTS MUSIC P10TR BAL MUSIC PIOUS PUBLISHING PIP'S PUBLISHING PIPCOE MUSIC PIPE DREAMER PUBLISHING PIPE MANIC P1PE MUSIC INTERNATIONAL PIPE OF LIFE PUBLISHING P1PE PICTURES PUBLISHING 882 P U B L I S H E R PIPERMAN PUBLISHING P1PEY MIPEY PUBLISHING CO PIPFIRD MUSIC PIPIN HOT PIRANA NIGAHS MUSIC PIRANAHS ON WAX PIRANHA NOSE PUBL1SHING P1RATA MUSIC PIRHANA GIRL PRODUCTIONS PIRiN -
CORRIDO NORTEÑO Y METAL PUNK. ¿Patrimonio Musical Urbano? Su Permanencia En Tijuana Y Sus Transformaciones Durante La Guerra Contra Las Drogas: 2006-2016
CORRIDO NORTEÑO Y METAL PUNK. ¿Patrimonio musical urbano? Su permanencia en Tijuana y sus transformaciones durante la guerra contra las drogas: 2006-2016. Tesis presentada por Pedro Gilberto Pacheco López. Para obtener el grado de MAESTRO EN ESTUDIOS CULTURALES Tijuana, B. C., México 2016 CONSTANCIA DE APROBACIÓN Director de Tesis: Dr. Miguel Olmos Aguilera. Aprobada por el Jurado Examinador: 1. 2. 3. Obviamente a Gilberto y a Roselia: Mi agradecimiento eterno y mayor cariño. A Tania: Porque tú sacrificio lo llevo en mi corazón. Agradecimientos: Al apoyo económico recibido por CONACYT y a El Colef por la preparación recibida. A Adán y Janet por su amistad y por al apoyo desde el inicio y hasta este último momento que cortaron la luz de mi casa. Los vamos a extrañar. A los músicos que me regalaron su tiempo, que me abrieron sus hogares, y confiaron sus recuerdos: Fernando, Rosy, Ángel, Ramón, Beto, Gerardo, Alejandro, Jorge, Alejandro, Taco y Eduardo. Eta tesis no existiría sin ustedes, los recordaré con gran afecto. Resumen. La presente tesis de investigación se inserta dentro de los debates contemporáneos sobre cultura urbana en la frontera norte de México y se resume en tres grandes premisas: la primera es que el corrido y el metal forman parte de dos estructuras musicales de larga duración y cambio lento cuya permanencia es una forma de patrimonio cultural. Para desarrollar esta premisa se elabora una reconstrucción historiográfica desde la irrupción de los géneros musicales en el siglo XIX, pasando a la apropiación por compositores tijuanenses a mediados del siglo XX, hasta llegar al testimonio de primera mano de los músicos contemporáneos. -
Don Airey …………………………………………………………… 40 - 44
1 Los teclistas del rock Indice 1.- Rick Wakeman ………………………………………………………… 2 - 4 2.- Keith Emerson ………………………………………………………… 5 - 8 3.- Jon Lord …………………………………………………………………. 9 - 12 4.- Peter Bardens ………………………………………………………… 13 - 15 5.- Tony Banks ……………………………………………………………. 16 - 20 6.- Richard Wright ………………………………………………………. 21 - 24 7.- Dave Greenslade …………………………………………………… 25 - 31 8.- Thijs Van Leer ……………………………………………………….. 32 - 35 9.- Ray Manzarek ………………………………………………………. 36 - 39 10.- Don Airey …………………………………………………………… 40 - 44 11.- Jordan Rudess ……………………………………………………. 45 - 49 12.- Patrick Moraz …………………………………………………….. 50 - 53 13.- Eddie Jobson ……………………………………………………… 54 - 58 2 Rick Wakeman Cuando Ángel me propuso colaborar con este excelente blog no tenía muy claro sobre que podía basarse mi participación en ZRS. Estuve meditando durante un tiempo hasta que la iluminación llego a mi mente y recordé cuales fueron mis orígenes en la música. Hace ya mucho tiempo, cuando era un adolescente, entre en el mundo del rock de la mano de lo que en aquella época se llamaba “rock sinfónico”. Mi fascinación por este género era total y el instrumento que me imaginaba tocando eran los teclados, con el tiempo comprendí que no tenía capacidad para asumir semejante tarea. Hablar de sintetizadores, órganos, mellotrones, etc, para mí sería un placer pero entiendo que para la mayoría de los mortales podría suponer un gran dolor de cabeza. Por todo ello creo que mi colaboración puede versar sobre los teclistas del rock. RICK WAKEMAN No pretendo contar exhaustivamente la obra y milagros de este genio, eso sería muy largo y tedioso, simplemente daré unas pinceladas sobre su trayectoria basándome en mi experiencia. Rick Wakeman nació en 1,949 en Perivale, Londres, y como era de esperar estudio diversos instrumentos entre ellos el piano, pero el bueno de Rick era un inconformista y no se regía por los cánones clásicos por lo cual fue expulsado del Royal College Music. -
Renaissance Renaissance Mp3, Flac, Wma
Renaissance Renaissance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Renaissance Country: Austria Released: 1976 Style: Art Rock, Psychedelic Rock, Prog Rock, Classic Rock MP3 version RAR size: 1981 mb FLAC version RAR size: 1721 mb WMA version RAR size: 1770 mb Rating: 4.3 Votes: 411 Other Formats: WMA VQF AU MPC MP2 VOX AUD Tracklist Hide Credits A1 Kings & Queens 10:55 A2 Innocence 7:05 B1 Island 5:57 Wanderer B2 4:00 Written-By – John Hawken B3 Bullet 11:24 Companies, etc. Distributed By – Ariola Phonographic Copyright (p) – Island Records Ltd. Printed By – Mohndruck Reinhard Mohn OHG Published By – B. Feldman & Co. Ltd. Published By – Renaissance Music Recorded At – Olympic Studios Credits Arranged By [Classical Interpretation, Riffs] – John Hawken, Louis Cennamo Bass – Louis Cennamo Design [Sleeve] – Jack Levy Engineer – Andrew Johns* Percussion, Vocals, Written-By – Jim McCarty Photography By [At Victoria And Albert Museum] – John Clamp Piano, Harpsichord – John Hawken Producer – Paul Samwell-Smith Vocals, Guitar, Harmonica – Keith Relf Vocals, Percussion – Jane Relf Written-By – Keith Relf (tracks: A1 to B1, B3) Notes Repress of the debut-album comes with gatefold sleeve and orange ("blue rim") island center label design. All songs copyright B. Feldman & Co. Ltd, trading as Renaissance Music. Recorded at Olympic Sound Studios Austro Mechana Barcode and Other Identifiers Rights Society: Austro Mechana Other versions Category Artist Title (Format) Label Category Country Year Island ILPS 9114, Renaissance (LP, Records, -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
April 29Th 1975
California State University, San Bernardino CSUSB ScholarWorks Paw Print (1966-1983) Arthur E. Nelson University Archives 4-29-1975 April 29th 1975 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/pawprint Recommended Citation CSUSB, "April 29th 1975" (1975). Paw Print (1966-1983). 156. https://scholarworks.lib.csusb.edu/pawprint/156 This Article is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Paw Print (1966-1983) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. OfHce of Publjcotion California Siofe CcfJ$0«, San Bernardino LWF121NT Volume Vll No. 21 Published by The Associated Students of California State College/ San Bernardino April 29, 1975 Fireball kicks off. A dunking concession, with continue through 8 p.m., Saturday; faculty members as targets, is one and 10 a.m. to 5 p.m., Sunday. of the numerous activities at Cal Certain games, such as "hole-in- State, San Bernardino's festival for one," archery and horseshoes, will all ages, Fireball '75, Saturday and be open from 10 a.m. to 5 p.m., Sunday, May 3 and 4. Saturday and 1 to 4 p.m., Sunday. Cal State students are inviting Saturday special events include the community to join in the two- a karate demonstration at 1 p.m. day spring event, which features a and a tug-of-war at 4 p.m. variety of attractions, including A band contest is planned for 12 food and game booths, exhibits, noon until 5 p.m. -
Re-Issues Reviews
Re-issues Reviews Home To the reviews index News A healthy nihilism goes all bellicose for the poet who turns his pen into a sword. Interviews In the most Orwellian of years Joseph Smalkowski, or Copernicus, decided it was time Reviews for his verses to not only produce a verbal music but also put some external sound to the words - and got himself a kindred-minded band. "Let the musicians declare war!!" goes Index "I Know What I Think", and they do so, indeed, with a full-blown aural onslaught onto DVD which the leader lays his punky stentorian chant. Deranged delight! - unlike the mournful Magazines recital of "Let Me Rest" clocking at 11.11. Books But the opener "I Won't Hurt You" delivers on its sweet, slithery, soulful promise that Specials either skanks or slides to form the most romantic song Copernicus could offer. Still, COPERNICUS - being himself he couldn't help but break such an innocence in the sonic terror of Photo Nothing Exists "Nagasaki", hung on an urgent, oscillating and scintillating rock 'n' roll guitar riff. It's here that the poet denies the existence of everything, him included, so "Atomic Nevermore" Links Nevermore 1984 spreads its spoken word over the emotional desert which somehow makes the listener MoonJune 2010 explore the album's dry landscape again. DME/Personal ***1/2 Guestbook Mail me The original angularity seeps away for guitar to feed on - and feedback - on a honeysuckle vine. Having tapped into the fusion fad of the day with "Bundles", the machinists might have thought they arrived at the right station, yet the restless passenger in Allan Holdsworth knew better. -
Ffanzeen: Rock'n'roll Attitude with Integrity: DVD Review: Johnny Winter Live at Roc
FFanzeen: Rock'n'Roll Attitude With Integrity: DVD Review: Johnny Winter Live at Roc ... Page 1 of 5 Share Report Abuse Next Blog» Create Blog Sign In FFanzeen: Rock'n'Roll Attitude With Integrity Through the writings and photography of Robert Barry Francos, a view of the arts and culture, including everyday life. THURSDAY, AUGUST 25, 2011 Blog Archive DVD Review: Johnny Winter Live at Rockpalast ▼ 2011 (66) ▼ August (7) Text © Robert Barry Francos / FFanzeen, 2011 DVD Review: Johnny Winter Images from the Internet Live at Rockpalast DVD Reviews: Mellodrama: The Mellotron Movie DVD Review: Here We Are in the Years: Neil Young’s... DVD Review: The Death of Andy Kaufman Club Flyers and Invites from 1970s and 1980s: Part... Twelfth MEA Convention, University of Alberta, Edm... Book Review: Sheriff McCoy: Outlaw Legend of Hanoi... ► July (11) ► June (6) ► May (8) ► April (11) ► March (8) ► February (8) ► January (7) ► Johnny Winter Live at Rockpalast 1979 2010 (152) Directed by Unknown ► 2009 (78) MVD Visual, 1979 / 2011 ► 2008 (70) 90 minutes, USD $19.95 ► 2007 (22) MVDvisual.com About Me This April 1979 oft-bootlegged show has finally been released on DVD, thanks to the good people at MVD Visual. Broadcast live on German Robert Barry Francos television, it was filmed at Grugahalle, in Essen, Deutschland. Currently living in Saskatoon (email at [email protected] for Previously to the show, and after having been raised in the swampy address). From 1977-88, I used to sounds of Delta blues in Texas, Johnny Winter made his name playing publish a print version of a music http://ffanzeen.blogspot.com/2011/08/text -robert -barry -francos -ffanzeen -2011.html 9/6/2011 FFanzeen: Rock'n'Roll Attitude With Integrity: DVD Review: Johnny Winter Live at Roc ..