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_ Flt h ? - The Salis bur1 Stat'e ... occer ~(' - R cord _ ow .. Outten's 3-1-2 A nswers" Png 3! foJ:xXXVIII - NO. 2 OCTOBER 16, 196 FAI .Y '' TO y PL 0 s C. l\lr. \Vilson haron Leo nard, a senior, as Eliza Doolittle; John O'Ma y, also a sen io r, as Henry Higgins; Ike F eath er, a sophomore, as Colonel Pick in g is a n 1 I rly eli ng ; Frank Parks, a junior, as man who a ·ls Ml ll1 <' h ::u·acl t ' F'reddy Eynsford-Hill ; and Tom I al11. n c I lwC'r n J·~liza :mcl Hig Davis, a freshman, as Alfred P . g in s. Hr is the •pi Lom of lhc old Doolittle. gng ll sh grnllc•ma n." Fl"anlc Parks, who plays Fr ddy Eynsfor l-Hill, has b n in lh SSC proclu lions of arni v:tl and Com Alexander .Scourby Presents Program (• lly of J~rron; and in lh student produ lion Phoenix Too F r - A noted actor of stage, scr een, <1111·111. He a lso di!" • lr cl L ('t 'l'hrrl' radio and television came to lk 1"::trc·(• las l y 111·. cscl"ibin g I hr alisbury State College on Thurs r; hara :ler of l•' n ·clcl y, h<' said , day, October 3, 1968, in H olloway "F1·rclcl y iH an a1" islocn1li ·. s liff Hall Auditorium when Alexander 'CJli a 1· young 111 :1_11 wilh a l finilc courby presented " Walt Whit cl a mpne>ss b hincl llw cars. -
Jenny & Ruzz Barr
No. 71 June 2014 From the EDITOR-Stand In(s) – Jenny & Ruzz Barr Old Maroons President Our President, Greg Bryce, has decided to step. The Committee has agreed to Ruzz Barr being the Acting President through to the AGM AGM 2014 Notice Friday 11th July 2014, 5.30 for 6pm at the CLUBHOUSE, Ilam (The day before the Crusaders play the Highlanders) The usual high class fish & chip dinner plus wine will be served at the conclusion of the meeting (cost $20 per person – pay on the night). Brian (Chub) Hays, our newest Life Member, will be speaking, after the Dinner, on the topic ‘Ramblings from 1971 to today!’ This certainly promises to be an entertaining evening 300 Club We now have 27 members of the 300 Club for 2014. If you would like to support the Rugby Club through this initiative please refer to the attachment to this Newsletter or contact Ruzz Barr Varsities Day – 17th May The annual inter-Universities rugby clash occurred on Saturday 17th May and we were hosted out at Lincoln University. The photo shows Don Davison, Steve Comer, Chub Hays and Steve Surridge partaking of the lunch generously supplied by Lincoln. In the background, between Don and Steve, we have Murray Dickson who is currently having bets on both sides - having played for Varsity and currently having a management role at Lincoln. For the record we lost the Hart- O’Reilly Trophy 13-19. Bugger Black Ferns 2014 We have two in the 2014 Black Ferns; Kendra Cocksedge is a current player and Amiria Marsh (nee Rule) is a past player now at Sydenham Page 1 of 6 Old Maroons Newsletter -
Peter Freeman
First Assistant Director Peter Freeman 30 Birch Grove Windsor, Berks SL4 5RT Tel : +44 (0)1753 862226 Mobile: +44 (0)7774 700 747 SA Mobile: +27 (0)76 4377 963 e-mail: [email protected] Languages: Greek, Basic French Over 12 years experience with Movie Magic Scheduling. South African ResidenceVisa. Advanced Production Safety Certificate, BBC Total Concept Safety Certificate Recent credits include: FEATURES “Gulliver’s Travels” Jack Black as Gulliver in modern retelling of classic tale. (Additional Assistant Director) Cast Inc: Jack Black, Jason Segel, Billy Connolly, Emily Blunt. Directors: Chris O’Dell (2nd Unit), UPM/1st AD: Terry Bamber (2nd Unit), “Broken Thread” Modern day ghost story. Shot in India, Isle of Man and London. Cast inc: Linus Roache, Saffron Burrows Director: Mahesh Matai Producer: Deepak Nayar A.P: Paul Sarony “These Foolish Things” Romantic comedy set in 1920’s theatre-land. Shot in and around Cheltenham. Cast inc: Angelica Huston, Lauren Bacall, Terence Stamp, Andrew Lincon. Director: Julia Taylor-Stanley Producers: Julia Taylor-Stanley, Paul Sarony “Spirit Trap” Horror/ghost story. Shot in Romania and the UK for Archangel Productions. Cast inc: Luke Mably, Sam Troughton, Emma Catherwood and Billy Piper. Director: David Smith Producer: Susie Brooks-Smith A.P: David Higginson / Cathy Lord “Chasing Liberty” Second unit Czech Republic. Cast inc: Mandy Moore, Mark Harmon Director: Andy Cadiff (main unit) Line Prod: Cathy Lord A.P: Hilary Benson “Jane Eyre” Retelling of classic tragic love story. Derbyshire & London Cast inc: William Hurt, Charlotte Gainsburg, Elle Macpherson Director: Franco Zeffirelli Producer: Dyson Lovell A.P: Ray Freeborn Page 2 “Soft Sand, Blue Sea” Film Four. -
Drama Book Shop Became an Independent Store in 1923
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION SALUTING A UNIQUE INSTITUTION ♦ Monday, November 26 Founded in 1917 by the Drama League, the Drama Book Shop became an independent store in 1923. Since 2001 it has been located on West 40th Street, where it provides a variety of services to the actors, directors, producers, and other theatre professionals who work both on and off Broadway. Many of its employees THE PLAYERS are young performers, and a number of them take part in 16 Gramercy Park South events at the Shop’s lovely black-box auditorium. In 2011 Manhattan the store was recognized by a Tony Award for Excellence RECEPTION 6:30, PANEL 7:00 in the Theatre . Not surprisingly, its beneficiaries (among them Admission Free playwrights Eric Bogosian, Moises Kaufman, Lin-Manuel Reservations Requested Miranda, Lynn Nottage, and Theresa Rebeck), have responded with alarm to reports that high rents may force the Shop to relocate or close. Sharing that concern, we joined The Players and such notables as actors Jim Dale, Jeffrey Hardy, and Peter Maloney, and writer Adam Gopnik to rally support for a cultural treasure. DAKIN MATTHEWS ♦ Monday, January 28 We look forward to a special evening with DAKIN MATTHEWS, a versatile artist who is now appearing in Aaron Sorkin’s acclaimed Broadway dramatization of To Kill a Mockingbird. In 2015 Dakin portrayed Churchill, opposite Helen Mirren’s Queen Elizabeth II, in the NATIONAL ARTS CLUB Broadway transfer of The Audience. -
Non-Fiction Books by Author
Trace Creek Baptist Church Non-Fiction Books by Author Call # Author Title 236.8 IF "If Christ be not risen--" : essays in resurrection and survival / editors, John Greenhalgh, Elizabeth Russell. 230.992 MAK "Make sure of all things." A compilation of Scriptures from the Holy Bible under seventy main headings ... 306.81 WIL 101 most important things you need to know before you get married : life lessons you're going to learn sooner or later-- / [compiled by] Renae Willis. 248.845 101 101 questions children ask about God / written by David R. Veerman ... [et al.]. 248.845 102 102 questions children ask about the Bible / written by David R. Veerman ... [et al.]. 248.845 103 103 questions children ask about right from wrong / written by David R. Veerman ... [et al.]. 248.845 104 104 questions children ask about heaven & angels / general editor, Daryl J. Lucas ; written by David R. Veerman ... [et al.] ; illustrated by Lil Crump. 082 MEA 12,000 religious quotations / edited and compiled by Frank S. Mead. 248.4 WIL 30 days to discovering personal victory through holiness / compiled by Bruce Wilkinson. 226 FOR 40 days with Jesus / scripture selections by Judy Mitchell ; scripture translations by Randy Hurst. 248.83 THE The A to Z guide to Bible application. 248.83 ATO The A to Z guide to Bible application. 242.643 ALO Alone with God / Ardis Dick Stenbakken, editor. 618.92 AME American Academy of Pediatrics guide to your child's symptoms : the official home reference, birth through adolescence / editors, Donald Schiff, Steven P. Shelov. 252.08 ANE Anecdotes illustrative of New Testament texts. -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
Text Pages Layout MCBEAN.Indd
Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous. -
Legacy – the All Blacks
LEGACY WHAT THE ALL BLACKS CAN TEACH US ABOUT THE BUSINESS OF LIFE LEGACY 15 LESSONS IN LEADERSHIP JAMES KERR Constable • London Constable & Robinson Ltd 55-56 Russell Square London WC1B 4HP www.constablerobinson.com First published in the UK by Constable, an imprint of Constable & Robinson Ltd., 2013 Copyright © James Kerr, 2013 Every effort has been made to obtain the necessary permissions with reference to copyright material, both illustrative and quoted. We apologise for any omissions in this respect and will be pleased to make the appropriate acknowledgements in any future edition. The right of James Kerr to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. A copy of the British Library Cataloguing in Publication data is available from the British Library ISBN 978-1-47210-353-6 (paperback) ISBN 978-1-47210-490-8 (ebook) Printed and bound in the UK 1 3 5 7 9 10 8 6 4 2 Cover design: www.aesopagency.com The Challenge When the opposition line up against the New Zealand national rugby team – the All Blacks – they face the haka, the highly ritualized challenge thrown down by one group of warriors to another. -
The Inventory of the Everett Raymond Kinstler Collection #1705
The Inventory of the Everett Raymond Kinstler Collection #1705 Howard Gotlieb Archival Research Center Kinstler, Everett Raymond #1705 8/9/05 Preliminary Listing I. Printed Material. Box 1 A. Chronological files; includes news clippings, periodicals, bulletins, and other items re: ERK and his artwork. 1. "1960-62." [F. 1] 2. "1963-64," includes photos. [F. 2] 3. "1965-66." [F. 3] 4. "1967-68." [F. 4] 5. "1969." [F. 5] 6. "1970." [F. 6] 7. "1971," includes photos. [F. 7] 8. "1972," includes photos. [F. 8] 9. "1973." [F. 9] 10. "1974." [F. 10] 11. "1975." [F. 11] 12. "1976." [F. 12] 13. "1977." [F. 13] 14. "1978." [F. 14] 15. "1979." [F. 15] Box2 16. "1980." [F. 1-2] 17. "1981." [F. 3-4] 18. "1982." [F. 5-6] 19. "1983." [F. 7] 20. "1984." [F. 8] 21. "1985." [F. 9] 22. "1986." [F. 10] 23. "1987." [F. 11] 24. "1988." [F. 12] 25. "1988-89." [F. 13] 26. "1990." [F. 14] 27. "1991." [F. 15] Box3 28. "1992." [F. 1] 29. "1993." [F. 2] 30. "1994." [F. 3] 31. "1995." [F. 4] 32. "1996." [F. 5] 33. "1997." · [F. 6] 34. "1998." [F. 7] 35. "1999." [F. 8] 36. "2000." [F. 9] Kinstler, Raymond Everett (8/9/05) Page 1 of 38 37. "2001." [F. 10-11] 38. "2002." [F. 12-13] 39. "2003." [F. 14] 40. "2004." [F. 15-16] II Correspondence. Box4 A. Letters to ERK arranged alphabetically; includes some responses from ERK. 1. Adams, James F. TLS, 5/16/62. [F. 1] 2. Adams,(?). ALS, Aug. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
Published Occasionally by the Friends of the Bancroft Library University of California, Berkeley, California 94720
PUBLISHED OCCASIONALLY BY THE FRIENDS OF THE BANCROFT LIBRARY UNIVERSITY OF CALIFORNIA, BERKELEY, CALIFORNIA 94720 No. 57 January 1974 February 10th, following a screening that after noon of the 1935 film version of Wilson's novel, Ruggles of Red Gap. Born in Oregon, Illinois on May 1st, 1867, Harry Leon Wilson grew up with the smell of print in the small town where his father owned a newspaper, and from an early age learned to set type. He quit school when he was sixteen, having studied shorthand and acquired secre tarial skills. His first job, as he recalled it, was in a furniture factory, his wages fifty cents for a ten-hour day! In November, 1884, Wilson served as stenographer first in the Omaha of fices of the Union Pacific Railroad, and a year later in the Denver offices. This position he left in December, 1885, to become secretary to Edwin Fowler of the Bancroft History Com pany, working for more than a year in Colo rado, collecting reminiscences of pioneer set "H.L." in igo8 tlers and drumming up subscriptions for the histories being issued by Hubert Howe Ban croft. Of this experience Wilson commented: Harry Leon Wilson Papers "That job was my introduction to human "... I FEEL THAT LIFE is a glorious adventure, nature." well worth while," wrote Harry Leon Wilson, During this period of his apprenticeship the famed American humorist and author, on Wilson wrote "The Elusive Dollar Bill," a October 30th, 1931, to his friend Zilpha Riley. short story based on his attempts to obtain a And indeed he lived his life with a zest as great dollar bill for a silver piece in Denver.