Published Occasionally by the Friends of the Bancroft Library University of California, Berkeley, California 94720
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Published Occasionally by the Friends of the Bancroft Library University of California, Berkeley 4, California
PUBLISHED OCCASIONALLY BY THE FRIENDS OF THE BANCROFT LIBRARY UNIVERSITY OF CALIFORNIA, BERKELEY 4, CALIFORNIA MHRQH, 1950 I Foreword alike have welcomed the relocation, which meant more room for the proper arrange WITH THIS ISSUE we hope to begin answer ment and accessibility of materials, and en ing the familiar query, "What's going on in larged and more comfortable work space for the Bancroft?" The Library has long dreamed research. The Bancroft Library has now of an occasional publication to convey news completed its sixth move since its creation and information to its many friends. Now, by Hubert Howe Bancroft. It is to be hoped with much to tell about our activities and that this is the last step before the Library is new quarters, Bancroftiana makes its debut. finally established in a permanent building The choice of a name for our publication of its own at some not-too-distant date. gave us some uneasy moments, but after The move to Bancroft's new quarters was much mulling over of dictionary and the not accomplished without mixed feelings saurus we found a definition that took our and many backward glances on the part of fancy: "-ana: a suffix added to proper names various old-timers who had "grown up" to form nouns denoting items of bibliog (academically speaking) in the crowded and raphy, anecdotes, literary gossip, or other well-worn old Bancroft. Scholars and re facts or pieces of information, concerning the searchers who sought it as an "Ivory Tower" designated object..." So Bancroftiana it is. in the midst of a busy and impersonal Uni We hope you like it. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
Harry Leon Wilson Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/tf796nb2hn No online items Guide to the Harry Leon Wilson Papers, ca. 1879-1939 Processed by The Bancroft Library staff, machine-readable finding aid created by Hernán Cortés The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 1997 The Regents of the University of California. All rights reserved. Note Arts and Humanities --LiteratureHistory --History, CaliforniaGeographical (By Place) --California Guide to the Harry Leon Wilson BANC MSS 71/17 c 1 Papers, ca. 1879-1939 Guide to the Harry Leon Wilson Papers, [ca. 1879-1939] Collection number: BANC MSS 71/17 c The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: The Bancroft Library staff Date Completed: ca. 1971 Encoded by: Hernán Cortés © 1997 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Harry Leon Wilson Papers, Date (inclusive): [ca. 1879-1939] Collection Number: BANC MSS 71/17 c Creator: Wilson, Harry Leon, 1867-1939 Extent: Number of containers: 14 boxes, and 1 oversize folder Repository: The Bancroft Library Berkeley, California 94720-6000 Physical Location: For current information on the location of these materials, please consult the Library's online catalog. Abstract: Includes correspondence; materials re his work for Hubert Howe Bancroft; manuscripts of short stories, articles, novels and plays; notes; scenarios for some of his novels; clippings; photographs; papers relating to property in Mexico and to the settlement of his estate. -
Homes of Famous Carmelites
Homes of Famous Carmelites To see on Google Maps: https://bit.ly/2XBf0Lx Numbers in parentheses refer to the map in Creating Carmel by Ann and Harold Gilliam (1992), pgs. 66-67. · Mary Hunter Austin House (24) – Miss Austin moved to Carmel around 1907, after her participation in the legendary California Water Wars, and after living in the Mojave Desert for many years. An ardent feminist and human rights activist, the prolific poet, playwright and novelist built the serene and secluded “Rose Cottage” th located at 4 Avenue and Monte Verde Street. It sits on a flat spot on top of a steeply sloped property down in a gully, and there is a huge oak tree in front of it. Mary Austin did much of her writing in a tree house she called “Wick-i-up.” The cottage has extensive gardens and two gates with paths leading to it from each side of the intersection of Lincoln and Fourth. · George Sterling House (12) – The handsome poet known to his friends as “The King of Bohemia” built a bungalow in the piney slopes above Carmel Mission, located on Torres Street. It is the third house south of 10th Avenue on the east side. The poet’s home featured a large living room with an oversized fireplace made of stones Sterling had hauled from Carmel Valley. Friends and fellow artists such as Upton Sinclair, Jack London and James Hopper gathered here to carouse, organize beach parties and tell tales. The house is surrounded by a high wire fence. · Arnold Genthe House (32) – At the turn of the 20th century, Genthe’s photographs of San Francisco’s society matrons and the denizens of Chinatown earned him a living but it was his record of the aftermath of the 1906 earthquake that made him famous. -
The Case of Hubert H. Bancroft and Mariano G. Vallejo
American Literary History Advance Access published September 12, 2007 The Political Economy of Early Chicano Historiography: The Case of Hubert H. Bancroft and Mariano G. Vallejo Marissa Lo´pez In 1973, the eminent Chicano literary critic Juan Bruce-Novoa wrote, “Chicano literature is in danger of being shackled to super- ficial characteristics” (14). He was lamenting the tendency of critics and publishers to insist on easily identifiable traits such as language and the barrio experience in order to consider literature ‘Chicano’. Although our arguments have become more nuanced, the essential conditions Bruce-Novoa decried have not changed much since 1973. Chicano literary criticism still tends toward an ideological parochialism, defining Chicano literature in terms of its expressions of oppression and opposition. Nowhere is this more clear than in discussions of nineteenth-century Californio writer Mariano Vallejo’s 1875 memoir Recuerdos Historicos y Personales Tocante a´ la Alta California (Historical and Personal Recollections Touching upon Alta California). Troubled by Vallejo’s position as a wealthy, pro-US Mexican ranchero, scholars have focused solely on his critique of the US and his articulations of what they view as proto-Chicano politics. Such treatment, however, glosses his enthu- siastic endorsement of the free market and disregards his literary and philosophical contributions to nationalist debates in late nineteenth-century California. Reading Vallejo’s memoir as an extended meditation on historical narrative and international law, rather than as an elegy for his disappearing community, highlights the complex interpretive processes that enable ethnic identity. Such an approach also offers a model for Chicano critical strategies that Marissa Lo´pez is an Assistant Professor of English at UCLA, where she is also affiliated with the Department of Chicana and Chicano Studies and the Chicana/o Studies Research Center. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Bibliographies of Northern and Central California Indians. Volume 3--General Bibliography
DOCUMENT RESUME ED 370 605 IR 055 088 AUTHOR Brandt, Randal S.; Davis-Kimball, Jeannine TITLE Bibliographies of Northern and Central California Indians. Volume 3--General Bibliography. INSTITUTION California State Library, Sacramento.; California Univ., Berkeley. California Indian Library Collections. St'ONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. Office of Library Programs. REPORT NO ISBN-0-929722-78-7 PUB DATE 94 NOTE 251p.; For related documents, see ED 368 353-355 and IR 055 086-087. AVAILABLE FROMCalifornia State Library Foundation, 1225 8th Street, Suite 345, Sacramento, CA 95814 (softcover, ISBN-0-929722-79-5: $35 per volume, $95 for set of 3 volumes; hardcover, ISBN-0-929722-78-7: $140 for set of 3 volumes). PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS American Indian History; *American Indians; Annotated Bibliographies; Films; *Library Collections; Maps; Photographs; Public Libraries; *Resource Materials; State Libraries; State Programs IDENTIFIERS *California; Unpublished Materials ABSTRACT This document is the third of a three-volume set made up of bibliographic citations to published texts, unpublished manuscripts, photographs, sound recordings, motion pictures, and maps concerning Native American tribal groups that inhabit, or have traditionally inhabited, northern and central California. This volume comprises the general bibliography, which contains over 3,600 entries encompassing all materials in the tribal bibliographies which make up the first two volumes, materials not specific to any one tribal group, and supplemental materials concerning southern California native peoples. (MES) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** U.S. -
Hubert Howe Bancroft in Colorado
The History Company building at 72 1 Market Street, S ctn Francisco, which housed Hubert Howe Bancroft's pu blishing ventures, was erected in 1886 after a Hubert Howe Bancroft disastrous fire destroyed the earlier 1870 building. It is seen here decorated in honor in Colorado of a Knights T emplars' convocation, an organi;mtion of w hich Bancroft was an honorary member. BY BENJAMIN DRAPER Hubert Howe Bancroft's reputation as a collector of his torical materials has long been assured. The Bancroft Library at the University of California in Berkeley was founded with sixty thousand books and manuscripts which he gathered for his thirty-nine-volume Works, 1 of which volumes 17 to 37 are devoted to the history of the Pacific states. Volume 25 in this series covers Nevada, Colorado, and Wyoming. These Bancroft writings have been both the despair and the joy of scholars. His work has been variously characterized as opinionated, inaccurate, prejudiced, and unworthy.2 Yet, tucked away here and there, especially in the twenty-one volumes devoted to the history of the Pacific states, planned in 1880 and published over the next decade, there are valuable accounts of men and women and exploits of local history. Ban croft and his agents gathered firsthand material, much of which today is to be found nowhere else. Not for his skill as a historian so much as for this assemblage of "footnotes" to the history of the American West can modern scholars be grateful to, Bancroft. His Colorado activities between 1883 and 1889, typical of his procedures elsewhere, are better documented in surviving reco,rds than are those of other places. -
Published Occasionally by the Friends of the Bancroft Library University of California, Berkeley 4, California
PUBLISHED OCCASIONALLY BY THE FRIENDS OF THE BANCROFT LIBRARY UNIVERSITY OF CALIFORNIA, BERKELEY 4, CALIFORNIA Number 22 • DECEMBER 1 959 this new collection dealing with the prepara Howell-Zeitlin Collection tions for the founding and settlement not THROUGH THE GENEROSITY of a group of only of Los Angeles but also of Santa Bar Friends, the Bancroft Library is the proud bara. Here are the instructions to the officer owner of a group of early California and in charge, information about the number of Southwestern documents collected by two en families and soldiers who were to make up terprising antiquarian bookdealers—Warren the colonizing party, the distribution of troops Howell of San Francisco and Jake Zeitlin of in California, and the horses and supplies re Los Angeles. quired. Most significant among the newly acquired Farther to the southeast, the missions of documents are three journals of Captain Ri the Arizona-Sonora border produced a great vera y Moncada, member of the first expedi man, the Jesuit missionary, Father Eusebio tion to Upper Calif ornia in 1769 and governor Francisco Kino, who in 25 years of service of the colony from 1774 to 1776. The first of (1687-1711), f°unded new missions, built these journals, dating from July 10 to August churches, taught the Indians the white man's 30, 1774, was written in Rivera's own hand; religion and customs, explored the wild Apa the others, covering the period from January che country, and opened new trails. Though 1 to October 28, 1775, were corrected and a man-of-action, he was also a scholar—math signed by him. -
Fake Tales of San Francisco: History, Legacy and the San Francisco Vigilance Committee of 1851
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2018-08-23 Fake Tales of San Francisco: History, Legacy and the San Francisco Vigilance Committee of 1851 Hubbard, Joseph Fraser Hubbard, J. F. (2018). Fake Tales of San Francisco: History, Legacy and the San Francisco Vigilance Committee of 1851 (Unpublished master's thesis). University of Calgary, AB. doi:10.11575/PRISM/32841 http://hdl.handle.net/1880/107661 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Fake Tales of San Francisco: History, Legacy and the San Francisco Vigilance Committee of 1851 by Joseph Fraser Hubbard A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN HISTORY CALGARY, ALBERTA AUGUST, 2018 © Joseph Fraser Hubbard 2018 Abstract In the run-up to the American Civil War, vigilantism became a common phenomenon in the new West, with ad hoc mining tribunals giving way to permanent committees intent on policing the rapidly urbanising cities of the California gold fields. The earliest example of this organised, violent activism in the region came in the form of San Francisco’s Vigilance Committee, which operated during the summer of 1851. -
John C. Fremont, Mariposa, and the Collision of Mexican and American Law Lewis A
American University Washington College of Law From the SelectedWorks of Lewis A. Grossman 1993 John C. Fremont, Mariposa, and the Collision of Mexican and American Law Lewis A. Grossman Available at: https://works.bepress.com/lewis_grossman/24/ JOHN C. FREMONT, MARIPOSA, AND THE COLLISION OF MEXICAN AND AMERICAN LAW LEWIS GROSSMAN wen in 1848 the United States acquired California from Mexico by the Treaty of Guadalupe-Hidalgo, the Americans promised that the private-property rights of the Mexicans would be "inviolably respected." 1 By this guarantee, the United States bound itself to absorb a vast system of Span ish and Mexican land grants based on a conception of land ownership radically different from the American notion of precisely defined, carefully documented, and intensively developed estates. By the time that the United States took possession of Cali fornia, Spanish and Mexican officials had made approximately 750 land grants to individuals-grants totalling between thir teen and fourteen million acres.2 Individual grants were as large as eleven square leagues, or about forty-nine thousand acres.3 Lewis Grossman is clerk to Chief Judge Abner J. Mikva, United States Court of Appeals for the District of Columbia Circuit, and a Ph.D. candidate in history at Yale University. The author is grateful to Howard Lamar, in whose western history seminar this article was born in the fall of 1990. 1Treaty With the Republic of Mexico, February 2, 1848, article 8, 9 Stat. 922 [hereafter cited as Treaty With the Republic of Mexico]. 2 Paul Wallace Gates, "Adjudication of Spanish-Mexican Land Claims in California," Huntington Library Quarterly 21 (1958), 213, 215 [hereafter cited as Gates, "Adjudication of Spanish-Mexican Land Claims"]. -
HUBERT HOWE BANCROFT Historian of the West
THE HISTORICAL TIMES NEWSLETTER OF THE GRANVILLE, OHIO, HISTORICAL SOCIETY Volume XI Number 4 Fall: 1997 HUBERT HOWE BANCROFT Historian of the West One of the more famous historians to come from Granville is Hubert Howe Bancroft. Born in Granville in 1832, Bancroft went from student at Doane Academy to bookselling to history writing. Ann Natalie Hansen has written this delightful biographical account of Hubert Howe Bancroft. The editors of The Historical Times are pleased to publish for the first time Miss Hansen's original work on the life and times of this famous Granville native. HUBERT HOWE BANCROFT of these Puritan families, the Bancrofts Historian of the West moved westward into the Connecticut Valley taking part in local government, A transplanted and transformed the French and Indian War and the Yankee who rose from farm boy to American Revolution. This spirit of bookseller to author and publisher, restlessness continued in the family. Hubert Howe Bancroft holds a place in Azariah Ashley Bancroft, in 1845, American historiography which is often moved his family to New Madrid, disputed. The question invariably Missouri. The fertile bottom lands arises --- was he really an historian at yielded good crops for which there all, or merely a shrewd Yankee trader? were only poor markets, so after three It seems most fair to say that he was a years the trek was made back to little of each. Granville. In a few years, though, the West beckoned again and Azariah Massachusetts Roots Ashley was off to the gold fields of California where he stayed for two Bancroft's father, Azariah Ashley years.