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Toxic Trespass
w omeN 2010 make New Releases movies WMM www.wmm.com Women Make Movies Staff Jen Ahlstrom Finance Coordinator Liza Brice Online Marketing ABOUT & Outreach Coordinator Jessica Drammeh IT/Facilities Coordinator WOMEN MAKE MOVIES Kristen Fitzpatrick A NON-PROFIT INDEPENDENT MEDIA DISTRIBUTOR Distribution Manager Tracie Holder Production Assistance From cutting-edge documentaries that give depth to today’s headlines to smart, Program Consultant stunning fi lms that push artistic and intellectual boundaries in all genres, Stephanie Houghton Educational Sales Women Make Movies (WMM), a non-profi t media organization, is the world’s & Marketing Coordinator leading distributor of independent fi lms by and about women. WMM’s Maya Jakubowicz Finance & Administrative Manager commitment to groundbreaking fi lms continues in 2010 with 24 new, astonishing Cristela Melendez and inspiring works that tackle, with passion and intelligence, everything Administrative Aide from portraits of courageous and inspiring women affecting social change in Amy O’Hara PATSY MINK: AHEAD OF THE MAJORITY, A CRUSHING LOVE, and AFRICA RISING, Offi ce Manager to three new fi lms on issues facing young women today: COVER GIRL CULTURE, Merrill Sterritt Production Assistance ARRESTING ANA, and WIRED FOR SEX, LIES AND POWER TRIPS. Other highlights Program Coordinator include THE HERETICS, a look at the Second Wave of feminism, and two new Julie Whang fi lms in our growing green collection, MY TOXIC BABY and TOXIC TRESPASS. Sales & Marketing Manager Debra Zimmerman Executive Director The WMM collection is used by thousands of educational, cultural, and community organizations across North America. In the last fi ve years dozens Board of Directors of WMM fi lms have been broadcast on PBS, HBO, and the Sundance Channel Claire Aguilar among others, and have garnered top awards from Sundance to Cannes, as Vanessa Arteaga well as Academy Awards®, Emmy Awards®, and Peabody Awards. -
General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
Gadaleto Michael Their Solitary Way Marital Reconciliation in The
“Their Solitary Way”: Marital Reconciliation in the Conversion Scene of Paradise Lost by Michael Gadaleto A thesis presented for the B. A. degree with Honors in The Department of English University of Michigan Spring 2008 Copyright © 2008 by Michael Gadaleto To Drew, Jim, Becky, and Mike The world was all before them, where to choose Their place of rest, and Providence their guide. ACKNOWLEDGMENTS There are many hundreds of people all over the greater Ann Arbor area who deserve my thanks, be it for servicing my ever stronger caffeine addiction or for patiently listening while I pontificated about unification, upward mobility or humiliation, words so deadly dull that they strike fear into all hearts but that of the Miltonist. I will limit myself, however, to acknowledging those few people without whom this thesis would not exist. First and foremost I would like to thank Professor Ralph Williams. The only thing more thrilling than his agreement to become my advisor was the discovery of his boundless generosity and kindness. His enthusiasm for Milton and for learning has been infectious, and I deeply regret that our weekly meetings will be coming to an end. Yet I cannot help but feel, as almost anyone who comes into contact with him must, that I have gained a lifetime friend and mentor, and for this alone I am blessed in this process. I would also like to thank Professor Doug Trevor, whose assistance was indispensable and whose office was always open to me. My mother, Teri Mikan Gadaleto, read early drafts of this thesis and managed as she always does to walk the razor’s edge between praise and remarkably insightful criticism. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Cinematographer As Storyteller How Cinematography Conveys the Narration and the Field of Narrativity Into a Film by Employing the Cinematographic Techniques
Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. This page intentionally left blank. 4 The alteration Note: The alteration of my MPhil thesis has been done as was asked for during the viva for “Cinematographer as Storyteller: How cinematography conveys narration and a field of narrativity into a film by employing cinematographic techniques.” The revised thesis contains the following. 1- The thesis structure had been altered to conform more to an academic structure as has been asked for by the examiners. -
Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
The Latino Film Experience in History: a Dialogue Among Texts and Collaborators Chapter Author(S): DARIÉN J
Tamesis an imprint of Boydell & Brewer Chapter Title: The Latino Film Experience in History: A Dialogue Among Texts and Collaborators Chapter Author(s): DARIÉN J. DAVIS Book Title: A Companion to US Latino Literatures Book Editor(s): Carlota Caulfield and Darién J. Davis Published by: Boydell & Brewer; Tamesis an imprint of Boydell & Brewer Stable URL: https://www.jstor.org/stable/10.7722/j.ctt9qdmx2.17 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Boydell & Brewer and Tamesis an imprint of Boydell & Brewer are collaborating with JSTOR to digitize, preserve and extend access to A Companion to US Latino Literatures This content downloaded from 150.210.226.99 on Sun, 27 Dec 2020 18:34:58 UTC All use subject to https://about.jstor.org/terms 12 The Latino Film Experience in History: A Dialogue Among Texts and Collaborators DARIÉN J. DAVIS The Latino Film Experience in History: A Dialogue The complexity of the Latino experience has yet to be adequately explored in film. As in Latino literary texts, most themes and characters in Latino films have emerged from the sensibilities of a community’s insertion into the North American reality. From these national experiences, filmmakers have been able to explore issues relevant to the broadly constructed ‘Latino’ community. -
Executive Director Artistic Director Donna Welcome to the Thrilling Ojai Film Festival
Welcome to the 18th Ojai Film Festival There’s no place like home ... Let me find yours. Executive Director Artistic Director Donna Welcome to the thrilling Ojai Film Festival. Welcome to the eighteenth annual Ojai Film Festival! More than 80 films will be screened along with Throughout our history, we have programmed a great workshops and special programs spotlighted diversity of unique motion pictures from around the with famed cinematographer Johnny E. Jensen, world, including many that would otherwise have actors Ed Asner and Cloris Leachman. been inaccessible. At the same time, our festival Maryse Gartner Steve Grumette provides a valuable service to filmmakers by giving This year we received over 80 screenplays for our second RE/MAX GoldSallen Coast Realtors them access to a sophisticated and highly appreciative audience that 805-798-0516 annual Screenwriter’s Competition. We will host the popular includes film industry professionals who can help guide their careers. Live Screenplay Read to showcase the winning script on Sunday, November 5. Come join us! The Ojai Film Festival has chosen to identify itself with the theme “Enriching the Human Spirit Through Film.” While any great work The 18th annual Film Festival is a culmination of what has of art enriches the spirit, we decided to give special preference to already been a busy year with three programs: the Women In films that explore the human condition; films that broaden our Film Legacy Film with Piper Laurie in March, two animation understanding of our place in the world and encourage us to exert workshops in June, and the International Ocean Film Tour in a constructive influence on our planet and its people. -
Sitcom Fjernsyn Programmer Liste : Stem P㥠Dine
Sitcom Fjernsyn Programmer Liste Chespirito https://no.listvote.com/lists/tv/programs/chespirito-56905/actors Lab Rats: Elite Force https://no.listvote.com/lists/tv/programs/lab-rats%3A-elite-force-20899708/actors Jake & Blake https://no.listvote.com/lists/tv/programs/jake-%26-blake-739198/actors Bibin svijet https://no.listvote.com/lists/tv/programs/bibin-svijet-1249122/actors Fred's Head https://no.listvote.com/lists/tv/programs/fred%27s-head-2905820/actors Blackadder Goes Forth https://no.listvote.com/lists/tv/programs/blackadder-goes-forth-2740751/actors Brian O'Brian https://no.listvote.com/lists/tv/programs/brian-o%27brian-849637/actors Hello Franceska https://no.listvote.com/lists/tv/programs/hello-franceska-12964579/actors Malibu Country https://no.listvote.com/lists/tv/programs/malibu-country-210665/actors Maksim Papernik https://no.listvote.com/lists/tv/programs/maksim-papernik-4344650/actors Chickens https://no.listvote.com/lists/tv/programs/chickens-16957467/actors Toda Max https://no.listvote.com/lists/tv/programs/toda-max-7812112/actors Cover Girl https://no.listvote.com/lists/tv/programs/cover-girl-3001834/actors Papá soltero https://no.listvote.com/lists/tv/programs/pap%C3%A1-soltero-6060301/actors Break Time Masti Time https://no.listvote.com/lists/tv/programs/break-time-masti-time-3644055/actors Mi querido Klikowsky https://no.listvote.com/lists/tv/programs/mi-querido-klikowsky-5401614/actors Xin Hun Gong Yu https://no.listvote.com/lists/tv/programs/xin-hun-gong-yu-20687936/actors Cuando toca la campana https://no.listvote.com/lists/tv/programs/cuando-toca-la-campana-2005409/actors -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Dark Mirrors: Azazel and Satanael in Early Jewish Demonology
Orlov Dark Mirrors RELIGIOUS STUDIES Azazel and Satanael in Early Jewish Demonology Dark Mirrors is a wide-ranging study of two central figures in early Jewish demonology—the fallen angels Azazel and Satanael. Andrei A. Orlov explores the mediating role of these paradigmatic celestial rebels in the development of Jewish demonological traditions from Second Temple apocalypticism to later Jewish mysticism, such as that of the Hekhalot and Shi ur Qomah materials. Throughout, Orlov makes use of Jewish pseudepigraphical materials in Slavonic that are not widely known. Dark Mirrors Orlov traces the origins of Azazel and Satanael to different and competing mythologies of evil, one to the Fall in the Garden of Eden, the other to the revolt of angels in the antediluvian period. Although Azazel and Satanael are initially representatives of rival etiologies of corruption, in later Jewish and Christian demonological lore each is able to enter the other’s stories in new conceptual capacities. Dark Mirrors also examines the symmetrical patterns of early Jewish demonology that are often manifested in these fallen angels’ imitation of the attributes of various heavenly beings, including principal angels and even God himself. Andrei A. Orlov is Associate Professor of Theology at Marquette University. He is the author of several books, including Selected Studies in the Slavonic Pseudepigrapha. State University of New York Press www.sunypress.edu Andrei A. Orlov Dark Mirrors Azazel and Satanael in Early Jewish Demonology Andrei A. Orlov Published by State University of New York Press, Albany © 2011 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission.