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Booklet Marti (Page 1) STR 33886 BOHUSLAV MARTINŮ PROMENADE T RIO A LBATROS PMS PMS 000 000 4 BOHUSLAV MARTINŮ (1890-1959) PROMENADE Madrigal Sonata per flauto*, violino e pianoforte (H.291) 1. Poco Allegro 4’14” 2. Moderato 7’09” Associated Music Publishers Sonata n.1 per violino e pianoforte (H.182) 3. Allegro 7’22” 4. Andante 8’18” 5. Allegretto 5’12” Alphonse Leduc Promenades per flauto**, violino e clavicembalo (H.274) 6. Allegro 1’53” 7. Adagio 2’15” 8. Scherzando 1’59” 9. Poco Allegro 2’21” Bärenreiter Sonata per flauto** e pianoforte (H.306) 10. Allegro moderato 7’20” 11. Adagio 7’11” 12. Allegro poco moderato 5’49” Associated Music Publishers Sonata per flauto*, violino e pianoforte (H.254) 13. Allegro poco moderato 4’09” 14. Adagio 4’18” 15. Allegretto 4’15” 16. Moderato (Poco Allegro) 5’02” Bärenreiter Promenades for flute, violin and harpsichord, manuscript of Bohuslav Martinů, first page © The Bohuslav Martinů Institute, Prague 2 19 PMS PMS 000 000 1 Gianluca Capuano through the experimental postgraduate Nato a Milano nel 1968, si è diplomato in Course in Choir conduction and courses at T RIO A LBATROS Organo, Composizione e Direzione the Milan Scuola Civica, where he took a Stefano Parrino d’ orchestra presso il Conservatorio della special interest in problems connected with flauto sua città . Ha approfondito gli aspetti relativi notation, in studies of sources and in the Francesco Parrino violino all’ esecuzione della musica antica presso il execution of early music. He has many Alessandro Marangoni Corso Superiore sperimentale di Direzione di commitments as conductor, organist and pianoforte Coro e i corsi della Scuola Civica di Milano, continuist all over Europe and in the USA, dove ha affrontato i problemi inerenti la Russia and Japan. He is organist at the Gianluca Capuano clavicembalo notazione, lo studio delle fonti e la prassi Basilica of San Simpliciano in Milan. *Flauto all gold Yamaha 994C esecutiva della musica dei secoli passati. Making constant reference to the most up- **Flauto in legno Yamaha 894W Svolge un’ intensa attività come direttore, to-date musicology, he is committed to a organista e continuista in tutta Europa, Stati conscientious and critical approach to Il pianoforte utilizzato per la registrazione è un Bö sendorfer mod. 225 per gentile concessione di L. Bö sendorfer Klavierfabrik GmbH Uniti, Russia e Giappone. È organista presso European Renaissance and Baroque Assistenza tecnica: Giampiero Terravazzi la Basilica di San Simpliciano a Milano. masterpieces. He participates as conductor Nel 2005 ha fondato il gruppo vocale e at some of the most important European Cembalo costruito da Keith Hill del 2005 copia di un cembalo Pascal Taskin del 1768 proprietà di Romano Danesi strumentale “ Il canto di Orfeo” , con il seasons of early music. Since 2009 Gianluca quale, collaborando allo stesso tempo con Capuano is Artistic Director of Milano Special thanks to: alcuni dei migliori specialisti su strumenti Classica Chamber Orchestra. The Bohuslav Martinů Centre, Polička originali e facendo costante riferimento alla In 2010, he was for the third time in Japan, The Bohuslav Martinů Institute, Prague più aggiornata ricerca musicologica, si appearing for the “ Hokutopia” Early Music Lucie Harasim Berná , Aleš Březina, Lucie Jirglová , dedica ad un cosciente e critico approccio ai Festival, with a program devoted to Igor Moroder, Norman Douglas Pensa, Sara Protti, capolavori del Barocco musicale europeo. Ha Alessandro Scarlatti. Joseph Quoidbach, Benoit Rolland, Edi Savoldi, Jitka Zichová preso parte come direttore ad alcune delle più qualificate rassegne europee di musica antica. Dal 2009 è direttore artistico dell’ orchestra da camera Milano Classica. Nel 2010 ha partecipato per la terza volta al “ Hokutopia” Early Music Festival in Giappone con un programma dedicato ad Comune di Valdidentro Comune di Livigno Alessandro Scarlatti. Gianluca Capuano Registrazione / Recording: Born in Milan in 1968, Gianluca Capuano 13-16 settembre 2010 graduated from the Milan Conservatory in Chiesa Ss. Urbano e Martino, Pedenosso, Valdidentro (SO) Organ, Composition and Orchestra Direzione artistica / Producer: Andrea Dandolo conducting. He specialised in early music All pictures portraying Trio Albatros: © Norman Douglas Pensa 18 3 PMS PMS 000 000 1 right) and flautist René le Roy (on the left), Ridgefield, USA, 1944 © The Bohuslav Martinů Centre, Polička Bohuslav Martinůthe (on 4 17 PMS PMS 000 000 1 Trio Albatros and Turkey, and has performed in theatres Bohuslav Martinů (Polička, Boemia, 1890 - 1923 si trasferì a Parigi, e iniziò a studiare and concert halls of note. It has also taken Liestal, Svizzera, 1959) con Albert Roussel. Visse e lavorò nella The Trio Albatros Ensemble has been active part in innumerable festivals (Imago Sloveniae, capitale francese dal 1923 al 1940. on the national and international concert Settimane Musicali di Lugano, Petherof’s Il rapporto di Martinů con la musica da In seguito allo scoppio della Seconda Guerra scene since 1990 and has established itself Festival “Italia on Italianskaya” Str., Festival camera fu molto intenso: la sua prima Mondiale, Martinů dovette fuggire con sua by the particularity of the ensemble, the Musicahora in La Serena, XVIII Festival de composizione, scritta alla tenera età di dieci moglie dai nazisti; passando da Spagna e refinement of the repertoire and the high Musica Contemporanea Chilena, Festival anni, fu I tre cavalieri (“Tři jezdci”) per Portogallo giunse infine negli Stati Uniti standard of its interpretations. The LeAltreNote of Bormio, etc.) and has quartetto d’archi. d’America. Per esprimere il suo sostegno nei Albatros’s artistic activity has been collaborated with CEMAT on the Sonora Durante la sua vita, Martinů compose più o confronti dei militari volontari cechi, egli favourably received by the main national and project. meno novanta pezzi per organico cameristico, compose la Messa di campo (“Polní mše”) per international newspapers (Corriere della The ensemble has been the guest of many che rappresentano all’incirca un quarto della coro maschile e piccola orchestra. Con il Sera, Repubblica, Sole 24 ore, The Guardian, RAI radio and television programmes (TG sua intera produzione. Si dedicò a tutti i tipi di brano orchestrale Monumento a Lidice The Irish Times, Diario de Sevilla, etc.), which 2, Mizar-RAI 2, Piazza Verdi-Radio RAI 3), formazione, spaziando dal duetto al nonetto. (“Památník Lidicím”) protestò contro le have portrayed it as an “excellent” group has repeatedly taken part in the renowned Nel corso della sua esistenza, Martinů creò più violenze commesse dai nazisti nei confronti whose members play “with Italian taste”. In Concerti dal Quirinale, which are di quattrocento composizioni di vario tipo e del popolo ceco (il villaggio di Lidice fu addition to the public and critical praise that broadcast live from the Pauline Chapel in genere. Nel 1942 alla domanda postagli dal infatti raso al suolo dai nazisti nel 1942). the ensemble has to its credit, there are also Rome, and has appeared in programmes “New York Herald Tribune” su quali fossero E dal momento che non parteggiò neanche glowing judgements from many important of the fifth channel of Russian television, state le influenze determinanti sul suo stile per il regime totalitarista comunista nella composers who, like, for example, Ivan of Canale 2 of the RTSI and of other public così fortemente personale, Martinů nominò la Cecoslovacchia del secondo dopoguerra, Fedele, consider the ensemble “one of the and private broadcasters, both national musica popolare boema e morava, il decise di rimanere all’estero per garantirsi most important realities of the young Italian and international (Radio Vaticana, Radio madrigale inglese e l’idioma impressionista di la libertà di poter creare liberamente. Chamber Music scene”. Classica, Radio Padania, Teleradiostereo, Claude Debussy. Oggi Martinů è annoverato Martinů trascorse gli ultimi vent’anni della Interest in twentieth century and contemporary Radio Maria, Radio Beethoven, etc.). The tra gli autentici giganti della musica ceca sua vita lontano dalla sua patria. Tra il music has led the ensemble to collaborate with Trio Albatros Ensemble has already assieme a Bedřich Smetana, Antonín Dvořák e 1941 e il 1953 visse negli Stati Uniti numerous composers, among whom we note recorded for Stradivarius the CDs “Il Leoš Janáček. d’America dove oltre all’attività di Bruno Bettinelli, Ales Brezina, Luciano Chailly, triangolo” (STR 33726; a compilation of Martinů nacque a Polička, una cittadina della compositore svolse quella di professore Gloria Coates, Ivan Fedele, Andrew Frank, compositions by Bettinelli, Chailly, collinosa campagna delle Alture boemo- presso numerose scuole, università e Giorgio Gaslini, Luca Mosca, Flavio Emilio Clementi, Donatoni, Fedele, Gaslini and morave. A quel tempo la sua famiglia viveva accademie di alto perfezionamento. In Scogna, Alessandro Solbiati, Giorgio Colombo Scogna) and “Improvviso” (STR 33790; a in una modesto monolocale sito all’interno America Martinů godette di grande fama e Taccani e Danuta Zankowska. collection of chamber works by Nino del campanile della chiesa di San Giacomo. fu considerato uno dei più significativi The Albatros has an intense concert Rota). This CD was recorded during the Nel 1906 Martinů entrò nella classe di compositori del tempo. programme, collaborating with the most 2010 edition of LeAltreNote Festival violino del Conservatorio di Praga, ma venne Dal 1953 fino alla sua morte, avvenuta nel prestigious Italian and international musical (http://www.lealtrenote.org). espulso per indolenza dopo quattro anni. 1959, visse tra Francia, Italia e Svizzera. associations as well as with Italian Cultural Rimase comunque in città e divenne Nel 1956, al crepuscolo della sua esistenza, Institutes. It has toured in Britain, Chile, membro dell’Orchestra Filarmonica Ceca Martinů si trattenne a Roma per una anno Colombia, Croatia, Finland, Germany, Peru, dove suonava nella sezione dei secondi intero e lavorò, tra le altre cose, alla sua opera Romania, Russia, Slovenia, Spain, Switzerland violini diretto dal grande Václav Talich. Nel più celebrata: La passione greca (“The Greek 16 5 PMS PMS 000 000 1 Passion”).
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