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The Solo Guitar Works of Sir Richard Rodney Bennett Zachary Johnson

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The Solo Guitar Works of Sir Richard Rodney Bennett Zachary Johnson Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 The Solo Guitar Works of Sir Richard Rodney Bennett Zachary Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE SOLO GUITAR WORKS OF SIR RICHARD RODNEY BENNETT By ZACHARY JOHNSON A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2011 The members of the committee approve the treatise of Zachary Johnson defended on March 28, 2011. _______________________________________ James Mathes Professor Directing Treatise _______________________________________ Matthew Shaftel University Representative _______________________________________ Bruce Holzman Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicate this treatise to my wife, Jessica, who has always believed in me, always inspired me, and who was constantly telling me to turn off the television and finish this treatise. iii ACKNOWLEDGEMENTS I would like to acknowledge and thank Dr. James Mathes for his invaluable guidance and direction in the preparation of this treatise. I would like to thank Dr. Matthew Shaftel and Bruce Holzman for offering their expertise in their respective fields. I need to thank my guitar teachers Dr. Stephen Robinson, Thomas Koch, Benjamin Verdery, and Bruce Holzman for their individual insights into guitar playing and musical interpretation. I would also like to give special thanks to Dr. Noel Painter, Dr. Janice Kindred, and Greg Dubinsky for their wonderful tutelage in theory and musicology. You all showed me how to better understand a piece of music, how to make a great piece even better, and (most importantly) how to discover beauty in a piece I did not initially enjoy, through knowledge and study. Acknowledgements also must be given to Tony Kornheiser, Rowan Atkinson, Ricky Gervais, Stephen Merchant, Karl Pilkington, John Cleese, Larry David, and the writers for The Office, The Simpsons, 30 Rock, Seinfeld, and Arrested Development for offering the comedic relief and hours of entertainment that helped me feel normal again after each writing session. I would finally like to thank my mother, Sheila, for teaching me the importance of hard work, the value of integrity, and to never give up on my dreams. iv TABLE OF CONTENTS List of Musical Examples .............................................................................................................. vi List of Figures..................................................................................................................................x Abstract.......................................................................................................................................... xi 1. INTRODUCTION...................................................................................................................1 2. BIOGRAPHY..........................................................................................................................6 3. IMPROMPTUS .....................................................................................................................10 3.1 Movement I – Recitativo .............................................................................................18 3.2 Movement II – Agitato ................................................................................................30 3.3 Movement III – Elegiaco .............................................................................................35 3.4 Movement IV – Con fuoco ..........................................................................................41 3.5 Movement V – Arioso .................................................................................................49 4. SONATA ...................................................................................................................................54 4.1 Movement I – Allegro..................................................................................................56 4.2 Movement II – Lento ...................................................................................................62 4.3 Movement III – Vivo ...................................................................................................68 4.4 Movement IV – Fantasia: Allegro ...............................................................................71 CONCULSION..............................................................................................................................74 APPENDIX A................................................................................................................................75 APPENDIX B................................................................................................................................76 APPENDIX C................................................................................................................................77 BIBLIOGRAPHY..........................................................................................................................78 BIOGRAPHICAL SKETCH .........................................................................................................81 v LIST OF MUSICAL EXAMPLES From Impromptus 3.1 Bennett, Impromptus, “Recitativo,” mm. 1-2.......................................................................20 3.2 Bennett, Impromptus, “Recitativo,” m. 2 .............................................................................20 3.3 Bennett, Impromptus, “Recitativo,” mm. 4-7.......................................................................20 3.4 Bennett, Impromptus, “Recitativo,” mm. 4-5.......................................................................21 3.5 Bennett, Impromptus, “Recitativo,” m. 7..............................................................................21 3.6 Bennett, Impromptus, “Recitativo,” m. 7-8..........................................................................22 3.7 Bennett, Impromptus, “Recitativo,” m. 10 ...........................................................................22 3.8 Bennett, Impromptus, “Recitativo,” m. 4 .............................................................................22 3.9 Bennett, Impromptus, “Recitativo,” m. 13 ...........................................................................22 3.10 Bennett, Impromptus, “Recitativo,” mm. 4-6.......................................................................23 3.11 Bennett, Impromptus, “Recitativo,” mm. 13-15...................................................................23 3.12 Bennett, Impromptus, “Recitativo,” m. 12 ...........................................................................23 3.13 Bennett, Impromptus, “Recitativo,” m. 13 ...........................................................................23 3.14 Bennett, Impromptus, “Recitativo,” m. 16 ...........................................................................24 3.15 Bennett, Impromptus, “Recitativo,” m. 18 ...........................................................................24 3.16 Bennett, Impromptus, “Recitativo,” mm. 18-19...................................................................25 3.17 Bennett, Impromptus, “Recitativo,” mm. 22-23...................................................................25 3.18 Bennett, Impromptus, “Recitativo,” mm. 23 ........................................................................26 3.19 Bennett, Impromptus, “Recitativo,” mm. 23-25...................................................................26 3.20 Bennett, Impromptus, “Recitativo,” mm. 22-25...................................................................27 vi 3.21 Bennett, Impromptus, “Recitativo,” mm. 10-11...................................................................28 3.22 Bennett, Impromptus, “Recitativo,” m. 3 .............................................................................28 3.23 Bennett, Impromptus, “Recitativo,” m. 12 ...........................................................................28 3.24 Bennett, Impromptus, “Agitato,” mm. 1-2 ...........................................................................31 3.25 Bennett, Impromptus, “Agitato,” mm. 18-23 .......................................................................32 3.26 Bennett, Impromptus, “Agitato,” mm. 25-26 .......................................................................32 3.27 Bennett, Impromptus, “Agitato,” mm. 27-28 .......................................................................32 3.28 Bennett, Impromptus, “Agitato,” mm. 29-30 .......................................................................33 3.29 Bennett, Impromptus, “Agitato,” mm. 32-33 .......................................................................33 3.30 Bennett, Impromptus, “Elegiaco,” mm. 1-2.........................................................................36 3.31 Bennett, Impromptus, “Elegiaco,” mm. 3-4.........................................................................37 3.32 Bennett, Impromptus, “Elegiaco,” mm. 5-7.........................................................................37 3.33 Bennett, Impromptus, “Elegiaco,” mm. 11-12.....................................................................38 3.34 Bennett, Impromptus, “Elegiaco,” m. 8 ...............................................................................39
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