RCM International Student Guide.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Signumclassics
126booklet 13/5/08 11:28 Page 1 ALSO AVAILABLE ON signumclassics Ragtime & Blue Brahms and Schumann Haydn Piano Sonatas Elena Kats-Chernin - Piano John Lill - Piano John Lill - Piano SIGCD058 SIGCD075 SIGCD097 Elena Kats-Chernin is a composer who Much-loved pianist, John Lill, plays John Lill returns to take the listener on a defies categorisation: a virtuosic pianist touchstones of the 19th-century romantic journey through the many moods of Haydn, and improviser, her compositions flow piano tradition. Lill is at his sparkling in brilliant performances of some from her like a fountain. This CD is best in this wonderful repertoire. composer’s most intriguing works for drawn from the small works she often the keyboard. writes for her own enjoyment - a cornucopia of rags, blues and heart- melting melodies. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 126booklet 13/5/08 11:28 Page 3 MESSIAEN: CHAMBER WORKS MESSIAEN: CHAMBER WORKS The general perception of Messiaen is of a always turned up at class with mountains of work 1. Fantaisie [8.59] composer who lived in some rarefied atmosphere (not guaranteed to ensure popularity!) and was of his own, floating far above the mundane, recognised as a young man likely to succeed. But Quatuor pour la fin du Temps material world. Given his preoccupation with any view of Messiaen as vague or indecisive in his 2. Liturgie de cristal [2.37] esoteric rhythms, sound-colours, theology and opinions needs to be set against the truth - for all birdsong, this is perhaps a reasonable judgment his pacific demeanour (and, in later years, 3. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Di Xiao Piano
Di’s international career started at 17 when she played Chengzong Di Xiao Yin’s Yellow River Piano Concerto in Kuala Lumpur and Penang for the Malaysian Royal Family. Piano Subsequently Di has been invited to perform as a soloist in many Described as “a pianist of countries including Malaysia, Ukraine, Singapore, India, China awesome gifts” and compared to and the UK. In the UK, her concert Clara Schumann by the critics, performances have received much Chinese pianist Di Xiao concluded a acclaim. Her debut at Symphony major international recital tour in Hall Birmingham in 2006 was 2009 representing the UK as part of described by the UK Chinese Times the universally acclaimed 'Rising as “A stunning concert!” and an Stars' series. The tour included sell early performance of the Schumann out concerts at the Concertgebouw Concerto prompted The Birmingham Amsterdam, Vienna Konzerthaus, Post to say “In her graceful, dancing Salzburg Mozartium, Stockholm finale it was easy to imagine Clara Konserthaus and Luxembourg Schumann at the keyboard.” Di has Philharmonie. Following her Köln appeared in a number of important Philharmoie recital, played to an Career Highlights music festivals including Breman audience of over 1000, the press Musikfest (Germany), New • Performed “Yellow River stated that “Di Xiao presents a Generation Arts Festival (UK), Concerto” for Malaysian demanding programme that takes Buxton Arts Festival (UK) and Royal Family at Kuala your breath away.” As the tour Leamington Music Festival (UK). In Lumpur aged 17. progressed she went on to thrill October 2010 Di conducted a tour of audiences at Symphony Hall and China during which she played for • Birmingham Symphony Town Hall Birmingham, Brussels the enormous inaugural Classical Hall Debut, 2006. -
Download PDF Booklet
THE CALL INTRODUCING THE NEXT GENERATION OF CLASSICAL SINGERS Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau piano our future, now Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick THE CALL Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau THE CALL FRANZ SCHUBERT (1797-1828) 1 Fischerweise (Franz von Schlechta) f 2’53 2 Im Frühling (Ernst Schulze) a 4’32 ROBERT SCHUMANN (1810-1856) 3 Mein schöner Stern (Friedrich Rückert) d 2’39 JOHANNES BRAHMS (1833-1897) 4 An eine Äolsharfe (Eduard Mörike) f 3’52 ROBERT SCHUMANN 5 Aufträge (Christian L’Egru) b 2’30 GABRIEL FAURÉ (1845-1924) 6 Le papillon et la fleur (Victor Marie Hugo) e 2’08 CLAUDE ACHILLE DEBUSSY (1862-1918) 7 La flûte de Pan (Pierre-Félix Louis) b 2’45 REYNALDO HAHN (1874-1947) 8 L’heure exquise (Paul Verlaine) c 2’27 CLAUDE ACHILLE DEBUSSY 9 C’est l’extase (Paul Verlaine) a 2’54 FRANCIS POULENC (1899-1963) Deux poèmes de Louis Aragon (Louis Aragon) d 10 i C 2’44 11 ii Fêtes galantes 0’57 GABRIEL FAURÉ 12 Notre amour (Armand Silvestre) e 1’58 MEIRION WILLIAMS (1901-1976) 13 Gwynfyd (Crwys) c 3’25 HERBERT HOWELLS (1892-1983) 14 King David (Walter de la Mare) b 4’51 RALPH VAUGHAN WILLIAMS (1872-1958) 15 The Call (George Herbert) f 2’12 16 Silent Noon (Dante Gabriel Rossetti) c 4’03 BENJAMIN BRITTEN (1913-1976) 17 The Choirmaster’s Burial (Thomas Hardy) d 4’08 IVOR GURNEY (1890-1937) 18 Sleep (John Fletcher) e 2’55 BENJAMIN -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival -
THOMAS TROTTER Biography
Download as a Word doc THOMAS TROTTER Biography Thomas Trotter is one of Britain’s most widely admired musicians. The excellence of his musicianship is reflected internationally in his musical partnerships. He performs as soloist with, amongst many others, the conductors Sir Simon Rattle, Bernard Haitink, Riccardo Chailly and Sir Charles Mackerras. He has performed in Berlin’s “Philharmonie”, the “Gewandhaus” in Leipzig, the “Concertgebouw” in Amsterdam, the “Musikverein” and the “Konzerthaus” in Vienna and London’s Royal Festival Hall. He has played inaugural concerts in places such as Princeton University Chapel USA, Auckland Town Hall in New Zealand, the Royal Albert Hall London, and Moscow's International Performing Arts Centre. He won the Royal Philharmonic Society award for Best Instrumentalist in 2002, and in 2012 he was named International Performer of the Year by the New York Chapter of the American Guild of Organists. In 2016 he was awarded the Gold Medal of the Royal College of Organists for his achievements in organ playing. Thomas Trotter was appointed Birmingham City Organist in 1983 in succession to Sir George Thalben-Ball, and he is also Organist at St Margaret’s Church, Westminster Abbey and Visiting Fellow in Organ Studies at the Royal Northern College of Music. Earlier in his career he was organ scholar at King’s College, Cambridge, winning the First Prize at the St Albans International Organ Competition in his final year. He received an Honorary Doctorate from Birmingham City University in 2003 and from Birmingham University in 2006. Alongside his regular recitals in Birmingham, Thomas Trotter tours on four continents and plays at many international festivals such as Bath, Salzburg, and the BBC Proms. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Choral Secular Music Through the Ages
Choral Secular Music through the ages The Naxos catalogue for secular choral music is such a rich collection of treasures, it almost defi es description. All periods are represented, from Adam de la Halle’s medieval romp Le Jeu de Robin et Marion, the earliest known opera, to the extraordinary fusion of ethnic and avant-garde styles in Leonardo Balada’s María Sabina. Core repertoire includes cantatas by J.S. Bach, Beethoven’s glorious Symphony No. 9, and a “must have” (Classic FM) version of Carl Orff’s famous Carmina Burana conducted by Marin Alsop. You can explore national styles and traditions from the British clarity of Elgar, Finzi, Britten and Tippett, to the stateside eloquence of Eric Whitacre’s “superb” (Gramophone) choral program, William Bolcom’s ‘Best Classical Album’ Grammy award winning William Blake songs, and Samuel Barber’s much loved choral music. Staggering emotional range extends from the anguish and passion in Gesualdo’s and Monteverdi’s Madrigals, through the stern intensity of Shostakovich’s Execution of Stepan Razin to the riot of color and wit which is Maurice Saylor’s The Hunting of the Snark. Grand narratives such as Handel’s Hercules and Martinů’s Epic of Gilgamesh can be found alongside tender miniatures by Schubert and Webern. The Naxos promise of uncompromising standards of quality at affordable prices is upheld both in performances and recordings. You will fi nd leading soloists and choirs conducted by familiar names such as Antoni Wit, Gerard Schwarz, Leonard Slatkin and Robert Craft. There is also a vast resource of collections available, from Elizabethan, Renaissance and Flemish songs and French chansons to American choral works, music for children, Red Army Choruses, singing nuns, and Broadway favorites – indeed, something for everyone. -
20 Singers from 15 Countries Announced for BBC Cardiff Singer of the World 2019 15-22 June 2019
20 singers from 15 countries announced for BBC Cardiff Singer of the World 2019 15-22 June 2019 • 20 of the world’s best young singers to compete in the 36th year of the BBC's premier voice competition • Competitors come from 15 countries, including three from Russia, two each from South Korea, Ukraine and USA, and one each from Argentina, Australia, Brazil, China, England, Guatemala (for the first time), Mexico, Mongolia, Portugal, South Africa and Wales • Extensive broadcast coverage across BBC platforms includes more LIVE TV coverage than ever before • High-level jury includes performers José Cura, Robert Holl, Dame Felicity Lott, Malcolm Martineau, Frederica von Stade alongside leading professionals David Pountney, John Gilhooly and Wasfi Kani • Value of cash prizes increased to £20,000 for the Main Prize and £10,000 for Song Prize, thanks to support from Kiri Te Kanawa Foundation • Song Prize trophy to be renamed the Patron’s Cup in recognition of this support • Audience Prize this year to be dedicated to the memory of much-missed baritone Dmitri Hvorostovsky, winner of BBC Cardiff Singer of the World in 1989, who died in 2017 • New partnership with Wigmore Hall sees all Song Prize finalists offered debut concert recitals in London’s prestigious venue, while Main Prize to be awarded a Queen Elizabeth Hall recital at London’s Southbank Centre Twenty of the world’s most outstanding classical singers are today [4 March 2019] announced for BBC Cardiff Singer of the World 2019. The biennial competition returns to Cardiff between 15-22 June 2019 and audiences in the UK and beyond can follow all the live drama of the competition on BBC TV, radio and online. -
BRIDGE Orchestral Works the Collector’S Edition
BRIDGE ORCHESTRAL WORKS The Collector’s Edition Sarah Connolly mezzo-soprano Howard Shelley piano Philip Langridge tenor BBC National Chorus of Wales Roderick Williams baritone BBC National Orchestra of Wales Alban Gerhardt cello Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Frank Bridge (1879 – 1941) COMPACT DISC ONE 1 Enter Spring, H 174 (1926 – 27) 18:36 Rhapsody Allegro moderato – Tempo giusto – Andante tranquillo – Tempo I – Energico – Andante molto tranquillo 2 Isabella, H 78 (1907) 18:00 Symphonic Poem after Keats Adagio ma non troppo – Allegretto moderato – L’istesso tempo – Allegro vivo – Adagio ma non troppo – Più adagio Two Poems for Orchestra, H 118 (1915) 12:58 after Richard Jefferies 3 I Andante moderato e semplice 8:35 4 II Allegro con brio 4:18 premiere recording 5 Mid of the Night, H 30 (1903) 26:05 Symphonic Poem for Orchestra Andante – Allegro moderato – Poco più vivo – Andante moderato – Allegro moderato – Andante moderato – Più lento TT 75:47 3 COMPACT DISC TWO premiere recording in this version 1 Dance Rhapsody, H 84 (1908) 19:16 for orchestra Allegro energico – Moderato – Allegretto moderato – Tempo di valse – Vivo – Allegro energico Five Entr’actes, H 95 (1910) 12:05 from the play The Two Hunchbacks by Émile Cammaerts (1878 – 1953) for orchestra 2 I Prelude to Act I. Allegretto moderato – Lento 3:20 3 II Intermezzo from Act II. Andantino 1:36 4 III Intermezzo from Act III. Allegretto (marziale) 1:19 5 IV Prelude to Act III. Lento 2:36 6 V Entr’acte between Acts II and III. Moderato 3:04 7 Dance Poem, H 111 (1913) 13:48 for orchestra Tempo di valse – Lento e languido – Tempo di valse – Largamente – Grazioso – Tempo di valse – A tempo, poco lento – Vivo – Presto 4 8 Norse Legend, H 60 (1905 / 1938) 4:48 for small orchestra Andante con moto The Sea, H 100 (1910 – 11) 22:08 Suite for Orchestra 9 1 Seascape. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Thursday 18 May 2017 7.30pm Barbican Hall Vaughan Williams Five Variants of Dives and Lazarus Brahms Double Concerto INTERVAL Holst The Planets – Suite Sir Mark Elder conductor Roman Simovic violin Tim Hugh cello Ladies of the London Symphony Chorus London’s Symphony Orchestra Simon Halsey chorus director Concert finishes approx 9.45pm Supported by Baker McKenzie 2 Welcome 18 May 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican. BMW LSO OPEN AIR CLASSICS 2017 This evening we are joined by Sir Mark Elder for the second of two concerts this season, as he conducts The London Symphony Orchestra, in partnership with a programme of Vaughan Williams, Brahms and Holst. BMW and conducted by Valery Gergiev, performs an all-Rachmaninov programme in London’s Trafalgar It is always a great pleasure to see the musicians Square this Sunday 21 May, the sixth concert in of the LSO appear as soloists with the Orchestra. the Orchestra’s annual BMW LSO Open Air Classics Tonight, after Vaughan Williams’ Five Variants of series, free and open to all. Dives and Lazarus, the LSO’s Leader Roman Simovic and Principal Cello Tim Hugh take centre stage for lso.co.uk/openair Brahms’ Double Concerto. We conclude the concert with Holst’s much-loved LSO WIND ENSEMBLE ON LSO LIVE The Planets, for which we welcome the London Symphony Chorus and Choral Director Simon Halsey. The new recording of Mozart’s Serenade No 10 The LSO premiered the complete suite of The Planets for Wind Instruments (‘Gran Partita’) by the LSO Wind in 1920, and we are thrilled that the 2002 recording Ensemble is now available on LSO Live.