UCLA Contemporary Music Score Collection
Title drüben, nachher
Permalink https://escholarship.org/uc/item/3ms4d9kp
Author Mayer, Philipp Christoph
Publication Date 2020
eScholarship.org Powered by the California Digital Library University of California Philipp Christoph Mayer drüben, nachher
for string quartet
ca. 10-12 min.
for Quartetto Maurice
2018/2019 Equipment:
4 headphones with noise-cancelling-(always activated) and bluetooth-function 4 smart-phones with sound files 1 small radio (Vla) 2 „referee-whistles“ (Vl I, Vc), 2 bird-whistles (Vl II, Vla)
Build-up:
every Player has two music stands at least, one for the score, and one for putting the objects (head- phones, whistles, radio). In case of the radio (Vla) it is important that it can’t be seen by the public.
Tracks on smart-phones:
Vl I: 1. Excerpt Beethoven Quartett Nr. 15, 3rd movement, bar 93-97 (bar 127) 2. field recording from in front of the concert hall (end)
Vl II: field-recording from in front of the concert hall (bar 72, bar 125, end)
Vla: recording of radio (in between white-noise and selected channel) (end)
Vc: 1. recording of bar 18-23 (bar 17) 2. recording of bar 34 (bar 91) 3. recording of bar 71 (bar 74) 4. recording of radio (in between white-noise and selected channel) (end)
Legend:
Execution notes:
There are often two systems for each instrument. The upper system is for the breath.
-> = breath out <- = breath in
If there is no stem on the breathing-signs, they shouldn’t be acoustically present, but just serve as indicator of the duration of a certain segment. If there is one, execute it with sounds in the given dynamics. Bars which do not need to be played together/in the same tempo, but should be played in an individual tempo are indicated through dotted bar lines. When you need to play synchronized again there is again a normal bar line + the comment „together“. As there are many places, where for some time the musicians play independently, the „fermatas“ play an important role in organizing the re-synchronisation.
The humming, which appears for the first time in bar 71 and then from bar 96 on, should be executed without any expressivity, the mouth should stay closed, so that the localization of the sound is not so evident for the listener. The whistling while breathing-out from bar 133 on should be soft, „airy“. Headphones:
= put headphones on
= put headphones of
= play track (sound comes out of headphones)
Taking the headphones of means, you can just slip them of your ears and lie them on your shoulders.
Those arrows show until when an action should be executed. sometimes left and right hand do independent things, then the right hand is notated on the system below
Techniques:
SP = sul ponticello mSP = molto sul ponticello ST = sul tasto mST = molto sul tasto c.l.b. = col legno battuto 1/2 c.l.(b.). = half wood, half hair a.b. = arco battuto Vertical (trem) = bow vertically (from and to the bridge); trem. always as fast as possible col legno vertical = same procedure with the wood of the bow the note heads in brackets indicate where you have to bow
arrow up signifies bowing away from your body (for Vls, Vla)/up for the Vc. , arrow down the contrary movement 1/2 vertically = bow diagonally, both vertically and horizontally
balz. = throw bow on strings energetically with pressure salt. = let bow drop on strings, without too much pressure
Circular = make a circle with the bow until the next note/bowing sign
There are two diferent clefs besides the traditional ones:
This clef is for actions behind the bridge
This clef is for other general noise-actions.
bow pressure: normal pressure strong pressure extreme strong pressure
Left-hand pressure: = „harmonic“ pressure = half pressure, „dirty“ sound
Sofo = „airy“ sound, damp strings with left hand and bow close to the bridge; the notated notes show the strings which should be damped/played
Pizz. col-legno (bar 35f) = pizz. with the left hand, hold with the right hand the bow close to the vibrating strings in order to make it rattle against the wood of the bow the notes above show the position of the bow
play strings I and IV = bow below the bridge. It might help to lie down the bow on the bridge, in order to have more control
drumming with fingers = tapping as fast as possible with the fingers on the string
the small note heads before the big one indicate the range of the vib.
„stuttered“-bow (bar 18-23): play with high pressure, not letting the bow go in a constant, smooth way over the string, but in a irregular, stuttering way; the sound result should be somewhat gritty
scordatura: the C-String of the Violoncello is tuned a quarter-tone higher until bar 82 except the first note everything is notated in the score and single-part as fingered
Vl II, Vla bar 43: play the whole bar as written, than repeat what is between the repetition signs until you get the acoustic cue for the next bar drüben, nachher Philipp Christoph Mayer for Quartetto Maurice q = 54 °Breath
III mST Violin I 7 IV ≈ 4 &4 Œ ˙ w 4 ˙ w- ppp
Breath
clear, not sharp Violin II 7 p>œoco SP œ™ ˙ ≈w 4 &4 œ œ™ ˙ w 4
f mp poco Breath
Viola 7 poco SP clear, not sharp ≈ 4 B 4 œ œ™ ˙ w 4 >œ œ™ ˙ w f mp poco U sfzrK Œ as long as possible Breath _ { > ppp "ff" "sch" with mouth half closed, very discreet pizz. behind SP Violoncello U bridge (I)K lontano nw~ r ? 7 ¿ ? 4 ¢ 4 Œ o ÷ 4 µw (scordatura: until bar 81 C is tuned a quarter-tone higher) > sfz ppp poss. = breath out in your natural personal speed; the bowing changes according to the breathing 2 ° ≥ U as long as possible _ = ord. { = fast trem., 1/2 vertical ≤
immediate reaction to vc. Vl. 4 ST small, very fast vib. 6 &4 U 4 nµ˙˙ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ˙˙ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ww ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ mp pp breath out in your natural personal speed; the bowing changes according to the breathing U as long as possible _ = ord. ≥ { = fast trem., 1/2 vertical ≤ immediate reaction to vc. Vl. ST U 4 small, n.v. 6 &4 very fast vib. 4 nµ˙˙ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ˙˙ nBww mp pp
immediate reaction to vc. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ST ± shaking bow (irregular) Vla. 4 U (strong tension in the arm) 6 B 4 œO ˙O µnœœ ww 4 œ ˙ œ mp pp
light infinite salt., as steady as possible ~ irregular triller Vc. nBwŸw ÍÍÍ ÍÍ Í ... wUw ? 4 OO 6 ¢ 4 4 ppp poss. q = / breath in natural personal speed 2 { _ individual tempo start this bar, when you feel the urge to breathe in; if Vl I starts it before you, react immediately °4 _ { _ { _ { slow-motion-like circular vertical trem. Vl. ord., SP ≥ Ÿ~~~~~~~~~~ ST ord. æ æ mSP 6 II > BbO Oæ µœ- vib. >O œ™ 3 B B ™ œ O œ bO B ÍÍÍÍÍÍ &4 bœ œO œO œO œO b>œ O œ b œ œ nœO b œ œ œ 4 mp pp "f" pp pp mf pp fpp poco
start this bar, when you feel the urge to breathe in; if Vl I starts it before you, react immediately _ { _ { _ { slow-motion-like vertical arco, SP, flautando mSP ord. mSP trem. circular Vl. 6 Ÿ~~~~~~~~~~~~~ ≥ 3 &4 BO O vib. BO™ O BO 4 Bœ œ œ œ O™ vib. nO œ B œ œ™ ÍÍÍÍÍÍÍÍ bœ bœ œ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Bb -œ™ >œ œ fpp mp pp mf pp mp pp mf pp immediate reaction to Vl I/Vl II { _ { _ { _ slow-motion-like ord. vertical trem. arco, flautando SP mST vertical trem. Vla. ~~~~~~~~~~ æ 3 Ÿ~~~~~~~~~~~ 6 Ÿ æ BO™ BO O o o 3 B 4 BO O™ bœ bœ œ™ B œ œ œ œ œ œ 4 B œ œ -œ™ œ:O; O œ™ bœ™ Bbœ :O; fpp mf pp mf pp mf pp "f" poco
immediate reaction to Vl I/Vl II { _ { _ { _ slow-motion-like vertical trem. circular ord. ord., SP Vc. ≥ ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~ mST mSP Ÿ IO BO 6 µ-: vib. IV 3 ? 4 bœ bO O bO O™ ™ bO œO;ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 4 ¢ b >œ œ™™ b œ œ œ œ™ œ™ œ -O bœ nO bœ f pp "f" pp mf pp mf pp = q = { /_ °5 q = 54 _ { _ { balz. > ord. vertical trem. Vl. 3 #O™ ~~~~ ~~~~~~~~~ o mSP O™ O µŸO ™ bO Ÿ 3 bœ bœO O µ œ™ œ b œ œ O O ÍÍvÍÍibÍ.Í &4 - - nœ O #œ O O mf p mf bœ œ œ poco mf pp _ { balz. _ { ord. Vl. - - - Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ 3 O oj O oj O o #O &4 #O œ O œ O œ O nO #O O vib. œ œ > œ œ œ™ œ œ O ÍÍÍÍ bœ œ™ œ O™ O 3 p mf pp > pp p mf mf mf
{ { balz. _ _ ord. Ÿ~~~~~~~~~~~~~~~~~~~~~~ 6 - <Ÿ>~~~ 3 I œ O j j j Vla. bœ bœO œ œO œ œO œ B 3 j j j O O nO #O nO BO BbO O 4 BbO œ œ œ O œ œ œ œ œ œ b œ œBbœ™ bO Bb O œ œ œ > > bœ œ œ mf pp pp mf p { _ { _ b>alz. "sea-gull" creaking #O nO ord. ~~~~~~~~~ Vc. bOûûû ûû 3 Ÿ ? 3 bœ ? j bO O ¢ 4 & bœ O #O #O b œ bœ œ -œ™ µœ bœ œ œ œ œ mf pp mf p mf p mf p mf pp 3 together 7 ° q = 81 ≈∑
1/2 vertical ord. Vl. -o - dense 6 ≈ ˙™ œ SP 3 3 3 1 œ > 3 æ æ æ æ æ æ æ æ æ æ æj 2 & ∑ 4 4 œ . 4 æ æ æ æ æ æ æ æ æ B æ æ 4 œ œ œ œ œ œ œ œ œ œœ œ œ ppp > > > mp ff poco ≈∑
Vl. 1o/2 vertical SP dense 5 ≈ 3 -™ 1 3 æ æ æ æ æ æ æ æ æ æ æ æ æ 2 & ∑ 4 ˙ 4b-œ bœ ≈ 4 æ æ æ æ æ æ æ æ æ æ æ æ æ 4 bœ œ œ œ œ œ œ œ œ Bœ µnœ œ µœ œ ppp mp > > > poco ff
≈∑
Vla. ≈ 1-/2 vertical o-rd. > SP dense 3 µ˙™ 1 œ œ . 3 œ>œ œ œ œœ œ>œ Bœ œ bœ œ>œ Bbœœ 2 B ∑ 4 4 œ bœ 4 nœ œ œ æ æ 4 æ æ æ æ æ æ æ æ æ æ æ æ ppp mp æ æ æ æ æ æ æ æ æ æ poco ff 6 ≈∑ 1/2 vertical ord. -o - S>P dense > >- Vc. <Ÿ>~ ˙™ bœ > nœ œ œ œ œ œ œ œ - ≈ 3 1 œ . 3 œ œ œ œ œ µœ bœ œ nœœ - 2 ? ∑ 4 4 œ bœ 4 æ æ æ æ æ æ æ æ æ æ æ æ æ bœ 4 ¢ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ ppp mp ff 5 3 poco 7 =
11 U as long as possible (until bar 14) ° _ >- 3 j - > Vl. 2 µœ µœ œ™ œ œ œ O BbO &4 - Bb œ ˙ œ œ ‰™™ > ÔR fpp f
U as long as possible (until bar 14) _ Bbœ- - œ Vl. 2 3 µœ &4 ˜œ œ j bO µ-œ - bœ b œ nœ > fpp f
U as long as possible (until bar 14) _ - Vla. >- ˜œ nœ B >. 2 µœ bœ Bœ œ B 4 œ œ fpp f
U as long as possible (until bar 14) _ > Vc. > - œ™ Bœ œ ? 2 ˜O ™ ˜œ œ #œ œ í™ ¢ 4µ œ J ™ fpp 3 f 4
independent repeat, until one starts with bar 14; start bar 14 yourself when you q = ca. 100 °13 feel the urge to breathe in
Vl. molto SP left hand n.v. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‚™ í™ n.v. molto vib. 3 #‚™ ™î & ™ r ì Bœ ì j ì ‚™ ™ bOOÍÍÍÍÍÍÍÍÍÍÍÍÍÍͯ¯¯¯¯¯¯ÍÍÍÍÍÍÍÍÍO µœ Bœ ˙ O Bbœ™
random, wild, hammered ì -on -the s-tring- - ì > ™ > >™ ì right hand R 5 3 3
Vl. molto SP n.v. molto vib. n.v. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‚ í™ left hand 3 j #‚ ™î & ™ Bœ bœ ì j ì r ì ‚ ™ µœ Bœ bOO ÍÍÍÍÍÍÍÍÍÍÍÍÍͯ¯¯¯¯¯ÍÍÍÍÍÍÍ O™ÍÍÍÍ ˙ O Bbœ Bb‚ f ff
random, wild, hammered -on t-he st-ring- - - -ì Œ™ Œ ì > ™ > >™ ì right hand R 5 3
Vla. molto SP ‚ ‚ ‚ left hand Ÿ~~~~~~~~~~~~~~~ #‚ ‚ ‚ vib. B í™ œ O ì ìOOÍÍÍÍͯ¯¯Í OÍ µœì œ Bœœ Bœœ bœœ Bbœœ nœœ #œœ µœœ ™î Bbœ Bbb‚ ‚ ‚ bO J f R 3 ff f
random, wild, hammered > ™ > -on th-e s-tring ------right hand ì ì ì
5 5 5
Vc. III ~~~~~~~~~~~~~~~~ ‚ ‚ ‚™ Ÿœ : O; #O Ovib. Bœœ Bœœ bœœ Bbœœ nœœ left hand ™ O O ¯¯¯¯¯¯ µœœ #œœ ? í™ #‚ ‚ ‚™ ì J ì ì R ™î ¢ Bb‚ ‚ ‚™ J f 3 ff
random, wild, hammered ì > ™ > ì ì ------right hand R 3 5 5 5 immediate reaction A 14 q = 54 ° { !≈! 11>. , Vl. æ R 6 7 & æ 4 ∑ ÷ 8 fff poss. { ≈ >. , :q ; :q ; :q ; Vl. !! 11 poco SP æ R 6 >œ œ™ œ œ O œ O œ 7 & 4 œ œ™ œ œ œ O œ O 8 fff poss. f mp { poco > ≈! 1. , : ; Vla. ! 1 q :q ; :q æ 6poco SP 7 B æ R 4 œ œ™ œ œ O œ O œ 8 œ µœ™ œ œ œ O œ O fff poss. > f mp poco { ≈ >. Vc. !! 11 , ? æ R 6 7 ¢ 4 ∑ ÷ 8 fff poss.
= °16
ST IV o o o o o Vl. c.l.b. III œ™™ œ œ œ™ œ 7 œ™™ œ œ œ™ œ 4 3 ÷ 8 ¿ & ‰ 4 ∑ 4 mf sfz ppp
Ÿ~~~~~~~~~~~~~~~~~~~ - Vl. 7 SbTœ™™ œ œ :O; nO. 4 3 &8 ® 4 ∑ 4 µœ™™ œ œ :O; nJO ppp mp
Vla. poco balz. 7 ST æ æ j 4 3 B 8 ® Bœ™™ œ bœæ œæ O 4 ∑ 4 œ™™ œ œ œ > mp ppp
¥ 7 4 play: recording of bars 18-23 3 Vc. 8 / 4 œ 4 arco, SP >. pizz. behind O ™™ O O #O "ff" bridge (I; II) œ œ œ œ 7 ¿ ? 4 3 ¢÷ 8 R ≈ 4 ∑ 4 œ™™ œ œ mp
f ppp poco Bar 18-23: breath in and out in your 6 normal personal speed; the bowing changes according to the two forms of breathing while breathing out: "stutter-bowing" ≥ 18 while breathing in: molto flautando ≤ ° _ { ... 3 3 j Vl. e # e # e # e # e e # e # e # e # e # e 3 ˙™ ˙™ ™ &4 µ˙™ n˙™ µ˙™ p
_ { ... 3 3 j Vl. # e # e # e™ # # e e #™ e # e e # e # e # 3 ™ ™ ™ &4 ˙™ µ˙œ™ bœ œ™ b˙™ p _ { ...... 3 3 j Vla. e™ # # e e #™ e # e # e # e # e # e 3 B 4 ˙™ b˙™ µ˙™ µ˙™ ˙ œ œ ˙ p
_ { ...
3 Vc. / 4 # e # # e # e # e # e # e # e #™ e e # # e™ ™ ˙™ ? 3 ˙™ b˙ ˙™ ¢ 4 ˙™ µ˙™ = p °21 > > > Vl. #™ e e # # e™ # e # e # e #™ e e # # e™ œ™ bœ™ b˙ 2 & ˙™ B ˙™ ˙™ 4
3 3 j > > > > Vl. e # e # e # # e # e # e™ # # e e b˙ b˙ bœ™ 2 & B ˙™ ˙™ µ˙™ œ™ 4
> > > >3 > > Vla. # e # # e # e # e #™ e e # # e™ e # e q ˙™ ˙™ ˙˙ œœ 2 B ˙ œ œ ˙ 4
2 Vc. / 4
3 3 3 > > > > > > > # e # e #j e # e # e # ˙™ ˙™ ˙e # e œq ? µ˙™ ˙™ ˙ œ 2 ¢ 4 7
24 ° poco SP > 2 ‰ j 4 O œO 3 œO O 1 Vl. &4 4 O œ 4 4 œO >˙ > >˙ pp mp
behind the bridge on wired part arco (I, II) mSP Ÿ~~~~~~~~~~~~~~~~ Y Y™ 2 4 Ó Y 3 Y™ 1 Vl. &4 µœ œ 4 ÷ 4 & 4 œ œ O pp mp f p
arco >O O mSP >O œ œ >O 2 bœ œ 4bpOoco SP b>œO œ 3 bœ 1 Vla . B 4 œ 4 œ 4 4
f p mp
2 4 / 4 ∑ 4 arco mSP poco SP Bœ œ n>O > ? 2b œ œ œ 4 µµœO µO 3 O µO 1 Vc. ¢ 4 4 B>œ 4 œ œ œ >œ 4 f mp
=
vertical q = 81 bowing pizz. 27 oord. o3 . 1 ° œ- -o o soffio œ œ 1 œ - 3 œ œo ‰ 7 Vl. &4 œ >. 4 & /8 œ 6 6 > mp mp f "f" pp "f" pizz. behind con crini ord. c.l.b. balz. bri¿dge (I) ¿ 1 bœ ≈ ÷ 3 ‰™ ¿ ≈ r ‰™ ÷ 7 Vl. &4 - bœ 4 R & BO O 8 - b-œ Bb O O mp sfz p > f mp
ord. pizz. - sojffio behind bridge (I) 1 œ œ- - - 3 æ æ ¿ ™ 7 B 4 œ bœ 4 ‰ / æ æ ÷R ‰ 8 Vla. 6 6 - p f pp mp pp " f"
vertical b>owing ord. > - balz. behind bridge (I, II) æ bœ œ- - - > æ™ ? 1 œ œ 3 Œ #O O ≈ 2 3 7 Vc. ¢ 4 bœ 4 O O /¿ 8 ¿ mp f mp poco "f" 8
vertical o arco 29 j poco SP bowing 2 o. - ° soffio œ œ œ 7 ‰ j æ ‰ œ œ ≈ 1 œ > 3 Vl. / 8 6 6æ & R 4 œ #œ. 8 -6 6 pp "f" pp m p pp p ff
con crini arco c.l.b poco SP pizz. behind bridge balz. ÷ 7 ¿ ‰™ ¿ ≈ r ‰™ c.l¿.b. ≈ 1 bœ ≈ 3 Vl. 8 R & BO O ÷ & 4 - bœ 8 Bb O O R bœ sfz mp > p p ff
vertical bowing c.l. > arco > pizz. æ 1 poco SP balz. soffio æ™ - > 7 2 3 R 1 œ œ . 3 ÷ 8 ≈ ¿ ¿ /6 B ≈ 4 œ œ 8 Vla. >¿ ¿ 6 ¿ - mp poco p ff p "f"
pizz. arco behind poco SP balz. bœ- > soffio bridge (I) > œ . 7 æ æ ¿ ¿ ¿ ? 1 œ #œ 3 Vc. / 8 æ æ Œ ÷ ≈ 4 œ 8 ¢ 6 6 J mp poco p pp mp pp ff =
B { 31 dense 3 > > SP 6 3 > j 3 ° 3 µœ µœ œ™ œ nœ nO BbO 3 æ æ æ æ æ æ æ æ æ 1 æ æj 3 Bb œ Vl. &8 œ œ œ œ œ œ µœ 4 Bœ nœæ 4 ˙ œ Œ >œ œ œ œ µ >œ J p ff mf pp 3 ff
{ > Bbœ. SP dense 5 µœ œ 3 æ æ æ æ æ æ æ 1 æ æ æ æ 3 Vl. &8 œ œ œ œ æ œ 4 œ µœ #œ 4 µœ ˜œ œ bœ bbœO nœ >œ œ œ µ>œ #œ > ff p mf pp 3 f
{ > SP dense µ> ˜œ nœ - B œ . 3œ>œ œ œ œœ œ œœ 1 bœœ bœœ 3 œ J bœ Bœ œ B 8 œ œ µœ 4 4 Vla. æ æ æ æ æ æ æ æ æ æ æ æ æ æ 3 3 p mf pp f ff
SP { > ~~~~d~e~n~~se~~~~~~~~~~~~~~~~~~~~~~~~~~j~~~~~~~~~~~~~~~~ æ Ÿ æ > - >. œ :e; Bœ :Be; bœ bœœ- bœ- > #œ œ- Bœ œ ? 3 æ æ 1 3µ˜œO ™ ˜œ œ Vc. ¢ 8 æo æJ 4 æ æ æ 4 J ff 3 3 3 p mf pp f 9
repeat, until one starts with independent q = ca. 100 bar 35; start bar 35 yourself when you feel the need to breathe in 34 U as long as possible ° _
Vl. molto SP left hand n.v. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‚™ í™ n.v. molto vib. 3 #‚™ ™î5 & ™ rì Bœ ì j ì ‚™ ™ 8 bOOÍÍÍÍÍÍÍÍÍÍÍÍÍÍͯ¯¯¯¯¯ÍÍÍÍÍÍÍÍ O µœ Bœ ˙ O Bbœ™
random, wild, hammered ì -on -the s-trin-g - ì > ™ > >™ ì right hand R 5 3 3
U as long as possible _
Vl. molto SP n.v. n.v. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‚ leftí h™and 3 j molto vib. #‚ ™î5 & ™ Bœ bœ ì j ì r ì ‚ ™ 8 µœ Bœ bOO ÍÍÍÍÍÍÍÍÍÍÍÍÍͯ¯¯¯¯¯ÍÍÍÍÍÍÍ O™ÍÍÍÍ ˙ O Bbœ Bb‚ f ff
random, wild, hammered -on th-e st-ring- - - -ì Œ™ Œ ≈ ì > ™ > >™ ì &right hand R 5 3
U as long as possible _
Vla. molto SP ‚ ‚ ‚ left hand Ÿ~~~~~~~~~~~~~~ #‚ ‚ ‚ vib. B í™ œ O ì ì OÍÍÍÍÍͯÍÍÍOÍÍ͵œì œ Bœœ Bœœ bœœ Bbœœ nœœ #œœ µœœ ™î5 Bbœ Bb‚ ‚ ‚ bO J 8 f R ff f 3
random, wild, hammered > ™ > -on th-e s-tring------Bright hand ì ì ≈ ‰ ‰ ≈ ì
5 5 5
U as long as possible _
molto SP Vc. III Ÿ~~~~~~~~~~~~~~ #O vib. B left hand ‚ ‚ ‚™ œ O O µ œœ Bœœ bœœ Bbœœ nœœ ™ O O ¯¯¯¯¯¯ œœ #œœ 5 ? í™ b#‚ ‚ ‚™ ì J ì ì R ™î ¢ Bb‚ ‚ ‚™ 8 J 3 ff random, wild, hammered ? ì > ™ > ì ≈ ‰ ≈ ì ------right hand R 3 5 5 balz. as fast as possible: hit string very strongly and 10 wait until bow doesn't bounce anymore. Use big 35 pressure, in order to make the rebounce as short as ° together { possible {
1/2 c.l. put whistle molto SP Vl. ! molto vib.1> balz. 1> 1> in the mouth 1 ™™ 1> I ! ¯¯¯¯¯¯¯¯¯1 > > > > > > > 1 1 1 ™™ 1 II æ œ œ œ ˜ œ œ U ¬ 5 æ R ≈ œ œ œ µ œ œ œ œ ‰™ ∑ &8 J J J J J J J / fff poss. ff fff poss. pp fff { 1/2 c.l. U molto SP II !! molto vib1.1> !! 11 ™™ 11> III ¯¯¯¯¯¯¯¯¯ balz. > > > > I æ > > > B B II æ 5 æ R ≈ bœ œ œ µ œ nbœ µ œ nnœ æ Vl. &8 J J J J J J J fff poss. ff fff poss. pp fff { balz.1/2 c.l. > > ! molto vib.1> > > > Bbœ > œ > molto SP II ! ¯¯¯¯¯¯¯¯¯1 œ œ œ œ œ U! 1 ™™ 1> I ! 1 ™™ 1 III æ œ œ œ Bbœ nœ œ œ 5 æ R J J II æ Vla. B 8 ≈ J J J J J fff poss. ff fff poss. pp fff { { 1/2 c.l. put whistle balz. molto SP molto vib. > > > > > > > > > > in the mouth > Vc. I !! ¯¯¯¯¯¯¯¯¯11 bœ œ œ Bœ œ œ nœ 11 11 11 ™™ 11 II µœ œ œ nœ µœ nœ œ U ? 5 æ R B ™ ¬ ¢ 8 ≈ J J J J J J J ‰ ∑ / fff poss. ff fff poss. pp fff
= Vl II reacts to Vl I, Vla reacts to Vc -> two independent groups C q = ca. 72-76 *after the "whistle-accent" leave out the rest of the air through yUour nose before breathing in; play independetly of the others 38 > * ≈ as long as possible ° ¬ _ ™ { R ‰ vertical bowing sfz > > > > c.l. balz. Vl. balz. soffio pizz. balz. 3™ 3™ ¿ 3 3 ¿ >œ / ‰ j í™ >2 2 ÷ / 2 2 ÷¿ ¿ ¿ ‰ ™î / ¿ 6 6 ¿ ≈ ¿ ¿ & :e; >¿ -6 -6 ¿ ¿ mp mf p "f" p "f" "f" mp "f" repeat loops until you hear the whistle from Vl I mSP ¿ # p>oco SP > soffio ® œ™ œ ˙ bœ í™ j 3 ™î Vl. & œ™ œ ˙ œ ¿™ O ™/ ™ & æ ¿™ O 6 6 6™ 6 æ - >. -6 -6 -6™ >6 f mp o pp "f" p "f" p poco "f" > > > repeat loops until ™ > you hear the poco SP mSP 2 3 2 3 soffio whistle from Vc æ O í™ ™ B ® œ™ œ ˙ œ ™ / 6 6™ ™î B Vla. œ™ œ ˙ #œ O ¿ 6 6™ > > - > f mp o "f" poco "f"p "f"p mp "f" p U > * ≈ as long as possible ¬ _ ™ { R ‰ vertical pizz. c.l. - pizz. sfz bow>ing > a.b. 1™ c.l. vertical Vc. balz. soffio 1™ œ 3™ ¿ œ œ œ ‰ j í™6 6 2 ÷ ≈ ≈ ? ™î ¢ / ¿ ™6 6 ¿ ¿ ¿ œ~~~~~~~~~~~~~~~~~~œ œ ™ / ¿ - - ¿ > œ~~~~~~~~~~~~~~~~~~~ > mp R mf p "f" p "f" + "f" U 39 > *≈ 11 ° ¬ _ R ‰™ { sfz > > > > balz. c.l. balz. Vl. balz. soffio ™ ™ pizz. ™ 3 3 ¿ 3 3 ¿ ¿ >œ ™ / ‰ j í™ >2 2 ÷ ≈ / 2 2 ÷¿ ¿ ‰ & ™î / ¿ 6 6 ¿ ¿ ¿ œ >¿ -6 -6 ¿ ¿ mp mf p "f" p"f" "f" mp "f"
vertical always react on whistle from Vl I, regardless of Vla/Vc bowing ¿ # SP mSP soffio bœ™ œ œ œ œ 3 3 ™ 3 ™ & ® b œ™ œ œ nœ / 2 2 & í™ ¿™ O / j ™î& Vl. æ æ ¿ ¿™ O 6 6 6™ 6 æ ¿ - >. -6 -6 -6™ >6 f mp poco o "f" pp "f" p "f" p "f" > > always react on whistle from Vc, regardless of Vl I/II > > SP mSP 3 3™ 3 æ æ O 2 2 soffio B ® bœ™ œ œ œæ œæ O í™O ™î B Vla. ™ bO O /¿ 6 6™ ™ b œ œ œ nœ ¿ -6 6™ f mp o pp > poco poco "f" "f"p "f"p mp "f" p
> *≈ U ¬ ‰_ ™ { R c.l. - pizz. sfz > > pizz. a.b. 1™ c.l. vertical Vc. balz. ™ 1™ œ soffio ‰ j í™ 2 3 ¿ ≈ ≈ ? œ œ œ ™î ¢ / ¿ ™¿ ÷ ¿ ¿ œ ~~~~~~~~~~~~~~~~~~~~~~~œ~ œ /6 6 ™ ¿ ¿ > œ~~~~~~~~~~~~~~~~~~~~~~~~~~ -6 -6 > R "f" mf "f" mp + p "f" p =
U 40 > *≈ ° ¬ _ R ‰™ { sfz > > > > balz. Vl. balz. soffio ™ ™ pizz. c.l. balz. ™ 3 3 ¿ 3 3 ¿ ¿ >œ ™ 2 / ‰ j í™ 2 2 ÷ ≈ / 2 2 ÷¿ ¿ & ™î 4 ¿ 6 6 >¿ ¿ ¿ œ ¿ -6 -6 ¿ ¿ > mp mf p "f" "f" "f" mp "f"
p ¿ # soffio mSP æ œ™™ #œæ balz. ™ 3 3 3 ™ 2 & ® œ™™ œ / í™ 2 2 ¿™ O / j ™î 4 Vl. J ¿ ¿ & ¿™ O 6 6 6™ 6 & >¿ ¿ - >. -6 -6 -6™ >6 mp o mf p "f" pp "f" p "f" p "f" > > > > mSP c.l. vertical œ 3 3™ j æ œ œ O 2 2 3 soffio B ® bœæ (III, IV) œ O ™î 2 Vla. bœ™™ B O / 6 6™ ™ B 4 b œ™™ œ bO O ¿ 6 6™ o pp - > mp "f" poco "f" "f"p "f"p mp"f" p
U > *≈ ¬ ‰_ ™ { R c.l. - pizz. sfz balz. pizz. a.b. 1™ > > Vc. 1™ soffio ¿ œ 3™ ‰ j í™ ÷ ≈ ≈ ? 2 ™î 2 ¢ / ¿ ™ ¿ ¿ œ ~~~~~~~~~~~~~~~~~~~~~~~~~œ /6 6 ¿ ™ 4 ¿ > œ~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 6 ¿ > R - - mf mp + p "f" "f" who arrives first in Bar 41 has to wait for the others; 12 once the other arrived in this bar, proceed to beat 2 together < ≈> 41 > ™ ™ > ° ¬ ¬ ¬ ¬ { sfz f pp o œ- œ- > Vl. œ. >. 2 ord. 1 œ >. &4 Œ 4 œ 3 p mf ff <≈> o-rd. mSP Bbbœ œ™ œ bœ b>œ. >o 2 æ 1 œ. Vl. &4 ® æ 4 ≈ 3 f p mf ff
<≈> œ- >œ. >. mSP Bœ œ™ œ ord. nœ >. B 2 ® œ œ™ œ 1 #œ Vla. 4 æ 4 f p mf 3 ff
<≈> > ™ ™ > ¬ ¬ ¬ ¬ { f pp sfz Vc. 2 ord. bœ- 1 nœ 3 / 4 Œ 4 - œ / ¢ & >. œ. œ > >. p mf ff =
43 > ≈ U ° * R¬ ‰_ ™ { sfz vertical vertical > > > > balz. Vl. balz. 2 3™ 3™ p¿izz. 3 3 ¿ ‰ j í™ 2 2 ÷ ≈ 2 2 ÷¿ ¿ ¿ ‰™î & ¿ 6 6 >¿ /¿ ¿ & >¿ -6 -6 ¿ ¿ mp ff p "f" p "f" "f" mp "f" ¿ # balz. soffio j :#O; b™alz. 3 3 ™ & ≈ œ™ :O;/í™ 2 2 & ¿™ O / ™î & Vl. œ™ ¿ ¿ ¿™ O 6 œ nœBœbœ µœ µœ > >¿ ¿ - >. -6 mf p mf p "f" pp "f" p "f" p poco c.l. vertical (III, IV) 3 œ arco Sp j O œ œ 3 B ≈ O™ O í™ O œ ™î ™ j Vla. O™ bO bO O nœ bœ nœ œ™ > b -œ >œ mf p pp "f" p "f"p ppp poco "f"
> *≈ U R¬ ‰_ ™ { c.l. - pizz. vertical> pizz. a.b. 1™ > Vc. balz. ord. 1™ soffio 5 ¿ 3™ ‰ j ? í™ ÷ ≈ ≈ ? œ 2 ™î ¢ / ¿ ™ ¿ ¿ œ~~~~~~~~~~~~~~~~~~œ /6 6 ¿ ™ ¿ œ. µœ. µœ bœ. Bbœ œ~~~~~~~~~~~~~~~~~~~~ 6 6 ¿ > > . . mp - - f R ff pp + p "f" "f" 13
44 > ≈ U ° * R¬ ‰_ ™ { sfz verti>cal > > pizz. circular bow Vl. > 5 > ≥ ≥ ≥ soffio 3™ 3 ¿ ¿ ¿ ¿ ¿ Ÿ~~~~~~~~~~~~~~3~~~~~~~~~~~~~~~~~~~~~~ í™ 2 2 ÷ #O BO #O BO #O ™î BO & 6 6 >¿™ & 6 6 ¿™ p f - - p "f" p "f" p "f" "f" ¿ v#ertical soffio ord. > j 3 j #œ jbalz. 3 ™ œ 3 3 2 ™ Vl. &í™≈ O™ / 2 2 ¿ O O / j ™î O™ ¿™ ¿ & ¿ O O 6™ & > >¿™ J¿ - - - -6™ p f p "f" pp "f" p "f" c.l. vertical v>ertic>al con crini 5 (III, IV) œ soffio ord. j O œ œ 2 3 e # Bí™≈ O™ O O O œ O ≈ ≈ ™î Vla . O™ bO O O 6 6 œ™ BO > J -6 -6 pp mf p poco "f" "f" mp pp U > * ≈ R¬ ‰_ ™ { vertica>l arco, ST Vc. soffio > 3 ? creaking ¢ / 6 6 2 #ww 6 6 ¿ - - - J p gliss. down as slow as possible
p "f" p "f" =
U Breath-sound 45 > ° ¬R { sfz pp "ff" arco Vl. Sœ-P œ ≈ & œ ∑ / œ
mp poco arco SP soffio 3 bœ í™ j ™î ÷ Vl . & - bœ bœ ™ / ™ bœ 6 6 6™ 6 6 poco - - - - - mp p "f" p "f" vertical > arco > > > S-P 3™ 3™ œ œ ™ O2 2 ™ B œ bœ í™ ™î Vla. O ¿ mp poco "f" "f"p "f"p > U Breath-sound ¬R { SP pp "ff" a-rco Vc. bœ œ ≈ ? œ œ œ #œ ∑ ¢ bœ œ /
mp ppp poco 14 46 > ≈ U ° * R¬ ‰_ ™ { vertical sfz > > > > Vl. balz. ™ ™ ‰ j í™ 2 3 2 3 ™î / ¿ 6 6 >¿ & >¿ -6 -6 ¿ f pp "f" vertical c.l. c.l.b. arco mSP soffio pizz. jeté ¿ . ¿. 3 3 œ 3 3 3 3 3 ÷ í™ ≈ . ¿. ¿ ‰ ¿ ¿ - bœ / j 2 2 2 2 ™î Vl. ¿ ¿ & œ O™bœ O™ Bbœ O™ œ 6 6 6 6 &œ mp œ -6 -6 -6 -6 œ f p pp mp pp p "f" p mf p "f" vertical > arco > > > c.l.b. ™ balz. pizz.3 arco -mSP 2 3 2 3 soffio ¿ ¿. ¿. ¿. pizz. œ #œ B í™ O O BO ÷ ¿ ¿ ¿ ¿ ¿ B bœ ™î Vla. O O B O ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ / 6 6 ¿ ¿ > ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ -6 -6 œ "f" pp mp "f" "f" "f" pp mp
> *≈ U R¬ ‰_ ™ { vertical > > Vc. balz. soffio ™ j í™ 3 ™ ? ¢ / ‰ ¿ ™6 6 ¿2 ™î >¿ -6 -6 ¿ f pp "f" cresc. until end of bar =
Uas long as possible D 47 _ ≈≈ q = 72 ° ¬ R together pp f > mSP > Vl. poco SP Bbœ (with overtones!) µœ dense bœ U SP 6 µœ œ #ww ≈ 1 æ æ æ æ æ æ 3 µœ 3 æj 1 & 4 œ œ 8 ™ ‰™ 16 B 朙 4 #œ œ œ œ œ œ Jœ œ ff > pp ff mp f ff
SP continue loop until Vl. I stopps < > o Ÿ~~~~~~~~~~~~~~ ≈ > dense o ≈ 1 3 Bœ 3 æj 1 Vl. & & 4 :e; 8 ˜œ bœ bœ œ 16 æ 4 œ µœ > >œ >œ Bœ™ ff mp f ff > >œ continue loop until Vc. stopps >œ œ <≈> dense ˜œ nœ j 1 Sœ>Pœ œ œ œœ 3 œ œ œ œ 3 µœæ™ 1 B ≈ 4 œ œ 8 16µ œ™ 4 Vla. æ æ æ æ ff mp ff U as long as possible f _ ≈ ¬ R ≈ pp f
poco SP mSP dense Vc. > SP U (with overtones!) Ÿ~~~~~~~~~~~~~~~~~ > B>œ n>œ œ™ #ww <≈> œ :e; ˜œ bœ œ œ™ ? ≈ 1 o 3˜œ 3 æ 1 ¢ œ 4 8 16 J 4 mp f ff pp ff 15
as fast as possible ≈ 5 » » » » » » » » » » ≈> together > 51 œ bœ b-œ bœ œ œ #œ œ ° 1 µ-œ µ-œ - - > 10 r r r r r r r r r r 1 3 r #œ nœ œ Vl. &4 16 4 8 ≈ nœ bœ œ œ œ œ œ œ œ œ œ œ.œ > mf ff f fff a»s fast» as po»ssibl»e » » » » » » ≈ 5 ≈ œ n>œ œ œ œ > 1 o bœ b-œ - 10 r r r r r r r r r r 1 3 r ≈ #œ #œ #œ œ Vl. &4nµœ ˜-œ - > 16 bœ œ œ œ œ œ œ œ œ œ 4 8 µœ µ œ. mf ff > f fff as fast as possible - - >- » » » » » » » » » » ≈ œ- #œ nœ - œ ≈> r nœ bœ bœ bœ™ B 1 œ œ œ 10bœ œ œ œ œ œ œ œ œ œ 1 œ œ 3 Bœ ≈ œ bœ Vla. 4 16 R R R R R R R R R R 4 8B œ. 5 > 6 mf ff f fff
as fast as possible Bœ-B - - » » » » » » » » » » ≈ >. bœ bœ œ- >- bœ œ œ œ œ œ œ œ œ œ ≈ Bœ œ #œ™ bœ œ œ™ ? 1 œ 10 R R R R R R R R R R 1 >œ œ 3 œ ≈ œ Vc. ¢ 4 16 4 8 R 5 6 mf ff f fff =
molto SP 55 left hand ™ ° vib. ‚ 3 2+ 1 r 3 #‚™ 1 11 Vl. & 4 4 8 ‚™ 4 Bœ 16 bOOÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍͯ¯¯¯¯¯¯¯¯¯¯ÍÍÍÍÍÍÍÍÍÍÍÍO Bb‚™ µœ Bœ random, wild, hammered fff on the string right hand - - - - -
5 molto SP left hand ‚ 2+ 1 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 3 j 1 #‚ 11 Vl. & 4 4 r 8 4 ‚ 16 B˙ O Bbœ µœ Bœ Bœ bœ Bb‚ fff random, wild, hammered right hand > ™ > >™ -on the- string- - - - - R 3 5
molto SP left hand n ‚ ‚ ‚ #‚ ‚ ‚ vib. Ÿ~~~~~~~~~~~~~~~~~~~~~ B 2+ 1 b ‚ ‚ ‚ 3 O OÍÍÍÍÍÍÍÍÍÍÍÍͯ¯¯¯ÍÍÍÍÍ O ÍÍÍÍÍÍÍ 1 œ O 11 Vla. 4 4 Bb‚ ‚ ‚ 8bO J 4 Bbœ 16 fff R random, wild, hammered right hand > ™ > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Bœœ bœœ nœœ Ÿ #O vib. left hand µœœ Bœœ Bbœœ #œœ œ : O ; O O O ¯¯¯¯¯¯¯¯¯¯ ? 2+ 1 R 3 J 1 11 Vc. ¢ 4 4 8 4 16 3 fff right hand on the string ------> ™ > R 5 5 3 ≈ ≈ 16
1I1, I™I 11 ™ > 58 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™ ™ . ° 11 3 1 œ 3 Vl. &16 j 8 4 8 B˙ O Bbœ™
I, II 11 ™ 11 ™ >. 11 Bœœ Bœœ bœœ Bbœœ nœœ µœœ 3 1 œ 3 Vla. B 16 µœœ #œœ 8 4 8
3 pp f on the string 5 5 5 ------
II, III 11 ™ 11 ™ ™ > ‚ ‚ ‚™ . ? 11 #‚ ‚ ‚™ 3 1 œ ÷ 3 Vc. ¢ 16 Bb‚ ‚ ‚™ 8 4 8 J pp f random, wild, hammered
=
E 61 ° 3 ≈ 1 Vl. &8 ∑ ∑ 4
3 ≈ 1 Vl. &8 ∑ ∑ 4
play - white noise stop 3 ≈ ≈ 1 Vla. B 8 ∑ / œ B 4 p
arco from pitch to noise sa≥ltando ≤ > on wired part (II, III, IV) ≈ bow as slow as possible with an continous sound r ÷ 3 ‹™ ‹ ‹ ? 1 Vc. ¢ 8 ‹ ‹ >‹ 4 ff pp ff 17
63 > ° ∑ ¬R ‰™ Œ sfz Vl. >. c.l. ST ord. . #œ 1 Œ 2 r ‰™ œ. #œ &4 4 b¿ . >¿ #œ sfz mf 3
p»izz. c.l. 1 Œ 2 ‰ j ‰ ® rK ≈ Vl. &4 4 ¿ œ ¿ sfz >
on the wired part balz. -‹ behind the bridge (I, II) B 1 Œ 2 bO ™ O ‰ ‹ ≈ Vla. 4 4b œ™ œ ÷ R B f "f" arco ^ ^ œ ^ ^ pizz. bœ ? 1 œ 2 ™ r b œ Vc. 4 œ œ ‰ 4 ‰ œ ™ ¢ bœ bœ œ ™ fff f =
65 ° ≈ 1 Vl. & ∑ ∑ 4
soffio ∑ ≈ 1 Vl. & / 6 4 6 "f" -
≈ 1 Vla. B ∑ ∑ 4
saltando, beginning on strings before bridge, crossing vertically over to strings behind bridge and finally the wired part arco ≈ free ≤ bow as slow as possible with continous sound r ? œ ÷¿ ‹ ‹ ? 1 Vc. ¢ œ ¿ ‹ >‹ 4 >œ ff pp ff 18 begin breath-sound end together directly, independently °67 ™™ > ™ ™ 4 { { { ™ & ™ 4 p "f" as fast as possible, repeat 2x; as soon as you finish, start bar 70 ^ ^ ^ ^ ^ ^ pi»zz. » » » » » » » » » œ 1 Œ nœ 10 ™ œ bœ œ ™ 4 Vl. &4 & œ #œ 16 ™ #œ #œ ™ 4 œœbœ œ #œœbœ nœ œ bœ nœ fff poss. breath-soun™d™ > { { { ™ ™ as fast as possible, repeat p "f" 2x ord. pizz. Vl. ^ ^ ^ ^ ^ ^ » » » » » » » » » » œ 1 Œ œ œ 10 ™ œ bœ œ ™ 4 / 4 & œ #œ bœ 16 ™ #œ #œ œ ™ 4 bœ œ #œ œ nœ bœ fff poss. breath-sound > ™™ ™ ™ { { { as fast as possible, repeat p "f" 2x p»izz. Vla. œ^ œ^ œ^ œ œ» bœ» » » » » » » » 1 ^ œ^ 10 œ #œ #œ 4 B 4 Œ œ ^ œ bœ bœ 16 ™ nœ nœ œ œ ™ 4 #œ
fff poss. breath-soun™™d > 4 { { { ™ ? ™ 4 p "f" as fast as possible, repeat 2x; as soon as you finish, start bar 70 Vc. ^ ^ ^ ^ ^ ^ ^ ^ ^ pi»zz. œ ^ œ nœ » » » » » » » » » 1 10 œ œ bœ 4 ? 4 œ œ œ ‰ œ œ œ bœ 16 ™ œ #œ ? ™ 4 ¢ bœ bœ bœ bœ nœ & #œ nœ nœ bœ fff fff poss. bœ = together 70 q = 72 ° 4 ≈ 6 hum &4 ∑ 4 w- ™ ∑ ppp poss. Vl. molto ST, flautando ≈arco ô put sordino 4 ow 6 B w™ 5 ∑ 3 &4 w 4 µ w- ™ 4 4 p-p field rec. from infront of concert space 5 œ 3 put sordino 4 4 ô ≈ aorco "ff" 4 6 - 5 3 Vl. &4 ∑ 4 w˙ :O; ˙ Ó 4 ∑ 4 Ÿ~~~~~~~~~~~~~~~~~~~~~ pp p pp put sordino ô ≈ arco B 4 ∑ 6 Ó 5 ∑ 3 Vla. 4 4bb˙O ˙O 4 4 ppp w- ™ poco hum 4 ≈ 6 ? 4 ∑ 4 ppp poss.
vertical trem. II ≈o molto ST, flautando o à Vc. III w¯w ww™ ¬ ™ put whistle away ? 4 6 gliss. down as slow as possible 5 ? 3 ¢ 4 4 4 ∑ 4 pp 19
pizz. ¬Ã 73 mST ord. 1 put whistle away ° 3 r ™ ™ R 4 5 4 Vl. & ˙™ Bbœ ‰ Œ ‰ ∑ ∑ 4 µ˙™ œ 4 4 4 - œ. pp sffz sfz
3 & 4 Œ Œ c.l.b. . . 1...... Vl. 3 ≈ - 4 5 4 &4 ∑ ˙™ 4 ∑ 4 ∑ 4 ˙™ p f
-o ™ r B 3 ˙ œ ‰™ Œ Œ 4 ∑ 5 ∑ 4 Vla. 4 œ ÷ 4 4 B 4 œ. pp sffz
recording of bar 71 4 5 / 4 œ 4 -o ™ r "fff" ˙˙™ œ ? 3 ‰™ Œ Œ 4 ∑ 5 ∑ 4 Vc. ¢ 4 œ 4 4 4 œ. pp sffz
=
F molto flaut. >. 5 >. 11 77 ≥ c.l. ST ord. #œ ° I ≥ ≥ ≥ . ≈ 4 Œ 5 r ‰™ œ. #œ R ≈ ∑ 4 Vl. &4 8 b¿ 4 Bbœ BbO™™ nœ O™™ œ O™™ œ O™™ ¿ #œ. > > > > > mf pp sfz 3
molto flaut. ≥ 5 pizz. I ≥ ≥ ≥ c.l. ≈ 4 Œ 5 ‰ »j ‰ ® rK ≈ ‰ ∑ 4 Vl. &4 œ O™™ ™™ 8 œ ¿ 4 > œ O œ O™™ œ O™™ ¿ > > > > mf pp sfz
molto flaut. ≥ ≥ 5≥ balz. I ≥ >- 4 > 5 bO ™ ‹ ‹ ≈ 4 B 4 œ nO™™ bœ O™™ nœ O™™ œ O™™ Œ 8b œ™ O ‰ ÷ ≈ B ∑ 4 Vla. > > > œ J R
mf pp f p "f" sfz
molto flaut. ≥ ≥ ≥ ≥ saltando - let bow jump until it stops > > > > pizz. irregular triller: imitate rhythm of saltando I œ O ™™ #œ O ™™ nœ O ™™ Bœ O ™™ bœ ≈ ? 4 Œ 5 ‰™ r b œ ‰ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 Vc. ¢ 4 8 œ ™ ŸY 4 œ ™ Y œ 5 > œ mf pp f f 20
put headphones 80 remove sordino ° 4 i ≈ 3 2 Vl. &4 Ó Ó ∑ 4 ∑ 4
- sinus-like - poco SP ˙O œO i remove sordino 4 ≈ 3 2 Vl. &4 Ó Ó 4 ∑ 4 p
≈ radio-white noise turn frequency white noise 4 3 channel 2 / 4 ∑ œ 4 4 p spp
poco Vla. 4 ≈ 3 2 B 4 ∑ ∑ 4 ∑ 4
tune C-String:-> normal tuning (quarter-tone lower) ≈ oarco, mSP o ? 4< >~ ∑ ∑ 3 ‰ B 2 Vc. ¢ 4Ÿ 4 j 4 µ˙ nœ ppp poss.
=
q = 54 as soon and for as long as you hear the others, react with the following sound. As soon as they hear you, they start ppp again. React like this twice. The third time, start bar 89 83 take whistle ¬ æ ° 2 ™ æo whistle-trem. ™ 1 Vl. & 4 ™ ˙ ™ 4 ppp slow cresc. end of fi1ngerboard 1 1 1 c.l.- . . . - - - 2 ™ ˙ sempre stacc. ˙ ˙ ˙ ˙ ˙ ™ 1 Vl. & 4 ˙ ˙ ˙ ˙ ˙ ˙ 4 ppp do a slow and constant cresc. - as soon as your hear a sound from Vl. I , start from the beginning of bar 83, ppp. The third reaction of Vl. I (bartok pizz.) triggers bar 89
2 (white noise) 1 / 4 ™ ™ 4 sempre stacc. e1nd of fingerboard 1 1 c.l. Vla. - . . . - - - ˙ ˙ ˙ ˙ ˙ ˙ 2 ™ ˙ ˙ ˙ ˙ ˙ ˙ ™ 1 B 4 ™ ˙ ˙ ˙ ˙ ˙ #˙ ™ 4 ppp do a slow and constant cresc. - as soon as your hear a sound from Vl. I , start from the beginning of bar 83, ppp. The third reaction of Vl. I (bartok pizz.) triggers bar 89
sempre stacc. en1d of fingerboard 1 1 1 c.l. - . . . - - - - ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ B 2 ™ n˙ ˙ ˙ ˙ ˙ ˙ ? ™ 1 Vc. ¢ 4 ™ #˙ ™ 4 ppp do a slow and constant cresc. - as soon as your hear a sound from Vl. I , start from the beginning of bar x, ppp. The third reaction of Vl. I (bartok pizz.) triggers bar 89 21 hit strings with whistle q = 72 . . . 1. pizz...... » +o » +o (still with whistle) . . . 89 ≈ ¬ ≈ - ° 1 II ™ II ™ 5 7 Vl. &4 œ œ ‰ œ œ ‰ 4 ∑ 8 ˙ ˙™™ ff pp ff pp p f immediate reactions to Vl I mSP arco ≈ rough 1 5 ∑ 7 r ‰™ Œ Œ ‰ Vl. &4 œ o œ ™ 4 8 Bœ µœ Bœ nµ-œœ µœ #œ Bœ µœ œœ™ ˜œœ f >- sfz 1 5 ‰™ Ó Ó 7 / 4 4 R 8 immediate reactions to Vl I Vla. mSP arco o ≈ i remove sordino >- rough B 1 Bœ œ µœ Bœ nµœ-œ µœ œ #œ Bœ µœ œœ™ 5 ∑ 7Bbœœ ‰™ Œ Œ ‰ 4 4 8 R sfz f play: recording from bar 34 5 7 / 4 œ 8 Œ Œ Œ ‰ immediate reactions to Vl I "ff" put headphones mSP arcBoœ œµœBœnµœœ- µœ œ#œBœµœ œœ≈ ? 1 ≈ 5 ∑ 7 ∑ Vc. ¢ 4 4 8 f = G °93 3 hum & 2 ∑
arco Vl. U 7 3 m>olto vib. poco vib. 5 7 æ æ æ æ æ æ æ æ æ æ 3III - - - & ∑ 8 æ æ æ æ æ æ æ b œœn œ#œ œœ nœ#œ#œœnœœ 2b˙ ¯¯¯¯¯¯¯ ˙ ¯¯¯¯¯¯¯¯¯ ˙ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ #œ œ bœ œ nœ#œ nœ œ œ œ œ pp p mf ff
hum U 3 ∑ & 2 ∑
Vl. 3 U III molto vib. poco vib. ∑ 5 5 5 æ æ æ 3 & 8 æ æ æ æ æ æ æ æ æ æ nœ œ œ 2 ˙ ¯¯¯¯¯¯¯ ˙ ¯¯¯¯¯¯¯¯¯ ˙ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œ œ bœ bœ œ nœ nœ œ œ #œ œ >- - - pp p mf ff 3 hum U∑ B 2 ∑
Vla. 6 U 6 III>-molto vib. - p-oco vib. 5 æ æ æ æ æ æ æ 3 ˙ ¯¯¯¯¯¯¯¯ ˙ ¯¯¯¯¯¯¯¯¯¯¯˙ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ B ∑ 8 œ œæ æ æ æ æ œ œ œ #nœ #œ œ nœ#œ #œ 2 #œ œ œ œ #œ œ #œ æ æ æ pp p mf 3 ff
3 hum U∑ 2 ∑ ?
ord. m>olto vib. poco vib. Vc. ˙- ˙- ˙- ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ? U 5 æ æ æ æ æ æ æ æ nœ#œ nœœ#œœ œ#œ #œ 3I ¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯ ∑ 8 œ œœ#œœ œ #œ œ æ æ æ 2 ¢ #œ œ œœ#œœ#œ œ æ æ æ æ æ æ æ æ 3 pp p mf ff 22 96 ° - ™ 9 & bw w- ™ 8 œ™ œ™ œ™ ppp
Vl. n.v. ~~~~~~~~~~~~~~~~~~~~~~~~ pizz. Ÿ » ord., arco, molto ST trem. æ 9 &Íbw ˙ O ww™ 8 œo œ œ œ™ œ™ æ pp ff ppp
™ 9 œ™ œ™ œ™ & w- w- ™ 8 ppp n.v. Vl. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ trem. p»izz. æ æ 9 r ≈ Œ Œ™ Œ™ &Í w ˙ nO wæw™ 8 œ pp ff - ™ - ™ 9 B w w 8 œ™ œ™ œ™ ppp Vla. n.v. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ ord. Í trem. c.l.b. o o o o w ˙ nO ww™ 9 ™ ™ B æ æ 8 ¿ œ œ œ œ & æ æ ¿ pp ff ppp - ™ - ™ œ™ œ™ œ™ w w 9 ? 8 ppp I (bow from below) Vc. n.v. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ hit strings IV w t˙rem. ww™ r #O™ Í nO ™ 9 ¿ with the Hand arco ? æ æ 8 ¿ ≈ Œ Œ™ ¢ ¿ ™ pp ¿ nœ = sffz ppp
99 ° 4 & œ™ œ™ œ™ œ™ œ™ œ™ 4 Vl. p»izz. arco, molto ST co.l. o o œo œ œ œ™ œ™ œ™ pale œ™ œ™ 4 & œ 4 ff ppp o ppp drumming with fingers 4 & œ™ œ™ œ™ ∑ 4 o Vl. p»izz. drumming with fingers r ≈ Œ Œ™ Œ™ Œ™ Œ™ 4 & œ œ 4 ff ppp 4 B œ™ œ™ œ™ ∑ 4 Vla. o ™ o ™ o ™ œ™ œ™ œ™ put headphones œ œ œ ∑ B 4 & æ æ æ 4 p ppp œ™ œ™ œ™ 4 ? ∑ 4
Vc. <#>O™ O™ O™poco vib. #O™ O™ ? ÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ™ 4 ¢ Œ 4 œ™ œ™ œ™ œ™ œ™ p ppp 23 q = ca. 54 3 & & ∑ 2 molto flaut. 101 ≥ ≥ ord. ° o ≥ o IV ≥ ≥ ≥ ≥ ≥ Vl. 4 IV 3 &4 Ó Œ Œ 2 -œ -œ -œ -œ -œœ -œœ -œœ -œœ "f" sim. pp mf
3 & & ∑ 2
put headphones Vl. 4 : q ; : q ; 3 &4 Ó ∑ 2
3 B B ∑ 2 Vla. odrumming with fingers 4 œ 3 B 4 ∑ 2
? ppp 3 & ∑ 2 vertical trem. o o o o III ord. II ˙ III ˙ II ˙ III ˙ ww ? 4 IV 3 ¢ 4 2 pp "mf" pp =
when you feel the need to breath, breath in fast with a small noise (ppp) °104 hum as legato as possible 3 ˙ 4 ™ &2 ˙ ˙ 4 ˙ œ ppp poss. Vl. Ÿ~~~~~~~~~ c.l., vertical tremo. o o drumming with fingers 3 o 4 j &2 O Œ œ œ œ œ 4 ‰ œ œ œ p o pp ppp pp poco poco
hum as legato as possible 3 ˙ ˙ 4 ™ œ &2 ˙ 4 ˙ ppp poss. Vl. co.l. o o Ÿo~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 j 4 &2 Ó ‰ œ œ ˙ 4 ˙™ :e; œœ o p as legato as possible 3 hum ˙ ˙ 4 B 2 ˙ 4 ˙™ œ ppp poss. Vla. odrumming with fingers 3 : q ; œ 4 ord. B 2 œ 4 Ó Œ O -œ ppp p poco
hum as legato as possible 3 ˙ 4 ™ &2 ˙ ˙ 4 ˙ œ ppp poss. Vc. vertical trem. ˙t˙rem. Ÿ~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~ æ ? 3 æ 4 Œ Oæ ¢ 2 O œo O 4 O œo ˙ o o pp "mf" poco 24 °106 & ˙ ˙ ˙ ˙ ˙ œ œ
Vl. Ÿ~~~~~~~~~~~~~~~~~~~~~~~ molto flaut. 1/2 c.l. II O œ O œ œ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & œ œ ˙ O Ó ‰ J O œ pp pp poco
& ˙ ˙ ˙ ˙ ˙ œ œ
Vl. o Ÿo~~~~~o~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ drumming 1/2 c.l. o o ˙™ œ Ow œ œ œ œ œ œ Œ œo & ˙ ™ o pp ppp poco & ˙ ˙ ˙ ˙ ˙ œ œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vla. Ÿ vert. trem. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >œ ˙ ˙ O B O O™ O Œ O O #œ ™ œ nœO O ˙O O œO pp
poco & ˙ ˙ ˙ ˙ ˙ œ œ
Vc. molto flaut., SP æ æ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ III ? O O O O Œ O ¢ œ œ bœ œ O O O œ O pp poco =
109 together ° 1 5 1 & w 4 ∑ 16 ∑ 4
vertical bow 1/2 c.l., molto flaut. Vl. drumming q q , o3 2 ≤ II æ r Œ œo 1 œ œ™™ 5 œ œæ™™ œæ 1 & 4 > 16 > 4 ppp "f" f p 1 5 1 & w 4 ∑ 16 ∑ 4 vertical bow arco, Vl. q o3 2 q q q , II >≥ molto flaut. r 1 œ œ™™ 5 œ œ™™ œ 1 & 4 16 > 4 "f" ppp f p f p 1 5 1 & w 4 ∑ 16 ∑ 4 < >~ vertical bow Vla. Ÿ drumming , >≤ molto flaut. 3 2 o q IV III > œ 1 œ œ™™ 5 œ œ™™ œ 1 B Ó 4 16 R 4 ppp "f" ppp f p f p 1 5 1 & w 4 ∑ 16 ∑ 4 o Vc. ˙™ , vertical-bowing BO endless saltando ? Œ 1 III 5 1 ¢ /4 ¿ 16 4 ppp "f" ppp pp 25
c.l. vertical vertical c.l., molto flaut. vertical circular o≤rd., molto flaut. o ord. 112 3 3 2 I o 2 3 ≥ III 3 2 ≥ o II ° 1 1+ I1I j 7 3 1II 1 5 Vl. œ œ™™ 4 12œ œ™™ œ œ œ™ œ œ™™ œ œœ œœ™™ œ œ œ œ™ œ &4 > > 32 > 8 4 > 4 > 4 f p f p f p f p f p sfz poco
molto flaut. c.l. vertical 1/2 c.l. vertical con crini vertical ≤ vertical 1/2 c.l., molto flaou3t. 2 3 2 o or≥d. 3 2 3 II ≥ o 3 2 3 1II æ 1+ 1III j 7 3 1 1 5 Vl. œ œ™™ 4 12œ œ™™ œ œ œ™ œ œ™™ œ œ œ™™ œ œ œ œ™ œ &4 > > 32 > 8 > 4 > 4 > 4
p f p f p f p poco f p sfz
c.l. vertical vertical 1/2 c.l., molto flaut. ord., molto flaut. 1/2 c.l., molto flaut.3 2 ord. ≥ o3 2 3 ≤ o II ≥ o2 3 II >œ œ™™ >œ œ™™ œ II >œ œ™ III >œ œ™™ œ >œ œ™™ >œ œ œ œ™ œ≥ B 1 1+ 1 J 7 3 1 1 5 Vla. 4 4 12 32 æ 8 4 4 4 f p f p f p f p sfz poco
1 1+ 1 7 3 1 1 5 Vc. ¢ / 4 4 12 32 8 4 4 4
=
together q = ca. 44 °118 H hum, legato 5 ∑ 4 &4 4 ˙ ˙ ˙ ˙ ppp Vl. molto flaut., SP > ô Ÿ~~~~~~~~~~~~~~~~~ j #˙ œ Ÿ~~~~~~~~~~~~~~~~~~~~~ 5 sordino 4 #O œ ˙ J &4 ∑ 4 :e; œ ‰ O O œ ˙ œ ppp 5 4 hum, legato &4 ∑ 4 ˙ ˙ ˙ ppp ˙ Vl. ô molto flaut., SP 5 sordino 4 o Ÿ~~~~~~~~~~~~~~~~~ &4 ∑ 4 Ÿ~~~~~~~~~~~~~~~~~~~~ œœ œœ #œ BbO O : e; b˙ O œ > Ÿ~~~~~~~~~O~~~~~~~~~~~~~~~ ˙ mp pp pp poco hum, legato 5 4 ˙ ˙ ˙ &4 ∑ B 4 ˙ ppp Vla. salt. molt>-o flaut., SP ~~~~~~~~~~~~~~~~~~~~ ô >o ˙ oŸ 5 sordino 4ww œ j ˙ ˙ œ B 4 ∑ 4 & bœ B˙ œ mf pp hum, legato 5 ∑ 4 &4 4 ˙ ˙ ˙ ˙ ppp Vc. :q; : q ; :q; molto flaut., SP III vertical trem. 5 4 ? IV r ¢ / 4 4 bbœO ˙O bO™™ O
ppp poco 26 121 ° 2 together & ˙™ œ w 4 ∑ ∑ Vl. mSP 2 <≈ > & 4 bœ œ™™ œ œœ œ bœ œO ˙ ˙ b˙ œ œ™™ œ Ÿ~~~~~~~O~~~ ˙ ˙ sffz 2 & ˙™ œ w 4 ∑ ∑ take off headphones, on shoulder Vl. o Ÿo~~~~~~~~~~~~~~~~~~~~ <≈o > mSP j ˙ - 2 & ˙ œ ˙ 4 / œ æ ˙˙ ˙˙ ˙ œ œ™™ œ æ œ bœ œ™™ œ mp pp pp sffz poco ˙™ œ 2 B w 4 ∑ ∑ mSP Vla. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ bO Ÿ~~~~~~~~~~~~~~~~~~~ < > O o œ : ; 2 ≈ B :O; œ œ ˙w O ˙ 4 ˙˙ œœ œœ™™ œœ pp sffz 2 & ˙™ œ w 4 ∑ ∑ o <≈o > mSP Vc. Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ó bœ œ™™ œ III ™™ ? O œ œ O ˙ ˙ 2#n˙˙ b œ œ œ b˙ bœ 4 ¢ Jœ ‰ sffz
=
ca. 13 sek. ca. 10 sek. 5-8 sek. œ play: Beethoven 4 125 / 4 ° take off headphones, on shoulder "fff" 4 Vl. & ∑ ∑ ∑ 4
play: field recording of place in front of concert hall put birdwhistle in the mouth; reimove sordino stop try not to do noises until bar 133 4 Vl. / œ ∑ & ∑ 4 "ff" 4 B ∑ ∑ ∑ 4
Vla.
play radio (white noise) remove sordino stop i 4 B ∑ / œ ∑ 4 mf
? ∑ ∑ ∑ 4 Vc. ¢ 4 27
Breath U 128 ∑ ° 4 3 / 4 ‰ Œ Ó 4 put whistle remove sordino Vl. put on headphones in the mouth 4 3 i 4 U 1 &4 ∑ 4 ∑ 4 ∑ ∑ 4
Breath U∑
poco SP put on headphones >™ sinus-like ™ - œO ™ œO ˙O ˙O ™ w~ 4 J 3 4 U 1 Vl. &4 ≈ 4 4 ∑ 4 mp
4 3 4 B 4 ∑ 4 ∑ 4 ∑ Breath U∑ put birdwhistle Vla. in the mouth 4 play radio (white noise) 3 4 suddenly! U 1 / 4 œ 4 4 ∑ B ∑ 4 f 4 3 4 &4 ∑ 4 ∑ 4 ∑ Breath U∑
Vc. molto flaut. put whistle I #O™ ~ in the mouth U ? 4 3IV 4 1 ¢ 4 ∑ 4 4 ∑ & 4 n˙™ w- ppp 28 bowing according to breath: _ = ≥ { = ≤ I 132 q = 44 individual tempo natural breathing tempo q = 44 ° with whistle { _ { _ sempre ppp
Vl. 1/2 c.l. arco 1/2 c.l. arco balz. balz. r 3 ord., poco flautando O ord., poco flautando 1 1 O BBO 1 &4 bO nœO bO 4 O BO bw w 4 >œ œ w w O Bb O 5 f p pp mf p pp
5 1 œ œ 4 œ œ œ œ œ œ œ
natural breathing tempo with whistle { _ { _ sempre ppp
arco
1/2 c.l. ord., poco flautando balz. bO ™™ Vl. O™™ Ÿ~~~~~~~~~ Ÿ~~~~~~~ ~~~~ ord., poco flautando O™™ BO b œ™™~~ ~~~~~~~ 1 B O 1 ~~~~~~~ ~~~~b~ œO 1 &4 O™™ BO 4 ~~~~~~ w w 4 O™™ Bb O ˙ ˙ O ˙ ˙ O
f p pp f p pp
1 œ 4 œ œ œ œ œ œ
natural breathing tempo with whistle { _ { _ sempre ppp
1/2 c.l. arco "sea-gull" Vla. balz. balz. ord., poco flautando bO ûûûûû 7 o o ord., poco flautando 1 SP œ w w 1 bœ o o 1 B 4 Bbœ œ œ œ œ 4 w w 4 Bb œ œ œ œ f p pp mf p pp
natural breathing tempo with whistle { _ { _ sempre ppp 1/2 c.l. arco Vc. "sea-gull" balz. balz. Ÿ~~~~~~~~~~~ bO ûûûû û oord., poco flautandoo >O O ord., poco flautando 1 ? 1 #O w O ˙™ 1 ¢&4 bœ w w 4 4 f p pp mf p pp 29 q = 112 136 q = 44 q = 44 ° { breath freely, when breathing out, try to not produce a sound with the whistle . . . . . c.l. batt. . . . 1 Vl. balz. . . , Ÿ~~~~~~~~~~~~~~~ ord., poco flautando Ÿ~~~~~~~~~~~~~~~~~~ - 1 3 O™ 5 &4 O b˙ ˙ 8 ™ 4 w #O #>œ œ bw pp mf p (stopped note) mf p poco { breath freely, when breathing out, try to not produce a sound with the whistle ...... >Ÿ~~~~~~~~~~~~~~ c..l. bat.t. . . 1 Vl. O™ O ord., poco flautando , 1 œ 3 Ÿ~~~~~~~~~~~~~~~~~~~~ 5 - œ O O bw ™ &4 8 O™ :#; 4 bw O (stopped note) mf p p mf p w poco
{ breath freely, when breathing out, try to not produce a sound with the whistle . . . . c.l. batt. . . . . 1 Vla. balz. . . ord., poco flautando - , B 1 bO O 3 bO 5 4 œ b œ œ œ bw 8bœO œO œ 4 bbw > (stopped note) mf p mf p poco { breath freely, when breathing out, try to not produce a sound with the whistle . . . ord., poco flautando . . . balz+. c..l. bat.t. . . 1 Vc. balz. bO bvwib. r , bO O b œ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ pizz. - ? 1 b œ bœ 3 ¿‹™ ? 5 ¢ 4 ÷ 8 4 bw b w (stopped note) mf 3 p mf p = 140 q = 44 ° _ { _ {
- > poco vib. Vl. ord., poco flautando n! 1ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ bŸO~~~~~~~~ 1 bw œ œ ˙™ & bw 4 pp o ppp p poco Flz. { _ { æ_ balz. Vl. ord., poco flautando 1 & bw bw 4#O b w w >œ b˙ œO œ w mf pp _ { _ {
Vla. oord., poco flautando w w Ÿ~~~~~~~~~~~~~ trem. ord. B 1 O :#; ˙ ˙ ˙ ˙ 4 O æ pp p mf p _ { _ {
mf + o o Vc. ord., poco flautando r w bw ? bw -O ˙™ p1izz¿. ‹ arco ÷ 4 B ? ¢ - pp p pp 30 q = 112 J 143 wait for the others together ° _ poco ppp
Vl. ^ ha^mmer^ed ^ ^ ^ <≈ > œ , poco flautando nœ œ bœ 4 œ µœ nœ™ bœ bœ b˙ ˙ 1 & b œ bœ 4 œ œ 4 œ œ bœ œ œ #œ ˜ œ µ œ™ b œ œ œ fff poss. œ #œ œ pp f fff f
_ ppp
Vl. ha^mmer^ed ^ ^ ^ ^ < > , poco flautando œ œ ≈ 4 bœ bw 1 & #œ œ 4#œ ˜œ #œ™ nœ nœ 4 œ bœ bœ œ œ µ ™ bœ b œ œ œ #œ œ œ œ n œ b œ œ pp fff poss. f fff f
_ ppp poco Vla. ha^mmered ^ œ œ ^ <≈> , poco flautando œ œ œ^ bœ ^ 4 œ Bbœ œ™ #œ œ œ 1 B ^ bœ œ œ 4 Bbœ ™ # œ bœ nœ œ bw 4 #œ œ œ œ œ #œ f pp fff fff poss. f _ ppp
Vc. ^ h^amme^red ^ ^ ^ bœ poco flautando œ <≈ > #œ ˜œ #œ™ #œ bœ nœ vib. ? œ #œ 4 œ, b~ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 1 œ œ œ œ 4 œ µœ nœ™ œ œ bœ b w ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 4 ¢ bœ bœ œ #œ fff poss. pp f fff f 31 146 q = 44 q = 44 ° { _ Ÿ~~~~~~~~~~~~~~~~~~~~ ppp Vl. > balz. O™ O ord., poco flautando B>O™™ O 1 œ nO 1 B O™™ O &4 œ O bw w 4 BO™™ O Bb O™™ O mf p pp mp p
1 3 œ 4 œ œ œ œ { _ 1/2 c.l. arco ppp balz. balz. B 5 O Ÿ~~~~~~~~~~~~ 1 B O O bww bw 1 Vl. &4 BO O 4 O Bb O O O nO R pp p mf p mf p
5 1 œ & 4 œ œ œ œ œ œ œ { _ "sea-gull" balz. ppp
Vla. bO û ûû û û vib balz.Ÿ~~~~~~~~~~~~~~ bœ ! ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ >O™™ 1 1 O™™ #O B 4 bw~ 4 œ œ mf p opp mp p
{ _ ppp 1/2 c.l. arco Vc. balz. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ord., poco flautando ? 1 #O w O ˙™ 1 ¢ 4 œ œ 4 ∑ pp 149 32 q = 44 U as long as possible q = 44 ° { _ {
Vl. bw w Ÿ~~~~~~~~~~~~~~~~~~~~ U Ÿ~~~~~~~~~~~ 3 O™ bw 1 & 8 ™ 4 O #>œ œ #O mp p fp p poco Flz. U { as long as possible æ_ { ppp arco Vl. <Ÿ>~ pp poco vib. balz. 1™ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ arco 3 ¿ U 1 & bw w ÷ 8 R b˙ 4#O pizz. & ˙ >œ sfz fp mp pp
U as long as possible { _ {
Vla. Ÿ~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ bUw SP 3 1 III: soffio B 8 O™ O & B 4 6 b˙ ˙ O w O O pp mp pp fp pp mf
U as long as possible { _ { ba+lz. balz. bO r Vc. >O O b œ U ? O O bbw~ 3bœ bœ 1 ¿‹ ? ¢ b˙ ˙ 8 bw ÷ 4 mp p fp mf p = K (wait for the others) 153 q = 44 < U> together, give sign, as soon ° _ { _ as your hear everybody cresc. as slow as possible ppp < > ≈ Vl. balz. bUw !! <Ÿ>~ 1 4 æ & bw 4 #O 4 æ - w- >œ p fff poss. _ { _ cresc. as slow as possible ppp ord. Vl. SP < > ≈! bw w b˙ bU˙ ! 1 III: soffio 4 æ & 4 6 4 ppp BbO pp mf fff poss. F>lz. æ_ { _ cresc. as slow as possible p ppp ppp Vla. ord. < > ≈! bw w soffio U ! 1 bw 4 æ B /4 6 B 4 ppp 6 - fff poss. "f" p < U > _ { _ cresc. as slow as possible + ppp ≈ r > !! mf ‹arco
U one breath-length { _ { _ { ppp ppp Vl. 1 soffio bw Uw ≈ 1 & /4 & ∑ 4 bw w 6 - pp one bow-length, ppp very slow bow "f" p U one breath-length { _ { _ { ppp ppp Vla. soffio U ≈ #~ ~ 1 bbw~ w~ 1 B # w w /4 6 B ∑ 4 -6 one bow-length, ppp pp very slow bow "f" p Uone breath-length { _ { _ { + ppp r arco detuning ppp Vc. ? 1mf ¿‹ ≈ 1 ÷ 4 ? U ∑ 4 ¢ bw w µ ppp p w w pp one bow-length, = very slow bow
161 together 10-20 sek. ° continue breathing normally, but try to not do noises with wistles anymore take off headphones, put on shoulders play: field-rec. from in front concert hall Vl. SoT o 1 ™™ 4 Ó Ó 6 œ off &4 œ >œ 4 / 4 ppp sfz "ff"
continue breathing normally, but try to not do noises with wistles anymore take off headphones, put on shoulders play: field-rec. from in front concert hall Vl. mST 1 4 6 off &4 ™™ 4 Ó Ó /4 œ Bœ >œ ppp sfz "ff"
continue breathing normally, but try to not do noises with wistles anymore take off headphones, put on shoulders play headphones: radio-white noise, sometimes channel (talking, no music) perceivable Vla. SoT o 1 > 4 6 off B 4 œ™™ œ 4 Ó Ó /4 œ
ppp sfz "ff"
continue breathing normally, but try to not do noises with wistles anymore ST o o take off headphones, put on shoulders play headphones: radio-white noise, bœ™™ >œ sometimes channel (talking, no music) perceivable Vc. ? 1 4 6 off ¢ 4 4 Ó Ó /4 œ ppp sfz "ff"