Guitar Center Celebrates New Times Square Store with the Roots Live in Concert
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Guitar Center Partners with Eric Clapton, John Mayer, and Carlos
Guitar Center Partners with Eric Clapton, John Mayer, and Carlos Santana on New 2019 Crossroads Guitar Collection Featuring Five Limited-Edition Signature and Replica Guitars Exclusive Guitar Collection Developed in Partnership with Eric Clapton, John Mayer, Carlos Santana, Fender®, Gibson, Martin and PRS Guitars to Benefit Eric Clapton’s Crossroads Centre Antigua Limited Quantities of the Crossroads Guitar Collection On-Sale in North America Exclusively at Guitar Center Starting August 20 Westlake Village, CA (August 21, 2019) – Guitar Center, the world’s largest musical instrument retailer, in partnership with Eric Clapton, proudly announces the launch of the 2019 Crossroads Guitar Collection. This collection includes five limited-edition meticulously crafted recreations and signature guitars – three from Eric Clapton’s legendary career and one apiece from fellow guitarists John Mayer and Carlos Santana. These guitars will be sold in North America exclusively at Guitar Center locations and online via GuitarCenter.com beginning August 20. The collection launch coincides with the 2019 Crossroads Guitar Festival in Dallas, TX, taking place Friday, September 20, and Saturday, September 21. Guitar Center is a key sponsor of the event and will have a strong presence on-site, including a Guitar Center Village where the limited-edition guitars will be displayed. All guitars in the one-of-a-kind collection were developed by Guitar Center in partnership with Eric Clapton, John Mayer, Carlos Santana, Fender, Gibson, Martin and PRS Guitars, drawing inspiration from the guitars used by Clapton, Mayer and Santana at pivotal points throughout their iconic careers. The collection includes the following models: Fender Custom Shop Eric Clapton Blind Faith Telecaster built by Master Builder Todd Krause; Gibson Custom Eric Clapton 1964 Firebird 1; Martin 000-42EC Crossroads Ziricote; Martin 00-42SC John Mayer Crossroads; and PRS Private Stock Carlos Santana Crossroads. -
Roots101art & Writing Activities
Art & Writing Roots101Activities ART & WRITING ACTIVITIES 1 Roots-inspired mural by AIC students Speaker Box by Waring Elementary student "Annie's Tomorrow" by Annie Seng TABLE OF CONTENTS Introduction 2 Roots Trading Cards 3 Warm-ups 6 Activity #1: Also Known As 12 Activity #2: Phrenology Portrait 14 Activity #3: Album Cover Design 16 Activity #4: Musical Invention 18 Activity #5: Speaker Boxes 20 Activity #6: Self-Portrait on Vinyl 22 ART & WRITING ACTIVITIES 1 Through The Roots Mural Project, Mural Arts honors INTRODUCTION homegrown hip hop trailblazers, cultural icons, and GRAMMY® Award winners, The Roots. From founders Tariq “Black Thought” Trotter’s and Ahmir “?uestlove” Thompson’s humble beginnings at the Philadelphia High School for Creative and Performing Arts (CAPA), to their double digit recorded albums and EPs, to an endless overseas touring schedule, and their current position as house band on “Late Night with Jimmy Fallon” on NBC, The Roots have influenced generations of artists locally, nationally, and globally. As Mural Arts continues to redefine muralism in the 21st century, this project was one of its most ambitious and far-reaching yet, including elements such as audio and video, city-wide engagement through paint days, a talkback lecture series, and a pop-up studio. Working alongside SEFG Entertainment LLC and other arts and culture partners, Mural Arts produced a larger-than-life mural to showcase the breadth of The Roots’ musical accomplishments and their place in the pantheon of Philadelphia’s rich musical history. The mural is located at 512 S. Broad Street on the wall of World Communications Charter School, not far from CAPA, where The Roots were founded. -
THE TUFTS DAILY Est
Where You Rain Read It First 49/46 THE TUFTS DAILY Est. 1980 VOLUME LXI, NUMBER 40 MONDAY, APRIL 4, 2011 TUFTSDAILY.COM BY MICK B. KREVER document. She did, however, financial document online. Daily Editorial Board tell the Daily in an email that New group leaksthe university does confidential not currently A new player A group of current and for- hold any direct investments. This In his interview with the Daily, mer Tufts students identifying would mean that the Jumboleaks Ramsdell was opaque about the Tuftsthemselves as “Jumboleaks”financial on document information is wholly outdated. makeup of onlineJumboleaks. He said Saturday posted online an out- Ramsdell rejected the signifi- that the organization consists dated list of university financial cance of this fact. of Tufts students and people holdings, citing financial trans- “I don’t really think that that’s whom he believed to be Tufts parency and responsible invest- relevant to the issue here,” he graduates. ment among their motivations. said. “The 2010 list is still a valid Ramsdell described the The list, posted to the web- representation of what the Tufts organization as a group of like- site Jumboleaks.org, comprises endowment represents.” minded individuals who were 35 companies ranging from CVS The initial Saturday post on drawn together by a common Caremark to Monsanto, a pro- Jumboleaks.org did not identify interest when the document vider of agricultural products the list as specifically reflecting surfaced. that has often been linked to information from 2010, nor did “The organization formed controversial business prac- it acknowledge that the infor- around the existence of the leak tices. -
Davido Announces His Headlining 2020 North American “A Good Time” Tour
DAVIDO ANNOUNCES HIS HEADLINING 2020 NORTH AMERICAN “A GOOD TIME” TOUR KICKING OFF FEBRUARY 28TH IN CANADA HIS NEW ALBUM A GOOD TIME OUT NOW [New York, NY – December 17, 2019] Today, Nigerian superstar Davido announces his upcoming 2020 North American headlining “A Good Time” Tour with his band The Compozers as the opener. Tickets are on-sale this Friday, December 20th at 10 am local time. You can purchase the tickets at https://www.dukeconcept.com/davido and https://www.iamdavido.com/tour. Recently, Davido released his much-anticipated new album, A Good Time (Davido Worldwide Entertainment/Sony Music U.K./ RCA Records) available everywhere now. Pitchfork not only named the album “Best New Music” and gave it a stellar 8.3 rating, but stated, “On his second album, the Nigerian pop artist provides not just an integrated sound all his own but a clear vision for its future. It is a buoyant, unsinkable record, one of the genre’s finest ever.” Listen to it here: https://smarturl.it/DavidoAGT 2019 has already been a phenomenal year for Davido that started off at that legendary arena show in London, seeing his massive global hit “Fall,” dominate Billboard’s Hot R&B chart, going on to be noted as the longest charting Nigerian pop song in Billboard history, as well as being one of America’s most Shazamed songs of this year. The accompanying video broke a further record as the first by a Nigerian artist to break through the 100 million views mark on YouTube, standing now at a staggering 148 million views and counting. -
A Comparison of Patients Relapsing to Addictive Drug Use with Non
A Comparison of Patients Relapsing to Addictive Drug Use with Non-relapsing Patients Following Residential Addiction Treatment in Antigua TC Martin1,2, JA Josiah-Martin1, J Kosakoski1, K Norton1, T Sinnott1 ABSTRACT The outcome of a 29-day residential addiction treatment programme for persons from Antigua and Barbuda with addiction to drugs or alcohol was assessed. All 100 patients entering the drug and alco- hol treatment programme at Crossroads Centre Antigua between November 1998 and October 2002 were included. All patients were assessed with regards to drug or alcohol use or abstinence in November 2002 using telephone and mail follow-up as well as informal follow-up with families and other community contacts. Crossroads Centre Antigua is a 35 bed, 29-day residential treatment centre for drug and alcohol addiction serving patients from developed countries (85%) and from the Caribbean region (15%). Patients records were also reviewed to obtain age, gender, ethnicity, drug of choice, years of problematic use, completion of the 29 day programme, family member participation at Crossroads Centre Antigua (a four-day programme) and acceptance of halfway house placement. Of the 100 Antiguan patients admitted, 46 (46%) were abstinent (non-relapsers) at average 20.7 ± 14.7 months after treatment. Abstinence did not have to be continuous. Forty-nine were known to be using drug or alcohol (49%) and five (5%) were lost to follow-up and considered to be using drugs (relapsers). Age (37.5 vs 41.1 years), gender (28% vs 22% female), ethnicity (87% vs 87% Afro- Caribbean), years of harmful use (12.7 vs 12.5 years) did not differ significantly between relapsers and non-relapsers. -
For Immediate Release March 5, 2004
For Immediate Release March 5, 2004 Contact: Bendetta Roux, New York 212.636.2680 [email protected] Jill Potterton , London 207.752.3121 [email protected] CHRISTIE’S NEW YORK TO OFFER GUITARS FROM ERIC CLAPTON SOLD TO BENEFIT THE CROSSROADS CENTRE IN ANTIGUA “These guitars are the A-Team … What I am keeping back is just what I need to work with. I am selling the cream of my collection.” Eric Clapton, February 2004 Crossroads Guitar Auction Eric Clapton and Friends for the Crossroads Centre June 24, 2004 New York – On June 24, 1999, Christie’s New York organized A Selection of Eric Clapton’s Guitars ~ In Aid of the Crossroads Centre, a sale that became legendary overnight. Exactly five years later, on June 24, 2004, Christie’s will present the sequel when a group of 56 guitars, described by Eric Clapton as “the cream of my collection,” as well as instruments donated by musician friends such as Pete Townshend, will be offered. Featuring iconic instruments such as ‘Blackie’ and the cherry-red 1964 Gibson ES-335, Crossroads Guitar Auction ~ Eric Clapton and Friends for the Crossroads Centre, promises to be a worthy successor to the seminal 1999 sale. The proceeds of the sale will benefit the Crossroads Centre in Antigua. Referring to the selection of guitars that will be offered in this sale, Eric Clapton said: “These guitars are in fact the ones that I kept back from the first auction because I seriously couldn’t consider parting with them at that point … I think they are a really good representation of Rock Culture .. -
Press Kit, High-Rez Images, Clips for Broadcast
THE MOVIE NETWORK AND THE MATCH FACTORY PRESENT A SPHINX PRODUCTIONS FILM “CARMINE STREET GUITARS” EXECUTIVE PRODUCERS CARTER LOGAN, MICHAEL HIRSH DIRECTOR OF PHOTOGRAPHY JOHN MINH TRAN, BECKY PARSONS SOUND RECORDIST MICHAEL GUGGINO SOUND DESIGN TED ROSNICK MUSIC SCORE THE SADIES EDITOR ROBERT KENNEDY WRITTEN BY LEN BLUM PRODUCED AND DIRECTED BY RON MANN PRODUCED IN ASSOCIATION WITH BELL MEDIA, TELEFILM CANADA AND THE ROGERS GROUP OF FUNDS THROUGH THE THEATRICAL DOCUMENTARY PROGRAM AND WITH THE PARTICIPATION OF THE ONTARIO MEDIA DEVELOPMENT CORPORATION AND THE CANADIAN FILM OR VIDEO PRODUCTION TAX CREDIT WITH RICK KELLY, CINDY HULEJ, DOROTHY KELLY FEATURING ESZTER BALINT, CHRISTINE BOUGIE (BAHAMAS), NELS CLINE (WILCO), KIRK DOUGLAS (THE ROOTS), ELEANOR FRIEDBERGER, BILL FRISELL, DALLAS GOOD (THE SADIES), TRAVIS GOOD (THE SADIES), DAVE HILL, JAIME HINCE (THE KILLS), STEWART HURWOOD, JIM JARMUSCH (SQÜRL), LENNY KAYE (PATTI SMITH BAND), MARC RIBOT, CHARLIE SEXTON (BOB DYLAN BAND) 4K / COLOR / 80 MIN 1 THE FILM Once the centre of the New York bohemia, Greenwich Village is now home to lux restaurants, and buzzer door clothing stores catering to the nouveau riche. But one shop in the heart of the Village remains resilient to the encroaching gentrification: Carmine Street Guitars. There, custom guitar maker Rick Kelly and his young apprentice Cindy Hulej, build handcrafted guitars out of reclaimed wood from old hotels, bars, churches and other local buildings. Nothing looks or sounds quite like a Rick Kelly guitar, which is the reason they are embraced by the likes of Bob Dylan, Lou Reed, Patti Smith, Jim Jarmusch, just to name a few. -
The Chemistry Club a Number of Interesting Movies Were Enjoyed by the Chemistr Y Club This Year
Hist The Chronicle Coll CHS of 1942 1942 Edited by the Students of Chelmsford High School 2 ~{ Chelmsford High School Foreword The grcalest hope for Lh<' cider comes f rorn l h<' spiril of 1\mcrirnn youth. E xcmplilit>cl hy the cha r aclcristics of engerne%. f rnnk,wss. amhilion. inili,lli\·c'. and faith. il is one of the uplil'ling factor- of 01 1r li\'CS. \ \ 'iLhoul it " ·e could ,, <'II question th<' f1 1Lurc. \ \ 'ith il we rnusl ha\'C Lh e assurallce of their spirit. \ Ve hope you\\ ill nlld in the f oll o,, ing page:- some incli cnlion of your pasl belief in our young people as well as sornP pncouragcmenl for the rnnlinualion of your faiLh. The Chronicle of 1942 ~ 3 CONTENTS Foreword 2 Con lent 3 ·I 5 Ceo. ' . \\' righl 7 Lucian 11. 13urns 9 r undi y 11 13oard of l:cl ilors . Ser I iors U11dcrgrnd1rnlcs 37 .l11 nior Class 39 Sopho111ore Cb ss ,JO F reshma11 C lass 4 1 S port s 43 /\ct i,·ilies I lumor 59 Autographs 66 Chelmsford High School T o find Llw good in llE'. I've learned lo Lum T o LhosE' \\'ilh w hom my da ily lol is rasl. \ \/hose grncious h111n11n kindness ho lds me fast. Throughout the ycnr I w a nl to learn. T ho1 1gh war may rage and nations overlum. Those deep simplirilies Lhat li\'C and lasl. To M. RIT !\ RY J\N vV e dedicate our yearbook in gra te/ul recognition o/ her genial manner. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
The Fender Custom Shop and “Blackie” Your Questions Answered…
The Fender Custom Shop and “Blackie” Your questions answered… A few days before the launch of the Fender Eric Clapton “Blackie” Reissue, Mike Eldred – Director of Sales and Marketing for the Fender Custom Shop, was interviewed by Guitar Center for his personal account of the “Blackie” Reissue project. GC: So Mike, what’s your role at Fender, and in the Custom Shop specifically? Mike: I’m Director of Sales and Marketing for the FMIC Custom Division, and that encompasses all brands: Tacoma, Guild, Gretsch, Fender, Charvel, Jackson, and the amplifiers. GC: What is it about “Blackie” that makes it so special, even within that special world? Mike: It’s an iconic Stratocaster. The story about the guitar is really such a great story about how Eric bought the guitar--bought several guitars--and then pieced together basically just one guitar from a bunch of different parts. So he actually built the guitar, which is very unique when it comes to iconic guitars like this. A lot of times they’re just bought at a store or something like that. But here, an artist actually built the guitar, and then used it on so many different recordings, and it was so identified with Eric Clapton and his musical legacy. GC: Then, after 35 years of ownership, he offered it up for sale. What did Fender think when they heard that Guitar Center had bought Blackie at auction for almost a million dollars? Mike: Just that we were glad that it was sold to someone we have a relationship with. The concern that we had was that somebody was going to buy it and then just lock it away and that would be that, or some private collector would buy it or something like that. -
Fieldwork in Theology
Fieldwork in Theology Exploring the Social Context of God’s Work in the World Christian Scharen K Christian Scharen, Fieldwork in Theology Baker Academic, a division of Baker Publishing Group, © 2015. Used by permission. (Unpublished manuscript—copyright protected Baker Publishing Group) Scharen_FiedlworkTheology_LC_kf.indd iii 5/27/15 2:36 PM © 2015 by Christian Scharen Published by Baker Academic a division of Baker Publishing Group P.O. Box 6287, Grand Rapids, MI 49516-6287 www.bakeracademic.com Printed in the United States of America All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—for example, electronic, pho- tocopy, recording—without the prior written permission of the publisher. The only exception is brief quotations in printed reviews. Library of Congress Cataloging-in-Publication Data Scharen, Christian, 1966– Fieldwork in theology : exploring the social context of God’s work in the world / Christian Scharen. pages cm. — (The church and postmodern culture) Includes bibliographical references and index. ISBN 978-0-8010-4930-9 (pbk.) 1. Theology—Methodology. 2. Pastoral theology—Fieldwork. 3. Bourdieu, Pierre, 1930–2002. 4. Postmoderninsm—Religious aspects—Christianity. I. Title. BR118.S325 2015 261—dc23 2015007078 Scripture quotations are from the New Revised Standard Version of the Bible, copyright © 1989, by the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. 15 16 17 18 19 20 21 7 6 5 4 3 2 1 Christian Scharen, Fieldwork in Theology Baker Academic, a division of Baker Publishing Group, © 2015. -
Longtime Brand Ambassador and Friend Gary Clark Jr. Is Joined by His Wife and Children in the Most Personal John Varvatos Campaign to Date
JOHN VARVATOS UNVEILS GARY CLARK JR. AS THE FACE OF THE SPRING 2019 ADVERTISING CAMPAIGN Longtime brand ambassador and friend Gary Clark Jr. is joined by his wife and children in the most personal John Varvatos campaign to date. “We are Indivisible” FOR IMMEDIATE RELEASE January 28, 2019, New York, NY – John Varvatos is pleased to announce GRAMMY award-winning artist Gary Clark Jr. as the face of the brand’s Spring 2019 campaign. Famed music photographer Danny Clinch captures Clark in Austin, Texas in his most personal photos for John Varvatos yet. Clinch’s incredible mastery of the camera reveals images with strength and compassion sharing a glimpse into the private life of Gary Clark Jr. and his family. Gary Clark Jr. has been a brand ambassador and a member of the John Varvatos family for years. As an artist, he continues to take the music industry by storm, redefining a genre-bending mix of blues, contemporary soul, and hip- hop. While Clark has been planning the debut of his latest album, he took time away from his busy schedule to give a look into his life. “I am honored and excited to have my good friend Gary Clark Jr and his family as part of our ‘Indivisible’ campaign,” said John Varvatos. “It represents a message that both Gary, his wife Nicole, and I are extremely passionate about. One family, one nation, indivisible.” For the first time John Varvatos is featuring an entire family within the ad campaign. In the images where Clark is joined by his family, the words “We are Indivisible” are printed boldly across the image.