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Russia's and China's Increasing Influence in the Western Balkans
Working Paper #1 The European Union Dilemma: Russia’s and China’s Increasing Influence in the Western Balkans (Case study: Serbia and Montenegro) By Vesko Garčević The Frederick S. Pardee Center for the Study of the Longer-Range Future Rising Powers Initiative Pardee School of Global Studies Boston University 67 Bay State Road Boston, MA 02215 www.bu.edu/pardee/rpi THE EUROPEAN UNION DILEMMA: RUSSIA’S AND CHINA’S INCREASING INFLUENCE IN THE WESTERN BALKANS The Frederick S. Pardee Center for the Study of the Longer-Range Future, Pardee School of Global Studies, Boston University, 2021. Suggested citation: Garcevic, V. (2021). “The European Union Dilemma: Russia’s and China’s Increasing Influence in the Western Balkans.” Rising Powers Initiative, The Frederick S. Pardee Center for the Study of the Longer-Range Future, Pardee School of Global Studies, Boston University, 2021. https://www.bu.edu/pardee/files/2021/05/Pardee-RPI-001-May-2021.pdf Keywords: Russia, China, European Union, Soft power, Western Balkans RPI WORKING PAPER #1 2 THE EUROPEAN UNION DILEMMA: RUSSIA’S AND CHINA’S INCREASING INFLUENCE IN THE WESTERN BALKANS Introduction This paper discusses the growing influence and transformative power of Beijing and Moscow in the Western Balkans (WB), particularly as regards Serbia and Montenegro, and its implications for the European Union (EU). It draws upon both primary and secondary sources and narratives currently dominating public discourse in Serbia and Montenegro. A country’s “soft power” rests primarily on three resources: its culture, its political values, and its foreign policies,1 but it cannot exist on its own. -
Myths and Stereotypes
A!"#$%&'%( S%$% Z"#)*+, J)*%& K)-+,+, P("'(%. T)/)*+, MYTHS AND STEREOTYPES VIOLENCE AND HATE SPEECH TOWARDS LGBT PERSONS: POLICE AND JUDICIAL PRACTICE IN MONTENEGRO Steps towards the accepted, visible and protected LGBTIQ community Recommendation (2010) 5 of the Committee of ministers to the member countries IRUWKH¿JKWDJDLQVWGLVFULPLQDWLRQRQWKHJURXQGVRIVH[XDORULHQWDWLRQRUJHQGHULGHQWLW\UHS- UHVHQWVDEDVLFIUDPHIRUWKHSODQQLQJDQGWKHLPSOHPHQWDWLRQRIWKH/*%7SURMHFWRI&RXQFLO RI(XURSH $ORQJWHUPJRDORIWKH/*%7SURMHFWRI&RXQFLORI(XURSHZDVWRFRQWULEXWHWRWKH TXDOLW\RIOLIHRI/*%7FRPPXQLWLHVWKURXJKRXW(XURSH$VSHFLDOHYHQKLVWRULFDOYDOXHRIWKH /*%7SURMHFWLVWKHIDFWWKDWLWSURYLGHGDVWURQJLQFHQWLYHWRWKHGHYHORSPHQWRIWKHQDWLRQDO SROLFLHVIRUWKH¿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³'DWDFROOHFWLRQRIKDWHVSHHFKDQG GLVFULPLQDWLRQ´ /*%73URMHFW$FWLYLW\162021 ZDVVXSSRUWHGDQGLWZDVLPSOH- PHQWHGE\WKHORFDORUJDQL]DWLRQ³/*%7)RUXP3URJUHVV´ 7KHPLVVLRQRI³/*%7)RUXP3URJUHVV´LVWKHFUHDWLRQRIDVDIHLQFOXVLYHDQGVWLPX- -
Artæ + Societate / Arts + Society #39, 2011 20 Lei / 11 €, 14 USD Jeannette Ehlers Black Magic at the White House, 03:46, Sound, 2009, Courtesy: the Artist
w artæ + societate / arts + society #39, 2011 20 lei / 11 €, 14 USD Jeannette Ehlers Black Magic at the White House, 03:46, sound, 2009, courtesy: the artist On the cover: Marjetica Potrcˇ, Rural Practices, Future Strategies, 2007, #8/11 drawings, ink on paper, 21 x 29.7 cm, courtesy: the artist and Meulensteen Gallery, New York Aspirafliile celor care ar vrea sæ izoleze arta de lumea socialæ sînt asemænætoare cu cele ale porumbelului lui Kant ce-øi imagina cæ, odatæ scæpat de forfla de frecare a aerului, ar putea zbura cu mult mai liber. Dacæ istoria ultimilor cincizeci de ani ai artei ne învaflæ ceva, atunci cu siguranflæ cæ ea ne spune cæ o artæ detaøatæ de lumea socialæ e liberæ sæ meargæ unde vrea, numai cæ nu are unde sæ meargæ. (Victor Burgin) The aspirations of those who would isolate art from the social world are analogous to those of Kant’s dove which dreamed of how much freer its flight could be if only were released from the resistance of the air. If we are to learn any lesson from the history of the past fifty years of art, it is surely that an art unattached to the social world is free to go anywhere but that it has nowhere to go. (Victor Burgin) arhiva 5 Jurnal urban: Lupta pentru spafliul comun CITIES LOG: THE STRUGGLE FOR COMMON SPACE STEALTH.unlimited (Ana Dzˇokic´ & Marc Neelen) galerie 30 Marjetica Potrcˇ: Tipare protectoare øi Practici rurale, strategii pentru viitor PATTERN PROTECTS AND RURAL PRACTICES, FUTURE STRATEGIES scena 51 Con Fusion: Bienala de la Veneflia 2011 CON-FUSION: THE VENICE BIENNALE 2011 Marta Jecu 62 Ying-Bo: O poveste în douæ pærfli. -
E a S E a S E a S E S E a E
048 | kvart / arhitektura arhitektura / kvart | 049 S E A S Tirana International S E Contemporary A Art Biannual A HR A HR E A E S E A S Kada su me Mark i Ana pre šest When six months ago Marc and Kur Ana dhe Marku më pyetën meseci pitali da li bi Kvart pratio Ana asked me would Kvart be para gjashtë muajsh nëse Kvarti S E A to što rade u Tirani delovalo mi interested to follow what they do ishte i interesuar të ndiqte atë je prilično apstraktno i daleko. are doing in Tirana it seemed to ç�ka po bënin në Tiranë, mu duk Svaki put kada bismo se videli me very abstract and far away. shumë abstrakte dhe tepër larg. S njihovi planovi su bili sve veći ali Each time we would see each Për ç do herë që takoheshim moj osećaj apstraktnog je bio other their plans were bigger but planet e tyre ishin më të mëdha, uvek isti. my feeling of abstraction was por po kështu zmadhohej dhe always the same. ndjenja ime abstrakte. Volim da mislim za sebe da nemam predrasude. Ali zapravo I like to think that I have no Më pëlqen të mendoj që jam S E A sam ih imala. U vezi Tirane. prejudices. But actually I had njeri pa paragjykime. Por në Ne znam šta sam mislila (osim them. Towards Tirana. I don’t fakt, më duhet të pranoj të da je Tirana planinski grad). know what I was thinking (accept kundërtën. Nuk e di se ç farë Ali ispostavilo se da kada ste that Tirana is a mountainous mendoja për Tiranën (përve ç otvoreni za novo da se dobre place). -
Footbridges Small Is Beautiful Footbridges
Printed inSlovenia, 2014 Footbridges - Small is beautiful Footbridges Small isbeautiful FOOTBRIDGES - SMALL IS BEAUTIFUL FOOTBRIDGES - SMALL IS BEAUTIFUL Contributions from the following countries BOSNIA AND HERZEGOVINA* Page 048 - 053 CROATIA Page 054 - 071 CYPRUS Page 072 - 083 CZECH REPUBLIC Page 084 - 105 ESTONIA Page 106 - 117 FRANCE Page 118 - 141 GEORGIA Page 142 - 151 GERMANY Page 152 - 167 GREAT BRITAIN Page 168 - 179 GREECE Page 180 - 193 HUNGARY Page 194 - 205 IRELAND, Republic and Northern Page 206 - 207 ITALY Page 208 - 253 LATVIA Page 254 - 263 LITHUANIA Page 264 - 271 MALTA Page 272 - 281 MONTENEGRO Page 282 - 289 POLAND Page 290 - 305 PORTUGAL Page 306 - 313 SLOVENIA Page 314 - 341 SPAIN Page 342 - 375 SWITZERLAND* Page 376 - 381 TURKEY Page 382 - 383 JAPAN** Page 384 - 405 * Country not being ECCE member The Škocjan Caves, Slovenia ** The contribution of JSCE-Japan Society of Civil Engineers as guest 4 5 FOOTBRIDGES - SMALL IS BEAUTIFUL FOOTBRIDGES - SMALL IS BEAUTIFUL Some notes on the history of bridge structures Written by Gorazd Humar, B.Sc.C.E., © Review: prof. Enzo Siviero, Faculty of Architecture, Venice Hradeckega Footbridge in Ljubljana, Slovenia, 1867 Claude Monet (1840 –1926) The article that follows does not aim to describe the entire history of construction, or more particularly of bridge-building, since it does not cover the whole of the historical Le Pont Japonais (The Japanese Bridge) period in which bridges have been built. The text is a compilation of the author’s inde- pendent research and a number of his studies relating to the history of bridge-building. It also includes material that the author presents to students in his lectures on the history of construction at the University of Maribor’s Faculty of Civil Engineering. -
Footbridges Small Is Beautiful Footbridges
Printed inSlovenia, 2014 Footbridges - Small is beautiful Footbridges Small isbeautiful FOOTBRIDGES - SMALL IS BEAUTIFUL FOOTBRIDGES - SMALL IS BEAUTIFUL Contributions from the following countries BOSNIA AND HERZEGOVINA* Page 048 - 053 CROATIA Page 054 - 071 CYPRUS Page 072 - 083 CZECH REPUBLIC Page 084 - 105 ESTONIA Page 106 - 117 FRANCE Page 118 - 141 GEORGIA Page 142 - 151 GERMANY Page 152 - 167 GREAT BRITAIN Page 168 - 179 GREECE Page 180 - 193 HUNGARY Page 194 - 205 IRELAND, Republic and Northern Page 206 - 207 ITALY Page 208 - 253 LATVIA Page 254 - 263 LITHUANIA Page 264 - 271 MALTA Page 272 - 281 MONTENEGRO Page 282 - 289 POLAND Page 290 - 305 PORTUGAL Page 306 - 313 SLOVENIA Page 314 - 341 SPAIN Page 342 - 375 SWITZERLAND* Page 376 - 381 TURKEY Page 382 - 383 JAPAN** Page 384 - 405 * Country not being ECCE member The Škocjan Caves, Slovenia ** The contribution of JSCE-Japan Society of Civil Engineers as guest 4 5 FOOTBRIDGES - SMALL IS BEAUTIFUL FOOTBRIDGES - SMALL IS BEAUTIFUL Some notes on the history of bridge structures Written by Gorazd Humar, B.Sc.C.E., © Review: prof. Enzo Siviero, Faculty of Architecture, Venice Hradeckega Footbridge in Ljubljana, Slovenia, 1867 Claude Monet (1840 –1926) The article that follows does not aim to describe the entire history of construction, or more particularly of bridge-building, since it does not cover the whole of the historical Le Pont Japonais (The Japanese Bridge) period in which bridges have been built. The text is a compilation of the author’s inde- pendent research and a number of his studies relating to the history of bridge-building. It also includes material that the author presents to students in his lectures on the history of construction at the University of Maribor’s Faculty of Civil Engineering. -
Podgoricacity CENTER
Centar grada PODGORICACITY CENTER KULTURA /Culture 3. Stara varoš - Sahat kula /Old Town - Clock Tower 4. Kuća i galerija Rista Stijovića /Risto Stijovic House & Gallery 5. Kuća Čubranovića /Cubranovic House 6. Sastavci i most na Sastavcima /Sastavci and Bridge on Sastavci 7. JU Muzeji i galerije /City Museums & Galleries 8. KIC „Budo Tomović“ /City cultural center „Budo Tomović“ 9. Centar savremene umjetnosti (Dvorski kompleks na Kruševcu) /Center of Modern Arts (Palace complex on Krusevac) 10. Crnogorsko narodno pozorište /Montenegrin National Theatre 11. Prirodnjački muzej Crne Gore/Natural History Museum of Montenegro 12. Zgrada opštine Glavnog grada /Municipality 13. Gimnazija „Slobodan Škerović“ /Gymnasium „Slobodan Skerovic“ SPOMENICI /Monuments 14. Petar I Petrović Njegoš /Petar I Petrovic Njegos 15. Petar II Petrović Njegoš /Petar II Petrovic Njegos 16. Kralj Nikola I /King Nikola I 17. Velikom vojvodi Mirku i crnogorskim junacima /Great duke Mirko and Montenegrin heroes 18. Vojvoda Marko Miljanov /Duke Marko Miljanov 19. Valtazar Bogišić /Valtazar Bogisic 20. Palim herojima – Partizanu borcu /Partisan the Warrior Memorial 22. Josip Broz Tito 23. Ivan Crnojević /Ivan Crnojevic 24. Vladimir Visocki /Vladimir Vysotsky 25. Puškin /Pushkin 26. Franc Prešern /Franc Presern SAKRALNI OBJEKTI /Sacred objects 28. Saborni hram Hristovog Vaskrsenja /Cathedral of Resurrection of Christ 32. Crkva Sv. Đorđa /Church of St.George 33. Crkva Sv. Velikomučenika Dimitrija /Church of St. Demetrius 34. Crkva Presvetog Srca Isusovog /Church of Sacred Heart of Jesus 35. Skender Čauševa džamija /Skender Caus Mosque 36. Osmanagića džamija /Osmanagic Mosque PRIRODA I ODMOR /Nature & Leasure 37. Brdo Gorica /Gorica Hill 38. Meditaranski vrt /Mediterranean Garden 39. Brdo Ljubović /Ljubović Hill AKTIVNI ODMOR /Active vacation 46. -
River Cruising with Tauck
Vol. 17 NO 2 SUMMER 2019 www.cruiseandtravellifestyles.com SUMMER IN EUROPE WELCOME ABOARD: Seabourn Ovation Ponant’s Le Champlain EMERGING MONTENEGRO A SCOTTISH TRILOGY THE MAGIC OF PROVENCE Canada $5.95 $5.95 Canada FrancePLUS RIVER CRUISING WITH TAUCK GO OUTSIDE AND PLAY: HIKING & BIKING IN SWITZERLAND | BOATING & BIKING ON EUROPE’S RIVERS YOU SNOOZE oOUR BIGGEST don’ SALE OF THEcruis YEAR! Book by August 27, 2019 & RECEIVE * ROMANTIC RHINE THE BLUE DANUBE DISCOVERY FREE AIR 8 days | Basel to Amsterdam 12 days | Budapest to Prague $4,009† CAD | Based on October 22, 2019 $5,153† CAD | Based on August 11, 2019 on select 2019 & 2020 Avalon Basel, Switzerland (Embarkation); Breisach, Germany– Budapest, Hungary (Embarkation); Vienna, Austria; Black Forest; Strasbourg, France; Ludwigshafen, Dürnstein; Melk; Passau, Germany; Regensburg; Roth; Waterways Europe river cruises. Germany–Heidelberg; Rüdesheim–Rhine Gorge; Nuremberg (Disembarkation); Prague, Czech Republic Koblenz; Cologne; Amsterdam, Holland (Disembarkation) IF YOU WANT TO SEE THE WORLD, cruise down its legendary rivers. If you want to see more of the world, look no further than Avalon Waterways. Our Suite Ships® feature one-of-a-kind Panorama Suites,SM with the widest opening windows in river cruising, the industry’s only Open-Air Balcony,SM and beds facing the incredible views. DANUBE DREAMS MAGNIFICENT EUROPE Beyond our wall-to-wall, floor-to-ceiling windows is a world waiting to be explored— 10 days | Budapest to Prague 15 days | Amsterdam to Budapest your way. Whether you -
Cities Log Publication Tirana.Pdf
2 INDIVIDUAL UTOPIAS NOW AND Projekti UTOPIA INDIVIDUALE NË THEN - Dis/continuity of genera- KOHË - Mosvazhdueshmëria e dia- tion dialogue or what do we have in logut mes gjeneratave apo cfare common? kemi të përbashkët? The project is a long term research and production Eshtë një projekt kërkimi dhe prodhimi afatgjat me qël- project with multidisciplinary and multimedia approa- lime multidisiplinare dhe multimediale, i fokusuar mbi ches, focused on artistic practices and different me- praktikat artistike dhe fenomene të ndryshme të me- dia phenomena (individual and collective) and their dias (individuale dhe kolektive) dhe perceptimit të tyre, perception, valuation and their influence on the ex- vlerësimit dhe influencës së tyre mbi eksperiencen e periences of transition societies from perspectives of shoqerive në tranzicion, nga perspektiva e gjenerata- different generations. ve të ndryshme. The project is a partnership between three orga- Projekti është në partnership me tre organizata të tjera nizations, from Albania (T.I.C.A – Tirana Institute of nga Shqipëria (T.I.C.A., Tirana), Bosnie Herzegovina Contemporary Art., Tirana), Bosnia and Herzegovina (SCCA/pro.ba, Sarajevo) dhe Serbia (kuda.org, Novi (SCCA/pro.ba, Sarajevo) and Serbia (kuda.org, Novi Sad). Imazhet Socialo-Politike të këtyre tre shteteve Sad). Socio-political images of those three countries janë vetëm pika e fillimit e projektit, i cili në vija të gjëra are only the starting points for the project, which in a përpiqet të përfshijë situatat e shkuara, të tashmë dhe broad sense tries to encompass past, present and të ardhme në komunitet, transformimet tranzitore të future situations in community, transitional transforma- identiteteve individuale dhe kolektive në përgjithësi, tions of individual and collective identities in general, duke vëzhguar në mënyre kritike pozicionit e ballkanit critically observing the Balkan’s position towards Eu- ne Europe dhe e kunderta.