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Chapter 5 Sinicization and Indigenization: the Emergence of the Yunnanese
Between Winds and Clouds Bin Yang Chapter 5 Sinicization and Indigenization: The Emergence of the Yunnanese Introduction As the state began sending soldiers and their families, predominantly Han Chinese, to Yunnan, 1 the Ming military presence there became part of a project of colonization. Soldiers were joined by land-hungry farmers, exiled officials, and profit-driven merchants so that, by the end of the Ming period, the Han Chinese had become the largest ethnic population in Yunnan. Dramatically changing local demography, and consequently economic and cultural patterns, this massive and diverse influx laid the foundations for the social makeup of contemporary Yunnan. The interaction of the large numbers of Han immigrants with the indigenous peoples created a 2 new hybrid society, some members of which began to identify themselves as Yunnanese (yunnanren) for the first time. Previously, there had been no such concept of unity, since the indigenous peoples differentiated themselves by ethnicity or clan and tribal affiliations. This chapter will explore the process that led to this new identity and its reciprocal impact on the concept of Chineseness. Using primary sources, I will first introduce the indigenous peoples and their social customs 3 during the Yuan and early Ming period before the massive influx of Chinese immigrants. Second, I will review the migration waves during the Ming Dynasty and examine interactions between Han Chinese and the indigenous population. The giant and far-reaching impact of Han migrations on local society, or the process of sinicization, that has drawn a lot of scholarly attention, will be further examined here; the influence of the indigenous culture on Chinese migrants—a process that has won little attention—will also be scrutinized. -
'Non-Chinese' in Ming China
$QWLTXDULDQLVPDQG,QWHOOHFWXDO/LIHLQ(XURSHDQG&KLQD 3HWHU10LOOHU)UDQFRLV/RXLV 3XEOLVKHGE\8QLYHUVLW\RI0LFKLJDQ3UHVV 3HWHU10LOOHUDQG)UDQFRLV/RXLV $QWLTXDULDQLVPDQG,QWHOOHFWXDO/LIHLQ(XURSHDQG&KLQD $QQ$UERU8QLYHUVLW\RI0LFKLJDQ3UHVV 3URMHFW086( :HE)HEKWWSPXVHMKXHGX For additional information about this book http://muse.jhu.edu/books/9780472028269 Access provided by University of British Columbia Library (21 May 2015 23:33 GMT) Twelve Thinking About “Non- Chinese” in Ming China Leo K. Shin At the start of his Record of All Vassals (Xian bin lu), a text completed no later than 1591, Luo Yuejiong, a scholar from Jiangxi (in southern China) whom we otherwise know little about, seeks to explain to his read- ers why his historical survey of “non- Chinese” peoples (si yi) deserves at- tention. In Luo’s telling, in his time, “scholars who are fond of antiquity” (haogu zhi shi) have generally taken to focus on texts composed before the Han dynasty (206 BCE–220 CE) and ignore those from later periods. But while scholars who have developed a degree of familiarity with pre- Han sources might like to think of themselves as “broadly learned” (bo- xue), Luo observes, their intellectual horizon is, in fact, not unlike “the outlook of a frog at the bottom of a well.” By contrast, in composing his general study of those “non- Chinese” peoples who have, over time, inter- acted with China (Zhongguo; literally, “central dominion”), Luo Yuejiong points out, he has consciously consulted a wide range of sources, includ- ing in particular materials that are outside -
Kan Herbals Formula Guide
FORMULA GUIDE Chinese Herbal Products You Can Trust Kan Herbals – Formulas by Ted Kaptchuk, O.M.D. Written and researched by Ted J. Kaptchuk, O.M.D.; Z’ev Rosenberg, L.Ac. Copyright © 1992 by Sanders Enterprises with revisions of text and formatting by Kan Herb Company. Copyright © 1996 by Andrew Miller with revisions of text and formatting by Kan Herb Company. Copyright © 2008 by Lise Groleau with revisions of text and formatting by Kan Herb Company. All rights reserved. No part of this written material may be reproduced or stored in any retrieval system, by any means – photocopy, electronic, mechanical or otherwise – for use other than “fair use,” without written consent from the publisher. Published by Golden Mirror Press, California. Printed in the United States of America. First Edition, June 1986 Revised Edition, October 1988 Revised Edition, May 1992 Revised Edition, November 1994 Revised Edition, April 1996 Revised Edition, January 1997 Revised Edition, April 1997 Revised Edition, July 1998 Revised Edition, June 1999 Revised Edition, June 2002 Revised Edition, July 2008 Revised Edition, February 2014 Revised Edition, January 2016 FORMULA GUIDE 25 Classical Chinese Herbal Formulas Adapted by Ted Kaptchuk, OMD, LAc Contents Product Information.....................................................................................................................................1 Certificate of Analysis Sample .................................................................................................................6 High Performance -
Bixi - Wikipedia
Bixi - Wikipedia Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Bixi From Wikipedia, the free encyclopedia Main page For other uses, see Bixi (disambiguation). Contents Not to be confused with Bixie. Featured content Bixi, or Bi Xi (Wade–Giles: Pi-hsi), is a figure from Current events Bixi Chinese mythology. One of the 9 sons of the Dragon Random article Donate to Wikipedia King, he is depicted as a dragon with the shell of a turtle. Wikipedia store Stone sculptures of Bixi have been used in Chinese culture for centuries as a decorative plinth for Interaction commemorative steles and tablets, [1] particularly in the Help funerary complexes of its later emperors and to About Wikipedia commemorate important events, such as an imperial visit Community portal or the anniversary of a World War II victory. They are Recent changes [2] Contact page also used at the bases of bridges and archways. Sculptures of Bixi are traditionally rubbed for good luck, Tools which can cause conservation issues.[3] They can be found What links here throughout East Asia in Japan , Korea , Vietnam , Related changes Mongolia , and even the Russian Far East . Upload file Special pages Contents [] The Harvard Bixi, donated by its Chinese alumni Permanent link 1 History Chinese name Page information 2 Outside China Wikidata item Traditional Chinese 贔屭, 贔屓 3 Development as an art form Cite this page Simplified Chinese 赑屃 4 Name Transcriptions [show] In other projects 5 Stone tortoises in art and popular lore Pa-hsia Dragon -
Theatrical and Fictional Lyricism in Early Qing Literature the Harvard
Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters. Zhao, Yingzhi. 2014. Realm of Shadows and Dreams: Theatrical Citation and Fictional Lyricism in Early Qing Literature. Doctoral dissertation, Harvard University. Accessed April 17, 2018 4:53:57 PM EDT Citable Link http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274209 This article was downloaded from Harvard University's DASH Terms of Use repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA (Article begins on next page) Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature A dissertation presented by Yingzhi Zhao to The Department of East Asian Languages and Civilizations in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of East Asian Languages and Civilizations Harvard University Cambridge, Massachusetts May, 2014 ©2014 –Yingzhi Zhao All rights reserved. Professor Wai-yee Li Yingzhi Zhao Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature Abstract Early twentieth-century Chinese literary critics create a model of literary development that highlights leading genres for each dynasty. For the Ming and the Qing dynasties, these are drama and fiction. This model relegates other genres of the period, especially poetry and lyric, to a second-class status, and accounts for their less visibility in scholarly research until today. -
English Translations of Poetry in the Sanguo Zhi Yanyi
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of Translation 9-2003 Interpretation and re-creation : English translations of poetry in the Sanguo Zhi Yanyi Pui Shan TAI Follow this and additional works at: https://commons.ln.edu.hk/tran_etd Part of the Translation Studies Commons Recommended Citation Tai, P. S. (2003). Interpretation and re-creation: English translations of poetry in the Sanguo Zhi Yanyi (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/tran_etd.11 This Thesis is brought to you for free and open access by the Department of Translation at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. INTERPRETATION AND RE-CREATION: ENGLISH TRANSLATIONS OF POETRY IN THE TAI PUI SHAN MPHIL LINGNAN UNIVERSITY SEPTEMBER 2003 INTERPRETATION AND RE-CREATION: ENGLISH TRANSLATIONS OF POETRY IN THE by TAI Pui Shan A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy Lingnan University September 2003 ABSTRACT Interpretation and Re-creation: English Translations of Poetry in the .. by TAI Pui Shan Master of Philosophy This thesis is a textual and contextual study of English renditions of poetry in Luo Guanzhongs .., in terms of their artistic approach and their bearing on the artistic functions which poetry fulfills in the novel. There are several English renditions of the . -
The Transmission of Sanqu Songs, Writers' Reputation, and Literati
THE TRANSMISSION OF SANQU SONGS, WRITERS’ REPUTATION, AND LITERATI NETWORK IN THE MID MING: LOCAL AND TRANS-LOCAL CONSIDERATIONS * TIAN YUAN TAN 1. INTRODUCTION The mid Ming is an extremely interesting and significant period in understanding the development of sanqu 散曲 (literally ‘dispersed or individual songs’),1 a kind of song verse in Chinese literature. After its so-called ‘golden age’ in the Yuan dynasty (1260-1368), sanqu went through a period of decline during the early decades of the Ming dynasty (1368-1644) in which we could find sanqu writings by only a few major writers such as Tang Shi 湯式 (fl.1383) and Zhu Youdun 朱 有燉 (1374-1442). However, as scholars have observed, the ‘revival’ of the genre then took place around the second half of the fifteenth century and extended into the sixteenth century.2 * I would like to thank the participants in this conference for their questions and comments. In particular, I am grateful to my discussant, Professor Richard von Glahn, for his careful reading of the paper and his stimulating remarks. This paper also benefited from helpful suggestions by the anonymous reviewers of Ming Qing Studies. 1 Previous studies in western language on sanqu include Crump 1983 and 1993, Radtke 1984, Schlepp 1970, and more recently, Schlepp 2001. All of these studies, however, dealt almost exclusively with Yuan sanqu and very little has been discussed about the development of the genre beyond the Yuan dynasty. 2 For example, see Schlepp 2001, p.381; Liang Yang and Yang Dongfu 1995, p.143; Zhao Yishan 2003, pp.141-145. -
Theatrical and Fictional Lyricism in Early Qing Literature
Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Zhao, Yingzhi. 2014. Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274209 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature A dissertation presented by Yingzhi Zhao to The Department of East Asian Languages and Civilizations in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of East Asian Languages and Civilizations Harvard University Cambridge, Massachusetts May, 2014 ©2014 –Yingzhi Zhao All rights reserved. Professor Wai-yee Li Yingzhi Zhao Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature Abstract Early twentieth-century Chinese literary critics create a model of literary development that highlights leading genres for each dynasty. For the Ming and the Qing dynasties, these are drama and fiction. This model relegates other genres of the period, especially poetry and lyric, to a second-class status, and accounts for their less visibility in scholarly research until today. The aim of my dissertation is not to reverse the hierarchy of genres, but to break the boundaries of genres, examining the ways in which the aesthetic sensibility connected to drama and fiction is transposed to other genres and renews their conventions. -
The Poet As Scholar: Essays and Translations in Honor of Jonathan Chaves
SINO-PLATONIC PAPERS Number 272 October, 2017 The Poet as Scholar: Essays and Translations in Honor of Jonathan Chaves edited by David K. Schneider Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
Daoism in the Twentieth Century Between Eternity and Modernity Edited by David A
Daoism in the Twentieth Century Between Eternity and Modernity Edited by David A. Palmer and Xun Liu Published in association with the University of California Press “This pioneering work not only explores the ways in which Daoism was able to adapt and reinvent itself during China’s modern era, but sheds new light on how Daoism helped structure the development of Chinese religious culture. The authors also demon- strate Daoism’s role as a world religion, particularly in terms of emigration and identity. The book’s sophisticated approach transcends previous debates over how to define the term ‘Daoism,’ and should help inspire a new wave of research on Chinese religious movements.” PAUL R. KATZ, Academia Sinica, Taiwan In Daoism in the Twentieth Century an interdisciplinary group of scholars ex- plores the social history and anthropology of Daoism from the late nineteenth century to the present, focusing on the evolution of traditional forms of practice and community, as well as modern reforms and reinventions both within China and on the global stage. Essays investigate ritual specialists, body cultivation and meditation traditions, monasticism, new religious movements, state-spon- sored institutionalization, and transnational networks. DAVID A. PALMER is a professor of sociology at Hong Kong University. XUN LIU is a profes- sor of history at Rutgers University CONTRIBUTORS: Kenneth Dean, Fan Guangchun, Vincent Goossaert, Adeline Herrou, Lai Chi-tim, Lee Fongmao, Xun Liu, Lü Xichen, David A. Palmer, Kristofer Schipper, Elijah Siegler, Yang Der-ruey New Perspectives on Chinese Culture and Society, 2 Daoism in the Twentieth Century New Perspectives on Chinese Culture and Society A series sponsored by the American Council of Learned Societies and made possible through a grant from the Chiang Ching-kuo Foundation for International Scholarly Exchange 1. -
Scholarly Culture in Sixteenth and Seventeenth-Century China
Scholarly Culture in Sixteenth and Seventeenth-Century China The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:40046467 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Scholarly Culture in Sixteenth and Seventeenth-Century China A dissertation presented by Nathan Vedal to The Department of East Asian Languages and Civilizations in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of East Asian Languages and Civilizations Harvard University Cambridge, Massachusetts April 2017 © 2017 Nathan Vedal All rights reserved. Dissertation Advisor: Professor Peter K. Bol Nathan Vedal Scholarly Culture in Sixteenth and Seventeenth-Century China Abstract This dissertation traces the development of scholarly disciplines in late imperial China. This project focuses on linguistic study during a period when philology was woven into a comprehensive system of analyzing language, music, and cosmology. Historians typically assert that China underwent an important intellectual transition in the 18th century, arising from a new emphasis on the philological analysis of texts. I argue instead that the intellectual shift over the course of the 15th through 19th centuries can be more accurately understood as a change in methods of studying language, rather than a newly found attention toward it. Philology flourished in the 16th and 17th centuries, but was not an isolated field, as it would come to be in the 18th. -
By Cuiwei Yang Department of History University of Ottawa
LIBERAL THEOLOGY IN THE LATE QING CHINA: THE CASE OF TIMOTHY RICHARD by Cuiwei Yang Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the PhD degree in History Department of History University of Ottawa © Cuiwei Yang, Ottawa, Canada, 2014 ABSTRACT Liberal Theology in the Late Qing China: the Case of Timothy Richard PhD Candidate: Cui Wei Yang Supervisor: Micheline Lessard André Laliberté 30 April 2014 The opium wars in China during the 1840s were followed by a surge of Christianization in the late Qing dynasty. What a kind of role played by missionaries in the modernization of the Qing China has been a long-lasting issue since the early 20th century. Due to political reasons, the contribution of the Christian mission was either underestimated in view of Cultural Invasion paradigm or overemphasized in view of Modernization paradigm. The thesis employs a less-distorted model, Liberal Theology, to analyze the influences of liberal missionaries, exemplified by Timothy Richard, on the social reform in the modernization movement of the late Qing. It describes the relevance of missionary activities to the development of Chinese history in view of the biographical records of Christian missions. The entry point of this presence is traced in the text through Richard’s activities to contribute to famine relief, literary work, reform advocacy, higher education, cross-cultural exchange, a product of the development of his ideas and strategies gained from the promotion of European models of modernization. Particularly, the thesis brings to light Richard’s symbiotic conception between religion and secularism (i.e., science, technology, education, and political reform).