'Non-Chinese' in Ming China
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Chapter 5 Sinicization and Indigenization: the Emergence of the Yunnanese
Between Winds and Clouds Bin Yang Chapter 5 Sinicization and Indigenization: The Emergence of the Yunnanese Introduction As the state began sending soldiers and their families, predominantly Han Chinese, to Yunnan, 1 the Ming military presence there became part of a project of colonization. Soldiers were joined by land-hungry farmers, exiled officials, and profit-driven merchants so that, by the end of the Ming period, the Han Chinese had become the largest ethnic population in Yunnan. Dramatically changing local demography, and consequently economic and cultural patterns, this massive and diverse influx laid the foundations for the social makeup of contemporary Yunnan. The interaction of the large numbers of Han immigrants with the indigenous peoples created a 2 new hybrid society, some members of which began to identify themselves as Yunnanese (yunnanren) for the first time. Previously, there had been no such concept of unity, since the indigenous peoples differentiated themselves by ethnicity or clan and tribal affiliations. This chapter will explore the process that led to this new identity and its reciprocal impact on the concept of Chineseness. Using primary sources, I will first introduce the indigenous peoples and their social customs 3 during the Yuan and early Ming period before the massive influx of Chinese immigrants. Second, I will review the migration waves during the Ming Dynasty and examine interactions between Han Chinese and the indigenous population. The giant and far-reaching impact of Han migrations on local society, or the process of sinicization, that has drawn a lot of scholarly attention, will be further examined here; the influence of the indigenous culture on Chinese migrants—a process that has won little attention—will also be scrutinized. -
Julian WARD, Xu Xiake (1587-1641): the Art of Travel Writing , Richmond, Surrey, U.K.: Curzon Press, 2001
REVIEWS Julian WARD, Xu Xiake (1587-1641): The Art of Travel Writing , Richmond, Surrey, U.K.: Curzon Press, 2001. 231, xviii pp. ISBN 0-7007-1319-0. On October 17, 1636, Xu Xiake, then almost fty years old, left his family in Jiangyin (in present-day Jiangsu province) and embarked on what would be his last and, by far, most challenging expedition. Accompanied by a Buddhist monk and two servants (one of whom would abandon the party just a fortnight into the journey), Xu would eventually spend nearly four years on the road, traveling through the provinces of Zhejiang, Jiangxi, Huguang, Guangxi, Guizhou, and Yunnan as well as seeking out and exploring sites both famous and out of the ordinary. Life on the road was as invigorating as it was hazardous. During the journey, as Ward notes, ÒXu was robbed three times, ran out of money and was nally deserted by his remaining servantÓ (p. 43). Xu Xiake was of course not the rst Ming-dynasty literatus to have traveled extensively in southwest China; quite a few had gone before him, though, unlike Xu, almost all had done so in the capacity either as o cials or as political exiles. What sets Xu apart from his con- temporaries is not just his desire for travel; during his long and arduous journey, Xu man- aged to keep a detailed record of most of the notable places he had visited (judging from the editions still extant, Xu must have written, on average, 500 characters per day for nearly 1,100 consecutive days). -
UC Berkeley Berkeley Undergraduate Journal
UC Berkeley Berkeley Undergraduate Journal Title Tales from the Cinnamon Sea: Literary Appropriation and the Creation of Paradise in the works of Fan Chengda Permalink https://escholarship.org/uc/item/36n4t98z Journal Berkeley Undergraduate Journal, 29(1) ISSN 1099-5331 Author Merlo, Phillip Edward Publication Date 2016 DOI 10.5070/B3291030167 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Tales from the Cinnamon Sea TALES FROM THE CINNAMON SEA: Literary Appropriation and the Creation of Paradise in the Works of Fan Chengda By Phillip Merlo his paper introduces the reader to China’s Southern Song dynasty (1127-1279), and specif- cally the diplomat, court ofcial, and poet Fan Chengda (1127-1279). During his years in government bureaucracy Fan Chengda traveled widely throughout the Southern Song Em- Tpire. During his travels he wrote several travel diaries, encyclopedias, and geographical treatises, in addition to thousands of extant travel poems. Tis paper investigates two of his works in particular: the Canluan lu and the Guihai yuheng zhi (both circa 1171-1174), both written during his travels to Guilin in the far South of the empire. Canluan lu, or the Register of Mounting a Simurgh is a travel diary of his trip to Guilin, and Guihai yuheng zhi is a geographical encyclopedia of Guilin and its surroundings. Comparative analysis of the two texts shows that in an apparent attempt to validate his self-image as an ideal Song scholar-ofcial, Fan Chengda appropriated historical descriptions of Guilin from past scholars. His in-text statements as well as his descriptive style suggest that Fan Chengda wished to identify and commune with scholars from other eras of Chinese dynastic his- tory. -
Origin Narratives: Reading and Reverence in Late-Ming China
Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”). -
Kan Herbals Formula Guide
FORMULA GUIDE Chinese Herbal Products You Can Trust Kan Herbals – Formulas by Ted Kaptchuk, O.M.D. Written and researched by Ted J. Kaptchuk, O.M.D.; Z’ev Rosenberg, L.Ac. Copyright © 1992 by Sanders Enterprises with revisions of text and formatting by Kan Herb Company. Copyright © 1996 by Andrew Miller with revisions of text and formatting by Kan Herb Company. Copyright © 2008 by Lise Groleau with revisions of text and formatting by Kan Herb Company. All rights reserved. No part of this written material may be reproduced or stored in any retrieval system, by any means – photocopy, electronic, mechanical or otherwise – for use other than “fair use,” without written consent from the publisher. Published by Golden Mirror Press, California. Printed in the United States of America. First Edition, June 1986 Revised Edition, October 1988 Revised Edition, May 1992 Revised Edition, November 1994 Revised Edition, April 1996 Revised Edition, January 1997 Revised Edition, April 1997 Revised Edition, July 1998 Revised Edition, June 1999 Revised Edition, June 2002 Revised Edition, July 2008 Revised Edition, February 2014 Revised Edition, January 2016 FORMULA GUIDE 25 Classical Chinese Herbal Formulas Adapted by Ted Kaptchuk, OMD, LAc Contents Product Information.....................................................................................................................................1 Certificate of Analysis Sample .................................................................................................................6 High Performance -
THE FORMATION of MODERN CHINESE GEOGRAPHY in TWENTIETH-CENTURY CHINA by RACHEL WALLNER a THES
SCIENCE, SPACE, AND THE NATION: THE FORMATION OF MODERN CHINESE GEOGRAPHY IN TWENTIETH-CENTURY CHINA by RACHEL WALLNER A THESIS Presented to the Department of Asian Studies and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2014 THESIS APPROVAL PAGE Student: Rachel Wallner Title: Science, Space, and the Nation: The Formation of Modern Chinese Geography in Twentieth-Century China This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of Asian Studeis by: Dr. Bryna Goodman Chair Dr. Roy B. Chan Member Dr. Daniel Buck Member and J. Andrew Berglund Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2014. ii © 2014 Rachel Wallner iii THESIS ABSTRACT Rachel Wallner Master of Arts Department of Asian Studies September 2014 Title: Science, Space, and the Nation: The Formation of Modern Chinese Geography in Twentieth-Century China At the turn of the twentieth century, the modern epistemological framework of science superseded indigenous Chinese knowledge categories as the organizing unit for empirical knowledge about space. By the 1920s, pioneering Chinese intellectuals housed spatial knowledge under the new category of modern geography. While this framework for modern knowledge was rooted in the West, Chinese scholars innovated the discipline in ways that enabled them to consistently attend to fluctuating nation-building imperatives. Using autobiography, memoir, and periodicals produced by early Chinese geographers, this study explores how the intellectual shift toward spatial epistemological modernity facilitated modern China's entrance into the global nation-state system. -
The Great Walk of China
The Great Walk of China Travels on foot from Shanghai to Tibet Graham Earnshaw To the people of China, who have taught me so much. The Great Walk of China ISBN 978-988-19002-1-0 Published by Blacksmith Books 5th Floor, 24 Hollywood Road, Central, Hong Kong Tel: (+852) 2877 7899 www.blacksmithbooks.com Copyright © Graham Earnshaw 2010 The author asserts the moral right to be identified as the author of this work. All rights reserved. No part of this publication may be reproduced, stored or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. Contents The First Step . .7 Into the Mountains.......................13 Drinking Games .........................25 Anhui in May ...........................39 A Peasant’s Life ..........................51 End of Anhui . .65 Putting away the GPS .....................77 Red Tourism ............................89 Countryside Politics . 105 Harvest Time . .125 Mr. Ren . .137 Horse Country . 145 The Man Who Lost His Life ................153 The Special Farms ........................161 The Casino Operator . .167 Million Dollar Rocks . .179 The Dam...............................189 The Gorges .............................203 How Green is Their Valley . .219 Over the River . 239 Across the Line . 247 Signs of a Storm . .257 Smoker’s Cough . .275 Environmental Nuns . .293 The Bluest Eyes in Chongqing . 305 Joining Isabella . 313 Buffalo in Winter . 323 Tobacco Road ...........................327 You’re Welcome..........................335 Preface The First Step am walking from Shanghai to Tibet. I It is a great line, and it is true. My journey is not continuous; I walk when I have the time, usually once a month and always starting from the last place I stopped and always heading west. -
Bixi - Wikipedia
Bixi - Wikipedia Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Bixi From Wikipedia, the free encyclopedia Main page For other uses, see Bixi (disambiguation). Contents Not to be confused with Bixie. Featured content Bixi, or Bi Xi (Wade–Giles: Pi-hsi), is a figure from Current events Bixi Chinese mythology. One of the 9 sons of the Dragon Random article Donate to Wikipedia King, he is depicted as a dragon with the shell of a turtle. Wikipedia store Stone sculptures of Bixi have been used in Chinese culture for centuries as a decorative plinth for Interaction commemorative steles and tablets, [1] particularly in the Help funerary complexes of its later emperors and to About Wikipedia commemorate important events, such as an imperial visit Community portal or the anniversary of a World War II victory. They are Recent changes [2] Contact page also used at the bases of bridges and archways. Sculptures of Bixi are traditionally rubbed for good luck, Tools which can cause conservation issues.[3] They can be found What links here throughout East Asia in Japan , Korea , Vietnam , Related changes Mongolia , and even the Russian Far East . Upload file Special pages Contents [] The Harvard Bixi, donated by its Chinese alumni Permanent link 1 History Chinese name Page information 2 Outside China Wikidata item Traditional Chinese 贔屭, 贔屓 3 Development as an art form Cite this page Simplified Chinese 赑屃 4 Name Transcriptions [show] In other projects 5 Stone tortoises in art and popular lore Pa-hsia Dragon -
Foguangsi on Mount Wutai: Architecture of Politics and Religion Sijie Ren University of Pennsylvania, [email protected]
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 1-1-2016 Foguangsi on Mount Wutai: Architecture of Politics and Religion Sijie Ren University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/edissertations Part of the Asian Studies Commons, History of Art, Architecture, and Archaeology Commons, History of Religion Commons, and the Religion Commons Recommended Citation Ren, Sijie, "Foguangsi on Mount Wutai: Architecture of Politics and Religion" (2016). Publicly Accessible Penn Dissertations. 1967. http://repository.upenn.edu/edissertations/1967 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/edissertations/1967 For more information, please contact [email protected]. Foguangsi on Mount Wutai: Architecture of Politics and Religion Abstract Foguangsi (Monastery of Buddha’s Radiance) is a monastic complex that stands on a high terrace on a mountainside, in the southern ranges of Mount Wutai, located in present-day Shanxi province. The mountain range of Wutai has long been regarded as the sacred abode of the Bodhisattva Mañjuśrī and a prominent center of the Avataṃsaka School. Among the monasteries that have dotted its landscape, Foguangsi is arguably one of the best-known sites that were frequented by pilgrims. The er discovery of Foguangsi by modern scholars in the early 20th century has been considered a “crowning moment in the modern search for China’s ancient architecture”. Most notably, the Buddha Hall, which was erected in the Tang dynasty (618-907 CE), was seen as the ideal of a “vigorous style” of its time, and an embodiment of an architectural achievement at the peak of Chinese civilization. -
Xu Xiake (1587-1641) This Page Intentionally Left Blank Xu Xiake (1587-1641) the Art of Travel Writing
Xu Xiake (1587-1641) This page intentionally left blank Xu Xiake (1587-1641) The Art of Travel Writing Julian Ward I~ ~~o~:~~n~~:up LONDON AND NEW YORK First Published in 2001 by Curzon Press Published 2013 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY, 10017, USA Routledge is an imprint a/the Taylor & Francis Group, an iriforma business © 2001 J ulian Ward Typeset in Times by Graphicraft Limited, Hong Kong All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record of this book is available from the British Library Library of Congress Cataloguing in Publication Data A catalogue record for this book has been requested ISBN 13: 978-0-700-71319-6 (hbk) To my family, Dee, David and Greg for constant love and support. This page intentionally left blank Contents List of Illustrations x Introduction xi Acknowledgements xv Explanatory note XVI List of Abbreviations XVll Chapter I The History of Chinese Travel Writing The Early History of Chinese Geographical Works 2 The Tang Dynasty: Liu Zongyuan 9 The Song Dynasty: Poets and Officials 11 The Ming Dynasty: Literati and Geographers 14 Wang Shixing 16 Ming Gazetteers and Route Books 18 Travellers and Artists 19 The Growth of -
Buddhist Monasticism in East Asia
Buddhist Monasticism in East Asia The area of Buddhist monasticism has long attracted the interest of Buddhist Studies scholars and historians, but the interpretation of the nature and function of monasteries across diverse cultures and vast historical periods remains a focus for debate. This book provides a multifaceted discussion of religious, social, cultural, artistic, and political functions of Buddhist monasteries in medieval China and Japan. With contributions from leading scholars in the field, this volume explores the multiplicity of the institutions that make up “the Buddhist monastery.” Drawing on new research and on previous studies hitherto not widely available in English, the chapters cover key issues such as the relationship between monastics and lay society, the meaning of monastic vows, how specific institutions functioned, and the differences between urban and regional monasteries. Collectively, the book demonstrates that medieval monasteries in East Asia were much more than merely residences for monks who, cut off from the dust and din of society and all its entrap- ments, collectively pursued an ideal cenobitic lifestyle. Buddhist Monasticism in East Asia is a timely contribution to the ongoing attempts to understand a central facet of Buddhist religious practice, and will be a significant work for academics and students in the fields of Buddhist Studies, Asian Studies, and East Asian Religions. James A. Benn is Associate Professor of Buddhism and East Asian Religions at McMaster University. He works on Buddhism and Taoism in Medieval China and is the author of Burning for the Buddha: Self-Immolation in Chinese Buddhism (2007). Lori Meeks is Assistant Professor of Religion and East Asian Languages and Cultures at the University of Southern California. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Re-Writing Dali: the Construction of an Imperial Locality in the Borderlands, 1253-1679 Permalink https://escholarship.org/uc/item/80h5n4j0 Author Wright, Eloise Elizabeth Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Re-Writing Dali: the Construction of an Imperial Locality in the Borderlands, 1253-1679 By Eloise E. Wright A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Nicolas Tackett, Chair Professor Wen-Hsin Yeh Professor Janaki Bakhle Professor William F. Hanks Summer 2019 Abstract Re-Writing Dali: the Construction of an Imperial Locality in the Borderlands, 1253-1679 by Eloise E. Wright Doctor of Philosophy in History University of California, Berkeley Professor Nicolas Tackett, Chair This dissertation examines the interactions of two late imperial Chinese regimes of understanding, experiencing, and moving through space through a local study of Dali, a district in the south- western borderlands of Mongol Yuan and Chinese Ming states. The city of Dali had been the capital of independent Nanzhao and Dali Kingdoms until it was conquered by Mongol armies in 1253 and subsequently incorporated into the Yuan empire. Over the next four centuries, the former nobility of the Dali kingdom transformed themselves into imperial scholar-gentry, educating their sons in literary Chinese, taking the civil service examinations, and establishing themselves as members of the literati elite. As a result, their social relationships and their place in the world, that is, their identities, were reconstructed in dialogue with the institutional, political, and discursive practices that now shaped their daily lives.