Blurbs for Rudy Rucker's Other Books
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Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Feline Mewsings #41
Feline Mewsings #41 Feline Mewsings #41, August 2010, page 2 #41 August 2010 Feline Mewsings is a personalzine / newsletter published more or less quarterly by R-Laurraine Tutihasi, 2081 W Overlook St, PO Box 5323 (an absolute necessity for postal mail), Oracle, AZ 85623-5323; 520-896-2058, [email protected], http://www.weasner.com/. It is distributed through FAPA and sent to other friends and family. It is available for the usual (a response of any kind, including letters, e-mail, and phone calls of comment; trade; contributions of illos, fiction, or articles; or even money: $3.00 per issue or $10 per year). A slightly modified version will be placed on the web shortly after paper publication; please let me know if you prefer just to read the web version. I can also e-mail this in Word or rtf format. Kattesminte Press #404. ©2010 R-Laurraine Tutihasi. Permission is granted to reprint or forward any part or all of this newsletter created by the editor provided that it carries the following statement: "Copyright 2010 by R-Laurraine Tutihasi. Originally published in Feline Mewsings #41, http://web.me.com/laurraine/Felinemewsings/index.html." All other material is copyrighted by their respective creators, and they should be contacted for any reprint permission. This issue finished 8 August 2010. Minor corrections made 11 August 2010. Table of Contents Editorial / Introduction—p. 2 Local Outings—p. 2 Amy’s Motley Media Musings—p. 3 Jonathan’s Science Corner—p. 6 Westercon and Los Angeles Trip—p. 11 Mailing Comments on FAPA #290—p. -
Souveneir & Program Book (PDF)
1 COOMM WWEELLC EE!! NNVVEERRGGEENNCCEE 22001133 TTOO CCOO LCOOM WWEELC MEE!! TO CONVERGENCE 2013 starting Whether this is your fifteenth on page time at CONvergence or your 12, and first, CONvergence aims meet to be one of the best them celebrations of science all over the fiction and fantasy on course of the the planet. And possibly weekend. the universe as well, but Our panels are we’ll have to get back filled with other top to you on that. professionals and This year’s theme is fans talking British Invasion. We’ve about what they always loved British love, even if it is contributions to what they love to science fiction and hate. The conven- fantasy — from tion is more than H.G. Wells to Iain just panel discus- Banks or Hitch- sions — Check hiker’s Guide to out Mr. B. the Harry Potter. It’s Gentleman Rhymer the 50th Anni- (making his North versary of Doctor American debut Who as well (none on our Mainstage), of us have forgot- the crazy projects ten about that) and going on in Con- you’ll see that reflected nie’s Quantum Sand- throughout the conven- box, and a movie in Cinema Rex. tion. Get a drink or a snack in CoF2E2 or We have great Guests of Honor CONsuite, or visit all of our fantastic par- this year, some with connections to the theme and oth- ties around the garden court. Play a game, see some ers that represent the full range of science fiction and anime, and wear a costume if it suits you! fantasy. -
Publishers and ISBN Prefixes
Date: 10/24/2013 Publishers and ISBN Prefixes Public Imprint Prefix Absolute Press 0-948230 0-9506785 1-4729 1-899791 1-904573 1-906650 Adlard Coles 0-229 0-7136 1-4081 1-4729 Aerie 0-8125 0-938819 1-4299 1-4668 1-55902 Arden Shakespeare 1-904271 AVA Publishing 2-88479 2-940373 2-940411 2-940496 BCF Books 0-9550026 Bedford/St. Martin's 0-312 0-314 0-324 0-395 0-495 0-534 0-538 0-547 0-618 0-669 0-7593 0-7895 0-87779 1-4130 1-4180 1-4188 1-4266 1-4282 1-4299 1-4576 Page 1 Date: 10/24/2013 Publishers and ISBN Prefixes Public Imprint Prefix Bedford/St. Martin's 1-55431 2-03 Behind the Wheel 1-4272 Berg Publishers 0-485 0-8264 0-85496 0-907582 1-8452 1-84520 1-84788 1-85973 Bloomsbury Academic 0-225 0-264 0-304 0-340 0-485 0-520 0-567 0-7131 0-7136 0-7185 0-7201 0-7220 0-7475 0-8044 0-8192 0-8264 0-85305 0-85496 0-85532 0-85785 0-86012 0-86187 0-87609 0-904286 0-907582 0-907628 0-950688 0-9506882 1-4081 1-4088 Page 2 Date: 10/24/2013 Publishers and ISBN Prefixes Public Imprint Prefix Bloomsbury Academic 1-4411 1-4482 1-4725 1-4729 1-55540 1-55587 1-56338 1-62356 1-62892 1-78093 1-84190 1-84371 1-84520 1-84706 1-84714 1-84725 1-84788 1-84930 1-84966 1-85285 1-85539 1-85567 1-85973 1-86047 1-870626 1-871478 1-898149 1-900512 1-902459 1-905422 Bloomsbury Arden Shakespeare 0-17 0-416 0-567 1-4080 1-4081 1-4411 1-4725 1-84480 1-903436 1-904271 Bloomsbury Methuen Drama 0-413 Page 3 Date: 10/24/2013 Publishers and ISBN Prefixes Public Imprint Prefix Bloomsbury Methuen Drama 0-416 0-7136 1-4081 1-4725 1-78093 Bloomsbury Press 1-59691 1-60819 1-62040 -
I V Anthropomorphic Attachments in U.S. Literature, Robotics, And
Anthropomorphic Attachments in U.S. Literature, Robotics, and Artificial Intelligence by Jennifer S. Rhee Program in Literature Duke University Date:_______________________ Approved: ___________________________ Kenneth Surin, Supervisor ___________________________ Mark Hansen ___________________________ Michael Hardt ___________________________ Katherine Hayles ___________________________ Timothy Lenoir Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Literature in the Graduate School of Duke University 2010 i v ABSTRACT Anthropomorphic Attachments in U.S. Literature, Robotics, and Artificial Intelligence by Jennifer S. Rhee Program in Literature Duke University Date:_______________________ Approved: ___________________________ Kenneth Surin, Supervisor ___________________________ Mark Hansen ___________________________ Michael Hardt ___________________________ Katherine Hayles ___________________________ Timothy Lenoir An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Literature in the Graduate School of Duke University 2010 Copyright by Jennifer S. Rhee 2010 Abstract “Anthropomorphic Attachments” undertakes an examination of the human as a highly nebulous, fluid, multiple, and often contradictory concept, one that cannot be approached directly or in isolation, but only in its constitutive relationality with the world. Rather than trying to find a way outside of the dualism between human and not- human, -
Tor.Com, Which Averages 1 Million Unique Visitors and 3 Million Pageviews Per Month, with
TORDOTCOM JULY 2021 A Psalm for the Wild-Built Becky Chambers Just when the world needs it comes a story of kindness and hope from one of the masters of Hopepunk Hugo Award-winner Becky Chambers's delightful new series gives us hope for the future. It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. FICTION / SCIENCE FICTION / ACTION & ADVENTURE But the answer to that question depends on who you ask, and how. Tordotcom | 7/13/2021 They're going to need to ask it a lot. 9781250236210 | $20.99 / $28.99 Can. Hardcover with dust jacket | 160 pages | Carton Qty: 28 8 in H | 5 in W Becky Chambers's new series asks: in a world where people have what they Other Available Formats: want, does having more matter? Ebook ISBN: 9781250236227 Audio ISBN: 9781250807748 PRAISE "This was an optimistic vision of a lush, beautiful world that came back from the brink of disaster. Exploring it with the two main characters was a fun and MARKETING -Long-term support for Hugo Award fascinating experience.” —Martha Wells winner Becky Chambers’ Monk & Robot series, including consumer & industry mailings & advertising targeting existing "I'm the world's biggest fan of odd couple buddy road trips in science fiction, and fans & readers of hopeful science fiction this odd couple buddy road trip is a delight: funny, thoughtful, touching, sweet, and one of the most humane books I've read in a long time. -
Flatterland: the Play Based on Flatterland: Like Flatland Only More So
Claremont Colleges Scholarship @ Claremont HMC Senior Theses HMC Student Scholarship 2012 Flatterland: The lP ay Kym Louie Harvey Mudd College Recommended Citation Louie, Kym, "Flatterland: The lP ay" (2012). HMC Senior Theses. 27. https://scholarship.claremont.edu/hmc_theses/27 This Open Access Senior Thesis is brought to you for free and open access by the HMC Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in HMC Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Flatterland: The Play based on Flatterland: Like Flatland Only More So by Ian Stewart Kym Louie Arthur Benjamin, Advisor Art Horowitz, Advisor Thomas Leabhart, Reader May, 2012 Department of Mathematics Copyright c 2012 Kym Louie. The author grants Harvey Mudd College and the Claremont Colleges Library the nonexclusive right to make this work available for noncommercial, educational purposes, provided that this copyright statement appears on the reproduced ma- terials and notice is given that the copying is by permission of the author. To dis- seminate otherwise or to republish requires written permission from the author. Abstract This script is an adaptation of the popular science novel Flatterland: Like Flatland, Only More So by Ian Stewart. It breathes new life into mathemat- ical ideas and topics. By bringing math to the stage, this script presents concepts in a more friendly and accessible manner. This play is intended to generate new interest in and expose new topics to an audience of non- mathematicians. Preface I was first introduced to Flatterland by Sue Buckwalter while I was at Phillips Academy. -
The End of All Things Took Me Longer to Write Than Most of My Books Do, in Part Because I Had a Number of False Starts
AN ALTERNATE “THE LIFE OF THE MIND” Deleted and Alternate Scenes ■■ ■■ 039-61734_ch01_4P.indd 351 06/09/15 6:17 am Introduction The End of All Things took me longer to write than most of my books do, in part because I had a number of false starts. These false starts weren’t bad—in my opinion— and they were use- ful in helping me fi gure out what was best for the book; for ex- ample, determining which point- of- view characters I wanted to have, whether the story should be in fi rst or third person, and so on. But at the same time it’s annoying to write a bunch of stuff and then go Yeaaaaah, that’s not it. So it goes. Through vari ous false starts and diversions, I ended up writ- ing nearly 40,000 words— almost an entire short novel!—of material that I didn’t directly use. Some of it was re cast and repurposed in different directions, and a lot of it was simply left to the side. The thing is when I throw something out of a book, I don’t just delete it. I put it into an “excise fi le” and keep it just in case it’ll come in handy later. Like now: I’ve taken vari ous bits from the excise fi le and with them have crafted a fi rst chapter of an alternate version of The Life of the Mind, the fi rst novella of The End of All Things. This version (roughly) covers the same events, with (roughly) the same characters, but with a substantially different narrative di- rection. -
Transreal in Los Gatos
Transreal in Los Gatos by Rudy Rucker A TEDx talk given in Los Gatos, October 26, 2011 Text and Images Copyright © Rudy Rucker 2011. 2,100 Words. I got a Ph. D. in mathematics, and I’ve published popular science books about infinity and about the fourth dimension. I was one of the cyberpunk science fiction writers in the 1980s. I spent about twenty years as a computer science professor at San Jose State. And over the last ten years I’ve become something of a painter—and you’ll see some of my pictures here. I guess the main thing I do is to write science fiction novels. By now I’ve published twenty of them. A special approach that I often use for my fantastic novels is something I call transrealism. Transrealism means writing science fiction about your real life. The “real” part of transreal—is that the characters of my novels are inspired by actual people. And the situtations come from the world around me. It’s liberating to have quirky, unpredictable characters. The “trans” part of transreal—I like to use the power chords of SF as a way to thicken and intensify the material. Time travel is a way of talking about memory, aliens are other people, and telepathy is the fleeting hope of finally being fully understood. I like blending my worlds: mathematics, computer science, literature and real life. How did I end up in Los Gatos? Before this, I was a mathematics professor, and then a freelance writer. My family and I were living in Lynchburg, Virginia. -
Read Ebook {PDF EPUB} Semiotext SF by Rudy Rucker Semiotext SF by Rudy Rucker
Read Ebook {PDF EPUB} Semiotext SF by Rudy Rucker Semiotext SF by Rudy Rucker. ISBN 0-936756-43-8 (US pbk), ISSN 0-093-95779 (US pbk) Anthology edited by Peter Lamborn Wilson, Rudy Rucker, Robert Anton Wilson. Front cover art, Mike Saenz. Design, Sue Ann Harkey. Back cover art & design, Steve Jones. " The Toshiba H-P Waldo " ad art by Mike Saenz; " Metamorphosis No.89 " by Don Webb, " We See Things Differently " by Bruce Sterling (short story. also contained in the collection Globalhead by Bruce Sterling, 1992), " Portfolio " collages by Freddie Baer, " America Comes " poem by Bruce Boston, " Frankenstein Penis " by Ernest Hogan (short story. followed by the sequel: "The Dracula Vagina"), " Six Kinds of Darkness " excerpt from A Song Called Youth by John Shirley (short story. also contained in the collection Heatseeker by John Shirley, 1989), " On Eve of Physics Symposium, More Sub-Atomic Particles Found " by Nick Herbert, " Burning Sky " by Rachel Pollack, " Day " poem by Bob McGlynn, " Rapture in Space " by Rudy Rucker (short story, written in Lynchburg, Fall 1984. re-issued in the collection Transreal! by Rudy Rucker, WCS, 1991), " Quent Wimpel Meets Bigfoot " by Kerry Thornley, " Hippie Hat Brain Parasite " by William Gibson, " The Great Escape " by Sol Yurick, " Portfolio " collages by James Koehnline, " Jane Fonda's Augmentation Mammoplasty " by J.G.Ballard, " Report on an Unidentified Space Station " by J.G.Ballard (originally published in the magazine City Limits , December 1982), " Is This True? Well, Yes and No " by Sharon Gannon -
The Mutual Influence of Science Fiction and Innovation
Nesta Working Paper No. 13/07 Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Reader in Digital Media, Professor of Information and Research Fellow, Faculty of Arts, Research Centre for Material Technology, SPRU, University University of Brighton, Visiting Digital Culture, School of of Communication Sussex Fellow at SPRU, University of Media, Film and Music, Sussex University of Sussex Nesta Working Paper 13/07 March 2013 www.nesta.org.uk/wp13-07 Abstract This report examines the relationship between SF and innovation, defined as one of mutual engagement and even co-constitution. It develops a framework for tracing the relationships between real world science and technology and innovation and science fiction/speculative fiction involving processes of transformation, central to which are questions of influence, persuasion, and desire. This is contrasted with the more commonplace assumption of direct linear transmission, SF providing the inventive seed for innovation– instances of which are the exception rather than the rule. The model of influence is developed through an investigation of the nature and evolution of genre, the various effects/appeals of different forms of expression, and the ways in which SF may be appropriated by its various audiences. This is undertaken (i) via an inter- disciplinary survey of work on SF, and a consideration the historical construction of genre and its on-going importance, (ii) through the development of a prototype database exploring transformational paths, and via more elaborated loops extracted from the database, and (iii) via experiments with the development of a web crawl tool, to understand at a different scale, using tools of digital humanities, how fictional ideas travel. -
Title What Is Life? the Next 100 Years of Yukawa's Dream: Nishinomiya-Yukawa International & Interdisciplinary Symposium
What is Life? The Next 100 Years of Yukawa's Dream: Title Nishinomiya-Yukawa International & Interdisciplinary Symposium 2007( 本文 ) Author(s) Murase, Masatoshi Citation (2007) Issue Date 2007 URL http://hdl.handle.net/2433/66985 This is not the published version. Please cite only the published Right version.; この論文は出版社版でありません。引用の際に は出版社版をご確認ご利用ください。 Type Conference Paper Textversion author Kyoto University 10/15(Mon)10/16(Tue) 10/17Wed) 10/18(Thu) 10/19(Fri) 10/20(Sat) S.Nara K. Kaneko K. Kato Y, P, Gunji I. Tsuda Y, P, Gunji Kunihiko Kaneko Susumu Goto Toshio 9:00 M. Murase Kyoto Univ . Univ. Tokyo Kyoto Univ. 9:00 Yokoyama | Opening address Seunghwan Kim Consitency Network | Kyoto Univ. 9:15 principe in perspective in The Premodern Saburo Matsui APCTP 9:20 Japanese Approach 9:00 Nobuhiro Minaka biological bioinformatics Kyoto Univ . A few problems to Life: Sharing the | NIAES dynamical system: Faith Ethics for on functional World with Non- 9:40 9:15 Historical reasoning Plasticity, Kiyoshi Miyagawa Humans Sustainable self-organization 9:20 | and abductive robustness, Univ. Tokyo Aage R.Moller Development inference in in brain | 10:00 and genotype- Radiation and anti- Univ. Texas phylogenetic phenotype cancer drug: How to 10:20 reconstruction Plasticity of the relationship* cope with DNA brain: For good S.Nara H. Kook K. Katodamage? and bad* R. Pinaud I. Tsuda, Y. Yamaguti, D. Deamer A. Kanai S. Kuroda, Y. Akio Kanai Alex Mogilner Fukushima and M. Hiroyuki Takeda Keio Univ. David Deamer Donald W. Pfaff U. C. Davis Tsukada Univ. Tokyo U. C. Santa 9:50 Rockefeller Univ.