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Flatterland: the Play Based on Flatterland: Like Flatland Only More So
Claremont Colleges Scholarship @ Claremont HMC Senior Theses HMC Student Scholarship 2012 Flatterland: The lP ay Kym Louie Harvey Mudd College Recommended Citation Louie, Kym, "Flatterland: The lP ay" (2012). HMC Senior Theses. 27. https://scholarship.claremont.edu/hmc_theses/27 This Open Access Senior Thesis is brought to you for free and open access by the HMC Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in HMC Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Flatterland: The Play based on Flatterland: Like Flatland Only More So by Ian Stewart Kym Louie Arthur Benjamin, Advisor Art Horowitz, Advisor Thomas Leabhart, Reader May, 2012 Department of Mathematics Copyright c 2012 Kym Louie. The author grants Harvey Mudd College and the Claremont Colleges Library the nonexclusive right to make this work available for noncommercial, educational purposes, provided that this copyright statement appears on the reproduced ma- terials and notice is given that the copying is by permission of the author. To dis- seminate otherwise or to republish requires written permission from the author. Abstract This script is an adaptation of the popular science novel Flatterland: Like Flatland, Only More So by Ian Stewart. It breathes new life into mathemat- ical ideas and topics. By bringing math to the stage, this script presents concepts in a more friendly and accessible manner. This play is intended to generate new interest in and expose new topics to an audience of non- mathematicians. Preface I was first introduced to Flatterland by Sue Buckwalter while I was at Phillips Academy. -
A Non-Linear Take on the Flatland and Sphereland Films
MEDIA COLUMN Over-Sphere in the fourth dimension is voiced by Kate Mulgrew, who played Captain Janeway on Star Trek: Voyager, In addition to longer reviews for the Media Column, we invite and the minor character Captain Aero is voiced by Danica you to watch for and submit short snippets of instances of women McKellar, who studied mathematics at UCLA and is a force in mathematics in the media (WIMM Watch). Please submit to for encouraging girls to like and do math. In this day and the Media Column Editors: Sarah J. Greenwald, Appalachian age of excessive narcissism, I especially appreciated Tony State University, [email protected] and Alice Silverberg, Hale’s rendition of the King of Pointland; in a bonus inter- University of California, Irvine, [email protected]. view, Hale refers to this character as “just a sad emasculated point.” It’s great that such prominent celebrities were A Non-Linear Take on the enthusiastic about giving their all for some short animated educational math films. Flatland and Sphereland Class stratification was a major theme of Flatland. Films York reminds us in an actor interview that Abbott anticipated a number of political and sociological trends. Circles were Alice Silverberg superior. As stated in the Flatland film, “The more sides you have, the greater your angles, so the smarter you are.” Irregular I enjoyed the delightful 35 minute animated film polygons were viewed as monsters who could be “cured” by versions of the classic Flatland and its lesser known quasi- surgery, or executed. sequel Sphereland. They were released directly to DVD in Abbott’s Flatland society was blatantly sexist, though 2007 and 2012, respectively. -
FLATLAND: a Romance of Many Dimensions - E
FLATLAND: A Romance of Many Dimensions - E. Abbott Published in 1884 FLATLAND: A Romance of Many Dimensions Edwin A. Abbott Table of Contents Preface to the Second and Revised Edition, 1884. By the editor PART 1: THIS WORLD Of the Nature of Flatland Of the Climate and Houses in Flatland Concerning the Inhabitants of Flatland Concerning the Women Of our Methods in Recognizing one another Of Recognition by Sight Concerning Irregular Figures Of the Ancient Practice of Painting Of the Universal Colour Bill Of the Suppression of Chromatic Sedition Concerning our Priests Of the Doctrine of our Priests PART 2: OTHER WORLDS How I had a Vision of Lineland How I vainly tried to explain the nature of Flatland Concerning a Stranger from Spaceland How the Stranger vainly endeavoured to reveal to me in words the mysteries of Spaceland How the Sphere, having in vain tried words, resorted to deeds file:///E|/moe/HTML/Abbott/Abbott_contents.html (1 of 2) [10/27/2003 5:15:19 PM] FLATLAND: A Romance of Many Dimensions - E. Abbott How I came to Spaceland, and what I saw there How, though the Sphere shewed me other mysteries of Spaceland, I still desired more; and what came of it How the Sphere encouraged me in a Vision How I tried to teach the Theory of Three Dimensions to my Grandson, and with what success How I then tried to diffuse the Theory of Three Dimensions by other means, and of the result file:///E|/moe/HTML/Abbott/Abbott_contents.html (2 of 2) [10/27/2003 5:15:19 PM] FLATLAND: A Romance of Many Dimensions - E. -
Foreign Editions Reverse-Sorted by Date Published
Foreign Editions, Rudy Rucker, May 20, 2011 Sorted by Most Recent Edition Date (Reverse Order) Title Country Foreign Title pb/hb Publisher Most (if known and printable, Recent * otherwise) Year Fourth Dimension Italy La Quarta Dimensione hb, pb Adelphi 2011 White Light Turkey Beyaz Isik pb Pan 2007 Hacker and the Ants Spain El Hacker Y las pb Omicron 2006 Hormigas Master of Space France Maitre de L'Espace pb DeNoel 2005 and Time et du Temps Secret of Life France Le Secret de la Vie pb DeNoel 2005 Secret of Life Italy Il Segreto di Conrad pb Bompiani, Mondadori 2003 Software Russia * hb AST Publishers 2003 Spaceland Russia * pb AST Publishers 2003 Wetware Russia * hb AST Publishers 2003 White Light Russia * hb AST Publishers 2003 Master of Space Italy Su e Giu per lo pb Mondadori, Einaudi 2002 and Time Spazio-Temporale Realware Italy Realware pb Mondadori 2002 Freeware Italy Freeware: pb Mondadori Urania 2001 La Nuova Carne Freeware Russia * pb AST Publishers 2001 Mind Tools Korea * hb Open Books Co. 2001 Realware Russia * pb AST Publishers 2001 Software Engineering UK " pb Pearson 2001 and Computer Games Wetware Italy Wetware: Gli Uomini Robot pb Phoenix, Mondadori 2001 Fourth Dimension Korea * hb Sejong Books 2000 Infinity and the Mind Japan * pb Gendi Sugaku Sha 2000 Infinity and the Mind Netherlands * hp Uitgeverij Contact 2000 Infinity and the Mind Portugal * pb Livraria Franciso 2000 Alves Seek! Italy Filosofo Cyberpunk pb Di Renzo Editore 2000 (with additional material). Software Italy Software: I Nuovi Robot pb Telemaco, Mondadori -
Flatland a Romance of Many Dimensions with Illustrations by the Author, a SQUARE (Edwin A
Flatland A romance of many dimensions With Illustrations by the Author, A SQUARE (Edwin A. Abbott 1838-1926) To The Inhabitants of SPACE IN GENERAL And H. C. IN PARTICULAR This Work is Dedicated By a Humble Native of Flatland In the Hope that Even as he was Initiated into the Mysteries Of THREE Dimensions Having been previously conversant With ONLY TWO So the Citizens of that Celestial Region May aspire yet higher and higher To the Secrets of FOUR FIVE OR EVEN SIX Dimensions Thereby contributing To the Enlargement of THE IMAGINATION And the possible Development Of that most rare and excellent Gift of MODESTY Among the Superior Races Of SOLID HUMANITY CONTENTS PART 1: THIS WORLD 1. Of the Nature of Flatland 2. Of the Climate and Houses in Flatland 3. Concerning the Inhabitants of Flatland 4. Concerning the Women 5. Of our Methods in Recognizing one another 6. Of Recognition by Sight 7. Concerning Irregular Figures 8. Of the Ancient Practice of Painting 9. Of the Universal Colour Bill 10. Of the Suppression of the Chromatic Sedition 11. Concerning our Priests 12. Of the Doctrine of our Priests PART II: OTHER WORLDS 13. How I had a Vision of Lineland 14. How I vainly tried to explain the nature of Flatland 15. Concerning a Stranger from Spaceland 16. How the Stranger vainly endeavoured to reveal to me in words the mysteries ofSpaceland 17. How the Sphere, having in vain tried words, resorted to deeds 18. How I came to Spaceland and what I saw there 19. How, though the Sphere shewed me other mysteries of Spaceland, I still desired more; and what came of it 20. -
Notes for Postsingular, 5/25/2007
Rudy Rucker, Notes for Postsingular, 5/25/2007 Postsingular Writing Notes (My 17th Novel) July, 2005 - April, 2007 by Rudy Rucker Copyright © Rudy Rucker, 2007. Last update: May 25, 2007 Number of words: 143,311 (The novel itself is 89,500 words.) Log Here‘s a list of my literary activities while composing Postsingular. I‘ve indented and [bracketed] the things that don‘t have a direct connection with composing Postsingular. Notes document created July 16, 2005. Review: ―Stross‘s Accelerando,‖ Aug 1 - Sept 5, 2005. NYRSF. Part 1a: Story ―Chu and the Nants,‖ Sept 12 - 19, 2005. Asimov‟s (6/2006). Part 1b: Story ―Postsingular,‖ Sept 29 - Nov 15, 2005. Asimov‟s (9/2006). [Found story: ―Cobb Wakes Up,‖ Nov 26, 2005. Other (1/06)] [Story: ―Panpsychism Proved,‖ Nov 30 - Dec 5, 2005. Nature (1/06).] Essay, ―Panpsychism,‖ Dec 6 - 13, 2005. Edge Annual Question.(1/06). Story plans: ―Bixie and Chu‖ and ―The Big Pig Posse,‖ Dec 7 - 31, 2005. Decide to write Postsingular novel, Jan 2, 2006. Postsingular Proposal 1, Jan 17, 2006. Decide (temporarily) not to have ―Chu‖ and ―Postsingular‖ in novel, Feb 10, 2006. [Plan story anthology Mad Professor, Feb 11, 2006.] Postsingular Proposal 2 gets deal with Tor, Feb 22, 2006. Part 2: ―The Big Pig Posse‖, Dec 20, 2005 - March 9, 2006. [Story: ―Elves of the Subdimension‖ with Paul DiFilippo, Flurb, Aug 2006.] Decide to use ―Chu‖ and ―Postsingular‖ as Chapter 1. April 3, 2006. [Deal for Mad Professor anthology with Thunder‘s Mouth, April 24, 2006.] [Story: ―2+2=5‖ with Terry Bisson, April 25, 2006. -
Download Spaceland: a Novel of the Fourth Dimension, Rudy
Spaceland: A Novel of the Fourth Dimension, Rudy Rucker, Macmillan, 2003, 0765303671, 9780765303677, 304 pages. Joe Cube is a Silicon Valley hotshot--well, a would-be hotshot anyway--hoping that the 3-D TV project he's managing will lead to the big money IPO he's always dreamed of. On New Year's Eve, hoping to impress his wife, he sneaks home the prototype. It brings no new warmth to their cooling relationship, but it does attract someone else's attention.When Joe sees a set of lips talking to him (floating in midair) and feels the poke of a disembodied finger (inside him), it's not because of the champagne he's drunk. He has just met Momo, a woman from the All, a world of four spatial dimensions for whom our narrow world, which she calls Spaceland, is something like a rug, but one filled with motion and life. Momo has a business proposition for Joe, an offer she won't let him refuse. The upside potential becomes much clearer to him once she helps him grow a new eye (on a stalk) that can see in the fourth-dimensional directions, and he agrees. After that it's a wild ride through a million-dollar night in Las Vegas, a budding addiction to tasty purple 4-D food, a failing marriage, eye-popping excursions into the All, and encounters with Momo's foes, rubbery red critters who steal money, offer sage advice and sometimes messily explode. Joe is having the time of his life, until Momo's scheme turns out to have angles he couldn't have imagined. -
Spaceland Notes
Rudy Rucker, Notes for Spaceland Spaceland Notes Notes written by Rudy Rucker for Spaceland (Tor Books, 2002). Copyright Rudy Rucker © 2002. I started writing Spaceland on August 24, 2000. These Spaceland Notes were last revised on July 16, 2001, when the final edit of Spaceland was mailed in. Document was put into PDF format on November 22, 2005. The Spaceland Notes are 37,000 words long. Writing Journal ....................................................................................................... 4 January 7, 2000. Preliminary Plans for my Next Novel. .................................... 4 June 22, 2000. Brussels, Hypercube on TV........................................................ 5 June 28, 2000. Joe’s view of Spazz. Joe’s Redemption. ................................... 5 June 30, 2000. Joe’s Astral Body. ..................................................................... 5 July 5, 2000. The cliff at the end of Sheepshead peninsula............................... 6 July 8, 2000. The two plots................................................................................. 7 July 18, 2000. T-shirts. ...................................................................................... 7 August 8, 2000. Hypervision. ............................................................................ 7 August 25, 2000. Started Writing. ..................................................................... 7 September 12, 2000. Underway. Calvino quotes.............................................. 7 September 15, 2000. Four Chapters, -
The Story of Flatland: an Adventure in Many Dimensions
The Story of Flatland: An Adventure in Many Dimensions By Suzanne Fox Buchele Adapted from the original story by Edwin A. Abbott Third Draft, May 8, 2009, minor revisions through August 10, 2010 ©2006 by Suzanne Fox Buchele Preface The classic story Flatland: A Romance of Many Dimensions by Edwin A. Abbott was first published in 1884. Both the original and this version of the story are written for a general audience, and tell the story of a two-dimensional figure who discovers three-dimensions and contemplates other dimensions as well. The story introduces and reinforces mathematical and especially geometric concepts, and also engages in social commentary, as part of a fantastical story. Abbott was a clergyman and educator whose passion was mathematics; I am a computer scientist, mathematician, and educator with an interest in spirituality. Abbott’s delightful story contains sociological and philosophical elements, particularly in his descriptions of Flatland society. Written when it was, in late 19th century England, the Flatland society Abbott describes is a strict caste system, with women at the bottom. In particular, the original book is quite derogatory in its descriptions of women in Flatland society, who are lines as opposed to closed figures, are hysterical, unable to reason, have to make a "peace-cry" when they are out in public, and more. While the social elements of Abbott’s version were apparently intended as a sharp critique of the place of women in Victorian England society, the depreciatory elements concerning women can be difficult to intellectualize as satire, especially for a younger audience or one not familiar with Abbott’s goals. -
Reviews: Ed Mcknight Fiction Reviews: Philip Snyder
#269 July / Aug. / Sept. 2004 Editor: Christine Mains Managing Editor: Janice M. Bogstad Nonfiction Reviews: Ed McKnight Fiction Reviews: Philip Snyder The SFRAReview (ISSN IN THIS ISSUE: 1068-395X) is published four times a year by the Science Fiction Research As- sociation (SFRA) and distributed to SFRA Business SFRA members. Individual issues are not Editor’s Message 2 for sale; however, starting with issue #256, all issues will be published to President’s Message 2 SFRA’s website no less than two months Minutes of the Board 3 after paper publication. For information Clareson Award 6 about the SFRA and its benefits, see the description at the back of this issue. For Pioneer Award 7 a membership application, contact SFRA Grad Student Award 9 Treasurer Dave Mead or get one from the SFRA website: <www.sfra.org>. Conference Highlight SFRA would like to thank the Univer- Conference Highlight sity of Wisconsin-Eau Claire for its as- Guest of Honor Address 9 sistance in producing the Review. Non Fiction Reviews SUBMISSIONS The SFRAReview encourages all submis- Gothic Masculinity & Reflections 14 sions, including essays, review essays that Classic and Iconoclastic 15 cover several related texts, and inter- views. If you would like to review non- fiction or fiction, please contact the Fiction Reviews respective editor. Frek and the Elixir 16 Collected Fiction of C. J. Cherryh 18 Christine Mains, Editor Box 66024 The Salt Roads 20 Calgary, AB T2N 1N4 Absolution Gap 21 <[email protected]> The Confusion 22 Janice M. Bogstad, Managing Editor Iron Sunrise 24 239 Broadway St. $ $ Eau Claire WI 54703-5553 ehemoth -Max 24 <[email protected]> Steel Helix 25 Small Press Roundup 26 Ed McKnight, Nonfiction Editor Small Press Roundup 26 113 Cannon Lane Taylors SC 29687 <[email protected]> Philip Snyder, Fiction Editor 109 Northumberland Road Rochester NY 14618 <[email protected]> SFRA BUSINESS 2 Editor’s Message Christine Mains t News ItemsItems: You’ll all have noticed a couple of things about the front cover of this The Official Frederik Pohl website issue. -
Analysis of Mathematical Fiction with Geometric Themes
ANALYSIS OF MATHEMATICAL FICTION WITH GEOMETRIC THEMES Jennifer Rebecca Shloming Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Jennifer Rebecca Shloming All rights reserved ABSTRACT Analysis of Mathematical Fiction with Geometric Themes Jennifer Rebecca Shloming Analysis of mathematical fiction with geometric themes is a study that connects the genre of mathematical fiction with informal learning. This study provides an analysis of 26 sources that include novels and short stories of mathematical fiction with regard to plot, geometric theme, cultural theme, and presentation. The authors’ mathematical backgrounds are presented as they relate to both geometric and cultural themes. These backgrounds range from having little mathematical training to advance graduate work culminating in a Ph.D. in mathematics. This thesis demonstrated that regardless of background, the authors could write a mathematical fiction novel or short story with a dominant geometric theme. The authors’ pedagogical approaches to delivering the geometric themes are also discussed. Applications from this study involve a pedagogical component that can be used in a classroom setting. All the sources analyzed in this study are fictional, but the geometric content is factual. Six categories of geometric topics were analyzed: plane geometry, solid geometry, projective geometry, axiomatics, topology, and the historical foundations of geometry. Geometry textbooks aligned with these categories were discussed with regard to mathematical fiction and formal learning. Cultural patterns were also analyzed for each source of mathematical fiction. There were also an analysis of the integration of cultural and geometric themes in the 26 sources of mathematical fiction; some of the cultural patterns discussed are gender bias, art, music, academia, mysticism, and social issues. -
Chromophobia
Chromophobia David Batchelor FOCI Chromophobia Chromo_reprint_prelims 6/7/07 16:16 Page 2 Focus on Contemporary Issues (foci) addresses the pressing problems, ideas and debates of the new millennium. Subjects are drawn from the arts, sciences and humanities, and are linked by the impact they have had or are having on contemporary culture. foci books are intended for an intelligent, alert audience with a general understanding of, and curiosity about, the intellectual debates shaping culture today. Instead of easing readers into a comfortable awareness of particular fields, these books are combative. They offer points of view, take sides and are written with passion. series editors Barrie Bullen and Peter Hamilton In the same series Cool Rules Anarchism Dick Pountain and David Robins Seán M. Sheehan Chromophobia The Happiness Paradox David Batchelor Ziyad Marar Global Dimensions First Peoples John Rennie Short Jeffrey Sissons Celebrity Retro Chris Rojek Elizabeth E. Guffey Activism! Stalking Tim Jordan Bran Nicol Animal Contemporary Gothic Erica Fudge Catherine Spooner Chromophobia DAVIDBATCHELOR REAKTIONBOOKS Chromo_reprint_prelims 6/7/07 16:16 Page 4 Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx, uk www.reaktionbooks.co.uk First published 2000, reprinted 2002, 2005, 2007 Copyright © David Batchelor, 2000 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Designed and typeset by Libanus Press Printed and bound in China British Library Cataloguing in Publishing Data Batchelor, David Chromophobia 1.