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Feline Mewsings #41
Feline Mewsings #41 Feline Mewsings #41, August 2010, page 2 #41 August 2010 Feline Mewsings is a personalzine / newsletter published more or less quarterly by R-Laurraine Tutihasi, 2081 W Overlook St, PO Box 5323 (an absolute necessity for postal mail), Oracle, AZ 85623-5323; 520-896-2058, [email protected], http://www.weasner.com/. It is distributed through FAPA and sent to other friends and family. It is available for the usual (a response of any kind, including letters, e-mail, and phone calls of comment; trade; contributions of illos, fiction, or articles; or even money: $3.00 per issue or $10 per year). A slightly modified version will be placed on the web shortly after paper publication; please let me know if you prefer just to read the web version. I can also e-mail this in Word or rtf format. Kattesminte Press #404. ©2010 R-Laurraine Tutihasi. Permission is granted to reprint or forward any part or all of this newsletter created by the editor provided that it carries the following statement: "Copyright 2010 by R-Laurraine Tutihasi. Originally published in Feline Mewsings #41, http://web.me.com/laurraine/Felinemewsings/index.html." All other material is copyrighted by their respective creators, and they should be contacted for any reprint permission. This issue finished 8 August 2010. Minor corrections made 11 August 2010. Table of Contents Editorial / Introduction—p. 2 Local Outings—p. 2 Amy’s Motley Media Musings—p. 3 Jonathan’s Science Corner—p. 6 Westercon and Los Angeles Trip—p. 11 Mailing Comments on FAPA #290—p. -
Flatterland: the Play Based on Flatterland: Like Flatland Only More So
Claremont Colleges Scholarship @ Claremont HMC Senior Theses HMC Student Scholarship 2012 Flatterland: The lP ay Kym Louie Harvey Mudd College Recommended Citation Louie, Kym, "Flatterland: The lP ay" (2012). HMC Senior Theses. 27. https://scholarship.claremont.edu/hmc_theses/27 This Open Access Senior Thesis is brought to you for free and open access by the HMC Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in HMC Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Flatterland: The Play based on Flatterland: Like Flatland Only More So by Ian Stewart Kym Louie Arthur Benjamin, Advisor Art Horowitz, Advisor Thomas Leabhart, Reader May, 2012 Department of Mathematics Copyright c 2012 Kym Louie. The author grants Harvey Mudd College and the Claremont Colleges Library the nonexclusive right to make this work available for noncommercial, educational purposes, provided that this copyright statement appears on the reproduced ma- terials and notice is given that the copying is by permission of the author. To dis- seminate otherwise or to republish requires written permission from the author. Abstract This script is an adaptation of the popular science novel Flatterland: Like Flatland, Only More So by Ian Stewart. It breathes new life into mathemat- ical ideas and topics. By bringing math to the stage, this script presents concepts in a more friendly and accessible manner. This play is intended to generate new interest in and expose new topics to an audience of non- mathematicians. Preface I was first introduced to Flatterland by Sue Buckwalter while I was at Phillips Academy. -
Yagenich L.V., Kirillova I.I., Siritsa Ye.A. Latin and Main Principals Of
Yagenich L.V., Kirillova I.I., Siritsa Ye.A. Latin and main principals of anatomical, pharmaceutical and clinical terminology (Student's book) Simferopol, 2017 Contents No. Topics Page 1. UNIT I. Latin language history. Phonetics. Alphabet. Vowels and consonants classification. Diphthongs. Digraphs. Letter combinations. 4-13 Syllable shortness and longitude. Stress rules. 2. UNIT II. Grammatical noun categories, declension characteristics, noun 14-25 dictionary forms, determination of the noun stems, nominative and genitive cases and their significance in terms formation. I-st noun declension. 3. UNIT III. Adjectives and its grammatical categories. Classes of adjectives. Adjective entries in dictionaries. Adjectives of the I-st group. Gender 26-36 endings, stem-determining. 4. UNIT IV. Adjectives of the 2-nd group. Morphological characteristics of two- and multi-word anatomical terms. Syntax of two- and multi-word 37-49 anatomical terms. Nouns of the 2nd declension 5. UNIT V. General characteristic of the nouns of the 3rd declension. Parisyllabic and imparisyllabic nouns. Types of stems of the nouns of the 50-58 3rd declension and their peculiarities. 3rd declension nouns in combination with agreed and non-agreed attributes 6. UNIT VI. Peculiarities of 3rd declension nouns of masculine, feminine and neuter genders. Muscle names referring to their functions. Exceptions to the 59-71 gender rule of 3rd declension nouns for all three genders 7. UNIT VII. 1st, 2nd and 3rd declension nouns in combination with II class adjectives. Present Participle and its declension. Anatomical terms 72-81 consisting of nouns and participles 8. UNIT VIII. Nouns of the 4th and 5th declensions and their combination with 82-89 adjectives 9. -
Textile Society of America Newsletter 28:1 — Spring 2016 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Spring 2016 Textile Society of America Newsletter 28:1 — Spring 2016 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 28:1 — Spring 2016" (2016). Textile Society of America Newsletters. 73. https://digitalcommons.unl.edu/tsanews/73 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 28. NUMBER 1. SPRING, 2016 TSA Board Member and Newsletter Editor Wendy Weiss behind the scenes at the UCB Museum of Anthropology in Vancouver, durring the TSA Board meeting in March, 2016 Spring 2016 1 Newsletter Team BOARD OF DIRECTORS Roxane Shaughnessy Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of External Relations) President Designer and Editor: Tali Weinberg (Executive Director) [email protected] Member News Editor: Caroline Charuk (Membership & Communications Coordinator) International Report: Dominique Cardon (International Advisor to the Board) Vita Plume Vice President/President Elect Editorial Assistance: Roxane Shaughnessy (TSA President) [email protected] Elena Phipps Our Mission Past President [email protected] The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, Maleyne Syracuse political, social, and technical perspectives. -
A Non-Linear Take on the Flatland and Sphereland Films
MEDIA COLUMN Over-Sphere in the fourth dimension is voiced by Kate Mulgrew, who played Captain Janeway on Star Trek: Voyager, In addition to longer reviews for the Media Column, we invite and the minor character Captain Aero is voiced by Danica you to watch for and submit short snippets of instances of women McKellar, who studied mathematics at UCLA and is a force in mathematics in the media (WIMM Watch). Please submit to for encouraging girls to like and do math. In this day and the Media Column Editors: Sarah J. Greenwald, Appalachian age of excessive narcissism, I especially appreciated Tony State University, [email protected] and Alice Silverberg, Hale’s rendition of the King of Pointland; in a bonus inter- University of California, Irvine, [email protected]. view, Hale refers to this character as “just a sad emasculated point.” It’s great that such prominent celebrities were A Non-Linear Take on the enthusiastic about giving their all for some short animated educational math films. Flatland and Sphereland Class stratification was a major theme of Flatland. Films York reminds us in an actor interview that Abbott anticipated a number of political and sociological trends. Circles were Alice Silverberg superior. As stated in the Flatland film, “The more sides you have, the greater your angles, so the smarter you are.” Irregular I enjoyed the delightful 35 minute animated film polygons were viewed as monsters who could be “cured” by versions of the classic Flatland and its lesser known quasi- surgery, or executed. sequel Sphereland. They were released directly to DVD in Abbott’s Flatland society was blatantly sexist, though 2007 and 2012, respectively. -
Tyrian Purple: Its Evolution and Reinterpretation As Social Status Symbol During the Roman Empire in the West
Tyrian Purple: Its Evolution and Reinterpretation as Social Status Symbol during the Roman Empire in the West Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Graduate Program in Ancient Greek and Roman Studies Ann Olga Koloski-Ostrow and Andrew J. Koh, Advisors In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Mary Pons May 2016 Acknowledgments This paper truly would not have come to be without the inspiration provided by Professor Andrew Koh’s Art and Chemistry class. The curriculum for that class opened my mind to a new paradigmatic shift in my thinking, encouraging me to embrace the possibility of reinterpreting the archaeological record and the stories it contains through the lens of quantifiable scientific data. I know that I would never have had the courage to finish this project if it were not for the support of my advisor Professor Ann Olga Koloski-Ostrow, who never rejected my ideas as outlandish and stayed with me as I wrote and rewrote draft after draft to meet her high standards of editorial excellence. I also owe a debt of gratitude to my parents, Gary and Debbie Pons, who provided the emotional support I needed to get through my bouts of insecurity. When everything I seemed to put on the page never seemed good enough or clear enough to explain my thought process, they often reminded me to relax, sleep, walk away from it for a while, and try again another day. -
FLATLAND: a Romance of Many Dimensions - E
FLATLAND: A Romance of Many Dimensions - E. Abbott Published in 1884 FLATLAND: A Romance of Many Dimensions Edwin A. Abbott Table of Contents Preface to the Second and Revised Edition, 1884. By the editor PART 1: THIS WORLD Of the Nature of Flatland Of the Climate and Houses in Flatland Concerning the Inhabitants of Flatland Concerning the Women Of our Methods in Recognizing one another Of Recognition by Sight Concerning Irregular Figures Of the Ancient Practice of Painting Of the Universal Colour Bill Of the Suppression of Chromatic Sedition Concerning our Priests Of the Doctrine of our Priests PART 2: OTHER WORLDS How I had a Vision of Lineland How I vainly tried to explain the nature of Flatland Concerning a Stranger from Spaceland How the Stranger vainly endeavoured to reveal to me in words the mysteries of Spaceland How the Sphere, having in vain tried words, resorted to deeds file:///E|/moe/HTML/Abbott/Abbott_contents.html (1 of 2) [10/27/2003 5:15:19 PM] FLATLAND: A Romance of Many Dimensions - E. Abbott How I came to Spaceland, and what I saw there How, though the Sphere shewed me other mysteries of Spaceland, I still desired more; and what came of it How the Sphere encouraged me in a Vision How I tried to teach the Theory of Three Dimensions to my Grandson, and with what success How I then tried to diffuse the Theory of Three Dimensions by other means, and of the result file:///E|/moe/HTML/Abbott/Abbott_contents.html (2 of 2) [10/27/2003 5:15:19 PM] FLATLAND: A Romance of Many Dimensions - E. -
Foreign Editions Reverse-Sorted by Date Published
Foreign Editions, Rudy Rucker, May 20, 2011 Sorted by Most Recent Edition Date (Reverse Order) Title Country Foreign Title pb/hb Publisher Most (if known and printable, Recent * otherwise) Year Fourth Dimension Italy La Quarta Dimensione hb, pb Adelphi 2011 White Light Turkey Beyaz Isik pb Pan 2007 Hacker and the Ants Spain El Hacker Y las pb Omicron 2006 Hormigas Master of Space France Maitre de L'Espace pb DeNoel 2005 and Time et du Temps Secret of Life France Le Secret de la Vie pb DeNoel 2005 Secret of Life Italy Il Segreto di Conrad pb Bompiani, Mondadori 2003 Software Russia * hb AST Publishers 2003 Spaceland Russia * pb AST Publishers 2003 Wetware Russia * hb AST Publishers 2003 White Light Russia * hb AST Publishers 2003 Master of Space Italy Su e Giu per lo pb Mondadori, Einaudi 2002 and Time Spazio-Temporale Realware Italy Realware pb Mondadori 2002 Freeware Italy Freeware: pb Mondadori Urania 2001 La Nuova Carne Freeware Russia * pb AST Publishers 2001 Mind Tools Korea * hb Open Books Co. 2001 Realware Russia * pb AST Publishers 2001 Software Engineering UK " pb Pearson 2001 and Computer Games Wetware Italy Wetware: Gli Uomini Robot pb Phoenix, Mondadori 2001 Fourth Dimension Korea * hb Sejong Books 2000 Infinity and the Mind Japan * pb Gendi Sugaku Sha 2000 Infinity and the Mind Netherlands * hp Uitgeverij Contact 2000 Infinity and the Mind Portugal * pb Livraria Franciso 2000 Alves Seek! Italy Filosofo Cyberpunk pb Di Renzo Editore 2000 (with additional material). Software Italy Software: I Nuovi Robot pb Telemaco, Mondadori -
Flatland a Romance of Many Dimensions with Illustrations by the Author, a SQUARE (Edwin A
Flatland A romance of many dimensions With Illustrations by the Author, A SQUARE (Edwin A. Abbott 1838-1926) To The Inhabitants of SPACE IN GENERAL And H. C. IN PARTICULAR This Work is Dedicated By a Humble Native of Flatland In the Hope that Even as he was Initiated into the Mysteries Of THREE Dimensions Having been previously conversant With ONLY TWO So the Citizens of that Celestial Region May aspire yet higher and higher To the Secrets of FOUR FIVE OR EVEN SIX Dimensions Thereby contributing To the Enlargement of THE IMAGINATION And the possible Development Of that most rare and excellent Gift of MODESTY Among the Superior Races Of SOLID HUMANITY CONTENTS PART 1: THIS WORLD 1. Of the Nature of Flatland 2. Of the Climate and Houses in Flatland 3. Concerning the Inhabitants of Flatland 4. Concerning the Women 5. Of our Methods in Recognizing one another 6. Of Recognition by Sight 7. Concerning Irregular Figures 8. Of the Ancient Practice of Painting 9. Of the Universal Colour Bill 10. Of the Suppression of the Chromatic Sedition 11. Concerning our Priests 12. Of the Doctrine of our Priests PART II: OTHER WORLDS 13. How I had a Vision of Lineland 14. How I vainly tried to explain the nature of Flatland 15. Concerning a Stranger from Spaceland 16. How the Stranger vainly endeavoured to reveal to me in words the mysteries ofSpaceland 17. How the Sphere, having in vain tried words, resorted to deeds 18. How I came to Spaceland and what I saw there 19. How, though the Sphere shewed me other mysteries of Spaceland, I still desired more; and what came of it 20. -
Notes for Postsingular, 5/25/2007
Rudy Rucker, Notes for Postsingular, 5/25/2007 Postsingular Writing Notes (My 17th Novel) July, 2005 - April, 2007 by Rudy Rucker Copyright © Rudy Rucker, 2007. Last update: May 25, 2007 Number of words: 143,311 (The novel itself is 89,500 words.) Log Here‘s a list of my literary activities while composing Postsingular. I‘ve indented and [bracketed] the things that don‘t have a direct connection with composing Postsingular. Notes document created July 16, 2005. Review: ―Stross‘s Accelerando,‖ Aug 1 - Sept 5, 2005. NYRSF. Part 1a: Story ―Chu and the Nants,‖ Sept 12 - 19, 2005. Asimov‟s (6/2006). Part 1b: Story ―Postsingular,‖ Sept 29 - Nov 15, 2005. Asimov‟s (9/2006). [Found story: ―Cobb Wakes Up,‖ Nov 26, 2005. Other (1/06)] [Story: ―Panpsychism Proved,‖ Nov 30 - Dec 5, 2005. Nature (1/06).] Essay, ―Panpsychism,‖ Dec 6 - 13, 2005. Edge Annual Question.(1/06). Story plans: ―Bixie and Chu‖ and ―The Big Pig Posse,‖ Dec 7 - 31, 2005. Decide to write Postsingular novel, Jan 2, 2006. Postsingular Proposal 1, Jan 17, 2006. Decide (temporarily) not to have ―Chu‖ and ―Postsingular‖ in novel, Feb 10, 2006. [Plan story anthology Mad Professor, Feb 11, 2006.] Postsingular Proposal 2 gets deal with Tor, Feb 22, 2006. Part 2: ―The Big Pig Posse‖, Dec 20, 2005 - March 9, 2006. [Story: ―Elves of the Subdimension‖ with Paul DiFilippo, Flurb, Aug 2006.] Decide to use ―Chu‖ and ―Postsingular‖ as Chapter 1. April 3, 2006. [Deal for Mad Professor anthology with Thunder‘s Mouth, April 24, 2006.] [Story: ―2+2=5‖ with Terry Bisson, April 25, 2006. -
Miming Modernity: Representations of Pierrot in Fin-De-Siècle France
Southern Methodist University SMU Scholar Art History Theses and Dissertations Art History Spring 5-15-2021 Miming Modernity: Representations of Pierrot in Fin-de-Siècle France Ana Norman [email protected] Follow this and additional works at: https://scholar.smu.edu/arts_arthistory_etds Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Modern Art and Architecture Commons Recommended Citation Norman, Ana, "Miming Modernity: Representations of Pierrot in Fin-de-Siècle France" (2021). Art History Theses and Dissertations. 7. https://scholar.smu.edu/arts_arthistory_etds/7 This Thesis is brought to you for free and open access by the Art History at SMU Scholar. It has been accepted for inclusion in Art History Theses and Dissertations by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. MIMING MODERNITY: REPRESENTATIONS OF PIERROT IN FIN-DE-SIÈCLE FRANCE Approved by: _______________________________ Dr. Amy Freund Associate Professor of Art History _______________________________ Dr. Elizabeth Eager Assistant Professor of Art History _______________________________ Dr. Randall Griffin Distinguished Professor of Art History !"Doc ID: ec9532a69b51b36bccf406d911c8bbe8b5ed34ce MIMING MODERNITY: REPRESENTATIONS OF PIERROT IN FIN-DE-SIÈCLE FRANCE A Thesis Presented to the Graduate Faculty of Meadows School of the Arts Southern Methodist University in Partial Fulfillment of the Requirements for the degree of Master of Art History by Ana Norman B.A., Art History, University of Dallas May 15, 2021 Norman, Ana B.A., Art History, University of Dallas Miming Modernity: Representations of Pierrot in Fin-de-Si cle France Advisor: Dr. Amy Freund Master of Art History conferred May 15, 2021 Thesis completed May 3, 2021 This thesis examines the commedia dell’arte character Pierrot through the lens of gender performance in order to decipher the ways in which he complicates and expands understandings of gender and the normative model of sexuality in fin de siècle France. -
Download Spaceland: a Novel of the Fourth Dimension, Rudy
Spaceland: A Novel of the Fourth Dimension, Rudy Rucker, Macmillan, 2003, 0765303671, 9780765303677, 304 pages. Joe Cube is a Silicon Valley hotshot--well, a would-be hotshot anyway--hoping that the 3-D TV project he's managing will lead to the big money IPO he's always dreamed of. On New Year's Eve, hoping to impress his wife, he sneaks home the prototype. It brings no new warmth to their cooling relationship, but it does attract someone else's attention.When Joe sees a set of lips talking to him (floating in midair) and feels the poke of a disembodied finger (inside him), it's not because of the champagne he's drunk. He has just met Momo, a woman from the All, a world of four spatial dimensions for whom our narrow world, which she calls Spaceland, is something like a rug, but one filled with motion and life. Momo has a business proposition for Joe, an offer she won't let him refuse. The upside potential becomes much clearer to him once she helps him grow a new eye (on a stalk) that can see in the fourth-dimensional directions, and he agrees. After that it's a wild ride through a million-dollar night in Las Vegas, a budding addiction to tasty purple 4-D food, a failing marriage, eye-popping excursions into the All, and encounters with Momo's foes, rubbery red critters who steal money, offer sage advice and sometimes messily explode. Joe is having the time of his life, until Momo's scheme turns out to have angles he couldn't have imagined.