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r RICE UNIVERSITY I THE · . ' . E ~~SEIMIBL\E\ - 11N19 THE . OOlNfCfiltT B~D EiRE~TEE BY Mr~1r l[lM~ , !\,~1r1i1 JJ 1l ~ ~llEST SH€JLBI~T: TttBM1151 B11eEJN R M E GRilNE Hflbu B:rH.:l PM T+ll1RSJ.9fIY flPRiu IL 1885 CONCERT BAND PROGRAM FANFARE FROM "LA PERI" Paul Dukas 1 LOHENGRIN-Introduction to • Richard Wagner Act III Arr. George Drumm "TRIUMPHANT QUEST" ( 1983) . Carlyle Carlyle Sharpe is a Composition student of Art Got ts chalk in the Shepherd School of Musi.c WEST SIDE STORY-Symphonic Dance ...• Leonard Bernstein Music Arr. Ian Polst er 1 Scherzo 2 Mambo 3 Cha-Cha 4 F ugue THE LIBERTY BELL • . John Philip Sous;;~ CONCERT BAND MEMBERS FLUTE CLARINET· Rich Guerra Robert Auerbach Leslie Henderson Jorge Contreras Susan Krueger Paul Harney'k Andrea Liu Sue Maore Philip Matorin Karen Nickel. Jenny -McDowell John Swank Patty Nghiem Ann Viereck Laura Paul Daniel Welborn Susan Sheridan Ruth Sumuel Melanie Tansuche BASS CLARINBT Leah Wyckoff* Thomas Gonzales· OBOE John Siano BASSOON 1 - CONTRA BASS CLA..~INET Jef f Wier Syd Polk *Section Leader SAXOPHONE BARITONE Ralph Biancalana Andrew Franks* J' Ri. chard Kenyon S cott Lindsey 1 Ken Richardson* ,Richard Walker BARITONE SAXOPHONE TUBA 11Edward McConnell Vince Fox Dave Gutierrez* Greg Staten I TRUMPE T PERCUSS ION Brad Cope J ohn Burns Nark Foster Diana Herold ' George Hampton Mitch Neurock * S usan Hoover Paul Sal i nas ) K.evin Long* Franz Weller Bill Reese FRENCH HORN ACKNOWLEDGMENTS Marcia Brown Larry Livingston, Dean HKen Colina Shepherd School of Music Ross Kay* Gretchen Myers Ros Ruethain, Concert Manager •Ma rk Schulze Shepherd School of ~usic Ca rlyle Sharpe Mary Wolcott John Burns Program Art and Personnel Mg r. TROMBONE S usie Earle Susie Earl e tf? ob Forman Sound Reinfor cement t?ric Fosteri, Robert Harnden Eric Foster ' Da vid Lowe Jazz Ensemble Librarian De rek Mauzy .Je.ff Skiba Ruth Sumuel •Bill Tucker Concert Band Librarian Br ian Zook ''-Se c tion Leader JAZZ ENSEMBLE PROGRAM MAXWELL D. CA T Paul Baker ST. THOMAS . Sonny Roll :!.ns r I REMEMBER BIRD. Leonard Feathe , Ken Ri cha rdson, Al to Sax S UPERBONE MEETS THE BADMAN ........ Jay Chattaway Robert Harnden, Trombone Syd P olk, Bari Sax CONCER T F OR TOM . .. ..... Art Gottschalk ~ I Tom Foolery Associate Professor I I H o r nful of Blues Shepherd School of Musi c I I I Cooking with Bacon Thomas Ba con, French Horn SUNRISE LADY ... .. .... .. .. Bruce Johnston' JAZZ ENSEMBLE MEMBERS SAXO PHON E TRUMP ET Ch arl es Bier Brad Cope Carl Gooch Mark F'ost2 r J ohn Mi les Eric Furs t * S y d Polk Kevin Long Ken Ri ch ards on* J ames McKenzi e Brian Wa ldecker Tom MurpJ1 y Bil.I Re e s ? TROMBONE RHY ".i'HA. Eric Foster S'cc t-c. iU.len Bill Glenski J ason Brown Dave Gu tie rrez Stephen Ca?:l Robe rt Ha r n d en* Da·vi d De an .(_ Derek Mauzy Philip Ha l.1 Mark Wade 'l'om Hopso .!'? Lloyd Kirchner Chris Maul a ?J d *Lead .

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The Exotic Rhythms of Don Ellis a Dissertation Submitted to the Peabody Institute of the Johns Hopkins University in Partial Fu
THE EXOTIC RHYTHMS OF DON ELLIS A DISSERTATION SUBMITTED TO THE PEABODY INSTITUTE OF THE JOHNS HOPKINS UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS BY SEAN P. FENLON MAY 25, 2002 © Copyright 2002 Sean P. Fenlon All Rights Reserved ABSTRACT Fenlon, Sean P. The Exotic Rhythms of Don Ellis. Diss. The Peabody Institute of the Johns Hopkins University, 2002. This dissertation examines the rhythmic innovations of jazz musician and composer Don Ellis (1934-1978), both in Ellis’s theory and in his musical practice. It begins with a brief biographical overview of Ellis and his musical development. It then explores the historical development of jazz rhythms and meters, with special attention to Dave Brubeck and Stan Kenton, Ellis’s predecessors in the use of “exotic” rhythms. Three documents that Ellis wrote about his rhythmic theories are analyzed: “An Introduction to Indian Music for the Jazz Musician” (1965), The New Rhythm Book (1972), and Rhythm (c. 1973). Based on these sources a general framework is proposed that encompasses Ellis’s important concepts and innovations in rhythms. This framework is applied in a narrative analysis of “Strawberry Soup” (1971), one of Don Ellis’s most rhythmically-complex and also most-popular compositions. iii ACKNOWLEDGMENTS I wish to extend my heartfelt thanks to my dissertation advisor, Dr. John Spitzer, and other members of the Peabody staff that have endured my extended effort in completing this dissertation. Also, a special thanks goes out to Dr. H. Gene Griswold for his support during the early years of my music studies.
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may t>e from any type of computer printer. The quality of this reproduction is dependent upon the quaiity of the copy sutunitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough. substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Ptratographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are availat>le for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 UMI' UNIVERSITE OF OKLAHOMA GRADUATE COLLEGE THE ART OP TENOR/HASS TROMBONE DOUBLING: AN EXAMINATION OF THE PERFORMANCE PHILOSOPHIES AND PRACTICES OF THREE SELECTED TROMBONISTS A DOCUMENT SUBMITTED TO THE GRADUATE FACULTE in partial fulfillment of fiie requirements for the degree of DOCTOR OF MUSICAL ARTS By LAWRENCE JOHN PEARCE Lawton, Oklahoma 2002 UMI Number; 3040844 UMI UMI Microform 3040844 Copyright 2002 by ProQuest Information and Learning Company.
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OtmarGuilianoRicardoLitoZoltanGerhardJamesLeonhardAURORACASEROFONTANAKISSBONEOPUSSUPERBONEWUNDERHORN Fontana GaiswinklerKissMorrisonF CaseroRizzottoFüssl PaulGMSMSRBASS X Design 128765146198142973142993140814142063141599143030128772143318142489128771 Valvebore:YellowbrassGoldbrass Bell,14,114,0mm,14,2mm, Bell, Tuning230mm,250mm,Slide:Slide 220mm, Slidebore: 13,913,9 on Vertical,Horizontal,Slide Bore:Slide TuningTuning 14,3 13,9mm, 13,33mm Valve: onon- Valve 14,7, Slide,Slide, 14,0mmGoldbrass 14,0mmValve YellowbrassYellowbrassGoldbrass 15,2mm Bell Bell 220mm BellBell 220mm 220mm220mm 3.890,004.310,004.030,004.040,005.500,002.599,005.990,006.470,00 EUR FinishTenorBassAltoBass MattSilverClearGoldVintage Trombone Trombone TromboneTrumpet Lacquer Plated LacquerPlated lacquerLacquer - Bass with with goldplated Trumpetsilver Plated spareparts Spareparts 1.290,00990,00390,00690,00350,00290,00850,00 EUR Add-onInstruments Order nr. Specifications Price Preisänderungen vorbehalten! Die Instrumentenpreise beziehen sich auf das Instrument in roh! Alle Preise inkl. MWSt. Schagerl Music GmbH | 3240 Mank, Austria | Tel. +43 2755 2302 -0 | E-Mail: [email protected] | Website: www.schagerl.com Schagerl Pricelist 2018 Euro Page: 1 LOW REGISTER Instruments Order nr. Specifications Price Tenor Trombone AURORA 128765 Valvebore: 14,1 Slide: 13,9 Tuning on Slide, Yellowbrass Bell 220mm 3.890,00 EUR Otmar Gaiswinkler AURORA R 146198 Valvebore: 14,1 Slide: 13,9 Tuning on Slide, Goldbrass Bell 220mm 4.310,00 EUR Guiliano Rizzotto Design CASERO GMS
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