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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Wickenden Wonderland, Dec 21, Rings in Holiday Spirit,H.R. From
Wickenden Wonderland, Dec 21, Rings In Holiday Spirit Caroling is part of the Christmas tradition. Ordinary folks gracing their neighborhood with their own style of holiday cheer is commonplace in many cities. Fox Point on the PVD East Side, one of the city’s neighborhoods with an artistic temperament, is putting their own spin on it. Wickenden Wonderland – Thursday, Dec 21, 6-8pm – is a celebration put together by the Fox Point Neighborhood Association, and it is for a great cause. Raising money for the homeless with Amos House, this wonderland provides a glimpse of beauty in the human spirit. It also looks like a damned good time. The start is the Point Tavern 6-7pm with drinks and plans for merrymaking. The kitchen will be occupied by Great Northern Barbeque, so it’s an opportunity to enjoy delicious food among friends. There will be drink specials at the Point, and their beverages are a great way to lubricate your singing voice – and no one should be caroling on an empty stomach. Revenue from food and drink sales will go toward Amos House. This all makes for a stellar reason to join in on the fun. At 7pm, the party moves to George M. Cohan Plaza (the intersection of Wickenden and Governor Streets) for what the event Facebook page describes as “great musical accompaniment of the Mighty Good Boys. There will be hot chocolate and cookies for everyone!” If you find yourself on PVD’s East Side or you’re in the city looking for something to do on a Thursday night, then celebrate the holiday season with a caroling crowd. -
HIS Voice 3/2009
editorial obsah Glosář Matěj Kratochvíl 2 Sunn O))) Petr Ferenc 4 Tim Hecker Karel Veselý 5 aktuálně Vážení a milí čtenáři, Alio Die Pavel Zelinka 6 již řada čísel našeho časopisu byla věnována V pasti orientalismu Karel Veselý 8 hudbě z různých koutů světa, to aktuální v nasto- lené sérii však pokračuje jen zdánlivě. Zatímco v číslech věnovaných Polsku, Francii či Slovensku Sun City Girls Thomas Bailey 12 jsme mířili za skutečnou hudbou skutečných zemí, Orient na nejnovější obálce v sobě spojuje reálný základ a notnou dávku fantazie. Spíše než o geo- Acid Mothers Temple Petr Ferenc 15 grafickou oblast nám jde o nahlédnutí za oponu téma imaginárního Východu, oblasti, do níž si mnozí hudebníci i posluchači promítají své sny. I když První císař a dialektika Druhého Jan Chmelarčík 18 si v mnoha případech půjčují skutečné nástroje a další hudební prvky, ve vzduchu visí představa pohádkových světů. Hudební Orient má častokrát Vlastislav Matoušek Matěj Kratochvíl 22 podobně neurčitou lokaci jako říše kněze Jana, do níž mířil Baudolino, hrdina stejnojmenné knihy Umberta Eca. „Na nejzazším východě těchto krajů, Georgs Pelēcis Vítězslav Mikeš 28 oddělených od oceánu zeměmi obývanými zrůd- nými bytostmi, jimiž ostatně budeme muset také Postepilog Alfreda Šnitkeho Vítězslav Mikeš 30 projít, se nachází Pozemský ráj. (…) My se tudíž současná kompozice musíme ubírat k východu, nejdřív dorazit k Eufratu, pak k Tigridu a nakonec k řece Ganges, a potom odbočit k dolním krajům východním.“ Střet reál- Christina Kubisch Pavel Klusák 34 ného a imaginárního může mít mnoho různých podob, od dokumentární činnosti značky Sublime Frequencies přes východně-západní hudbu skla- Cuong Vu Jan Faix 38 datele Tana Duna po psychedelický rock japonské skupiny Acid Mothers Temple. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
With LOWELL's Real Cre a 'Blueberrybb Naatural And•N T Flavored ISSUES I I I I , I I · , I I· W*E N Ee*
I I with LOWELL'S real cre a 'BlueberryBB NaAtural and•n t Flavored ISSUES I I I I , I I · , I I· _ W*e n ee* By Norman Solomon * This daily satellite-TV feed has a captive audi- * While they're about 25 percent of the U.S. pop- To celebrate the arrival of summer, here's an all- ence of more than 8 million kids in classrooms. ulation, a 1997 survey by the American Society of new episode of "Media Jeopardy!" While it's touted as "a tool to educate and engage Newspaper Editors found that they comprise You probably remember the rules: First, listen young adults in world happenings," the broad- only 11.35 percent of the journalists in the news- carefully to the answer. Then, try to come up with cast service sells commercials that go for nearly rooms of this country's daily papers. the correct question. $200,000 per half-minute -- pitched to advertisers What are racial minorities? as a way of gaining access to "the hardest to reach The first category is "Broadcast News." teen viewers." We're moving into Media Double Jeopardy with What is Channel One? our next category, "Fear and Favor." * On ABC, CBS and NBC, the amount of TV net- work time devoted to this coverage has fallen to * During the 1995-96 election cycle, these corpo- * While this California newspaper was co-spon- half of what it was during the late 1980s. rate parents of major networks gave a total of $3.2 soring a local amateur sporting event with Nike What is internationalnews? million in "soft money" to the national last spring, top editors at the paper killed a staff Democratic and Republican parties. -
'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit". -
The Titles Below Are Being Released for Record Store
THE TITLES BELOW ARE BEING RELEASED FOR RECORD STORE DAY (v.2.2 updated 4-01) ARTISTA TITOLO FORMATO LABEL LA DONNA IL SOGNO & IL GRANDE ¢ 883 2LP PICTURE WARNER INCUBO ¢ ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO LP SPACE AGE ¢ AL GREEN GREEN IS BLUES LP FAT POSSUM ¢ ALESSANDRO ALESSANDRONI RITMO DELL’INDUSTRIA N°2 LP BTF ¢ ALFREDO LINARES Y SU SONORA YO TRAIGO BOOGALOO LP VAMPISOUL LIVE FROM THE APOLLO THEATRE ¢ ALICE COOPER 2LP WARNER GLASGOW, FEB 19, 1982 SOUNDS LIKE A MELODY (GRANT & KELLY ¢ ALPHAVILLE REMIX BY BLANK & JONES X GOLD & 12" WARNER LLOYD) HERITAGE II:DEMOS ALTERNATIVE TAKES ¢ AMERICA LP WARNER 1971-1976 ¢ ANDREA SENATORE HÉRITAGE LP ONDE / ITER-RESEARCH ¢ ANDREW GOLD SOMETHING NEW: UNREALISED GOLD LP WARNER ¢ ANNIHILATOR TRIPLE THREAT UNPLUGGED LP WARNER ¢ ANOUSHKA SHANKAR LOVE LETTERS LP UNIVERSAL ¢ ARCHERS OF LOAF RALEIGH DAYS 7" MERGE ¢ ARTICOLO 31 LA RICONQUISTA DEL FORUM 2LP COLORATO BMG ¢ ASHA PUTHLI ASHA PUTHLI LP MR. BONGO ¢ AWESOME DRE YOU CAN'T HOLD ME BACK LP BLOCGLOBAL ¢ BAIN REMIXES 12'' PICTURE CIMBARECORD ¢ BAND OF PAIN A CLOCKWORK ORANGE LP DIRTER ¢ BARDO POND ON THE ELLIPSE LP FIRE ¢ BARRY DRANSFIELD BARRY DRANSFIELD LP GLASS MODERN ¢ BARRY HAY & JB MEIJERS THE ARTONE SESSION 10" MUSIC ON VINYL ¢ BASTILLE ALL THIS BAD BLOOD 2LP UNIVERSAL ¢ BATMOBILE BIG BAT A GO-GO 7'' COLORATO MUSIC ON VINYL I MISTICI DELL'OCCIDENTE (10° ¢ BAUSTELLE LP WARNER ANNIVERSARIO) ¢ BECK UNEVENTFUL DAYS (ST. VINCENT REMIX) 7" UNIVERSAL GRANDPAW WOULD (25TH ANNIVERSARY ¢ BEN LEE 2LP COLORATO LIGHTNING ROD DELUXE) ¢ BEN WATT WITH ROBERT WYATT SUMMER INTO WINTER 12'' CHERRY RED ¢ BERT JANSCH LIVE IN ITALY LP EARTH ¢ BIFFY CLYRO MODERNS 7'' COLORATO WARNER ¢ BLACK ARK PLAYERS GUIDANCE 12'' PICTURE VP GOOD TO GO ¢ BLACK LIPS FEAT. -
New Year's Weekend Continues with Breaking
For Immediate Release NEW YEAR’S WEEKEND CONTINUES WITH BREAKING BENJAMIN AT HARD ROCK HOTEL & CASINO ATLANTIC CITY DECEMBER 30 AT 8 PM Atlantic City, NJ (October 29, 2018) – New Year’s weekend at Hard Rock Hotel & Casino Atlantic City just got even bigger with the addition of hard rockers, Breaking Benjamin at Hard Rock Live at Etess Arena on Sunday, December 30 at 8 p.m. Tickets are on-sale this Friday, November 2 at 10 a.m. Multi-platinum band Breaking Benjamin has amassed a sizeable and diehard fan base, both through their chart-topping music, as well as their electrifying live performances. Their latest release, Dark Before Dawn certified GOLD and debuted #1 on Billboard’s Top 200 chart and spun off two #1 rock tracks, “Failure” and “Angels Fall.” “Failure” was also named the most played song at Active Rock for 2015. 2009’s Dear Agony, certified PLATINUM and debuted #4 on the Billboard Top 200 and #1 on the iTunes Rock Album Chart. Dear Agony also spun off the platinum selling and #1 Active Rock single “I Will Not Bow” where it stayed #1 for five weeks straight. Their discography also includes 2002’s Saturate, 2004’s We Are Not Alone, 2006’s Phobia. We Are Not Alone spawned a pair of #1 radio hits, “So Cold” and “Sooner or Later.” Phobia debuted at # 2 on Billboard’s Top 200, hit #1 on the Rock Album Chart and was one of the top 50 selling rock albums of 2006. It featured one #1 and two Top 5 rock radio hits “Breath,” “Diary of Jane” and “Until The End.” Tickets to see Breaking Benjamin, ranging from $39.00 to $59.00, go on sale this Friday, November 2 at 10 AM. -
Extreme Rock from Japan
Extreme Rock From Japan Joe Paradiso MIT Media Lab Japan • Populaon = 127 million people (10’th largest) – Greater Tokyo = 30 million people (largest metro in world) – 3’rd largest GDP, 4’th largest exporter/importer • Educated, complex, and hyper mo<vated populace – OCD Paradise… • Many musicians, and the level of musicianship is high! • Japan readily absorbs western influences, but reinterprets them in its own special way… – Creavity bubbles up in crazy ways from restric<ve uniformity – Get Western idioms “wonderfully” wrong! – And does it with gusto! Nipponese Prog • Prog Rock is huge in Japan (comparavely speaking….) – And so is psych, electronica, thrash bands, Japanoise (industrial), metal, etc. • I will concentrate on Early Synth music - Symphonic Prog – Fusion/jazz - RIO (quirky) prog – Psychedelic/Space Rock – by Nature Incomplete • Ian will cover Hip Hop, Miku, etc. Early (70s) Electronics – Isao Tomta 70’s Rock Electronics - YMO • Featuring Ryuichi Sakamoto 70s Berlin-School/Floydish Rock Far East Family band • Parallel World produced by Klaus Schulze – Entering – 6:00, Saying to the Land (4:00) 70’s Progish Jazz – Stomu Yamash'ta • Supergroup “Go” • Freedom is Frightening, 5:00, Go side B Other Early 70’s Psych (Flower Travelin’ band) • Satori, pt. II, middle Early Symphonic Prog - Shingetsu 1979 • Led by Makoto Kitayama (Japanese Peter Gabriel) • Oni Early Symphonic Prog – Outer Limits (1985) 1987 2007 • The Scene Of Pale blue (Part One) – middle • Plas<c Syndrome, Consensus More Early Symphonic Prog – Mr. Sirius 1987 1990 -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
Song Title Artist Disc
Song Title Artist Disc # # 1 CRUSH GARBAGE 6639 # 9 DREAM LENNON, JOHN 6013 #1 NELLY 9406 (LOVE IS LIKE A) HEATWAVE MARTHA & THE VANDELLAS 7235 (YOU WANT TO) MAKE A MEMORY BON JOVI 14106 (YOU'VE GOT) THE MAGIC TOUCH PLATTERS, THE 1255 '03 BONNIE & CLYDE JAY-Z & BEYONCE 10971 1 THING AMERIE 13133 1, 2, 3 RED LIGHT 1910 FRUITGUM CO. 10237 1,2 STEP CIARA & MISSY ELLIOTT 12989 10 OUT OF 10 LOUCHIE LOU 7399 10 SECONDS DOWN SUGAR RAY 6418 10,000 PROMISES BACKSTREET BOYS 3350 100 YEARS FIVE FOR FIGHTING 12772 100% PURE LOVE WATERS, CRYSTAL 9306 1000 OCEANS AMOS, TORRIE 6711 10TH AVE. FREEZEOUT SPRINGSTEEN, BRUCE 11813 10TH AVENUE FREEZE OUT SPRINGSTEEN, BRUCE 2632 12:51 STROKES, THE 12520 1-2-3 BARRY, LEN 8210 ESTEFAN, GLORIA 13 18 & LIFE SKID ROW 2633 1969 STEGALL, KEITH 6712 1979 SMASHING PUMPKINS 6713 1982 TRAVIS, RANDY 3386 1985 BOWLING FOR SOUP 12880 1999 PRINCE 6714 19TH NERVOUS BREAKDOWN ROLLING STONES, THE 1032 2 BECOME 1 SPICE GIRLS 1427 2 STEP DJ UNK 14155 20 GOOD REASONS THIRSTY MERC 14107 2001 INTRO ELVIS 1604 20TH CENTURY FOX DOORS, THE 6715 21 QUESTIONS 50 CENT & NATE DOGG 11730 24 JEM 13169 24 HOURS AT A TIME TUCKER, MARSHALL, B 2634 24/7 EDMONDS, KEVON 6820 25 MILES STARR, EDWIN 9488 25 OR 6 TO 4 CHICAGO 4735 26 MILES FOUR PREPS, THE 10102 26 CENTS WILKINSONS, THE 6821 29 NIGHTS LEIGH, DANNI 6822 3 LIBRAS PERFECT CIRCLE, A 6824 3 LITTLE PIGS GREEN JELLY 2429 3:00 A.M. -
Lobão: Do Vímana À Veja
UNIVERSIDADE FEDERAL DE JUIZ DE FORA INSTITUTO DE CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS SOCIAIS Ana Carolina Campos Pereira Serpa Martins LOBÃO: DO VÍMANA À VEJA Juiz de Fora 2016 Ana Carolina Campos Pereira Serpa Martins LOBÃO: DO VÍMANA À VEJA Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Ciências Sociais da Universidade Federal de Juiz de Fora, como requisito para obtenção do Título de Mestre. Orientador: Prof. Dr. Dmitri Cerboncini Fernandes Juiz de Fora 2016 Ana Carolina Campos Pereira Serpa Martins LOBÃO: DO VÍMANA À VEJA Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Ciências Sociais da Universidade Federal de Juiz de Fora, como requisito para obtenção do Título de Mestre. Aprovada em: 24 de junho de 2016 BANCA EXAMINADORA ______________________________________________ Dr. Dmitri Cerboncini Fernandes - Orientador Departamento de Ciências Sociais – UFJF ______________________________________________ Dra. Lidiane Soares Rodrigues Departamento de Ciências Sociais - UFSCar/SP _______________________________________________ Dr. Paulo Roberto Figueira Leal Departamento de Comunicação e Artes – UFJF A Beth, Paulo, Luis Fernando, Paulo Guilherme e Flavinha, meus amores e companheiros de caminhada. AGRADECIMENTOS Ao meu orientador, Prof. Dmitri Cerboncini Fernandes, que, de forma generosa e competente, forneceu todo o conhecimento e apoio necessários à realização deste trabalho. À amiga Vanessa Gomes de Castro, que, já tendo concluído essa jornada, apontou os caminhos, contribuindo para que eu chegasse até aqui. Aos professores Lidiane Soares Rodrigues e Paulo Roberto Figueira Leal que, dispondo de seu tempo e conhecimento, analisaram este trabalho e forneceram preciosas contribuições. Ao amigo José Wellington de Souza pelo companheirismo e auxílio em momentos importantes para a definição desta pesquisa.