ICEE-2012 Turku, Finland
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Death, Destruction and Commemoration : Tracing Ritual Activities in Finnish Late Iron Age Cemeteries
Suomen Muinaismuistoyhdistys ry – Finska Fornminnesföreningen rf The Finnish Antiquarian Society ISKOS 18 HELSINKI 2010 DEATH , DESTRUCTION AN D COMMEMORATION Tracing ritual activities in Finnish Late Iron Age cemeteries (AD 550–1150) ANNA WESSMAN Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XV, on the 4th of September, 2010 at 10 o´clock. CONTENTS Publisher: The Finnish Antiquarian Society, Helsinki PREFACE 7 Cover design: Mikael E.T. Manninen, Ramona Lindberg Layout: Ramona Lindberg LIST OF PAPERS 11 Printed in Tammisaaren Kirjapaino Oy, Tammisaari 2010 ABSTRACT 12 1 INTRODUCTION 13 1.1 BURIA L ARCHAEO L OGY IN F IN L AN D 13 Theory and methods 13 Excavation techniques 14 1.2 RESEARCH QUESTIONS AN D AIMS O F THIS STU D Y 17 1.3 A B RIE F D ESCRI P TION O F THE MATERIA L 19 The cremation cemeteries under level ground 19 Inhumation burials 25 Water burials 27 1.4 LATE IRON AGE B URIA L ARCHAEO L OGY IN F IN L AN D 29 The definition(s) of a grave 29 The character and distribution of Late Iron Age burial types in Finland 31 1.5 A B RIE F ACCOUNT O F THE RESEARCH HISTORY AN D CHRONO L OGY 34 1.6 THE F IN D MATERIA L 43 2 SEPARATING THE LIVING FROM THE DEAD 45 2.1 THE RITUA L ACTI V ITIES IN MORTUARY P RACTICE 45 2.2 CREMATIONS : DESTROYING B O D IES B Y F IRE 48 The pyres 48 Fire as transformation and fragmentation 50 2.3 CO ll ECTI V E B URIA L S 57 Scattered bones as expressions of fertility 59 2.4 IN D I V I D UA L B URIA L S : WEA P ON B URIA L S AN D INHUMATIONS 62 Individual or dividual graves? 62 The weapon burials 62 Cremations in boats 66 7 PRE F ACE Death is something that both fascinates and commemoration. -
Yolanda Ortega Sanz Universitat De Girona
Yolanda Ortega Sanz Universitat de Girona Yolanda Ortega Sanz is an architect Her research has been published and pre- and associate professor at Polytechnic sented in several conferences as: 1st In- School, Universitat de Girona, Catalonia, ternational Conference on contemporary Spain; where she teaches architectural architects: Jørn Utzon, Sevilla, Spain; 1st design. Ortega was educated at School of Conference on architectural competition, architecture in Barcelona and Arkitekts- Nordic Symposium, KTH, Stockholm, kolen i Aarhus, Denmark. Later on, she Sweden; or Responsibilities and Oppor- received a grant to be a young researcher tunities in Architectural Conservation, at Danmarks Kunstbibliotek, Copenhagen. CSAAR, Amman, Jordan. Currently, she is PhD Candidate in the research group FORM where she develops her thesis entitled “Nordic assembly” focus on Modern Architecture in Nordic countries. Welfare State. Sociological Aesthetics Welfare | Ortega Sanz | 474 WELFARE STATE. SOCIOLOGICAL AESTHETICS Modern architecture and democracy on Nordic countries, Denmark [My theme] concerns itself with the creation of beauty and with the measure of its reverberations in the democratic society. By the word “democracy” […] I speak of the form of life which, without political iden- tification, is slowly spreading over the whole world, establishing itself upon the foundation of increasing industrialization, growing communi- cation and information services, and the broad admission of the masses to higher education and the right to vote. What is the relationship of this form of life to art and architecture today? Walter Gropius1 ERBE DER MODERNE DAS In 1954, thirty-five years after founding the Bauhaus, Walter Gropius travelled around the world, revising his ideas about a democratic environment for the twentieth-century man. -
Travel Trade
TAKE A TOUR 2020Travel trade URBAN CULTURE IN THE ARMS OF THE ARCHIPELAGO AILABLE O AV N S L R IN U E O T DISCOVER A perfect day in L L MORE: A A L L T O E visitturku.figroupsU N R I en/ S /L N the Turku region 2020 A V O A E I L L A B Spend a perfect day in the Turku region! Once you have Order your tour from us: read through our package tours, let us build your perfect experience from these and all that we can offer through VISIT TURKU, SALES our partners in Southwest Finland. Tel: +358 (0)2 262 7900 Aurakatu 4, 20100 Turku Most of our tours are suitable for those with limited [email protected] mobility (except tours of Turku Castle) or can be modified www.visitturku.fi/en/groups to accommodate all conditions. This brochure gives only a taste of what’s available and our entire offering can be found online at: www.visitturku.fi/en/groups Live Like a Local NEW NEW NEW TOUR! TOUR! TOUR! LOCAL HOME VISIT TURKU FAST & FURIOUS RUISSALO NATURE WALK & FINNISH BARBEQUE Want to have ”a local touch” for your group? This home is Join the fun and ride along with Föri & Funi – Try Turku’s two EXPERIENCE situated near the city center but also by the seaside. Guide, highly original public transport vehicles! Also, did you know Ruissalo is a verdant oasis close to the city and easily your hostess, will introduce you to the Finnish family life and that Turku has converted its grand old prison building into accessible. -
PALE NORDIC ARCHITECTURE Why Are Our Walls So White?
PALE NORDIC ARCHITECTURE Why are our walls so white? BATCHELOR’S THESIS SISKO ANTTALAINEN AALTO UNIVERSITY PALE NORDIC ARCHITECTURE – WHY ARE OUR WALLS SO WHITE? – ABSTRACT The aim was to investigate the perception of whiteness in Nordic architecture and analyse the rea- sons behind the pale colour scheme in a public space context. The word pale was used alongside with white, since it gave broader possibilities to ponder over the topic. The geographical research area was framed to cover Sweden and Finland, although the search for underlying reasons extended beyond the borders of the North. Architecture was viewed as an entity, including both exteriors and interiors. The focus was on reasoning around the question “why” to arouse professional discourse about the often-unquestioned topic. Analysing the background of a commonly acknowledged phe- nomenon strives to make architects more conscious of the background of their aesthetics so that future decisions can be based on a more complex set of knowledge rather than leaning on tradition. Because of the wide demarcation of the research question, the project started with self-formulated hypothesis, after which they were thoroughly analysed. The formulated pre-assumptions were, that the Nordic paleness is, firstly, a consequence of misinterpreted past architecture. Moreover, natu- ral circumstances of the North, the symbolism connected to white and the tradition of canonising modernism were established as hypothesis. Lastly, architect education, combined with the tendency of prototyping with white materials were assumed to endorse the pale colour scheme. The misinter- pretations’ possible implication in the perception of whiteness was also examined as a part of the re- 1 search. -
Tavasthem (1950)
En egen vrå i ett delat hem - hållbara lösningar för ökad trivsel i Erik Bryggmans (1891-1955) Tavasthem (1950) Katja Långvik, 23302 Pro gradu i konstvetenskap Handledare: Pia Wolff-Helminen och Kari Kotkavaara Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2017 ÅBO AKADEMI FAKULTETEN FÖR HUMANIORA, PSYKOLOGI OCH TEOLOGI Abstract avhandling pro gradu Ämne: Konstvetenskap Författare: Katja Långvik Arbetets titel: En egen vrå i ett delat hem – hållbara lösningar för ökad trivsel i Erik Bryggmans (1891 – 1955) Tavasthem (1950) Handledare: Pia Wolff-Helminen Handledare: Kari Kotkavaara Återuppbyggandet efter andra världskriget innebar ett stort behov av nya lösningar för boende. Antalet studerande i universitetsstäderna ökade markant och förändringar i bostadsidealen försämrade tillgången av underhyresalternativ. Studentkårer och nationer i Finland åtgärdade bostadsbristen genom att bygga egna studenthem. Åbo Akademis Studentkår lät bygga ett studenthem ritat av arkitekt Erik Bryggman (1891 – 1955) på Tavastgatan 22 i Åbo. På samma tomt fanns redan av samma arkitekt ritade Kårhus (1936), som förenades med studenthemmet. Av helheten behandlas i det här arbetet endast studenthemsdelen, som också kallas för Tavasthem (1950). Syftet med avhandlingen är att visa att Erik Bryggman i Tavasthem (1950) har lyckats skapa hållbara lösningar för ökad trivsel i studenthemmet. Genom form- och stilanalys identifieras stilistiska inslag och praktiska lösningar som arkitekten har valt för att öka trivseln i studentboendet inom ramen för byggprojektets ekonomiska förutsättningar. I avhandlingen söks svar på hur den funktionalistiska bostadsplaneringens ideal syns i de valda lösningarna och hur hållbara de varit ur ekonomiska, ekologiska och sociala synvinklar. Materialet granskas ur ett socialhistoriskt perspektiv och kontexten utgörs av uppkomsten av studentboende som en form av socialt byggande i Finland på 1940-talet. -
Functionalism Is a Finnish Thing
Oct 29, 2015 10:47 UTC Functionalism is a Finnish thing Finns like it practical and adjust their homes so that everyday life is as easy as possible. But don’t you get bored of that? Will functionalism continue to be important in the future? “Such beautiful functionalism!” The spontaneous remark by American dinner guests inspired me to look at my home through new eyes. Well, yes, the furniture is practical; there are hardly any items that are not needed and anything that might get in the way had been put away in closets for the visit. My guests had it right in the sense that our house is carefully measured. In our standardised house, the renovation projects have been designed to better take into account situations that come up in everyday life. Finns are used to demanding functionality. Kari Lappalainen, who has worked in the field for over 20 years and is the founder of an interior decoration agency bearing his name, sees this in his work. If an apartment lacks functionality, people will want to add it to their home, even if the house has to be refurbished. Lappalainen has worked on such projects before. A roof over your head or luxury? Lappalainen has excellent insight into what Finns look for in a home. He thinks Finns can be roughly divided into three groups. About one in five people think that the outcome really does not matter that much. They could be described with the phrase: “As long as I have a roof over my head.” “The clear majority, about 70 per cent of people, demand much more from the functions of the apartment and understand how many benefits the functionality of housing has in everyday life. -
ACCESS to GREEN Enhancing Urban Attractiveness in Urban Centers – the Case of Turku
Ana Maria Jones, Markku Wilenius & Suvi Niskanen ACCESS TO GREEN Enhancing Urban Attractiveness in Urban Centers – the Case of Turku FINLAND FUTURES RESEARCH CENTRE FFRC eBOOK 6/2018 2 Copyright © 2018 Writers & Finland Futures Research Centre, University of Turku Cover picture By Ana Jones Pictures in the report By Ana Jones if source not availaBle otherwise ISBN 978-952-249-517-4 (print) ISBN 978-952-249-516-7 (pdf) ISSN 1797-1322 3 PREFACE Nature is good for the city! Nature-based solutions is one of the key words in the debate on urban development today. Nature is expected – and proved – to serve many functions in our cities. Many challenges that would otherwise be hard to meet can best be solved by approaches where nature plays the key role. Climate Change is the greatest acute threat to humankind and the diverse forms of life on planet Earth. The City of Turku has responded strongly to this threat. We have already reduced a quarter of our emissions as compared to the level of 1990, and by 2029 Turku shall be a carbon-neutral area. Our Climate Plan 2029 was approved unanimously by City Council on the 11th of June this year. Nature plays an important role in both Climate mitigation and adaptation. Climate risks are significantly reduced by increasing the area of forests, greeneries and wetlands within the built city areas. At the same time, these solutions increase the daily wellbeing and health of the inhabitants. Furthermore, green corridors within the city serve as pleasant routes for walking and cycling as well as ecological corridors for animals, birds and insects. -
Browse / Download a Detailed Resume
Teemu Mäki, CV, www.teemumaki.com TEEMU MÄKI www.teemumaki.com teemu [at] teemumaki.com CURRICULUM VITAE (updated: August 3, 2021) Artist / Director / Writer / Researcher (Doctor of Fine Arts) Education: Doctor of Fine Arts 2005, Academy of Fine Arts, University of the Arts Helsinki, Helsinki, Finland. Lives in Helsinki, born 1967, in Lapua, Finland. I’m an artist, director, writer and researcher. A Doctor of Fine Arts (Academy of Fine Arts, University of the Arts Helsinki 2005). Since 1990 I have been an independent, freelancing artist, except for the years 2008–2013, when I was Professor of Fine Arts in Aalto University. I'm also the chairman of The Artists' Association of Finland. I work in the fields of art, philosophy and politics by whatever means necessary. The results are usually some kind of visual art, literature, theater, film or theory. For me art is the best way to respond to the questions: "How should we live? Why should we keep on living? What is good life?" Art is the most flexible, versatile and holistic form of philosophy and politics. I’ve had 58 solo exhibitions, participated in over 200 group shows, written nine books and written & directed numerous theatre plays, films and operas. #1 / 42# Teemu Mäki, CV, www.teemumaki.com Table of contents My Books 3 Theatre Works (as director / writer) 3 Other functions in performing arts$4! Solo exhibitions 6 Group exhibitions$7! Filmography 13 Works for Radio$14! Festivals (participations with performances, films or music) 14 Artistic inputs into other artists' electronic art$17! -
The Burial Cairns and the Landscape in the Archipelago of Åboland, Sw Finland, in the Bronze Age and the Iron Age
THE BURIAL CAIRNS AND THE TAPANI LANDSCAPE IN THE TUOVINEN ARCHIPELAGO OF ÅBOLAND, Department of Art Studies and Anthropology, SW FINLAND, IN THE BRONZE University of Oulu AGE AND THE IRON AGE OULU 2002 TAPANI TUOVINEN THE BURIAL CAIRNS AND THE LANDSCAPE IN THE ARCHIPELAGO OF ÅBOLAND, SW FINLAND, IN THE BRONZE AGE AND THE IRON AGE Academic Dissertation to be presented with the assent of the Faculty of Humanities, University of Oulu, for public discussion in Auditorium GO 101, Linnanmaa, on September 24th, 2002, at 12 noon. OULUN YLIOPISTO, OULU 2002 Copyright © 2002 University of Oulu, 2002 Supervised by Professor Milton Nuñez Reviewed by Professor Andre Costopoulos Professor Lars Forsberg ISBN 951-42-6802-4 (URL: http://herkules.oulu.fi/isbn9514268024/) ALSO AVAILABLE IN PRINTED FORMAT Acta Univ. Oul. B 46, 2002 ISBN 951-42-6801-6 ISSN 0355-3205 (URL: http://herkules.oulu.fi/issn03553205/) OULU UNIVERSITY PRESS OULU 2002 Tuovinen, Tapani, The Burial Cairns and the Landscape in the Archipelago of Åboland, SW Finland, in the Bronze Age and the Iron Age Department of Art Studies and Anthropology, University of Oulu, P.O.Box 1000, FIN-90014 University of Oulu, Finland Oulu, Finland 2002 Abstract Mortuary rituals express and cope with disorder brought about by a member's death in the community. The autonomous connection of the deceased with the community is disrupted through mortuary rituals. In many cultures the subsequent contacts with the realm of the dead are maintained in formalized practices, sometimes including or referring to objects or patterns that can be traced in the archaeological record. -
Architecture and Furniture: Aalto
Architecture and furniture: Aalto Author Museum of Modern Art (New York, N.Y.) Date 1938 Publisher [publisher not identified] Exhibition URL www.moma.org/calendar/exhibitions/1802 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art LIBRARY THE OF MOOtftN AFtl mlmm - ARCHITECTURE AXD FURNITURE A ALTO THE MUSEUM OF MODERN ART NEW YORK PvrcXx l V-t- hMA r COPYRIGHT, MARCH, 1938, BY THE MUSEUM OF MODERN ART, NEW YORK FOREWORD Six years ago when the Museum of Modern Art opened the first exhibi tion of modern architecture in this country, attention was focused on the fundamental qualities of the new "International Style." The work of Gropius, Mies van der Rohe, Oud, Le Corbusier and others was shown to have been conceived with a basically functionalist approach, and to have been carried out with a common set of esthetic principles. Since then, modern architecture has relinquished neither the func tionalist approach nor the set of esthetic principles, but both have been modified, particularly by the younger men who have since joined the established leaders. Among these none is more important than Aalto. Like the designs of other men first active in the '30's, Aalto's work, without ceasing in any way to be modern, does not look like the modern work of the '20's. The younger men employ new materials and new methods of construction, of course, but these only partly explain the change. -
Lacappella Cimiteriale Di 193841
ERIK BRYGGMAN ARCHITECTURE, PHOTOGRAPHER SIMOARCHITECTURE, RISTA PHOTOGRAPHER © MUSEUM OF FINNISH FINNISH OF MUSEUM © Silvia Micheli laCappella Cimiteriale di 193841 THE CEMETERY CHAPEL IN TURKU Abitare la Terra 23/09 – PER UNA ARCHITETTURA DELLA RESPONSABILITÀ FOR AN ARCHITECTURE OF RESPONSIBILITY 35 1. Veduta interna della Cappella, aula e navatella Veduta interna della Cappella, aula e navatella 2. Veduta esterna della Cappella, portico di ingresso e campanile Veduta esterna della Cappella, portico di ingresso e campanile 3. Modello di studio della Cappella cimiteriale di ARCHITECTURE, PHOTOGRAPHER SIMOARCHITECTURE, RISTA PHOTOGRAPHER Turku Modello di studio della Cappella cimiteriale di Turku 2 FINNISH OF MUSEUM © 3 «Una parete di vetro ininterrotta nella navata laterale che si affaccia sul lato sud permette ai pini che stanno fuori di prendere parte alla forma dello spazio interno e di definire il suo tratto caratteristico [...]». Erik Bryggman «A solid glass wall in the side nave facing south allows the pine trees outside to be part of the shape of the space inside and helps to define its defining traits [...]». Erik Bryggman el 1941, quando l’edificio conosce anche una fortu- n 1941, when the new chitecture d’aujourd’hui, 2 Archi- nell’antica città fin- na internazionale, tanto da essere cemetery chapel was tectural Review3 and Metron 4. landese di Turku documentato sulle pagine delle più completed in the old The Chapel was designed by the viene ultimata la illustri riviste dell’epoca, tra le Finnish city of Turku, Finnish architect Erik William nuova Cappella ci- quali «L’Architecture d’Au- the inhabitants liked it Bryggman (1891-1955), a well- miteriale, l’edificio jourd’hui»2, «Architectural Re- so much that a few known professional from Turku N è accolto dalla po- view»3 e «Metron»4. -
Cruise Destination Turku
DESTINATION Travel trade Travel T U R KFOR CRUISE VISITORSU SINCE 1 2 2 9 FINLAND OLD TOWN, BUT PRETTY CRUISE DESTINATION TURKU FUNKY Tourist info Tel: +358 2627 444 • [email protected] Turku, a pearl of the Baltic, is Finland’s number one summer destination. Bisecting Turku city centre, the river Aura flows through the most beautiful cityscape; Director Sales & past great restaurants, cafes bursting with atmosphere, of Tourism Marketing perceptive works of city art as well as fascinating muse- ums. The mouth of the river opens out to meet the ANNE-MARGET HELLÉN SATU HIRVENOJA tens of thousands of islands Director of Tourism Sales and Marketing Director known as the Scandinavian Tel: +358 (0)50 559 0499 Tel: +358 (0)40 183 6690 Islands. The most numer- [email protected] [email protected] ous archipelago in the world stretches all the way from Turku to Åland and onto International Group Sales & Stockholm. Marketing Shore Excursions Turku has a long tradition as a port; Hansa ships sailed the Aurajoki River already back in the Middle Ages. LOTTA BÄCK KIRSI MATA Today Turku welcomes cruise ships from around the International Marketing Manager Shore Excursions world. We have a wide variety of tour options to sup- Tel: +358 (0)50 559 0506 Tel: +358 (0)50 559 0568 port cruise line revenue, but we also recognize that [email protected] [email protected] some guests want to do their own thing. Whether passengers or crew, the city of Turku looks forward to offering you a thoroughly enjoyable experience.