Fall 2016 RAM Catalog
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CV Bo Christian Larsson
BO CHRISTIAN LARSSON - ARTIST CV Born 1976 in Kristinehamn, Sweden. Lives and works in Berlin, Germany. EDUCATION 1994-98 AKI, Academy of visual arts in Enschede, Holland Specialization in drawing, sculpture and installation art 1997 Guest student at Western Australia’s College of fine arts, Perth, Australia SELECTED SOLO SHOWS 2012 Bo Christian Larsson, Kristinehamns Konstmuseum, Sweden (cat.) Bo Christian Larsson, Vogt Gallery, New York, USA Bo Christian Larsson, Kalmar Konstmuseum, Sweden 2011 Performance (hidden track), VW (VeneKlasen/Werner) Gallery, Berlin, Germany The Cataclysmic Raft – Out of Harm’s Way, Stiftung kunst:raum sylt quelle, Sylt, Germany (cat.) Bo Christian Larsson, Brown Project Space, Milano, Italy Bo Christian Larsson, Kunstverein Braunschweig, Braunschweig, Germany (cat.) Bo Christian Larsson, Gallery Bo Bjerggaard, Copenhagen, Denmark (cat.) Bo Christian Larsson, Steinle Contemporary, Munich, Germany 2010 Cataclysmic Raft, Performance on Sylt, Kunstraum Sylt Quelle, Sylt, Germany A White Mess Pt. 2b, Soundfair, Berlin, Germany Open Space, Art Cologne, Cologne, Germany The Intruder, Tongewoelbe T25, Ingolstadt, Germany 2009 Drifting Across That Thin Line, Steinle Contemporary, Munich, Germany For Earthly Things..., Magazin4, Bregenzer Kunstverein, Bregenz, Austria; curated by Wolfgang Fetz (cat.) 2008 Silverscreams, Gallery Gad, Oslo, Norway What was done in the dark will be brought to the light, Galerie Florian Walch, Munich, Germany (cat.) 2006 An Itchy Howl Under a Skin Coloured Moon, Von Maltzahn Fine Arts, -
20Th BIENNALE of SYDNEY
Embassy of Embassy of the Real Disappearance 20th BIENNALE OF SYDNEY LIMITED 20th LEVEL 4, THE ARTS EXCHANGE, 10 THE FUTURE IS BIENNALE HICKSON ROAD BIENNALE ALREADY HERE THE ROCKS NSW 2000 AUSTRALIA — IT’S JUST T + 61 2 8484 8700 OF SYDNEY F + 61 2 9368 1617 OF SYDNEY NOT EVENLY [email protected] DISTRIBUTED WWW.BIENNALEOFSYDNEY.COM.AU Cockatoo Island Carriageworks Media Release: 15 March 2016 for immediate release 20th Biennale of Sydney unveils works by 83 artists from 35 countries presented across seven ‘Embassies of Thought’ Sydney, Australia: The 20th Biennale of Sydney: The future is already here — it’s just not evenly distributed was unveiled today by Artistic Director Stephanie Rosenthal. The Asia Pacific region’s largest contemporary visual arts event features 83 artists hailing from 35 countries and is presented free to the public across seven venues or ‘Embassies of Thought’ and multiple ‘in-between spaces’ around the inner city, from Friday 18 March until 5 June 2016. The exhibition is supplemented by a comprehensive schedule of public programs including daily guided tours, artist and curator-led talks, lectures, workshops, salons, reading groups and gatherings. Artistic Director Stephanie Rosenthal commented: “The ‘Embassies of Thought’ in the 20th Biennale have been conceived as temporary settings without set borders, representing transient homes for constellations of thought. The themes associated with each of these ‘embassies’ are inspired by the individual histories of each venue, whilst the ‘in between’ spaces speak to one of the key ideas in this Biennale exploring the distinction between the virtual and the physical worlds. -
At ART COLOGNE
Press Release No. 09 Cologne, March 2013 22 ‘NEW POSITIONS’ at ART COLOGNE Sponsorship programme showcases young artists • Strong sculptural focus • ‘AUDI Art Award for NEW POSITIONS’ presentation ceremony ART COLOGNE ART COLOGNE’s sponsorship programme titled ‘NEW POSITIONS’ was April 19 – 22, 2013 launched in 1980 by the Bundesverband Deutscher Galerien und Kunsthändler. The programme gives young artists free exhibition spaces. www.artcologne.de These spaces are specially set up next to the stands of the galleries representing the young artists. This year’s selection panel has singled out Contact Benjamin Agert twenty-two young artists. The programme is supported by the Federal Phone + 49 221 821-2076 Commissioner for Cultural and Media Affairs, the State of North Rhine- Fax + 49 221 821-2181 Westphalia, Koelnmesse and the Bundesverband Deutscher Galerien und E- Mail Kunsthändler. There will be a special prize – the ‘AUDI Art Award for NEW [email protected] POSITIONS’ – for the best young artist. The prizewinner will be given a Koelnmesse GmbH solo show at the Cologne artothek. The prize also includes the publication Messeplatz 1 of a catalogue. Funding is to the value of EUR 10,000. The award 50679 Köln Postfach 21 07 60 ceremony is scheduled for 2.30 pm on Friday, 19 April 2013. Venue: ART 50532 Köln Germany COLOGNE, Hall 11.3. The Fair runs from 19 to 22 April 2013. Phone +49 221 821-0 Telefax +49 221 821-2574 [email protected] A strikingly large number of this year’s young artists produce room-sized www.koelnmesse.de sculptural work in which they draw on found objects and materials from Executive Board: everyday life. -
BO CHRISTIAN LARSSON Born in Kristinehamn, Sweden, 1976 Lives and Works in Älvkarhed, Sweden
BO CHRISTIAN LARSSON Born in Kristinehamn, Sweden, 1976 Lives and works in Älvkarhed, Sweden EDUCATION 1994‐98 AKI, Academy of visual arts in Enschede, Holland Specialization in drawing, sculpture and installation art 1997 Guest student at Western Australia’s College of fine arts, Perth, Australia SELECTED SOLO EXHIBITIONS 2017 Light Traps, Eighteen, Copenhagen, Denmark 2015 Bo Christian Larsson, Galleri Bo Bjerggaard, Copenhagen 2014 Bo Christian Larsson, TS Art Projects, Berlin 2013 Bo Christian Larsson, DH-Artworks, Düsseldorf, Germany Bo Christian Larsson, Institut für moderne kunst-Nuremberg, Germany Bo Christian Larsson, Schaustelle Pinakothek der Moderne, Munich, Germany Bo Christian Larsson, TS Art Projects, Berlin, Germany Bo Christian Larsson, Borås Art Museum, Borås, Sweden 2012 Bo Christian Larsson, Christian Larsen Gallery, Stockholm, Sweden Bo Christian Larsson, Ludlow 38, New York City, USA Eighteen · Slagtehusgade 18c 1711 Copenhagen V. Denmark. www.eighteen.gallery · [email protected] Bo Christian Larsson, Gallery Vogt, New York City, USA Bo Christian Larsson, Kalmar Konstmuseum, Sweden Bo Christian Larsson, Kristinehamns Konstmuseum, Sweden 2011 Performance (hidden track), Dockville Festival, Hamburg, Germany Performance (hidden track), VW (VeneKlasen/Werner) Gallery, Berlin, Germany The Cataclysmic Raft – Out of Harm’s Way, Stiftung kunst:raum sylt quelle, Sylt, Germany Bo Christian Larsson, Kunstverein Braunschweig, Braunschweig, Germany Bo Christian Larsson. Still Standing in the Mud of Time, Gallery Bo Bjerggaard, -
Joseph Grigely East Longmeadow, Massachusetts, 1956 Lives and Works in Chicago, US
CV Joseph Grigely East Longmeadow, Massachusetts, 1956 Lives and Works in Chicago, US Education National Technical Institute for the Deaf New England College St. Anselm's College Oxford University Solo exhibitions (selection) 2018 Small talk, NoguerasBlanchard, Madrid, ES 2017 Park Nights 2017: Joseph Grigely, Blueberry Surprise, Serpentine Pavilion, London, UK 2016 Conversations, 1994-2016, Gandy Gallery, Bratislava, SVK 2015 The Gregory Battcock Archive, The Members Library, Gazer Kunstverein, Graz, AUT; Kunstverein, Hamburg, GE; Marian Goodman Gallery, London, UK Even If You Can’t Hear, Galerie Francesca Pia, Zurich, SUI 2014 Amy Vogel: A Paraperspective. A collaboration with Joseph Grigely, Cleve Carney Art Gallery, Glen Ellyn, US 2013 Joseph Grigely and Amy Vogel: Inside the Outside, Alderman Exhibitions, Chicago US 2012 Remains, Air de Paris, Paris, FR 2010 The Information Economy, The Architectural Association, New-York Art Book Fair, New York, US 2009 The Gregory Battcock Archive, Rowley Kennerk Gallery, Chicago, US The Paradise, Douglas Hyde Gallery, Dublin, IRL Songs Without Words, Sara Meltzer Gallery, New York, US 2008 St Cecilia, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, US; Museum of Contemporary Art, Chicago, US 2007 St Cecilia, Contemporary Museum, Baltimore, US; Orange County Museum of Art, Newport Beach, US 2006 Very different things about the same thing, Cohan and Leslie, New York, US 2005 It’s Everywhere, Air de Paris, Paris, FR 2004 Remembering is a difficult job, -
2013 / Dreispitzhalle Mon 10 – Sat 15 June 2 013 Daily 10 Am – 7Pm Public Art Spaces
DESIGN: WWW.HAUSER-SCHWARZ.CH MONDAY JUNE 10 TH – SATURDAY JUNE 15TH 2013 / DREISPITZHALLE MON 10 – SAT 15 JUNE 2 013 DAILY 10 AM – 7PM PUBLIC ART SPACES C12 C14 C16 C19 C20 C21 C29 OFFICE P74 BULIAN FORTLAAN 17 EGELUND CHARLIE OSLO8 SMITH OSLO10 TINT RADIO X SMAC C30 GUEPIN C6 C13 C15 C17 KUDLEK GARNATZ BRUNDYN + PRO C18 IAAB / ARTISTS’ STUDIOS GONSALVES C18 C31 SCULPTURE TEZUKAYAMA HOUSE OF ELECTRONIC ARTS C7 C9 C11 H.A.N. BIANCHI BASTEJS POULSEN C27 C28 C32 BALZER- NOVA LÉNA ROSELLI C5 ART BRANSTEN C22 C23 JARMU- LARSEN C26 C28 SCHEK 532 SCULPTURE THOMAS C8 C2 C10 JAECKEL ARANA- MAZZOLI VERNON C23 POVEDA SCULPTURE C4 C24 C25 ROLLINS SKAPE HILGER- C35 C34 C33 PARTNERS BROT- DUKAN DILLON BINDER KUNST- COFFEE C3 C1 HALLE BAR GalleryLOG CHAPLINI SECCI SHOWROOMBASEL UNGUIDED BASEL SHOWROOM GALLERIES 532 Thomas Jaeckel ------------------------------------ C26 HOLE -------------------------------------------------------------------------------------------- A11 ADN ---------------------------------------------------------------------------------------------------- A9 INTERNATIONAL 3 ---------------------------------------------- A8 CATERING ANNA NOVA --------------------------------------------------------------- C28 JARMUSCHEK --------------------------------------------------------- C22 BY BESCHLE UNGUIDED ALARCÓN CRIADO ------------------------------------------- B3 KLEINDIENST ----------------------------------------------------------- B10 ARANAPOVEDA -------------------------------------------------------- C8 KRUPIC KERSTING || KUK ----------- -
October 22, 2011 Participants
EYES WIDE SHUT: CONTEMPORARY DRAWINGS FROM GERMANY September 15 – October 22, 2011 Participants Andy Hope 1930 was born in Munich and lives and works in Berlin. Recent solo exhibitions include the Contemporary Art Center Malaga, Malaga; The Freud Museum, London; and Sammlung Goetz, Munich. His work has recently been included in exhibitions at the MMK Museum für Moderne Kunst, Frankfurt; Hamburger Bahnhof, Berlin; and the Kunsthalle Düsseldorf. Ulla von Brandenburg was born in Karlsruhe and lives and works in Paris. Recent solo exhibitions include Art : Concept, Paris; K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf; and Le Plateau, FRAC, Ile de France, Paris. Her work has recently been included in exhibitions at 11e Biennale de Lyon; the Museum of Contemporary Art, Detroit; and Hamburger Kunsthalle, Hamburg. Ralf Ziervogel was born in Clausthal-Zellerfeld, Germany and lives and works in Berlin. Recent solo exhibitions include the K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf; ARNDT, Berlin; and Galerie Charim, Vienna. His work has recently been included in exhibitions at the Deutsche Bank Collection, Frankfurt am Main; La maison rouge, Paris; and K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Marc Brandenburg was born in Berlin and lives and works in Berlin. Recent solo exhibitions include Hamburger Kunsthalle, Hamburg; Galerie Thaddaeus Ropac, Paris; Museum für Moderne Kunst, Frankfurt. His work has recently been included in exhibitions at the Museum of Modern Art, New York; Middlesbrough Institute of Modern Art, Middlesbrough; and Sammlung Harald Falckenberg, Hamburg. Jonathan Meese was born in Tokyo and lives and works in Berlin. Recent solo exhibitions include Galerie Daniel Templon, Paris; the Museum of Contemporary Art, Miami; and the Contemporary Art Centre of Malaga, Spain. -
Aarchitecture 09Download
Issue 9 News from the Architectural Association aa RCHITECTURE In seeking the solutions to environmental and social crises, the answer might be found in any return to pre-metropolitan conditions of inhabitation. Landscape Urbanism Guest Series PG 5 AAIS Interprofessional Studio PG 14 Literature is a hybrid, bastardised medium generally, and essentially so. States of Disintegration PG 10 Landscape Urbanism Guest Series PG 5 Strawberry Tables: A Potted History PG 12 VERSO AARCHITECTURE ISSUE 9 aaC R HITECTURE CN O TRIBUTORS NO TE ABOUT THE DESIGN News from the Architectural Alisa Andrasek The first six issues of AArchitecture, 2 Learning from Denise (and Bob) Association [email protected] established in 2006, looked to establish Issue 9 / Summer 2009 a new title in the AA’s ever-evolving 4 Forming Greg Lynn FORM aaschool.ac.uk Andrzej Blonski series of magazines and journals and [email protected] in doing so revisited the legacy of ©2009 numerous short-lived AA publications. 5 Landscape Urbanism Guest Series All rights reserved Giles Bruce Since the publication of the seventh Published by the Architectural [email protected] issue, the magazine has looked to shift 6 Visiting Schools 2009/10 Association, 36 Bedford Square, direction even further, in its structure, London WC1B 3ES Mike Davies now including a student editor, and in its form, as a newsletter with a more 9 Re-reading Palladio Contact: Ricardo de Ostos standardised and repeating format. [email protected] [email protected] At the same time alternative modes 10 States of Disintegration Nicola Quinn +44 (0)20 7887 4033 of publication continue to be explored Henderson Downing though Bedford Press, established at the To send news briefs: [email protected] AA in 2008. -
Joseph Grigely
JOSEPH GRIGELY Born in East Longmeadow, Massachusetts, 1956 Lives and works in Chicago http://www.airdeparis.com/artists/joseph-grigely/ Education National Technical Institute for the Deaf New England College St. Anselm's College Oxford University (*indicates publication) Solo Exhibitions 2017 Air de Paris, Paris - F Park Nights 2017: Joseph Grigely, Blueberry Surprise, Serpentine Pavilion, London - UK 2016 Conversations, 1994-2016, Gandy Gallery, Bratislava - S 2015 The Gregory Battcock Archive, The Members Library, Gazer Kunstverein, Graz ; Kunstverein, Hamburg - G ; Marian Goodman Gallery, London - UK Even If You Can’t Hear, Galerie Francesca Pia, Zurich - G 2014 Amy Vogel: A Paraperspective. A collaboration with Joseph Grigely, Cleve Carney Art Gallery, Glen Ellyn -USA* 2013 Joseph Grigely and Amy Vogel: Inside the Outside, Alderman Exhibitions, Chicago -USA 2012 Remains, Air de Paris, Paris -F 2010 The Information Economy, The Architectural Association, New-York Art Book Fair, PS1 -USA 2009 The Gregory Battcock Archive, Rowley Kennerk gallery, Chicago -USA The Paradise (32), Douglas Hyde Gallery, Dublin -IRE* Songs Without Words, Sara Meltzer Gallery, New-York -USA 2008 St Cecilia, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs –USA; Museum of Contemporary Art, Chicago -USA 2007 St Cecilia, Contemporary Museum, Baltimore –USA; Orange County Museum of Art, Newport Beach –USA* 2006 Very different things about the same thing, Cohan and Leslie, New York –USA 2005 It’s Everywhere, Air de Paris, -
Nouvelles Acquisitions Octobre 2015
NOUVELLES ACQUISITIONS OCTOBRE 2015 ÉDITIONS D’ARTISTES : Notice : 1066844 Dé-livré : Centre Pompidou provisoire de Maubeuge / textes d'Emmanuel Caille, Pierre Hebbelinck et Mathieu Berteloot. - Liège : Fourre-Tout, 2015. - 1 vol. (500 p.) : ill. ; 14 x 19 cm. ISBN 978-2-930525-13-6. -ISBN 2-930525-13-4 * Sujets : Livres d'artistes -- 21e siècle ** Exemplaire (s) : Imprimés section Réserve, RLPF 12008 Imprimés section Réserve, RLPF 12073 Notice : 1072280 NR. 2 [Ulla von Brandenburg 2004] / [conçu par l'artiste]. - [Köln : Kunstverein], 2004. - 1 vol. (non paginé [16] p.) : tout en ill. ; 48 cm. Tir. à 1000 ex. * Sujets : Brandenburg, Ulla von (1974-....) ** Exemplaire (s) : Imprimés section Réserve, RLGF 1078 Notice : 0392916 L' oeil de Frère Jean [Texte imprimé] : promenades au pays de Rabelais sur les / photographies de Bernard Plossu ; et des textes de Michel Butor. - Seuilly : Association Val de Vienne, 1993. - non paginé : ill. en noir ; 23 cm. (Les cahiers de Seuilly ; [1]) Exposition à l'Abbaye de Seuilly du 25 juin au 31 août 1993, organisée par l'Association Val de Vienne. Le titre est pris sur la couverture. ISBN 2-910221-00-8 * Sujets : Plossu, Bernard (1945-) ** Exemplaire (s) : Imprimés section Réserve, RLPF 9600 Imprimés section Réserves basses, Fonds Plossu L 8, Consultable uniquement sur place Notice : 0337476 On loan : an exhibition of borrowed art lent by artists : Coracle Press, London, nov. 22nd- dec. 19th 1980 / éditeur commercial Coracle Press (London). - London : Coracle Press, 1980. - [62] cartes dans une boite : ill. ; 9 x 6 x 7 cm. Participation de Roger Ackling, Glen Baxter, David Brown, Les Coleman, Simon Cutts, Barry Flanagan, Hamish Fulton, John Furnival, Gerry Hunt, R.B. -
Works from the Frac Île-De-France Collection Press Visit Wednesday
Press kit L 22.09.18-10.02.19 Works from the frac île-de-france collection Press visit Wednesday 19th September at 9.30 am* Opening Saturday 22 September, from 2 to 5pm Free shuttle at 2pm, departure from La Place du Châtelet Advanced booking required : [email protected] Curator : Xavier Franceschi With Dominique Labauvie, Maëlle Labussière, Jeff Ladouceur, Suzanne Lafont, Denis Laget, Jacques René Lagrange, LALAN, Bernard Lallemand, Bertrand Lamarche, Fabrice Langlade, Annika Larsson et Augustin Maurs, Bo Christian Larsson, Elad Lassry, Micha Laury, Bertrand Lavier, Christopher Le Brun, Jean Le Gac, Marc Le Mené, Marie-Hélène Le Ny, Cécile Le Talec, Guillaume Leblon, Mark Leckey, Seulgi Lee, Frédéric Lefever, Marie Legros, Pierre Leguillon, Mathieu Lehanneur, Jochen Lempert, Jean Leppien, Rainier Lericolais, Eugène Leroy, Elodie Lesourd, Natacha Lesueur, Agnès Lévy, Christian Lhopital, Arto Lindsay, Tony Long, Mireille Loup, Ken Lum, Marie Lund, Guy de Lussigny, Mark Luyten. Graphic design © Baldinger • Vu-Huu * Visit of the exhibition Elad Lassry at Le Plateau then L at Le Château A free shuttle will drive you from Le Plateau to Le Château : Departure at 11am at Le Plateau - return at 3pm at La Place du Châtelet Mandatory reservation : [email protected] Contacts : Isabelle Fabre, Responsable de la communication > +33 1 76 21 13 26 > [email protected] Lorraine Hussenot, Relations avec la presse > +33 1 48 78 92 20 > [email protected] +33 6 74 53 74 17 Le frac île-de-France reçoit le soutien du le plateau, paris Conseil régional d’Île-de-France, du ministère 22, rue des Alouettes de la Culture – Direction Régionale des Affaires 75 019 Paris, France Culturelles d’Île-de-France et de la Mairie de Paris. -
Wa Kin Gup Fr Om Th En Ig Htmar Eof Par Tic Ipa Tio N
EXPOTHESIS waking up from the nightmare series in art research and public space of participation Expothesis is an outcome of the collaboration of Expodium Wake up from the Nightmare of Participation! This and MaHKU, the Utrecht Graduate School of Visual Art and book presents a platform for the development of proac- Design. It investigates the significance of artistic knowl- tive engagement and aims to fuel an agonistic debate edge production in regard to art and public space. Each among theorists and practitioners from various fields of year Expodium and MaHKU invite a prominent author to knowledge, cultural backgrounds and political positions throw light on these issues. about the central thesis of Markus Miessen’s recent Waking Up from the Nightmare of Participation is the sec- publication The Nightmare of Participation – Crossbench ond publication in the series. Praxis as a Mode of Criticality. WAKING UP FROM THE NIGHTMARE expothesis no.1: This book does not look for approval or consensual Politics, Identity and Public Space. Critical Reflections PARTICIPATION OF deliberation, but seeks for an agile examination of a in and Through the Practices of Contemporary Art, proposed post-consensual (spatial) practice, formulat- Mika Hannula, 2009. ing the necessity to undo the innocence of participation while promoting a conflictual reading of participation ICIPATION as a mode of proactive first person singular engage- 2 ment: a step towards a state of acting and an individual, OWRATNIK OWRATNIK 2 2 2 2 OM THE propositional practice. no no no no no ART OL P sis None of the contributions were content-edited; no con- K sis sis sis sis E — P FR E E E E sensual or editorial constraints were imposed on any of th the contributors.