Matters of Health

Total Page:16

File Type:pdf, Size:1020Kb

Matters of Health looked at some of the reasons for not for providers/staff; development of proto- sharing the information. The findings sug- cols for the care of young transgender matters of health gest that bisexual men often anticipate patients, as well as roadmaps for families; strong judgmental reactions from their part- asking and recording of chosen name/ ners and families. Many report staying quiet pronoun; increased number of HIPAA Waiver in Orlando Shooting about their past in order to avoid rejection multidisciplinary gender clinics; providing In an interesting twist to the situation in Orlando, the White House approved a HIPAA and problems in their current heterosexual cross-sex hormones at an age that permits waiver. Just what does that mean? HIPAA stand for the Health Insurance Portability and relationships. Participants believed that peer-congruent development; and desig- Accountability Act. It protects the privacy of health information and if you have called a their family, friends, and female partners nating a navigator for transgender patients hospital to find out information about someone and only been told that the person is there held stigmatizing attitudes toward homo- in clinics. and that’s all they can tell you, you experienced the protections it provides. It restricts the sexuality; and had prior experience with sharing of medical information only to those the patient approves. But in the case of the negative reactions to disclosure. “Our find- Online Tools to Find PrEP victims in Orlando, most could not give that permission. The law does have provisions ings suggested that non-disclosure of sexual to allow health care providers to share the information with next of kin or spouses, if the orientation among behaviorally bisexual Prescribers person is incapacitated but many of those waiting to hear of their friends or partners were men is often used as a strategy to avoid A CDC study published in 2015 estimated not next of kin or spouses but still were “family.” According to an interview aired on that one in three nurses and primary care provid- anticipated stigmatizing responses from ers have not heard about PrEP. In addition, many Orlando’s NewsChannel 10, City Mayor Buddy Dyer announced that the issue was being their social network such as ridicule, rejec- providers refuse prescribing PrEP to their pa- addressed in an unusual way — by the granting of a HIPPA waiver by the White House tion, and victimization,” said Dr. Eric W. tients so finding a provider can be challenging. to Orlando Regional Medical Center, the hospital where many of the victims were being Schrimshaw, one of the studies authors. The Greater Than AIDS campaign has set up a treated. This was possible because there’s a clause in the law that allows the secretary guide of providers but checking it out, the number of health and human services to waive portions in certain exceptional situations. “The Trans Youth Have Trouble of Louisiana providers is sparse, listing only two. CEO of [a] hospital came to me and said they had an issue related to the families who came Check out the link http://www.greaterthan.org/get- to the emergency room. Because of HIPAA regulations, they could not give them any Finding Care prep/ and if you know of other sites, send me the information,” Dyer said, according to NewsChannel 10. A recent study published in the Journal info to include here ([email protected]). of Adolescent Medicine examined the bar- No Sex Ed Doesn’t Prevent Education riers faced by transgender youth and their Family Rejection & Negative caregiving in accessing gender-affirming The results of a recent survey conducted by GMFA, a gay men’s health organization Health Issues for care. The researchers found that several in London, found that almost half of the gay and bi men surveyed learned about sex through areas of barriers including Transgender Community porn. Of the over 1,000 men surveyed, 82 percent said they got no education about gay 1) few accessible pediatric providers In a recent study published in the LGBT sex in school. About 41 percent reported learning about anal sex through porn and 34 Health, researches at the City University of New are trained in gender-affirming health care; percent reported learning about oral sex through porn. About 13 percent of respondents York found that rejection from family members can 2) lack of consistently applied protocols; 3) said they had unprotected sex after watching bareback porn. have a significant influence on the health of inconsistent use of chosen name/pronoun; transgender people. Having experienced high 4) uncoordinated care and gatekeeping; 5) levels of family rejection was associated with Bisexual Men Fear Stigma limited/delayed access to pubertal blockers almost three and half times the chances of suicide We have heard several stories of the families of Orlando victims finding out at the and cross-sex hormones; and 6) insurance attempts and two and a half times of substance same time that their family member had died and were gay and now are hearing that exclusions. The researchers made the misuse, compared to those who experienced perhaps internalized homophobia might be one of the factors in the shooting. A study several recommendations to address these little or no family rejection. Having experienced published in the journal Archives of Sexual Behavior found that many bisexual men who barriers: mandatory training on gender- only moderate levels of family rejection was asso- are in heterosexual relationships tend to hide their sexual identity and history. The study ciated with almost twice the odds of suicide at- affirming health care and cultural humility tempts and over 1.5 times the odds of substance misuse. The authors reported that the rejection might be a direct factor in the negative health New SLT Artistic Director Michael E. This immersive experience takes place trodding the boards outcomes or it might be a barrier to transgender ...from 26 McKelvey helms the production and I don’t July 14-31 at the Aloft New Orleans Down- people accessing the social support they need to expect any startlingly new interpretations; town hotel, and offers a post-show pool deal with their life stressors. Unquestionably spontaneous were the after all, a show that’s all about the 1920s party—just pack a swimsuit, or wear one to responses to audience questions at the could hardly be re-set in the 1980s? Or the show! Closing Thoughts end. could it be, with a chorus of Material Girls? I’m not sure if a bathing suit is right for I can not close this issue’s column without One that stood out was Cooper’s re- Millie is followed by another Tony The High Priestess of Dark Alley at Le some thoughts on the senseless murder of 49 gay sponse to a lady who asked “What makes winner, Big River (July 28-31), Roger Miller Petit (July 7-24), but I can tell you it’s about and lesbian community members in Orlando and New Orleans special?” He used as an and William Hauptman’s adaptation of Mark two sisters, one robbed of her sexuality, the the impact on our health. Several shorts in this example the high school his father went to, Twain’s Huckleberry Finn. Last seen here other defined by it, who do battle with their installment refer to the impact of rejection and Francis T. Nicholls on St. Claude. Originally eleven years ago, River has never been a domineering mother over the men they homo/transphobia on our well being. The ques- named for the former Confederate general musical I’ve cherished but, hopefully, love. Writer/director Jackie Alexander re- tion I hear over and over in these last days is what and governor of Louisiana, it was renamed McKelvey, who’s directing the show, might turns with his latest work after his accom- can we do? Rev. Bill Terry speaking at the recent vigil at Saint Anna’s Episcopal Church gave one in honor of the abolitionist Frederick get me to change my mind. plished Brothers from the Bottom played answer and that is we must speak up. In times like Douglass in the 1990s. Driving by the school Also at Tulane, the New Orleans at NOCCA last year. these I am always reminded of the words of Audre while he was covering Katrina, Cooper Shakespeare Festival expands its play- I’ve heard good things about The Com- Lorde, “I know that my people cannot possibly noted that under the new name, the old one wright circle with The Illusion (July 23- pany, St. Bernard’s new community theater profit from the oppression of any other group, had remained chiseled in the stone. “Any- Aug. 6), Tony (Angels in America) at Nunez College, and am looking forward which seeks the right to peaceful existence. We where else it would’ve been erased. That’s Kushner’s adaptation of a 17th century to their Urinetown, the subversive winner diminish ourselves by denying to others what we the extraordinary thing about New Orleans,” Corneille comic play. Expect a father, a of three Tony Awards (though it lost Best have shed blood to obtain for our children. I he replied eloquently, “it’s a city of memo- prodigal son, a sorcerer, and plays-within- Musical to Thoroughly Modern Millie). cannot afford to believe that freedom from intoler- ance is the right of only one particular group. I ries.” plays as love is searched for and, possibly, Satirizing the legal system, capitalism, so- cannot afford to choose between the fronts upon Let’s hope Andy Cohen and Anderson found. cial irresponsibility, populism, bureaucracy, which I must battle the forces of discrimination, Cooper return again soon to add more As part of NOSF, on July 27 The NOLA corporate mismanagement, municipal poli- wherever they appear to destroy me.
Recommended publications
  • Scanned Using Scannx OS15000 PC
    cTlif g'nliimltiis Dl5|inlth Fritfay, April 30, 1993 Otterbein makes ‘Big River’ better than it is By Michael Grossberg The acting is superb. So is tlie lioiiK! tube “civilized.” Dispdich Thcaicr Critic singing (guided by vocal director Riciardson and Moore’s stir­ THEATER REVIEW Craig Johnson), the lively pit orches­ ring durts (Mnddy Water, River in Big Riwr falls short of the ait- tra (conducted by music director the Ra'ni and especially Worlds istry and depOi of Into Vie WooiL% Big River, Otterbein College's stii- David DeVenney), Rob John.son’s AjKiii) rellect their grawing lioiids Sweeney Todd, Evita, A Chorm ilent production of the musical picturesque scenic design, Katie of tinst ind friendship. Line and Man of La Mancha — all adaptation of I luck Finn's adven­ Robbins’ rags-io-nouvean riche- The show’s underlying spiritual­ first-i’ank Broadway musicals that tures. Directed by John Stefano. style 19th-century costumes and ity is caiveyed with grice and long- have received first-class I’evivals at Jim............................Ron Richardson lighting designer Fred Thayer’s biu'- suffering strength by the black OUerbein College in recent yeai-s. I luck Finn.....................Corey Moore slaves ii Cmssing Over and by iH- ;• Yet, Otterbein’s rousing produc­ nished sunsets, hazy sunrises and King...............................Keith Weirich ice’s Duighter (’Tonya Watson) in tion of Bitj River, which opened last (h'amatic atmosjiheric effects. Duke................................ Todtl Crain night at Westeiwille’s Cowan Hall, is The cast’s soaidng baritones, the gosjel-style How Blest We Air.. Mark'Twain..............Daryl Toziipone I iwlished and professional that one plmigent tenois and lilting sopranos Hov ble.ssed indeed is Otterbein Tom Sawyer......................losh Gildrie ('iisily overlooks tlie show’s folksy, make Miller’s catchall coimti^-west- to have such a strong supporting- Pap Finn.......................Nick Koeslers fiimiiy-oiiented vulgaiizations.
    [Show full text]
  • American Spiritual Program Spring 2009
    American Spiritual Ensemble Sunday, February 22, 2009 • 4 p.m. Asbury United Methodist Church Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music in the African-American tradition. The concert is sponsored by Asbury United Methodist Church; the Peter and Judy Jackson Music Performance Fund; Salisbury University’s Department of Music, Office of the Dean of the Charles R. and Martha N. Fulton School of Liberal Arts and Office of Multicultural Student Services; the SU Foundation, Inc.; and is made possible, in part, by a grant from the Salisbury Wicomico Arts Council, awarded by the Maryland State Arts Council and the National Endowment for the Arts. AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM Walk Together, Children ............................................................arr. William Henry Smith We Shall Walk Through the Valley in Peace ............................................arr. Moses Hogan Plenty Good Room ......................................................................arr. William Henry Smith Oh, What A Beautiful City! ........................................................................arr. Johnie Dean Mari-Yan Pringle, Jeryl Cunningham, Sopranos I Want Jesus to Walk With Me ....................arr. Eurydice Osterman/Tedrin Blair Lindsay Ricky Little, Baritone Fi-yer, Fi-yer Lord (from the operetta Fi-yer! )......................Hall
    [Show full text]
  • Summach, the Structure, Function, and Genesis of the Prechorus
    Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory The Structure, Function, and Genesis of the Prechorus (1) Jay Summach NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.summach.php KEYWORDS: popular music, rock music, form, prechorus, sentence, srdc ABSTRACT: Prechoruses emerged in the mid-1960s as verse-chorus and strophic forms converged upon a four-part formal disposition that Everett (1999) calls “statement, restatement, departure, and conclusion,” or srdc. This study traces the expansion of the srdc scheme from its compact deployment in strophes to expanded iterations that approximate verse- chorus form. Received February 2011 [1] This article examines an episode in the evolution of verse-chorus form in pop/rock music. Until the mid-1960s, most verse-chorus songs alternated between the two formal sections from which verse-chorus form takes its name: verses and choruses. Example 1, Mark Dinning’s “Teen Angel,” illustrates the form.(2) As is typical for verse-chorus songs, the focal point of “Teen Angel” is the chorus: it contains the most engaging musical material; its unchanging lyric makes it easy to remember; and it is marked for special attention by additional vocal and instrumental parts. The verses, on the other hand, provide context: each verse advances the song narrative by presenting fresh lyrics; and the music is more modest in instrumentation and intensity so as not to steal attention from the chorus. In “Teen Angel,” the tempo is treated flexibly during the verses, which further distinguishes them from the choruses.
    [Show full text]
  • The Inventory of the Alvin Epstein Collection #1717
    The Inventory of the Alvin Epstein Collection #1717 Howard Gotlieb Archival Research Center Epstein, Alvin #1717 2/17/06 Preliminary Listing I. Professional Materials. Box 1 A. Files, re: American Repertory Theater, unless noted; may include reviews; scores; scripts; notes; correspondence; printed materials; legal materials; photographs; artwork; audio material. 1. AAlliance for the Development of Theater Arts, Inc.@ [F. 1] 2. AAmerican Repertory Theater.@ [F.1-3] 3. AAspen Musical Festival.@ [F. 4] 4. ABeckett, Samuel.@ [F. 5] 5. AContracts.@ [F. 5-6] 6. AThe Cabinet of Dr. Caligari.@ [F. 7] 7. ACaligula - Yale Repertory Theater.@ [F. 8] 8. ACarnegie Hall.@ 9. ACharlie in the House of Rue,@ includes photographs; slides. 10. AThe Cherry Orchard.@ 11. AClerambard,@ includes printed material; telegram; photographs. [F. 9] 12. AColette,@ includes printed material. [F. 10] 13. AColette Scores.@ [F. 11] 14. ACrossing Niagra,@ includes printed material; telegram. [F. 12] 15. ACrimes and Crimes.@ 16. ADear Liar.@ [F. 13] Box 2 17. ADoctor=s Dilemma.@ [F. 1] 18. ADoing Life,@ includes contract. 19. ADon Juan.@ 20. ADream of the Red Spider.@ [F. 2] 21. ADynamite Tonite,@ includes sub-files: a. AYale Repertory Theater,@ includes 2 contracts, 11/14/06. b. ANew York,@ includes contract, 2/23/67. 22. AHamlet.@ 23. AOn Ne Badine Pas Avec L=Amour (No Trifling With Love),@ includes original sketches. [F. 2-4] 24. AOpera,@ includes printed material. [F. 5] 25. ARevue Material.@ 26. ASolider=s Tale.@ [F. 6] 27. AStory Theater.@ [F. 7] 28. ASalzburg American Seminar.@ 29. ATartuffe,@ includes printed material. [F. 8] 30. ATempest,@ American Repertory Theater and Yale Repertory Epstein, Alvin (2/17/06) Theater, MS, 200 p.; includes score; photograph.
    [Show full text]
  • New Yorker May 20 1985
    GOINGJ ON ABOUT TOWN A C0N5CIENT10U5 CALENDAR OF EVENT5 OF INTEREST "Smiles of a Summer Night," is the last m THE THEATRE s 'M* T • J • P • S this season's series of productions. (103rd St. PLAYS AND MUSICALS and Riverside Dr. Nightly, except Mondays, at 8. Matinees Saturdays and Sundays at Aren't We All?—A revival of a smart Mayfair 15 16 17 18 comedy of 1923, written by Frederick Lons- 2:30. Closes Sunday, June 2. For information dale. Claudette Colbert, Rex Harrison, Lynn 19 20 21 22 23 24 25 about tickets, for which contributions are Redgrave, Brenda Forbes, and George Rose requested, call 663-2028.) find no difficulty bringing it back to life. The Foreigner—A very funny play by (and with) (Reviewed in our issue of S/13/8S.) (Brooks sive Behavior," by Stuart Spencer; and Larry Shue, with good performances by every Atkinson, 256 W. 47th St. 719-4099. Tues "Between Cars," by Alan Zweibel: Wednes single member of the company, most notably days through Saturdays at 8. Matinfies day and Thursday, May 15-16, at 7:30, and by Kevin Geer as a lovable half-wit. Jerry Wednesdays and Saturdays at 2, and Sun Saturday, May 18, at 7 and 10 (previews); Zaks was the admirable director. (11/19/84) days at 3.) Monday, May 20, at 7:30 (opening); and (Astor Place Theatre. 434 Lafayette St., near As Is—^This touching play by William M. Thursday, May 23, at 7:30. ... <51 "Life Astor PI. 254-4370. Tuesdays through Fri Hoffman concerns a personable young homo- Under Water," by Richard Greenberg; "Mar- days at 8; Saturdays at 7 and 10; and Sun se.xual who is afflicted with AIDS, and is also iens Kammer," by Roger Hedden; "The Frog days at 7.
    [Show full text]
  • American Spiritual Program Fall 2009
    Saturday, September 26, 2009 • 7:30 p.m. Asbury United Methodist Church • 1401 Camden Avenue, Salisbury Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music influenced by the spiritual. This concert is sponsored by The Peter and Judy Jackson Music Performance Fund;SU President Janet Dudley-Eshbach; Provost and Senior Vice President of Academic Affairs Diane Allen; Dean Maarten Pereboom, Charles R. and Martha N. Fulton School of Liberal Arts; Dean Dennis Pataniczek, Samuel W. and Marilyn C. Seidel School of Education and Professional Studies; the SU Foundation, Inc.; and the Salisbury Wicomico Arts Council. THE AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM THE SPIRITUAL Walk Together, Children ..........................................................................................arr. William Henry Smith Jacob’s Ladder ..........................................................................................................arr. Harry Robert Wilson Angelique Clay, Soprano Soloist Plenty Good Room ..................................................................................................arr. William Henry Smith Go Down, Moses ............................................................................................................arr. Harry T. Burleigh Frederick Jackson, Bass-Baritone Is There Anybody Here? ....................................................................................................arr.
    [Show full text]
  • Disney's Beauty and the Beast
    2009-2010 ON STAGE • TPAC PRES YING ENTS PLA • N W OW NO • PL G AY N IN YI G A • L P N W O O W N P L • A G Y N I I N Y G A L • P N O W W O N P L • A G Y I N N I Y G A • L P N O W W O N P L • A Y I C N A G P T • T T A P A Y A C W F D A A M O I L R Y B F R I A E T L S D I R T T R / I P A C • H N O • W G N P I L Y A A Y L I P N G W • O N N O • W G N P I L Y A A Y L I P N G W • O N WWW.TPAC.ORG ¢ 615-782-4040 POWERING YOUR ext stage i life At First Tennessee, we love the arts as much as you do. That’s why we support them. And why we make it easier for you to be there for every great performance by providing convenient hours and online banking. Not to mention multiple ATMs and locations that make it easy to find us on the way to the show. For all the other financial ways we help power your dreams, stop by or visit ftb.com. Banking products and services provided by First Tennessee Bank National Association. Member FDIC.
    [Show full text]
  • Oldskool's Top 53
    OldsKOOL’s Top 53 1 Imagine John Lennon 1971 2 The Tracks of My Tears Smokey Robinson, Boyz2Men 1965 3 Johnny Cash Big River 1958 4 Bo Diddley Bo Diddley 1965 5 Elvis Presley Blue Christmas 1957 6 Mamas and The Papas Dedicated to the One I Love 1967 7 Etta James I'd Rather Go Blind 1968 8 Johnny Cash Hurt 2002 9 Tragically Hip Wheat Kings 1992 10 Billy Idol Sweet Sixteen 1986 11 The Blasters One Bad Stud 1984 12 Amy Winehouse Wake Up Alone 2006 13 Van Morrisson/The Band Comfortably Numb 1990 14 Crash Test Dummies Superman 1991 15 Queensryche Silent Lucidity 1990 16 Dire Straights Romeo and Juliet 1981 17 Marvin Gaye Let's Get It On 1973 18 John Hammond w. Tom Waits I Know I've Been Changed 2001 19 Neil Young Unknown Legend 1992 20 KD Lang Hallelujah 21 Bob Dylan Knocking on Heaven's Door 1973 22 Gordon Lightfoot Wreck of the Edmund Fitzgerald 1976 23 David Johansen Animals Medley 1982 24 Tom Jones Green Green Grass of Home 1966 25 Del Shannon and the Vikings Runaway 1961 26 Ray Charles Georgia 1960 27 George Michael Cowboys and Indians 1973 28 Benny Goodman Sing Sing Sing 1936 29 Al Stewart Roads to Moscow 1973 30 The Beatles Hey Jude 1968 31 Buddy Holly That'll be the Day 1958 32 Louis Armstrong What a Wonderful World 33 The Band The Weight 34 Harry Chapin Cat's in the Cradle 1974 35 Kid Rock All Summer Long 2008 36 Peter Gabriel Biko 1980 37 Dire Straights When it Comes to You 1991 38 Chris Isaak Wicked Game 1991 39 Paolo Conte It's Wonderful 40 Downchild Blues Band Flip Flop and Fly 1973 41 Emerson Lake and Palmer C'est La Vie 1976 42 Bill Withers Lean on Me 1972 43 Patsy Cline She's Got You 1962 44 Doobie Brothers I Cheat The Hangman 1975 45 Gun's & Roses Sweet Child O' Mine 1987 46 Iggy Pop Real Wild Child 1986 47 David Bowie Diamond Dogs 1973 48 Janis Joplin Cry Baby 49 Elton John Candle in the Wind 1972 50 Roger Miller King of The Road 1964 51 Edith Piaf La Goualante du Pauvre Jean 1957 52 Sonny Boy Williamson Bye Bye Bird 1964 53 Steve Earle Justice in Ontario 1990.
    [Show full text]
  • Ahmanson Theatre
    AHMANSON THEATRE 1967-68 PREMIERE SEASON 1968-69 SEASON “More Stately Mansions” “Captain Brassbound’s Conversion” by Eugene O’Neill; by George Bernard Shaw; Starring Ingrid Bergman, Arthur Hill Starring Greer Garson, and Colleen Dewhurst; Darren McGavin, Jim Backus, Paul Directed by José Quintero. Ford, John Williams, George Rose (American Premiere). and Tony Tanner; September 12 - October 21, 1967. Directed by Joseph Anthony. “The Happy Time” September 24 - November 9, 1968. Book by N. Richard Nash; “Love Match” Based on the play by Samuel A. Book by Christian Hamilton; Taylor and the book by Robert L. Music by David Shire; Fontaine; Music by John Kander; Lyrics by Richard Maltby Jr.; Lyrics by Fred Ebb; Starring Patricia Routledge, Starring Robert Goulet and Michael Allinson and Hal Linden; David Wayne; Directed and choreographed by Directed and choreographed by Danny Daniels. Gower Champion. (World Premiere). (World Premiere). November 19, 1968 - January 4, 1969. November 13 - December 23, 1967. The Royal Shakespeare Company in The Royal Shakespeare Company in “Dr. Faustus” “As You Like It” by Christopher Marlowe; by William Shakespeare; Directed by Clifford Williams. Directed by David Jones. “Much Ado About Nothing” “The Taming of the Shrew” by William Shakespeare; by William Shakespeare; Directed by Trevor Nunn. Directed by Trevor Nunn. January 14 - March 1, 1969. January 2 - February 10, 1968. “Rosencrantz and Guildenstern Are Dead” “Catch My Soul” by Tom Stoppard; Words by William Shakespeare; Starring Brian Murray and Music by Ray Pohlman; George Backman; Starring William Marshall, Jerry Lee Directed by Derek Goldby. Lewis and Julienne Marie; March 11 - April 26, 1969.
    [Show full text]
  • Edition 11 | 2018-2019
    CURTAIN CALL 1 2 CURTAIN CALL BEST LIVE THEATRE – Stamford Advocate 2018 ACE AWARD FOR EXCELLENCE IN THE ARTS – 2016 GOVERNOR’S AWARD FOR EXCELLENCE IN THE ARTS – 2011 Voted Fairfield County’s BEST LOCAL THEATRE GROUP – Ten Years Running! In Fairfield County Weekly Voted BEST PERFORMING ARTS GROUP – 2008 Through 2018 In StamfordPlus CURTAIN CALL, INC. 1349 Newfield Avenue, Stamford, CT 06905 203-329-8207 BOARD OF DIRECTORS TED YUDAIN, ESQ. CHAIR GORDON CASAGRANDE VICE CHAIR WILLIAM SQUIER SECRETARY JOHN ATKIN TREASURER DIANE ARDITTI TERRY BLANK GEORGE BRADT DOMINICK BRIA TOM DESALVO JOANN LATORRACA THOMAS M. ORMOND JAMI SHERWOOD KEVIN THOMPSON SEYMOUR WEINSTEIN, ESQ. LOU URSONE EXECUTIVE DIRECTOR PETER BARBIERI, JR. ASSOCIATE ARTISTIC DIRECTOR BRIAN BIANCO EDUCATION DIRECTOR MEGAN LATTE ORMOND RESIDENT WARDROBE MANAGER GAIL YUDAIN OFFICE MANAGER LISA DIDONATO, JEFF KARWOSKY BOX OFFICE MANAGERS MEREDITH WALKER BOX OFFICE STAFF JAMIE LAJOIE TECHNICAL DIRECTOR MARC URSONE PRODUCTION ASSISTANT CURTAIN CALL 3 WELCOME FROM THE EXECUTIVE DIRECTOR “A person who won’t read has no advantage over one who can’t read.” – Origin unknown While the above quote is often attributed to one of America’s most-read authors, (and long-time Connecticut resident), Mark Twain, its true origins are unknown. I’m pretty sure that the nuns who taught me in grade school used it as a means to inspire what has been, for me, a life-long love of reading. Twain’s 12 novels, nearly three dozen short stories and much more, marked him as one of the most prolific American authors of his time. Twain, often noted as the father of American literature, was credited thus by Ernest Hemingway: “All modern American literature comes from one book by Mark Twain called ‘Huckleberry Finn’.” That book is why we’re here today.
    [Show full text]
  • 1984-2011 Production History Illinois State University School of Theatre and Dance
    1984-2011 Production History Illinois State University School of Theatre and Dance 2010-2011 Production Season Playboy of the Western World by John Millington Synge (directed by Emily Gill) Sept. 29, 30, October 1, 2 at 7:30 pm; October 2, 3 at 2 pm (Westhoff Theatre) The 25th Annual Putnam County Spelling Bee by Rachel Sheinkin and William Finn (directed by Cyndee Brown) October 7, 8, 9, 12, 13, 14, 15, 16 at 7:30 pm; October 10 at 2 pm (Center for the Performing Arts) (Note: October 15-16 is Homecoming Weekend) Measure for Measure by William Shakespeare (directed by Brandon Ray) October 27, 28, 29, 30 at 7:30 pm; October 30, 31 at 2 pm (Westhoff Theatre) Les Liaisons Dangereuses by Christopher Hampton (directed by Jon Ferreira) November 11, 12, 13, 14 at 7:30 pm; November 13, 14 at 2 pm (Center for the Performing Arts) Major Barbara by George Bernard Shaw (directed by Sandra Zielinski) December 8, 9 10, 11 at 7:30 pm; December 11 at 2 pm (Westhoff Theatre) Dance Theatre December 9, 10, 11 at 7:30 pm; December 11 at 2 pm (Center for the Performing Arts) Madrigal Dinners 55th Anniversary December 8, 9, 10, 11 at 6:30 pm; December 11 at 1 pm (Alumni Center) Musical to be announced. February 10, 11, 12, 15, 16, 17, 18, 19 at 7:30 pm; February 13 at 2 pm (Center for the Performing Arts) Bhopal by Rahul Varma February 23, 24, 25, 26 at 7:30 pm; February 26, 27 at 2 pm (Westhoff Theatre) Two Gentlemen of Verona by William Shakespeare March 30, 31, April 1, 2 at 7:30 pm; April 2, 3 at 2 pm (Westhoff Theatre) Rock 'n' Roll by Tom Stoppard March
    [Show full text]
  • Developmental Cross Training Repertoire for Musical Theatre
    Developmental Cross Training Repertoire for Musical Theatre Women The repertoire suggestions below target specific developmental goals. It is important to keep in mind however that the distinguishing characteristic of musical theatre singing is the variability of tonal resonance within any given song. A predominantly soprano song might suddenly launch into a belt moment. A chest dominant ballad may release into a tender soprano. Story always pre-empts musical choices. “Just You Wait” from My Fair Lady is part of the soprano canon but we would be disappointed if Eliza could not tell Henry Higgins what she really felt. In order to make things easier for beginning students, it’s a good idea to find repertoire with targeted range and consistent quality as students develop skill in coordinating registration. Soprano Mix—Beginner, Teens to Young Adult Examples of songs to help young sopranos begin to feel functionally confident and enthusiastic about characters and repertoire. Integrating the middle soprano is a priority and it is wise to start there. My Ship Lady in the Dark Weill Far from the Home I Love Fiddler on the Roof Bock/ Harnick Ten Minutes Ago Cinderella Rodgers/Hammerstein Mr. Snow Carousel Rodgers/Hammerstein Happiness is a Thing Called Joe Cabin in the Sky Arlen/Harburg One Boy Bye Bye Birdie Strouse/Adams Dream with Me Peter Pan Bernstein Just Imagine Good News! DeSylva/Brown So Far Allegro Rodgers/Hammerstein A Very Special Day Me and Juliet Rodgers/Hammerstein How Lovely to be a Woman Bye Bye Birdie Strouse/Adams One Boy Bye Bye Birdie Strouse/Adams Lovely Funny Thing.
    [Show full text]