Welcome

UPCOMING Dear Friends, Welcome to Sight Unseen,the inaugural production at The Old Globe’s arena stage at the James S. Copley 2008Summer Auditorium. We are deeply grateful that our neigh- SHAKESPEARE bor, the San Diego Museum of Art,has leased us this FESTIVAL space while we construct our new second stage. This June 14 - September 28,2008 allows us to continue our program without interrup- Lowell Davies Festival Theatre tion in a perfect venue, thanks to this special ROMEO AND JULIET arrangement with the Museum. As for the venue— we have made it a priority to create a theatrical space THEMERRYWIVESOFWINDSOR here that retains all the intimacy that our audiences ALL’SWELL THATENDSWELL have treasured in the former Cassius Carter Centre Stage. So again,we thank the San Diego Museum of Art for making it possible for the Globe to bring you an exciting OOO season of theatre. As you can see, we’ve begun construction of the Globe’snew campus,including the THEWOMEN new arena theatre, education center, and plaza. We’ve even built a temporary pub September 13 - October 26,2008 across the plaza. Our plans for the upcoming seasons and the education programs in the new center are well underway,and we thank you for being a part of the excite- Old Globe Theatre ment during the construction period.

OOO As part of the Summer Season, on the Old Globe stage, Resident Artistic Director Darko Tresnjak brings you the delightful comedy,The Pleasure of His Company. And, of course,it can’t be summer without the Globe’snationally-recognized Shakespeare BACKBACKBACK Festival in the Lowell Davies Festival Theatre. Romeo and Juliet, The Merry Wives of September 19 - October 26,2008 Windsor, and All’s Well That Ends Well run in repertory with a wonderful company of The Old Globe Arena Stage actors,playing through the end of September. at the James S.Copley Auditorium, San Diego Museum of Art While all of this takes place,our innovative Summer Shakespeare Intensive is giving young people an extraordinary opportunity to explore Shakespeare. We’ve brought students from around the county to work with our Old Globe/USD Master of Fine OOO Arts students, as they prepare and perform a special adaptation of Romeo and Juliet. Their training and rehearsal will be documented in a blog on our website, and they DR.SEUSS’ take to the Festival Theatre stage on August 11. Join us in following their progress HOW THEGRINCH and enjoying their performance. STOLECHRISTMAS! November 15 - December 28,2008 More than anything,we’re so pleased that you are here in this exciting new space— Old Globe Theatre for this exciting performance of Sight Unseen. Enjoy your experience.

Executive Producer

PERFORMANCES MAGAZINE P1 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors,each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’shigh quality of artistic programming and award-winning work in the community.

TheLeglerBenboughFoundation JoanandIrwinJacobs JohnA.Berol Las Patronas KarenandDonaldCohn TheLipinskyFamily Peter CooperandNormanBlachford ConradPrebys ValerieandHarryCooper DonaldandDarleneShiley AudreyS.Geisel SupervisorPamSlater-Price andtheCountyof SanDiego GlobeGuilders Sheryl andHarvey White Deni andJeff Jacobs Anonymous

To become a Season Sponsor,please contact Director of Development Todd R.Schultz at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE `

PRESENTS SIGHT UNSEEN

BY Donald Margulies

SCENICDESIGN COSTUMEDESIGN LIGHTINGDESIGN Nick Fouch Laurie Churba Chris Rynne

SOUNDDESIGN STAGE MANAGER Paul Peterson Tracy Skoczelas

DIRECTEDBY Esther Emery

Casting by Samantha Barrie,CSA

SIGHT UNSEEN by Donald Margulies is presented by arrangement with Dramatists Play Service, Inc.,in New York. Originally produced in New York City by the Manhattan Theatre Club on January 7,1992. Commissioned and originally produced by South Coast Repertory.

PERFORMANCES MAGAZINE P3 Cast of Characters

(In Order of Appearance)

Jonathan...... Anthony Crane Nick...... Ron Choularton Patricia ...... Kelly McAndrew Grete...... Katie Fabel

Stage Manager...... Tracy Skoczelas

Setting: ACT 1 ACT 2 1. A cold farmhouse in Norfolk,England.The present. 5. The farmhouse.A few hours after the end of Scene One. 2. An art gallery in London.Four days later. 6. The art gallery. Continued from the end of Scene Two. 3. The farmhouse. An hour before the start of Scene One. 7. The farmhouse. A few hours after the end of Scene Five. 4. A bedroom in Brooklyn.Fifteen years earlier. 8. A painting studio in an art college.New York State. Seventeen years earlier.

There will be one 15-minute intermission. The Actors and Stage Managers employed by this production are members of the Actors’ Equity Association,the Union of Professional Actors and Stage Managers in the United States.

SIGHT UNSEEN is supported, in part, by the following generous sponsors: JAKE AND TODD FIGI Jake and Todd Figi have been supporters of The Old Globe for many years. As a member of the Globe’sBoard of Directors,Jake served as Co-Chair of the 2006 Globe Gala,and Todd was part of the team of Co-Chairs for the 70th Anniversary Globe Gala in 2005.Over the last several years,the couple has extended their generosity to support productions in the Cassius Carter Centre Stage,including last year’ssuccessful run of Hold Please.Jake and Todd have long been known as prominent arts patrons in the San Diego community. Todd is currently serving as Board President of the Museum of Contemporary Art San Diego, where Jake also serves as an active volunteer. They are avid collectors of Latin American Art and reside in La Jolla with their two dogs,Niki and Guapo. U.S. BANK For more than a decade,U.S.Bank has supported The Old Globe’sEducation and Outreach Programs including The Shakespeare Initiative forYoung People. Thanks to the support of Senior Vice President and Regional Manager Jim Wening,U.S.Bank has expanded its support to sponsor this production of Sight Unseen. U.S. Bank strengthens communities through contributions to nonprofit organizations to improve the educational and economic opportunities of low- and moderate-income individuals and families;and enhance the cultural and artistic life in communities across the country. John Rebelo,current U.S.Bank Board Member proudly serves on the Globe’sBoard of Directors. GLOBE AMBASSADORS Globe Ambassadors are generous supporters of The Old Globe who have shown a dedicated interest in the Theatre,its artistic projects and educational and community outreach programs. Through the Ambassadors program,these individuals attend special presentations about activities at the Globe and serve as the Theatre’sambassadors in the community. The Old Globe would like to thank each of these individuals for their generosity and interest. For a full list of current Globe Ambassadors,please see page 20.

P4 PERFORMANCES MAGAZINE Board of Directors

Dear Friends,

Welcome to the 2008 Summer Season! Construction has begun on our exciting new facility, the Conrad Prebys Theatre Center,which includes the Sheryl and Harvey White Theatre,a 250-seat arena stage,and the Karen and Donald Cohn Education Center,featuring Hattox Hall. Scheduled for completion in late 2009, these facilities are made possible by our capital campaign, Securing A San Diego Landmark, led by magnani- mous gifts from Donald and Darlene Shiley,Conrad Prebys and our Board of Directors.We are very grateful to them and the many other community-spirited supporters of the Globe who have contributed to the cam- paign.

With construction of our new facilities underway, the Securing a San Diego Landmark campaign has reached 75% of its goal. As you con- sider helping us with the critical last phase of the campaign,you’ll be pleased to know that the foremost evaluator of non-profit organiza- tions, Charity Navigator,ranks the Globe in the top 6% of all non-profits nationwide based on our record of “exceptional” financial stability and the resources we devote to our artistic and education programs. When you give to The Old Globe,you can be confident that your gift is being used well.

Thank you for your support of The Old Globe. Enjoy the show! Donald Cohn,Chair, Board of Directors

BOARD OF DIRECTORS / OFFICERS DonaldCohn* KathyHattox* AnthonyS.Thornley* SandraRedman* SusanMajor* HarveyP.White* Chair Immediate Vice Chair Finance Vice Chair Vice Chair Secretary Past Chair & Treasurer Nominating Development DIRECTORS Martin Goodman Louis G.Spisto* Patsy Shumway Mary Beth Adderley-Wright Viviana Ibañez Daniel L.Sullivan,Ph.D. Joseph Benoit Deni Jacobs Julie H.Sullivan,Ph.D. HONORARYDIRECTORS Deni S.Carpenter Daphne Jameson Evelyn Mack Truitt Mrs.Richard C.Adams Robert Cartwright Mitzi Yates Lizarraga Debra Turner (1912–2005) Peter J.Cooper Timothy A.MacDonald Crystal Watkins Clair Burgener (1921-2006) Valerie S.Cooper Fern Murphy Ruth Wikberg-Leonardi Mrs.John H.Fox (1908–2003) Stephen M.Cusato Marianne Nelson June Yoder Audrey Geisel Elaine Bennett Darwin Arthur Neumann Carolyn Yorston Paul Harter David W.Down Robin Nordhoff Deborah Young Gordon Luce (1925-2006) Joel Ewan Rafael Pastor* Tim K.Zinn Dolly Poet (1921-2007) Pamela A.Farr Conrad Prebys* Deborah Szekely Jake Figi John Rebelo EMERITUSDIRECTORS Hon.Pete Wilson Sally Furay,R.S.C.J. Sara Rosenthal,M.D. Garet B.Clark Harold W.Fuson,Jr.* Jeri Rovsek J.Dallas Clark (1913–2005) Victor P.Gálvez Jean Shekhter Bernard Lipinsky (1914-2001) Robert Gleason Nancy A.Spector Delza Martin (1915–2005) *Executive Committee Member

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is supported in part by grants from Supervisor Pam Slater-Price and The County of San Diego.

PERFORMANCES MAGAZINE P5 Donor Spotlight: Karen and Donald Cohn

Leadership Gifts to The Old Globe “The work on the stages of The Old Globe speaks for itself,” in the view of Donald Cohn, longtime Board member The Old Globe would like to recognize and and Globe supporter. Karen and Donald thank the following generous individuals who Cohn have been involved at the Globe for have made extraordinary gifts of $1 million or decades. Both have served as Chair of more to this organization. These major contri- the Board of Directors, a position butions have been designated for artistic pro- Donald now holds. Karen was founding jects, the endowment and facilities, and help chair of the Globe Gala,has since chaired The Old Globe remain one of our country’s a series of very successful Galas,and has great theatre institutions. been a leader in many other Globe activ- ities.

$20,000,000 or greater The Globe is a family tradition for the Cohns. Karen, a native San Diegan, Donald and Darlene Shiley began attending the Globe’sShakespeare Festival as a teenager and has passed the tradition on to their son Jonathan,who also $10,000,000 or greater worked as an intern at the Globe and is now in film school. “When I met Don, one Conrad Prebys of our first dates was at the Globe,to see a production of Julius Caesar, with [Associate Artist] Jonathan McMurtry in the cast,” says Karen. $5,000,000 or greater Karen was a founding member of the City of San Diego Commission for Arts and Sheryl and Harvey White Culture. “In that role, I reviewed proposals from all the arts organizations and the Kathryn Hattox Globe’swas always among the strongest and most impressive. When my term on the Commission ended,I knew I wanted to become more involved at the Globe.” Karen and Donald Cohn “The Globe has changed a lot in the sixteen years since I first joined the Board. I loved working with [Artistic Director Emeritus] Jack O’Brien and [former Managing $1,000,000 or greater Director] Tom Hall. And now [current CEO/Executive Producer] Lou Spisto has California Cultural and been spectacular on so many different levels. The Globe has grown tremendously;he Historical Endowment has increased our presence on Broadway and done so much to build the organization. Estate of Dorothy S.Prough I feel like we’ve been through the birthing pains of the organization and want to stay involved to see what happens next. It’sa kind of family feeling,the pride we have in The Rivkin Family the Globe.” Estate of Beatrice Lynds The Cohns fit their commitment to the Globe into very busy lives. Donald was Audrey S.Geisel / Founder and CEO of DataQuick, the nation’s leading real estate information com- San Diego Foundation pany, which he led for eighteen years. He now works in start-up investment in the Dr.Seuss Fund tech world and continues his 40-year career in real estate development. Karen is a former attorney. They also own Ballena Vista Farms,one of the largest thoroughbred Mr. and Mrs. Victor H. Ottenstein breeding facilities in California,and are very involved in thoroughbred racing. Mrs. Helen Edison But the arts hold a special place in their lives. “I see theatre as a ‘higher calling,’ if I The Stephen and Mary Birch can use that term,” says Karen. “When you see something on stage,it resonates more Foundation deeply. The juxtaposition of art,words,thought and performance gets into your soul. The Kresge Foundation Moral, philosophical, and aesthetic ideas are expressed so much more effectively through theatre than any other art form. There’snothing like the immediacy and re- ality of theatre.” Karen and Donald Cohn believe that “everyone needs to see theatre.” And through their generous support of The Old Globe,they do all they can to make that possible.

P6 PERFORMANCES MAGAZINE Securing A San Diego Landmark

BE A LASTING PART OF THE OLD GLOBE By Naming A GRANITE PAVER On Our New Plaza

$10,000GranitePavers(11” x7”)

$25,000GranitePavers(15” x8”)

$50,000GranitePavers(23” x10”)

By purchasing a personalized Granite Paver on our beautifully re-designed plaza, you can play a critical role in securing The Old Globe for future generations! • Only 150 Available • Prominent Location in Copley Plaza • Individualized with Your Name (or Your Honoree) • Payments Can be Made Over 5 Years • Will be Enjoyed by Globe Patrons & Millions of Park Visitors each Year

$50,000 and $25,000 Granite Pavers Near the entrances of the two theatres will be the Granite Pavers recognizing gifts of $50,000 and $25,000.

$10,000GranitePavers At the top of the walkway entering the plaza will be the circle of Granite Pavers recognizing gifts of $10,000.

To learn how you can participate call the Development Office,(619) 231-1941 x2317

PERFORMANCES MAGAZINE P7 Program Notes

ARTISTS ON ART DONALD MARGULIES, OR WHAT’S AN AMERICAN PLAYWRIGHT? “I wish I could manage to By Michael Feingold make you really understand that when you give money to The following is an excerpt from Michael Feingold’s introduction to SIGHT UNSEEN and Other artists, you are yourself doing Plays by Donald Margulies, Theatre Communications Group Inc., New York, 1995. an artist's work, and that I only want my pictures to be of When I see one of Donald Margulies’splays,I always end up thinking about my cousin Abe. He such a quality that you will and his wife were among the lucky ones. They had been in Theresienstadt,which was not one of the not be too dissatisfied with worst camps, and had actually married in the camp itself. They had survived to settle [in the U.S.] your work.” after the War. However,in the late ‘60s,he and his family emigrated to Israel,because he said,“It is — Vincent Van Gogh going to happen again. It is going to happen here. And I want to be with my own people when the time comes.” Back then I thought Abe was funny,a bit cracked. We all did. Nowadays I’m not so sure:Israel, where Abe’sfamily still lives,is slowly struggling toward peace with the Palestinians. Meanwhile,I sit “A painter is a man who here in New York,flanked by Louis Farrakhan on one side and Pat Robertson on the other. Maybe it paints what he sells. An is going to happen here, but I was not born in Europe, and don’t find it so easy to say who my own artist, however, is a man that people are. sells what he paints.” Jews are used to being hated;once you have met the hatred,you never get over it. Your conscious- — Pablo Picasso ness is always marked by a sense of being in some way separate. And your history — like the Holocaust history that sneaks or strides into all of Donald Margulies’splays — hangs over you,a per- manent cloud in even the sunniest sky. There is no escape; what you believe to be permanent and comforting can be taken from you in “Making money is art and a second,can vanish without a word. working is art and good busi- And this, too, hangs over ness is the best art.” Margulies, who very properly uses — Andy Warhol his plays to test the validity of such concepts, sorting out what it means to be creative along with what it means to be a Jew. Margulies’s gift for raising troublesome issues subtly “Good art can not be im- comes with a concomitant gift for moral. By good art I mean art ironizing his way around them, for that bears true witness, I seeing them from all sides. Because mean the art that is most pre- troublesome questions don’t have cise.” simple answers; that’s why, like his- — Ezra Pound tory, they never go away. For Margulies, the troublesome ques- tions are about family ethics,friend- ship and money, and in Sight Unseen, they’re about love and art. But the
PORTRAIT OF AN ARTIST AS A WOMAN,1989,BY ERIC FISCHL. underlying question that is more

P8 PERFORMANCES MAGAZINE deeply troublesome is about Jews and identity in America, and the real beauty of Margulies’s work is that “A young painter who cannot he’smanaged to create an ethnic theatre without the tub- liberate himself from the in- thumping self-consciousness that often mars ethnic-mi- fluence of past generations is nority art. In art the things you assert are your identity; digging his own grave.” the questions you raise are your way of transcending it. — Henri Matisse Pretending that you have no ethnic identity is no use for purposes of transcendence. Death of a Salesman is a Jewish play too, for all of the little impulses on Arthur “Freedom of any kind is the Miller’s part to make it more universal by making it ab- worst for creativity.” CROUCHED WOMAN WITH SCISSORS, 1982,BY DAVID SALLE stract. What Miller wrote, in effect, was the story of the — Salvador Dali Jewish spirit’sfailure to find a home in the American sys- tem; everything Margulies writes, one step further on, is an implied critique of the system on that basis,the chronicle of a land which is all model apartments and no home for anybody’sspirit. Eugene “If a symbol should be dis- O’Neill’s Long Day’s Journey into Night – an Irish Catholic play the way Death of a Salesman is a Jewish covered in a painting of mine, play – also seeps into Margulies’swork. The cruel banality of American life,with which both Miller it was not my intention. It is a and O’Neill are at war,is a kind of terrifying wonder-world to Margulies. result I did not seek. It is Miller and O’Neill’sobsessive focus on the family represents one American approach to art;the something that may be found other is that consolation of displaced souls,the desire to include everything:Walt Whitman,Gertrude afterwards, and which can be Stein,Thomas Pynchon. Margulies,coming after so many such efforts and sensitively aware of them, interpreted according to seems to be struggling to strike a balance between the two modes. The American everything is in his taste.” plays:street slang and Greek myth;the form of naturalism and a determined stylistic disruption of it; — Marc Chagall the assertion of ethnic identity and a systematic effort to see around it. So Donald Margulies’s plays remind me of all the reasons why I am not, despite the premoni- tions of my cousin Abe,going to leave America. I am going to stay here “because I was born here,and my great-great-grandmother baked bread for George Washington’s troops when he crossed the “Which painting in the Delaware,and I am going to stay here and have a piece of it just like you.” The part about my great- National Gallery would I save great-grandmother isn’t true. I didn’t say those words;Paul Robeson did, to a session of the House if there was a fire? The one Un-American Activities Committee,which was trying to closest to the door, of deprive him of his passport because of his political be- course.” liefs. And when they asked him why he liked Russia so — George Bernard Shaw much, he said, among other things, “the great poet of Russia is a Negro,” which is true; he was speaking of Pushkin. Well, the great playwrights of America are African and Latin American and Irish and Italian and Chinese and Eastern European. And Jewish. And when I see Donald Margulies’splays,I see America. And I like
America. And I fear for America. And I smile at America. MADISON NUDE,1967,BY JACK BEAL And I decide not to emigrate. The artists featured on these pages provided inspira- Michael Feingold has worked in the American theatre for over three decades as a translator, playwright, tion to playwright Donald Margulies for the work of lyricist, director, dramaturg, and literary manager. He was a finalist for the Pulitzer Prize in Criticism “Jonathan Waxman” in SIGHT UNSEEN. for his work as the chief theatre critic for New York's weekly newspaper, The Village Voice.

FOR MORE INFORMATION ABOUT OLD GLOBE PRODUCTIONS,PLEASE VISIT OUR WEBSITE AT www.TheOldGlobe.org.

PERFORMANCES MAGAZINE P9 Program Notes continued

My father’s silence created in me a hunger for words that drew me to surrogate fathers, men I knew only through what they wrote. Herb Gardner may have been HT YSSNJOHANN SUSAN BY PHOTO my earliest spiritual father,but Arthur Miller came into my life not long after. Death of a Salesman’s uncanny reflection of my life and worst fears also exhilarated me and made me feel less alone. I studied it with great fascination,as if it were a key to understanding what was happening to the people I loved,so that I might somehow alter my family’s ...AFTERWORD fate. By Donald Margulies After Miller,and as adolescence approached,I discov- ered in J.D.Salinger a spiritual father so empathic that he The following is an excerpt from Donald Margulies’s essay seemed to know how I felt about everything. Once I’dread entitled “Afterword by the Playwright,” The New York Times, The Catcher in the Rye, I devoured everything he had pub- 1992. lished — all three slim paperbacks. I wanted more, but Salinger proved to be the ultimate withholding father. Sometime in the early ‘60s, when I was around nine Philip Roth was not withholding. He was brainy, years old,my mother and father and brother and I checked naughty and bursting with words: the cool daddy with into a cheap hotel in the West 50s of Manhattan, and for whom one could talk about sex. I was fifteen when I first six days we saw every hit on Broadway. As the house lights read Portnoy’s Complaint and for all the wrong reasons; I dimmed each night and each matinee, I remember feeling was scanning for tales of sexy shiksas, but what I found almost unbearably excited by what lay ahead. were stunning insights into what it meant to be a Jew and Herb Gardner’s A Thousand Clowns was the first nonmu- a man. sical play I ever saw, and I remember how the muscles in While I was at the State University of New York at my face hurt from grinning in pleasure for two hours. For Purchase I discovered The Homecoming and The Sound and a boy like me, whose father worked all the time, it must the Fury. On the face of it,Pinter’sstark,nightmarish black have been invigorating to see a play about a man who pre- comedy and Faulkner’sgorgeously poetic family saga had ferred being home to toiling at a demoralizing job. In ret- little in common and yet, in my mind, they coexisted, rospect, it seems fitting that my first exposure to drama thrillingly. If I was to be a writer,why couldn’t I be an off- was a play about a complex father figure and his surrogate spring of all these spiritual fathers, a son of Pinter and son, for the theme of fathers and sons has long figured in Faulkner – and Miller and Salinger and Roth? my plays and in my life. Not until I was an adult did I understand that, in his My father was a taciturn man, physically affectionate lonely abdication, my father sought refuge from his but prone to mysterious silences, who worked six, some- demons,from the terrible fear that,not having had a rela- times seven, days a week selling wallpaper in Brooklyn. tionship with his own father,he wouldn’t know how to be His days routinely began at six in the morning and didn’t a father himself; rather than try and fail, he simply re- end until eleven at night, but his rare days off were often treated into silence. Years after I became a playwright,I re- devoted to playing records on the living room hi-fi. The alized that playwriting — the craft of dramatizing the great composers whose music wafted through our tiny unspoken — provided me with the tools I needed to get apartment weren’t Beethoven and Mozart but Loesser and inside my father’shead and figure out what he was think- Styne and Rodgers and Hammerstein. That was my father ing. Through the echoes of my father that occur in my at his most content:playing his Broadway musical cast al- plays, I have been able to give him a voice he only rarely bums, dozens of them, on Sunday mornings throughout used in life. my childhood.

P10 PERFORMANCES MAGAZINE Profiles RonChoularton show on the life of Jack Kerouac), Chicago. Culture Project; The Cataract, The Women's (Nick) FILM: SimOne,March,Slice and Dice,Hearsay, Project; Book of Days, Signature Theatre. THE OLD GLOBE: Down With The Joneses, The War of the Roses. REGIONAL: These Shining Lives (world pre- Moon for the Mis- TV: The Big Easy (series lead), Six Degrees, miere), Baltimore Center Stage; Brendan, begotten, Da. RE- Third Watch, Judging Amy, The Practice, Girls Huntington Theatre; The Bald Soprano, New GIONAL: A Christ- Club, C.S.I., She Spies, JAG, Wasteland, Frasier, Jersey Shakespeare; Three Sisters, ART, mas Carol, The Savannah,The Untouchables. TRAINING: BS, Edinburgh Int'l Festival; Eugene's Home, Clean House, San Theatre, Northwestern University; Royal Berkshire Theatre Festival; The Merchant of Diego Rep.ELSE- National Theatre of London. Member of Venice, Shakespeare on the Sound; Proof, WHERE: M.Butter- AEA. Tony is thrilled to be working at The George Street Playhouse; Ghosts, Arizona fly,Breaking the Code,The Foreigner,Terra Nova, Old Globe.For Susan. Theatre Co; Talley's Folly, Repertory Theatre Someone Who'll Watch Over Me,Jacob Marley's of St. Louis, Cincinnati Playhouse in the Christmas Carol, A Christmas Carol, North KatieFabel Park; The Miracle Worker, The Great White Coast Rep; Gangster No.One,Baltimore Waltz, (Grete) Hope, Arena Stage; Holiday, Olney Theatre The Lover, A Midsummer Night's Dream, THE OLD GLOBE: Center, (Helen Hayes nomination for Best Reckless, *Vigil, The Fritz Theatre and Debut. RECENT Actress). TV: Law & Order:SVU,As the World *Edinburgh Fringe Festival; Breaking the CREDITS:The Turns. FILM: Company K,New Guy,Out of the Code, Diversionary Theatre; Ring Round the Sound of Music, Darkness, Superheroes and the upcoming Moon, Enchanted April, Lambs Players; My London’s West Everybody's Fine starring Robert DeNiro. Fair Lady, St. Nicholas, Cygnet Theatre; End; Amadeus, Education:UMKC. Camelot, Scarlet Pimpernel, Oliver!, Starlight Shakespeare Theatre; Waiting for Godot, The Caretaker, Theatre of New DonaldMargulies Renaissance Theatre; Three Sisters, New Jersey; Arsenic & (Playwright) Village Arts.TV:The Dark,Splitsville,Pensacola, Old Lace, UK National Tour; The Wind in the Donald Margulies’s plays include Brooklyn Renegade. Ron has been awarded numerous Willows, Royal National Theatre; Schaden- Boy,Dinner with Friends,Sight Unseen,Collected Dramalogue,San Diego Critic'sCircle,Patte, freude, WOW Theatre; The Fear Brigade, Stories, The Loman Family Picnic, God of and San Diego Playbill Awards. Global Village UK; O What a Lovely War, Vengeance,The Model Apartment,What’s Wrong Intimate Theatre; Orpheus Descending, Nine, with this Picture?, Found a Peanut and the up- AnthonyCrane She Loves Me, The Royal Acdemy of Music. coming, Geffen-commissioned Time Stands (Jonathan) She has also appeared in numerous operas Still. He has won a Lucille Lortel Award, an THE OLD GLOBE: with the English National Opera as part of American Theatre Critics Award, two Los Debut. BROAD- the young chorus.TV:Zen&TheArtof Fantasy Angeles Drama Critics Awards, two OBIE WAY: Butley, Sight Football. EDUCATION/ TRAINING: MFA Awards, two Dramatists Guild Hull- Unseen.OFF-BROAD- in music theatre,Royal Academy of Music. Warriner Awards, five Drama Desk Award WAY: Modern nominations, two Pulitzer Prize nomina- Orthodox (directed KellyMcAndrew tions and one Pulitzer Prize. His works have by James Lapine), (Patricia) been performed on and off- Broadway; at The Brothers Kara- THE OLD GLOBE: major theatres across the United States in- mazov,The Diction- Debut. BROAD- cluding South Coast Repertory, Manhattan ary of the Khazars. REGIONAL: Spamalot, WAY: Cat on a Theatre Club, Primary Stages, Actors Wynn Las Vegas; Long Day’s Journey Into Hot Tin Roof (with Theatre of Louisville, Long Wharf Theatre, Night, Los Angeles, Beyond Therapy, Closer, The Jason Patric and Williamstown Theatre Festival, The Old Scarecrow,Pacific Resident Theatre;The Glass Ned Beatty). OFF- Globe,La Jolla Playhouse and Joseph Papp's Menagerie, Pasadena Playhouse; The Last BROADWAY: New York Shakespeare Festival;and in Paris, Night of Ballyhoo, Canon Theatre; Our Greedy, Clubbed London, Rome, Madrid, Tel Aviv, Country’s Good, The Recruiting Officer, Medea, Thumb; Topsy Amsterdam, Copenhagen, Sydney, Berlin, Twelfth Night,Lonesome Traveler, (a one person Turvey Mouse,Cherry Lane; Trout Stanley, The Vienna and many other cities around the

PERFORMANCES MAGAZINE P11 Profiles continued world. Mr. Margulies has received grants Sledgehammer Theatre. Esther has also di- Chris Rynne from the National Endowment for the Arts, rected Hecuba (6th@Penn), Soul Fire (Lighting Design) The New York Foundation for the Arts, and (Playwrights Project),Cool as WeFly (Ruff THE OLD GLOBE:The American Plan,Who’s the John Simon Guggenheim Memorial Yeager),Tongue of a Bird and Love’s Fire (Stone Afraid of Virginia Woolf?, Two Trains Running, Foundation. In 2005 he was honored by Soup), as well as one-acts for Playwrights Lincolnesque (San Diego Critics Circle the American Academy of Arts and Letters Project Plays by Young Writers and play Award), Pig Farm, Trying, Vincent in Brixton with an Award in Literature and by the readings for Diversionary, Moonlight, (San Diego Critics Circle Award), The Lady National Foundation for Jewish Culture Mo'olelo and others. Emery has taught act- with All the Answers,The Food Chain,Two Sisters with its Cultural Achievement Award and ing and playwriting,and her first full length and a Piano, Blue/Orange, Time Flies, Knowing was the recipient of the 2000 Sidney play,Rhubarb,was produced by MOXIE this Cairo, Beyond Therapy, The SantaLand Diaries Kingsley Award for Outstanding spring. ('01);Assistant designer for over 30 produc- Achievement in the Theatre by a playwright. tions on the Globe and Festival stages.With Mr. Margulies is an alumnus of New NickFouch The Old Globe/USD Professional Actor Dramatists and serves on the council of The (Scenic Design) Training Program: Much Ado About Nothing, Dramatists Guild of America. He is an ad- THE OLD GLOBE:Christmas on Mars,Lobby Twelfth Night, All in the Timing, The Winter's junct professor of English and Theatre Hero. ELSEWHERE: The Goat, or Who Is Tale,Two Gentlemen of Verona,Macbeth,Getting Studies at Yale University. Sylvia,Romance,Miss Witherspoon,Don Quixote, Married. ELSEWHERE: San Diego Opera, San Diego Rep; Yellowman, Communicating South Coast Rep,Madison Opera,Pasadena EstherEmery Doors, Cygnet Theatre; Macbeth, Kid Simple, Playhouse, San Diego Rep,Cygnet Theatre, (Director) When the World Was Green, Chiang Kai Chek, North Coast Rep, Houston Grand Opera, Emery was recently named the first recipient Sledgehammer Theatre; Limonade Tous les Diversionary Theatre,Starlight Theatre. of the “Jack O’Brien Excellence in Jours,Devil Dog Six, Moxie Theatre; Chrysalis: Directing” Award, given by the San Diego Rapechild, produced and directed by Esther PaulPeterson Critics Circle at their 2007 ceremony in Emery; Smokey Joe’s Café, I Left My Heart, The (Sound Design) January. The award recognizes a local direc- Buddy Holly Story, Welk Resort Theatre; THE OLD GLOBE: Over 60 productions, tor who demonstrates O’Brien’sexceptional Sailor’s Song, True West, Dancing at Lughnasa, including: The Pleasure of His Compnay, The breadth of work. In 2007 Emery directed New Village Arts.EDUCATION:Nick holds American Plan,Sea of Tranquility,Dr.Seuss’ How three notably different productions at a BFA in Scenic Design and Technical TheGrinchStoleChristmas!,HayFever,Bell,Book Cygnet (Yellowman, which won the Critics Direction from The University of Idaho. and Candle, Edward Albee’s Who’s Afraid of Circle “Best Play” Award,and Communicating Virginia Woolf?,Two Trains Running,Hold Please, Doors) and MOXIE (Devil Dog Six) Theatres. LaurieChurba Restoration Comedy, The Four of Us, Pig Farm, She has also won three Patte Awards for her (Costume Design) The Sisters Rosensweig, Trying, Moonlight and direction of Yellowman, Communicating Doors THE OLD GLOBE: The Comedy of Errors. Magnolias,Vincent inBrixton,IJustStoppedByto and Chrysalis:Rapechild.Emery has long been BROADWAY: The Price (directed by James See the Man, Lucky Duck,The Intelligent Design associated with The Old Globe, having Naughton). How Shakespeare Won the West of Jenny Chow, Blue/Orange, Time Flies, served as stage manager for many produc- (upcoming world premiere), Cry of the Reed Pentecost, Compleat Female Stage Beauty, Dr. tions, most recently Pig Farm and Trying. An (world premiere), Rabbit Hole,Huntington Seuss’ How the Grinch Stole Christmas!, The Artistic Associate at MOXIE Theatre, her Theatre; The Book Club Play, Love! Valour! Boswell Sisters, Crumbs from the Table of Joy. work was named three times on the 2007 Compassion!, Coastal Disturbances, Berkshire ELSEWHERE: Centerstage, Milwaukee San Diego Union-Tribune ten best list. Her Theatre Festival; Hot and Cole, The Pavilion, Rep, La Jolla Playhouse, Sledgehammer directing credits include Yellowman and Relatively Speaking,The Drawer Boy,Member of Theatre (Associate Artist), Mo’olelo Communicating Doors at Cygnet Theatre, the Wedding, Master Harold and the Boys, Performing Arts Company, The Wilma Dancing at Lughnasa at New Village Arts, Westport Country Playhouse; Death of a Theatre, L.A. TheatreWorks, San Diego Limonade Tous Les Jours and Devil Dog Six (co- Salesman, A View from the Bridge in repertory, Repertory Theatre, Florida Studio Theatre, directed with Jennifer Eve Thorn) at MOXIE Arena Stage; The Threepenny Opera, Loot, The Lorraine Hansberry Theatre, North Coast Theatre, Bunbury at Diversionary, and the Price, Johnny on a Spot, Buffalo Gal and Horse Rep, Diversionary Theatre, Cape Fear world premiere of Chrysalis: Rapechild with Heavens,Williamstown Theatre Festival.

P12 PERFORMANCES MAGAZINE Regional Theatre, Hope Summer Repertory Theatre,Malashock Dance & Company,The University of San Diego, San Diego State University, and the Freud Theatre at UCLA. EDUCATION: BFA in Drama with an em- phasis in Technical Design from San Diego State University. TracySkoczelas Three Elderhoster Day of Discovery events will take place at The Old (Stage Manager) Globe this fall. THE OLD GLOBE: Dancing in the Dark, A Catered Affair, Hay Fever, Two Trains Running, The Four of Us, The Times They Are A-Changin’, Elderhostel Inc. is a not-for-profit Summer Shakespeare Festivals (‘04 - ‘06, organization dedicated to provid- ‘08),Vincent in Brixton,I Just Stopped By to See ing exceptional learning opportuni- the Man, Dirty Rotten Scoundrels, The Food ties at a remarkable value. Chain, Two Sisters and a Piano, Bus Stop, Rough Crossing,Much Ado About Nothing,Julius Caesar, Elderhostel programs are designed for adults 55 and over. Dirty Blonde, Pentecost, Loves & Hours, Oldest Living Confederate Widow Tells All, Splendour, Each Day of Discovery at The Old Globe runs from 2:00 p.m. Pericles, All My Sons, Compleat Female Stage to approximately 11:00 p.m. Beauty, Betrayal, Smash, Memoir, Dr. Seuss’ How the Grinch Stole Christmas! (‘01-’07), MERRY WIVES OF WINDSOR Twelfth Night, A Midsummer Night’s Dream, Tuesday, September 16, 2008 Henry V, The Trojan Women. EDUCATION: Program cost per person is $89 BFA, University of North Carolina at Greensboro. ALL'S WELL THAT ENDS WELL Wednesday, September 17, 2008 Program cost per person is $89 AdditionalStaff forthis Production Production Assistant...... Kevin Robert Fitzpatrick ROMEO AND JULIET Assistant Director...... Chelsea Whitmore Wednesday, September 24, 2008 Dialect Coach...... Robert Barry Fleming Program cost per person is $89

This theatre operates under an agreement between the Programs include a Behind-the- League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage Scenes Tour, lectures and work- managers in the United States. shops with Globe artists, snack, The Directors are members of the Society of Stage Directors and Choreographers, an independent national dinner, and ticket to the show. labor union.

The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists Local USA-826,IATSE.

This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees Local No.122. For more information see the Elderhostel Website at www.elderhostel.org/dayofdiscovery. Si desea una sinopsis de esta obra en Español,favor de Our programs will be listed under California. pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in Spanish, please request it from an usher. PERFORMANCES MAGAZINE P13 Backstage at the Globe FROM AUDITORIUM TO ARENA STAGE Building an Interim Theatre Space

A new electrical system was installed to support theatrical light- ing. A truss grid (a lighting grid supported by a kind of canopy on legs) was built around the theatre to support lighting equipment. The entire lighting system from the former Cassius Carter Centre Stage theatre was moved into the new space. Tofit the new theatre into the space,some changes from the lay- out of the Carter were necessary. Instead of entering from the top of the theatre,patrons now enter at floor level. ADA-compliant seat- ing for wheelchairs and patrons with limited mobility is also located at floor level. Seats are conference-style chairs, with wider seats than many of the seats in the Carter for increased comfort. In building this space,we had one goal: to provide you with un- interrupted enjoyment of our intimate productions. We are so During construction of the new Conrad Prebys Theatre Center, pleased to be able to do so in a familiar,convenient location here in The Old Globe has built a temporary arena stage in the James S. Balboa Park. Copley Auditorium at the San Diego Museum of Art. We are very grateful to the Museum for making it possible to temporarily house our arena stage productions just steps away from the Globe. Working with the Krenek Design Group,Globe staff developed a design for the new theatre retaining the intimacy you have always enjoyed for our arena stage productions. Anchored into the floor of the auditorium (which will be fully restored when we move out),a “black box” structure was erected, with seating surrounding the stage. One side of the seating goes up onto the old auditorium stage. The remainder of the existing stage is being used for dress- ing rooms.

We’re sure you will enjoy your experience at The Old Globe Arena Stage at the San Diego Museum of Art’s James S. Copley Auditorium (quite a mouthful — for short, we’re calling it “the Copley”). And we’re just as sure you will be thrilled with the new Sheryl and Harvey White Theatre, scheduled to open in early 2010. Like the Carter and the Copley,the White Theatre will be an arena stage retaining all the best aspects of its predecessors,but with new state- of-the-art technical resources and increased audience comfort you’ll be sure to appreciate.

P14 PERFORMANCES MAGAZINE Education Experiences THE CHILD’S VOICE: A Globe Readers Sampler

The Lost Caterpillars,The Stinky Feet,Bathroom Disaster,The Shadow c The smell of fresh nachos.It smells so good I could just melt World, Mystery of the Secret Tooth Fairy, War Through a Child’s Eyes, into it like ice cream in the warm summer sun. Miracle in Baghdad,La Estrella Mágica and An Evil Caterpillar. c When I give my rabbits carrots – they go crunch,crunch, crunch. c My baby brother laughing.It sounds like heaven calling out to me. c The sight of my catfish,Remy.He has a short batch of whiskers that makes him look ancient. c The sound of a hamster speaking “squeak.”However,you can’t understand it.It’s like a person mumbling. c I love the view of my mind. c I love my stuffed animals.Having them touch me makes me feel secure at night.They keep the bad dreams away. c I love the sound of rain drops.It calms me down. c I love kind words. From the sublime to the ridiculous,the stories run the gamut of No, those are not the titles of The Old Globe’s next season of topics: plays. Those titles were on the program for the Globe Readers “Adriana said,‘Somebody has stinky feet.’ Sampler, the culminating activity for The Old Globe’s Literacy Angel said,‘I am the one who has stinky feet.Leona is not the one that has Initiative. Children from some of the more than 30 participating stinky feet.I am!’ schools gathered to hear their own stories read aloud and to per- Leona blushed as red as a tomato.She was very embarrassed to hear her form the plays they had created from those tales. name and stinky feet in the same sentence.She always thought her feet smelled Over 1,900 children participated in the Globe Readers program as fresh as daisies.” during the 2007-08 school year, hearing stories read aloud by our And sometimes they reflect the experiences of the children dedicated volunteers,and writing their own stories. themselves,in this case a refugee from Iraq: One of the challenges of the program is making sure that the “Sacrificing everything, they made the decision to leave Iraq. They sold child’s voice is allowed to come through in the written work. The everything they owned – things that belonged to grandmothers and great Globe Education staff and our volunteers avoid making changes to grandmothers…” the stories. Rather,we allow the idiosyncracies of youthful writing The Old Globe gives voice to playwrights with every play we and language to remain in the work which makes presentations of produce. It seems only natural for our Education Department to the stories sometimes amusing and sometimes surprising. give voice to the writings of children. The Globe Readers Sampler With their stories the children open their minds to us and we is a wondrous event full of laughter and whimsy,sadness and mys- get a unique opportunity to peek inside. What does a child’ssense tery, and,most of all,the voices of our precious children. of humor sound like? What fears do children have? What do they We are always looking for volunteers to join the program. If you wonder about? What do they love? have time to spare in the upcoming school year, please contact us Here are some lines from numerous stories each on a theme of for information on how to become a part of this wonderful educa- “I love…” tion initiative.

c The sun… it looks like stained glass. Roberta Wells-Famula,Director of Education c Hot jalapenos – so spicy they clean your nose. (619) 238-0043 x2144.Or email:[email protected] c When I hear my cat’s meow! It is as wonderful as my favorite kind of music!

PERFORMANCES MAGAZINE P15 Annual Fund Donors

The Old Globe’sability to maintain the highest standard of excellence,while keeping ticket prices affordable,is due in large part to the fi- nancial support of more than 3,500 individuals,businesses,foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactors ($100,000 and above) Bank of America Globe Guilders The San Diego Union-Tribune City of San Diego,Commission for Irving Hughes Donald & Darlene Shiley Arts & Culture The James Irvine Foundation The Shubert Foundation Audrey S.Geisel/The San Diego Microsoft Supervisor Pam Slater-Price Foundation Dr.Seuss Fund and the County of San Diego SeasonSponsors ($50,000 to $99,999) American Express Peter Cooper & Norman Blachford Las Patronas The Legler Benbough Foundation Advised Fund at the San Diego The Bernard & Dorris Lipinsky Fund John A.Berol Human Dignity Foundation of the Jewish Community Foundation California Bank & Trust Valerie & Harry Cooper Conrad Prebys J.Dallas & Mary H.Clark Fund at Deni & Jeff Jacobs QUALCOMM,INC. The San Diego Foundation Joan & Irwin Jacobs Fund of the Wells Fargo Karen & Donald Cohn Jewish Community Foundation Sheryl & Harvey White Foundation ProductionSponsors ($25,000 to $49,999) Mary Beth Adderley-Wright, Danah H.Fayman The San Diego Foundation’s Art Works Richard Wright & Elizabeth Adderley Jake & Todd Figi for San Diego Initiative,supported by American Airlines Kathryn & John Hattox The James Irvine Foundation, AT&T HM Electronics,Inc. Ariel W.Coggeshall Fund and The Alan Benaroya Nokia San Diego Foundation Endowment Mary Ann Blair Fund Sempra Energy Patsy & Forrest Shumway at The San Diego Foundation Sheraton San Diego Hotel & Marina Starbucks Coffee Company Cohn Restaurant Group/Prado Restaurant Union Bank of California Continental Airlines U.S.Bank Mandell Weiss Charitable Trust DirectorCircle ($10,000 to $24,999) Lawrence G.Allredge & Dawn Moore Hal & Pam Fuson Sandra & Allen Redman Anonymous Robert Gleason & Marc Matys Jean & Gary Shekhter Mrs.Inge Lehman Barta in memory of Lee & Frank Goldberg Nancy & Alan Spector and Family Chester K.Barta,MD Martin Goodman Ms.Jeanette Stevens Jane Smisor Bastien Dr.& Mrs.Harry F.Hixson,Jr. Anne Taubman & David Boyle Charles & Molly Brazell Daphne Jameson Gillian & Tony Thornley Arthur & Sophie Brody Fund of the Mr.& Mrs.Neil Kjos Evelyn Mack Truitt Jewish Community Foundation Dr.Ronald & Mrs.Ruth Leonardi Erna & Andrew Viterbi The Louis Yager Cantwell Private Jacquelyn Littlefield Weingart-Price Fund at Foundation Sue & John Major The San Diego Foundation Deni & Ken Carpenter Dr.Patricia Montalbano Stewart & Brenda Weissman Elaine & Dave Darwin National Endowment for the Arts Brent V.Woods & Laurie C.Mitchell Mr.& Mrs.Brian Devine Hank & Robin Nordhoff June E.Yoder Edgerton Foundation The Kenneth T.& Eileen L.Norris Carolyn W.Yorston Dr.& Mrs.Robert Epsten Foundation Robert & Deborah Young Pamela A.Farr Allison & Robert Price Ellen & Tim Zinn P16 PERFORMANCES MAGAZINE FOUNDERCIRCLE Tish & Jere Horsley Leslie & Robert Garson ($5,000 to $9,999) Richard & Janet Hunter Daniel & Arline Genis Dr.& Mrs.Wayne Akeson Hutcheson Family Fund at The San Diego Foundation The George Consulting Group Anonymous (2) Al* & Pat JaCoby Martin & Enid Gleich Ken & Ginger Baldwin Mary & Russell Johnson Tom & Sheila Gorey The Colwell Family Fund at The San Diego Foundation William Karatz Drs.Barbara & Leonard Gosink R.Patrick & Sharon Connell Bob & Gladys King Norm Hapke & Valerie Jacobs Hapke Ann & John Davies Jane & Ray Klofkorn Drs.Patrick Harrison & Eleanor Lynch Nina & Robert Doede Rosalie Kostanzer & Mike Keefe Dr.& Mrs.Peter K.Hellwig Bernard J.Eggertsen & Florence Nemkov Bob & Laura Kyle Rhonda Heth & Thomas Mabie Carol Spielman-Ewan & Joel Ewan Susan L.Leone Michael & Jill Holmes Alan & Pauline Fatayerji James & Pamela Lester Dr.David K.Hostetler Martha & George Gafford Merriel F.Mandell,Ph.D. Gary & Carrie Huckell Mary Ann & Arnold Ginnow Rebecca Moores Roberta Hussey Leo S.Guthman Fund Mr.& Mrs.David Mulliken Al Isenberg & Regina Kurtz Fred & Alicia Hallett Tom & Lisa Pierce Drs.Sonia & Andy Israel Alexa Kirkwood Hirsch Mr.& Mrs.Matthew Pollack Mr.& Mrs.David J.Johnson Leonard & Elaine Hirsch Brenda Marsh-Rebelo & John G.Rebelo Jackie Johnston-Schoell Melissa & James Hoffmann Mrs.Charlotte Rees Marge & Jerry Katleman Dr.& Mrs.Richard L.Kahler Roberta J.Simpson William & Edythe Kenton Carol & George Lattimer Marisa SorBello & Peter Czipott Jo Ann Kilty Peter & Inge Manes Mickey Stern Ken & Sheryl King Bob Martinet Jay & Diane Sweeney Webster & Helen Kinnaird Paul I.& Margaret W.Meyer Marilyn Elizabeth Thompson Dr.& Mrs.Ara S.Klijian Money/Arenz Foundation,Inc. Carol Vassiliadis Sherry & Larry Kline Harle Garth Montgomery Doris & Lou Vettese Curt & Nancy Koch Arthur & Marilyn Neumann Jordine Von Wantoch Brooke & Dan Koehler Charles & Barbara Noell Helene & Allan Ziman Dr.Eric Lasley Dolly* & Jim Poet Ledford Enterprises Inc. John & Marcia Price Family Foundation CRAIGNOEL CIRCLE Terry & Mary Lehr Mike & Elizabeth Rabbitt ($1,500 to $2,499) Ms.Sherrill Leist Ellen C.Revelle The Family of Richard & Mary Adams Jerry Lester,M.D./Rosarito,Mexico Jeannie & Arthur Rivkin Richard Addesso Sandy & Arthur Levinson Dr.H.Warren Ross Anonymous (2) Jerry & Elsa Lewis Julie & Bob Sullivan Edwin Bacher Robin J.Lipman & Miro Stano Deborah Szekely Diana J.Barliant & Nowell Wisch Mathew & Barbara Loonin Ric Torres Yvonne & Lew Barnum Charlie & Jackie Mann Dixie & Ken Unruh Mrs.Lazare F.Bernhard F.Dale & Lois Marriott Jean & Tim Weiss Sally & John Berry R.J.Maus,Architects Charles & Charlotte Bird Dr.Marianne McDonald PLAYWRIGHTCIRCLE Cynthia Bolker & Greg Rizzi Bill & Jeri McGaw ($2,500 to $4,999) Dr.Herman & Irene Boschken Elizabeth & Edward McIntyre Gail,John & Jennifer Andrade Ronda & Stanley Breitbard Harold O.McNeil Dr.Bob & Jill Andres Terry & Bill Burd Elizabeth Meyer Mr.& Mrs.Richard Baldwin Clint & Susie Burdett Joel & Deirdre Mick Melissa Garfield Bartell & Michael Bartell Anita Busquets & William Ladd Estelle & Jim Milch Joan & Jeremy Berg Trish Butler & Cary Lowe Rena Minisi & Rich Paul Perry S.Binder,MD Dr.& Mrs.Robert M.Callicott Judith & Neil Morgan Paul Black Ellen Casey James & Nancy Mullen Dr.& Mrs.Edgar D.Canada Pam & Jerry Cesak Jan & David Mullin Cecilia Carrick & Stan Nadel Dolores Clark Ruth & Jim Mulvaney Carol & Rudy Cesena Hon.Arthur J.Collingsworth & Brian R.Simmons Joyce & Martin Nash Carol & Jeff Chang Mike Conley & Sue Steele Josiah & Rita Neeper Garet & Wendy Clark Richard & Stephanie Coutts Eileen & Lawrence Newmark Jack & Carol Clark Sally & Pat Crahan Nordstrom Ms.Heidi Conlan/The Sahan Daywi Foundation Mrs.Willard T.Cudney Mr.& Mrs.Victor H.Ottenstein Susan B.Cowell Fran & Matt Dalton Parker & Crosland,LLP Gigi & Ed Cramer Mrs.Gail Powell Davis Sigrid Pate & Glenn Butler Darlene G.Davies in memory of Lowell Davies Pat & Dan Derbes Marcia & Jim Piper Mrs.Philip H.Dickinson Dean & Mrs.Michael H.Dessent Mo & Bill Popp Noddy & Ira Epstein Jim & Sally Ditto Dr.& Mrs.Daniel Porte Mary & David Fitz Marion Eggertsen Joanne Powers Susanna & Michael Flaster Ron & Devora Eisenberg - Great News! Jim & Claudia Prescott Samuel I.& John Henry Fox Foundation at Peter & Doris Ellsworth Peggy Wynn Price Union Bank of California Carol Fink Marie & Don Prisby Millicent & Charles Froehlich Dieter & Susan Fischer/Dieter’sMercedes Service Joseph & Jane Rascoff Deede Gales Mr.& Mrs. Richard Ford Lynne Rich Barbara & Albert Garlinghouse Sid & Jean Fox Edward H.Richard & Warren P.Kendrick Drs.Thomas H.& Jane D.Gawronski Joy & Dr.Fred Fry Mr.& Mrs.Roger Roberts Dr.& Mrs.William Gott Karen & Orrin Gabsch William & Susane Roberts Ms.Cheryl Haimsohn Elaine & Murray Galinson Nancy J.Robertson Susan & Dr.Ronald Heller Bill & Judy Garrett Rachel A.Rosenthal & Michael Liersch

PERFORMANCES MAGAZINE P17 Annual Fund Donors continued

Mr.& Mrs.Charles P.Royce GOLD Carl Maguire & Margaret Sheehan Warren & Beverly Sanborn ($500 to $999) Dr.Robert & Marcia Malkus Sanderson Family Donor Advised Fund Tony & Margaret Acampora Jeanne Maltese at the Rancho Santa Fe Foundation Janet Anderson & John Glascock Ron & Mercy Mandelbaum Sherry & C.A.Sheppard Anonymous (3) Martin & Passante AAL Drs.Joseph & Gloria Shurman Jeff & Donna Applestein Christopher Maxin & Stephanie Buttell-Maxin Dee E.Silver,M.D. Mr.& Mrs.David A.Baer Dr.& Mrs.M.Joseph McGreevy Alan & Esther Siman Richard & Linda Basinger Keith & Lesley McKenzie Dotti & Joel Sollender Robert Beck Mr.& Mrs.William McKenzie Herbert & Elene Solomon Ben-Yehuda Family Fund of the Tony & Nancy McCune N.L.Stanworth in loving memory of Scott Jewish Community Foundation Carole S.Miller Nancy Steinhart & Rebecca Goodpasture Edgar & Julie Berner Joel,Annette & Arianna Millman Hannah & Eugene Step Nancy Blayney Shirley Mulcahy Sharon S.Storey & Theodore A.Milby Bob & Joyce Blumberg Tom & Doris Neuman The Tarlov Family Suzanne I.Bond Katherine Newton Mr.& Mrs.Donald Tartre Mr.& Mrs.Blaine A.Briggs Mark Niblack Mr.& Mrs.Charles Taubman Dr.& Mrs.Simon C.Brumbaugh,Jr. In Memory of Margaret Peninger Pat & Jack Thomas Ruth Mary Campbell Mr.& Mrs.David J.Pettitt Cherie Halladay Tirschwell Beth & Tim Cann Deborah B.Pettry Ed Torres & Mark VonderHaar Greg & Loretta Cass Dr.Ken Pischel & Dr.Katherine Ozanich Gene & Celeste Trepte Ray & Shelley Chalupsky Drs.Paul & Katherine Ponganis Pamela J.Wagner Lynne Champagne & Wilfred Kearse Dr.Julie Prazich & Dr.Sara Rosenthal Merle & Phil* Wahl Doug & Elisabeth Clark Leslie & Judy Reed Jan Harden Webster & Raul Ortega Anne C.Coleman Joseph W.Robinson Chris & Pat Weil Ronald D.Culbertson Stuart & Linda Robinson James & Ellen Weil Dr.& Mrs.William Davidson Joseph J.Rusche Shirli Fabbri Weiss Wes & Elaine Dillon Dr.Joseph & Carol Sabatini The Gray White Family Fund Dr.Donald & Eilene Dose The Sapp Family Michael & Penny Wilkes Patricia Eichelberger Barbara A.Sawrey Mr.& Mrs.Harold B.Williams William Eiffert & Leslie Hodge Norman Schiewe & Elli Johns Keith J.Wong Dr.Susan Dersnah Fee Richard Shapiro & Marsha Janger Allan & Bev Zukor Richard & Donna Ferrier Drs.Lawrence & Miriam Sherman Richard & Beverly Fink Family Foundation Mr.& Mrs.Randall Silvia PLATINUM Paul & Clare Friedman Gloria Penner Snyder & Bill Snyder ($1,000 to $1,499) Sally Fuller Helga & Sam Strong Anonymous (2) Dr.& Mrs.Steven Garfin Ron & Susan Styn Michael Bark & Laura Benedict Theresa & Craig Georgi John & Linda Sunkel Judy & Larry Belinsky Arthur & Judy Getis Clifford & Kay Sweet Nicholas B.Binkley Norman & Patricia Gillespie Dr.Terry & Naomi Tanaka Jane Cowgill The Golemb Family Linda Terramagra Dan & Sue Donovan Louise & Doug Goodman Randy Tidmore Dan & Phyllis Epstein Drs.Thomas L.& Cynthia L.Goodman Mr.& Mrs.Jeffrey C.Truesdell Robert & Edry Goot Chris Graham & Michael Albo Ms.C.Anne Turhollow & Mr.Michael J.Perkins Sandra Gulden & Leon J.Goldberger Carol & Don Green Natalie C.Venezia & Paul A.Sager Gulden Private Foundation Mr.& Mrs.Norman Greene Jo & Howard Weiner Mr.& Mrs.Thomas M.Henry Suzanne & Charles Grimshaw Janice L.Weinrick Suzanne & Lawrence Hess Mr.George Guerra Mr.& Mrs.David Weinrieb Dr.& Mrs.James E.Lasry Richard & Candace Haden Katherine White Mr.& Mrs.James Lim Linda E.Hanson Ross & Barbara White Don & Mary Jane Lincoln Alex & Mary Hart Dennis & Carol Wilson Joy & Ronald Mankoff Mr.& Mrs.Arnold Hess Dr.Dolores Wozniak Jasna Markovac & Gary Miller Mr.Stephen Hopkins & Dr.Carey Pratt M.J. Zahnle Akiko Charlene Morimoto & Hubert Frank Hamilton,Jr. Steven & Nancy Howard Elizabeth Zeigler & Bernard Kuchta Jack & Virginia Oliver Viviana Ibanez Rod & Barbara Orth Isabella Fund at The San Diego Foundation SILVER Susan Parker Edward & Linda Janon ($250 to $499) Dan Rehm Dr.& Mrs.Clyde W.Jones Ben Abate Don & Darlene Russell Kathy & Rob Jones Mr.Gale Acker & Dr.Nancy Acker Debbie & Shayna Seid Family Fund of the Kenneth & Marilyn Jones Sybil & B.J.Adelson Jewish Community Foundation Andrew & Denise Kaplan Mr.& Mrs.Donald Allison Lew & Alice Silverberg Patricia & Alexander Kelley George Amerault In Memory of Edward Silverstein Gerald & Phyllis Kelly Mr.& Mrs.Thomas Anderson John & Margery Swanson Mr.& Mrs.Kevin Kiernan Anonymous (6) Stan & Anita Ulrich Gayle & Jerry Klusky Drs.Michael & Gabriela Antos Pat & Allen Weckerly Bill & Linda Kolb John Randolph Backman,M.D.& Carolyn Darrow Brendan M.& Kaye I.Wynne Marvin M.Kripps,M.D. John & Elizabeth Bagby Dr.Joseph Yedid Betty & Richard Kuhn Allen & Nancy Bailey Christy & Howard Zatkin LABS,Inc./Silvia Dreyfuss Beverly Bartlett & Barbara Sailors John Q.Lalas,Jr. Ruth & Jim Batman Mr.Richard Levi Sharon & Bill Beamer Kris & Briana Lichter Bruce & Patricia Becker Edward & Nancy Lyon Sarah & Vernon Berger

P18 PERFORMANCES MAGAZINE Armand Bernheim,Jr. Louis & Mary Beth Kelly RAdm.& Mrs.H.James T.Sears Joan Bernstein Gail & Chuck Kendall In Memory of Malin E.See Thomas Bilotta & Family Lloyd & Joanna Kendall Linda J.Seifert Mr.& Mrs.Stanley Birstein Kathleen Kim & Zachary Rattner Natalie H.Service Robert Blanton & Ann Clark Louis J.Knobbe Lori Severson & Eric Longstreet Robert & Yvonne Boyer Jo Ann & Lee Knutson Glenda Allen Shekell David Brockway Remik Kolodziej & Steven Daris Dr.& Mrs.Hano Siegel Ed Brookins Mr.& Mrs.Albert W.Krasnoff Jerry & Beth Silverman Julia Brown Elizabeth Lasley Eunice M.Simmons,M.D. Marie F.Buckey Elliott & Phyllis Lasser Anne & Ron Simon David Burns & Diane Lischio Dixon & Pat Lee Christopher & Carmen Skipworth Sandra Lee Burns Mr.& Mrs.Lawrence Lewis Terrence & Kathryn Slavin Ms.Mary-Kay Butler Tom & Terry Lewis Lance & Arlene Smith George Byrne Donald Lipkis,MD & Arlene Pollard Malcolm E.Smith Helen M.Caldwell Roy & Carol Long Norman & Judith Solomon Jerry L.Carter Sally & Bill Luster Bill & Barbara Sperling Luc & Ann Marie Cayet-Pleska Harold & Beverly Martyn Mr.& Mrs.Fred C.Stalder Elaine & Peter Chortek Joanne D.Marugg Alan M.Stall Richard Clampitt & Rachel Hurst Bruce & Brenda Mason Mr.& Mrs.George Stassinopoulos Barbara Mistler Crew Cdr.& Mrs.John C.Mathews III Robert & Ann Steiner Glenn Currie Photography Gene & Donna McAllister Edward Stickgold & Steven Cande John Davis & Bill Hughes Ronald McCaskill & Robyn Rogers Wootsie Stockton Caroline S.DeMar Oliver McElroy & Karen Delaurier Jill & Evan Stone Dutch & Dawn Dershem Teresa McEuen Jan & Dave Stormoen Wally & Linda Dieckmann Cristie C.McGuire Abbe Wolfsheimer Stutz Patricia & Glen Doughty John Paul McHugh Mr.& Mrs.Eric Suggs Stephen & Sandra Drew Steve McIntee Mrs.J.B.Swedelius Mr.& Mrs.Clarence B.Dustin Charles & Billie McKnight Donald & Margaret Sweimler Lizbeth Ecke & David Meyer Mr.& Mrs.Jim Melcher Dr.Blake S.& Mrs.Peggy Jean Talbot Bill & Mary Farrell Mr.& Mrs.David Michan Mr.Harold S.Taxel Esther & Robert Feier Dr.& Mrs.Paul E.Michelson Dr.Marshall & Leila Taylor Drs.Lawrence & Irene Fine James & Dorothy Mildice Douglas & Lynn Todd Larry & Jan Ford Dr. & Mrs.James Miller Mr.& Mrs.John Torell Pauline Forman in memory of Sid Forman Charles W.Mills,Jr. Robert C.& Melesse W.Traylor Arthur & Barbara Friedman Stan & Phyllis Minick Barbara C.Ward Randee & Richard Friedman Dr.Isaac & Mrs.Nancy Mizrahi Kathy & Jim Waring Charles & Jeanne Gahagan Dr.& Mrs.Robert F.Morrison William Weeks Estephan A.G.Gargost Susan & Charles Muha Mr.& Mrs.James Welterlen Ferdinand Gasang Mary Jo Murphy Judith L.White Dr.& Mrs.Michael Goldbaum Wendy & Jim Neri Sandy Wichelecki Carole & Howard Goldfeder Harvey & Marsha Netzer Olivia & Marty Winkler Euvoughn L.Greenan Jack & Judy Nichols Cass Witkowski Family Mr.& Mrs.Arthur A.Greenberg Larry & Marcia Osterink Mr.& Mrs.John W.Witt Martin & Deanna Greenberg Dr.David & Elizabeth Ostrander Dr.Perri L.Wittgrove Theodore Gryga Joshua & Jacqueline Pack Janet Wolf Jerome & Anita Gutkin Carolann Pagliuso Deborah Wolfe Maggi Hall Barbara Painter Vicky Zollweg & Michael Dunteman Helen M.Hammond Ed & Carolyn Parrish Robert M.& Helen M.Hansen Clifford T.Pentrack & Mary E.Giovaniello C.Harbordt Lawrence Roy Perrin This list is current as of July 7, 2008 Mark & Corrine Harvey Susan Pollack To learn more about supporting The Old Globe’s Donald J.Hickey Daniel & Lynn Reisfeld performances and education and outreach Christine Hickman & Dennis Ragen Elaine Rendon & Alicia Atun programs,please visit our website at Mr.& Mrs.Thomas O.Hippie Brent & Bev Robinson www.TheOldGlobe.org or call John & Peggy Holl Clarice & Irl Robinson Courtney Quinn at (619) 231-1941 x2311. Paul & Barbara Holz Mr.& Mrs.Christopher Rohrer Nancy & Bill Homeyer Diane Roland Mr.& Mrs.Lee Horowitt Gerald & Ruth Rosenbaum Stephanie & Carl Hurst Dr.& Mrs.Richard Rowen Robert Hyman Rowling Family Charitable Fund of the Joseph & Donna Hynes Jewish Community Foundation Susan D.Inot Dr.Norman & Barbara Rozansky Bill & Cheri James George & Karen Sachs Nancy B. & David A.James Samiljan Family Fund of the Jewish Dr.Jim Jaranson Community Foundation In Memory of Donald Jenkins Patrick Sammon Jan Jessop Josiah & Abigail Sand Judge & Mrs.Anthony C.Joseph James M.Santora & Dr.Daniel D.Sewell Jim & Sharon Justeson Simon & Ruth Sayre Mitchel Karp Ann & Herb Schnall Dr.Michael & Mrs.Lucy Keehan Martin & Connie Schroeder *In Memoriam

PERFORMANCES MAGAZINE P19 Globe Ambassadors

Lawrence G.Alldredge and Dawn Moore Mary Ann and Arnold Ginnow Donald and Darlene Shiley Perry S.Binder,M.D. Alexa Kirkwood Hirsch Roberta J.Simpson Paul Black Leonard and Elaine Hirsch Ms.Jeanette Stevens Dr.and Mrs.Edgar D.Canada Al and Pat Jacoby Jay and Diane Sweeney Carol and Rudy Cesena Mary and Russell Johnson Dixie and Ken Unruh Jack and Carol Clark Bob and Gladys King Doris and Lou Vettese Mary H.Clark Rosalie Kostanzer and Mike Keefe Jordine Von Wantoch Steven J.Cologne Bob and Laura Kyle R.Patrick and Sharon Connell James & Pamela Lester Susan B.Cowell Merriel F.Mandell,Ph.D. Globe Ambassadors are generous supporters of The Old Gigi and Ed Cramer Peter and Inge Manes Globe who attend special presentations about activities at Darlene G.Davies Bob Martinet the Globe and serve as the Theatre’s Ambassadors in the Mrs.Philip H.Dickinson Dr.Marianne McDonald community. Nina and Robert Doede Paul I.and Margaret W.Meyer Marion Eggertsen David and Noreen Mulliken For more information please Bernard J.Eggertsen and Florence Nemkov Charles Noell and Barbara Voss contact Courtney Quinn at Danah H.Fayman Jeannie and Arthur Rivkin (619) 231-1941 x2311. Susanna and Michael Flaster Dr.H.Warren Ross

Craig Noel League Members Planned Giving Society of The Old Globe

Anonymous (14) J.Robert and Gladys H.King Florence Borgeson Plunkert* Merle and Phil* Wahl Robert S.Albritton* Marilyn Kneeland Dolly* and Jim Poet Holly J.B.Ward Diana Barliant Jean and David Laing Dorothy Shorb Prough* Sheryl and Harvey P.White Nancine Belfiore Jerry Lester Foundation Brenda Marsh-Rebelo and John Rebelo Mrs.Jack Galen Whitney Alan Benaroya Dr.Bernard Lipinsky* Donald and Darlene Shiley Stanley E.Willis II* Dr.and Mrs.Edgar D.Canada Heather Manion Patsy and Forrest Shumway Julie Meier Wright Garet and Wendy Clark Calvin Manning* B.Sy and Ruth Ann Silver Carolyn Yorston J.Dallas* and Mary H.Clark Chris and Jill Metcalf Stephen M.Silverman *In Memoriam R.Patrick and Sharon Connell Paul I.and Margaret W.Meyer Roberta Simpson Patricia W.Crigler,Ph.D.,CAPT/USN/Ret. Judy and George Miller Dolores and Rod Smith Craig Noel League members are leaving Carlos and Patricia Cuellar Steve Miller Marisa SorBello and Peter Czipott lasting gifts to the Theatre through planned Patricia and Donn DeMarce* Dr.Robert W.Miner John and Cindy Sorensen gifts, cash contributions, bequests and other Mrs.Philip H.Dickinson Shirley Mulcahy Marje Spear estate planning options. Dr.and Mrs.Robert Epsten Laurie Dale Munday Nancy A.Spector and Alan R.Spector Frank A.Frye,III Stanley Nadel and Cecilia Carrick Jeanette Stevens For more information,please contact Robert Gleason and Marc Matys Alice B.Nesnow Eric Leighton Swenson Director of Development, Marcy Goldstone Arthur and Marilyn Neumann Anne C.Taubman Todd R.Schultz Kathryn Crippen Hattox Craig Noel Cherie Halladay Tirschwell (619) 231-1941 x2310 or David and Debbie Hawkins Greg and Polly Noel Marian Trevor (Mrs.Walter M.)* [email protected]. Craig and Mary Hunter PACEM (Pacific Academy of Evelyn Mack Truitt Barbara Iredale* Ecclesiastical Music) Ginny Unanue Bob Jacobs Mrs.Margaret F.Peninger* Carol and Lawrence Veit Joseph E.Jessop* Velda Pirtle* Harvey* and Jordine Von Wantoch

P20 PERFORMANCES MAGAZINE Special Thanks to our Corporate Donors SEASONSPONSORS ($50,000 and more)

PRODUCTIONSPONSORS ($25,000-$49,999)

DIRECTOR CIRCLE ($10,000-$24,999) Break-Away Tours Higgs,Fletcher & Mack,LLP ResMed Foundation City National Bank KPMG,LLP Torrey Pines Bank Cyberknife Centers of San Diego,Inc./ Mercer Vistage International Radiation Medical Group Neiman Marcus

FOUNDER CIRCLE PLAYWRIGHT CIRCLE ($5,000-$9,999) ($2,500-$4,999) Citigroup Foundation/Smith Barney Cush Family Foundation M2000 Corporation Nicholas-Applegate San Diego Business Journal WD-40 Company Sycuan Resort & Casino The Westgate Hotel 104.94FM XLNC1

Corporate Partners enjoy exclusive benefits and recognition,especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites,behind-the-scenes tours,and preferred seating at our shows. For information,please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE P21 Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent,we take great pride and pleasure in ac- knowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE,the following who have repeatedly demonstrated by their active presence on our stages and in our shops,that wherever else they may work,they remain the heart and soul of this theatre.

William Anton Richard Easton Bob James Jonathan McMurtry Douglas W.Schmidt * Irene Tedrow Jacqueline Brooks Tovah Feldshuh Charles Janasz Stephen Metcalfe Seret Scott Sada Thompson Lewis Brown Monique Fowler * Peggy Kellner Robert Morgan David F.Segal Paxton Whitehead * Victor Buono Ralph Funicello Tom Lacy * Ellis Rabb Richard Seger James Winker * Wayland Capwell Lillian Garrett-Groag Diana Maddox Steve Rankin Diane Sinor Robert Wojewodski Kandis Chappell Harry Groener Dakin Matthews Robin Pearson Rose Don Sparks * G Wood * Eric Christmas A.R.Gurney Deborah May Marion Ross David Ogden Stiers * in memoriam George Deloy Joseph Hardy Katherine McGrath Steven Rubin Conrad Susa Tim Donoghue Mark Harelik John McLain Ken Ruta Deborah Taylor Patron Information

TICKET SERVICES HOURS SEATING OF LATECOMERS Monday:noon – 6pm Although we understand parking is often at a premium,the seating of Tuesday - Sunday:noon – last curtain latecomers is extremely disruptive.Latecomers may be given alternative Hours subject to change.Please call ahead. seating and will be seated at an appropriate interval. Phone (619) 23-GLOBE or (619) 234-5623 FAX (619) 231-6752 YOUNG CHILDREN Email [email protected] Children five years of age and under will not be admitted to performances. ADMINISTRATION HOURSMonday - Friday:9am – 5pm PHONE (619) 231-1941 ELECTRONIC DEVICES AND CAMERAS WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted.If you are wear- ADDRESS The Old Globe ing a digital watch or pager,or if you are carrying a cellular phone, P.O.Box 122171 please silence it prior to entering the theatre. San Diego,CA 92112-2171 ASSISTED LISTENING SYSTEM ORDERING TICKETS/CHANGE OF ADDRESS For the convenience of the hearing impaired,the assisted listening sys- The Old Globe accepts Visa, Discover, MasterCard, or American tem is available in the Old Globe Theatre.Lightweight headsets may be Express. Phone orders for non-subscribers are subject to a $3 per ticket obtained from the house manager prior to performances,free of charge. service charge,not to exceed $12.Ticket exchanges are subject to a ser- vice charge for non-subscribers. If you have moved, please notify the PUBLIC TOURS Ticket Services Office to update our records.Call (619) 234-5623 dur- Go behind the scenes at The Old Globe to learn about the history,three ing Ticket Services hours, mail your change of address to the Ticket stages,shop and craft areas.Open tours:most Saturdays and Sundays Services Office,or email us at [email protected]. at 10:30am.Groups by reservation.$5 adults;$3 seniors and students. Phone (619) 231-1941 x2142 for information/reservations. UNABLE TO ATTEND? If you find you are unable to use your tickets, please give them to a LOST AND FOUND friend,or turn them in to the Ticket Serivces Office and receive a tax re- If you have misplaced a personal item while at the theatre,please con- ceipt for your donation.Tickets must be received by show time. tact the Ticket Services Office or Security as soon as possible. If we are unable to locate your item,we’ll happily take down your contact infor- RESTROOMS AND TELEPHONES mation as well as a description of the item and contact you if it is found. Restrooms are located in the lower lobby of the Old Globe Theatre and The Old Globe does not assume liability for items left behind on adjacent to the Festival Theatre;pay phones may be found in the lower premises. Globe Theatre lobby and next to the Gift Shop. NaturalHerbCoughDrops - Courtesyof RicolaUSA,Inc. —availableuponrequest—. Pleaseaskanusher.

P22 PERFORMANCES MAGAZINE Director Profiles

LOUISG.SPISTO DARKO TRESNJAK JACKO’BRIEN CEO/Executive Resident Artistic Artistic Director Producer Director Emeritus Louis G. Spisto has Artistic Director of Mr. O’Brien served as led The Old Globe the Globe’s 2004- the Artistic Director of since October, 2002. 2008 Shakespeare The Old Globe from During his tenure, Festivals,Darko 1982 through 2007. Spisto spearheaded Tresnjak'sdirectorial Recent Globe produc- the return of the credits at the Globe tions: Dirty Rotten Shakespeare Reper- include: The Pleasure Scoundrels, Imaginary Friends, Twelfth Night, The Full tory Season and brought to the Globe several new of HisCompany,All’sWellThatEndsWell,Bell,Bookand Monty, The Seagull, The Magic Fire, Dr. Seuss’ How the musicals, including the critically-acclaimed A Candle,Hamlet,Pericles,The Two Noble Kinsmen,Antony Grinch Stole Christmas!, the world premieres of Catered Affair,the launch of the national tour of the and Cleopatra,The Winter’s Tale,The Comedy of Errors, Associate Artist A.R. Gurney’s Labor Day and Tina Tony Award-winning Avenue Q and the Broadway A Midsummer Night’s Dream,Titus Andronicus. Other Howe’s Pride’s Crossing,as well as Time and Again,The transfers of Chita Rivera: The Dancer’s Life, and the credits include The Merchant of Venice, Royal Doctor Is Out (Getting Away With Murder) by Stephen Twyla Tharp/Bob Dylan musical, THE TIMES Shakespeare Company, Theatre for a New Sondheim and George Furth, plus productions of THEY ARE A-CHANGIN’. He has produced over 75 Audience; All's Well that Ends Well, Antony and Henry IV, Much Ado About Nothing, Oleanna, Damn plays and musicals, including Dirty Rotten Cleopatra, Theatre for a New Audience; The Two Yankees, King Lear, Ghosts, Hamlet, Uncle Vanya, and Scoundrels,the west coast premiere of the Tony-win- Noble Kinsmen,The Public Theater;Princess Turandot, world premieres of Terrence McNally’s Up in ning play Take Me Out and the annual holiday fa- Hotel Universe, Blue Light Theater Company; More Saratoga, A.R. Gurney’s The Snow Ball and The vorite, Dr. Seuss’ How the Grinch Stole Christmas!. LiesAboutJerzy,Vineyard Theatre Company;TheSkin Cocktail Hour, Tom Dulack’s Breaking Legs,Associate Spisto has managed the Globe’sCapital Campaign of Our Teeth, Rosencrantz and Guildenstern Are Dead, Artist Stephen Metcalfe’s Emily. WEST END: to raise $75 million by the Theatre’s75th anniver- TheWinter'sTale,UnderMilkWood,MovingPicture,The Hairspray (Olivier Award for Best Musical, Best sary in 2010. Launched in March 2006, the cam- Blue Demon, Princess Turandot, The Love of Three Director nomination). BROADWAY: Creator/ paign has reached 75% of its goal to date. During Oranges,Williamstown Theatre Festival;Heartbreak Supervisor, Dr.Seuss’ How the Grinch Stole Christmas!, the past four seasons,the Globe has grown its sub- House, What the Butler Saw, Amphityron, The Blue The Coast of Utopia (2007 Tony Award® for Best scription audience an unprecedented amount, re- Demon, Huntington Theatre; Hay Fever, Princess Direction of a Play, which won a total of 7 Tony sulting in the highest level of attendance in over a Turandot, Westport Country Playhouse; The Two Awards,including Best Play),Dirty Rotten Scoundrels decade. The Globe was also recognized by Charity Noble Kinsmen, Chicago Shakespeare Theatre; (Tony nominations: Best Director and Musical), Navigator, America’s premiere charity evaluator, Rosencrantz and Guildenstern Are Dead, Long Wharf Henry IV (Tony Award), Hairspray (Tony Award), which recently gave the Globe its third consecutive Theatre; A Little Night Music, Amour, Goodspeed The Invention of Love (Tony nominations: Best 4-Star rating. A strong advocate of arts education, Opera House; La Dispute,UCSD.His opera credits Director and Play), The Full Monty (Tony nomina- Spisto initiated several new programs including an include The American premiere of Victor Ullmann’s tions: Best Director and Musical), More to Love, innovative cross-border project involving students Der zerbrochene Krug and Alexander Zemlinsky’s Der Labor Day,St.Louis Woman,Pride’s Crossing,The Little from both San Diego and Tijuana in a unique bilin- Zwerg, Los Angeles Opera; Die Zauberflöte, Opera Foxes,Hapgood (Lucille Lortel Award for Direction, gual production of Romeo and Juliet. He also Theatre of Saint Louis;Orfeo ed Euridice,Il Trovatore, launched a free matinee series which brings thou- Turandot,Virginia Opera;Turnadot,Opera Carolina; 1995), Damn Yankees (Tony nomination Best sands of students to the Globe’s productions. Il Barbraiere di Siviglia, Florida Grand Opera; Die Musical Revival), Two Shakespearean Actors (Tony Spisto established a reputation as a superb arts ex- Zauberflöte,Florentine Opera Company;La Traviata, nominations: Best Director and Play), Porgy and ecutive here in California, where he spent over ten Der Fliegende Holländer, Die Fledermaus, and the Bess for Houston Grand Opera and Broadway years as the Executive Director of the Pacific American premiere of May Night, Sarasota Opera. (Tony Award), as well as Radio City Music Hall. Symphony Orchestra in Orange County. During He is the recipient of the Alan Schneider Award for ELSEWHERE: The Magic Flute, San Francisco his tenure there, he tripled the orchestra’s annual Directing Excellence,TCG National Theatre Artist Opera; Tosca, Santa Fe Opera; Così fan Tutte and budget, while eliminating a prior deficit and suc- Residency Award, Boris Sagal Directing Aida, Houston Grand Opera; The Most Happy Fella, cessfully completing the orchestra’s first endow- Fellowship, NEA New Forms Grant, two Michigan Opera and Broadway.TV:An Enemy of the ment campaign.In addition,he established a series Pennsylvania Council on the Arts Individual Artist People,All My Sons,I Never Sang for My Father,Painting of innovative recording projects with Sony Fellowships, two San Diego Critics Circle Awards Churches and The Skin of Our Teeth, all for PBS’s Classical and oversaw a number of nationally rec- for his direction of Pericles and The Winter's Tale,and American Playhouse. RECENT AWARDS: 2008 ognized commissioning projects. He also served as two Patté Awards for his direction of The Winter's Theatre Hall of Fame Inductee, 2004 Thomas the chief executive at both American Ballet Theatre Tale and Titus Andronicus. He has performed with Degaetani Award (USITT), 2002 “Mr. Abbott” and The Detroit Symphony. He holds a Masters numerous Philadelphia dance and theatre compa- Award (SDCF), 2001 Joan Cullman Award for degree from the University of Wisconsin in Arts nies and toured across the United States and Japan Extraordinary Creativity, 2001 Joe A. Callaway Administration and a Bachelors of Business with the UNIMA Award-winning Mum Puppet Award (SDCF), the Drama League’s Julia Hansen Administration from the University of Notre theatre. He was educated at Swarthmore College Award for Excellence in Directing,2001.Honorary Dame, and spent many years directing, producing and Columbia University. Upcoming projects in- Doctorate, University of Michigan. Honorary and as an actor in plays and musicals throughout clude Walter Braunfels’ TheBirds at the Los Angeles Doctor of Humane Letters, University of San his college and graduate school years, as well as in Opera,conducted by James Conlon. Diego. Mr. O’Brien is a member of the College of professional summer theatre. Fellows of the American Theatre.

PERFORMANCES MAGAZINE P23 Louis G.Spisto DarkoTresnjak JackO’Brien Craig Noel CEO/Executive Producer Resident Artistic Director Artistic Director Emeritus Founding Director

PatriciaRutter ...... Craftspersons Courtney Quinn ...... DevelopmentCoordinator, Staff Elizabeth Ryan,Zuriel Waters ...... Artisans ...... IndividualAnnualGiving Jennifer Gittings,Kristi Hummel-Rosen . . .Properties Assistants DianeAddis ...... MembershipAdministrator Michael G. Murphy ...... GeneralManager PatCain ...... PropertyMaster,Globe Josh Martinez-Nelson ...... Development Administrator Dave Henson ....Directorof Marketing andCommunications DavidBuess ...... PropertyMaster,Copley DianaSteffen ...... VIPDonorTicketing Todd Schultz ...... Directorof Development TrevorHay...... PropertyMaster,Festival Rachel Plummer ...... DevelopmentAssistant Mark Somers ...... Directorof Finance Lighting Donor Services Richard Seer ...... Directorof ProfessionalTraining NateParde ...... Lighting Director Joyanne Buscemi,Monica Jorgensen,Barbara Lekes,Richard Robert Drake ...... Directorof Production MeganFonseca ...... Lighting Assistant Navarro,Stephanie Reed,Judy Zimmerman . . . .SuiteConcierges Roberta Wells-Famula ...... Directorof Education TonnieFicken ...... MasterElectrician,Globe JimDodd ...... MasterElectrician,Copley ARTISTIC MARKETING KevinLiddell ...... MasterElectrician,Festival BeckyBiegelsen...... PublicRelations Director SamanthaBarrie ...... ArtisticCoordinator Todd Adams,Elizabeth Axe, Jason Bieber,Meghan Bourdeau Ed Hofmeister ...... AudienceDevelopmentManager Kim Montelibano Heil ...... LiteraryAssociate Bonnie Breckenridge,Mark Dewey,Kristen Flores,Lacey Flores, Jackie Anderson ...... Publications Coordinator JanGist ...... VoiceandSpeechCoach Kelli Groskopf,Maureen Hanratty,Justin Hobson,Jennifer ClaireKennelly ...... Marketing Assistant Bernadette Hobson ...... ArtisticAssistant Horowitz,Ashley Jenks,Shawna Kyees,Steve Schmitz, Samantha Haskins ...... PublicRelations Assistant Stage Management AmandaZieve ...... Electricians Joyanne Buscemi,Monica Jorgensen, LeilaKnox ...... ProductionStageManager Sound HaleyWhite ...... Marketing/Events Assistants Tracy Skoczelas ...... AssistantStageManager PaulPeterson ...... SoundDirector EricaDei...... GraphicDesigner PRODUCTION Erik Carstensen ...... MasterSoundTechnician,Globe Victoria Hayne ...... Marketing andDevelopmentWriter Rachel Eaves ...... MasterSoundTechnician,Copley Debra Pratt Ballard ...... AssociateDirectorof Production CraigSchwartz...... ProductionPhotographer Jeremy Nelson ...... MasterSoundTechnician,Festival RonCooling ...... CompanyManager DanaPickop ...... Mic RunnerFestival Subscription Sales CarolDonahue ...... ProductionCoordinator ScottCooke ...... SubscriptionSales Manager Technical ADMINISTRATION Anna Bowen-Davies,Arthur Faro,Andy Fink,Randi Hawkins, BenjaminThoron ...... TechnicalDirector Pamela Malone,Yolanda Moore,Jessica Morrow,Ken Seper, Wendy Berzansky ...... AssociateTechnicalDirector BrianUlery...... AssistanttotheGeneralManager Cassandra Shepard,Mandy Smith,Grant Walpole, Kacie Lyn Hultgren ...... ResidentDesignAssistant Mark Gingery ...... TheatreCenterProjectCoordinator Andrea Leigh Walsh ...... SubscriptionSales Representatives Information Technology ElizaKorshin...... TechnicalAssistant/Buyer Ticket Services DeanYager...... InformationTechnologyManager Christian Thorsen ...... StageCarpenter/Flyman,Globe ShariRessel ...... TicketServices Manager ThadSteffen ...... InformationTechnologyAsst.Mgr. CarolePayette ...... ChargeScenicArtist MarsiRoche ...... TicketOperations Manager J.Adam Latham ...... InformationTechnologyAssistant Adam Bernard,Victoria Erbe, Steve High, DaniMeister...... GroupSales Manager Human Resources JacqueVelasquez...... ScenicArtists Marissa Haywood, SandraParde...... HumanResources Director GillianKelleher ...... MasterCarpenter Shouna Shoemake ...... LeadTicketServices Representatives Maintenance Robert Dougherty ...... MasterCarpenter,Festival Brian Abraham,Ricky Allen,Elizabeth Brown,Sarah Ditges,Tony Randy McWilliams ...... Facilities Manager William Barron,Sheldon Goff,William Kalman,Daniel Klebingat, Dixon,Merri Fitzpatrick,Michael Knudsen,Alicia Lerner,Cassie Violanda Corona,Ismael Delgado,Miguel Gaspar,Roberto Jason McIntyre,Laura McEntyre,Mongo Moglia,Mason Petersen, Lopez,Caryn Morgan,Jensen Olaya,Christine Perez,Jeffrey Pine, Gonzalez,Reyna Huerta,Margarita Meza,Jose Morales,Albert Gilbert Vitelo ...... Carpenters Michael Pousson,Carlos Quezada,Jessica Seaman, Rios,Maria Rios,Nicolas Torres ...... Building Staff JoshuaJordan ...... SceneShopIntern Molly Whittaker,Lyle Wilson . . . .TicketServices Representatives Costumes PROFESSIONAL TRAINING StacySutton ...... CostumeDirector LlanceBower ...... ProgramCoordinator Charlotte Devaux Shields ...... ResidentDesignAssistant PATRON SERVICES Maria Carrera,Cynthia Caywood,Sabin Epstein, Maureen Mac Niallais ...... AssistanttotheDirector MikeCallaway...... TheatreManager Gerhard Gessner,Jan Gist,Peter Kanelos,Fred Robinson, Shelly Williams ...... DesignAssistant/Shopper Adam Lindstaedt ...... Frontof HouseAssistant LizShipman ...... MFAFaculty LindseyHall ...... DesignAssistant Merlin D.“Tommy” Thompson ...... PatronServices Rep Corey Johnston,Robin Sanford Roberts, Wendy Miller,Randal Sumabat ...... Drapers Rob Novak,Ashley Roberts ...... HouseManagers Ben Seibert,George Yé ...... MFAProductionStaff Babs Behling, Anne Glidden Grace, DanaJuhl...... FoodandBeverageManager MaryMiller ...... CostumeAssistant EDUCATION Haydee Aldas ...... FoodandBeverageAssistantManager Michelle Elliott,Perla Rios,Brock Roser,Anne-Marie Shafer, Sarah Hendel,Nancy Liu ...... Stitchers RaúlMoncada...... EducationAssociate TessThompson ...... PubStaff DraganaVucetic ...... Crafts Artisan HollyWard...... TourCoordinator Babs Behling,Rose Espiritu,Stephanie Rakowski, Molly O’Connor ...... Wig andMakeupSupervisor CarolGreen...... SpeakersBureauCoordinator Stephanie Reed ...... GiftShopSupervisors Kim Parker ...... AssistanttoWig andMakeupSupervisor Marisela De la Parra,Vivia Font,Kimberly Parker Green, Janet Ana Maldonado,Kanoko Takagi ...... Wig Assistants Hayatshahi,Jamie Koottarappallil,Steve Lipinsky,Nat McIntyre, Security/Parking Services ErinSchindler ...... WardrobeSupervisor Sarah Price,David Tierney ...... Teaching Artists Rachel “Beahr” Garcia . . . . .Security/Parking Services Supervisor AnnaMacDonald ...... CopleyRunCrew Irene Herrig ...... AssociateSupervisorof Security MarneeDavis ...... GlobeCrewChief FINANCE Sherisa Eselin,Janet Larson,Jeffrey Neitzel, JeriNicolas...... GlobeRunCrew Sonia Paul ...... SecurityOfficers Paula Nickodemus ...... SeniorAccountant BethMerriman ...... FestivalCrew Chief Patricia Ceja,Dallas Chang,Deborah Elliott,Nicole Hagemeyer, Angela Yoshida ...... PayrollCoordinator/Accounting Assistant Kristin Bongiovanni,Erin Sutherland, Lou Hicks,Michael Moran ...... Parking LotAttendants Trish Guidi ...... Accounts Payable/Accounting Assistant Dana Rucci,Nola Walkup ...... FestivalRunCrew Dallas Chang,David Nguyen ...... V.I.P.ValetAttendants TimCole...... Receptionist MarieJezbera ...... RentalAgent Properties NeilA.Holmes ...... Properties Director DEVELOPMENT Kristin Steva Campbell ...... AssistanttotheDirector Annamarie Maricle . . . . .AssociateDirector,InstitutionalGrants AmyReams...... Properties Buyer MarilynMcAvoy...... MajorGifts Director M.H.Schrenkeisen ...... ShopForeman EileenPrisby...... Events Manager RoryMurphy ...... LeadCraftsman

PERFORMANCES MAGAZINE P24