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Press Release-AMERICAN STAGE ANNOUNCES PRODUCING
For Immediate Release (after given date/time below) January 20, 2015 (after 12 pm) Contact: Roman Black, Marketing Director (727) 823-1600 x 202 mailto:[email protected] AMERICAN STAGE ANNOUNCES NEW PRODUCING ARTISTIC DIRECTOR ST. PETERSBURG, FL – American Stage Theatre Company is excited to announce and welcome Stephanie Gularte as the company’s next Producing Artistic Director. Ms. Gularte will begin her role as Producing Artistic Director on February 24, 2015. The Board of Trustees and staff of American Stage are excited to have Stephanie Gularte accept this position and they are confident she will successfully lead American Stage into the theater’s next era. “Stephanie brings an extraordinary combination of leadership, talent, energy, and vision to American Stage and the Tampa Bay region,” said Matthew Conigliaro, chair of the Board of Trustees at American Stage. “She will thrive here, continuing the traditions of excellence at American Stage while taking this theatre to new heights and expanding our ability to bring the magic of live theatre to growing audiences from all around the bay area.” Gularte has 14 years of experience as a producing artistic director, including 10 years as the executive artistic director of Capital Stage Company, an acclaimed professional, nonprofit theatre company in Sacramento, California. Gularte was the Founding Artistic Director of Capital Stage Company and successfully led the theater while developing a strong reputation as an arts leader and creating a legacy of excellence that has brought her to the Tampa Bay region, where she will guide American Stage into an exciting new era. Gularte brings an impressive range of experience to American Stage. -
The Country House
THE COUNTRY HOUSE BY DONALD MARGULIES DRAMATISTS PLAY SERVICE INC. Country House, The.indd 1 2/4/2015 2:55:30 PM THE COUNTRY HOUSE Copyright © 2015, Donald Margulies All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of THE COUNTRY HOUSE is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for THE COUNTRY HOUSE are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021. -
Board of Directors. I Want to Make Sure That There’S a Diversity Ourselves — We Live with Them for Long Periods of of Voices Being Published by DPS
ISSUE 16 DRAMATISTS PLAY SERVICE SPRING 2015 ROUND TABLE with JOHN PATRICK SHANLEY, Dramatists Play Service POLLY PEN, and LYNN NOTTAGE is very fortunate not just to publish and license the best BY PETER HAGAN, PRESIDENT American playwrights, but also to have four of them sit on our the publishing conversation. As a woman of always going to be slightly different from that of the color, I also see my role as one of advocacy; agents. Our plays are creative extensions of Board of Directors. I want to make sure that there’s a diversity ourselves — we live with them for long periods of of voices being published by DPS. time; we keep them close and protected until we release them into the world. The founding charter of the Play Service, back in As time has gone by, have you seen your Then we entrust our plays 1936, called for the Board to be split evenly position as a playwright member change? to others for safekeeping: between playwrights (all members of the initially agents, and eventually Dramatists Guild) and agents. Back then, the star John Patrick Shanley: When I first served on publishing companies like playwrights included Howard Lindsay, George the Board, I was skeptical and challenging DPS. For better or worse, Abbott, and Sidney Howard. Today our stars are and, frankly, young. But over time I morphed agents can approach the Donald Margulies, Polly Pen, Lynn Nottage, and from opponent to colleague. business of publishing with John Patrick Shanley, who have been members a certain level of objectivity of the board ranging from five years (Nottage) to PP: Ways of thinking about how theatrical and distance; however, it’s over 20 (Shanley). -
At the Mission San Juan Capistrano
AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers. -
July 7, 1994: Short Plays and Monologues, 1997, 109 Pages, Donald Margulies, 0822215683, 9780822215684, Dramatists Play Service, Inc., 1997
July 7, 1994: Short Plays and Monologues, 1997, 109 pages, Donald Margulies, 0822215683, 9780822215684, Dramatists Play Service, Inc., 1997 DOWNLOAD http://bit.ly/16T2GFA http://www.alibris.co.uk/booksearch?browse=0&keyword=July+7%2C+1994%3A+Short+Plays+and+Monologues&mtype=B&hs.x=19&hs.y=26&hs=Submit DOWNLOAD http://bit.ly/1OF54ZB http://bit.ly/1mXIBQu Time Stands Still , Donald Margulies, 2011, Drama, 64 pages. THE STORY: TIME STANDS STILL focuses on Sarah and James, a photojournalist and a foreign correspondent trying to find happiness in a world that seems to have gone crazy. Theirs. Hysterical Blindness , Laura Cahill, Jan 1, 1999, Drama, 47 pages. SCENT OF THE ROSES is a jewel of a play...a healing play for the aftermath of apartheid's segregation policies. --Seattle Herald.replete with desperate measures, startling. Play the Scene The Ultimate Collection of Contemporary and Classic Scenes and Monologues, Michael Schulman, Eva Mekler, Dec 7, 2004, Drama, 309 pages. Spanning more than five hundred years of theater history, a comprehensive compilation of scenes and monologues for actors and theater students includes classic Shakespearean. Luna Park Short Plays and Monologues, Donald Margulies, 2002, Drama, 241 pages. A new collection by the Pulitzer Prize-winning author of Dinner with Friends.. God of Vengeance , Donald Margulies, 2003, Drama, 65 pages. Winner of the 2004 Pulitzer Prize and the 2004 Tony Award. I AM MY OWN WIFE is the most stirring new work to appear on Broadway this fall...both moving and intellectually. The sorry papers , Don Bailey, 1979, Fiction, 144 pages. -
The Berkeley Rep Magazine 2017–18 · Issues 5–6
aids in the United States today 25 · 4 questions for the cast 27 · The program for Angels in America: A Gay Fantasia on National Themes 33 THE BERKELEY REP MAGAZINE 2017–18 · ISSUES 5–6 AG_program.indd 1 4/4/18 3:54 PM Encore spread.indd 1 2/28/18 3:55 PM Encore spread.indd 1 2/28/18 3:55 PM AG_program.indd 4 4/4/18 3:54 PM IN THIS ISSUE 16 23 29 BERKELEY REP PRESENTS MEET THE CAST & CREW · 34 ANGELS IN AMERICA: A GAY FANTASIA ON NATIONAL THEMES · 33 PROLOGUE A letter from the artistic director · 7 Connect with us online! A letter from the managing director · 8 Visit our website berkeleyrep.org facebook.com/ @berkeleyrep You can buy tickets and plan your visit, berkeleyrep watch videos, sign up for classes, donate to vimeo.com/ @berkeleyrep REPORTS the Theatre, and explore Berkeley Rep. berkeleyrep The Messenger has arrived: berkeleyrep. berkeleyrep The art of theatrical flying ·13 We’re mobile! tumblr.com Crossing paths: Download our free iPhone or Google Play app —or visit our mobile site —to buy tickets, read An intergenerational conversation · 16 the buzz, watch videos, and plan your visit. June 2018, when 21 Ground Floor projects roam · 19 Considerations FEATURES Only beverages in cans, cartons, or cups with You are welcome to take a closer look, but The Origin Story · 20 lids are allowed in the house. Food is prohibited please don’t step onto the stage or touch in the house. the props. Tinkering and tinkering: An interview with Tony Kushner and Tony Taccone · 21 Smoking and the use of e-cigarettes is prohibited Any child who can quietly sit in their own by law on Berkeley Rep’s property. -
By Donald Margulies David Emmes
- 48th Season • 460th Production JULIANNE ARGYROS STAGE / MARch 11 - APRIL 1, 2012 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents Sight Unseen by Donald Margulies Cameron Anderson Fred Kinney Geoff Korf SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Cricket S. Myers Jackie S. Hill Kathryn Davies* SOUND DESIGN PRODUCTION MANAGER STAGE MANAGER Directed by David Emmes Pam and Jim Muzzy honorary Producers Commissioned and originally produced by South Coast Repertory on September 20, 1991. Originally produced in New York City by the Manhattan Theatre Club on January 7, 1992. SIGHT UNSEEN is presented by special arrangement with Dramatists Play Service, Inc., New York. Sight Unseen • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Jonathan ............................................................................................ Gregory Sims* Nick ................................................................................................. Andrew Borba* Patricia .................................................................................................. Nancy Bell* Grete ............................................................................................... Erin Anderson* SETTING ACT I: Scene 1. A cold farmhouse in Norfolk, England. 1991. Scene 2. An art gallery in London. Four days later. Scene 3. The farmhouse. An hour before the start of Scene 1. Scene 4. A bedroom in Brooklyn. Fifteen years earlier. ACT II: Scene 5. -
The Women's Voices Theater Festival
STUDY GUIDE In the fall of 2015, more than 50 professional theaters in Washington, D.C. are each producing at least one world premiere play by a female playwright. The Women’s Voices Theater Festival is history’s largest collaboration of theater companies working simultaneously to produce original works by female writers. CONSIDER WHY A WOMEN’S VOICES THEATER FESTIVAL? • Why is it important If someone asked you to quickly name three playwrights, who would they be? for artists of diverse backgrounds to have Shakespeare likely tops your list. Perhaps you remember Arthur Miller, Tennessee their work seen by Williams or August Wilson. Sophocles, Molière, Marlowe, Ibsen, Chekov, Shaw, O’Neill — these are among the most famous Western playwrights. They are central audiences? to the dramatic canon. A “canon” is an authoritative list of important works — think of it as the official “Top 40” of dramatic literature. Their plays are the most likely • What is the impact of to be seen onstage and assigned in schools. seeing a play that you can connect to your own A large group is often missing from the canon, professional stages, traditional experience? reading lists and your education in theater: women playwrights. Plays by women are as important, artistic, rigorous, compelling and producible as • How would you react plays by men. They are also plentiful. Women’s perspectives are also key to more if you knew that you fully understanding our world. and the playwright of According to a recent Washington Post article, surveys say that D.C. audiences a production you were are 61 percent female and Broadway audiences are 68 percent female. -
DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected]
DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected] CASTING DIRECTOR (selected) Holler If Ya Hear Me (Todd Kreidler) Palace Theatre/Broadway dir. Kenny Leon (upcoming) Casa Valentina (Harvey Fierstein) Freidman Theatre/ Broadway dir. Joe Mantello (upcoming) Commons of Pensacola (Amanda Peet) Manhattan Theater Club dir. Lynne Meadow The Snow Geese (Sharr White) Freidman Theatre/ Broadway dir. Daniel Sullivan All New People (Zach Braff) Second Stage Theatre dir. Peter DuBois Water By The Spoonful (Quiara Hudes) Second Stage Theatre dir. Davis McCallum My Name Is Rachel Corrie Minetta Lane/Off-Broadway dir. Alan Rickman Complicit (Joe Sutton) Old Vic/London dir. Kevin Spacey Orphans (Lyle Kessler) Schoenfeld Theatre/ Broadway dir. Daniel Sullivan Lonely I’m Not (Paul Weitz) Second Stage Theatre dir. Trip Cullman Tales of the City: the musical American Conservatory Theatre dir: Jason Moore Romantic Poetry (John P. Shanley) MTC/Off-Broadway dir: John P. Shanley Trip to Bountiful (Horton Foote) Sondheim Theatre/ Broadway dir. Michael Wilson Dead Accounts (Theresa Rebeck) Music Box Theatre/ Broadway dir. Jack O’Brien Fences (August Wilson) Cort Theatre/Broadway dir. Kenny Leon Sweet Bird of Youth (T. Williams) Goodman Theatre/ Chicago dir. David Cromer The Other Place (Sharr White) Freidman Theatre/ Broadway dir. Joe Mantello Seminar (Theresa Rebeck) Golden Theatre/ Broadway dir. Sam Gold Grace (Craig Wright) Court Theatre/ Broadway dir. Dexter Bullard Bengal Tiger … (Rajiv Josef) Richard Rodgers/ Broadway dir. Moises Kaufman Stick Fly (Lydia Diamond) Cort Theatre/ Broadway dir. Kenny Leon The Columnist (David Auburn) Freidman Theatre/Broadway dir. Daniel Sullivan The Royal Family (Ferber) Freidman Theatre/ Broadway dir. -
MTA Radio Plays Episodes 1-18
Produced by Rattlestick Playwrights Theater Playwrights by Rattlestick Produced MTA Radio Plays Episodes 1-18 1 MTA Radio Plays Episodes 1-18 MTA Radio Plays is a series of audio dramas created to honor and celebrate the people that keep New York City running. Composed by 15 playwrights, each episode is inspired by a stop along the MTA’s 2 Line, starting at Wakefield-241st Street in the Bronx, weav- ing through Manhattan, and ending at Flatbush Ave in Brooklyn. Each writer has selected a stop along the line and written a piece that reflects their own experience, in whatever style they choose. MTA Radio Plays is curated by playwright Ren Dara Santiago (The Siblings Play, Rattlestick Spring 2020). These short radio plays will be released monthly in groups of 3-4 episodes and will be avail- able on Rattlestick’s website. Tickets to the complete series are $15. MTA Radio Plays is made possible with the generous support of the Battin Foundation, the Howard Gilman Foundation, and the Venturous Theater Fund of the Tides Foundation with additional individual support by Willy Holtzman & Sylvia Shepard and Jeffrey Steinman & Jody Falco. 2 MTA Radio Plays Episodes 1-18 Conceived and Curated by: Ren Dara Santiago Sound Designed by: Christopher Darbassie, Germán Martinez, and Twi McCallum Composed by: Victor Almanzar (Cazike), Avi A. Amon, Dilson Her- nandes, Shangowale, Tarune, Analisa Velez, and YANK$ Script Supervised by: Emily J Daly Line Produced by Ludmila Brito Featuring the Written Work of: Guadalís Del Carmen, victor cervantes jr., Dominic Colón, Julissa Contreras, Emily J Daly, Xavier Galva, Jaida Hawkins, Gerald Jeter, Alexander Lambie, Robert Lee Leng, Carmen LoBue, TJ Weaver, Emily Zemba, and David Zheng. -
At Play Spring Summer 02
representing the american theatre byy DRAMATISTS publishing and licensing the workss Obie Award Winner Pamela Gien PLAY SERVICE, INC. of new and established playwrights.. Julia Miles on the state of Women Playwrights the Wit initiative a tpIssuel 8, Spring/Summera 2002y WOMEN PLAYWRIGHTS A scene from Kia Corthron’s A scene from La Femme Kia While we usually do one-on- one interviews here at DPS, with scheduling conflicts, Director of Professional Rights Robert Lewis Vaughan and playwright Kia Corthron ended up communicating by e-mail. Robert asked several seemingly small questions to get the ball rolling, and he and Kia planned to talk in Seeking the Genesis person later — to finish off the interview. But that wasn’t necessary. Kia answered the questions (or as she put it, “Those weren’t small questions, those were BIG questions!”). Obviously we here at DPS love Kia’s writ- ing, and we decided to just let her tell you all about her- self in her own words. We’re sure you’ll fall in love . Photo by Joan Marcus with her too — Continued on page 2 I grew up in Cumberland, a factory/mill town in Circle Rep LAB; and afterwards was produced by stu- his hide, he came from the South and went back down Western Maryland. The skinny part of Maryland, kiss- dents at Ramapo, a small state college in New Jersey. I South. For good. That was husband number one. They ing Pennsylvania and West Virginia. From my house it did massive rewrites every time. Ultimately I submit- was three.