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Writing the Bicycle
Writing the Bicycle: Women, Rhetoric, and Technology in Late Nineteenth-Century America Sarah Overbaugh Hallenbeck A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2009 Approved by: Jane Danielewicz Jordynn Jack Daniel Anderson Jane Thrailkill Beverly Taylor ABSTRACT Sarah Overbaugh Hallenbeck Writing the Bicycle: Women, Rhetoric, and Technology in Late Nineteenth-Century America (Under the direction of Jane Danielewicz and Jordynn Jack) This project examines the intersections among rhetoric, gender, and technology, examining in particular the ways that American women appropriated the new technology of the bicycle at the turn of the twentieth century. It asks: how are technologies shaped by discourse that emanates both from within and beyond professional boundaries? In what ways do technologies, in turn, reshape the social networks in which they emerge—making available new arguments and rendering others less persuasive? And to what extent are these arguments furthered by the changed conditions of embodiment and materiality that new technologies often initiate? Writing the Bicycle: Women, Rhetoric and Technology in Late Nineteenth- Century America addresses these questions by considering how women’s interactions with the bicycle allowed them to make new claims about their minds and bodies, and transformed the gender order in the process. The introduction, “Rhetoric, Gender, Technology,” provides an overview of the three broad conversations to which the project primarily contributes: science and technology studies, feminist historiography, and rhetorical theory. In addition, it outlines a “techno-feminist” materialist methodology that emphasizes the material ii and rhetorical agency of users in shaping technologies beyond their initial design and distribution phases. -
Inside Crowded State Prisons Than Common Sense and Experience
c.oR3: 3:R5~v.l&/; July/August 1989 From SOS to Upper Crust . 111 ·, ill 11 1n RESERVATION BULK RATE 11 11 U.S. POSTAGE 1 PAID FOR S!N311\10000 31Vf , '4, LII "0 11 11 K I... FLORENCE, Al. 85232 PERMIT NO. 31 SUCCESS G86 ~ ,,.., /\ON I =- f:i.. Arizona's Award Winning Prison Press $0~0~3~ Jl18rld '8 Thinking about release? A¥1~~JjQ ld30 of humdrum jobs, but want a good future? The hospitality-food M E N industry is wide open, and Pierre Marceau, the pioneer in parolee ~~- training, invites you to train as \_ a maitre d' or table captain. Rise above the cheeseburger men- tality. Rub elbows with the rich, ' <'---- -1'!· _ ~ , ......,,..,.,ff .... ~· like lawyers . Enjoy the panache ,.,,111'~ / /- I ~ ('\f 7\rj· .: ' and flair of serving fine er:1trees -· I j /! ·1 \ / : J ; 1 1 like Boeuf Flambe; of offering )l' //' , : t f f ~ 1 treasured vintages like Cleveland/ ~~ : .11 / l1f i 1 , 1988. You will be amazed by the I\) ,: 1 ;,ii swarms of VIPs courting your f avor, I ' J j, palming hefty bills , only for a · glance of recognition, the magical availability of a table. You are Mr. Make-It- Happen, Mr. Wonderful . Our parolees are now happy , success Bonus ful , and predictably devious , at such famous culinary rendezvous ' as the As an enrollment gift, we will Peoria Hilton, Glitzo's , The Eloy show you how to exploit unex Palace, and Andre's, Beverly Hills. pected opportunities. For in Former student Harry Handout, now a stance , your prosecutor appears captain at Reuben Ripoff's Pink Room, for his dinner reservation. -
Think Beyond the Literary Canon: the Potential for Young Adult Literature Within a High School Classroom
The University of Akron IdeaExchange@UAkron Williams Honors College, Honors Research The Dr. Gary B. and Pamela S. Williams Honors Projects College Spring 2021 Think Beyond the Literary Canon: The Potential for Young Adult Literature within a High School Classroom Megan Mayle [email protected] Follow this and additional works at: https://ideaexchange.uakron.edu/honors_research_projects Part of the Curriculum and Instruction Commons, and the Secondary Education Commons Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Recommended Citation Mayle, Megan, "Think Beyond the Literary Canon: The Potential for Young Adult Literature within a High School Classroom" (2021). Williams Honors College, Honors Research Projects. 1232. https://ideaexchange.uakron.edu/honors_research_projects/1232 This Dissertation/Thesis is brought to you for free and open access by The Dr. Gary B. and Pamela S. Williams Honors College at IdeaExchange@UAkron, the institutional repository of The University of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Williams Honors College, Honors Research Projects by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. THE POTENTIAL FOR YA LITERATURE | 1 Think Beyond the Literary Canon: The Potential for Young Adult Literature within a High School Classroom Megan Mayle Introduction According to the Ohio Department of Education’s (2017) English Language Arts reading standards for students in grades 9 through 12, the only authors and/or speakers mentioned directly by name as an example are W.H. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
The State of the Animals II: 2003
A Strategic Review of International 1CHAPTER Animal Protection Paul G. Irwin Introduction he level of animal protection Prior to the modern period of ani- activity varies substantially Early Activities mal protection (starting after World Taround the world. To some War II), international animal protec- extent, the variation parallels the in International tion involved mostly uncoordinated level of economic development, as support from the larger societies and countries with high per capita Animal certain wealthy individuals and a vari- incomes and democratic political Protection ety of international meetings where structures have better financed and Organized animal protection began in animal protection advocates gathered better developed animal protection England in the early 1800s and together to exchange news and ideas. organizations. However there is not spread from there to the rest of the One of the earliest such meetings a one-to-one correlation between world. Henry Bergh (who founded the occurred in Paris in June 1900 economic development and animal American Society for the Prevention although, by this time, there was protection activity. Japan and Saudi of Cruelty to Animals, or ASPCA, in already a steady exchange of informa- Arabia, for example, have high per 1865) and George Angell (who found- tion among animal protection organi- capita incomes but low or nonexis- ed the Massachusetts Society for the zations around the world. These tent levels of animal protection activ- Prevention of Cruelty to Animals, or exchanges were encouraged further ity, while India has a relatively low per MSPCA, in 1868) both looked to by the organization of a number of capita income but a fairly large num- England and the Royal Society for the international animal protection con- ber of animal protection groups. -
Christopher Durang
A LOOK AT SEASON SIXTY-SEVEN Colonial Players’ 2015-16 season will take our patrons on a journey from England to New York to Boston and from the late Victorian era to 21st-century America, using comedy, drama, and THE music to relate spellbinding tales of love, laughter, and, yes, even murder. Subscriptions for either five or seven shows will be on sale soon. We hope you will join us on our journey. ★ SEPTEMBER 4-26 The season opens with Sherlock’s Last Case, a ruefully comic send-up of Sir Arthur Conan Doyle’s stories about his famed English detective. This modern version is unlike anything you’ve seen about Holmes, with a jaw-dropping twist so unexpected we will ask our patrons not to reveal the secret to those who have yet to see the play. ★ OCTOBER 16-31 Side Man is a memory play told by a narrator who relates the story of his parents' relationship over four decades from the 1950s to the 1980s. It focuses on the lives of side men - musicians who made their living playing gigs with headliners on tours and in recording sessions - at a time when rock and roll was edging out jazz and big band music. Side Man won a Tony Award and was a finalist for a Pulitzer Prize. Side Man contains strong language and mature themes. ★ NOVEMBER 20-DECEMBER 13 Morning's at Seven is a charming comedy set in the early 20th century and is the second in our series of classic American plays. Originally produced in 1938, it is a story of family relationships among four sisters, three husbands, and one son and his fiancée of 12 years. -
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION a Project Of
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A project of edited by Rochelle G. Saidel and Karen Shulman Remember the Women Institute, a 501(c)(3) not-for-profit corporation founded in 1997 and based in New York City, conducts and encourages research and cultural activities that contribute to including women in history. Dr. Rochelle G. Saidel is the founder and executive director. Special emphasis is on women in the context of the Holocaust and its aftermath. Through research and related activities, including this project, the stories of women—from the point of view of women—are made available to be integrated into history and collective memory. This handbook is intended to provide readers with resources for using theatre to memorialize the experiences of women during the Holocaust. Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A Project of Remember the Women Institute By Rochelle G. Saidel and Karen Shulman This resource handbook is dedicated to the women whose Holocaust-related stories are known and unknown, told and untold—to those who perished and those who survived. This edition is dedicated to the memory of Nava Semel. ©2019 Remember the Women Institute First digital edition: April 2015 Second digital edition: May 2016 Third digital edition: April 2017 Fourth digital edition: May 2019 Remember the Women Institute 11 Riverside Drive Suite 3RE New York,NY 10023 rememberwomen.org Cover design: Bonnie Greenfield Table of Contents Introduction to the Fourth Edition ............................................................................... 4 By Dr. Rochelle G. Saidel, Founder and Director, Remember the Women Institute 1. Annotated Bibliographies ....................................................................................... 15 1.1. -
1Q12 IPG Cable Nets.Xlsm
Independent Programming means a telecast on a Comcast or Total Hours of Independent Programming NBCUniversal network that was produced by an entity Aired During the First Quarter 2012 unaffiliated with Comcast and/or NBCUniversal. Each independent program or series listed has been classified as new or continuing. 2061:30:00 Continuing Independent Series and Programming means series (HH:MM:SS) and programming that began prior to January 18, 2011 but ends on or after January 18, 2011. New Independent Series and Programming means series and programming renewed or picked up on or after January 18, 2011 or that were not on the network prior to January 18, INDEPENDENT PROGRAMMING Independent Programming Report Chiller First Quarter 2012 Network Program Name Episode Name Initial (I) or New (N) or Primary (P) or Program Description Air Date Start Time* End Time* Length Repeat (R)? Continuing (C)? Multicast (M)? (MM/DD/YYYY) (HH:MM:SS) (HH:MM:SS) (HH:MM:SS) CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 01:00:00 02:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 02:30:00 04:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 08:00:00 09:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 09:30:00 11:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 11:00:00 12:30:00 01:30:00 CHILLER -
BOOK &MUSIC by Joe Kinosian BOOK
BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49 -
South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021. -
Albuquerque Weekly Citizen, 07-20-1895 T
University of New Mexico UNM Digital Repository Albuquerque Citizen, 1891-1906 New Mexico Historical Newspapers 7-20-1895 Albuquerque Weekly Citizen, 07-20-1895 T. Hughes Follow this and additional works at: https://digitalrepository.unm.edu/abq_citizen_news Recommended Citation Hughes, T.. "Albuquerque Weekly Citizen, 07-20-1895." (1895). https://digitalrepository.unm.edu/abq_citizen_news/172 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Citizen, 1891-1906 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. VOLUME 5. ALBUQUERQUE, NEW MEXICO, SATURDAY JULY 20, 1095. NUMBER 35. alructml at a coat of aeveral tbouaaud CI acting chairman, The inane . 'PIIIA i a dlavued SWINDLED STOKOS. Ifleel. h. iile dally out of Ihe twenty-four- TIU- - RAILROADS. ter Irvm, Ailolph Hrllwsg ami two On tbny were aelied Mi. dollar. landing by m waa the advlaablllty of aeparate political Ihfh-'p- Meirlll, Joyrr, tiallalieu and the children, and Mlsssea ikira and Molli a cowmltte and, Imitating to tht latter action llrllweg. Two large log neit yar, but no definite action mtfd Chaplain C. C McCaU will be the Is cabin and a What ftclnc Iwiic un all the Western It-Il- tho 3.VI I big l have been up fur re- nierieiice of tbe original arrlvata waa taken. It eipeclwl another meet- Hcavls Also Cauchl Ulhcr Astute Mew principal preachers during the firet week. fitted thtlr agn, Lines. ception and a wagon loail uf turnltun, year wele conducted to a place of ing will b held Among thote Yorkers, while Hev Ur Hiker, of Wheellii, W. -
At the Mission San Juan Capistrano
AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers.