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Ritual Remembrance: Freud's Primal Theory of Collective Memory
Ritual Remembrance: Freud’s Primal Theory of Collective Memory Taylor Schey In the fnal essay of Totem and Taboo, Freud infamously claims that civilization began wHen a band of brotHers brutally murdered tHeir fatHer. THis postulation leads Freud to conclude tHat “tHe beginnings of religion, morals, society and art converge in the Oedipus complex,”1 and, accordingly, most readers, regardless of their argument, presuppose that the text depicts a “fundamental oedipal revolt.”2 This is how Peter Gay characterizes the action of Totem and Taboo in his short introduction to the Norton Standard Edition, and this is how the text is generally re- membered. While we may forget the moves of Freud’s argument and the details of his historical narrative—not to mention the frst three essays of the book—we do remember that, according to Freud, in the beginning was the Oedipus complex. It is not surprising, tHen, tHat many readers Have felt Freud went too far with Totem and Taboo. Its publication incited anthropologists to attack the universality of the Oedipus complex;3 others have turned the tables on Freud and charged him with projecting his own oedipal guilt onto an imagined horde of parricidal sons;4 and most in the feld of psychoanaly- sis have come to disregard Totem and Taboo, in part because it threatens the validity of the Oedipus complex. As E. B. Spillius explains: “today the idea of the Oedipus complex no longer needs to be defended against rival schools of psychoanalysis, and the use of the Oedipus complex to explain the origin of civilization would do it more harm than good” (187). -
Download Full Resume in Pdf Format
Curriculum Vitae Ellen Handler Spitz Honors College Professor University of Maryland (UMBC) [email protected], <[email protected]> WEBSITE: http://ellenhandlerspitz.net/ Education Columbia University, Ph.D. (1983): Philosophy and the Social Sciences; Dissertation: Art and Psyche: A Study in Aesthetics and Psychoanalysis, published by Yale University Press (1985) Harvard University, M.A.T.: Master of Arts in Teaching: Fine Arts Barnard College, A.B., Major: History of Art Teaching Honors College Professor, University of Maryland, Baltimore County (2001-current) University of California at Santa Cruz, Visiting Professor of Art History (spring 2000) Stanford University, Lecturer, Department of Art and Art History (1997-2001) Cornell University Medical College, Lecturer of Aesthetics in Psychiatry (1987-1995) Columbia University Center for Psychoanalytic Training & Research, Lecturer (1986-96) Rutgers University, Livingston College Honors Program, Visiting Faculty (1993) New York University, Adjunct Assistant Professor of Educational Psychology (1984-87) Hebrew University of Jerusalem, Ayala & Sam Zacks Visiting Professor Art History (87) Graduate Center City University of New York, Visiting Professor of Art History (1986) Barnard College, Visiting Lecturer in Philosophy (1985) Fellowships, Honors, and Awards Research Award URAS. University of Maryland, UMBC (2010-11) Professor of the Year Award. Honors College, University of Maryland, UMBC (2009-10) Council of Scholars, Erikson Institute, Austen Riggs Center (invited January -
List of SCOPUS Indexed Music Journals S.No
List of SCOPUS Indexed Music Journals S.No. Journal Name Publisher 1 Journal of Research in Music Education Sage Periodicals Press 2 Psychology of Music SAGE Publications 3 Empirical Studies of the Arts SAGE Publications Inc. 4 Musicae Scientiae SAGE Publications Inc. 5 Music Perception University of California at Berkeley 6 Journal of Aesthetics and Art Criticism Wiley-Blackwell 7 Research Studies in Music Education SAGE Publications 8 Journal of Music Teacher Education Sage Science Press 9 Music Education Research Carfax Publishing Ltd. 10 British Journal of Music Education Cambridge University Press 11 Journal of Music Therapy American Music Therapy Association 12 Journal of African Cultural Studies Carfax Publishing Ltd. 13 International Journal of Music Education SAGE Publications 14 Notes Music Library Association 15 Music Therapy Perspectives Oxford University Press 16 Acta Acustica united with Acustica S. Hirzel Verlag 17 Journal of New Music Research Taylor & Francis 18 International Journal of Community Music Intellect Books 19 AES: Journal of the Audio Engineering Society Audio Engineering Society 20 Popular Music and Society Taylor & Francis 21 Journal of Mathematics and Music Taylor and Francis Ltd. 22 Music Reference Services Quarterly Haworth Press Inc. 23 Revista Electronica Complutense de Investigacion Universidad Complutense de Madrid Musical 24 Bulletin of the Council for Research in Music Council for Research in Music Education, School of Education Music, University of Illinois 25 Computer Music Journal MIT Press 26 Organised Sound Cambridge University Press 27 Music Theory Spectrum Oxford University Press 28 Ethnomusicology University of Illinois Press 29 Music Scholarship Ufa State Academy of Arts 30 International Review of the Aesthetics and Sociology Zagreb Academy of Music of Music 31 Journal of Music Theory Duke University Press 32 American Music University of Illinois Press 33 Journal of Musicology University of California Press 34 Ethnomusicology Forum Taylor and Francis Ltd. -
Norman O. Brown, 1913–2002
OBITUARY Norman O. Brown, 1913–2002 orman O. Brown was born in New Mexico in 1913 and educated at Balliol College, Oxford, and at the University of Wisconsin. His tutor at Oxford was NIsaiah Berlin. A product of the 1930s, Brown was active in left-wing politics – for example, in the 1948 Henry Wallace presidential campaign – and his work belongs within the history of Marxist, as well as psychoanalytic, thought. During World War II, he worked in the Office of Strategic Services, where his supervisor was Carl Schorske and his colleagues included Herbert Marcuse and Franz Neumann. Marcuse urged Brown to read Freud, leading, in 1959, to Brownʼs most memorable work, Life Against Death. Brown taught Classics at Wesleyan University and was a member of the History of Consciousness Department at the University of California at Santa Cruz. Although Life Against Death made him an icon of the New Left, he successfully eschewed publicity, insisting to the end on his primary identity as teacher. There is still no better introduction to Life Against Death than the one that Brown wrote in 1959. The book was inspired, he explained, by a felt ʻneed to reappraise the nature and destiny of manʼ. The ʻdeep study of Freudʼ was the natural means for this undertaking. His motives, Brown continued, were political in the most profound sense of the term: ʻInheriting from the Protestant tradition a conscience which insisted that intellectual work should be directed toward the relief of manʼs estate, I, like many of my generation, lived through the superannuation of the political categories which informed liberal thought and action in the 1930s.ʼ ʻThose of us who are tempera- mentally incapable of embracing the politics of sin, cynicism and despairʼ, he added, were ʻcompelled to re-examine the classic assumptions about the nature of politics and about the political character of human nature.ʼ How did it come about, at the dawn of the 1960s, that Freud appeared as the suc- cessor to a ʻsuperannuatedʼ, but not yet surpassed, Marxist project? Life Against Death addressed this question. -
Freud and Epicurean Philosophy: Revisiting Drive Theory
Contemporary Psychoanalysis,2014,Vol.50,No.3:395–417. C William Alanson White Institute of Psychiatry, Psychoanalysis & Psychology and ⃝ the William Alanson White Psychoanalytic Society ISSN: 0010-7530 print / 2330-9091 online DOI: 10.1080/00107530.2014.922859 JONATHAN YAHALOM, M.A. FREUD AND EPICUREAN PHILOSOPHY: REVISITING DRIVE THEORY Abstract. This article reviews Epicurean philosophy to expose Freud’s drive theory as overly quantitative and lacking a qualitative dimension. Epicurean philosophy is congruent with fundamental premises in psychoanalysis, and contributes a qualitative and quantitative theory of pleasure. Moreover, Epicurean philosophy is compatible with fundamental tenets within relational psychoanalysis, indicat- ing that drive theory is relevant—and possibly constitutive—to the relational perspective. After reviewing Epicurean philosophy, the article returns to Freud’s conceptualization of drive. Arguments are made against Freud’s hypothesis of a death drive, insofar as Freud believed that organisms are motivated by the pur- suit of pleasure in an isolated individualistic manner. The article maintains that a critical exploration of Epicureanism challenges our tendency to equate classical drive theory with material reductionism. This carries significant implications for contemporary psychoanalysis and its interpretation of the drives. Keywords: Epicurean philosophy, drive theory, pleasure principle, relational psychoanalysis Introduction Relational theorists have critiqued Freud’s drive theory, arguing that in- terpersonal factors—not intrapsychic drives—define mental life. For ex- ample, Greenberg (1991) calls for the “radical rejection of drive [theory]” because “all motivation unfolds from our personal experience of ex- change with others” (p. vii). Motivation theory certainly benefits from this Address correspondence to Jonathan Yahalom, M.A., Duquesne University, Psychol- ogy Department, 600 Forbes Avenue, 544 College Hall, Pittsburgh, PA 15282. -
VERA J. CAMDEN Vera J. Camden Is Professor Of
VERA J. CAMDEN Vera J. Camden is Professor of English at Kent State University, Clinical Assistant Professor of Psychiatry at Case Western Reserve University and Clinical Faculty of Social Work at Rutgers University. She is Training and Supervising Analyst at the Cleveland Psychoanalytic Center. A member of the Committee on Research and Special Training at the American Psychoanalytic Association, she is Co-editor of American Imago, and on the editorial board of The American Psychoanalyst and Bunyan Studies: A Journal of Reformation and Dissent. She specializes in seventeenth-century British literature, psychoanalysis, and comics and graphic narratives. EDUCATION University of Virginia Ph.D. 1986 University of Chicago M.A. 1977 Arizona State University B.A. 1976 summa cum laude, Phi Beta Kappa, 1976 EMPLOYMENT Academic Kent State University Professor of English, 2004-present Associate Professor of English, 1991-2003 Associate Director, Center for Literature and Psychoanalysis, 1986-1994 Clinical Consultation Case Western Reserve University, Assistant Clinical Professor of Psychiatry, 2005- present. Rutgers University, Clinical Faculty, School of Social Work, 2012-present. Cleveland Psychoanalytic Center Training and Supervising Analyst 2006-present. University Hospitals of Cleveland, Resident Training, Department of Psychiatry, 2004- present. Geographic Rule Supervising Analyst” for the Institute for Psychoanalytic Education of the NYU Medical School. 2016-present. Teaching Awards Kent State Women’s Center, Mentor Award, 2015 Distinguished -
Norman O. Brown Page 1
Patterson – Norman O. Brown page 1 Norman O. Brown: A 20th Century Intellectual Odyssey “Look upon me! I'll show you the Life of the Mind!" Charlie Meadows (aka Karl "Madman" Mundt) as he sets the hotel on fire in Barton Fink It’s time for a recovery and reassessment of North American thinkers. Marshall McLuhan, Leslie Fiedler and Norman O. Brown are the linked triad I would substitute for Jacques Lacan, Jacques Derrida and Michel Foucault, whose work belongs to ravaged postwar Europe and whose ideas transfer poorly into the Anglo- American tradition. McLuhan, Fiedler and Brown were steeped in literature, classical to modern. They understood the creative imagination, and they extended their insights into speculation about history and society. Their influence was positive and fruitful: They did not impose their system on acolytes but liberated a whole generation of students to think freely and to discover their own voices…. My argument is that the North American intellectuals, typified by McLuhan, Fiedler and Brown, achieved a new fusion of ideas—a sensory pragmatism or engagement with concrete experience, rooted in the body , and at the same time a visionary celebration of artistic metaspace—that is, the fictive realm of art, fantasy and belief projected by great poetry and prefiguring or own cyberspace. Camille Paglia, February 17, 2000. Patterson – Norman O. Brown page 2 Introduction The evolution of Norman O. Brown's thought seems at first glance to be completely unique. I can well imagine that librarians were puzzled about how to classify some of his books when they first appeared, and it is still anyone's guess as to where to look in a bookstore for a copy of Love's Body. -
Lacan and the Electric Guitar at the Intersection of Music, Technology, and Identity
Pursuit - The Journal of Undergraduate Research at The University of Tennessee Volume 3 Issue 2 Spring 2012 Article 10 March 2012 Listening Awry: Lacan and the Electric Guitar at the Intersection of Music, Technology, and Identity Jacob Morris University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/pursuit Recommended Citation Morris, Jacob (2012) "Listening Awry: Lacan and the Electric Guitar at the Intersection of Music, Technology, and Identity," Pursuit - The Journal of Undergraduate Research at The University of Tennessee: Vol. 3 : Iss. 2 , Article 10. Available at: https://trace.tennessee.edu/pursuit/vol3/iss2/10 This Article is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Pursuit - The Journal of Undergraduate Research at The University of Tennessee by an authorized editor. For more information, please visit https://trace.tennessee.edu/pursuit. Pursuit: The Journal of Undergraduate Research at the University of Tennessee Copyright © The University of Tennessee Listening Awry: Lacan and the Electric Guitar at the Intersection of Music, Technology, and Identity JACOB MORRIS Advisor: Dr. Allen Dunn College Scholars, University of Tennessee, Knoxville Contemporary positions on technology tend to emphasize that its import lies in its appropriation by a given social actor (group or individual), by how it is used. This paper does not categorically deny that such is often the case, but suggests that its inversion is widely overlooked. Overlooked, because much like the skull in Holbein’s The Ambassadors, evidence of technology’s active effect on the user is distorted until viewed from a particular vantage point. -
Bibliotherapy and Psychotherapy
Bibliotherapy and Psychotherapy EDWIN F. ALSTON, M.D. THISPAPER HAS TO DO WITH the possible uses and values of bibliotherapy in the treatment of emotional and men- tal illness. The discussion will be introduced with brief considerations of personality development, psychopathology, concepts of mental and emotional health, and psychotherapy from standpoints of goals, prin- ciples, techniques, and problems. We shall also want to review the rationale for thinking of bibliotherapy in connection with the treat- ment of the mentally ill. Such a background is necessary before we can see clearly the possible roles of bibliotherapy in the present treat- ment of psychological disorders. The development of a human personality is an extremely compli- cated process. Here we shall not attempt to describe the details; rather we shall emphasize the diversity of factors that are involved in the growth and development of a human personality. At birth the individual exists largely as a potential. His very survival is dependent upon those who care for him; his future development is shaped first by the start they give him and subsequently by all of the experiences which he has on his way to adulthood. Physically and psychologically the individual will go through different phases of growth and de- veIopment.ls2 In each phase different needs and activities are pre- potent. For instance, in the earliest months, eating, eliminating, and sleeping are dominant activities. Subsequently different periods are characterized by the special prominence of learning to walk, talk, control sphincters. As the years go by, at different stages, the indi- vidual will be especially involved in developing the nature of his relationships with people, of acquiring basic knowledge and skills. -
FREUD and the PROBLEM with MUSIC: a HISTORY of LISTENING at the MOMENT of PSYCHOANALYSIS a Dissertation Presented to the Faculty
FREUD AND THE PROBLEM WITH MUSIC: A HISTORY OF LISTENING AT THE MOMENT OF PSYCHOANALYSIS A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Michelle R. Duncan May 2013 © 2013 Michelle R. Duncan FREUD AND THE PROBLEM OF MUSIC: A HISTORY OF LISTENING AT THE MOMENT OF PSYCHOANALYSIS Michelle R. Duncan, Ph. D. Cornell University 2013 An analysis of voice in performance and literary theory reveals a paradox: while voice is generally thought of as the vehicle through which one expresses individual subjectivity, in theoretical discourse it operates as a placeholder for superimposed content, a storage container for acquired material that can render the subjective voice silent and ineffectual. In grammatical terms, voice expresses the desire or anxiety of the third rather than first person, and as such can be constitutive of both identity and alterity. In historical discourse, music operates similarly, absorbing and expressing cultural excess. One historical instance of this paradox can be seen in the case of Sigmund Freud, whose infamous trouble with music has less to do with aesthetic properties of the musical art form than with cultural anxieties surrounding him, in which music becomes a trope for differences feared to potentially “haunt” the public sphere. As a cultural trope, music gets mixed up in a highly charged dialectic between theatricality and anti-theatricality that emerges at the Viennese fin- de-Siècle, a dialectic that continues to shape both German historiography and the construction of modernity in contemporary scholarship. -
A Psychobiography of John Donne
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 5-1995 "Contraryes Meete in One": A Psychobiography of John Donne Lisa Anderson University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Anderson, Lisa, ""Contraryes Meete in One": A Psychobiography of John Donne" (1995). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/1 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. "Contraryes Meete In One": A Psychobiography of John Donne by Lisa Anderson Tennessee Scholars Senior Project & English Honors Thesis Project Director: Dr. Rob Stillman Second Readers: Dr. Al Burstein Dr . Jack Reese April 28, 1995 1 John Donne and his poetry have long been a tremendous source of interest for readers and scholars alike. Once more, with the development of psychoanalytic theory and its application to works of art and literature, John Donne's life and poetry have become, not surprisingly, a subject for analysis. One reason for psychoanalytic critics to be concerned with Donne is the complex nature of his poems, reflecting a struggle between dichotomous emotions influenced by the forces of sex and death. One example of Donne's poetry that displays this complex quality and illustrates the potential inherent in a psychoanalytic reading is Holy Sonnet XVII: Since she whome I lovd, hath payd her last debt To Nature, and to hers, and my good is dead And her Soule early into heaven ravished, Wholy in heavenly things my mind in sett. -
The Incommensurability of Psychoanalysis and History
History and Theory 51 (February 2012), 63-83 © Wesleyan University 2012 ISSN: 0018-2656 THE THIRD ANNUAL HISTORY AND THEORY LECTURE1 THE INCOMMENSURABILITY OF PSYCHOANALYSIS AND HISTORY JOAN W. SCOTT2 ABSTRACT This article argues that, although psychoanalysis and history have different conceptions of time and causality, there can be a productive relationship between them. Psychoanalysis can force historians to question their certainty about facts, narrative, and cause; it intro- duces disturbing notions about unconscious motivation and the effects of fantasy on the making of history. This was not the case with the movement for psychohistory that began in the 1970s. Then the influence of American ego-psychology on history-writing promoted the idea of compatibility between the two disciplines in ways that undercut the critical possibilities of their interaction. The work of the French historian Michel de Certeau pro- vides theoretical insight into the uses of incommensurability, while that of Lyndal Roper demonstrates both its limits and its value for enriching historical understanding. Keywords: psychohistory, psychoanalysis, history-writing, ego-psychology, Freudian theory, transference. “Clio to thee, O Muse, has been vouchsafed the power to know the hearts of the gods and the ways by which things come to be.” So wrote the Roman Valerius Flaccus in the first century CE.3 In the language of Lacanian psychoanalysis, we might say that this invocation takes the Muse of History to be an (imagined) authoritative subject, she who is supposed to know. Historians become, in this reading, Clio’s analysands, pinning our hopes for enlightenment on the knowl- edge we presume she can impart to us.