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AWAR of INDIVIDUALS: Bloomsbury Attitudes to the Great
2 Bloomsbury What were the anti-war feelings chiefly expressed outside ‘organised’ protest and not under political or religious banners – those attitudes which form the raison d’être for this study? As the Great War becomes more distant in time, certain actions and individuals become greyer and more obscure whilst others seem to become clearer and imbued with a dash of colour amid the sepia. One thinks particularly of the so-called Bloomsbury Group.1 Any overview of ‘alter- native’ attitudes to the war must consider the responses of Bloomsbury to the shadows of doubt and uncertainty thrown across page and canvas by the con- flict. Despite their notoriety, the reactions of the Bloomsbury individuals are important both in their own right and as a mirror to the similar reactions of obscurer individuals from differing circumstances and backgrounds. In the origins of Bloomsbury – well known as one of the foremost cultural groups of the late Victorian and Edwardian periods – is to be found the moral and aesthetic core for some of the most significant humanistic reactions to the war. The small circle of Cambridge undergraduates whose mutual appreciation of the thoughts and teachings of the academic and philosopher G.E. Moore led them to form lasting friendships, became the kernel of what would become labelled ‘the Bloomsbury Group’. It was, as one academic described, ‘a nucleus from which civilisation has spread outwards’.2 This rippling effect, though tem- porarily dammed by the keenly-felt constrictions of the war, would continue to flow outwards through the twentieth century, inspiring, as is well known, much analysis and interpretation along the way. -
FATHER DIVINE. Father Divine Papers, Circa 1930-1996
FATHER DIVINE. Father Divine papers, circa 1930-1996 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Father Divine. Title: Father Divine papers, circa 1930-1996 Call Number: Manuscript Collection No. 840 Extent: 8 linear feet (16 boxes), 3 oversized papers papers boxes and 3 oversized papers folders (OP), 3 extra-oversized papers (XOP), 7 oversized bound volumes (OBV), and AV Masters: .25 linear feet (1 box) Abstract: Papers relating to African American evangelist Father Divine and the Peace Mission Movement including correspondence, writings, photographs, printed material, and memorabilia. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Separated Material Pamphlets, monographs and periodicals included in the collection have been cataloged separately. These materials may be located in the Emory University online catalog by searching for: Father Divine. Source Purchase, 1997, with subsequent additions. Citation [after identification of item(s)], Father Divine papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Father Divine papers, 1930-1996 Manuscript Collection No. 840 Processing Processed by Susan Potts McDonald, April 2011 In 2014, Emory Libraries conservation staff cleaned, repaired, and reformatted the scrapbooks numbered OBV1 and OBV2 as part of the National Parks Service funded Save America's Treasures grant to preserve African American scrapbooks in the Rose Library's holdings. -
Three Pictures Looking Through the Lens of Alumna Linda Panetta’S Life and Work
Fall 2010 • Volume 07 • Number 03 MAGAZINE Three picTures Looking through the Lens of aLumna Linda Panetta’s Life and work. Page 16 1 CALENDAR OF EVENTS Alumni Weekend 2010 Risa Vetri Ferman Cabrini Classic December 2 – January 18 Through the Lens: Student Work from Fine Arts Photography Graduate Programs Open Houses Grace and Joseph Gorevin Fine Arts Gallery, 2nd Floor, Holy Spirit Library Works by Cabrini College students in the Fine Arts Photography class. December 9, February 1, March 2, April 7 Admission is free. Information: www.cabrini.edu/fineartscalendar or call 610-902-8381. 6 p.m., Grace Hall Cabrini offers a Master of Education, a Master of Science in March 9 Leader Lecture Series—A Town Hall Meeting: Organization Leadership, and several teacher certifications. “Breaking the Glass Ceiling in Law Enforcement Leadership” To register or to schedule an appointment, 6:30 p.m., Grace Hall Boardroom visit www.cabrini.edu/gps or call 610-902-8500. Eileen Behr, Chief of Police, Whitemarsh Township, Pennsylvania Maureen Rush, Vice President for Public Safety, University of Pennsylvania Admission is free, but registration is requested: www.cabrini.edu/gps or May 23 call 610-902-8500. Sponsored by the Office of Graduate and Professional 22nd Annual Cabrini Classic Honoring Edith Robb Dixon HON’80 Studies. Waynesborough Country Club – Paoli, Pa. April 12 June 4-5 Leader Lecture Series—“Principles of Justice for Children” Alumni Weekend Risa Vetri Ferman, District Attorney, Montgomery County, Pennsylvania Classes of 1961, 1966, 1971, 1976, 1981, 1986, 1991, 1996, 2001, 6:30 p.m., Mansion and 2006 celebrate milestone reunions. -
Hair: the Performance of Rebellion in American Musical Theatre of the 1960S’
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Winchester Research Repository University of Winchester ‘Hair: The Performance of Rebellion in American Musical Theatre of the 1960s’ Sarah Elisabeth Browne ORCID: 0000-0003-2002-9794 Doctor of Philosophy December 2017 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester MPhil/PhD THESES OPEN ACCESS / EMBARGO AGREEMENT FORM This Agreement should be completed, signed and bound with the hard copy of the thesis and also included in the e-copy. (see Thesis Presentation Guidelines for details). Access Permissions and Transfer of Non-Exclusive Rights By giving permission you understand that your thesis will be accessible to a wide variety of people and institutions – including automated agents – via the World Wide Web and that an electronic copy of your thesis may also be included in the British Library Electronic Theses On-line System (EThOS). Once the Work is deposited, a citation to the Work will always remain visible. Removal of the Work can be made after discussion with the University of Winchester’s Research Repository, who shall make best efforts to ensure removal of the Work from any third party with whom the University of Winchester’s Research Repository has an agreement. Agreement: I understand that the thesis listed on this form will be deposited in the University of Winchester’s Research Repository, and by giving permission to the University of Winchester to make my thesis publically available I agree that the: • University of Winchester’s Research Repository administrators or any third party with whom the University of Winchester’s Research Repository has an agreement to do so may, without changing content, translate the Work to any medium or format for the purpose of future preservation and accessibility. -
Newsletter, Vol 32 No 1, Summer 2001
ASLH NEWSLETTER .¿-fY FOÞ. n' ' '{q s"W.z-OO."' uæà5 PRESIDENT-ELECT Robert A. Gordon Yale UniversitY SECRETARY-TREASURER Walter F, Pratt, Jr. University of Notre Dame and Annual Meetin "Eallot l{ ÙoLUME 32, No. 1 sumtel2ool "- i lÈl Ð --- 1 2001 Annu¡lMeetlng,Chicago ' " " ' " " B¡llot.. """"""'3 NomlneeforPresldent'elect """3 NomineesforBo¡rdofDlrectors,' """"4 8 Nomlnees for Bo¡rd ofDlrectors (Gr¡düate student positlon) " " " " " NomlneesforNomlnatlngCommittee ' """"""'9 Annoutrcements ""'l0 Paull.MurPbYPrlze """""10 J.WillardHurstSummerlnstituteln LegalHistory " ' ' ' " " ll Law&HßtoryRevlew.. """"12 StudiesinleirlHistory """"12 series I 3 universlty of Texas Law Librrry lnaugurrtes Legrl Hlstory Publication ' ' H-Law. """14 of cnlifornia' vlslting scholars, center for the study of Law and socle$, university Berkeley Draftprogram..,..' lnformatlon¡boutlocatarrrngements """""30 34 Child Care for the meeting " " " UNCPressTltles ,.,.., """35 2001 Annual Meetlng. Chic¡go November 8'l l, The Society's thirty-first annual meeting will be held Thursday-Sunday, meeting are bound in the center in Chicago. Regisiration materials and the draft program for the Note th0t ofthis newsletter. Be sure to retum the registration forms by the dates indicated' 9-10t30. th.re ,rlll b, , ,.t of nrorrar sotloor on sundry motoint. No"emb.t I ltrt. hdicate on the prs In rdditlon. plGsse n0le these soeclal event$. for whlch y0ü 0re asked to reglstr¡tion form your Planned attendance: Thursdry, November 8th 2:30-4;30 pm, Chicago Historicrl Soclety (self'guided tour) tgr : ëi , $ì, , åì,' l¡. 5;30-7r00 l)rì, ASLII rcccDti0n, Àllcgr.0 ll0tel Thc Socic{y is rtlso ùlosl ¡¡p|reciatlle oIfhc lìltallcial suppot t ptovùlctl by lhe,Ânrcrictitt lì, B¡r lìoùndafioD, DePl¡rìl l-aiv Soltool, Joh¡ Marshall Líìu'School, NoÍh\\'cslent 1..¡v School, ntlrl I'rid¡y, Novc¡ltDcr' 9rr' ofChicago Larv 8ll the [hiversily School. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Outrageous Opinion, Democratic Deliberation, and Hustler Magazine V
VOLUME 103 JANUARY 1990 NUMBER 3 HARVARD LAW REVIEW THE CONSTITUTIONAL CONCEPT OF PUBLIC DISCOURSE: OUTRAGEOUS OPINION, DEMOCRATIC DELIBERATION, AND HUSTLER MAGAZINE V. FALWELL Robert C. Post TABLE OF CONTENTS PAGE I. HUSTLER MAGAZINE V. FALWELL ........................................... 6o5 A. The Background of the Case ............................................. 6o6 B. The Supreme Court Opinion ............................................. 612 C. The Significance of the Falwell Opinion: Civility and Intentional Infliction of Emotional Distress ..................................................... 616 11. THE FIRST AMENDMENT AND PUBLIC DISCOURSE ............................. 626 A. Public Discourse and Community ........................................ 627 B. The Structure of Public Discourse ............... ..................... 633 C. The Nature of Critical Interaction Within Public Discourse ................. 638 D. The First Amendment, Community, and Public Discourse ................... 644 Im. PUBLIC DISCOURSE AND THE FALIWELL OPINION .............................. 646 A. The "Outrageousness" Standard .......................................... 646 B. The Distinction Between Speech and Its Motivation ........................ 647 C. The Distinction Between Fact and Opinion ............................... 649 i. Some Contemporary Understandings of the Distinction Between Fact and Opinion ............................................................ 650 (a) Rhetorical Hyperbole ............................................. 650 (b) -
On Ambivalence
PROBLEMI INTERNATIONAL, vol.On 1 no.Ambivalence 1, 2017 © Society for Theoretical Psychoanalysis On Ambivalence Tadej Troha The term “ambivalence” was coined a little over hundred years ago by Eugen Bleuler, the then director of Burghölzli, who despite sympathizing with psychoanalysis refrained from becoming a genuine part of the emerging Freudian collective body. In the end, his insistence on maintaining his individuality produced an ironic twist: while Freud (and Jung, for that matter) became popular authors, Bleuler was left with the impossible trophy of being the author of popular signifiers, the author of terms that seem to have appeared out of nowhere: in addition to ambivalence, he ought to be credited for inventing “autism” and “schizophrenia.” It is well known that Freud was not very enthusiastic about the latter terms and kept insisting on paraphrenia and narcissism, respectively. As for ambivalence, he accepted it immediately and without hesitation. When introduced in Freud’s essays, ambiva- lence is accompanied with a whole series of laudatory remarks: the term is glücklich, gut, passend, trefflich, “happily chosen” (Freud 2001 [1905], p. 199), “excellent” (Freud 2001 [1912], p. 106), “appropriate” (Freud 2001 [1909], p. 239n), “very apt” (Freud 2001 [1915], p. 131). Although he rarely fails to point out that he is not the author of the term, he never bothers to present the reader with the particular clinical framework within which the term has been invented. The praise of the author is here transformed into the praise of the term itself, the quotation does not add anything to Bleuler’s authority; it is rather an excuse to repeatedly point to the authority and breakthrough nature of the 217 Tadej Troha very conceptual background that made the invention possible. -
2023 Capital Improvement Program
CITY OF CHICAGO 2019 - 2023 CAPITAL IMPROVEMENT PROGRAM OFFICE OF BUDGET & MANAGEMENT Lori E. Lightfoot, MAYOR 2019 - 2023 CAPITAL IMPROVEMENT PROGRAM T ABLE OF CONTENTS 2019-2023 Capital Improvement Program (CIP) .............................................................................1 CIP Highlights & Program…………………...………......................................................................2 CIP Program Descriptions.................................................................................................................6 2019 CIP Source of Funds & Major Programs Chart......................................................................10 2019-2023 CIP Source of Funds & Major Programs Chart..............................................................12 2019-2023 CIP Programs by Fund Source.......................................................................................14 Fund Source Key..............................................................................................................................45 2019-2023 CIP by Program by Project……………………………...………………….................47 2019-2023 CAPITAL IMPROVEMENT PROGRAM The following is an overview of the City of Chicago’s Capital Improvement Program (CIP) for the years 2019 to 2023, a five-year schedule of infrastructure investment that the City plans to make for continued support of existing infrastructure and new development. The City’s CIP addresses the physical improvement or replacement of City-owned infrastructure and facilities. Capital improvements are -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
California Hard Core
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title California Hard Core Permalink https://escholarship.org/uc/item/0g37b09q Author Duong, Joseph Lam Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California California Hard Core By Joseph Lam Duong A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Waldo E. Martin, Chair Professor Kerwin Lee Klein Professor Linda Williams Spring 2014 Copyright 2014 by Joseph Lam Duong Abstract California Hard Core by Joseph Lam Duong Doctor of Philosophy in History University of California, Berkeley Professor Waldo E. Martin, Chair California Hard Core is a narrative history of the pornographic film industry in California from 1967 to 1978, a moment when Americans openly made, displayed, and watched sexually explicit films. Two interrelated questions animate this project: Who moved the pornographic film from the margins of society to the mainstream of American film culture? What do their stories tell us about sex and sexuality in the U.S. in the last third of the twentieth century? The earlier academic literature concentrates on pornographic film and political debates surrounding it rather than industry participants and their contexts. The popular literature, meanwhile, is composed almost entirely of book-length oral histories and autobiographies of filmmakers and models. California Hard Core helps to close the divide between these two literatures by documenting not only an eye-level view of work from behind the camera, on the set, and in the movie theater, but also the ways in which consumers received pornographic films, placing the reader in the viewing position of audience members, police officers, lawyers, judges, and anti-pornography activists. -
Jacob's Ambivalent Legacy
Joel Whitebook 139 JOEL WHITEBOOK Jacob’s Ambivalent Legacy This paper elucidates Freud’s ambivalent and complex relation to Judaism, tracing it to the “break with tradition” that ran through the center of his father’s life. Jacob Freud was a conflicted and tran- sitional figure, with one foot planted in the parochial world of Jewish traditionalism and the other in the cosmopolitan world of European modernity. And he wanted his son to partake of these two legacies in equal degree. But Sigmund found the conflict untenable and chose in favor of science, atheism, and the Enlightenment. The point to be appreci- ated, however, is that he did not see his choice of the Aufklärung as a simple rejection of the Jewish tradition. Rather, by construing Moses as an Aufklärer, he was able he was able to define his project as an inner transformation of the Jewish tradition so that he could thereby to be “a godless Jew,” thereby confirming both his atheism and his cultural heritage. 1 What are we to make of Freud’s provocative idea of a “godless Jew”? Is it simply a contradiction in terms that he uses to patch over an irresolvable and fundamental rift in his character and outlook? This is the position of those champions of Enlightenment universalism who want to inoculate Freud’s science against any taint of ethnic particularity. They argue that the godlessness ought to be retained and the Judaism discarded. This is also the position of certain Jewish thinkers when they want to claim Freud as a prodigal son who ultimately returned to the tribal fold.1 In this case, the idea is to drop the godlessness—or at least radically attenuate it—while holding onto the Judaism.