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Kristeva and the Political
KRISTEVA AND THE POLITICAL Julia Kristeva is one of the most influential French thinkers of the twen tieth century and is best known for her work in linguistics, feminist theory and psychoanalysis. Kristeva & the Political is the first book to explore and assess the relation of Kristeva's work to politics and the political. Kristeva & the Political casts new light on her work, connecting her to recent developments in literary theory, political theory and cultural studies. In particular it shows how Kristeva's account of art and psychoanalysis widens the notion of the political. Each chapter introduces a fundamental theme in Kristeva's work, high lighting a specific period of development in her thought and drawing on texts from the 1960s through to the 2000s. The book shows the continuity of her work on the political, as well as its scope. Kristeva & the Political demonstrates that her theory of revolt draws on specific notions of mater nity and alterity, love and recognition, embodiment and temporality, illuminating the radical potential of intimate spaces that are not tradition ally regarded as politically relevant. Cecilia Sjoholm is Senior Lecturer in Comparative Literature at Sodertorn University College, Sweden. She is the author of The Antigone Complex: Ethics and the Invention of Feminine Desire. THINKING THE POLITICAL General editors: Keith Ansell Pearson University of Warwick Simon Critchley University of Essex Recent decades have seen the emergence of a distinct and challenging body of work by a number of Continental thinkers that has fundamentally altered the way in which philosophical questions are conceived and discussed. This work poses a major challenge to anyone wishing to define the essentially contestable concept of 'the political' and to think anew the political import and application of philosophy. -
Your Abjection Is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-In-Différance
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 6-2017 Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in-Différance Ricardo R. Ramirez California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Digital Humanities Commons, Feminist, Gender, and Sexuality Studies Commons, and the Other Film and Media Studies Commons Recommended Citation Ramirez, Ricardo R., "Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in- Différance" (2017). Electronic Theses, Projects, and Dissertations. 560. https://scholarworks.lib.csusb.edu/etd/560 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. YOUR ABJECTION IS IN ANOTHER CASTLE: JULIA KRISTEVA, GAMER THEORY, AND IDENTITIES-IN-DIFFÉRANCE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Ricardo Rodriguez Ramirez June 2017 YOUR ABJECTION IS IN ANOTHER CASTLE: JULIA KRISTEVA, GAMER THEORY, AND IDENTITIES-IN-DIFFÉRANCE A Thesis Presented to the Faculty of California State University, San Bernardino by Ricardo Rodriguez Ramirez June 2016 Approved by: Dr. Jacqueline Rhodes, Committee Member Dr. Chad Luck, Committee Member © 2016 Ricardo Rodriguez Ramirez ABSTRACT Typified rhetorical situations are often a result of normalized ideologies within cultures; however, they also have the capability to produce new ideology. -
Julia Kristeva's 'Culture of Revolt' and (Post) Modern Religious Subjectivity
Julia Kristeva’s ‘Culture of Revolt’ and (Post) Modern Religious Subjectivity by Bonnie de Bruijn A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department for the Study of Religion University of Toronto © Copyright by Bonnie de Bruijn 2016 Julia Kristeva’s ‘Culture of Revolt’ and (Post) Modern Religious Subjectivity Bonnie de Bruijn Doctor of Philosophy Department for the Study of Religion University of Toronto 2016 Abstract This study offers a close reading of Julia Kristeva’s theories of ‘intimate revolt’ and ‘revolt culture’ and applies them to discussions of religious subjectivity. Decidedly non-militaristic, intimate revolt is reconceived in psychoanalytic and literary terms to mean an ongoing process of introspection and interrogation. The notion is derived from a multi-faceted and dynamic view of the mind, which, I submit, can broaden our conceptualization of religious subjectivity in popular discourse and vis-à-vis other psychoanalytic interpretations of religion. Indeed, Kristeva’s seemingly ambiguous treatment of Christianity is better understood in light of her theory of intimate revolt, which accepts and encourages working through competing ideas. Taking seriously the socio-political implications of intimate revolt, the overarching questions of this project are whether or not religion can fit into Kristeva’s vision of revolt culture, and, if so, what it might look like. I argue that, while she privileges aesthetic and psychoanalytic forms of revolt, Kristeva leaves open the possibility of intimate revolt in religion, particularly through her discussions of ‘the sacred’ and Christian mysticism. Finally, I survey progressive Christianity and John Caputo’s postmodern religion to identify potential examples of religious subjects who contribute to a culture of revolt. -
Feminism & Philosophy Vol.5 No.1
APA Newsletters Volume 05, Number 1 Fall 2005 NEWSLETTER ON FEMINISM AND PHILOSOPHY FROM THE EDITOR, SALLY J. SCHOLZ NEWS FROM THE COMMITTEE ON THE STATUS OF WOMEN, ROSEMARIE TONG ARTICLES MARILYN FISCHER “Feminism and the Art of Interpretation: Or, Reading the First Wave to Think about the Second and Third Waves” JENNIFER PURVIS “A ‘Time’ for Change: Negotiating the Space of a Third Wave Political Moment” LAURIE CALHOUN “Feminism is a Humanism” LOUISE ANTONY “When is Philosophy Feminist?” ANN FERGUSON “Is Feminist Philosophy Still Philosophy?” OFELIA SCHUTTE “Feminist Ethics and Transnational Injustice: Two Methodological Suggestions” JEFFREY A. GAUTHIER “Feminism and Philosophy: Getting It and Getting It Right” SARA BEARDSWORTH “A French Feminism” © 2005 by The American Philosophical Association ISSN: 1067-9464 BOOK REVIEWS Robin Fiore and Hilde Lindemann Nelson: Recognition, Responsibility, and Rights: Feminist Ethics and Social Theory REVIEWED BY CHRISTINE M. KOGGEL Diana Tietjens Meyers: Being Yourself: Essays on Identity, Action, and Social Life REVIEWED BY CHERYL L. HUGHES Beth Kiyoko Jamieson: Real Choices: Feminism, Freedom, and the Limits of the Law REVIEWED BY ZAHRA MEGHANI Alan Soble: The Philosophy of Sex: Contemporary Readings REVIEWED BY KATHRYN J. NORLOCK Penny Florence: Sexed Universals in Contemporary Art REVIEWED BY TANYA M. LOUGHEAD CONTRIBUTORS ANNOUNCEMENTS APA NEWSLETTER ON Feminism and Philosophy Sally J. Scholz, Editor Fall 2005 Volume 05, Number 1 objective claims, Beardsworth demonstrates Kristeva’s ROM THE DITOR “maternal feminine” as “an experience that binds experience F E to experience” and refuses to be “turned into an abstraction.” Both reconfigure the ground of moral theory by highlighting the cultural bias or particularity encompassed in claims of Feminism, like philosophy, can be done in a variety of different objectivity or universality. -
Norman O. Brown, 1913–2002
OBITUARY Norman O. Brown, 1913–2002 orman O. Brown was born in New Mexico in 1913 and educated at Balliol College, Oxford, and at the University of Wisconsin. His tutor at Oxford was NIsaiah Berlin. A product of the 1930s, Brown was active in left-wing politics – for example, in the 1948 Henry Wallace presidential campaign – and his work belongs within the history of Marxist, as well as psychoanalytic, thought. During World War II, he worked in the Office of Strategic Services, where his supervisor was Carl Schorske and his colleagues included Herbert Marcuse and Franz Neumann. Marcuse urged Brown to read Freud, leading, in 1959, to Brownʼs most memorable work, Life Against Death. Brown taught Classics at Wesleyan University and was a member of the History of Consciousness Department at the University of California at Santa Cruz. Although Life Against Death made him an icon of the New Left, he successfully eschewed publicity, insisting to the end on his primary identity as teacher. There is still no better introduction to Life Against Death than the one that Brown wrote in 1959. The book was inspired, he explained, by a felt ʻneed to reappraise the nature and destiny of manʼ. The ʻdeep study of Freudʼ was the natural means for this undertaking. His motives, Brown continued, were political in the most profound sense of the term: ʻInheriting from the Protestant tradition a conscience which insisted that intellectual work should be directed toward the relief of manʼs estate, I, like many of my generation, lived through the superannuation of the political categories which informed liberal thought and action in the 1930s.ʼ ʻThose of us who are tempera- mentally incapable of embracing the politics of sin, cynicism and despairʼ, he added, were ʻcompelled to re-examine the classic assumptions about the nature of politics and about the political character of human nature.ʼ How did it come about, at the dawn of the 1960s, that Freud appeared as the suc- cessor to a ʻsuperannuatedʼ, but not yet surpassed, Marxist project? Life Against Death addressed this question. -
Freud and Epicurean Philosophy: Revisiting Drive Theory
Contemporary Psychoanalysis,2014,Vol.50,No.3:395–417. C William Alanson White Institute of Psychiatry, Psychoanalysis & Psychology and ⃝ the William Alanson White Psychoanalytic Society ISSN: 0010-7530 print / 2330-9091 online DOI: 10.1080/00107530.2014.922859 JONATHAN YAHALOM, M.A. FREUD AND EPICUREAN PHILOSOPHY: REVISITING DRIVE THEORY Abstract. This article reviews Epicurean philosophy to expose Freud’s drive theory as overly quantitative and lacking a qualitative dimension. Epicurean philosophy is congruent with fundamental premises in psychoanalysis, and contributes a qualitative and quantitative theory of pleasure. Moreover, Epicurean philosophy is compatible with fundamental tenets within relational psychoanalysis, indicat- ing that drive theory is relevant—and possibly constitutive—to the relational perspective. After reviewing Epicurean philosophy, the article returns to Freud’s conceptualization of drive. Arguments are made against Freud’s hypothesis of a death drive, insofar as Freud believed that organisms are motivated by the pur- suit of pleasure in an isolated individualistic manner. The article maintains that a critical exploration of Epicureanism challenges our tendency to equate classical drive theory with material reductionism. This carries significant implications for contemporary psychoanalysis and its interpretation of the drives. Keywords: Epicurean philosophy, drive theory, pleasure principle, relational psychoanalysis Introduction Relational theorists have critiqued Freud’s drive theory, arguing that in- terpersonal factors—not intrapsychic drives—define mental life. For ex- ample, Greenberg (1991) calls for the “radical rejection of drive [theory]” because “all motivation unfolds from our personal experience of ex- change with others” (p. vii). Motivation theory certainly benefits from this Address correspondence to Jonathan Yahalom, M.A., Duquesne University, Psychol- ogy Department, 600 Forbes Avenue, 544 College Hall, Pittsburgh, PA 15282. -
Powers of Horror; an Essay on Abjection
POWERS OF HORROR An Essay on Abjection EUROPEAN PERSPECTIVES: A Series of the Columbia University Press POWERS OF HORROR An Essay on Abjection JULIA KRISTEVA Translated by LEON S. ROUDIEZ COLUMBIA UNIVERSITY PRESS New York 1982 Library of Congress Cataloging in Publication Data Kristeva, Julia, 1941- Powers of horror. (European perspectives) Translation of: Pouvoirs de l'horreur. 1. Celine, Louis-Ferdinand, 1894-1961 — Criticism and interpretation. 2. Horror in literature. 3. Abjection in literature. I. Title. II. Series. PQ2607.E834Z73413 843'.912 82-4481 ISBN 0-231-05346-0 AACR2 Columbia University Press New York Guildford, Surrey Copyright © 1982 Columbia University Press Pouvoirs de l'horreur © 1980 Editions du Seuil AD rights reserved Printed in the United States of America Clothbound editions of Columbia University Press books are Smyth- sewn and printed on permanent and durable acid-free paper. Contents Translator's Note vii I. Approaching Abjection i 2. Something To Be Scared Of 32 3- From Filth to Defilement 56 4- Semiotics of Biblical Abomination 90 5- . Qui Tollis Peccata Mundi 113 6. Celine: Neither Actor nor Martyr • 133 7- Suffering and Horror 140 8. Those Females Who Can Wreck the Infinite 157 9- "Ours To Jew or Die" 174 12 In the Beginning and Without End . 188 11 Powers of Horror 207 Notes 211 Translator's Note When the original version of this book was published in France in 1980, critics sensed that it marked a turning point in Julia Kristeva's writing. Her concerns seemed less arcane, her presentation more appealingly worked out; as Guy Scarpetta put it in he Nouvel Observateur (May 19, 1980), she now intro- duced into "theoretical rigor an effective measure of seduction." Actually, no sudden change has taken place: the features that are noticeable in Powers of Horror were already in evidence in several earlier essays, some of which have been translated in Desire in Language (Columbia University Press, 1980). -
Mourning, Melancholia, and the Possibility Of
University of Missouri, St. Louis IRL @ UMSL Theses Graduate Works 3-18-2011 Mourning, Melancholia, and the Possibility of Transformation: Comparing Julia Kristeva's Black Sun and Judith Butler's The syP chic Life of Power Kristina Marie Darling University of Missouri-St. Louis, [email protected] Follow this and additional works at: http://irl.umsl.edu/thesis Recommended Citation Darling, Kristina Marie, "Mourning, Melancholia, and the Possibility of Transformation: Comparing Julia Kristeva's Black Sun and Judith Butler's The sP ychic Life of Power" (2011). Theses. 235. http://irl.umsl.edu/thesis/235 This Thesis is brought to you for free and open access by the Graduate Works at IRL @ UMSL. It has been accepted for inclusion in Theses by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Mourning, Melancholia, and the Possibility of Transformation: Comparing Julia Kristeva's Black Sun and Judith Butler's The Psychic Life of Power Kristina Marie Darling M.A. in American Culture Studies, Washington University in St. Louis, 2009 B.S. in English, Washington University in St. Louis, 2007 A Thesis Submitted to the Graduate School at the University of Missouri-St. Louis in partial fulfillment of the requirements for the degree Master of Arts in Philosophy May 2011 Advisory Committee Brit Brogaard, Ph.D. Chairperson Anna Alexandrova, Ph.D. David Griesedieck, M.A. Copyright Kristina Marie Darling, 2011 Abstract In this paper I compare Julia Kristeva's Black Sun and Judith Butler's The Psychic Life of Power, focusing on their treatment of melancholia. -
Norman O. Brown Page 1
Patterson – Norman O. Brown page 1 Norman O. Brown: A 20th Century Intellectual Odyssey “Look upon me! I'll show you the Life of the Mind!" Charlie Meadows (aka Karl "Madman" Mundt) as he sets the hotel on fire in Barton Fink It’s time for a recovery and reassessment of North American thinkers. Marshall McLuhan, Leslie Fiedler and Norman O. Brown are the linked triad I would substitute for Jacques Lacan, Jacques Derrida and Michel Foucault, whose work belongs to ravaged postwar Europe and whose ideas transfer poorly into the Anglo- American tradition. McLuhan, Fiedler and Brown were steeped in literature, classical to modern. They understood the creative imagination, and they extended their insights into speculation about history and society. Their influence was positive and fruitful: They did not impose their system on acolytes but liberated a whole generation of students to think freely and to discover their own voices…. My argument is that the North American intellectuals, typified by McLuhan, Fiedler and Brown, achieved a new fusion of ideas—a sensory pragmatism or engagement with concrete experience, rooted in the body , and at the same time a visionary celebration of artistic metaspace—that is, the fictive realm of art, fantasy and belief projected by great poetry and prefiguring or own cyberspace. Camille Paglia, February 17, 2000. Patterson – Norman O. Brown page 2 Introduction The evolution of Norman O. Brown's thought seems at first glance to be completely unique. I can well imagine that librarians were puzzled about how to classify some of his books when they first appeared, and it is still anyone's guess as to where to look in a bookstore for a copy of Love's Body. -
Women's Time Author(S): Julia Kristeva, Alice Jardine, Harry Blake Source: Signs, Vol
Women's Time Author(s): Julia Kristeva, Alice Jardine, Harry Blake Source: Signs, Vol. 7, No. 1 (Autumn, 1981), pp. 13-35 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/3173503 . Accessed: 15/10/2011 22:25 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Signs. http://www.jstor.org Women's Time Julia Kristeva Translated by Alice Jardine and Harry Blake The nation--dream and reality of the nineteenth century-seems to have reached both its apogee and its limits when the 1929 crash and the National-Socialist apocalypse demolished the pillars that, according to Marx, were its essence: economic homogeneity, historical tradition, and linguistic unity.1 It could indeed be demonstrated that World War II, though fought in the name of national values (in the above sense of the term), brought an end to the nation as a reality: It was turned into a mere illusion which, from that point forward, would be preserved only for ideological or strictly political purposes, its social and philosophical coherence having collapsed. -
5 Is There a Feminine Genius?*
05 Chapter 122 1190 6/4/04 11:23 am Page 117 5 Is there a Feminine Genius?* JULIA KRISTEVA University of Paris To Simone de Beauvoir FOR A LONG TIME NOW, according to the cadence of chance and necessity of intellectual life, the works of Hannah Arendt, Melanie Klein and Colette have shed light on and supported my own work and life. In addi- tion to this past, the years I’ve spent writing the triptych devoted to them have enabled me to spend a lot of time with them. This leaves me now— as I complete the work—with the impression of actually having shared their lives. All these years of research have forged close bonds between us; a sisterly closeness in which affection has rivalled unconscious erotic pro- jection consisting of irritated distancing of myself from them and critical rejection of their ideas. However, it is my admiration for these three women which prevails when reading their work, and a feeling of sympa- thetic support prevails when I consider the winding paths of their lives. Some of my acquaintances have said that I have been generous in my interpretation of their work. If readers were to confirm this impression, it would be the greatest gift that Arendt, Klein and Colette could have given me, in revealing what is often concealed by the harshness of life. The provocative hyperbole of the term ‘genius’ was the guiding idea which helped me to understand how these three twentieth-century women were able to surpass themselves in their respective fields (political philos- ophy, psychoanalysis and literature) so as to encourage each reader to surpass himself or herself in a similar way, in following the struggles of Read at the University of Manchester 6 March 2002. -
Julia Kristeva
CHAPTER 1 ———————— ———————— The Early View of Psychoanalysis and Art Introduction his chapter gives an account of Kristeva’s early thought as it appears in Ther doctoral thesis of 1974.1 Revolution in Poetic Language contains the only lengthy explanation of her fundamental categorial distinction between the semiotic and the symbolic. Many commentators therefore make reference to it when explicating her later thought. This is not inappropriate since it remains the case that what Kristeva means by the semiotic and symbolic is two dimen- sions of meaning and subjectivity. To be precise, the notion of the symbolic or, better, strictly symbolic functioning, encompasses everything to do with com- municative discourse, especially utterances with propositional content which say something (to someone). The conception of the symbolic therefore covers the field of the meaningful object, that is to say, a representation, idea, or thing. Semiotic functioning, on the other hand, is the nondiscursive aspect of meaning and subjectivity, given an expanded conception of language, that is to say, one not restricted to the idea of language as the signifying medium. Semiotic func- tioning embraces the less visible role of tone, gesture, and rhythm, for example, in meaning and the innovative capacities of subjects. When Kristeva discusses 25 © 2004 State University of New York Press, Albany 26 Julia Kristeva these she indicates a dimension of subjectivity and meaning, called “semiotic,” that exceeds the field of human capacities and limitations determined by the structure of language. The semiotic is in excess of the “symbolic order.” In other words, it is not fully captured by the structure of language defined by internal relations of difference.