Teaching GLEE-Dership
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Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode. -
Mary, Roseanne, and Carrie: Television and Fictional Feminism by Rachael Horowitz Television, As a Cultural Expression, Is Uniqu
Mary, Roseanne, and Carrie: Television and Fictional Feminism By Rachael Horowitz Television, as a cultural expression, is unique in that it enjoys relatively few boundaries in terms of who receives its messages. Few other art forms share television's ability to cross racial, class and cultural divisions. As an expression of social interactions and social change, social norms and social deviations, television's widespread impact on the true “general public” is unparalleled. For these reasons, the cultural power of television is undeniable. It stands as one of the few unifying experiences for Americans. John Fiske's Media Matters discusses the role of race and gender in US politics, and more specifically, how these issues are informed by the media. He writes, “Television often acts like a relay station: it rarely originates topics of public interest (though it may repress them); rather, what it does is give them high visibility, energize them, and direct or redirect their general orientation before relaying them out again into public circulation.” 1 This process occurred with the topic of feminism, and is exemplified by the most iconic females of recent television history. TV women inevitably represent a strain of diluted feminism. As with any serious subject matter packaged for mass consumption, certain shortcuts emerge that diminish and simplify the original message. In turn, what viewers do see is that much more significant. What the TV writers choose to show people undoubtedly has a significant impact on the understanding of American female identity. In Where the Girls Are , Susan Douglas emphasizes the effect popular culture has on American girls. -
Narrative Craft and Mass Appeal in the Newgate Calendar
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of New Orleans University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 8-9-2006 Guilty Pleasures: Narrative Craft and Mass Appeal in the Newgate Calendar Aimee Rust University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Rust, Aimee, "Guilty Pleasures: Narrative Craft and Mass Appeal in the Newgate Calendar" (2006). University of New Orleans Theses and Dissertations. 399. https://scholarworks.uno.edu/td/399 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Guilty Pleasures: Narrative Craft and Mass Appeal in the Newgate Calendar A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English by Aimee Rust B.A., Beloit College, 1994 M.A., The University of Wisconsin-Milwaukee, 2002 August, 2006 Acknowledgements Several people made this project possible. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Sitcom Spec Script Survey
Sitcom Spec Script Survey 1. How would you rank yourself in terms of your sitcom writing experience? Response Response Percent Count No experience 20.5% 30 Beginner - understand the basics, but are still fairly 55.5% 81 inexperienced Advanced - written several scripts, but have not yet made any money 21.2% 31 from writing Professional - been paid to write 2.7% 4 answered question 146 skipped question 1 2. How many sitcom spec scripts have you written within the last year? Please only count COMPLETED drafts. Response Response Percent Count 0 - 2 93.8% 136 3 - 5 6.2% 9 6 - 10 0.7% 1 More than 10 0.0% 0 answered question 145 skipped question 2 1 of 18 3. Please list the sitcoms that you've specced within the last year: Response Count 95 answered question 95 skipped question 52 4. How many sitcom spec scripts are you currently writing or plan to begin writing during 2011? Response Response Percent Count 0 - 2 64.5% 91 3 - 4 30.5% 43 5 - 6 5.0% 7 answered question 141 skipped question 6 5. Please list the sitcoms in which you are either currently speccing or plan to spec in 2011: Response Count 116 answered question 116 skipped question 31 2 of 18 6. List any sitcoms that you believe to be BAD shows to spec (i.e. over-specced, too old, no longevity, etc.): Response Count 93 answered question 93 skipped question 54 7. In your opinion, what show is the "hottest" sitcom to spec right now? Response Count 103 answered question 103 skipped question 44 8. -
Saluting Cheyenne Jackson for Artistic Achievement
Saluting Cheyenne Jackson for artistic achievement WHEREAS, Cheyenne Jackson is a native of the Pacific Northwest who has shown that even through adversity and hardship, one can make their dreams come true; and WHEREAS, Cheyenne Jackson has appeared in films such as the Academy Award nominated United 93, the Sundance selected Price Check, and The Green; and WHEREAS, Cheyenne Jackson has also appeared on television programs such as Glee, Ugly Betty, Curb Your Enthusiasm, and 30 Rock; and WHEREAS, Cheyenne Jackson has appeared in such Broadway and off-Broadway productions as All Shook Up, The Agony and The Agony, The Heart of the Matter, and 8; and WHEREAS, Cheyenne Jackson has recorded two studio albums and has sold out Carnegie Hall twice; and WHEREAS, his work on Broadway, on television, in film and his activism on behalf of the LGBT community through his work with the Foundation for AIDS research and the Hetrick-Martin Institute which supports LGBT youth have been a source of inspiration for many in our community; and WHEREAS, we are proud to welcome Cheyenne Jackson back to the Pacific Northwest for his performance at Martin Woldson Theater in the hopes that his work will inspire many more; NOW, THEREFORE, BE IT RESOLVED, by the Spokane City Council that we hereby salute Cheyenne Jackson for all of his accomplishments and look forward to his performance with the Spokane Symphony. I, Ben Stuckart, Spokane City Council President, do hereunto set my hand and cause the seal of the City of Spokane to be affixed this 19th day of May in 2014 Ben Stuckart Spokane City Council President . -
A Brief History of the Morehouse College Glee Club
A Brief History of the Morehouse College Glee Club The Morehouse College Glee Club is the premier singing organization of Morehouse College, traveling all over the country and the world, demonstrating excellence not only in choral performance but also in discipline, dedication, and brotherhood. Through its tradition the Glee Club has an impressive history and seeks to secure its future through even greater accomplishments, continuing in this tradition through the dedication and commitment of its members and the leadership that its directors have provided throughout the years. It is the mission of the Morehouse College Glee Club to maintain a high standard of musical excellence. In 1911, Morehouse College, then under the name of Atlanta Baptist College, had a music professor named Georgia Starr. She served the College from 1903-1905 and again from 1908- 1911. Mr. Kemper Harreld, who officially founded the Morehouse College Glee Club, assumed leadership when he joined the College’s music faculty in the fall of 1911. Mr. Harreld became both, Chair of the Music Department and Director of the Glee Club. After faithfully serving for forty-two years, he retired in 1953. Mr. Harreld was responsible for beginning the Glee Club’s strong legacy of excellence that has since been passed down to all members of the organization. The Glee Club’s history continues in 1953 with the second director, Wendell Phillips Whalum, Sr., '52. Dr. Whalum was a prized student of Kemper Harreld. He served as Student Director during his tenure in the Glee Club. Dr. Whalum, was more commonly known as "Doc", and served Morehouse College and the Glee Club with the continued tradition of excellence through expanded repertoire and national and international exposure throughout his tenure at the College. -
Rutgers University Glee Club Fall 2020 – Audition Results Tenor 1
Rutgers University Glee Club Fall 2020 – Audition results Congratulations and welcome to the start of a great new year of music making. Please register for the Rutgers University Glee Club immediately – Course 07 701 349. If you are a music major and have any issues with registration please contact Ms. Leibowitz. Non majors with questions please email Dr. Gardner – [email protected]. Glee Club rehearases on Weds nights from 7 to 10 pm and Fridays from 2:50 to 4:10 pm on-line. The zoom link and syllabus is available in Canvas. First rehearsal is this coming Wednesday, September 9th. See you there! Tenor 1 Tenor 2 Baritone Bass Maxwell Domanchich Billy Colletto III Ryan Acevedo James Carson Tin Fung Sean Dekhayser Kyle Cao John DeMarco Jonathan Germosen Steve Franklin Jeffrey Greiner Duff Heitmann Joseph Maldonado James Hwang Tristan Kilper Jonathan Ho Khuti Moses Benjamin Kritz Brian Kong Emerson Katz-Justice Aditya Nibhanupudi Matthew Mallick Matthew Lacognata Seonuk Kim Michael O'Neill Amartya Mani Michael Lazarow Allen Li Michael Schaming Gene Masso Ryan Leibowitz Gabriel Lukijaniuk Xerxes Tata Conor Wall Carl Muhler Sean McBurney Harry Thomas Bobby Weil Julian Perelman Joseph Mezza Zachary Wang John Wilson Caleb Schneider AJ Pandey Nathaniel Barnett Samuel Wilson Gianmarco Scotti Thomas Piatkowski Josh Gonzalez Patrick Cascia Kolter Yagual-Ralston Guillermo Pineiro Kyle Casem Nicholas Casey Nathaniel Eck Ross Ferguson Sachin Boteju Mike Semancik Michael Munza Evan Dickonson Soroush Gharavi Jason Bedianko Colin Smith Benjamin Shanofsky . -
Glee: Uma Transmedia Storytelling E a Construção De Identidades Plurais
UNIVERSIDADE FEDERAL DA BAHIA INSTITUTO DE HUMANIDADES, ARTES E CIÊNCIAS PROGRAMA MULTIDISCIPLINAR DE PÓS-GRADUAÇÃO EM CULTURA E SOCIEDADE ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Salvador 2012 ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Dissertação apresentada ao Programa Multidisciplinar de Pós-graduação, Universidade Federal da Bahia, como requisito parcial para obtenção do título de mestre em Cultura e Sociedade, área de concentração: Cultura e Identidade. Orientador: Prof. Dr. Djalma Thürler Salvador 2012 Sistema de Bibliotecas - UFBA Lima, Roberto Carlos Santana. Glee : uma Transmedia storytelling e a construção de identidades plurais / Roberto Carlos Santana Lima. - 2013. 107 f. Inclui anexos. Orientador: Prof. Dr. Djalma Thürler. Dissertação (mestrado) - Universidade Federal da Bahia, Faculdade de Comunicação, Salvador, 2012. 1. Glee (Programa de televisão). 2. Televisão - Seriados - Estados Unidos. 3. Pluralismo cultural. 4. Identidade social. 5. Identidade de gênero. I. Thürler, Djalma. II. Universidade Federal da Bahia. Faculdade de Comunicação. III. Título. CDD - 791.4572 CDU - 791.233 TERMO DE APROVAÇÃO ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Dissertação aprovada como requisito parcial para obtenção do grau de Mestre em Cultura e Sociedade, Universidade Federal da Bahia, pela seguinte banca examinadora: Djalma Thürler – Orientador ------------------------------------------------------------- -
As Heard on TV
Hugvísindasvið As Heard on TV A Study of Common Breaches of Prescriptive Grammar Rules on American Television Ritgerð til BA-prófs í Ensku Ragna Þorsteinsdóttir Janúar 2013 2 Háskóli Íslands Hugvísindasvið Enska As Heard on TV A Study of Common Breaches of Prescriptive Grammar Rules on American Television Ritgerð til BA-prófs í Ensku Ragna Þorsteinsdóttir Kt.: 080288-3369 Leiðbeinandi: Pétur Knútsson Janúar 2013 3 Abstract In this paper I research four grammar variables by watching three seasons of American television programs, aired during the winter of 2010-2011: How I Met Your Mother, Glee, and Grey’s Anatomy. For background on the history of prescriptive grammar, I discuss the grammarian Robert Lowth and his views on the English language in the 18th century in relation to the status of the language today. Some of the rules he described have become obsolete or were even considered more of a stylistic choice during the writing and editing of his book, A Short Introduction to English Grammar, so reviewing and revising prescriptive grammar is something that should be done regularly. The goal of this paper is to discover the status of the variables ―to lay‖ versus ―to lie,‖ ―who‖ versus ―whom,‖ ―X and I‖ versus ―X and me,‖ and ―may‖ versus ―might‖ in contemporary popular media, and thereby discern the validity of the prescriptive rules in everyday language. Every instance of each variable in the three programs was documented and attempted to be determined as correct or incorrect based on various rules. Based on the numbers gathered, the usage of three of the variables still conforms to prescriptive rules for the most part, while the word ―whom‖ has almost entirely yielded to ―who‖ when the objective is called for. -
Stereotypes in New Nordic Branding Journal of Place Management and Development
http://www.diva-portal.org This is the published version of a paper published in Journal of Place Management and Development. Citation for the original published paper (version of record): Sataøen, H L. [Year unknown!] “Exotic, welcoming and fresh”: stereotypes in new Nordic branding Journal of Place Management and Development https://doi.org/10.1108/JPMD-12-2019-0107 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-90359 The current issue and full text archive of this journal is available on Emerald Insight at: https://www.emerald.com/insight/1753-8335.htm “ ” New Nordic Exotic, welcoming and fresh : branding stereotypes in new Nordic branding Hogne Lerøy Sataøen School of Humanities, Education and Social Sciences, Örebro Universitet, Örebro, Sweden Received 10 December 2019 Revised 19 May 2020 31 August 2020 16 October 2020 7 January 2021 Abstract Accepted 26 January 2021 Purpose – Ideas related to “the Nordic” are important in the reconstruction of national identities in Denmark, Finland, Iceland, Norway and Sweden, and these countries’ modern national narratives are structurally highly similar. At the same time, there are clear differences between the Nordic countries regarding their national images. The purpose of this study is to a examine the relationship between ideas of the Nordic and national images through a qualitative study of brand manifestations on Nordic web portals for foreign visitors. Design/methodology/approach – The two guiding research questions are: How do Nordic branding strategies and national stereotypes impact on nation-branding content toward visitors in the Nordic region? What traces of the Nordic as a supranational concept can be found when the Nordic is translated into concrete national brand manifestations? The analysis focuses on brand manifestations such as brand visions, codes of expression, differentiation, narrative identity and ideologies. -
The Glee News
Inside:The Times of Glee Fox to end ‘Glee’? Kurt Hummel recieves great reviews on his The co-creator of Fox’s great acting, sining, and “Glee” has revealed dancing in his debut “Funny Girl” star Rachel Berry is photographed on the streets of New York plans to end the series, role of “Peter Pan”. walking five dogs. She will soon drop the news about her dog adoption Us Weekly reports. Ryan event. Murphy told reporters Wednesday in L.A. that the musical series will New meaning to “dog eats end its run next year after six seasons. The end of the show ap- dog” business pears to be linked to the Rising actors Berry and Hummel host Brod- death of Cory Monteith, one of its stars. Chris Colfer expands way themed dog show In the streets of New York, happy to be giving back. “After the emotional his talent from simple the three-legged dog to the Rachel uncertainly leads mother and her son. The three friends share a memorial episode for an actor and musician a dozen dogs on leads group hug, happily. Monteith and his char- to a screenplay wiriter through the street. Blaine Sam suggests to Mercedes acter Finn Hudson aired and Artie have positioned that they give McCo- “Old Dog New Tricks” is as well. last week, Murphy said themselves among some naughey to someone at the written by Chris Colfer, who it’s been very difficult to event, but Mercedes tells lunching papparazi, and claims his “two favorite move on with the show,” him to not bother - they’re loudly announce her arriv- cording things in life are animals the story reports.