CONTRIBUTION OF PROFESSOR NAZIR AHMAD TO PERSIAN LANGUAGE AND LITERATURE
ABSTRACT THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Boctor of J^Hoiofliiv IN PERSIAN
Submitted by NAYEEM AHMED
Under the supervision of Dr. Af shan Af tab
DEPARTMENT OF PERSIAN ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2011 c.l>i^(jl(riy>>^V(jfw^j>I^C^i;(/>i?
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THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF
Bottor of $i)tlofi(op})? IN PERSIAN
Submitted by NAYEEM AHMED
Under the supervision of Dr. Afshan Aftab
DEPARTMENT OF PERSIAN ^ AUGARH MUSLIM UNIVERSITY v^ ALIGARH (INDIA) 2011 r c^ Ivtp'0>
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T7456 Dr.Mrs. Afshan Aftab f^f^O Department of Persian Reader >®*^^^ Aligarh Muslim University AIigarh-202 002 (U.P.) India
Dated: fc^.%.^.
Certificate
This is to certify that the thesis entitled "Contribution of Professor Nazir Ahmad to Persian Language and Literature" carried out by Mr. Nayeem Ahmed for the degree of Doctor of philosophy in Persian under my guidance and supervision. The work is an original contribution with existing knowledge and faithful record of research carried out by him.
To the best of my knowledge this work has not been submitted to any other University or Institution for any degree. This work is Suitable for the award of Ph.D degree.
Dr. Mrs. AfsHan Aftab Supervisor
Mob No.: 09897928402, E-mail: [email protected]
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(uC I ^ ^VZ: (^U^ uJ^7i(4'(yI^U^(y>^C^jCf'-*^i/J^^vrt/Xu;''^^^ Medicated food i^^ U t J Jf > 9jj/J(J ^ t (j:!: J^2l cJ'-^'>^9^/" i^Ui/< ii Anestheslogist(J''.;:^C.C.U ^iL^o^L^f^f i-Ub/J-nJ^^-'i-'Medicated food^i^u^Lu^Ljj Jlj^tv;}!^ L^ • • • • lnstrumentl^[/y^J Ventilatory^ l/lXyDrager/L-^U^(y>*(J^ iAf'>U(3/^J^i/t^i^y9^iyi;^^,^tr>f7r^^yiJ(/^c.c.u^y * • jt Oi^jyi^^^iJ^iM }:^ ^^ ^^ jt ij\y\^[?\r^ i^'^ fc^. y^i\ [Jj^ jt <\/^\h^^^j)i^j\i/!,jjtcliylL.ijl:>UyAiyj£iJi,[^i^^i^'l^^U /iiy^"^y^y^^^^^ji\^\^i^\}{fS0ii^^^i^0i^P^^i6^y^^. iC^'Uljiif^^L^J'iyX^^i^J'iyX'^y^ijjil^UJii^i^Oy •3 Jj^yXf'Q^i^jii • * ^L^r if t^y(;^U:>^3y«^y.yJl*>lV^i, ^L^;:^J/Jir/i'>^^Jy/J^/L>>ir'zlLr7iJi.^iy>-^,y JT(j:r (jO^y M:^ b~iJl (i^i/^ U^ly >*.:^^ Uc/>^'vl^y^jy • V • 4 1 ^ ' " ii_i^_ir^ c/^^-i^>^i>:'vr'/>^tv^I /^SAT/ i_^^ CT J'uv'i^ SiiyiJ3\y ^y: ji\Ul ,:>^ii {fj'\yj:/tiy iA_i^o^ ^''K^\^^j/iij'j^"/cyj:^^j^I ^^^/j'iyj:^iy /ifL. ,i\j \:^jiS^'^yt l^/o^i ^J^ ^\^f^^> J^ -^^ ^^ ^ (ir^lJl^^ L^^i^o^'< ^^^C^LTC^'^^'(J-^t*^^^ C*' (//»yr>/'i ^(iPw^;< (r) t^vt^ty UlTj/^'J Contribution of Prof.Nazir Ahmad to Indo- Islamic art and Culture (J^ \^J'\y '^J,J <^-l L/ '^^Ax^jy c/^>^C^J>iy>/^^y (A) c/(3S(/>^>r^L'J^>-iy>>i^y (1) iy i,*i/^j. L^b^/^/ (n) ^^i3t^L;>jiw$/i/>l) (rr) (^>*l?l/c^LO''/>>^^<:jlr'^(i^'' (f(5) - • ~ •• >> / Paintings>i' iy L/Sil^U5yU^'l::.L^Jj(i{/Zl^^U^ly>/ij7:>(c.(/'' y;^"»yU/^wr(rc^L^f>:>LC^U^lyJl-"l_.^U^Oiyi^^y = (3) • ' ^l^S^'y^y^)yu^^^hlJl•:^f^^== -y I y , \ •* )w£/"^*L»j^Zl^^U^)y>*>^l^ '>L^V^.yv.(/iy'J?^Lr^^.Lr^''c/y^^^(l-^U^Xr^^^ •• •• ** I ^* •* ^Jy^^/^ Ll:i^/ij:r^4 ZliJ^yryr^^ LriJ'>*l^LO ,n£^.^^(r^iJi|^.e^)X.J^^>ic.Uj(.Jt>^^ (r) o^lr^9^c^^|/'>l?^b,^^c^^>yr*^L>.JL>^^ (r) rr57lrfi'^AnJtrir.^l>^;.^i/^r^.(Jl>^^ (r) l9AA.i/triz..J^J.^)y( fi^^^c^i/^vi^'^iiyAiJUv.^iy^/ (ir) ^'^A9vi^.4.jy/.iiu^(J^>j,(J^(^4y^tj;^/ (i^) .iqq^yL^.4.jyXiiwiJ-J^v^iJ^i.i^4y^lj;^/ (11) ^^(wiX (IA) (3;/d^l^./>^ (rr) ^r**r.^c,J.^j^^(/i^l^,yj,-^Ut^ (rA) fi^it.^^. (51) Zahori his life and works, Allahabad, 1953 (52) Kitab-e-Nauras, Sangeet Natak Academy, New Delhi, 1956 (53) Tarjuma E'ijaz Khusravi, Amarica, 2007 (54) Fakhruddin Ali Ahmad Memorial volume (English) Ghalib Institute New Delhi 1994. (55) Islamic Heritage in South Asian Subcontinents Publication Scheme. Jaipur, India1998 (56) Islamic Heritage In South Asian Subcontinents Publication Scheme. Jaipur, India 2000 (J^ic^oiPiU!>^.'j\j'ij^J>fij\j^\/'j:'\Sj'^^\^K;^u/')iSA^ ^^^) (J^i o)>iP» ::^/^o^L^c;^>-7^;i(> • * ** V fi9^iy/( (62) Essay on Persian Literature: Edt: Prof. Sharif Hussain QuasmI, ldarah-l-Adablyat-l-Delhl-2005 = (^ ======^^ ^i^iS>^l/J:y^}yij:^}hdlJlS^^= AH ^^' ^6^^'^ u^'^^/ ^^i/r>}^L JL>^WC^^ jLolj jl^Li tj^i^ ^j..v2j'jlS^il -^ c^^l ^Li j.^i.,..>.;>^j (_5^'^-^ _cu--l 4j:^b O^j^y f^j-'^^ ^ u^/^f^^ o^'v:>» c^ DUZll-1;^ cTi^^ u^L^ J^^ J^~ > U/^ • • * * jlVol^'b (r) ^'/iy.i^'h (r) ;i (-^-*) d rSLji-*^ i^"**^^' '^-^•^jjr^-'j-i c-'ljL^iJl 4_L^^_^ 4_j (^ I r r I ) j-f-^ ^5^1 ip oLi (_^j-U^j^ ^J:^jS 4_; <(_^^^j ^JIPJ CJLOI |^i.>r.;.jfej._j I _A.«^ J -^ '-r^W" '*-; AJLjfs.«a^ wLa ^Ju...<^, = (2?) =^==^=^======^==^==-======^\.jiS^'y^/^>-cU^^''>d[^iS-'^= aJLi !):>jj jLS^j d_.jLp AJUI 4J:.O->-J a^i ^^JLL^ L^^J^ 'J-^ ^J-' '^^j-'-J ^ J_)IJ 4_PJ-O„>C^^ O-'j-i (*-i-^ (S^i-^* y.^^ ^c~->^^ J"-*^ LS-W" i?-^^-^ <»;.,W*.JISS^1J di" JL^I C—w-^ d_, , g X. C-'LP*)!.!?! jl rt^.?»s..s^ 4_?x-^^jlj 4^ C-~.^»^J.Jl j_^;>-L«l (aJ_,i 4_sl si^l -L_J.JL^ ^ _ J-ji wL& 19_>tj c-^-^j^ (-_-iLx5 • j.x^ f J_) U.J c^.^wi U/^ L c/^^^ C^tT L ^^/^i, ii^^T^^ JI>^^ CC/j>r 4/^^ * • • r^^-/- i^ k^J^^^ d't A i_ ^ u^iy i'/ur^'i^c "His name is stated to be Siraj ud din. He wrote under the Pen- name of Siraj (-Lamp) and Siraji (-Lustrous, shining). But in a short Qita and in a Rubai appearing in the last page of the Habibganj copy of the Diwan (Fo1.120) the Pen 23) ======—======^======-== ol>^jVl/>>^jyjiwJljc'L;(J'ylis Name of the Poet appears as a Qumri. From this it may be concluded that Siraji adopted another Pen- Name, Qumri. But the fact remains that Qumri was separate poet whose name was also Siraj- uddin. Owing to the similarity of the name the verses of Siraji and Qumri were Intermixed quite early. »• :>j.j ^^j\j> j-^-^ jL5^J_^) j_5^ jl |^_S\_jjJ J-_>.,o—p AJUI JL >,P? e" ^^ij ^j-J-Ul IJUILP jUaJ.^ J (.^27 "1 ^ ''*^f») :>j-<»->T./» /;J-Ul ^^U j^Uai^ olSo^i Perface Page No 2 .>^'>'>>^^<^''r-7''(i'-'/'c^'^''=l t ** ** y (, i, '^^j'U:^ f-Uij_^!^'l 4^Jij.j j^\s'- 4.>i_w^J J I I^XJL* jJ_vi -f L5" o^r^i-«=- ^^^*%^\ olSLi^Jb ^Jb^ijLlS" ^t_^ Jij.j ^_^_jj.J Ju_.x>_Pj r- L:>-jJL_) 0-«-^ (_5-^ L5^J^ -^^""^ ''-^^r^ O^' jU^I i^L^l C->5-s^ ajLjj:>_« J_J^ ^jl Ju^j>- r I 1 • L.J-iJ -LJ^IJ _S^L>- j]^lj.ji L/aLi QL- - '"^^ ^ ?'* ^r^^r J ^^y'-^/t>yjJ^/'^Jj/^si, i ^.i^Lr(y^y^^yy4^y<>rL/^^AiA^HT>>>.^ui^ix^^Hu>>j v-c-^-y. ^C^Zl/J^U^ n 0^^7ii^/£ ^( 2^^(yjl-^,y ^ ^;3 .^Jl/y/c^ (_^jlJL& LSCJ (JLX^ JJL;-4I) 'UxiS'JJ) J^-^J L^^'W"-*""^ O"*-^^-'* dJbitjUS'jiJsyij ' J--^ ^j^ j^^* <-^^ *3*J J-'*^ JJ-^ (j-i'j *~^ (^^^J jt—*:>JJLJ:' '-^^ j^ _c^^l o:>j-; v_iLi I—^j^ Jjt iS^'j^3 J^ '—^j^ c5^ O'j ^3v-^^ (j-jl _^^^ J*J-^=^ '>^—i2_aJl -l_)j_>» c^Jjji O^J-' t.^'j ^ S-i-^ -^^ ^' l-ljLa-IS^ jl j^^v2-«J jjJaJjJ-) J-5jJ J^-^ 0^^ (5-* '*^^"«-«-«-' /^^r .,,?" j^lj LU Lo—l—5) L?^ L/'^J^ u3v-^-*ji 'Lx-LLa c5jjjl '^•J-L^ ^1^3 iLjiJL ij_^ j^_^ I-*—:^J d:>L^I r^-ri ^ J'lyX^iy^^-y.J^liiihy^j I ^w L^ j( j (/^vy 7^L^:> bi^^^ L/'-^^/L^-'^^^'i^^'>^>/<^iv: - <^ [jj/utj UZl (/'i^ c^ U^(y J: fa = (A?) • c>l>i^LCr''y>/ ^ f^U' c>^. c/^'> ^>^il w^/(^ ly^'^ l/^j^^vi^J.r^^l j:t ^l>:l • • •• T •* ((_5jLv2-X^I j^LJuJ) a J^ Ls^j*"^ *_JU5^ 4^JLi_a jji J C-^1 ^1^15^ a^^t-^j A-i' Beruni's kitab-As Saydana and its Persian Jt-7L-X'(J^ (Jyv^'l^;::^ (/>j^y Translation =s= (AI) - ^l^S^>y^/^>yiJ^j>>d\^o^^==' (J'r^iL Beruni's Kitas-A-Saydana and Its Persian Translation (jy^it^ • • Indo Iranica Callcutta vol 14 sep1961 A.H P. A very old source of Hafiz Indo-lranican Vol 18 march 1985i^ Some original Prose and Poetical Picess o'i \:)i^\y^'(^/'\J\iZ^ U^U'il^J'i^Ut^—'IrZllndo-lranica Vol 16 June 1963 j^ Hakim's Sanai = (A2) ======S======S=====^^ ^{.^iS^lyJ:y^>yj!:^;hdlJO^^'= ^yyJy^SC^^^k'^J^''C''^\yd^''^^^S^^yi^6^}^ i^'d\yC^^^''''^y^^i}^^^^i>^(^-^jy:iSJ^/j^^^SJ^^S cJly^yjii^^'C^^c)ly'y^'Siyx^^'^ii^^i^i^^'d[yd^^'j^ ^^J^y^^^X^j^d^[S^\i^^i^^^[Sj^ij\ijiS^^^/i\^\j: ***** -j^ ^ .^ ^ i^ ^ii/y/^j^ cJL fJiy LTI -1^ Ir/^UVi ^^U^ cF'; JUyr if^^i S^'^JJ^^ C^( (^ i? li^l u^j (i d L; 1/71>>:J (^ ^ U *£ (/^ t>y ^> J^ L> w^ Uv^';/> ^^Lij'j!ci(i^'^,^':^::^3i''j^j^j^^^i^j\y/x^z^. J\J^i^i::J'ihifJiJ^J'iyJ:^iy^{^iy!^\>iJ:,\^^^^^J'lS. yj 'L^^jji>>ij/yijy^-Lf^^^£jiyil^[:^lyj^,jji^£iJ'jxy yj:y^iy^^^^S(^^*^^-^^^^6^B^J^^(<^yy'iJ^^^(y" ** 1 * • • -^LftCi^^^>cLru/y^uC-^^^^L^(Zl6^>"c^ L^^o.(^u4^J:f^^'>t/^^'uruy>'Acfa^l./^ ^>>o^t;yc.l^(jL:J(£_j^^/c^ubvlr(/U>i((3'l^(/^ytec>^u/:!^^ (j:t ^ jy) c^>»i^j. J ^t/>yV ^^ ^> c^^^ C^^ ^'^^^''^'''-^^ ^^ - L{r ^ ^ (/i'* ^' ^ A^'^ ^^^-^ c/^^ ^ cA^ l^**!-V^ U>^'/>^ .4yy^(c.t^~^y^c/-^yVCJ"'^>^^u^'/>c/^tT^y; i^u^U^(y>'^/^^::^^r^ljl;*Zlc>(y^(j'l^a!^/V'J^'>^w^^ :^^.^U^(y>-(j:!:j^o^-L)/^lPZl/^y' U). c:^ it^^ 12Z^ J y^ (/^ U^ (J^i/*^ y ki LT^IC/?^^ J^>^y LTI/^^^'J^y(/w L-U (/^^ f>y^ d ^'3 J'J'iy^^fy'JY'^^J^&J^^J^^ L • • - • ( * ** I iJ^U>)//liy^ji\^^j^\j^/iu^^j^\yj:/^^iy^fd''A\jt\^y^ •Ui:^j^^yj:y^iyjt^aj-^^6^U"-J^60^ J i/l?C^^//^j-/'c/>^'^i^y^^^'^t^(/ir<^ty^4 ^ L-^jj^ M ^ u{r (J U^< u>vj iH^^y U^ ^/LTO^^^'>^ (J^'^->^'^-''i^'P L^^ ^A\y\^^^^^jiS[S^^\3t/,J:yJj\j:\Ld^'^lj\ifiSjtj^!>^j\ J^^^6^J^6^^/^/^^\^J'^y'j:/^\^^££J^^jtj^,cC i^o?^ c^'^'/^y^^y^Jy'^jy^Jve^JcF^Jl.c^wJI^/ I =s (I'd) •••• wl>^jV(y>) J\^6^i^i/£u^^u^^^^^J^'^Zi^ (I) tf^^SiUt/^IlD^ (r) c^l^:UL^4)Z:I)li (r) /Ui>3(i>j (r) iiv^-5>i^cr>i'(/v3i: (r) ^/'>'c3U^y^r>t^(j'vli^3(i (r) ^c^cC^'^/J^a (r) ^yJ^Zlj^^iil^i^ (A) j.>Lr^ij(>^(a^(^Jji^ (K) c.uCc>^c>U^ (() crvi'iJ^*c^b> (r) ^-^i^o^iyjiju^wl?/ (r) * • ir(^>3X2l^Utyrv:>'(/b^^j:tc^l:>i>^ (19) c!^»^>j^^il(J^yic;ui; (n) • • "Zuhuri, the court poet of Ibrahim Adil Shah II of BIjapur (A.H 988-1037) plays an Important role in bringing about a literary revival in India during this period. He was one of those who could righty claim to have the proud privilage of maintaining the required standard of taste in the Indian court, by The dint of his merit and his rich contribution to Persian literature both amongst his 1 contemporaries as well as earlier masters." 1. Zahori his life and works. Edt, Prof Nazir Ahmad 1953 P 4 "Birth place: owing to the biographers contradictory and conflicting views about the birth place of Zuhuri, which are of a much more serious nature than those shown in the case of his name, it is really a difficult task to come to a correct conclusion. According to some writers the poet was born in Qayin while a fairly large nambers of biographers hold that he was born in Turshiz; While yet some of the latter class give the name of the Village He was born in Turshiz. Two historians and one biography emphatically claim his to be a native of turbat. similary two other writers call him Tihrani yet some statements show that he was Tabrizi. A number of verses in which zuhuri himself has referred to his birth place show that he exclusivly belonged to Khurasan. Fortunately in two lines he uneguivocally claims to have born in one of the villages of qayin. The first line occurs in his saqi namah in which after giving the birth place of the earlies poets, Zuhuri turns to himself and his own birth place thus j^ Jj^ ^/'jj* L$jj^ This last line abviously shows he was born in one of the villages of 1 district or division of Quyin. 1. Zuhuri, His life and works, Edt, Prof Nazir Ahmad 1953 P 8-9 "We are some what a acquainted with the Kitab-i-nauras which embodies a collection of songs Composed by the sultain and Intended to be sung in one of 1 the melodies of Hindustani music." 1. Kitab-i-nauras, Edt, Prof Nazir Ahmad1956 P 55 (54) Fakhruddin Ali Ahmad Memorial volume (English) Ghalib Institute New Delhi, 1994. (i>^y'L/'^ "For quite some time the Ghalib Institute had been planning to publish memorial volumes as a befitting tribute to the memory of the Late President. It is ==- (7(A) - ^ij>i'iSj'i/):y^>/ij:^ihc)U{f^i'= gratifying to note tiiat we have succeded in publishing two commemorative volumes, one in english and other in urdu with the active cooperation of Indian foregin scholares the diversity of the topics on which articales have been written 1 is commensurate with the many sided personality of Mr Fakhruddin Ali Ahmed." (55) Islamic Heritage in South Asian Subcontinents Publication Scheme. Jaipur, India, vol 1.1998 (1) The Earlist - known Persian work on Hindu Philosophy and Hindu Religion. (2) Diplomatic Relation between the sultans of Delhi and the II khans of Iran. (3) Abdur Razzaq Samarqandi's Account of life and culture in India 15th Century. "Recently the interest shown by western scholars in study of Islam in south Asia has necessitated a through search of literature bearing on its role. There is a call for a more objecive study of how islamic influences bounced back to the classical lands of Islam on one hand and enriched the life and culture in south Asia on the other. Both as part of that call, and Part of the answer to that 1.Fakhruddin Ali Ahmad Memorial Volume, Edt, Prof Nazir Ahmad and Asiob Ahmad Ansari Pg. Foreword calls it has been decided to publish a series of volumes dealing with Islamic history and culture in the countries of south Asian subcontinent. Our objective behind this project is both to promote the study of Islamic culture and history and encourage interaction betv\/een the scholars of Islamic culture in India and abroad. This volume, countaining articles, contributed by scholars of eminence offers varied but coherent studies on interaction betv\/een sufi saints and hindu mystics, The social role of the sufie's, political and cultural instutions, diplomatic relation between the rulers of India and the forigen countries and the intellectual and cultural dimensions of historical and religious literature, produced in persian language during medival times. Each article opens new vistas for further 1 investigation in fields, hitherto unexplored. (56) islamic l-ieritage in South Asian Subcontinents Publication Scheme. Jaipur, India, vol.2, 2002 1. A critical examination of baehaqis narration of the indian expeditions during the reign of masud of ghazna 2. Akber letter (Farman) to a nuqtawi divine of Kashan i})iyiJl/'h^J^ij:l^\s-^^j)j^uti:}i^i-h^^i}\^uJ'ij^ 1. Islamic Heritage in south Asian subcontinent, Vol.1, 1998 Pg. Preface ^^^lijb (r) ^^1^^ j^ij.^ j^ ji_^J^ 4^r (r) ^^^Ja^ O'^^J V-:^-^•' C"^) ^----LJ- t-jliS'j j--^bJ- 4J^«-W-J (T) JiiL^ Q\j.i^ J\ ^^ ^^^i'^ ^^^^J ( I ) 4_Pl L5-^^ ^^^J^LT j^-^li (_5L.-x^ dJLvj (1) I3JIA^I C3JIJ.P i_-)Lx5^ t,?-^-^ '*-^^^" ('^) ^ijj^ v^U'^l C.-'LJ^ c-)LL.L>«.; (A) ^j u ly- ^^ 1^^ ^j:. ^ ^iuij ^^^ ^;u (r) ^3JJ ^ CJ'-^^ C^-*' ^-^J* XJ-^j i^'^jf L^y^^y^ O) (^j\j^^ jj>^j\ •j.jjj\ JjV^^ j^^ ( ) A-.iit» jLftLi d>c^j : -kiU- j^j-P( • *) J2.iL>- j^j-p Oj-'*^ j^^ LS'^^yX ' ' ) ^^^ j^j:> -liiU- ol_^.3 ^-.-i^i ^k^ '^^.-^J( I r) ^^JU-J t^-iji^ V*^J^ :JiiU- ol^o ( I T) Ja.3lj>- o'j-i-^ (^-*W- <-«-^-A^ ^J^J'^ ( ' '^) (ivv^ol^ (I) y3l^y(^(/0iij/ (r) yLf/l>(iPGy(^ur(v,(J^' (r) j;Ui(^Zl3l^(/f'7l^^/;pj^).^r$ (r) » « ^l^Jj^uro^'d'/y^L^'y^/ (r) ^l/^6>lr>^LWuo^3^' (r) ^^/^^^^^^ji'^^ll-Jyt: (r) dy^y/Lf'^^iS^iPh^t:^Ljp3^^-j,i(iJj^^jtj^^ 4^UiJ^J^l^^lJ^C/?^ilyi.^J^y^\;;hCj^f^^^''j^'' ^^^6^J^S^^^-'^y-^\jd^\f'^^,^}:Ly^^y^Lii^^\h^j:^ AH ' /t^tT-v-i/iT^; LT^'^ O^U (j^^Ty Ji/zl liv^^i/LT'wir (62)Essay on Persian Literature: Idarah-i-Adabiyat-i- Delhi-2005 Indo-Iranica J)\ Jl jt iJiJijy/\Uti^J\>jt ^lj\^j^/ij^ rl^^ - c:^ t^t^^/^/l^/c/^'O^ ^-^ ^l^(J^ iJ^^^^^^ Calcutta (1) The role of Indian Muslim towards-understanding India and Indian culture (2) Traces of Persian influence in Chaina and South- East Asia during the 14th Early 15th Century A.D. (3) Researches in Persian in India, scope and problems (4) The earliest Persian work completed in Gujarat (5) Ibn Sina's contribution to Persian language and literature. (6) The discover of an old Ms. of Diwan-i-Hafiz. edition and publication (7) some problems related to introduction to the Diwan-i-Hafiz (8) credibility of the Diwan of Hafiz published by the Late Mr. Qazwani and by Dr. Khanlari (9) A critcal examination of Baiaqi's narration of the Indian expedition during the reign of Masud of Ghazna (10) The oldest Persian translation of the 'Awariful Ma'arif (11) Zahiruddin Abdur Rehmani b. Alib-Duzghushi shirazi and his translation of the Awariful ma'arif (12) The Dastural Afazil (13) The Lahjat-i-Sikandar Shahi, A unique book on Indian music of the time of sikander load! (1489-1517) (14) A few historical reference in the gulistan and some textual notes (15) An old Persian treaties of the Behmani period (16) Taqi Awhadi (17) Influence of Persian on Indian languges. (Trv) . M • , ^\.jitSyiyX'y^)yiJl^il)cl{-!iS^ 7^((^>fyf*c-^c^(^L/** ii'-^^-^^known Indo Persian poets of thirteen centery . "^ " r' 11J <.H9ci t^yi;^u:>^jy.vr'yj;;^bB'. Theearliest {J^i^J\S-^^i^y>jt\n6o han\cajj:ijy/^jl:^ijt^^'^^r Persian translation of Awariful-Maarif y>(J^>'f(J^-L/'(J>^OL^L/>'f^-'ti islamic heritage in south Asian subcontinint The earliest known Persian tL^lJr^lJj^i^yiijfijtJ^\S^{J'l^^:::^ij i^work on Indo religion and Philosophy (;^/c.l>^c:.iii?*Uy^j^L{rJ'l^i^L^i^Zl.^U>*^ly>(^>Jyjj^^ Akber letters (Farman) to a Nuqtawi Divin of KasharvJ^fiJ^\y^}ic:^\jt'iJ'i^{J1 • * • • •• •* *^ V^u^^ir^r.e^l;^;.yJ;>^vl><:5.Ju/>j.i^^U^/^^Jl^^^t~ (• ii^^t/^irA^^i>>;.y(jt>^vL>5,jj;U(j^(y^^^Jl^0[^(^^L>j.:^ I1 • • i^L/'o^^ir^A>l^cyJ't^.(/vt^.j;)^j£;U5>~^.(^^t>j n (r^^ur^(r^^t^l;^^;.yJ^>Lf4.c5.(JyyjL>^^>^,v,^iy^,^ rA (ii^'U^t4i)((J.tX^(r^(^e^l;:^;cyJc^.^vt^.j^^tl?^3i;t^^(^^ rq »(V'(^^(r^qc^iP^;.yJ'^.^yL>i.J^Arr:;j.i4^'(^^iy^j'^^^ ri .(9iAy>S.;:ii:^-iyi,jl-(c^.r^irJ^:Jt-^ rr .^ir,^^^.rAr,Mi^/j^^.^^iriA.5^r.i/ivi(c.v>3^y.e^>j(/^^ rr l(J^.^)9AAJtj.(y'U,(j;-^ r^ • * < d^y^ ij \^\ ^^''6 ^^ 7^^ ^'^ d^i'h (fi^'^/^i ^^ d^iu 6/^ ir A A I .1. - rJ.9^..i9(:>AjiJ^.^jt<^,,^(y,^l,^J'^,jj^^i;,p;J(^(j;^^, „ ^i9A^.Jc^ov^Ji7(j^.J^i;Cx1J^j^^vij7i (r ^l9AA(J>r?.(Jl^.^t^,J^^/ rA ^iqAA.(jtj.vC^7Jl%c^l:::r9l^4^'c;:.^X n ,/\ rr ^^/<^<^^^^|^1A^,Jij^.J^)XJJ,(~;^)^J^•;J^,J(^, ^^ f(^A(i(J^r>.Jcj,^t>io(;c:^. rr ror.9^..(9^Acf.^^.^,i^(AJ=^t^(j^(^^-(^j^Ji^ ^q ^l99A.JtpA^>u-.J^^U*/X/i^7:>/(/tj1;< ^» fi9AAj>i^.(}^>(:jL>r'i'*L^lw^iluJl^(/|">L^^/';(^jjwi?T:^Tg a^ 'jt if,J iS^ f u J1 ii^y^j/^ 1^ c^' iS^j l>jt ^ I2^(j j/i J-jt 1 • rJ^iiA^.,i9z:vi:^.^;^.^vl^.j,^^ij/^t'.^i;:^" 16 rc/.^i^.^)9^6^.^j^.^yU>.j/^Uiij/^Ui,-/>** ^^ r,re/.Ai^.,Hiy:^c>-^.^j^.^^l^,^l;^iji^tJ^5y>*' ^A ^-io^^A^.^i9i^^^^>>,^:^,^ijU^(^>Jr,^l^^_^^j^^,^^^ ^q iJi(A5,.,iqq^Jyi^.Jcj(|.^tuJl^cJ;(^iii>^t;/J(^y^i:>i£lj^^ Ar Zl9J'j(/c:jOi/(/^l*i7^^^.;c;:i;i.t^c./^c:^/yZl^ic:./^ AI ^orJiA,5,.,r»»i^y.^yp^i07U>^c.»ytr ,i9AA.^l;^U>i>-.j?^(^^i;^b/^>>crjy/(j^^ A^ lo^.lA^.,t99^cfvr?.(jc^c3''^L-uJl^'Li''^^>^^(iMt:JUi; 9r rL/''^6'^H9A(jyi:.Jcj,^.^(:^G.U^( ^^ ^)99A.^l>^U^>',J?i^Jt-i^ 9^ r,r^.r^..i9^r:^^JiJ^.^jjt)''^,/,,^/.J^Ju^Jfo> 9A j[^\}\x^\}^ 99 V.^^^.^i9iMe^>r^^J^Ovl^.7^*U(9>;:>>U^iji^iJ^ Kr ^(9^i.»fiJ.^/y/^U->/./L^(^C^^>^jJ^^/(^ (•r i^ur..t9^9y/i.^.^b^.j;!-5^i;^(^j^/ i»(v r'J riy.A^.,i9^^y/).^/j^.^,i£^)y.^y^^^-L-, ,,^ r6.(9A^^,.^/j^./;/.^(,,J'^l^^3^^^ ,,^ .H^Ac^-^l.^^^.o.j^./^^t-.J.i^^l^J^c/^^'Jl^^ l»9 fnAiJvi^^ii'j.c^lv^.L/c^lj; iH iur'tn5,c^nAr^i^ iJdi^.,Hq^Ji)ir.J'jc5''^t^t^.Jijvl^^li^U(j^i:i^^^ irr i6^fi9qr.,j(>"u^>t^.j^i^r£^>;>Zlj;7lr(3'l^^LrU(/c^i>^^ ir^ ior.r»^.,iqqS(Jvr?^(}^j(3'.^LVl^'^-^>^'c/lp'/c'(r2; "^' .(qAAy^y\^/j^.;;/^>3i3?^ciyTf; irr fi99A.^i;:/u^>'.j?^(/.>t^*(/^t(;::(ij^(j:r^t^^ i^ir iurcr^.,MAi(J^r>.J;,^'<^tw^(i.^,:^J'^^l2;^l^ nr • ^^lfv9kC^i^^c/^i^J^vj(f L'Zl2LyZlLy0c/J(.l/.Jz>^ (Ar K^'^'^AAj'y/ ** * i(/.A^^.,iq^z:JiJi>.^;^ r(/.Ai^.^i9^^y^A^:^.^^U-.(/l;£^r^^^L;^^U \^c yU^'tJvU I9A ^i9^A^y,(jc:„^(,^f JuZltT^l? r^ r--iurjr^..(9A*_A^.^>0''^ii^ff>^a3^c/^f^.3r;/iv.(Jtj,^/ r»^ (l^.^1^.^lqA^JJ^.^JJl^>.9yU^^>>/(jy^(/;;(^>:>^v^(J:rJ(>^(/(y ri^ iX.r,r(/.A»5, r^^9^.fi9AA(Jti^cJij(jr.^ew-^Q,^^^(j^^t^jyY^j(r rrr rJ.i^^.,iq(^A^,.^^.^^L;j^b.^t;^Jl>/L>(j^^;} rrA r.r^.,\<^Cirijjf:tJyj^^fi^<^ii)jjUiil^s\^Jj\^^Uij^Jj^^O^ rra tur.r^.,!9AiJ>i^.(jc,J.^t^l^,^(^tJ^^c:.U:G:>^^iy^ rrr r^^(ri^..i^q»c^.^j^.^^t^.Jj;i^^^^^tZlLC>*;i/ rrr ,H9Ac^(>r'^c^>'.^}^<^^,_a>^*'Jj^^;,i;ti> rri r^/.(r^^.^nA(^y(.^^^0>l^.?l^(i>t^Lll^...i^^[^b^iJi[^L^t/ rr^ )c/Ar^.^l9M^c:^JiJ^.^>P^Ovl^y/^(£lj>>^^ r^A ir(i^.^iqA*(JV--J>-^'^:^0>'U>.^l><;'i/vtJi/c^U(J4-iJ>^ r^L .»9AiJv/e.5^y^;^i>J'i;^(j:r^yF.e^ii./rj^l>/5^t^j(jl.e^ ^ fi9Ar(J>/?.^^^^i;/!l> ir .i9AA(j^K^5^^(/|3J'(j> tr f(9ArJiii:.^>iy[fj^^/:>i;j'il^c.(/>^j(07LP^u>'t^ 19 fHAiJilj^.^'i;;^^ fi99Ajii^,Jvi?.^vb/ ra ^ ======a======s======^^ j:.l^(3^'/>>fjyi/wjl^jL;i/>li« Article in English 1. A critical examination of Baihaqi's narration of the Indian expedition during the reign of masud of Ghazna, afghanistan. indo-lranica, Calcutta 1972. 2. A review of the Tarikh-e-Baihaqi. by Adal Husan Ali vol-44 Jan. 1970. 3. A few comments about the situation of farab, Arabic persian studies journal, Dept of Persian, Calcutta University, 1981-82. 4. A very old source of Hafiz's Ghazals, Indo-lranica, Calcutta, Vol-18March 1965. 5. A portrait' adil Shah II by farrukh Beg. Indo-lranica, Calcutta, Iran Society Silver Jubilee Souvenir 1944-69. 6. A brief Introduction to the KhulasatuI Ash'aar, a general biography of persian poets by Taqi Kashani and Some of It's rare mss in various librairies of Iran. Islamic culture, Hyderabad 1955. 7. A Scottish orientalist J.B. Gilchrist and his works library. Islamic Culture, Hyderabad Vol-28 1978. 8. A very important MS. of the lubabul a labab. Indo-lranica, Calcutta 1962. 9. A reference to the Agra Fort in an 11th Century Persian Codex, Indo-lranica, Calcutta, vol 45 Sep- dec 1998. ^ '=i ^\,jiSj'iyJ:y^!yjl^jhd[^iS^^= 10. A few historical reference in the Gulistan and some textual notes, Indo-lranica Vol-36 March- Dec. 1983. 11. Abdur Razzaq Samarqandi's Account of life and Culture in lndia-15 th century. Islamic Heritage south Asia subcontinent, Vol 1,1998. 12. Abul Qasim Kasir, the defence minister of sultan Mahmood, his donated copy of the Holy Quran at Mashhad (393 A.H.). 13. Adil Shahi Diplomatic Mission to the Court of Shah' Abbas Islamic Culture Vol-43 Jan 1969. 14. Ahmad bin Abdullah Khujistani,Majalla-e-Tehqeeq-e-farsi, Bayaz Anjuman-e-farsi Delhi Vol-1-2 1986. 15. Ahmad bin Abdullah Khijistani and Earlist persian Poetry. Abdi Nama, Anjuman e Farsi, Delhi 1990. 16. Akbar's farman to a Nuqtavi Sayyid Mir Ahmad Kashin,Islamic Heritage in South Asia subcontinent Vol. 2. 2000. 17. Al Beruni's Kitab-us-Saiydana and it's persianTranslation, Indo-lranica vol-14 Sep. 1961. 18. Amir Khusrau as a Critic: A Study based on the Dibach-e- Ghurratul Kamal, Amir Khusrau memorial Volume 1975. 19. Amid Loiki, a 7th Century Persian Poet, his life times and Writings. Islamic Culture, Hyderabad, 1977. 20. An old Persian treatise of the Bahmani period. Islamic Culture, Hyderabad, vol 46 April 1972. 21. Arabic and persian studies in India, All India Oriental conference (Presidential Address), Aligarh Oct. 1966. 1^ " • • ^t>;cO'l/>y^iyi^w^jl)cJULr-/l>=' 22. Badiuddin Turkoosistani and his writings Afghanistan, Indo- Iranica, Calcutta Vol- 24, 1972. 23. Bijapuri relations with shah Abbas, islamic Culture Hyderabad. 1987. 24. Burhanuddin Sagharji, the spiritual guide of Syed Ali Hamadani. 40.Classical Persian Poets in Amir Khusrau's E'ijaz-e- Khusarvi. 25. Correspondence of Tughlaq Sultans with Cort emporary Iranian Monarch, Coronation of the Emperor of Iran. 26. Court Caliigraphist of Bijapur, Islamic Culture,Hyderabad. 27. Credibility of the Diwan of Hafiz Published by the Late Mr. Qazwini and by Dr. Khanlari. Indo-lranica, Calcutta, Vol-40 No. 1-4Sep-Dec 1987. 28. Dasturul Afazil and its author, lndo-lranica,Calcutta, Vol-20.1967. 29. Diplomatic relation's between the Sultans of Delhi and the II Khan's of Iran. Islamic heritage,South Asia,Subcontinent Vol.1. 1998. 30. Early Persian poets of India, Bayaz, Anjuman-e-farsi Delhi 1991. 31. Embassies from Qitay and Yugur to sulatan Mohammad of Ghazni, Fakhruddin Ali Ahmad Memorial Volume, Ghalib Institute New Delhi 1994. 32. Farrukh Husain, the royal artist and the court of Ibrahim' Adil Shah-ll and his paintings. Islamic Culture, Hyderabad Vol-30-No.1 Jan 1956. 33. Gulzar-i-lbrahim. All India oriental conference vol-l (preceeding). 34. Histories of Adil Shahi U.P. education Allahabad Oct. 1947. d^L0'i/>/^vij:!w.jijc^ULj7lj= 35. Ibn-i-sina's contribution to persian language and literature. Indo-lranica, Calcutta, vol-34,March- Dec 1981. 36. Imad-uddin Riazi and his Baghistan, Islamic culture, Hyderabad, Vol. 30-31 Oct-Jan 1956-57. 37. Imad-uddin Riazi,the grandson of Nadirul Asr Ustad Ahmad.The architect of the Taj Mahal and his Tadhkira-i- Baghistan. Islamic Culture, Hyderabad Vol-30,1956 Oct Vol-31, 1957. 38. Indian elements in early persian lexicons, Nazr-e-malik Ram. 39. Influence of Dasatir on Ghalib, Ghalib International Seminar Delhi 1968. 40. Influence of Persian on Indian languages A.M.U. News 2 Views Vol-5-8 Dec-Jan 1992. 41. Jahangir's Album of Art Muraqqa-i-Gulshan and its two Adil Shahi paintings, Indo-lranica,Calcutta vol 30 march-June 1977. 42. Khalilullah the royal calligraphist at court of bijapur, Nazr-e-Zakir volume.1968. 43. Khayyam as mentioned in the writings of Hakim Sanai of Ghazna. Indo-lranica vol.33 March-Dec 1980. 44. Kitab-i-Nauras. Islamic culture, Hyderabad Vol-28 No.2 April 1954. 45. Lahjat-i-sikandar Shahi' a unique book on Indian Music of the time of Sikandar Lodhi, 1489-1517. Islamic Culture, Hyderabad Vol-28 April-July 1954. 46. Letter of the rulers of deccan to shah Abbas of Iran,Medieval India Vol-I 1969. 47. Mongol Embassy at the Court of Mahmood of Ghazna. 48. Mohammad Sadiq Isfahani-an offical of Bengal at the time of Shah Jahan, indo-iranica, Calcutta, vol-24 1971. 49. Muhammad Sadiq Isfahani. an official of Bengal of Shajahan's Time Indo- Iranica, Calcutta, Vol.24 Sep- Dec1971. 50. Nasiruddin Mahmood bin'Izzuddin Balban a noble of the time of sultan Nasiruddin Mahmood and Sultain Ghayasuddin Balban. 51. Nazim of Tabriz the Author of the Nazim-i-Guzida, Proctras. All India Oriental Conference (Proceeding) 1957. 51. Nizamul Mulk Junaidi, the prime Minister of lltutmish, International conference of oriantalist Delhi Jan 1964. 53. Nuqtavi's tahrik, Indian Council for Cultural Relation,Delhi June 1957. 54. Persian influence in china, studies, in Islam, Indian Institute of Islamic studies. New Delhi Vol- 18 No 1-2 Jan April, 1981. 55. Persian Influence on Indian Languages on the occassion of coronation of the emperor of Iran, Tehran, 1975. 56. Persian Studies, Past and Present, Extension lecture,Lucknow University Feb. 1966. 57. Ratan Khan, a rare book in Deccani Urdu of the time of Ibrahim Adil Shah II of Bijapur, Islamic Culture, Hyderabad. 58. Rashiduddin fazlullah, a great Muslim Historian and Scientist of the early 14th century studies in History of Medicine and Sciences vol-10-11 1986-87. 59. Researches in Persian in India, Scope and roblems,lndo-lranica Calcutta vol-35, March June 1982. 60. Shah Khalilullah Khushnawis, the royal calligraphist of the Adil shahi Court, islamic Culture, Hyderabad, Vol 44 Jan- Oct 1970. 61. Siraji Khurasan! and his patron malik Izzuddin Bakhtiyar a noble and General of sultan iltutmish. Islamic Culture, Hyderabad Vol.38 April 1964. 62. Some Problems Related to Introduction to the Diwan-i-Hafiz. Essays on Persian Litterature by Prof.Nazir Ahmad. Idarah-I- adabiyat, Delhi. 2005. 63. Some problems of research and Teaching of Islamic Medicine, Bulletin of Islamic Medicine vol-2 Alkuwait March 1982. 64. Some Indo, Persian Poets of 13th century A.D yazdani Commemoration volume 1965. 65. Some Cultural and literary remains of emperor Humayun's Visit to Iran and back to India, Indo iranica, Calcutta Vol-28, March- Dec 1975. 66. Three Little Known Persian Poets of Time ofMohammed binTughlaq's. Indo Iranica, Calcutta. Vol- 19 sep 1966. 67. Some historical light on Mukran. Islamic Culture, Hyderabad, April 1964. 68. Some Original prose and poetical pieces of Hakim Sanai, Oriental Conference Srinagar, 1961, Indo-lranica, Calcutta, Vol-16 June 1963. 69. Tarikh-i-Baihaqi by Abdul Hasan Ali Baihaqi Edited by Dr. Qari Kalimullah Husaini, islamic Culture Vol.44 Jan 1970. 70. Taqi Auhadi, The most Important Persian Tazkirah Writer of the Last quarter of the 10th /16th A.D. and first halt of the 11th/17th Century A.D. and his unique Tazkirah, Arafat-e-Ashiqen Islamic Calture Vol-32 Oct. 1958. 71. Taimurid Mss. of Artistic and historical value in Indian collection's (International symposium, samarqand Uzbekistan USSR Dec. 1969. Kudabaksh Journal Vol 1996. 72. The most popular Iranian sufi of the 4th and early 5th Century A.H. Abu Ishaq Kazruni. 73. The Description of the Betel leaf in Amir Khusrau's E'ijaz-i-Khusravi. 74. Three unknown poets: Mohammad bin Alauddin Ahmad bin Hasan Abdusi entitled as Taj ikhistani.Mughisuddin Hansawi,and Amir ikhtiyeruddin. 75. The tradition of the Knowledge and learning in the Islamic society. 76. The earliest work on Islamic Medicine in Persian, Bulletin of Islamic Medicine Alkuwait Jan. 1981. 77. The Fali family of Shiraz, Bayaz, Anjuman-e- farsi Delhi March 1978. 78. The earliest known persian works on Hindu, Philophy and Hindu Religion. Islamic Heritage South Asia Subcontinent Vol. 1,1998. — (TTP) ======c^t>^iXir'i/Ji.y^jy(ji:wji5jUij'-/ij»=== 79. The influence of persian and persian culture in India,Indo-lranica, Calcutta March June, Sep. Dec, 1984. 80. The earliest poetical Collections in Persian. Indo-lranica, Calcutta, March Dec, 2001. 81. The fourth part of the second section of Ghalib's panj Ahang, Indo-lranica, Calcutta, No-1-4 March June, Sep, Dec. 1997. 82. The Mughal Artist Farrukh Beg. Islamic Culture, Hyderabad, vol-35, April1961. 83. The old persian Chronicles as connecting links between North and South during the Indian Middle ages. Indo-iranica, Callcutta Sep. Dec. 1972. 84. The Re-use of architectural calligraphy from a Shahjahani Mosque at Delhi in the A.M.U. Aligarh. Indo-lranica, Callcutta Sep-Dec.1993. 85. The role of Indian Muslims towards understanding India and Indian culture. Essays on persian Literature by Prof. Nazir Ahmad. Idarah-e-adabiyat. Delhi 2005. 86. The earlist persian work completed in Gujrat. Essays on persian literature by Prof. Nazir Ahmad.Idarah-e-adabiyat. Delhi 2005. 87. The Discovery of an old mss. of Diwan-i- Hafiz' it's edition and publication. Essays on persian literature by Prof. Nazir Ahmad.Idarah-e-adabiyat. Delhi 2005. 88. The oldest persian translation of the A'wariful M'aarif. Indo- lranica, Calcutta vol-25-Dec1972. 89. Traces of persian Influence in China and South east Asia during the 14th and 15th Century A.D. Islamic Culture Hyderabad Vol-18, Jan-April 1981 90. Urdu elements in AdatuI fuzala oriental college magazine. 91. Zahiruddin, Abdur Rahman bin Ali bin Buzghushi Shirazi and his translation of the Awariful M'aarif Indo- Jranica Calcutta Sep- Dec.1947. ^/LHjl: ^ A • • ^ ^^(j'Ciirju^ ir 7>ni*Jyir^^ ir tr ^Jl/^O^!^ ((i (1 ^^ycT^UUL^^^ybJUvl/ (^ (i'>(/>t>jc:>^jlj lA .H^r;^.^!:^^^^^*!/^^ 1^ ^/i^^l^J^if^l?^ r* Gj^O/Slyj^^-yififliOhU ri f-19iiA^y.y>f ii.(/i^^ U^ rr ^i9A*(X(/d>;-tr7l5(/c^Oj/(jn:iij^^ ^f-. ^X^^ff^CJl/lw-^ rr (1) Humayuan's visit to Iran, Liteary remains, Calcutta (2) Timurid Mss. of artistic and historical value in Indian Collection, International Symposiam, Samarqand, Uzbekistan, Dec1969. A/(y c/t^vZl; \j)r^j} I • Ut^AJl[S\:iOXi^J/^^ r^ ^J^^lci^ifvljZlwJl^c^iy^^ rA 971 >vVe^ 1>>--Ji»^ rr cJb^u/>V^l>7jf rr English Artical: 1. A Scholar and Jurist Settled in China. 2. A poet of the Time of Sharqi kings of Jaunpur. 3. Abu Saleh Mansur bin Ishaq Samnani, the Patron Mohd Bin Zakariya Razi. 4. Abdul Aziz Wayazi, a biographer of the two saints of Deccan. 5. Abu Mansur Su'alabi's Poems as a Source of History. 6. Ahmad bin Khalf, the ruler of sistan. 7. Ahmad bin Hasan-e-Maimandi. 8. Amir Khusrau and his secularism. 9. Amir Khusru as a poet and Scholar. 10. Amir khusru and his E'ijaz-e-Khusravi. 11. Amidul Mulk faiqui Khassa. 12. Arslan Jazib, a commander of mahmood Ghazni. 13. Ayaz, a General of Mahmood's Time. 14. Beruni's Kitab-e-Asarabd Conferment of Titles by the Abbasi Caliphs. 15. Burhan-e-Qate' and Huzwarish. 16. Farabi and his native place, 17. Ghalib as a Ghazal Writer. 18. Ibrahim Adil Shah's diplomatic relation with the safavid. 19. India's contribution to the study of Firdausi and his shahnama. 20. Kitab- Ul- Abniyeh. 21. Majmu'a-e-lataif wa sifina-e-zaraif. 22. Mis understanding about Amid Loiki. 23. Rishiduddin fazlullah and his Ajwiia wa Ajwiba. 24. Sarai Amanat Khan. 25. The word prophet a brief study. 26. The need for the collection and edition of the Kulliyat-e-sadi. 27. The main object of the ail India Persian Teachers Association. 28. The Basatinul uns and its Author Tajuddin Dabir. 29. The Art of Healing and India Hispitality. 30. The ustad Ahmad an Architect of Taj Mahal. 31. The Dasturul Afazil. C JJ- 1 1 ^ ilr) =-===--======—=—=====^^ c.i^S^iy^^>yJ^^Jhd[^iS^= • • * • • • V • 2^\^^c£)^J^\^(^\y\ji\c.7^AM\jiy:.ji\\j^iM^ji^Xy^0^/\:f^/^'^/ • • • • • V ** >s^iyi^tjJ'^^Xy^}yjt^}hiJlJiJj\i= J .^T^£^(,Jl/(jUr^U^Jj_^LtJLrj>^>^^>/^^ytj:t(j:/ji:y "A study of the poet and scholar under the court of Mirza Ghazi Beg ^rV -/ki SiJ^'^lf^'LA &^^t M^/J^i^ ii^^l^iJ /2^^ l/Ll^ Tarkhan" ij^jUfi/iJy^^y (r) A critical study of the tazkiras of Persian l^ poets compiled in India from the middle of the 16th to the middle of the century "Persian tazkira - writing is an art similar to writing biography. In tazkira- writing a writer mainly concentrates on the literary activities of some Persian and deals cursorily with general activities of his life. In this way the art of tazkira- writing is not congruent with that of writing biography. In a tazkira the writer first introduces the Persian concerned to the readers and then deals with the main theme. If it is a tazkira of poets, it generally gives specimens of poetry along with general critical remarks on the works of the man. Thus a tazkira provides useful material for the biography. The genesis adopted by the person biographers with which this thesis is i2^ =s======s======-==-===B===== •djiiSji'i^i/^iyJ^^ihijiyiSjii- concerned is known by the name of tazkira. This genesis owes its origin to Arabic literature in which it is known as tabqat. But in Persian it is inveriably called as tazkira and not tabqat, The method followed in writing the tabqat is to divide the people into different categories and then to deal with the lives and works of the eminent persons in each category in order of time. Each individual that is taken up is treated separately. Persian tazkira also generally follows the same scheme for instance Tazkira-i-Daulatshah is devided into seven tabqat. The other system that is adopted is to divided the individuals of the same category into different sections in order of time - the early, the middle and the later (Mutaqadimin, Mutawassitin, Mutaakhkhirin) then to deal with the individual in each period in alphabatical order. This method was followed by the author of the Arfat-i-Ashiqin)^ ^^j^J'i/:^y^,y (r) 6rV ^(/. Ul>{) l^ (}^Li (i^ ^ U ci;>^>^(^ .-/^l/A critical edition of Sana'i Mashhadis Diwan with introduction and notes. " The thesis comprises two parts; first is introduction, dealing with the life and writing of the poets, the next part deal with the critical edition of the text of the Diwan-of-Sana'i which has been prepared after collecting various available copies of his Diwan. Introduction: Thesis Fida Abas Rizvi P. 1.2 In the early parts of introduction, investigation has been made in order to find his correct name, his family circumstances,his father and early education, his stay in Mashhad, his migration etc. In the last part of the introduction, an attempt has been made to give a Critical evolution of his qasidas, ghazals, qitat, rubais etc. The next and main part of the thesis is a critical edition of text of the Diwan-i-Sana'i this text is based on seven Mss. of the Diwan's which have been collected compared and this text has been checked by the verses, quoted in the Tazkira's specially, the most contemporary tazkira Khulasat -ul- Ashar. The sole object is to try, to find out, what the poet had actually written, the foot notes in the margin may be helpful to the reader in serutinsing the text and in approaching it in his own way, for I have my own limitations and I would not claim to have reached the stage of finality in respect of the text. At the end, a list of important words, phrases and idioms, have been given, which may be useful in the study of this poet's writing." ^ A critical edition of the Litaif-e-Ashrafi fi C^^^J^U^-^/'^^iy^iy Bayan-e-Tawaif-e-sufi. Discourses of Saiyid Ashraf Semanani compiled by I—A^UzJj'yvJ J^-^Uvi^'yJl'-L^ Nizam din Gharib Yamani 1 Synopsis thesis T,527 Naseer Ahmed Siddiqi "This thesis consists of three parts. (1) Preface. (2) A critical edition of the Lataif-e-Ashrafi. (3) Notes. The Preface deals briefly with the salient features of Saiyid Ashrafs life and career, His achievements, As a mystic and writer, and a critical study of the Lataif-e-Ashrafi in giving the life sketch, caree has been taken not to repeat what the hogiologists have already written about him unless it deemed necessary nearly all the aspects of his life dealt with here were ignored by his biographers. In this preface several misconceptions prevalent about Saiyid Ashraf have been 1 removed" A critical study of Sharafnama-e-Munyan with Introduction and Notes.£/rV ^ "The present monograph was in fact the introduction of my thesis entitled" A critical edition of Sharafnama with introduction and notes presented for the digree of Doctor of Philosophy awarded to me by the Aligarh Muslim Univeristy in 1971"2 The Sharafnama is one of the oldest persion lexicons written in India, composed by Ibrahim bin Qawam Faruqi during the reigm of Barbak Shah of 1 Thesis Waheed Ashraf (Preface) 2 perface a Critical study oft sharafnama munyari by Prof. Mohammed Tariq Hasan Bangal (862-879A,H). "The life and poetry of ^rV Ol^ (J^.^ L-^U t£>^c/^'y:^' c/>''/::*'-i/Muhammad Rada Navi Khabushani with a critical edition of his odes. -c/'Abrevationv.ji Acknowledgement Part-I (1) Source Meterial (Tadhkirahs)ets (2) Period of Nav'i (3) Life of Nav'i (4)Poetry of Nav'i Biblliography Part-II (1) Introduction of manuscripts used in the edition of odes (2) Critical edition of the odes of Nav'i -(^2£:w_-^U'c/J|/:f'(J^AcknowledgementZl«L-l?* "I take this opportunity in expressing my deep gratitude to the supervisor of this work, Professor Nazir Ahmad, Head of the department of Persion, Aligarh Muslim University Aligarh. He attended to the work of guiding me inspite of his manifold engagments. I have been greatly benefitted by his vast store of knowledge period of Nav'i. Nav'i belonged to that age of the Indo Persian Literature which has been rightly termed as the "Indian Sunnmer of Persian poetry". During this period the Mughal rulers were at the helm of affairs, The Mughals from Babur to Shah Jahan besides being great conquerors and able administrators, were men of letters as well as famous patrons of art and literature. They had a fine literary taste both in Persian and Turkish. More over, they were sound critics of prose and poetry, as is apparent from their accounts. They are ranked among the great Scholars, Poets, and artists of their age and 1 are known as Liberal Patrons of are and Learning" A critical study of Persian Literature during Khaiji Period "This thesis comprises five chapters. The introduction deals with cultural back ground of Pre-Khaiji Periods, which is supplemented by an exhaustive list of poets and writers, and there contributions. The first chapter deals with political, social and cultural condition of the period under consideration. The second chapter is confined to a study of historical works produced during this time. The third presents a study of mystical works, the fourth deals with General literatures and the fifth treats of poetical works in an elaborate form." ^ 1 Theses: Mohmmed Ameerudin Siddiqi (Acknowledgement) 2 Introduction Thesis Mohtasim Abasi (l^^J^y/ii (A) L/LL?of the Dwan of NAJIB-UD-DIN JURBADQANI (with introduction and notes) vT c^ J'w^^^'lntroduction (J^ 2_ l^ "Najib Jurbadqani was an important poet of Iran who had flourished during the later Saljuq king (557-590 A.H) and Atabeks of Azerbaijan (531-622A.H) unfortunately copies of his Diwan are not generally found in eastern and western libraries. This is why so for he could not be made subject of serious study."'' " A critical evaluation of the works of Yosuf Bin Mohammad Yusufi, a famous physician, poet and munshi of Babar and Firts Chapter Literary and Cultural relationship with Persian 1 Thesis Mohammed Khalid Siddiqi Page 1 Second Chapter Life sketch of Yusuf bin Muhammad Third Chapter A critical evaluation of the works of Yusufi medical works, poetical works, additional poems, book on mysticism. "India is the only country in the world which has preserved the Greek system of medicin and maintained its utilization on the contrary the nations which have a glorious past in respect to this system have renounced it and their legacy is non except the feding memory of valuable contributions of their ancestors. Several exhaustive works on the origin and development of medicine are available and the scholars have traced at full lenght the medical history of Greece, Iran and Arabian countries, but none has dealt with the glorious epoch of unani Tib in India, to which it owes an Immense debt. However, the unani, tib we have today in India has a posterior link with the generative era of Iran and Arabian countries and thus in order to appreciate the present we have to retrace the past"'' "A critical evaluation of -l/Persian poerty written in Indian the 13th century 1 Thesis Hakeem Mohammed Tiyab , introduction thf^fii^/li (II) y>ii_w^l_U"A Critical edition of Klian-e-Arzu-Musmir" t/lf^-tc^v (ir) "A critical edition of Diwan-i- Mujir- -l^Bailqani" ^vt^Zl i^l^Lri_^llv^Type(jiii>y^)Preface>ihntroduction^y^(y~<::,i>=_ Preface-*^ "Mujiruddin Bailqani was an important personality of the 6th century A.H. He used Mujir as his pen-name which is directly derived from his name. This is fully born out by his own writings as well as the statemets of the contemporary Poets. Mujir was born in a city called Bailqan." iX^.yrJ/ii (ir) 1 Thesis Kabir Ahmed Jiyasi JL oil; olij i.\ ^d* ^i:<^ M^\J\d^^P'f\'-^,^j^j:iS^\iS^j?J^J/ I 4JU 4J«^L?- j-vvoUr j^\'h> JL- JcLs- jl -.0 4_$' :)j_j o!-:^L_4l_ j»:ib 4_^bl ^_^L^>- k__>-j>Uil JJ_Li 4_i.^lj ^^,_SN^^,-W-)^,_*.^>_JO aLS^-JuJb jl J a;>b L-SJ-J" IJ '^ >»'>L^I "SA'DI as a Humanist and 6-^-^ ^*Ll^ (j^«^ (ii«^c>^ ijjj'l Aiy U lyricist" ~^tji-j'Liji^\Jifc>^y/iij^ 'Sadi'as a lyricist' Sa6\ j)Uyr\c\svnjt^v^~Ut<:i^j^,y^^[tr^r*iC humanist compared husru as a lyricist, Sadi compared Hafiz as a lyricist ^A L L,^ J^t^i-^ l/l/J^Conclusion/Ll^ai^iT,^ iflTc^ •.JtiTij^^ijL^ly^iyjt "The subject of the present essay is Sadi as a humanist and a lyricist. Our charted course lies through the lands of sages to the land of song, from musing to music. The assay will fall into two parts, each being again sub divided into chapters. The first part will be about Sadi the humanist. We shall being it by trying to define humanism, so that when later, we attrioute it to Sadi, the reader may be reasonably sure that our assertion is true and then we are not imposing upon him one of our pet and personal fads. We shall examine the nature of humanism and shall wonder at the result. In the next chapter, we shall try to seek a peer for this Sadi the humanists. Rank after rank of Persian mystics and moralists writers and poet." t/i^cTji^/ij (n) "Mir Jalaludin Husain Inju his contribution to Persian ^rV l^(J^(J iji /i/jt (3 UV> Jl^ U'-^'/ > J l^ (j^li' 4L ^ U (i Uzi c/^j^^ L^ lexcog ra phy" 1 Thesis, Prof Azarmi Dukht Safavi Page 153 •^-— (1AI) ======5====—======^l^lX/lyJly^)yo^w'jL'dl-^J'-'^*= Development of Persian Language in India from Jl^(j^l^f(j:l! Jl^>(Ju^U^'y>i^c/>''*^!:^i^l^-^the 11th to 14 th century" "A critical evalution of Persian -Lz^poetry with in Inda in the 13 th century." fB^\i/\i (19) " A critical study of in prose leterature ^L^produced during the Tugalq regime" LTC^I^-^^^ u^jj'ar c^vj^crj;^^ JI^-JA ijf o^ c^L (/L^ (j:!^7L Zl^b^ jl^^A L;:!: (j/l^LTvlJ J'>:'L;:J: cJl^^ =5= (lAA) - ^l^^ijVi/Jv^jyottw-jljc^ULf^lia^ c;i;(>;i?^/ii (n) "A critical evaluation of the Persian y7i3v*^*y>/ "That prompted me to make the more important Persian prose works of the period. The topic of my research for the Ph.D digree form the Aligarh Muslim University, under U.G.C research scholarship scheme, and take critical note of them along with the lives of there authors. A mere evaluation of the important Persian works of the thirteenth century would not have sufficed my present purpose so I have perfixed to the study of the works the begining and the growth of the cultural and linguistic relations between India and Iran, and with a general survey of the Indo-Persian literature of the Ghaznawid period; In order to provide a back ground to the literary efforts made in the century under review in India ,and to emphasis the significance of the role played by India, Since quite early in the development and enrichment of the Persian languge. As the thirteenth century is important form the political, social and cultural points of view also, I have devoted a wliole chapter, the second one, to a brief survey of the political, social and cultural, along with the literary, conditions obtaining in the thirteenth century." ^'x/^i (rr) re Mughal Persian poets in India jl ^^j^a^j_j,^2S' 0-*wl j^i>t^ Jj^AjLJi Jlj.j>-lj J .n P jwLJl o^j_o_j ^^-^^^ J _;-,^ 'i " ajy ^U CU^^j U 7=Jjlj"j U a^JJ j:> AS' AJ>JTJ .^i^T J^b O^TJULJ^^ -f-*j^ a^iUx^l ^ L^ I jl L_-^U3 ^_^W^ (V-/a:>-« V^^ ^j^3 c/*^^ '^J^ (^—'^ 1 Preface, some Important Persian prose writings of the thirteen century A.D. in India by Mumtaz AN Khan Dept of Persian Aligarh Muslim University Aligarh 1970. \y o ^j'P (_r'W^b v^^ -U.j>-I jiXi j^^ (_$^^ (?—^j^ 'U-L^.J^ ^j,.^j jj>-\j:> -LJL^J (t-J^j^ O^Wf^ 'OLL* -^ d.^^ '*-' c3^Jl>oj oLiillj 1^ :>j^ jW^ L5^^"^*^J ^IJ ^ ^ qr) • dj^iSyi^Xy^)yijt^}hc)[J{Sy^= (^0>^ jyijjiji^^iS'^ * i » t y(Lexicography) c^l^(/7iJl.^(y>^j>y_^L~>r^li.^Jjr^(j^J7jlJ<> I r_ (r: ^,) 9 A ^. ^> f>;> (^/^y. J-'u-^l (^ yc^ ^ 9^ =====B======-===^==S==^======S=== ^\.^l^^f/Xy^)yiJ:^)'>lj[JtS-'^=^ ^ ij'j i^^x J^i^^jt ^m^^s^i^i (/. ijiy, ^ir>, 6-^/i ^^^^ c^ LT't/Zi: L{r U^/J/^J LTCJU LTVMVJJI^ J>r ^ ^/(/( !>:( •J-JI O J^JI a:>j ^wU>-La o c^-v-i c-—g^>- /j._jljl _d- ^1 a^j_j ^JLJ:,V-jJ__L_A «J_»I jbiji J..^ jl yt]j» C-JLJT c-~jLij:> J^^ r^ /j/j // 'y-^-i* OL^-Sj^ f f' A ^^^^. ^J^L^ • •• •••••• ^ ^ aJ^I ^^ ^j^-^-* (>-*J J-^-o-A O^j^ 'f-^J-^ 4J:^V^JU.J ^;„»_?^1 J^ L5JJJ" C^A^ J-^JJ* J-*-i L$JJ i^^-^j^ JJ:>jT ^^j (C ^LA 4-»LJ j._;^,_;Lg_; /^^^j^ 1^ C>'^--J ^^JIJ ^JJ-^J^ ^ 0-^^ L$ * *^ O^j (j^b* i_r^ y^" L5^*^J-^ O^j yJ t_S-^U^*J '»-^-* *»-^ -LJLJ ^_J_>. »j^—O-^ J f-^ ^j_iAp- ^j._.J y-ijS jl c—kS j\ Oj.-:>- i^^ :>j^f j:> o c-.^^ c-~i-f- -j-^-o-A 4.J J 4j:^j.j (^-^ j-i^ ^uaL-^Li iS'^y. Lv^j—>,^-3x_>ij _JJi 4j;,s^ji^ 4^\_;.j5>LJj ;_3N.-^-*J-9 ij /^W^ i>3^^-*> »^ .2 JI «.>» _-si2-jtj J 0 Wi^ L5''^^J C^-'^J L5^rv=^-^ c5^ 'UiS^ jljl oJiLil^l ^JL.:?«_, JOP (J"^ il j; Ui I c/^(j:! a/.i ilpZl o^i*^ L/b/J^^ <-5 ^ J" U^^'J)^^'^^i:'^/^)y.'^-/'J^^^}. C-~ij ^^1^^ -Lib j^J il-L« ;i_-io j 0—^' ^'-LJ 1 ^ ^r^H f*-;-**^ H^J-^ t—fl-Jj-* (*^ c^LxS^ 4.^ J-A^ j^L^I J^y^' &-X^^j-> (>-^j j^p'>li?l LJJ~^ O^j v_jj.^jl_j rt_jjLJ djL_jj:>" 1 u^ U^// r : ^^ J ^ji i^S^XJt-ji I ^ wL--1 tfj^ C--jJ CU^ i 4j„o.^>r.J I JI a i^ 0^.^-*>^ J ^—^-?- *j'j J--'^ *^'* cu.-'l o:>j-*.J 0 ^Ui^l ^;La.^j ^1^ J (^a_^l ^-^•^^„ O^-^-J!^^ c-^*^jLvvs.S^j L.j^_;^ jjLJjj ^wL^I L^jL.p L^ I-^.PJ jlj_^i_p ^r- ^jj ' o^jj_J ^:! jij -^^ *-^ ^^ '^^ '>j^j) LSJJ ' ^j^ yj-^^ c>-J^-^'^^J-^ J 0~^JJ ^-A^ ^J^.J}\Jf -^^(j:!^>tZlu^^^Zl^/(/fw>U^)y>-Li/ 11 u^ Jji>^»yJl>fi>:.Jy.cPlJliOj>j^/ ^ ji dJL«T Jlaji jl *_.3j 4i^ Jjl ^ C.-^ JJUX-J 1 jl _C—-i ''•^jj^ -"^-^ ^J^J-* ^UJ JJJ_^ JI t5^! (^J~* C/i^J-' -^^ (j-^ ^ L^~*^-^—?" ^-^—' J"^ J -^^J (j-:^0 (__^1 dJL^jj ci^l^;>- (_^^L>- » :> i^ 0"*^"^ '^.;.«/? ^ Jl ji -L*_>t—>» ^_j-Lj' ^j*-—o—-^ jj LJ C-->^O (_^I SJ-^-J d~j J.^liljjj:-^:i C-JLS' ^LJ JL; J^ Ajtjai J:I ^.jLjiS' d_ (_5jlJj8iL>lj (jU^ j-Uji) djiSCiS" ji J13L;_; j».ja^ Oj^ j* U^^d ''-^ ^-^-^^-^d -^^-^J -k3-j(L_»l ^jljU ^_JJLJ d 5-y-^^ ^-^^ if 'J'iyX^)y • Ut ^ji J^ ^>< <.^>-\^ ^J^-J^' J.->Li^^ JJ-^-^^ iS^i^ _ ^U ^y c^iJ ^S^! _^^b :>^^j l^^^Jl OU.J (Ms Paola Orastti)^---jj^ ^JIJ jv-J^j'CU^I ^j.>-j^ LJUJI ^^_^jjJL_j O"^ C^^^ LaJaJ ^j.>- AjLi.^ ol^;_ r' t/' '-^'/^y^-'-i:'vy''^!AiJ'c'^oL =5 (TIA) ======i^======s===as ^iM'ijj'tyJ:y^iyijt^itn:)\,J{Sj^- y y y ^ ss= (7r>) ======oUij'^i/V^jyj;w-ji3cJL;Lvii==== .u/^ur ^/ur( ^>rr t^y^-. ^ (/^ J^^L ,y>. ;^U(^^ Lr ij? ir>.iqA*_A^ c^ii^'r^'^J^l >i.l^(X/ly>> c^^/^ y/o/::: (/1^^ J; j>^(j:t j^j>^ Jy^iJ d k^ H i ** ** It ** r' 5^^ ;i> ^i^ArJuij (j'j^y.^t^li^ 7J>^ . L/'^-$/c}^'L{i' 6t^ or /l/>t? f^>^>lf ^^' i^ l/ I • • # * L .Jl^^/>5J (II) i5^lrrr>^r-r(Jv>e.J'j(3'*c^t^li i =^ (7?J) =====—====^===^======8======wL^(X/lyJl>^jyu^>^j>bc'U(/>lJ= 'ji^ji\ i/L yjL (5J^i-ji\i}^ J^K" JyJi- bvtTo^ ^^^ u-^i ^i^ ^'c:^(PICTOGRAPHY)j'>^(EGPTOLOGIST)cU-^yi/l^(^£^ ^ 1<^ (3>f uT^ u^ (jf i^((j^ bvi* i^t& u^ 'i^'fi^^^^i^^JUcTuv^JL/Jjz? (/^>>^( Jy/( ^i^ l/vlj jjJ^y ^(jVl^^ c^ ^ o^ C^( (^ 21^ ^ — (fr^ ======^ljJ>S-^'/^/^>4iA-r'^^>d[J{S-'i= s^ ^ ¥* y ** ** t * • uj d^i/jj^^i^/iiji^^ 3^L (jui;*^ >L^>^» JI:» D»y^^ -rJ.r^<\'\^o^A<^fi}'c^ji,jj\^ ifSj,^y6^/C^^>^o:o^'\/6^dy^^J-'^^^'C,m\/j:\\^\ ^S.t)/d::^S.t}ji\S6^/y^/'^^L.^y^^MJldy^o'^'^ (6) The Re-use of Architectural Calligraphy from a Shah Jahani Mosque of Delhi.^ " The Aligarh Mosque was Completed in 1915 during the stewardship of Newab Mohammed Ishaq Khan, Seventeen Years after the death of sir Syed Ahmad Khan.But the above stated inscription is much older and the class containing the Inscription were brought from Delhi, here Perhaps these were fixed in the door way of Akbarabadi Mahal Mosque" — _^ y ^ <•_ t 1. Indo Iranica September and December 1993 (8) FARRUKH HUSSAIN, The Royal Artist at The Court of Ibrahim Adil Shah II and his Paintings.'' " Amongst the sovereigns of the Deccan Ibrahim Adil Sha II Who ruled over the dominion of BIjapur from 1580 to 1627, ia s very Interesting Personality. Being a man of varied tastes, He v\/as Passionately devoted to various branches of fine arts. Including music, Poetry, Painting etc. 1.Islamic Culture Hyderabad, Vol 30, No.1 Jan 1956. (10) Ti'murid manuscripts of Artistic and Historical Value in Indian Collections.'' 1. Kudabaksh Journal Vol. 1996 • • • X ^li^^ZlL/vVir (r) yjir'^2,/J^ul,U-^'(£yt;:!o/^^£^;<£^iXLri/^i^ ar^»Jy^±^£o^t;r>^j^^u/^yJty»^XK:^>f^.^Lc>-j^^L^ ij)'ii U>^ o^olL/^.(^;4::*uSviiU^o^>y.^lXy (r) c:/^oLT>^.jt;(Jt;;r^vJ^i/7y^C^y (r) c/^otT>>>.^;jK^uSviJUJ^i/>y^U^^^y (r) tj^f^vj^i^jT^y^t^^y^tXy (^) A * (/i^/^y^^i/c^f jv bj^ >:)( (^\>f i>ij u^'ii^* LTC^- (/c^fy zi ^> ^^/^ yjj^^^^^ U/I j c^i 2/jyry .^ iXcT'J^ (/yi / uT:^^^ c^iM'ijJ'l/j:y^)ytjt^}hiJlJiS-'i= (5) The Lahjat-e- Sikander Shahi, A uniqe book on Indian Music of the Time of Sikander Lodi (1489-1517A.D)'' "Sikander Lodi was the Most illustrious of all the rulers of the Lodi dynasty. Upon the death of his father Bahlol. in A.H 894 A.D 1489, he was crowned king and ofter a secessfull distinction. He was a telented monarch and in Personal Attainments few rulers could compare with him" » ^ Ji^l/^^UIyl/ (1) 1. Islamic Culture.Hyderabad, April July 1954 Vol.28 ^i.j^{Syf:{^/^)yLA^>i)dl^iSj^' (£/)^ J>LJ)ijLi^J'X c:.l^J'^ly>>^V(^w.jljdU(J'>lJ= fm2 r./>^ vy >>^ X_ ^^jt ijyy-:\} JSiJ^jrii ^^^ijJ'j:^ ^^t I 'ij^ !•> fl9ci^cij>fLfvK^^^p1.^vU-, 5y>c v^ <^^/>(j:!: L^y^ f-JJ^^J^ (^(Chapters) 61 c^t-^ (/'^^'f'-/«^ ^^^-^-^ "The Baghestan:- It is an exhaustive biograplnical work. The first part of which comprising 338 folios, and consisting of five Baghs (Chapters) is missing. The second part comprising 496 folios and seven of whch is given below" The Important of the Tadhkira Baghistan:- The book is a great value in respect of the following points (1) Such Tadhkiras as Contain biographical notices of poets, Sufis, Divines, Astronomers, Astrologers, Interpreters of dreams etc are rare in Persian (2) It supplies usefull material for the cultural history of the times of Shahjahan and Aurangzab. The defeilts of the Baghistani:- (1) The scholers have not been dealt with strictly in chronlogical order. The Ms of the Baghistan:- (1) The MS copy of this Book which was Purchased for the Lucknow University (Tagore) library" ,r*_ns^^,Hiii.(i^oLT7^/^^i^i — (r^ a======s==B======—======c^ij^o^^f/'Xy-iiyjt^ihijl^iSj^^^ r.ni;/.rr^.,iq(ii^y.^;l;^U^^;^^^J^,,i^ ^ Ay^ -^jb Ai^.v«J (Vyo-* 0-^ i 4^ ^^ (_^ JIJ—^5sJ < O-'ij-J^t-S jLlv-l ^LJ I J_o»_>-l • * t I ** i • • • h '^ -^ fj « • • • LA±L\^i^ ^X «« «« * ^^1^^ = (nh = - c.uJ>'i/>>^j/(^--j'iciL;(/>ii- ZiJ c.li'/^c/^f^^^Zl JliUi^ ^U^(y>-1^ bvl/jiiU JUi^/'y iCl9AA'' - r • Seminar on HAFIZ -E- SHIRAZI Dec 25 to 27 1988"^ ac) if b) r "Nazir Ahmed as a critical edition of tine Ghazaliyat Hafiz, New Delhi 1989, Nazir Ahmad; Diwan -i- Hafiz New delhi1988b; Nazir Ahmad as Gazalita-e-Hefez der Asas-e-Majmu -aya-Latayef-o-Safina-ya-Zarayaf New Delhi 1991 Nazir Ahmed, Nazari der Diwan-e-hafez cap-e Doktor Kanlari, Iran.name 7, 1367/1988-89 PP126-41 The ghazals wer published by Nazir Ahmed 1988a. With facsile reproduction of the relevent folios Ahmed's conclusion on the eviden of this manuscript and another an thology from the same Period (Probably that made for exkandar soltan see below) In which ghazals are in to recensions, alphabetical and non alphabital (allthough the original recension was probably non alphabetical PP5-6) clearly rests on the assumption of the sigle "Original" on which later copyists draw and Ignores the possibility of multipls sources of alphabatical or non alphabitical ordering bring a matter of choice. 477 page 2 Para: Diwen of Hafaz 357 Ghazal and 13 qataat arranged Alphabitically Nazir Ahmed who Published the Ghazal 1988b)"^ 1. Encyclopaedia Iranica, Volume XI, GIONI HAREMI, Ed by EHSAN YARSHATER Page No 478/483 j:>^^j (j^d.^1^ ^ji^:>j^ k3ol 4_r ,jj\j^ Ja-JL^ 4_5:-l^^ O'j-:;-^" I C~^l 4-UL> /»LajLi ^o-v-l ^Lj M J 4jtiai ( A ^ J^ PTii J_^L^ JaJL^ 0*>^-^ (^1_^J:>^^ JjP j^^L^I U^_:>j IJJul j^ di' c^l J-^S^^j oJLi Ja^ "o-^l ^ji-j-^ A_;>-" iJiJijL; "c -^1 L 9 I <^^Jva-« 'f^)^ '^ -^W ?-* -^W^j^ Jail^ Cjljj ?t_)jLj o ^;3^i ^_—)\->- <*—:Dv_J AJ (_^ • r^-^^ "^ "^^JJ^ fC~v-^ 9^^ aLjLil •^j./?>- /vji t,_Jo L Jaib- J^jJ-i ^L>- 't^ ^>4^ if fl*^i!iic:J)/f^ly>>^iy^J/^jyUcJiy^ jl/> !>\y^ ^y^ y) j--^ ^-^^-^ t>-*-f! j^^^ J J Jaib-jUJ^-L; A->-^j ^-^ jW^ (^L^)P -JL^ ^t.^../2jj^ o JJLJJ "uii Li _:)j->i ^^ Sr'^ AJL--J ij^j-^ W^' (_5^La_iJl ^ijLu-J Jj^jji _JJl «;> ^ Aj (Jjjij ^i LA 'ujai^ (jij-*' j*^=roOl jUJ^I ^U.^* ^ |^_>tJt_oJ( j:> Z. - {ij^-^^. c5^ ''j^ )Lr-^ t^'-^ji^^^C^ ^^y) '^^J^ -'-^'L* ffiJ^ JJIJJL* •^J-^ ^ ^ij Ji}\ OjlOJ ^^:^- ,_J^" L^^ ^J o^l ^^ AS^L^ ( ( ) i4_;Jib ,_^-^>':-fJ v^j-^' '^ *-^-^ 45' (^ jy^ (*L?- i^Ju^ jl <.jS\j^ 4J>^>JLW-4 (^JiilJaJ APj.o..>t^ oJb AlJ^l-XJ ^LiJl i_,_-Jj_j ULi (^L^^j LgJy^ j^}^ ASOJI 4^*>y- _:ijlAJ ^'LiJl ^^y y^ LgjT ^ "All the forty seven Ghazals, though available in the popular Diwan compiled by Mirza Muhammad Qazwani, contain a few scattered verses not included in the above collection and even some other compilations. One example will suffice for the present, Mirza Muhammad Qazwini has deleted the following line on the ground that it is available only in the later mss. and totally absent from the earlier ones. £5 t/ f(^AA .(Jijjr cjri/J^y^fy'J-y^&Hf^^lJ'/ 1. C^l>c?J^I/>/^Vt/^^j'^C/lUl/yli= C- ag^."' C~a-js.>- j^j if^ '*J>t-^ 0_^^ ''^ ^ ^S -»Li>j>t_a 4_xS^ i/WJ^ J:?LJ>- (jjj All these ghazals are available in a Mss. dated 813 A.H one of the two or three earliest sources of Hafiz's Ghazals, they have been collected and critically edited here for the first time. In order that the scholars of Hafiz may be able to utilize them meaningfully. The photographic printing of the ghazals is also appended here."'' jbl j«-tw>- _j»^ aj 4ij_oJ ^j^^ Ij A:>t..^ -j) oJjj ^iwjJ Jv-v- wLiu jlJJwo-»lJl^ ^ JU-'i j^ JJU J^L>- (Jj\y_^ i^^\JcJ\ 4_>^_^-J A_5S_:L_J1 (*^—W- _-\J1J ji^ S^LAI^I -*JJ^ d^lj^ jl jJ^lS^ o^jj^ '^^'^j ^"—^Ji p-tP'^-^j^i * ^ ^ . I. • f'J<^'ij if ^fli^AA '(j'u(3^fv v.^jy" 4j :5 4,^.^ j»Jb«> O^-*^ ^liij 'JJL^ C-^JJ 'tPj^kj^i^ (>ij' "'J~'~ P *^^^^ /H^ c~^ w2^ L?*^ (3^' ''^j 3^r^*^ ^ AJLSO aLijlj jwU_Ss_-.w jl—b-JL-vJ j^j-^^ o—^l j^ •^y" J '•^^-^^ Jj5^x« Li«o> ^_j:y^iO ^ jl ^^ jv^ ^\ 0 j-^ J *-*-^ '*-^" (•—6-* v__l) 4j 40 4:L^ oLi:)L)^Z. i f JL-' ji ^j^ (J-'-*^ «Li Jj_^ A5^ -^W^_/; fMj^" <—-^ r^ ======ss======*== c.l.^ii'^iy>/^vij:!w.;ijo'i;Lf-'l»= jj'dij-*J ALOJS- C^b CJJ^^ ^l^ (I ^ - bi r j^ O C~51JU Jl:>t-I>- 'LJt.^^J 4j <_J » JC4 4>t_v~J /»LJ>t_Jlj—v-j -^J—i -ii—*l—>- jlj-J^jl a J»j< r- L^.^.U,v-i J23U>- C^lij jl ^^ (j\-^ 7^-3 LS^ WJ-^ LS"^^"*"^ L5 J—'^*—* ^ ^U^—^ AS'^J ,Ja->- '^^^^^ /fjl AS' C~J^JJ JT 'L/'-LL* JJJ :>b jLLol JiiU- J1J-J ^ ji (;_^^LJ_:Jl c-.'j-^-ot-* Lj^jj Jisb'- jjl aj^ j'^ 7«-ijLj d^j^y> ?t_-v^ rj-ijJ |.,_jJ_j -^LJ ^JjuL?- jL)oi( c-;;,<»-j ^^^j-v2>- jj> o ^^y xJw^ ^j^ b -'5-^ (V* ^-^- g' _C—«ii^ ^Lwllj 4ji,.^ il)^-*-* JaJjj Jaii i Jji^ y& ^^W^^ a-LPj oUji^ aJ^ JSJL>J JI ^_LJ«_) oUi:ii^j OLJ^JI .C-W-I i>^y 4_j>t_w«j jTj^lj 4_:;-^pJ8ij t^--*-' ^T^ ^y^ J^ L^Jji^ (_5-'^2-*-i '^_/i^ ^^^' !)\y>- J L4I,^*^-4 OLJ^ alj^ fOwvw-J :>^y» 4j>t^ L)'J-^ ii»vF .^•fS'^llr/r^jJ'^c/^L^Jj^ "_Jjl 0^^ J^*-^ '^-^•'^p- O^ji-^ j-^^ •^ '^ c-w^l jl jSvj^ jUJ:.!j ^Ijjj ^r-^^^ LT^'^ LS^*^'^ y^-* ^-^J t3^^^=*^J rt^w>t-/2jlj JiiL:?- L)'>-d-^ .A r r .A r I .An ^u A^^^ ^L^^^ C^—^ ' ^^^ J^ j^ ^r^^ J^-^j jl 4ji /«- ^Jl aji AJ (^ 1 -JL* A5 C .^l AC- «^->r >a i^Vjji .1-», I J^i d'^, .^'i • jWij; . ••• U a>l .^ U »1 -»- f^X.:>cJ~ jLo jljJi t>_.^> iC-^l fl-uT ji J^j\S^ Aj I C •.ro Jjj A^U>-j:i JiiL^ o'j:!-^ ^lil AS (_^I 43X.^ ^^^,5S^ _JJL4 ^ j» 4y>t> ,r>^:^fij A>t.^ _vl jl —^jL_J ^L_J^ C^r^ JbLj j»:i aj 0^ j^ iJj^l O^ijl AJ 0 -UJ 45"^ o^^l (T"^^'^ 0^-*-* ' -^jl-2 *yU- (^^Lj ^t>W _JJ^jj A:^^^^^^ A^t.^ iVri^ j^ LT"-'^^ C~WSJ>- Jw3l ^\S' jS ^ AS ::IJJ^ U^J^ (AH1*J^r?<^y(/.A ^l^ijy^/j^/^)yjt^jl)ijljijj\is * • yy^/h:y'jL^^fiOtuPi^idLu7ji}^i/ij^yJy,ilif^iy^^ c./^i.^(j(>;Li:4''^^/^ ^-'^ (^^ ^-^ ^^-^'^^-^ ^^ (4) A very old source of Hafiz's Ghazals.'' "Hafiz is a greatest lyric poet of Persian, and his diwan has been edited Undo Iranica Vol18 March 1965. and published many times. But the stage of finality in respect of his poetical compositions has not yet reached. The Diwan-i-Hafiz Jointly edited by Dr. Q.Ghani and Mirza Muhammad Qazwini in 1320 Solar, though passed for as the most authentic edition is defective in so much as it has excluded a number of genuine ghazals on the Basis that they were not included in the then oldest available copy of Hafiz's Diwan (Copied in 827 A.H Which was subsequently published by A. R Khalkali in 1306 soler)" (5) Credibility of the Diwan of Hafiz published by the late 1 Mr. Qazwini md by Dr. Khanlari. "The unusual popularty of Hafiz's Ghazals resulted in the multiplicity of the Mss. of his Dewan to such an extent that very few books in Persian have been copied so many times. However, it is unfortunate that his writings could not be collected during his life time with the result that no authoritative and comprehensive Ms. of his Diwan was available even very shortly after the poet's death it is also sad that the copies of the Diwan prefixed with the original introduction by the earlist compiler differ among themselves in respect of the number of poem their arrangement, the number of verses in each poem and there arrangement and above all the text itself. Since it is obvious that in cases where the Mss. of a Book have been multiplied, Its text gets for from the original, and Since the Diwan of Hafiz has been copied several hundred times. The magnitude of settling the text may be any body's guess. This is why the question af preparing a critical and authentic edition of the Diwan-i-Hafiz has baffled all the scholars who under took the task." 1. Indo Iranica Vol. 40. December 1987. (7)The discovery of an old Ms.of Diwan-i-Hafiz. Its edition and publication. (8) Some problems related to introduction to the 2 Diwan-i-Hafiz. 1. Essays on Persian literature, Edt by S.H Qasmi, 2005. 2. Essays on Persian literature, Edt by S.H Qasmi 2005. "Hafiz is the most popular poet of Persian and his polularity is not confined to his native country but has reached that corner of the world and this farthest popularity has started during his own life time. But It was unfortunate that his writings were not collected to from a codex during his life time with the result that no authoritative text of the Diwan was available even very shortly after the death of the poet. Some of the Mss. are prefixed with an introduction while most of them have no introduction at all and the introdiction too are not identical. The older Mss. have shorter introduction, while the later Mss. and the printed copies have longer one though basically similar to the earlier introduction." J/rr ij\:^.t a>SOiL ^rCp>^ iA ijhv LTL (jo (ivlf c/lir(/j/^(^i^ ^iZl c^'y^Zl J'\J>f^ L^ {J^JUJL -Jy^ArA^/jl^^^Jc^^Zl^lJ^lJltAHc^.lXLf •f •• •• ^ ^^,5=,;======^^ c.i^LC/iy>/^VL/:^^iic^i;(jyj= Aj^lllkt rA^ ======m=====^—==== ^ij^Sj'^y'j:/i,yj:^,hd[JiS-i^=> jjyy j/yrLjljl:^i>^c^Uli/-if(i>J>l/f^U(j:l:i^Ul-'y (jy c^t>f£^ (i'j(3"*v^j:: (/i^l^ ^r^>(/( t » \/sJi^^^l{^h^ijr/hj^/i3Lc.Lj^6y^JiS^{Sd^/^y^yyiiy > v^ M^ I ^l^lS^I/^y^}/lJ:^)\}ij\,JlJy\i= fHAA.(}cj(3;^lyl(JiJ^'l(Jvir^^ybi;(/vlJc>l2:2<;i/^ A ^HAq>L^.4.tJyytiiU^J^>^ ^i9^^.^(r^iJr^.e^i;:r.Jy^,^Ac:.Uj'^^'y>>^iy^^r ^irAr.^i9ir.y^U(JyXiiUy^^/y>>^:>y^^7'^Jl>.^~l^ (^ rr5>t^^nAr^irir^tt^;.e^i/yr^.j-iyJlyiiy.^y.Jl>^K:> IA ,mci^i^ji^<^xJ^i^^^J'iy:c^)y'.J>^'^\^C^'U[y.^^>^ ^^ MX) ======a=BS=====s===^^ d^(il-fly>/^Vl^^jljO'l;j'ylJ= . • English Books: 1 E'ijaz Khusrivi, Edt. Prof. Nazir Ahmad, Amarica, 2007. 2 Zohari his life and works, Edt. Prof. Nazir Ahmad, Allahabad, 1953. 3 Kitab-e-Nauras. Sangeet Natak Academy, Edt. Nazir Ahmad, New Delhi, 1956. 4 A Critical Study of Sharefnama Munyari, Edt. Prof S.M Tariq Hasan, Loni Road, Shahdra, Delhi, 1985. 5 A.D. Yazdani Commemoratiun Vol: 1965. 6 Adil Hussain Ali Vol:1 Jan 1970. 7 Amir Khusrau Memorial Vol: 1975. 8 Fakhruddin Ali Ahmad Memorial volume, Edt. Prof. Nazir Ahmad and Aslob Ahmad Ansari, Ghalib Institute, New Delhi 1994. 9 Islamic Heritage in South Asian Subcontinents, Edt. Prof. Nazir Ahmad and Prof. Mukhtar uddin Ahmad, Publication Scheme. Jaipur, India1998. 10 Islamic Heritage in South Asian Subcontinents, Edt. Prof. Nazir f?3) ======^^ c.i>^iX/i/>/ Ahmad and Prof. Mukhtar uddin Ahmad, Publication Scheme. Jaipur, India 2000. 11 Medieval India Vol: 1, 1969. (6)Essay on Persian Literature. Edt. Prof. Sharif Husain Qasmi Idarah-I- Adabiyat-I- Deihi-2005 Encyclopaedia: 1 Encyclopaedia Iranica edt. by Ehsan Yarshater Vol: XI D"r Lfbici'/' r d^/ ^tci d^yj wji ^ ft^Ar ^^(5 u^u 1 d^/ wiXjuo z. c/:!;ci(y<^y A yj'j LT^LVCJ q ^J^irAi>L^.J^r^A7L^(_/^r^reJt^; .^rAivL^.J^irA*^l>>>J^r.;:(i^l::^; "^i v^ ^I9AA ^i9^rjDi> ^i:^t yy>Ji?i i* fl99»tJU^.,l9A9jtJj^,J'y) c3'.^lV'U^U >>I^/^>:>I/'LU'I ir ,I91A J.^J= ^/ ir .i99» .BiC^*b.(//t>i^ ^jii^i;^ \c> J. .^l999.fl99A.fl99^.fl99r ij^ijijp- .l9AA^y ^fj^ djliO^ \L .19(^1 >^ ^(Jr 19 ,fr.r-r.i999.,i99i »^iv c^^Jy/fUUv rr .1919 JcjJ'' ^ rr ^I99ti,9^.fl9(i9,1(..l9(i9 a,"f\^ C^^^:^ f<^ r-n,(9Ar.,i9Ai e^t^-?o^y J^j^'(j^ic/yw^/ f^ JUi:.fi9Ar(j^r?^.i9AiJu^.^i9AiJ>y? J^jc3^.^lie^iyi ^t^l^ ri cjUi? ffi9Ar(J>/?.^i9Ar Jij>> .^i9Ar 'fl9A1 (Jvr? ^fl9A{J J^r? .^l9Ar 'f I9A9 (Jv/? ^f I9AA JuiT ..t9A^(J>;? L5^r?.l99* JlJir .^I99» J^/e.l9A9 (jljj^ 'fl99r JiJ>?^l99r(j'7i? .^1991 jDi^ ^1991 'fl99r (Jvr? ^fl99r Jui> .,(99r J>i<- Jyr?..l99 (jUiT ^fl99^ iS/r: c,(991 JlJi> .,1991 'fl999(iyr?.fl99AjlJj^.l99A(Jy/?.,l99^ JiiiT .f r*H(J>;e.,r— Jtj^.,1999 Ju^ .fHA*_A^.fRAAji>.^l9^1_^S.^Hiq/r^^i> i99i.fiqqr.^iq9n^i99»_qi.^nA9 ..^l9A(i^vl .fiqAr^/i.^iqAf^.^HAr ^fHAq^j^.fnAq(j^^iqAAc^.f(qA^(j;y) J>/e.,i9ArJij^.^iqAr.^iqAr.,('?AA(j'v/? SJ> ^jiy.Jf rr fHAAjvi^fl^A^Juir^fl^AlJ^r^^^HA^ ^l9^9y/l.,nii9ju>:.,H^Ay/( y^U> ^^ '^ J^ • rr ^H^A(j^^Hi5Zy/).^l9(5zJlJi> J^ ^^(£_(y ra (T- w^(^ :^l;^U>>fii J? rA ./j' ijijijj^i r9 (i'j )jja{j7.{j/^i r* English Journals: S.No: Name Place Month and Year 1 Arabic, Dept. of Persian, 1981-82 Persian Study Calcutta Univ. Journal Bayaz Anjuman-e- Farsi 1986, 1991, March 1978 Delhi Sep-Dec 1947,Sep 1961, Indo Iranica Calcutta 1962, June 1963, March 1965, Sep 1966,Sep- Dec 1967, 1944-69, Jan 1970, Sep-Dec1971,Sep- Dec 1972, March-Dec1975, March-June 1977, March- Dec1980, March, Dec1981, March-Dec 1983, March- June 1982, March- June, Sep, Dec 1984, March- June, Sep-Dec1993,Sep, Dec1997, Sep-Dec 1998, Dec 2001, Islamic Culture Hyderabad April - July 1954,1955, Jan 1956, Oct-Jan 1956-57, April 1961, April 1964, Oct 1968, Jun 1969, Jan-Oct 1970, 1972,1977, April 1978, Jan-April 1981