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Press Release P
M�M�M�M�M� M�M�M�M�M�M� �M �M �M �M �M M��M �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M Rasheed Araeen, A Retrospective Vaclav Pozarek We Began by Measuring Distance Cabinet d’arts graphiques Julije Knifer Opening: May 29, 6 pm 10, rue des Vieux-Grenadiers, 1205 Geneva � � � � � � � p. 3 Press release p. 5 Rasheed Araeen, A Retrospective (1st floor ) p. 10 Vaclav Pozarek (2nd floor) p. 12 We Began by Measuring Distance (3rd floor) p. 13 Julije Knifer (2nd floor) p. 15 Cabinet d’arts graphiques: Yūichi Yokoyama (2nd floor) Other exhibitions p. 17 A Collection of Spaces (4th floor) p. 19 L’ Appartement (3rd floor) p. 21 Timothée Calame, Prix culturel Manor 2018 (4th floor) p. 23 PiQasso p. 24 Informations and Partners M�M�M�M�M� M�M�M�M�M�M� �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M �M � � � � � � � � � � � � � Rasheed Araeen, A Retrospective Vaclav Pozarek We Began by Measuring Distance Cabinet d’arts graphiques Julije Knifer Opening: May 29, 6 pm Press Conference: May 29, 11 am This summer, on occasion of the retrospec- spectators, who can sometimes alter their tive devoted to the Pakistani artist Rasheed arrangements. The retrospective, spanning a Araeen, MAMCO is inaugurating the first 60 years’ career, leads the visitors through phase of its reflections concerning the five chapters, from the works of the 1950s, internationalization of its exhibition corpus through the sculptures of the 1960s and and the emergence of a world art history. -
Underserved Communities
National Endowment for the Arts FY 2016 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Click the grant area or artistic field below to jump to that area of the document. 1. Art Works grants Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. State & Regional Partnership Agreements 3. Research: Art Works 4. Our Town 5. Other Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Arts Education Number of Grants: 115 Total Dollar Amount: $3,585,000 826 Boston, Inc. (aka 826 Boston) $10,000 Roxbury, MA To support Young Authors Book Program, an in-school literary arts program. High school students from underserved communities will receive one-on-one instruction from trained writers who will help them write, edit, and polish their work, which will be published in a professionally designed book and provided free to students. Visiting authors, illustrators, and graphic designers will support the student writers and book design and 826 Boston staff will collaborate with teachers to develop a standards-based curriculum that meets students' needs. Abada-Capoeira San Francisco $10,000 San Francisco, CA To support a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit. -
Dissertatie Cvanwinkel
UvA-DARE (Digital Academic Repository) During the exhibition the gallery will be closed: contemporary art and the paradoxes of conceptualism van Winkel, C.H. Publication date 2012 Document Version Final published version Link to publication Citation for published version (APA): van Winkel, C. H. (2012). During the exhibition the gallery will be closed: contemporary art and the paradoxes of conceptualism. Valiz uitgeverij. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:11 Oct 2021 during the exhibition the gallery will be closed contemporary art and the paradoxes of conceptualism CAMIEL VAN WINKEL 2 3 During the Exhibition the Gallery Will Be Closed: Contemporary Art and the Paradoxes of Conceptualism ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. -
ROBERT BARRY 1936, New York (USA). Lives And
FRANCESCA MININI VIA MASSIMIANO 25 20134 MILANO T +39 02 26924671 [email protected] WWW.FRANCESCAMININI.IT ROBERT BARRY 1936, New York (USA). Lives and works in New York. EDUCATION Bachelor of Fine Arts, Master of Arts, Hunter College, The City University of New York SELECTED SOLO EXHIBITIONS 2019 ROBERT BARRY, Francesca Minini, Milan (I) 2018 ROBERT BARRY, How Things Have Changed…, Parra & Romero Gallery, Madrid (ES) ROBERT BARRY, Galleria Alfonso Artiaco, Naples (I) 2017 ROBERT BARRY, Cristina Guerra Contemporary Art, Lisboa (P) 2016 ROBERT BARRY: WORKS FROM 1964 TO 2016, Mary Boone Gallery, New York (USA) ROBERT BARRY: RANDOM, Galerie Untilthen, Saint Ouen (FR) 2015 ROBERT BARRY, Galerie Greta Meert, Brussels (BE) ROBERT BARRY, Thomas Solomon Art Advisory, Bethlehem Baptist Church, Los Angeles (USA) ROBERT BARRY - WORKS 1962 UNTIL PRESENT, Galerie Greta Meert (BE) ROBERT BARRY: ALL THE THINGS I KNOW 1962 TO THE PRESENT, 205 Hudson Street Gallery, New York (USA) 2014 INCOMPLETE…, Gallery Alfonso Artiaco, Naples (I) 2014 ROBERT BARRY: DIPTYCH, WINDOW-WALLPIECE, Montclair Art Museum, New Jersey (USA) 2013 ROBERT BARRY, Le Consortium, Dijon (FR) ONE BILLION COLORED DOTS, Montclair Art Museum, New Jersey (USA) ROBERT BARRY, Galerie Greta Meert, Brussels (BE) 2012 DIFFERENT TIMES, DIFFERENT WORKS, Galleria Massimo Minini, Brescia (I) Galerie Yvon Lambert, Paris (FR) 2011 RECENT MIRRORPIECES, Sperone Westwater, New York (USA) GOLDEN WORDS, Giacomo Guidi MG Art, Rome (I) TROUBLESOME, Galerie Alfonso Artiaco, Naples (I) SILVER, Bugdahn -
Ald. Michael Murphy Chair, Milwaukee Arts Board
Department of City Development 809 North Broadway, Milwaukee, WI 53202 (414) 286-5794 Fax (414) 286-5467 Tom Barrett, Mayor Ald. Michael Murphy, Chair www.milwaukee.gov/MAB Contact: Ald. Michael Murphy Chair, Milwaukee Arts Board (414) 286-2074 For Immediate Release City of Milwaukee Arts Board awards $238,000 to 35 arts organizations Summer arts programs for youth, free performances of Shakespeare’s Much Ado About Nothing, and a series of cross-neighborhood dinners in connection with the classic American play Our Town are among 35 projects awarded funding recently by the City of Milwaukee Arts Board. At its May meeting the MAB considered the recommendations of an eight-member citizen review panel and voted to award $238,000 in grants ranging from $3,500 to $7,000. MAB grants require a dollar-for-dollar cash match from other sources, and the combined budgets of the 35 selected projects this year is more than $3.48 million. There were a total of 41 eligible requests from Milwaukee nonprofit arts organizations to fund art, music, dance, arts education and other projects. “I’m always impressed by the quality work our local arts community puts forth,” said Ald. Michael Murphy, Milwaukee Arts Board Chair. “We’re pleased to be able to support their efforts.” This year marks the 27th annual grant awards. Since 1991, the Milwaukee Arts Board has awarded more than $4.95 million to 127 different organizations. Grantees will be honored by Mayor Tom Barrett, Ald. Murphy and others at a 4:30 p.m. reception June 12 at the Marcus Center for the Performing Arts followed by an awards program and celebration at 5 p.m. -
Sessions, Papers, and National Reports on the State of Classical Education
II C I T R F M F ED 023 336 FL 001 035 By -Else, Gerald r Ed. Report of the Colloquium on the Classics in Education, 1965. American Council of Learned Societies, New York, N.Y. Pub Date Jan 66 Note -72p. EDRS Price MF -$050 HC -$3.70 Descriptors -AncientHistory,Classical Languages, Classical Literature, ConferenceReports, Foreign Countries, Grammar, Greek, History Instruction, *InternationalPrograms, Language Instruction, Language Programs, Latin, Teaching Methods This is the report of an international meeting on theClassics, conducted August 1965 in London, England. Resolutions adopted bythe Colloquium, minutes of group sessions, papers, andnational reports on the state of classicaleducation are presented. Group sessions discuss the teachingof classical languages, classical literatures, and ancient history and civilization.Special papers presented on some aspects of these topics includeDavid H. Kelly's "Grammar and Methodology:Kenneth Ouinn's 'The Nature of Literary Documents: andHW.Pleket's 'The Teaching of Ancient History: National reports (Including several inFrench and one in Italian) discuss the currentstateofclassicaleducation in Australiaand NewZealand,Brazil, Czechoslovakia, France, GerMany, Ghana, GreatBritain, Greece, Italy, Japan, the Netherlands, Spain, Sweden, and the UnitedStates. (AF) U.S, DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE DERSON OR ORGANIZATION ORIGINATING IT. POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY, REPORT OF THE COLLOQUIUM ON THE CLASSICS INEDUCATION 1965 7 7 7.77771,7777-7,71. 77777-7:717.4T.7.77r r - REPORT OF THE COLLOQUIUM ON THE CLASSICS IN EDUCATION 1965 edited by GERALD F. -
PLUS-ONE Gallery Sven 'T Jolle ° 1966, Antwerp, Belgium Lives and Works in Australia
PLUS-ONE Gallery Sven ‘t Jolle ° 1966, Antwerp, Belgium Lives and works in Australia Education 1986 - 1990 Royal Academy of Fine Arts, Antwerp (BE) Solo-exhibitions 2017 Collecting Dust, DRAWINGS & Debts, PLUS-ONE Gallery, Zuid and Berchem, (BE) The Age of Entitlement, or Affordable Tooth Extraction, Wiels Centre d’art Contemporain, (BE) 2015 The Good Shepherd (and other sculptures for the not so converted), Voorkamer, Lierre, (BE) Aires Austères, Galerie Laurent Godin, Paris, (FR) 2014 Yves Saint Lazare, Vitrine / Galerie Laurent Godin, Paris, (FR) Mères austères / Austerity Mums, BBB centre d’art, Toulouse, (FR) 2013 Jackpot ! Le temps des cerises (Le temps des cerises), Light box in White Street Mall, Frankston, (AU) 2011 Looking forward to retiring soon, Vera Gliem Gallery, Cologne, (DE) 2010 Entrepreneurship ahoy !Tax haven flags flying, flag project for CC Strombeek, Grimbergen, (BE) 2009 Casse-toi alors pauvre canard !’ (ou faites payer la crise aux retraités, aux handicapéset aux employés), Galerie Laurent Godin, Paris, (FR) ‘Sponsorship AHOY!’, Stella Lohaus Gallery, Antwerp, (BE) 2008 Sven ‘t Jolle, soloproject for Open Space, Art Cologne, Vera Gliem Gallery, Cologne & Stella Lohaus Gallery, Antwerp, (BE) 2007 Die Begriffe ‘Arbeitgeber’ und ‘Arbeitnehmer’befremdeten ihn schon sehr früh, Vera Gliem Gallery, Cologne,(DE) Tea Time (tegen de verhoging van de uitbuitingsgraad), Stroom, Den Haag (NL) 2005 Sans - papiers’ de kabinetten van het smak, SMAK, Gent, (BE) Savoir sur vivre, Stella Lohaus Gallery, Antwerp (BE) 2004 Ploegwerk, Museum Dhondt-Dhaenens, Deurle, (BE) 2003 Rethinking Poverty...and other coffeetable books, Galleria Laura Pecci, Milano, (IT) Ein Bisschen (socialer) Frieden at booth D8”, Art Statement Stella Lohaus Gallery, Art Basel, (DE) 2002 Ein Bisschen (socialer) Frieden, Stella Lohaus Gallery, Antwerp, (BE) 2001 Social Plastics, Das Parkhaus am Malkasten, Düsseldorf, (DE) 2000 Toyotisme is …’, Stella Lohaus Gallery, Antwerp, (BE) 1999 L’atelier Rouge (Merci Mr. -
UWM Libraries Digital Collections
OCTOBER/NOVEMBER 1996 COMPLIMENTARY VOLUME 1 1, ISSUE 1 CASTS OF CONTENTS CHARACTER ;Sfe5 m wm ::ft|f liiiiiiii! isiSiiiaiia ^m W 5S** m till ®m ililii*****"" . .•li.'-ftiiiill '"* •'• : "*"****> €15116 "^""^^feiSS?**! *£& Robert Cottingham, Art (detail), 1992. MAM, Landfall Press Archive, Gift of Jack Lemon. An Exhibition Featuring the Work of Former Artists-in-Residence in the FEHTU RES John Michael Kohler Arts Center's Arts/Industry Program at Kohler Co. Reflections on the Milwaukee Art Museum 12 September 29,1996 - January 5,1997 Photographs by Francis Ford 14 A Tale of Two Cities: Milwaukee vs. Milwaukee 16 TRE' ARENZ • LAWRENCE ARGENT • NANCY DWYER It Could Have Been a Parking Lot 17 PETER FLANARY • LESLIE FRY • MICHAEL GARR Beyond Bovines 18 MARTHA GLOWACKI • RONALD GONZALEZ INDIRA FREITAS JOHNSON • KEN LITTLE A Fine Line 19 EVA MELAS • CINDI MORRISON • JOEL OTTERSON Reflections on the Haggerty Museum of Art 20 CAROLYN OTTMERS • ALBERT PFARR • PAUL SEBBEN Fixing The Leaks 21 BUSTER SIMPSON • JANET WILLIAMS • ANDY YODER Essay/Steven Foster/Studies 22 OPENING CELEBRATION DEPARTMENTS Friday, October 4,1996 • 5:30-8:30 p.m. Refreshments • Music by The Mosleys Plexus/Reflexus 4 Free Admission Grants/Opportunities 6 Post Facto 24 Concurrent Exhibitions Calendar/Out There 28 Anna Torma: Notes and Visions Madison/Chicago 33 Kate Moran: Nine Dolls Full of Color Who Understand Touch through October 27 Rudy Rotter: Mahogany to Mink November 3, 1996 - February 2, 1997 ON THE COVER Opening and Exhibition Preview Front: David Schweitzer, Director, 1986. Photograph by Francis Ford. with Rudy Rotter and Guest Curator Debra Brehmer Back: Les Petite Bon-Bon, 1971. -
Athens Programme 2016. the Art of Building Cities
città THE ART OF BUILDING CITIES. THE CRAFTS OF TEACHING Lorenzo Degli Esposti The city, conceived in the Albertian sense as a large house just like the house is a small city, can be understood – as a whole or in its components – as the antithesis of two poles: the solid and the void, articulated on one side by an indistinct mass 2 or defined objects, on the other by an open space or delimited envelopes of air. The Andrea Palladio, Pyramidal site, from The Four Books of Architec-building, the edifice in general can likewise be considered in dialectical pairs, of a ture, Book II-XVII, 1570 body seen from the outside as a “thing” and of an enclosed and contained space perceivable from within, or in other words of an envelope made up of architectural elements and an inhabitable room. Both the city and the building are therefore readable according to alternative and complementary methods, which are nevertheless not mutually exclusive; indeed the oscillation between them is the richness of the architectural experience. If we consider the building positioned in the city, the ambiguity of each term remains: we can understand it as an isolated object, independent from the indistinct urbanized mass, or in the more rarefied infrastructural landscapes of the contemporary metropolis, or vice versa we can bring together buildings that form groups and continuous perimeters of the blocks, delimiting streets and squares, in turn open-air, circumscribed rooms. This bivalent relationship between the buildings and the city is iconically depicted in the seventeenth-century plans of Rome designed by Nolli and by Piranesi: the former paints in the background undifferentiated urban fabrics carved by the streets and perforated by squares and the interiors of public buildings; the latter orchestrates celibate typologies that paratactically resemble one another, occupying the entire urban space up to occluding the streets in the establishment of an immeasurable architectural forum. -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. -
BIO Mariana Cánepa Luna
BIO Mariana Cánepa Luna Mariana Cánepa Luna (b.1977) is a Montevideo-born, Latitudes has participated in lectures, conversations and Barcelona-raised-and-based curator. She graduated in panel discussions including events at Garage Museum History of Art from the Universitat de Barcelona (1995– of Contemporary Art, Moscow (2019), Art Basel Cities: 2000) and studied Cinema History at DAMS, Università Buenos Aires (2019), Fundació Antoni Tàpies, Barcelona degli Studi di Bologna (1999) before completing the MA (2017), ARCOmadrid (2011, 2017), de Appel, Amsterdam Curating Contemporary Art, Royal College of Art, London (2016), Chisenhale Gallery, London (2015), Athens (2002–4). She assisted the curators of the retrospective Biennale (2015), The Common Guild, Glasgow (2013), ‘Frank Gehry, Architect’ at the Solomon R. Guggenheim Sharjah Art Foundation (2012). Museum, New York (2001), and was Fondation de France Curatorial Fellow at the Serpentine Gallery, London Latitudes has also been guest faculty at the Banff Centre (2004–5). Mariana is a regular contributor to art-agenda for Arts and Creativity in Canada (2015, 2017), tutored 3 and between 2015–19 was secretary of the foundation seasons of Barcelona Producció (2016, 2017-18 and governing Hangar Centre of Production, Research and 2019-20), the artistic production grants funded yearly by Visual Arts in Barcelona. the Barcelona City Council and has facilitated a 10-day curatorial intensive for the NUS Museum in Singapore In 2005 she co-founded the curatorial office Latitudes (2014), as well as the first Nature Addicts Fund Travelling with Max Andrews. Latitudes has worked internationally Academyduring dOCUMENTA 13 (2012). across contemporary art practices in a variety of formats and situations, including more than 50 projects Latitudes has convened and hosted 30 hour-long encompassing exhibitions, public realm commissions, presentations during ‘The Dutch Assembly’ in performances, film screenings and discursive ARCOmadrid (2012) and the three-day symposium of the programmes. -
Newsletter Outubro 10 | October10
Newsletter Outubro 10 | October10 Solo JOHN BALDESSARI Pure Beauty Curadores | Curators Enrico Lunghi, Clément Minighetti Metropolitan Museum of Art . Nova Iorque . EUA | New York . USA 20 Outubro a 9 Janeiro | 20 October to 9 January http://www.metmuseum.org Group YONAMINE A República revisitada Curadores | Curators Pedro Lapa Artistas | Artists Ângela Ferreira, Gabriel Abrantes, João Tabarra, João Fonte Santa, João Pedro Vale, Luciana Fina, Mafalda Santos, Pedro Barateiro. Galeria Diário de Notícias . Lisboa | Lisbon . Portugal 7 a 29 Outubro | 7 to 29 October Group JOHN BALDESSARI . LAWRENCE WEINER Just Love Me . Regard sur une collection privée Curadores | Curators Enrico Lunghi, Clément Minighetti Artistas | Artists Curtis Anderson, Vanessa Beecroft, Tracey Emin, Günther Förg, Rebecca Horn, Sol Lewitt, Gerhard Richter, Thomas Ruff, Nora Schattauer, Luc Tuymans, Andy Warhol, (...). MUDAM . Luxemburgo | Luxembourg 9 Outubro a 30 Janeiro 2011 | 9 October to 30 January 2011 http://www.mudam.lu Group DANIEL MALHÃO Falemos de casas: Entre o Norte e o Sul Curadores | Curators Ana Vaz Milheiro, Diogo Seixas Lopes, James Peto, Luís Santiago Baptista, Manuel Graça Dias, Max Risselada, Pedro Pacheco e Peter Cook. Trienal de Arquitectura de Lisboa . Museu Colecção Berardo . Lisboa | Lisbon . Portugal 14 Outubro a 16 Janeiro 2011 | 14 October to16 Janeiro 2011 http://www.trienaldelisboa.com Group JULIÃO SARMENTO . JUAN ARAUJO . Quando a arte fala de arquitectura: construir, desconstruir, habitar Curador | Curator Delfim Sardo Artistas | Artists Ângela Ferreira, Bruce Nauman, Damian Ortega, Dan Graham, Fernanda Fragateiro, Gordon Matta-Clark, Olafur Etiasson, Rita McBride, Robert Gober, (...). Trienal de Arquitectura de Lisboa . MNAC . Museu do Chiado . Lisboa | Lisbon . Portugal 15 Outubro a 21 Novembro | 15 October to 21 November http://www.trienaldelisboa.com Group INTERIORES Project by Pedro Gadanho Artistas | Artists Filipa César, João Paulo Feliciano, Daniel Malhão, Edgar Martins e Fernando Guerra.