Sessions, Papers, and National Reports on the State of Classical Education
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1 Workbook for Students, the Original Seen Through the Eyes of The
1 WORKBOOK FOR STUDENTS, THE ORIGINAL SEEN THROUGH THE EYES OF THE PRINCIPLES OF THE TUTU DOCTRINE – THE NEW WORLD ORDER (The explanation for the changes in language is found in the first part of this book called the text) 2 A Course in Miracles, the new, Workbook for Students is createdmanifested by Harishchandra Sharma TuTu and Solvejg Sharma TuTu 3 Introduction 1 A theoretical foundation such as the text is necessary as a background to make these exercises meaningful. Yet it is the exercises which will make the goal possible. An untrained mind can accomplish nothing. It is the purpose of these exercises to train the mind to think along the lines which the course sets forth. 2 The exercises are very simple. They do not require more than a few minutes, and it does not matter where or when you do them. They need no preparation. They are numbered, running from 1 to 365. The training period is one year. Do not undertake more than one exercise a day. 3 The purpose of these exercises is to train the mind to a different perception of everything in the world. The workbook is divided into two sections, the first dealing with the undoing of what you see now and the second with the restoration of sight. It is recommended that each exercise be repeated several times a day, preferably in a different place each time and, if possible, in every situation in which you spend any long period of time. The purpose is to train the mind to generalize the lessons, so that you will understand that each of them is as applicable to one situation as it is to another. -
MY LOSING BATTLE AGAINST the LEVIATHAN (Public Interventions of a Desperate Free-Market Economist)
MY LOSING BATTLE AGAINST THE LEVIATHAN (Public interventions of a desperate free-market economist) LUIGI ZINGALES Robert C. McCormack Professor of Entrepreneurship and Finance Table of Contents Preface…………………………………………………...…………………..………………………………..ii 1) “Why Paulson is Wrong”……………………………………………......……………………………………..1 Luigi Zingales 2) “Let’s Get the Bank Rescue Right” ……...………………………..……………………...……………………3 R. Glenn Hubbard, Hal Scott, and Luigi Zingales 3) Congressional Petition………………………………………………….....................………………………….5 John Cochrane, Paola Sapienza, and Luigi Zingales 4) “Plan B” …………………………………………………………………...……...…………...………………6 Luigi Zingales 5) “Cramdown: How to Fix the Credit Mess without a Government Bailout: Quickie Bankruptcies” …………..10 Luigi Zingales 6) “A Bankruptcy to Save GM” ……………...…………………………….………...…………………………12 Joshua Rauh and Luigi Zingales 7) “Economists Have Abandoned Principle” ………………...…………….…………………………...………15 Oliver Hart and Luigi Zingales 8) “Greenspan Roundtable: The Wrong Prescription;” …………………………………………………………17 Luigi Zingales 9) “Let’s Stimulate Private Risk Taking” ………………...……………………….……………………………...18 Alberto Alesina and Luigi Zingales 10) “Yes, We Can, Mr Geithner”……….……………………………………...……………………….....………19 Luigi Zingales 11) “A Trust Crisis”………………………………………………………...……………………………………22 Paola Sapienza and Luigi Zingales 12) “From Awful to Merely Bad: Reviewing the Bank Rescue Options” …….…………...………………………30 R. Glenn Hubbard, Hal Scott, and Luigi Zingales 13) “How Big Finance Bought the Bailout Plan”…..………………...…………………………...……………….32 -
Ecologically Sound Mosquito Management in Wetlands. the Xerces
Ecologically Sound Mosquito Management in Wetlands An Overview of Mosquito Control Practices, the Risks, Benefits, and Nontarget Impacts, and Recommendations on Effective Practices that Control Mosquitoes, Reduce Pesticide Use, and Protect Wetlands. Celeste Mazzacano and Scott Hoffman Black The Xerces Society FOR INVERTEBRATE CONSERVATION Ecologically Sound Mosquito Management in Wetlands An Overview of Mosquito Control Practices, the Risks, Benefits, and Nontarget Impacts, and Recommendations on Effective Practices that Control Mosquitoes, Reduce Pesticide Use, and Protect Wetlands. Celeste Mazzacano Scott Hoffman Black The Xerces Society for Invertebrate Conservation Oregon • California • Minnesota • Michigan New Jersey • North Carolina www.xerces.org The Xerces Society for Invertebrate Conservation is a nonprofit organization that protects wildlife through the conservation of invertebrates and their habitat. Established in 1971, the Society is at the forefront of invertebrate protection, harnessing the knowledge of scientists and the enthusiasm of citi- zens to implement conservation programs worldwide. The Society uses advocacy, education, and ap- plied research to promote invertebrate conservation. The Xerces Society for Invertebrate Conservation 628 NE Broadway, Suite 200, Portland, OR 97232 Tel (855) 232-6639 Fax (503) 233-6794 www.xerces.org Regional offices in California, Minnesota, Michigan, New Jersey, and North Carolina. © 2013 by The Xerces Society for Invertebrate Conservation Acknowledgements Our thanks go to the photographers for allowing us to use their photos. Copyright of all photos re- mains with the photographers. In addition, we thank Jennifer Hopwood for reviewing the report. Editing and layout: Matthew Shepherd Funding for this report was provided by The New-Land Foundation, Meyer Memorial Trust, The Bul- litt Foundation, The Edward Gorey Charitable Trust, Cornell Douglas Foundation, Maki Foundation, and Xerces Society members. -
Athens Programme 2016. the Art of Building Cities
città THE ART OF BUILDING CITIES. THE CRAFTS OF TEACHING Lorenzo Degli Esposti The city, conceived in the Albertian sense as a large house just like the house is a small city, can be understood – as a whole or in its components – as the antithesis of two poles: the solid and the void, articulated on one side by an indistinct mass 2 or defined objects, on the other by an open space or delimited envelopes of air. The Andrea Palladio, Pyramidal site, from The Four Books of Architec-building, the edifice in general can likewise be considered in dialectical pairs, of a ture, Book II-XVII, 1570 body seen from the outside as a “thing” and of an enclosed and contained space perceivable from within, or in other words of an envelope made up of architectural elements and an inhabitable room. Both the city and the building are therefore readable according to alternative and complementary methods, which are nevertheless not mutually exclusive; indeed the oscillation between them is the richness of the architectural experience. If we consider the building positioned in the city, the ambiguity of each term remains: we can understand it as an isolated object, independent from the indistinct urbanized mass, or in the more rarefied infrastructural landscapes of the contemporary metropolis, or vice versa we can bring together buildings that form groups and continuous perimeters of the blocks, delimiting streets and squares, in turn open-air, circumscribed rooms. This bivalent relationship between the buildings and the city is iconically depicted in the seventeenth-century plans of Rome designed by Nolli and by Piranesi: the former paints in the background undifferentiated urban fabrics carved by the streets and perforated by squares and the interiors of public buildings; the latter orchestrates celibate typologies that paratactically resemble one another, occupying the entire urban space up to occluding the streets in the establishment of an immeasurable architectural forum. -
Small Group Trip 16 Days
INDIA TREASURES OF INDIA: FEATURING THE PUSHKAR CAMEL FAIR Small Group Trip 16 Days ATJ.com | [email protected] | 800.642.2742 Page 1 Treasures of India: Featuring the Pushkar Camel Fair TREASURES OF INDIA: INDIA FEATURING THE PUSHKAR CAMEL FAIR Small Group Trip 16 Days Delhi Jaipur Pushkar Sarnath Agra Rohet Ganges River Varanasi Udaipur INDIA Arabian Sea Bay Of Bengal Take time to truly connect with local villagers. Indian Ocean DIVERSE RELIGIOUS TRADITIONS, MAHARAJAS’ INDULGE YOUR PALACES, TEMPLES, FORTRESSES, GANGES CRUISE, TAJ WANDERLUST MAHAL, PUSHKAR CAMEL FAIR, UNESCO SITES, DELUXE ACCOMMODATIONS Ø Watch the sun rise above the mesmerizing Taj Mahal India is one of the world’s great civilizations and perhaps its greatest travel destination. Cultures and religions have coexisted together for ages, each expressing its traditions in magnificent artistic, Ø Take a camel-cart ride through the fairground philosophic and architectural accomplishments. On this journey, your finger will be firmly on around dunes India’s spiritual pulse as we survey its most important cultural centers and UNESCO World Ø Explore palaces and fortresses Heritage sites. Ø Visit the Bishnois people, India’s fi rst Become familiar with the urban centers of Rajasthan and Uttar Pradesh, rich in history and conservationists buzzing with life. Then visit the region’s timeless, somnolent villages, little changed by the centuries. Gain deep insight into India’s history, from the Mughal empires through colonialism and Ø Get a behind-the-scenes interpretation of the into the contemporary age. Rub shoulders with mystics, musicians, camel-wallahs, priests, dancers Pushkar Camel Fair and vendors of all description at the colorful Pushkar Camel Fair. -
Author's Response
Dear Tiziana Lanza, Thanks for your useful review and very interesting suggestions. Your indications have been really appreciated, and included in the new version of the paper. In detail: Abstract We followed all your suggestions. We deleted part of the affirmation “The high participation and sharing in social networks and the attendance by a very large and varied audience, mostly without a scientific background, at our live shows, demonstrated a great interest in the geological history, resulting relevant for the development of geo-tourism.” We agree that, since we still did not collect the feedback of participants in a systematic way, this phrase could convey the readers to expect numbers, graphics and tables in the following text. We added some words to stress the importance of the conservation of the natural heritage (as Reeve suggested). Answering to Reeve: the abstract explains that the paper concerns about a teaching method and we illustrate some case studies, where we create a personal connection for the geo-sites in question. We inserted not here, but in the text, some data coming from the YouTube channel and from social network. Objectives and methods We modified the title in “Motivation and Objectives”, and changed accordingly the contents of the paragraph. We insert some sentences trying to answer to the requests of Reeve in “need and relevance” (Why is this “new approach” needed and what might it achieve?). We avoided speaking of a “new” approach, but we stressed some aspects of the working method of “our” approach. We also tried to clarify the main aim of our work. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
35800 PKZ KA-8 BNF PNP Manual .Indb
Ka-8 Instruction Manual / Bedienungsanleitung Manuel d’utilisation / Manuale di Istruzioni EN NOTICE All instructions, warranties and other collateral documents are subject to change at the sole discretion of Horizon Hobby, Inc. For up-to-date product literature, visit www.horizonhobby.com and click on the support tab for this product. Meaning of Special Language: The following terms are used throughout the product literature to indicate various levels of potential harm when operating this product: NOTICE: Procedures, which if not properly followed, create a possibility of physical property damage AND little or no possibility of injury. CAUTION: Procedures, which if not properly followed, create the probability of physical property damage AND a possibility of serious injury. WARNING: Procedures, which if not properly followed, create the probability of property damage, collateral damage, and serious injury OR create a high probability of superfi cial injury. WARNING: Read the ENTIRE instruction manual to become familiar with the features of the product before operating. Failure to operate the product correctly can result in damage to the product, personal property and cause serious injury. This is a sophisticated hobby product. It must be operated with caution and common sense and requires some basic mechanical ability. Failure to oper- ate this Product in a safe and responsible manner could result in injury or damage to the product or other property. This product is not intended for use by children without direct adult supervision. Do not use with incompatible components or alter this product in any way outside of the instructions provided by Horizon Hobby, Inc. This manual contains instructions for safety, operation and maintenance. -
Liceo Artistico Oriented Toward Arts Teaching– Both in a Theoretical (I.E
Italian school system It’s never too late! Education is an important part of Italian life. There are hundreds of schools and universities. Education is free and compulsory for all children between the ages of 6 - 16. Education in Italy It is divided into five stages: - Nursery school (scuola dell'infanzia), - Primary school (scuola primaria), - Lower secondary school (scuola secondaria di primo grado), - Upper secondary school (scuola secondaria di secondo grado) - University (università). Italy has both public and private education systems. Curriculum All state schools follow the same National Curriculum. PRIMARY SCHOOL Primary school, is commonly preceded by three years of non-compulsory nursery school . It lasts five years. Until middle school, the educational curriculum is the same for all pupils: although one can attend a private or state-funded school, the subjects studied are the same. The students are given a basic education in Italian, English, Maths, Natural Sciences, History, Geography, Social studies, Physical education and visual and musical arts. Secondary education Secondary education is divided in two stages: - Scuola secondaria di primo grado (Lower secondary school), or Scuola media, which corresponds to the Middle School grades; - Scuola secondaria di secondo grado (Upper secondary school), or Scuola Superiore, which corresponds to the high-school level. Scuola secondaria di primo grado Lower secondary school The Scuola secondaria di primo grado lasts three years (from age 11 to 13), and provides further education on the subjects studied at the scuola primaria, with the addition of Technology and a language other than English (Spanish or French). The curriculum is the same for all schools. -
Teaching and Learning in General Upper Secondary Education
Published on Eurydice (https://eacea.ec.europa.eu/national-policies/eurydice) Curriculum, subjects, number of hours Branches of studies According to legislation in force (DPR 89/2010 [1]) , general upper secondary education lasts five years and is delivered by six types of liceo specializing in the following areas: arts (liceo artistico), classical studies (liceo classico), sciences (liceo scientifico), languages (liceo linguistico), music and dance (liceo musicale e coreutico), human sciences (liceo delle scienze umane). The liceo artistico offers the following programmes: figurative arts, architecture and the environment, design, audiovisual and multimedia design, graphics, set design. The first two years are the same for all branches. The liceo scientifico offers an option in applied sciences and the liceo delle scienze umane offers an option in social and economic studies. Competences in compulsory education The first two years of upper secondary education, whether undertaken in a general or vocational school, are compulsory. Thus, in order to ensure equal education to all students, the Ministry has defined the knowledge and competences that all students are expected to have acquired on completion of compulsory education. Knowledge and competences integrate the current upper secondary curricula, specific for each type of school. Knowledge and competences are organised into 4 'cultural areas': languages, mathematics, science/technology and history/social studies. Knowledge and competences are also the basis for building learning pathways aimed at acquiring key competences that can help students in adulthood and for lifelong learning. Key competences are: learning to learn, planning, communicating, collaborating and participating, acting autonomously, problem solving, creating connections and relations, acquiring and interpreting information (DM 139/2007 [2]). -
Signs of Success in Italian Schooling Andrea Renee Leone-Pizzighella University of Pennsylvania, [email protected]
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Signs Of Success In Italian Schooling Andrea Renee Leone-Pizzighella University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Anthropological Linguistics and Sociolinguistics Commons, Education Commons, and the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons Recommended Citation Leone-Pizzighella, Andrea Renee, "Signs Of Success In Italian Schooling" (2019). Publicly Accessible Penn Dissertations. 3353. https://repository.upenn.edu/edissertations/3353 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3353 For more information, please contact [email protected]. Signs Of Success In Italian Schooling Abstract Italy’s secondary schools—the product of the class-based division of the education system around the time of Italy’s unification in 1861—are divided into three branches: the vocational school, the technical institute, and the lyceum. These three types of schools, their students, and their academic rigor are continuously discursively constructed as qualitatively distinct from one another. In accordance with these distinctions made between them on both a national and local level, students are differently attracted to and socialized to participate in the types of schooling associated with each. This dissertation draws on everyday sociolinguistic practices and emergent language ideologies -
An Improvised World: Jazz and Community in Milwaukee, 1950-1970 Benjamin Barbera University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2012 An Improvised World: Jazz and Community in Milwaukee, 1950-1970 Benjamin Barbera University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the African American Studies Commons, History Commons, and the Music Commons Recommended Citation Barbera, Benjamin, "An Improvised World: Jazz and Community in Milwaukee, 1950-1970" (2012). Theses and Dissertations. 5. https://dc.uwm.edu/etd/5 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. AN IMPROVISED WORLD: JAZZ AND COMMUNITY IN MILWAUKEE, 1950 – 1970 by Benjamin A. Barbera A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in History at The University of Wisconsin-Milwaukee August 2012 ABSTRACT AN IMPROVISED WORLD: JAZZ AND COMMUNITY IN MILWAUKEE, 1950 – 1970 by Benjamin A. Barbera The University of Wisconsin-Milwaukee, 2012 Under the Supervision of Professor Robert Smith This study looks at the history of jazz in Milwaukee between 1950 and 1970. During this period Milwaukee experienced a series of shifts that included a large migration of African Americans, urban renewal and expressway projects, and the early stages of deindustrialization. These changes had an impact on the jazz musicians, audience, and venues in Milwaukee such that the history of jazz during this period reflects the social, economic, and physical landscape of the city in transition.