ROBERT BARRY 1936, New York (USA). Lives And
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Archi-Ne Ws 2/20 17
www.archi-europe.com archi-news 2/2017 BUILDING AFRICA EDITO If the Far East seems to be the focal point of the contemporary architectural development, the future is probably in Africa. Is this continent already in the line 17 of vision? Many European architects are currently building significant complexes: 2/20 the ARPT by Mario Cucinella, the new hospital in Tangiers by Architecture Studio or the future urban development in Oran by Massimiliano Fuksas, among other projects. But the African architectural approach also reveals real dynamics. This is the idea which seem to express the international exhibitions on African architecture during these last years, on the cultural side and architectural and archi-news archi-news city-panning approach, as well as in relation to the experimental means proposed by numerous sub-Saharan countries after their independence in the sixties, as a way to show their national identity. Not the least of contradictions, this architecture was often imported from foreign countries, sometimes from former colonial powers. The demographic explosion and the galloping city planning have contributed to this situation. The recent exhibition « African Capitals » in La Villette (Paris) proposes a new view on the constantly changing African city, whilst rethinking the evolution of the African city and more largely the modern city. As the contemporary African art is rich and varied – the Paris Louis Vuitton Foundation is presently organizing three remarkable exhibitions – the African architecture can’t be reduced to a single generalized label, because of the originality of the different nations and their socio-historical background. The challenges imply to take account and to control many parameters in relation with the urbanistic pressure and the population. -
BILLY SULLIVAN *1946 in New York, USA Lives and Works in New York City
BILLY SULLIVAN *1946 in New York, USA Lives and works in New York City Education Depuis 1788 1968 School of Visual Arts, New York, NY, USA 1964 High School of Art and Design, New York, NY, USA Freymond-Guth Fine Arts Riehenstrasse 90 B Teaching CH-4058 Basel T +41 (0)61 501 9020 1997 The School of Visual Arts, New York: BFA Photo Thesis offi[email protected] 2012–14 New York University: MFA Program, Studio Art, Steinhardt School of www.freymondguth.com Culture, Education, and Human Development 2003–06, New York University, Interactive Telecommunication Program 2010–14 1999 Harvard University, The Department of Visual and Environmental Studies Solo Shows (selection) 2016 Monteverdi Art Gallery, Sarteano, Tuscany, curated by Sarah McCrory kaufmann repetto, New York 2015 Ille Arts, Amagansett, NY, USA 2014 Time after Time, Freymond-Guth Fine Arts, Zurich, CH Blush, Galerie Sabine Knust, Munich, DE 2012 Bird Drawings, Glenn Horowitz Bookseller, East Hampton, NY, USA Nicole Klagsbrun Gallery, New York, NY, USA 2011 Still, Looking, Kaufmann Repetto, Milan, IT Now & Then, Baldwin Gallery, Aspen, CO, USA 2010 Susanne Hilberry Gallery, Ferndale, MI, USA East End Photographs 1973-2009, Salomon Contemporary, East Hampton, NY, USA 2009 Galerie Sabine Knust, Munich, DE Conversations, Nicole Klagsbrun Gallery, New York, NY, USA 2008 Regen Projects, Los Angeles, CA, USA Rebecca Ibel Gallery, Columbus, OH, USA Texas Gallery, Houston, TX, USA 2007 Guild Hall, East Hampton, NY, USA Galleria Francesca Kaufmann, Milan, IT 2006 New Work, Rebecca Ibel Gallery, -
Too Cool—Families Catch the Cool!
2010 SPRING Cool Culture® provides 50,000 underserved families with free, unlimited sponsored by JAQUELINE KENNEDY access to ONASSIS 90 cultural institutionsRESEVOIR - so that parents can provide their children withCENTRAL PARK 80 Hanson Place, Suite 604, Brooklyn, NY 11217 www.coolculture.org educational experiences that will help them succeed in school and life. CENTRAL PARK HARLEM MEER Malky, Simcha, Stanley and Avi Mayerfeld. Fi e tzpa t trick t . Vaness e a Griffi v th and Ys Y abe l Fitzpat FIFTH AVENUE d rick. n a o FIFTH AVENUE i g r e S , a n i t n e g r A Isabella, Sophia and Ethel Zaldaña 108TH ST 107TH ST 106TH ST 103RD ST 105TH ST 102ND ST 104TH ST 101ST ST 100TH ST 99TH ST 98TH ST 97TH ST 96TH ST 95TH ST 94TH ST 93RD ST 92ND ST 91ST ST 90TH ST 89TH ST 88TH ST 87TH ST 86TH ST 85TH ST 84TH ST 83RD ST 82ND ST 81ST ST Felicia and Omaria Williams F e l ic ia a nd he t C C O o o m o a h ri W o To ol— illiams atc l! Families C The Cool Culture community couldn't choose just one. “I really liked came together to Catch the Cool on making stuff and meeting my friend and June 8th at the Museum Mile getting a poster by (artist) Michael Albert,” she said. The siblings – along with Festival! Thousands painted, drew, their sister Ysabel (one), mom Yvette and aunt danced and partied on Fifth Avenue from Vanessa Griffith– participated in art activities 105th Street to 82nd Street, dropping in that included crafting monkey ears at The museums along the way. -
Judith Bernstein Education Solo Shows
JUDITH BERNSTEIN * 1942, Newark, New Jersey, Lives and works in New York EDUCATION 1967 MFA & BFA, Yale University, School of Art and Architecture 1964 MS & BS, Pennsylvania State University SOLO SHOWS 2019 Blue Balls, Karma International, Zurich Diamonda Mouth, Foksal Gallery Foundation, Warsaw 2018 Money Shot, Paul Kasmin, New York 2017 Cabinet of Horrors, The Drawing Center, New York Cock in The Box, The Box, Los Angeles 2016 Kunsthall Stavanger, Stavanger, Norway DICKS OF DEATH, Mary Boone Gallery, New York 2015 Art Basel: Feature, Basel Voyeur, Mary Boone Gallery, curated by Piper Marshall, New York Freddy, Baltimore 2014 Birth of the Universe, Gavin Brown’s Enterprise, New York Judith Bernstein, Karma International, Zurich Rising, Studio Voltaire, London 2013 Keep Your Timber Limber (Works on Paper), ICA, UK The Box, Los Angeles 2012 Judith Bernstein: Hard, New Museum of Contemporary Art, New York 2011 Fuck Vietnam, 1966-2011, The Box, Los Angeles Frame: Judith Bernstein, Frieze, London 2010 Alex Zachary Gallery, New York, NY 2009 Judith Bernstein. The Box, Los Angeles, CA 2008 Judith Bernstein: Signature and Phallic Drawings 1966-2008, Mitchell Algus Gallery, New York 1987 University of Arkansas, Fayetteville, Arkansas 1984 A.I.R. Gallery, New York City, NY 1978 Brooks Jackson Iolas Gallery, New York City, NY. 1977 State University of New York at Stony Brook Gallery 1976 Drawing 1966-1976. University of Colorado Museum, Colorado 1973 A.I.R. Gallery, New York City. NY. October/April GROUP SHOWS 2020 Artists Respond: American Art and the Vietnam War, 1965-75, Minneapolis Institute of Art, Minneapolis (upcoming) 2019 Feminist Avant-Garde of the 1970s. -
Film Culture in Transition
FILM CULTURE IN TRANSITION Exhibiting Cinema in Contemporary Art ERIKA BALSOM Amsterdam University Press Exhibiting Cinema in Contemporary Art Exhibiting Cinema in Contemporary Art Erika Balsom This book is published in print and online through the online OAPEN library (www.oapen.org) OAPEN (Open Access Publishing in European Networks) is a collaborative in- itiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe. Sections of chapter one have previously appeared as a part of “Screening Rooms: The Movie Theatre in/and the Gallery,” in Public: Art/Culture/Ideas (), -. Sections of chapter two have previously appeared as “A Cinema in the Gallery, A Cinema in Ruins,” Screen : (December ), -. Cover illustration (front): Pierre Bismuth, Following the Right Hand of Louise Brooks in Beauty Contest, . Marker pen on Plexiglas with c-print, x inches. Courtesy of the artist and Team Gallery, New York. Cover illustration (back): Simon Starling, Wilhelm Noack oHG, . Installation view at neugerriemschneider, Berlin, . Photo: Jens Ziehe, courtesy of the artist, neugerriemschneider, Berlin, and Casey Kaplan, New York. Cover design: Kok Korpershoek, Amsterdam Lay-out: JAPES, Amsterdam isbn e-isbn (pdf) e-isbn (ePub) nur / © E. Balsom / Amsterdam University Press, Amsterdam All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. -
Miquel Barceló
MIQUEL BARCELÓ Born in Felanitx, Majorca, 1957 Lives and works in Majorca, Paris and Mali EDUCATION School of Arts and Crafts, Palma de Mallorca Fine Arts Academy, Barcelona SELECTED SOLO EXHIBITIONS 2019 Museo Internazionale delle Ceramiche, Faenza Vida de Pulpo, Galeria Elvira Gonzalez, Madrid 2018 On the Sea, Galerie Thaddaeus Ropac, Salzburg 2017 El Arca de Noé, Universidad de Salamanca, Salamanca El Planeta De Los Toros, Tobias Mueller Modern Art, Zurich 2016 Sol y Sombra, Bibliothèque Nationale de France and Musée National Picasso, Paris Acquavella Galleries, New York, NY 2015 Early Works, Ben Brown Fine Arts at Frieze Masters, London Ardenti Germinat. New paintings and works on paper, Galerie Bruno Bischofberger, Männedorf L’Inassèchement, Galerie Thaddaeus Ropac, Paris Gráfico, Calcografía Nacional, Madrid 2014 Courant Central, Ben Brown Fine Arts, Hong Kong Pinturas, Escultura y Cerámica, Pinakotheke, Sâo Paulo; traveling to Pinakotheke, Rio de Janeiro; Galeria Multiarte, Fortaleza 2013 Galería Elvira González, Madrid Terra Ignis. Céramiques, Majorque 2009-2013, Musée d Art Moderne, Céret Terra Ignis, Museu Nacional do Azulejo, Lisbon Acquavella Galleries, New York, NY 2012 Ceramic, Galerie Bruno Bischofberger, Zurich Bank Austria Kunstforum, Vienna Cerámiques I dibuixos. Miquel Barceló y Barry Flanagan, Museo de Arte Contemporáneo de Eivissa, Ibiza 2011 Recent Paintings, Ceramics and Sculpture, Ben Brown Fine Arts, Hong Kong Le Taj Peinture en scène, Théâtre des Bouffes du Nord, Paris Work in progress, Lisbon and Estoril Film Festival, Torre de Belém, Lisbon Elefandret Sculpture, Union Square Marlborough Gallery, the Union Square Partnership and the City of New York’s Department of Parks & Recreation Public Art Program, New York, NY 2010 La solitude organisative 1983-2009, Fundación la Caixa, Madrid; Fundación la Caixa, Barcelona Terramare, Palais des Papes, Grande Chapelle, Musée du Petit Palais, Collection Lambert, Avignon St. -
ALLAN Mccollum Brief Career Summary Allan Mccollum
ALLAN McCOLLUM Brief career summary Allan McCollum was born in Los Angeles, California in 1944 and now lives and works in New York City. He has spent over thirty years exploring how objects achieve public and personal meaning in a world constituted in mass production, focusing most recently on collaborations with small community historical society museums in different parts of the world. His first solo exhibition was in 1970 in Southern California, where he was represented throughout the early 70s in Los Angeles by the Nicholas Wilder Gallery, until it’s closing in the late 70s, and subsequently by the Claire S. Copley Gallery, also in Los Angeles. After appearing in group exhibitions at the Pasadena Art Museum and the Los Angeles County Museum of Art, his first New York showing was in an exhibition at the Sidney Janis Gallery, in 1972. He was included in the Whitney Museum of American Art Biennial Exhibition in 1975, and moved to New York later that same year. In 1978 He became known for his series Surrogate Paintings, which were shown in solo exhibitions in New York at Julian Pretto & Co., Artistspace, and 112 Workshop (subsequently known as White Columns), in 1979. In 1980, he was given his first solo exhibition in Europe, at the Yvon Lambert Gallery, in Paris, France, and in that same year began exhibiting his work at the Marian Goodman Gallery in New York, where he introduced his series Plaster Surrogates in a large solo exhibition in 1983. McCollum began showing his work with the Lisson Gallery in London, England, in 1985, where he has had a number of solo exhibitions since. -
Vesteda Project BV Report
Vesteda Project bv 2004 Report Everything we do at Vesteda can be e challenging objective: to use our exp investment. In order to create added quality.With the result that our tena are satisfied and feel at home with Ve Vesteda. Quality accommodations. expressed in a single, simple, but pertise in housing, development and d value from our shared passion for ants, shareholders and employees Vesteda – every day. Vesteda Project’s mission is to develop and acquire higher-rent homes Vesteda Project ensures the qualitative growth of the Vesteda Group portfolio Rising to a target of 1,500 residential properties handed over per year Production from area and project developments and acquisitions Long-term involvement Organi- sation expanded further Pipeline substantially increased in 2004 468 residential properties handed over Production target of €200 million achieved Vesteda Project bv 2004 Report Contents Profile | 5 Structure | 7 Objectives | 8 Strategy | 9 After hand-over: management and letting by Vesteda Group | 12 Report of market developments | 13 Completed projects | 14 Projects under construction | 17 Projects in preparation | 25 Projects under development | 29 Area developments | 30 Staff and organisation | 35 Result | 36 Outlook | 37 Partner in area developments | 38 Contents 3 Profile To develop and acquire higher-rent residential properties that meet quality and yield requirements to provide new projects for the Vesteda Group investment portfolio.This is the mission of Vesteda Project bv. Vesteda Project bv is part of Vesteda Group.Vesteda Group is a property fund focusing exclusively on residential property.With over 30,000 residential properties with a total value of over €4 billion, Vesteda is the largest residential property fund in the Netherlands. -
Barbara-Zucker-CV-1.Pdf
Barbara Zucker Born, Philadelphia, PA. Lives and works in Burlington,Vermont, and New York, New York. Studio: 444 S. Union St. Burlington, Vermont 05401 802 863 8513 Fax: 802 864 5841 email: [email protected] Education University of Michigan, BS in Design Hunter College, MA Cranbrook Academy of Art Selected One Person Exhibitions Barbara Zucker: Time Signatures, The Gershman Y, Phila., Pa. 2007 Time Signatures: Tufts University, Mass., 2005 Universal Lines: Homage to Lilian Baker Carlisle and Other Women of Distinction”; Amy Tarrant Gallery, The Flynn Center for the Performing Arts, Burlington, Vt., 2001 Robert Hull Fleming Museum, Burlington, VT, 1998, 1980 One Great Jones Gallery, NYC, 1997 Paley Gallery, Moore College of Art, Phila., PA, 1996 (catalog) “For Beauty’s Sake,” Artists’ Space, NYC, 1994 Haeneh Kent Gallery, NYC, 1990 Webb and Parsons, Burlington, VT, 1989, 1991 Benjamin Mangel Gallery, Phila., PA, 1989 The Sculpture Center, NYC, April, 1989 Pam Adler Gallery, NYC, 1983, 1885 Swarthmore College, PA, 1983 Fine Arts Center, University of Massachusetts, Amherst, 1982 Joselyn Art Museum, Omaha, Nebraska, 1981 Robert Hull Fleming Museum, Burlington, VT, 1981 Robert Miller Gallery, NYC, 1978, 1980 Pennsylvania Academy of Fine Art, 1980 Marion Deson Gallery, Chicago, 1979, 1985 112 Greene Street Gallery, NYC, 1976 A.I.R. Gallery, NYC, 1972, 1974 Rutgers University, Douglass College, New Brunswick, NJ, 1973 Selected Group Exhibitions ‘Radical Lace and Subversive Knitting”, The Museum of Arts and Design, New York, 2007 “From the Inside Out: Feminist Art Then and Now”, New York, 2007 Winter Salon , Lesley Heller Gallery, December, New York, 2006 “Selfish“, curated by Lori Waxman, 128 Rivington, New York, 2004 Reading Between the Lines”, curated by Joyce Kozloff; Wooster Arts Space, New York, 2003 “Drawing Conclusions: Work by Artists Critics”, curated by Judith Collishan, New York Arts, New York, 2003 “The Art of Aging”, Hebrew Union College Museum, New York, 2003-2004; traveling exhibition, through 2006. -
Carl Andre : Sculpture As Place, 1958-2010 18 October 2016 – 12 February 2017
Carl Andre : Sculpture as Place, 1958-2010 18 october 2016 – 12 february 2017 Carl Andre, Uncarved Blocks, 1975, Exhibition view Carl Andre, Sculpture as place, 1958-2010, at Hamburger Bahnhof – Museum für Gegenwart, Berlin © ADAGP, Paris, 2016 PRESS KIT SUMMARY Press release page 3 Exhibition layout page 5 Practical information page 12 Carl Andre Sculpture as Place, 1958–2010* * La sculpture comme lieu, 1958-2010 18 October 2016 – 12 February 2017 Carl Andre, Uncarved Blocks, 1975 (detail), Exhibition view Carl Andre, Sculpture as Place, 1958–2010, Press preview: Monday 17 October 2016 11 am – 2 pm at the Hamburger Bahnhof – Museum für Gegenwart, Berlin © ADAGP, Paris, 2016 Monday 17 October 2016 6 – 9 pm Opening: Museum director Fabrice Hergott The Musée d’Art Moderne is presenting a tribute to the major 20th- Exhibition curators century American artist Carl Andre (b. 1935 in Quincy, Sébastien Gokalp, Yasmil Raymond, Massachusetts). The exhibition Sculpture as Place, 1958–2010 covers Philippe Vergne the full spectrum and inner consistency of the Andre oeuvre, with 40 Visitor information monumental sculptures, numerous poems and photographs, works Musée d’Art Moderne de la Ville de Paris on paper and various objects that defy pigeonholing. His iconic works 11 Avenue du Président Wilson appear alongside pieces never shown together before, such as his 75116 Paris Dada Forgeries. A leading Minimalist figure together with Donald Judd Tel. 01 53 67 40 00 www.mam.paris.fr and Robert Morris, Andre now stands out as one of the 20th century's greatest sculptors. Open Tuesday – Sunday 10 am – 6 pm Thursdays until 10 pm This retrospective reveals how Andre, working with standard, unmodified industrial elements, redefined sculpture as a means for experiencing space, Admission form and matter. -
Collectie Collection Jeanne & Charles Vandenhove
collectie collection Jeanne & Charles Vandenhove Deze uitgave verschijnt naar www.lannoo.com Het Museum Dhondt-Dhaenens wenst Registreer u op onze website en we volgende personen en instellingen te aanleiding van de tentoon- sturen u regelmatig een nieuwsbrief danken / Le musée Dhondt-Dhaenens stelling Collectie Jeanne en met informatie over nieuwe boeken souhaite remercier les personnes et en met interessante, exclusieve institutions suivantes: Charles Vandenhove in het aanbiedingen. Museum Dhondt-Dhaenens En vous enregistrant sur notre site, Charles Vandenhove / Prudent De vous recevrez régulièrement une lettre in Deurle van 30 juni 2013 Wispelaere / Nadia Ghizzardi / Bart qui vous informera de nos nouvelles Verschaffel, Steven Jacobs (Universiteit t.e.m. 13 oktober 2013. parutions et vous proposera des Gent) / François Hers / Marc Maertens, offres exclusives. Daniel Bulinckx, Murielle De Doncker (Mobull) / Stijn Huijts, Ineke Kleijn, José Ce catalogue est publié à Vormgeving / Graphisme Curfs (Bonnefanten museum Maastricht) / l’occasion de l’exposition Pascal Van Hoorebeke Eric Hemeleers, Marylène Vanhassel, Indira Kabue (Eeckman Art Insurance) / Collection Jeanne et Charles Coverbeeld / Image couverture Peter Cox / Philippe Vander Maren / Photo-Souvenir: Daniel Buren, Plafond Godfried Verschaffel Vandenhove organisée au Hôtel Torrentius Liège, in situ work, ca. 1980 Musée Dhondt-Dhaenens Patroons / Partenaires entreprise Fotografie / Photographie à Deurle du 30 juin 2013 Bel&Bo / Bio Bakkerij De Trog / Philippe Vander Maren: pp. 6-9, 24-33, Broodstop / Rinaldo Castelli (Stone) / au 13 octobre 2013. 38-39 / Godfried Verschaffel: cover & Christie’s / Duvel-Moortgat / Eeckman Art pp. 41-59, 62-75, 80, 84-85, 90-91, 96-101, Insurance / Peter Galliaert / Lecoutere / Paul 107-115, 120-123, 126-132 / Peter Cox Thiers (Pentacon) / Verhaegen-Walravens / www.museumdd.be (Bonnefantenmuseum): pp. -
SCOTT TEPLIN B. 1972 Milwaukee, WI Resides New York, NY
SCOTT TEPLIN b. 1972 Milwaukee, WI Resides New York, NY Education 1996-98 University of Washington, Seattle, M.F.A. 1991-95 University of Wisconsin, Madison, B.S. Selected Solo Exhibitions 2013 RYAN/LEE Gallery, Greasy Sinker, New York, NY Seven Arts Gallery, Whiplash, Ridgefield, CT 2011 G Gallery, CRASH, Houston, TX 2010 Adam Baumgold Gallery, Ternkey Towers, New York, NY 2008 Adam Baumgold Gallery, Alphaville, New York, NY 2007 g-module, Heavy Water, Paris, France 2004 Adam Baumgold Gallery, One Story, New York, NY 2003 Jessica Murray Projects, Moron, Brooklyn, NY DiverseWorks, Lubricious, Houston, TX 2002 Adam Baumgold Gallery, Tenant, New York, NY 2001 Jessica Murray Projects, Kipple, Brooklyn, NY 1999 Howard House, Satellite Notation, Seattle, WA Selected Group Exhibitions 2013 Lu Magnus Gallery, Thanks, New York, NY Western Exhibitions, Bound and/or Stapled (or not), Chicago, IL Family Books, Beck Song Reader, Los Angeles, CA 2012 Adam Baumgold Gallery, Locations, New York, NY FFDG, Winter Group Show, San Francisco CA Adam Baumgold Gallery, FICTION/NON-FICTION, New York, NY Boston Athenaeum, Artists Books, Books by Artists, Boston, MA 2011 Electric Works, McSweeney's McMullens, San Francisco, CA Giant Robot 2, Post It Show 7, Los Angeles, CA Pavel Zoubok Gallery, Sweets, New York, NY Mewo Kunsthalle, Das Alphabet von A bis Z, Memmingen, Germany New York Academy of Art, The Peterson Collection, New York, NY 2010 Hewitt Gallery of Art, Marymount Manhattan College, New York, NY Bauhaus University, Bauhaus Commuters, Weimar, Germany