The DUH Song Book Dover Uke Heads 2013 - 2014

Volume 2

Contents:

At the Hop 2 All Shook Up 3 Blue Bayou 4 Blue Hawaii 5 Can’t Take My Eyes Off Of You 6 Chapel of Love 7 Da Doo Ron Ron 8 Do You Love Me 9 Dream Baby 10 Dream Lover 11 Glory of Love 12 Harvest Moon 13 I’ll Fly Away, C 14 I’ll Fly Away, F 15 I’m An Old Cowhand 16 Kansas City 17 Leaving On A Jet Plane 18 Little Grass Shack, Phonetic in G 19 Mairi’s Wedding 20 Man! I Feel Like a Woman 21 Memories Are Made of This 22 Moonlight Bay 23 On A Coconut Island 24 On the Beach at Waikiki 25 Oh Danny Boy 26 Pearly Shells, in G 27 Que Sera, Sera 28 Red River Valley 29 Return to Sender 30 Rock Around the Clock Tonight 2 p 31 – 32 Roll Out Those Lazy, Hazy, Crazy Days of Summer 2 p 33 – 34 Side By Side 35 Sudbury Saturday Night 36 Tiny Bubbles 37 Ukulele Lady in C 38 Ukulele Lady, Easy Version 2 p 39 – 40 Under the Boardwalk 41 Up On the Roof 42 What A Wonderful World This Would Be (Don’t Know Much) 43 When Irish Eyes Are Smiling 44 When the Red, Red, Robin 45

DUH ~ Dover Uke Heads

AT THE HOP – Danny & the Juniors, 1957.

Intro: C Am F G C Ba-ba-ba-ba, Ba-ba-ba-ba, Ba-ba-ba-ba, Ba-ba-ba-ba- at the hop!

C Well, you can rock it you can roll it C7 Do the stomp and even stroll it at the hop F When the records start a spinnin’ C You “chalypso” and you chicken at the hop G F C (spoken) Do the dance sensations that are sweepin’ the nation at the hop - let’s go!

Chorus: C C7 Let’s go to the hop. Let’s go to the hop, (oh baby) F C Let’s go to the hop, (oh baby). Let’s go to the hop G F C Come on, let’s go to the hop

C Well, you can swing it you can groove it C7 You can really start to move it at the hop F Where the jockey is the smoothest C And the music is the coolest at the hop G F C All the cats and chicks can get their kicks at the hop

Chorus:

*Repeat song, ending with Intro as Outro * DUH ~ Dover Uke Heads

ALL SHOOK UP – Composed by Otis Blackwell and Elvis Presley, 1956.

C A-well-a bless my soul what’s wrong with me, I’m itching like a man on a fuzzy tree My friends say I’m acting queer as a bug. I’m in love, UH! I’m all shook up! F G7 C Mm mm mm, Mm, Oh-woh yeah yeah!

My hands are shakey and my knees are weak, I can’t seem to stand on my own two feet Who do you thank when you have such luck? I’m in love, UH! I’m all shook up! F G7 C Mm mm mm, Mm, Oh-woh yeah yeah!

CHORUS: F Please don’t ask me what’s on my mind, C I’m a little mixed up but I’m feeling fine. F When I’m near that girl that I love best, G7 my heart beats so it scares me to death! C When she touched my hand, what a chill I got, her lips are like a volcano that’s hot! I’m proud to say that she’s my buttercup. I’m in love, UH! I’m all shook up! F G7 C Mm mm mm, Mm, Oh-woh yeah yeah!

CHORUS: F My tongue gets tied when I try to speak, C my insides shake like a leaf on a tree F There's only one cure for this body of mine, G7 That's to have that girl that I love so fine! C When she touched my hand, what a chill I got, her lips are like a volcano that’s hot! I’m proud to say that she’s my buttercup. I’m in love, UH! I’m all shook up! F G7 C Mm mm mm, Mm, Oh-woh yeah yeah! Mm mm mm, Mm, Oh-woh yeah yeah! I’m all shook up!

DUH ~ Dover Uke Heads

BLUE BAYOU – Roy Orbison and Joe Melson, 1961

[C] I feel so bad, I’ve got a worried mind. [G7] I’m so lonesome, all the time, since I left my, baby behind on [C] Blue Bayou.

[C] Saving nickels, saving dimes, [G7] working ‘til the sun don’t shine. Looking forward to happier times, on [C] Blue Bayou!

I’m going back some day, come what may, to [G7] Blue Bayou! Where you sleep all day, and the catfish play, on [C] Blue Bayou. All those fishing boats, with their [C+] sails a-float, if [F] I could only [Fm] see, that fam-[C]-iliar sunrise, through [G7] sleep-y eyes, how [C] happy I’d be.

2. [C]Got to see my baby again, [G7] and to be with, some of my friends, maybe I’d be happy then on [C] Blue Bayou.

[C] Saving nickels, saving dimes, [G7] working ‘til the sun don’t shine. Looking forward to happier times, on [C] Blue Bayou!

I’m going back some day, gonna stay, on [G7] Blue Bayou! Where the folks are fine, and the world is mine, on [C] Blue Bayou. Ah, that girls of mine, [C+] by my side, the [F] sil-ver moon, and the [Fm] eve-ning tide. Oh, [C] some sweet day, gonna [G7] take a-way, this [C] hurtin’ inside.

I’ll [G7] never be blue, my dreams come true….. (pause) On Blue….Bay….[C]ou….!

DUH ~ Dover Uke Heads

BLUE HAWAII – Elvis, from the movie Blue Hawaii, 1965

G C G Night and you, and Blue Ha-wa-i-i E7 A7 The night is hea-ven-ly, D7 G A7 / / D7 / / And you are heaven to me.

G C G Love – ly you, and Blue Ha-wa--i-i E7 A7 With all this love – li – ness, D7 G / / C / / G / / G7 / / There should be love

Bridge: C G Come with me, while the moon is on the sea A7 D7 The night is young, and so are we

G C G Dreams come true, in Blue Ha-wa-i-i E7 A7 And mine could all come true D7 G / / C / / G / / / This magic night of nights with you

Play entire song twice through.

DUH ~ Dover Uke Heads

CAN’T TAKE MY EYES OFF OF YOU – Frankie Valli, 1967.

Verse 1 C Cmaj7 You’re just too good to be true, can’t take my eyes off of you,

C7 F You’d be like Heaven to touch – I wanna hold you so much. Fm C At long last love has arrived, and I thank God I’m alive. D7 Fm C You’re just too good to be true; can’t take my eyes off of you.

Verse 2

C Cmaj7 Pardon the way that I stare; there’s nothing else to compare. C7 F The sight of you leaves me weak; there are no words left to speak. Fm C But if you feel like I feel, please let me know that it’s real. D7 Fm C You’re just too good to be true; can’t take my eyes off of you.

SOLO

Chorus: A7 Dm7 G7 Cmaj7 …I love you baby, and if it’s quite all right, I need you, baby Am Dm7 G7 C to warm the lonely night. I love you, baby; trust in me when I say…… A7 Dm7 G7 Cmaj7 Oh, pretty baby, don’t bring me down I pray. Oh pretty baby Am Dm7 now that I’ve found you stay, and let me love you, baby Bb7 G7 Let me love you….

Repeat from top leaving out Verse 2

DUH ~ Dover Uke Heads

CHAPEL OF LOVE – Words and music by Phil Spector, Ellie Greenwich and Jeff Barry, 1964. The Dixie Cups; The Shirelles.

CHORUS G Goin’ to the chapel and we’re gonna get married Am D7 Am D7 Goin’ to the chapel and we’re gonna get ma-a-arried

G Gee, I really love you and we’re gonna get married Am D7 G Goin’ to the chapel of love.

G D7 G D7 G Spring is here, the-uh-uh sky is blue, wo – o – oh Am D7 Am D7 Birds will sing, as, if they knew G D7 G E7 Today’s the day, we’ll say “I do,” Am D7 G And we’ll nev-er, be lone-ly an-y more. D7–[tacet] Because we’re

CHORUS

G D7 G D7 G Bells will ring, the-uh-uh sun will shine, wo – o – oh Am D7 Am D7 I’ll be his, and.. he’ll be mine G D7 G E7 We’ll love un – til, the end of time, Am D7 G And we’ll nev-er, be lone-ly an-y more. D7–[tacet] Because we’re

CHORUS + TAG LAST LINE

DUH ~ Dover Uke Heads

DA DOO RON RON ~Barry/Greenwich/Spector. The Crystals,1963.

[C] I met him on a Monday and my [F] heart stood still. Da [G7] doo ron ron ron, da [C] doo ron ron. Somebody told me that his [F] name was Bill. Da [G7] doo ron ron ron, da [C] doo ron ron.

Yes, my [F] heart stood still. [C] Yes, his [G7] name was Bill. [C] And when he [F] walked me home Da [G7] doo ron ron ron, da [C] doo ron ron.

I knew what he was thinkin’ when he [F] caught my eye. Da [G7] doo ron ron ron, da [C] doo ron ron. He looked so quiet but [F] my oh my. Da [G7] doo ron ron ron, da [C] doo ron ron.

Yes, he [F] caught my eye. [C] Yes, but [G7] my oh my. [C] And when he [F] walked me home Da [G7] doo ron ron ron, da [C] doo ron ron.

Well, he picked me up at seven and he [F] looked so fine. Da [G7] doo ron ron ron, da [C] doo ron ron. Someday soon I’m gonna [F] make him mine. Da [G7] doo ron ron ron, da [C] doo ron ron.

Yes, he [F] looked so fine. [C] Yes, gonna [G7] make him mine. [C] And when he [F] walked me home Da [G7] doo ron ron ron, da [C] doo ron ron.

Ending: Da [C] Doo Ron Ron Ron, Da [F] Doo Ron Ron, Da [G7] Doo Ron Ron Ron, Da [C] Doo Ron Ron!

Da [C] Doo Ron Ron Ron, Da [F] Doo Ron Ron, Da [G7] Doo Ron Ron Ron, Da [C] Doo Ron Ron!

DUH ~ Dover Uke Heads

DO YOU LOVE ME – The Contours, 1962 You broke my heart, ‘cause I couldn’t dance You didn’t even want me around And now I’m back, to let you know, I can really shake ‘em down [A] (Stop)

[A] Do you [D] love me? (I can [G] really [A] move) Do you [D] love me? (Now I’m [G] in the [A] groove) Ah do you [D] love me? ([G] Do you [A] love me) [G] Now….that [Gm] I…..can [A] da..[A7]..[A]…[A7]…ance (Stop) (watch me now)

[D] (work, work), Ah, [G] work it out [A] baby [D] (work, work), Well, you’re [G] driving me [A] crazy [D] (work, work), With a [G] little bit of [A] soul now - (Stop) > Tap on Uke < 2 sets

[D] I can mash-potato (I can [G] mash [A] potato), And I can [D] do the twist (I can [G] do the [A] twist) Now [D] tell me baby ( [G] tell me [A] baby) Mmm, do you [D] like it like this (Do you [G] like it like [A] this) [A] Tell me [A7] (tell me), [A] Tell me (Stop) do you [D] love me? ([G] Do you [A] love me) Now do you [D] love me? ([G] Do you [A] love me)

Now do you [D] love me? ([G] Do you [A] love me) [G] Now….that [Gm] I…..can [A] da..[A7]..[A]…[A7]…ance (Stop) (watch me now)

Oh [D] (work, work), Ah, [G] shake it up, [A] shake it up [D] (work, work), Ah, [G] shake ‘em down, [A] shake ‘em down [D] (work, work), With a [G] little bit of [A] soul now - (Stop) > Tap on Uke < 2 sets

OUTRO: Repeat and fade out….. Oh [D] (work, work), Ah, [G] shake it up, [A] shake it up [D] (work, work), Ah, [G] shake ‘em down, [A] shake ‘em down DUH ~ Dover Uke Heads

DREAM BABY (How Long Must I Dream) Roy Orbison, 1962.

G7 Sweet dream, baby. Sweet dream, baby. C7 G7 C Sweet dream, baby. How long must I dream?

G7 Dream baby, got me dreamin’ sweet dreams, the whole day through. Dream baby, got me dreamin’ sweet dreams, night-time, too. C7 I love you and I’m dreamin’ of you - that won’t do-oo-oo. G7 Dream baby, make me stop my dreamin’, C You can make my dreams come true!

G7 Sweet dream, baby. Sweet dream, baby. C7 G7 C Sweet dream, baby. How long must I dream?

G7 Sweet dream, baby. Sweet dream, baby.

Fade out…..

DUH ~ Dover Uke Heads

DREAM LOVER – Bobby Darrin

G Em Every night I hope and pray, a dream lover will come my way. G Em A girl to hold in my arms, and know the magic of her charms. G D7 G C Because I want a girl to call my own, I want a G Em Am D7 G D7 Dream lover, so I don't have to dream a-lone.

G Em Dream lover, where are you? With a love, oh, so true, G Em and a hand that I can hold, to feel you near when I grow old? G D7 G C Because I want a girl to call my own, I want a G Em Am D7 G G7 Dream lover, so I don't have to dream a-lone.

Bridge: C G Someday, I don't know how, I hope you'll hear my plea. A7 D7 Stop Someway, I don't know how,

She'll bring her love to me.

G Em Dream lover, until then, I'll go to sleep and dream again. G Em That's the only thing to do, until my lover's dreams come true.

G D7 G C Because I want a girl to call my own, I want a G Em Am D7 G Em Dream lover, so I don't have to dream a-lone. I want a

G Em Am D7 G Dream lover, so I don't have to dream a-lone.

DUH ~ Dover Uke Heads

THE GLORY OF LOVE – Peggy Lee, 1959. Words and music by Billy Hill, 1936.

You’ve got to

C G7 C F Fm Give a little, Take a little, and let your poor heart break a little; C G7 C G7 That’s the story of, that’s the glory of Lo-o-ve.

You’ve got to C G7 C F Fm Laugh a little, Cry a little, before the clouds roll by a little; C G7 C C7 That’s the story of, that’s the glory of Lo-o-ve.

Bridge: C7 F As long as there’s the two of us

C We’ve got the world and all it’s charms. Fm D7 ~ stop! And when the world is through with us – G7 We’ve got each other’s arms!

You’ve got to C G7 C F Fm Win a little, Lose a little and always have the Blues a little; C G7 C F That’s the story of, that’s the glory of Lo-o-ve. C G7 C- F- C That’s the story of, that’s the glory of Lo-o-ve.

DUH ~ Dover Uke Heads

HARVEST MOON – Neil Young, 1992

Intro: [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7]

[Em7] Come a little bit closer Hear what I have to [D] say [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7] [Em7] Just like children sleepin' We could dream this night a[D]way [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7]

[G] But there's a full moon risin' Let's go dancin' in the [D] light [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7] [G] We know where the music's playin' Let's go out and feel the [D] night [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7]

[A7sus4] Because I'm still in love with [A7] you I want to see you dance a-[A7sus4] gain

Because I'm still in love with [A7] you On this harvest [D] moon [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7] [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7]

[Em7] When we were strangers I watched you from a[D] far [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7]

[Em7] When we were lovers I loved you with all my [D] heart [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7]

[G] But now it's gettin' late And the moon is climbin' [D] high [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7] [G] I want to celebrate See it shinin' in your [D] eye [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7]

[A7sus4] Because I'm still in love with [A7] you I want to see you dance a[A7sus4]gain

Because I'm still in love with [A7] you On this harvest [D] moon [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7] ▪ [D] [D6] [Dmaj7]

DUH ~ Dover Uke Heads

I’LL FLY AWAY – C – Albert E. Brumley, 1929.

[C] Some bright morning when this life is [C7] over [F] I’ll Fly A-[C] way To that home on God’s celestial shore I’ll [G7] Fly A-[C] way

[C] I’ll Fly Away, oh [C7] glory [F] I’ll Fly A-[C] way, in the morning [C] When I die, Hallelujah by and by [G7] I’ll Fly A-[C]way

[C] When the shadows of this life have [C7] gone [F] I’ll Fly A-[C] way Like a bird, from these prison walls I’ll fly I’ll [G7] Fly A-[C] way

Chorus…

[C] Oh, how glad and happy when we [C7] meet [F] I’ll Fly A-[C] way No more cold iron shackles on my feet I’ll [G7] Fly A-[C] way

Chorus….

[C] Just a few more weary days and [C7] then [F] I’ll Fly A-[C] way To a land where joys will never end I’ll [G7] Fly A-[C] way

Chorus…

DUH ~ Dover Uke Heads

I’LL FLY AWAY – D – Albert E. Brumley, 1929.

[D] Some bright morning when this life is [D7] over [G] I’ll Fly A-[D] way To that home on God’s celestial shore I’ll [A7] Fly A-[D] way

I’ll Fly Away, oh [D7] glory [G] I’ll Fly A-[D] way, in the morning When I die, Hallelujah by and by I’ll [A7] Fly A-[D]way

[D] When the shadows of this life have [D7] gone [G] I’ll Fly A-[D] way Like a bird, from these prison walls I’ll fly I’ll [A7] Fly A-[D] way

Chorus…

[D] Oh, how glad and happy when we [D7] meet [G] I’ll Fly A-[D] way No more cold iron shackles on my feet I’ll [A7] Fly A-[D] way

Chorus….

[D] Just a few more weary days and [D7] then [G] I’ll Fly A-[D] way To a land where joys will never end I’ll [A7] Fly A-[D] way

Chorus…

DUH ~ Dover Uke Heads

I’M AN OLD COWHAND (From The Rio Grande) – Johnny Mercer

(First note = A string)

[Tacet] G6 A7 D I’m an old cow – hand____, from the Rio Grande, G6 A7 D but my legs ain’t bowed____, and my cheeks ain’t tanned. Bm7 F#m Bm7 I’m a cow-boy who never saw a cow; never roped a steer ‘cause F#m Bm7 F#m I don’t know how. And I sho’ ain’t fix-in to start in now. Em7 A7 D Em7 A7 D Yip – py – i – o – ki – ay, yip – py – i – o – ki – ay!

[Tacet] G6 A7 D I’m an old cow – hand____, from the Rio Grande, G6 A7 D and I learned to ride____, ‘fore I learned to stand. Bm7 F#m Bm7 I’m a rid – in’ fool who is up to date. I know ev–’ry trail in F#m Bm7 F#m the Lone Star state, ‘cause I ride the range in a Ford V–8. Em7 A7 D Em7 A7 D Yip – py – i – o – ki – ay, yip – py – i – o – ki – ay!

[Tacet] G6 A7 D I’m an old cow – hand____, from the Rio Grande, G6 A7 D and I come to town____, just to hear the band. Bm7 F#m Bm7 I know all the songs that the cow–boys know, ‘bout the big cor–ral F#m Bm7 F#m where the doag–ies go. ‘Cause I learned them all on the ra–di–o . Em7 A7 D Em7 A7 D Yip – py – i – o – ki – ay, yip – py – i – o – ki – ay!

[Tacet] G6 A7 D I’m an old cow – hand____, from the Rio Grande, G6 A7 D where the West is wild____, ‘round the bor–der–land Bm7 F#m Bm7 Where the buf–fa–lo roam a–round the zoo, and the In–dians make you F#m Bm7 F#m a rug or two, and the old Bar X is a Bar – B – Q. Em7 A7 D Em7 A7 D Em7 A7 D Yip – py – i – o – ki – ay! Yip – py – i – o – ki – ay! Yip – py – i – o – ki – ay!!!!

DUH ~ Dover Uke Heads

KANSAS CITY – Fats Domino Wilbert Harrison also had a hit with this one. Sounds good using a blues 'shuffle.'

C 1.I'm goin' to Kansas City, Kansas City here I come, C chord F C 3_3_3_3_3_3_3_3_3_3_3_3_3_3_3_3 I'm goin' to Kansas City, Kansas City, here I come. 0_0_0_0_0_0_0_0_0_0_0_0_0_0_0_0 G 0_0_0_0_0_0_0_0_0_0_0_0_0_0_0_0 They got some pretty little women there, 0_0_2_2_3_3_2_2_0_0_2_2_3_3_2_2 F C G-G7 D U D U D U D U D U D U D U D U And I'm gonna get me one. Emphasize all down strokes

C 2.I'm gonna be standin' on the corner, Twelfth Street and Vine. F chord F 0_0_0_0_0_0_0_0_0_0_0_0_0_0_0_0_ I'm gonna be standin' on the corner, 1_1_1_1_1_1_1_1_1_1_1_1_1_1_1_1_ C 0_0_2_2_3_3_2_2_0_0_2_2_3_3_2_2_ Twelfth Street and Vine. 2_2_2_2_2_2_2_2_2_2_2_2_2_2_2_2_ G D U D U D U D U D U D U D U D U With my Kansas City baby, Emphasize all down strokes F C G And a bottle of Kansas City wine.

C 3. Well, I might take a plane, I might take a train, G chord C7 2_2_2_2_2_2_2_2_2_2_2_2_2_2_2_2 But if I have to walk, I'm goin' there just the same. 3_3_3_3_3_3_3_3_3_3_3_3_3_3_3_3 F C 2_2_4_4_5_5_4_4_2_2_4_4_5_5_4_4 I'm goin' to Kansas City, Kansas City, here I come. 0_0_0_0_0_0_0_0_0_0_0_0_0_0_0_0 G D U D U D U D U D U D U D U D U They got some crazy little women there, Emphasize all down strokes F C G-G7 And I'm gonna get me some.

REPEAT VERSE 3.

Arrangement by Fearless Leader

DUH ~ Dover Uke Heads

LEAVING ON A JET PLANE – Words and Music by John Denver, 1966. C F C F All my bags are packed, I’m ready to go, I’m standing here outside your door, C Am Dm G7 I hate to wake you up to say good-bye. C F C F But the dawn is breaking, it’s early morn’. Taxi’s waiting, he’s blowing his horn. C Am Dm G7 Already I’m so lonesome I could cry.

CHORUS: C F C F So kiss me and smile for me, tell me that you’ll wait for me. C Am Dm G7 Hold me like you’ll never let me go. C F C F C Cause I’m leaving on a jet plane, don’t know when I’ll be back again. Am Dm G7 Oh, babe, I hate to go.

C F C F There’s so many times I’ve let you down, so many times I’ve played around. C Am Dm G7 I tell you now……they don’t mean a thing. C F C F Every place I go, I’ll think of you, every song I sing, I’ll sing for you. C Am Dm G7 When I come back I’ll wear your wedding ring……. CHORUS

C F C F Now the time has come to leave you, one more time, let me kiss you. C Am Dm G7 Then close your eyes, I’ll be on my way. C F C F Dream about the days to come, when I won’t have to leave alone, C Am Dm G7 about the times I won’t have to say…..

CHORUS

C F C F Ending: Leaving, on a jet plane, Leaving, on a jet plane…. DUH ~ Dover Uke Heads

LITTLE GRASS SHACK, G – B. Cogswell, Tommy Harrison, J. Noble, 1933

VAMP: A7 / / D7 / / G / / / / X2

G A7 I want to go back to my little grass shack in KE-A-LA-KE-KUAH, Hawaii D7 G I want to be with all the KAH-NEES and WA-HEE-NEES that I use to know. (so long ago) B7 E7 I can hear old guitars a-playing…… on the beach at HO--OH-NOW--NOW... A7 I can hear the Hawaiians saying..... D7 (break) "KOH--MO--MYEE NO KAH-OO--AH E--CAH--HAH--LE VAY-LA-KA-HOW"

G A7 It won't be long 'til my ship will be sailing….. back to KO--NA. D7 B7 A grand old place that's al-ways fair to see... (you’re telling me!) E7 I'm just a little Hawaiian and a home-sick Island boy, A7 Cm I want to go back to my fish and POY...

G A7 I wanna go back to my little grass shack in KE-A-LA-KE-KUAH, Hawaii D7 Where the HOO–MOO HOO–MOO, NOO-KOO NOO--KOO, AH POO AH AH goes G A7 swimming by…... A7 D7 Where the HOO–MOO HOO–MOO, NOO-KOO NOO--KOO, AH POO AH AH goes G swimming by…...

ENDING VAMP: A7 / / D7 / / G / / /

DUH ~ Dover Uke Heads

MAIRI’S WEDDING - Scottish Folk Song, J.R. Bannerman, 1934. Translated to English in 1951 by Sir Hugh Stevenson Robertson, who published “Songs of the Isles”.

CHORUS [C] Step we gaily on we go [F] Heel for heel and [G] toe for toe [C] Arm in arm and row and row [F] All for Mairi's [G] wedding

[C] Over hillways, up and down, [F] Myrtle green and [G] bracken brown, [C] Past the sheilings through the town [F] All for the sake of [G] Mairi.

CHORUS [C] Step we gaily on we go [F] Heel for heel and [G] toe for toe [C] Arm in arm and row and row [F] All for Mairi's [G] wedding

[C] Red her cheeks as Rowan's are, [F] Bright her eyes as [G] any star. [C] Fairest of them all by far, [F] Is our darlin' [G] Mairie [G] x 4 beats [D] x 4 beats

CHORUS (KEY CHANGE) [D] Step we gaily on we go, [G] Heel for heel and [A7] toe for toe, [D] Arm and arm and row and row, [G] All for Mairi's [A7] wedding.

[D] Plenty herring, plenty meal, [G] Plenty peat to [A7] fill her kreel. [D] Plenty bonnie bairns as well, [G] That's the toast for [A7] Mairi.

CHORUS (x2) [D] Step we gaily on we go, [G] Heel for heel and [A7] toe for toe, [D] Arm and arm and row and row, (slow down for 2nd time) [G] All for Mairi's [A7] wedding. (End on D chord)

Arrangement by Pete and Lisa

DUH ~ Dover Uke Heads

MAN! I FEEL LIKE A WOMAN – Shania Twain

Intro = KAZOOS (play A throughout) “Let’s Go, Girls!”

A D - A I'm going out tonight, I'm feelin' alright, gonna let it all hang out. A D - A

Wanna make some noise, really raise my voice. Yeah, I wanna scream and shout. KAZOOS____Pause Aaaah! A D – A No inhibitions, make no conditions, get a little outta line. A D - A Ain't gonna act, politically correct. I only wanna have a good ti-i-ime. G A Bm The best thing about being a woman, is the prerogative to have a little fun, and...

CHORUS: E Oh, oh, oh! Go totally crazy! Forget I'm a lady! Men's shirts, short skirts - C#m7 A E Oh, oh, oh, really go wild, yeah! Doin' it in style. Oh, oh, oh, get in the action! Feel the attraction! Color my hair - do what I dare! C#m7 A F#m Oh, oh, oh, I wanna be free, yeah, to feel the way I feel, - -

[spoken] Man! I feel like a woman!

KAZOOS twice

A D - A The girls need a break - tonight we're gonna take, the chance to get out on the town. A D - A We don't need romance - we only wanna dance. We're gonna let our hair hang down. G A Bm The best thing about being a woman, is the prerogative to have a little fun, and... CHORUS X 2 G A Bm The best thing about being a woman, is the prerogative to have a little fun – Fun!

CHORUS with Ending: with KAZOOS repeated D A Man! I feel like a woman! Arrangement by Cat and Peter. DUH ~ Dover Uke Heads

MEMORIES ARE MADE OF THIS – Dean Martin

Background: F C7 Sweet, sweet! The memories you give to me

F C7 F C7 Take one fresh and tender kiss F C7 F C7 Add one stolen night of bliss Bb F C7 F One girl, one boy: some grief, some joy. F C7 F C7 Memo-ries are made of this.

F C7 F C7 Don't for-get a small moon-beam. F C7 F C7 Fold in lightly with a dream. Bb F C7 F Your lips, and mine, two sips of wine. F C7 F C7 Memo-ries are made of this.

Bb F Then add the wedding bells, one house where lovers dwell, C7 F F7 three little kids, for the fla-vor. Bb F Stir carefully through the days, see how the flavor stays. G7 C C7 These are the dreams you will sa-vor.

F C7 F C7 F C7 F With His blessings from a-bove, serve it generously with love. Bb F C7 F One man, one wife, one love, through life. F C7 F C7 F C7 F C7 F Memo-ries are made of this. Memo-ries are made of this.

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MOONLIGHT BAY – Doris Day & Gordon MacRae Original score by Edward Madden and Percy Wenrich

Verse 1: N.C. C F C

We were sailing a-long, on Moonlight Bay G7 C We could hear the voices ringing, they seemed to say C F C You have stolen my heart, now don’t go ‘way Dm G7 C ∕ ∕ F ∕ ∕ C As we sang Love’s Old Sweet Song on Moonlight Bay

Verse 2 (*and 3): N.C. C We were sailing a-long (we were sailing along…) F C on Moonlight Bay (on Moonlight Bay…) G7 C We could hear the voices ring-ing, they seemed to say N.C. C You have stolen my heart (you have stolen my heart….) F C Now don’t go ‘way (now don’t go way…) Dm G7 C ∕ ∕ F ∕ ∕ C As we sang Love’s Old Sweet Song on Moonlight Bay

Verse 3: *Repeat Second Verse

Ending: slower Dm G7 C ∕ ∕ F ∕ ∕ C ∕* As we sang Love’s Old Sweet Song on Moonlight Bay

*Can put a tremolo on the last C for a nice fade-out effect.

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ON A COCONUT ISLAND – Louis Armstrong & The Polynesians - 1936 Written by R. Alex Anderson

INTRO: G7, C7, F Twice, Strum C7 once and let it ring!

[Tacet] F C7 On a Coconut Island, I'd like to be a castaway with you C7 F On a Coconut Island, there wouldn't be so very much to do F C7 I would linger a while and, just gaze into your lovely eyes so blue C7 F Then I'd walk for a mile and, come running back to be with you

CHORUS: [Tacet] C7 And then the waves would make a pair of willing slaves of you and me F for - e - ver [Tacet] C7 And then we'd laze for days and days and never gaze out where the F ships go sail-ing by

[Tacet] F C7 On a Coconut Island, I'd like to be a castaway with you C7 F Just to bask in your smile and, to realize my dream’s come true

1st TIME: Repeat from the top “On a Coconut...”

2nd TIME: C7 F On a Coconut Island, where we can make our dreams come true!

End with: G7 / / C7 / / F-C-F

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ON THE BEACH AT WAIKIKI – Words by G. H. Stover; Music by Henry Kailimai, 1915

INTRO: C//// G# //// C ////

C G# C A7 “Honika u-a wiki wiki” A7 D7 Sweet brown maiden said to me G7 As she gave me language lessons C G# C On the beach at Wai-kiki C G# C A7 “Honika u-a wiki wiki, C G# C A7 A7 D7 “Honika u-a wiki wiki” You have learned it perfectly. A7 D7 G7 She re-peated playfully Don't for-get what I have taught you,” G7 C G# C Oh those lips were so inviting Said the maid at Wai-kiki. C G# C

On the beach at Wai-kiki

C G# C A7 “Honika u-a wiki wiki” A7 D7 She then said and smiled in glee G7 But she would not translate for me C G# C On the beach at Wai-kiki

C G# C A7 “Honika u-a wiki wiki” A7 D7 She was surely teasing me G7 So I caught that maid and kissed her C G# C On the beach at Wai-kiki

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OH DANNY BOY - Irish Folk Song by Frederick Weatherly, 1913.

4/4, very slowly

G7 C C7 F Oh, Danny Boy, the pipes, the pipes, are calling G7 C Am F From glen to glen, and down the mountain-side. G7 C C7 F The summer’s gone, and all the flowers are dying.

(F7) C G7 C It’s you, it’s you must go, and I must ‘bide.

G7 Am F C But come Ye back when summer’s in the meadow, G7 Am F G7 or when the Valley’s hushed and white with snow. G7 C F C F ‘Tis I’ll be there in sunshine or in shadow. F C F / / G7 C Oh, Danny Boy! Oh, Danny Boy, I love you so.

And if you come, and all the flowers are dying If I am dead, as dead I well may be I pray you'll find the place where I am lying And kneel and say an "Ave" there for me.

And I shall hear, though soft you tread above me And all my grave will warm and sweeter be And then you'll kneel and whisper that you love me And I shall sleep in peace until you come to me.

or I'll simply sleep in peace until you come to me. or And I shall rest in peace until you come to me. or Oh, Danny boy, oh, Danny boy, I love you so.

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Strum pattern: Lilting D Roll uDuDu

Intro: G G7 C C D7 D7 G D7

Chorus: G Pearly shells, from the ocean. G7 C A7 D7 Shining in the sun, covering the sho-o-re. G G7 C Cm When I see them, my heart tells me that I love you G D7 G *More than all, the lit-tle pearly shells.

Verse: D7 G For ev-’ry grain of sand, up-on the beach, I’ve got a kiss for you D7 And I’ve got more left o-ver for each star A7 D7 That twinkles in the blue. Pearly….

Repeat from Top

*Last line for second verse: G D7 G A7 More than all, the lit-tle pearly shells. G D7 C G More than all, the lit-tle pearly shells.

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QUE SERA, SERA – Doris Day Words and music by Jay Livingston and Ray Evans, 1955

Waltz Tempo INTRO VAMP: C Cmaj5 C6 Cmaj5 C Cmaj5 C6 Cmaj5

1. When I was [C] just a [Cmaj7] lit-tle [C6] girl, [Cmaj7] I asked my [C] mother, [Gdim] “What will I [Dm] be? [G7] [Dm] Will I be [G7] pretty? [Dm] Will I be [G7] rich?” [Dm] Here’s what she [G7] said to [C] me:

CHORUS: [C7] Que se-[F]ra, sera. What-ever will [C] be, will be. The future’s not [G7] ours to see. Que sera, se-[C]ra. [G7] What will be, will [C] be.

2.When I was [C] just a [Cmaj7] child in [C6] school, [Cmaj7] I asked my [C] teacher, [Gdim] “What should I [Dm] try? [G7] [Dm]Should I paint [G7] pictures? [Dm] Should I sing [G7] songs?” [Dm] This was her [G7] wise re-[C]ply:

CHORUS

3.When I grew [C] up and [Cmaj7] fell in [C6] love, [Cmaj7] I asked my [C] sweet-heart, [Gdim] “What lies a-[Dm]head?” [G7] [Dm] Will we have [G7] rainbows, [Dm] day after [G7] day?” [Dm] Here’s what my [G7] sweet-heart [C] said:

CHORUS

4.Now I have [C] children [Cmaj7] of my [C6] own. [Cmaj7] They ask their [C] mother, [Gdim] “What will I [Dm] be? [G7] [Dm] Will I be [G7] pretty? [Dm] Will I be [G7] rich?” [Dm] I tell them [G7] ten-der-[C]ly:

CHORUS + Ending Line: [Dm] Que se-[G7]ra, se-[C]ra!

DUH ~ Dover Uke Heads

RED RIVER VALLEY – Roy Rogers Also used in the movie, The Grapes of Wrath (1940).

C G7 C From this valley they say you are going. G7 We will miss your bright eyes and sweet smile. C C7 F For they say you are taking the sunshine G7 C That has brightened our path-way awhile.

CHORUS C G7 C Come and sit by my side if you love me. G7 Do not hasten to bid me adieu, C C7 F But re-member the Red River Valley G7 C And the {cowboy} who loves you so true. {cowgirl}

Won't you think of the valley you're leaving. Oh, how lonely and sad it will be. Just think of the fond heart you're breaking, and the grief you are causing to me. - Chorus

I have promised you, darling, that never will a word from my lips cause you pain. And my life, it will be yours forever, if you only will love me again. - Chorus

They will bury me where you have wandered, near the hills where the daffodils grow, when you're gone from the Red River Valley, for I can't live without you I know. - Chorus Arrangement found in the Canadian Girl Guides Campfire Songbook.

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RETURN TO SENDER – ELVIS

INTRO: Swing Rhythm [C] [Am] [Dm] [G7] [C] Return to [Am] sender, [Dm] return to [G7] sender

[C] I gave a letter to the [Am] postman

He [Dm] put it in his [G7] sack [C] Bright and early next [Am] morning He [Dm] brought my [G7] letter [C] back [stop]

[Tacet] She wrote upon it

[F] Return to [G7] sender… [F] Address [G7] unknown [F] No such [G7] number…. [C] No such zone [F] We had a [G7] quarrel…. [F] A lover’s [G7] spat [D7] I write “I’m sorry”, but my letter keeps coming [G7] back!

[C] So then I dropped it in the [Am] mailbox And [Dm] sent it Special [G7] “D” [C] Bright and early next [Am] morning It [Dm] came right [G7] back to [C] me [stop]

[Tacet] She wrote upon it

[F] Return to [G7] sender… [F] Address [G7] unknown [F] No such [G7] number…. [C] No such zone [C7] [F] This time, I’m gonna take it myself [C] And put it right in her hand [D7] And if it comes back, the very next day [G7] Then I’ll understand [stop]

[Tacet] The writing on it

[F] Return to [G7] sender… [F] Address [G7] unknown [F] No such [G7] number…. [C] No such zone [F] We had a [G7] quarrel…. [F] A lover’s [G7] spat [F] Return to [G7] sender…. [C] [stop] (Whisper loudly) ADDRESS UNKNOWN!

DUH ~ Dover Uke Heads

ROCK AROUND THE CLOCK TONIGHT Bill Haley & the Comets

A One, Two, Three O’clock, Four O’clock rock Five, Six, Seven O’clock Eight O’clock rock Nine, Ten, Eleven O’clock, Twelve O’clock rock E7 We’re gonna rock around the clock tonight A Put your glad rags on and join me hon A7 We’ll have some fun when the clock strikes one D7 We’re gonna rock around the clock tonight A We’re gonna rock, rock, rock ‘til broad daylight E7 D7 A E7 We’re gonna, rock, gonna rock a-round the clock to-night /// ////

A When the clock strikes two and three and four, A7 If the band slows down we’ll yell for more, D7 We’re gonna rock around the clock tonight A We’re gonna rock, rock, rock ‘til broad daylight E7 D7 A E7 We’re gonna rock, gonna rock a-round the clock to-night /// ////

(pause at the commas) A A7 Ba ba ba, ba ba ba-dadada, Ba ba ba, ba ba ba-dadada D7 A Ba ba ba, ba ba ba-dadada, Ba ba ba, ba ba ba-dadada E7 D7 A E7 Ba ba ba, ba ba ba-dadada, Ba ba ba, ba ba ba-dadada

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ROCK AROUND THE CLOCK Second page A When the clock chimes ring five, six and seven, A7 We’ll be rockin’ up in seventh heaven D7 We’re gonna rock around the clock tonight A We’re gonna rock, rock, rock ‘til broad daylight E7 D7 A E7 We’re gonna rock, gonna rock a-round the clock to-night /// ////

A When it’s eight, nine, ten, eleven too, A7 I’ll be goin’ strong and so will you D7 We’re gonna rock around the clock tonight A We’re gonna rock, rock, rock ‘til broad daylight E7 D7 A E7 We’re gonna rock, gonna rock a-round the clock to-night /// ////

A A7 Ba ba ba, ba ba ba-dadada, Ba ba ba, ba ba ba-dadada D7 A Ba ba ba, ba ba ba-dadada, Ba ba ba, ba ba ba-dadada E7 D7 A E7 Ba ba ba, ba ba ba-dadada, Ba ba ba, ba ba ba-dadada

A When the clock strikes 12 we’ll cool off then, A7 Start a rockin’ round the clock again D7 We’re gonna rock around the clock tonight A We’re gonna rock, rock, rock ‘til broad daylight E7 D7 A E7 We’re gonna rock, gonna rock a-round the clock to-night /// ////

DUH ~ Dover Uke Heads

ROLL OUT THOSE LAZY HAZY CRAZY DAYS OF SUMMER

G Gdim D7 G A7 Roll… out… those….Lazy, hazy, crazy days of summer D7 Am G – [stop] Those days of soda, and pretzels, and beer [Tacet] G A7 Roll… out… those….Lazy, hazy, crazy days of summer D7 G Dust off the sun and moon and sing a song of cheer

B7 Just fill your basket full of sandwiches and weenies, Em then lock the house up, now you’re set. A7 Em7 A7 And on the beach you’ll see the girls in their bikinis – D7 – [stop] As cute as ever but they never get them wet!

[Tacet] G A7 Roll… out… those….Lazy, hazy, crazy days of summer D7 Am G – [stop] Those days of soda, and pretzels, and beer [Tacet] G A7 Roll… out… those….Lazy, hazy, crazy days of summer D7 G You’ll wish that summer could always be here!

Bm7 Don’t have to tell a girl and feller ‘bout a drive-in, Em or some romantic, movie scene. A7 Em7 A7 Why from the moment that those lovers start arrivin’, D7 – [stop] You’ll see more kissing in the cars than on the screen!

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ROLL OUT THOSE LAZY HAZY CRAZY DAYS OF SUMMER – page 2

Bm7 And there’s the good old-fashioned picnic and they still go, Em Always will go, any time. A7 Em7 A7 And there will always be a moment that can thrill so, D7 – [stop] [Tacet] Like when the Old Quartet sings out Sweet Adeline – “Sweet Ad–el–ine….!”

A7 D7 G Em You’ll wish that summer could always be here!

A7 D7 G You’ll wish that summer could always be here!

DUH ~ Dover Uke Heads

SIDE BY SIDE – Traditional Barbershop Quartet Words and music by Harry Woods, 1927

INTRO: F / / G7 / / C / / / / Twice

C F C Oh! We ain’t got a barrel of mon-ey F C Maybe we’re ragged and fun-ny F C A7 But we’ll travel along, singing a song D7 G7 C Side__ by __side!

C F C Don’t know what’s comin’ to-morr-ow F C Maybe it’s trouble and sor-row; F C A7 But we’ll travel the road, sharing the load

D7 G7 C Side__by __side!

BRIDGE: E7 A7 Through all kinds of weather, what if the sky should fall? D7 G7-stop [tacet] G7 Just as long as we’re together – it doesn’t matter at all!

C F C When they’ve all had their quarrels and part-ed, F C We’ll be the same as we start-ed. F C A7 D7 G7 C Just trav’lin’ along, singing a song, Side__ by___ side!

D7 G7 C Slower Side__by___ side!

D7 G7 C / / / / G7 / C / Slowest Side_____ by_____ side!!!

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SUDBURY SATURDAY NIGHT – Stompin’ Tom Connors

CHORUS: The [C] girls are out to bingo, And the [F] boys are gettin’ stinko, And we [C] think no more of Inco on a Sudbury Saturday [G7] night [G7]

The [C] glasses they will tinkle when Our [F] eyes begin to twinkle and We’ll [C] think no more of Inco on a [G7] Sudbury Saturday [C] night [C] INCO

With [C] Irish Jim O’Connell there and [F] Scotty Jack MacDonald There’s [C] honky Frederick Hurchell gettin’ [G7] tight, but that’s alright There’s [C] happy German Fritzy there with [F] Frenchy getting tipsy And [C] even Joe the Gypsy knows she’s [G7] Saturday to-[C]night [C]

Now when [C] Mary Ann and Mable come to [F] join us at the table, And [C] tell us how the bingo went to-[G7]night, we’ll look a fright But [C] if they won the money, we’ll be [F] lappin’ up the honey, boys, ‘Cause [C] everything is funny, for she’s [G7] Saturday to-[C]night [C]

Repeat CHORUS

We’ll [C] drink the loot we borrowed and re-[F]cuperate tomorrow Cause [C] everything is wonderful to-[G7]night, we had a good fight We [C] ate the deli pickle and we for-[F]got about the nickel And [C] everybody’s tickled, for she’s [G7] Saturday to-[C]night [C]

The [C] songs that we’ll be singing, might be [F] wrong but they’ll be ringing When [C] all the lights of town are shining [G7] bright, and we’re all tight We’ll [C] get to work on Monday, but to-[F]morrow’s only Sunday And we’re [C] out to have a fun day for she’s [G7] Saturday to-[C]night. Yeah…

Repeat CHORUS and end with:

We’ll [F] think no more of [C] Inco on a [G7] Sudbury saturday [C] night!

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TINY BUBBLES by Don Ho, 1966

C Melody only Intro: With a feelin’ that I'm gonna, G7 C- F - C Love you till the end of time.

Chorus: C Tiny Bubbles (Tiny Bubbles), G7 In the wine. (In the wine.)

Make me happy. (Make me happy.) C Make me feel fine. (Make me feel fine)

Tiny Bubbles (Tiny bubbles), C7 F Fm Make me warm all over, C With a feelin’ that I'm gonna, G7 C C7 Love you till the end of time.

Verse 1: F C So here's to that golden moon, and here's to the silver sea, D7 G7 / / / / / And mostly here's a toast, to you and me. Chorus

Verse 2: F C So, here's to that ginger lei, I give to you today D7 G7 / / / / / And here's a kiss that will not fade a-way. Chorus, then End

End: C G7 C(5) With a feelin’ that I'm gonna, Love you till the end of time.

DUH ~ Dover Uke Heads

UKULELE LADY in C Words and music by Gus Kahn and Richard Whiting

INTRO D7 / / G7 / / C / / / / , D7 / / G7 / / C / / / /

[C]I saw the splendor of the moonlight On Hona-[Adim]lu-[G7]lu [C]Bay. [C]There’s something tender in the moonlight Although I’m [Adim]far a-[G7]way.

And all the [Am] beaches, are full of peaches who [Em] bring their “ukes” a-[C]long. [C]And in the glimmer of the moonlight They love to [Adim] sing this [G7] song:

*If [C]you [Em] like-a [Am] Ukulele [G7] Lady, [C] Ukulele [Em]Lady like-a [Am] you If [Dm] you [G7] like to [Dm] linger where it's [G7] shady, [Dm] Ukulele [G7] Lady linger [C] too.

[C] If you [Em] kiss a [Am]Ukulele [G7] Lady, [C] while you promise [Em] ever to be [Am] true [C], and [Dm] she [G7] see a-[Dm]nother Uku-[G7]lele [Dm]Lady fool a-[G7]round with [C] you [C7].

[F] Maybe she'll sigh (an aweful lot) [C] Maybe she'll cry (and maybe not) [D7] Maybe she'll find somebody else, [G]bye and [G7]bye, To [C] sing [Em] to, [Am] when it's cool and [G7] shady [C]Where the tricky [Em] wicky wacky [Am ]woo [C] If [Dm] you [G7] like a [Dm] Ukulele [G7] Lady, [Dm] Ukulele [G7] Lady like-a [C]you….*

[C] She used to sing to me by moon light, on Hona-[Adim]lu-[G7]lu [C]Bay. Fond mem’ries cling to me by moon light, although I’m [Adim]far a-[G7]way. [Am] Some day I’m going, where eyes are glowing [Em] and lips are made to [C] kiss, To see somebody in the moon light, and hear the [Adim] song I [G7]miss: Repeat from * to *

Ending: slowing down [C]I used to linger in the moonlight, on Hona-[Adim]lu- [G7]lu [C]Bay…

DUH ~ Dover Uke Heads

UKULELE LADY– EASY VERSION IN C – by Gus Kahn and Richard A. Whiting.

INTRO: D7 ∕ ∕ G7 ∕ ∕ C ∕ ∕ ∕ ∕, D7 ∕ ∕ G7 ∕ ∕ C ∕ ∕ ∕ ∕ ∕

C D7 ∕ ∕ G7 ∕ ∕ C ∕ ∕ ∕ ∕ I saw the splendor of the moon-light, on Hono- lu- lu Bay. C D7 ∕ ∕ G7 ∕ ∕ C ∕ ∕ ∕ ∕ There’s something tender in the moon-light, on Hono- lu- lu Bay. Am G7 C And all the beaches, were full of peaches, who bring their “ukes” a-long. C D7 G7 And in the glimmer of the moon-light, they love to sing this song:

CHORUS: C If you like a Ukulele Lady, Ukulele Lady like-a you G7 C If you like to linger where it’s shady, Ukulele Lady linger too C If you kiss a Ukulele Lady, while you promise ever to be true G7 C ∕ ∕ C7 ∕ ∕ And she see another Ukulele Lady fool around with you F May___be she’ll sigh (an aweful lot) C May___be she’ll cry (and maybe not) D7 G G7 Maybe she’ll find somebody else, bye… and bye…! C To sing to, when it’s cool and shady, where the tricky wicki-wackies woo G7 C If you like a Ukulele Lady, Ukulele Lady like-a you

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UKULELE LADY – page 2

C D7 ∕ ∕ G7 ∕ ∕ C ∕ ∕ ∕ ∕ She used to sing to me by moon-light, on Hono- lu- lu Bay. C D7 ∕ ∕ G7 ∕ ∕ C ∕ ∕ ∕ ∕ Fond mem’ries cling to me by moon-light, although I’m far a- way. Am G7 C Someday I’m going, where eyes are glowing, and lips are made to kiss. C D7 G7 To see somebody in the moon-light, and hear the song I miss:

ENDING – slow it down: N.C. C D7 ∕ ∕ G7 ∕ ∕ C ∕ I used to linger in the moon-light, on Hono- lu- lu Bay…….

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UNDER THE BOARDWALK – the Drifters Strum: D Du uDu N.C. = No chording C Oh when the sun beats down G7 and burns the tar up on the roof. And your shoes get so hot C C7 you wish your tired feet were fire-proof. F C Under the Boardwalk, down by the sea… yeah

G7 C On a blanket with my bay-bee, that’s where I’ll be.

(2 deliberate Down strums) Am / / N.C. G / / N.C. Under the Boardwalk, out of the sun Under the Boardwalk, we’ll be havin’ some fun, Am / / N.C. Under the Boardwalk, people walkin’ above, G / / N.C. Am / / Am / / N.C. Under the Boardwalk, we’ll be fallin’ in love, Under the Board-walk, Board-walk!

C G7 From the park you hear the happy sound of a carou-sel. Chorus: Men sing C C7 bolded words; Women You can almost taste the hot dogs and French fries they sell. sing the unbolded; and F C All sing the last bolded Under the Boardwalk, down by the sea… yeah part together. G7 C On a blanket with my bay-bee, that’s where I’ll be.

Am / / N.C. Under the Boardwalk, out of the sun, G / / N.C. Under the Boardwalk, we’ll be havin’ some fun, Am / / N.C. Under the Boardwalk, people walkin’ above G / / N.C. Under the Boardwalk, we’ll be fallin’ in love, Am / / Am / / [STOP] Under the Boardwalk, Boardwalk.

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UP ON THE ROOF – Gerry Goffin and Carole King. The Drifters, 1962.

D Bm7 When this old world starts a-getting me down G Em7 D Bm7 and people are just too much for me to face. D Bm7 I'll climb way up to the top of the stairs G Em7 D Bm7 and all my cares just drift right into space. G Gmaj7 G6 Gmaj7 On the roof, it's peaceful as can be, D Bm7 G A7-1 stop and there the world below don't bother me.

N.C. D Bm7 Let me tell you now when I come home feeling tired and beat, G Em7 D Bm7 I'll go up where the air is fresh and sweet. D Bm7 I'll get far away from the hustling crowd

G Em7 D Bm7 and all that rat-race noise down in the street. G Gmaj7 G6 Gmaj7 On the roof, (that's) the on-ly place I know D Bm7 G A7 – Em7 D where you just have to wish to make it so, up on the roof.

Instrumental: Bm7 G Em7 D Bm7

G Gmaj7 G6 Gmaj7 At night the stars put on a show for free D Bm7 G A7-1 stop and, darling, you can share it all with me. N.C. D Bm7 I keep a tellin' you right smack dab in the middle of town, G Em7 D Bm7 I found a para-dise that's trouble proof. D Bm7 And if this world starts getting you down, G Em7 D there's room enough for two, up on the roof…… Bm7 Em7 A7-1 N.C. Bm7(one long strum) Up on the roof……..Up on the roof…… Up on the roof….. DUH ~ Dover Uke Heads

WHAT A WONDERFUL WORLD THIS WOULD BE (Don’t Know Much song) – Sam Cooke

[C] Don’t know much about [Am] history [F] Don’t know much bi-[G7]ology [C] Don’t know much about a [Am] science book [F] Don’t know much about the [G7] French I took [C] But I do know that [F] I love you [C] And I know that if you [F] love me too What a [C] wonderful [G7] world this would [C] be

[C] Don’t know much about ge-[Am]ography [F] Don’t know much trigon-[G7]-ometry [C] Don’t know much about [Am] algebra [F] Don’t know what a slide [G7] rule is for [C] But I do know one and [F] one is two [C] And if this one could [F] be with you What a [C] wonderful [G7] world this would [C] be

Bridge: [F] Now I don’t claim to [C] be an ‘A’ student, [G7] but I’m trying to [C] be, for [D7] maybe by being an “A” Student baby, [G7] I could win your love for me.

[C] Don’t know much about the [Am] Middle Ages [F] Looked at the pictures and I [G7] turned the pages [C] Don’t know nothin’ ‘bout no [Am] rise and fall [F] Don’t know nothin’ ‘bout [G7] nothin’ at all [C] But I do know that [F] I love you [C] And I know that if you [F] loved me too What a [C] wonderful [G7] world this would [C] be What a [C] wonderful [G7] world this would [C] be What a [C] wonderful [G7] world this would [C] be

DUH ~ Dover Uke Heads

WHEN IRISH EYES ARE SMILING – by C. Olcott & Geo. Graff Jr, 1912. ¾ Time

CHORUS: C G7 C C7 F C When Irish eyes are smiling, sure it’s like a morn in spring. F C A7 D7 G7 In the lilt of Irish laughter, you can hear the angels sing. C G7 C C7 F C When Irish hearts are happy, all the world seems bright and gay. F C A7 D7 G7 C And when Irish eyes are smiling, sure, they steal your heart away!

Verses: C G7 C G7 There’s a tear in your eye and I’m wondering why C G For it never should be there at all….. G7 C A7 With such power in your smile, sure a stone you’d beguile D7 G7 So there’s never a teardrop should fall. C G7 C G7 When your sweet lilting laughter’s like some fairy song

C C7 F And your eyes twinkle bright as can be….. D7 G You should laugh all the while, and all other times smile D7 G G7 And now smile a smile for me.

For your smile is a part of the love in your heart, and it makes even sunshine more bright. Like the linnet's sweet song, crooning all the day long, comes your laughter so tender and light. For the springtime of life is the best time of all, With never a pain or regret. While the springtime is ours, thru all of life's hours, Let us smile each chance we get.

Traditional tribute to Irish Americans and Canadians. DUH ~ Dover Uke Heads

WHEN THE RED, RED ROBIN COMES BOB, BOB BOBBIN’ ALONG Harry Wood, 1926. Recorded by: Louis Armstrong, Doris Day, Bing Crosby, Dion and the Belmonts, Dean Martin, Al Jolson, Mel Tormé, to name just a few.

Intro: C G7 C

C When the Red, Red Robin comes G7 C bob-bob-bobbin’ a-long, along C There’ll be no more sobbin’ G7 C C7 When he starts throbbin’ his old, sweet song

F Fm Wake up, wake up you sleepy head C Am Get up, get up, get out of bed D7 Cheer up, cheer up, the sun is red. G7 [stop] Gdim [stop] Dm G7 Live, love, laugh and be happy!

C G7 C What if I’ve been blue? Now I’m walking through fields of flowers. C G7 C C+ or C7 Rain may glisten but still I’ll listen for hours and hours.

F Fm I’m just a kid again, doing what I did again C Adim Singing a song C G7 C When the Red, Red Robin comes bob-bob-bobbin’ a-long

REPEAT from the Top

Ending: C G7 C When the Red, Red Robin comes bob-bob-bobbin’ a-long

DUH ~ Dover Uke Heads