SUMMER 2017 EXHIBITIONS 1

OPENING AT THE GETTY CENTER Golden Kingdoms: Luxury and Legacy Recent investigation into the historical, cultural, social, and political conditions under which such works were produced in the Ancient Americas and circulated has led to new ways of thinking about Golden Kingdoms, a major international loan exhibition materials, luxury, and the visual arts from a global perspective. featuring more than 250 masterpieces, traces the development of luxury arts in the Americas from about 1000 September 16, 2017–January 28, 2018 BC to the arrival of Europeans in the early sixteenth century. Museum, Exhibitions Pavilion

Pacific Standard Time: LA/LA is a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with . Led by the Getty, Pacific Standard Time: LA/LA is the latest collaborative effort from arts institutions across Southern . Supported by grants from the Getty Foundation, the initiative involves more than 70 cultural institutions from Los Angeles to Palm Springs to Santa Barbara.

To learn more, visit www.pacificstandardtime.org.

Presenting Sponsors

Nose Ornament with Spiders (detail), Salinar culture, Peru, 100 BC–AD 200. The Metropolitan Museum of Art, The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979 (1979.206.1172). Image © The Metropolitan Museum of Art Photography in Argentina, 1850–2010: Making Art Concrete: Works from Contradiction and Continuity Argentina and Brazil in the Colección From its independence in 1810 until the economic crisis of Patricia Phelps de Cisneros 2001, Argentina has been perceived as a modern country with Combining art historical and scientific analysis, experts a powerful economic system, a massive European immigrant from the Getty Conservation Institute and Getty Research population, an especially strong middle class, and an almost Institute have collaborated with the Colección Patricia Phelps nonexistent indigenous culture. This idea of a homogenous de Cisneros, to examine the formal strategies and material and progressive society underlines the difference between choices of avant-garde painters and sculptors in Argentina Argentina and its neighbors. Comprising three hundred works and Brazil associated with the concrete art movement. These by sixty artists, this exhibition examines crucial periods and works of geometric abstraction, created between 1946 and aesthetic movements in which photography had a critical 1962, are presented alongside information on how the artists role, producing—and, at times, dismantling—national pioneered new techniques and materials. constructions, utopian visions, and avant-garde artistic trends. Avenue de Mayo from “Travel albums from Paul Fleury’s trips to Switzerland, September 16, 2017–February 11, 2018 the Middle East, India, Asia, and South America,” 1914, Argentina. Gelatin September 16, 2017–January 28, 2018 Museum, West Pavilion silver print. The Getty Research Institute, 91.R.5 Museum, Center for Photographs, West Pavilion The Metropolis in Latin America, 1830–1930 Over the course of a century of rapid urban growth, sociopolitical upheavals and cultural transitions reshaped the architectural landscapes of major cities in Latin America. Focusing on six capitals—Buenos Aires, Havana, Lima, Mexico City, Rio de Janeiro, and Santiago de Chile—the exhibition presents the colonial city as a terrain shaped by Iberian urban regulations, and the republican city as an arena of negotiation of previously imposed and newly imported models, which were later challenged by waves of local revivals. Photographs, prints, plans, and maps depict the urban impact of key societal and economic transformations, including the emergence of a bourgeois elite, extensive infrastructure projects, rapid industrialization, and commercialization.

September 16, 2017–January 7, 2018 Objeto ativo (cubo vermelho/branco), 1962, Willys de Castro. Oil on canvas Getty Research Institute, Galleries I and II Malambistas I (Malambo Dancers I) for Revista Barzón (Barzón Magazine), on plywood, 25 x 25 x 25 cm. Colección Patricia Phelps de Cisneros. 2014; print 2016, Gustavo Di Mario. Chromogenic print. Courtesy of and Promised gift to the Museum of Modern Art through the Latin American and © Gustavo Di Mario Caribbean Fund in honor of Tomás Orinoco Griffin-Cisneros 2 EXHIBITIONS 3

ON VIEW AT THE GETTY CENTER Berlin/Los Angeles: Space for Music In Focus: Through July 30, 2017 Jane and Louise Wilson’s Sealander Getty Research Institute, Gallery II Through July 2, 2017 Museum, Center for Photographs, West Pavilion

Concrete Poetry: Words and Sounds in Graphic Space Through July 30, 2017 Getty Research Institute, Gallery I

Perspective sketch of Disney Hall, from The Walt Disney Concert Hall Portfolio, 2003, Frank Gehry. The Getty Research Institute, 2009.PR.3. © Gehry Partners, LLP

The Lure of Italy: Artists’ Views Now Then: Chris Killip Through July 30, 2017 and the Making of In Flagrante Museum, West Pavilion Through August 13, 2017 Eyewitness Views: Making History Museum, Center for Photographs, West Pavilion in Eighteenth-Century Europe Sea-Poppy 2 (Fishing Boat Names), 1968, Ian Hamilton Finlay. The Getty Through July 30, 2017 Research Institute, 890164. Courtesy of the Estate of Ian Hamilton Finlay Museum, Exhibitions Pavilion Thomas Annan: The Birth of Pastel Photographer of Glasgow Through December 17, 2017 Through August 13, 2017 Museum, South Pavilion Museum, Center for Photographs, West Pavilion

Loch Ard, Looking West, 1859, Thomas Annan. Albumen silver print. Courtesy of Glasgow Life (Mitchell Library Special Collections) on behalf of Glasgow City Council. Image © CSG CIC Glasgow Museums and Libraries Collection: The Mitchell Library, Special Collections Self Portrait with Red Braces, 2003, David Hockney. Watercolor, 24 x 18 1/8 in. Courtesy of a private collection. © David Hockney. Photo credit: Richard Schmidt

Illuminating Women Happy Birthday, Mr. Hockney A Muse, 1723–1725, Rosalba Carriera. Pastel on laid blue paper. in the Medieval World Through November 26, 2017 The J. Paul Getty Museum Through September 17, 2017 Museum, West Pavilion Museum, North Pavilion

4 EXHIBITIONS TOURS 5

J. Paul Getty Life and Legacy ON VIEW AT THE GETTY VILLA Curator’s Gallery Tours Ongoing Engaging talks about current exhibitions by J. Paul Getty Museum, South Pavilion Roman Mosaics across the Empire Museum curators and other Getty staff are offered at both the Through January 8, 2018 Getty Center and Getty Villa. Greek and Roman Sculpture from Museum, Floor 2 the Santa Barbara Museum of Art GETTY CENTER Ongoing Museum, South Pavilion Now Then: Chris Killip and the Making of In Flagrante and Thomas Annan: Photographer of Glasgow Tuesday, July 25, 2:30 p.m. Wednesday, August 2, 2:30 p.m.

Eyewitness Views: Making History in Eighteenth-Century Europe Wednesday, July 26, 1:30 p.m. Corner panel from Bear Hunt (detail), 4th century, Roman, stone tesserae. The J. Paul Getty Museum GETTY VILLA

Roman Mosaics across the Empire GETTY VILLA REINSTALLATION Thursdays, July 13, August 10 The Getty Villa is undergoing exciting changes, including and September 14, 2:00 p.m. Portrait of a Bearded Man, mid-3rd century, Roman, bronze. Santa Barbara a reinstallation of the collection, special loan objects from Museum of Art, Gift of Wright S. Ludington other ancient cultures and the expansion of exhibition and family spaces to be completed in spring 2018. During this The Legacy of Ancient Palmyra time, various galleries and outdoor spaces will occasionally be Ongoing closed. Visit getty.edu/villa2018 for updates. Online at getty.edu/palmyra For a full list of tours, visit getty.edu/360 PERFORMANCES AND FILM

Off the 405 Savoy Motel Off the 405 is the Getty Center’s annual outdoor summer This Nashville quartet is heavily steeped in a 1970s concert series, bringing some of today’s most exciting bands nostalgia with a sound built on classic and glam rock, to the stage for a memorable experience amid stunning disco, and southern boogie, but they channel the decade architecture and breathtaking sunset views. through the lens of the early ‘90s, combining the aloof irreverence of Royal Trux and the swagger of Beck’s Midnite Steve Gunn Vultures, resulting in irresistible psych-funk grooves. Acclaimed New York-based Steve Gunn brings guitar- Saturday, August 26, 6:00–9:00 p.m. forward rock to the courtyard stage in his signature blend Getty Center: Museum Courtyard of country blues, underground, and psych. His continually unfolding compositions have evolved through numerous Sonorama! Latin American notable friendships and collaborations with musicians Composers in Hollywood like , Meg Baird, Lee Ranaldo, and British legend Michael Chapman. Guitarist James Elkington performs a Since the birth of Hollywood, composers and musicians special opening set. from across Latin America have played key roles in shaping the music of film and television made in Los Angeles. Join Saturday, July 29, 6:00–9:00 p.m. Mexican Institute of Sound with special guests Sergio Getty Center: Museum Courtyard Mendoza (Orkesta Mendoza) and a band led by L.A.’s own Alberto López (Jungle Fire, Rumbankete) for a special tribute to the Southern California sojourns of artists such as Juan García Esquivel, Lalo Schifrin, Maria Grever, and Johnny Richards. Saturday, September 23, 7:00–9:00 p.m. Getty Center: Museum Courtyard

Photo: Savoy Motel

Photo: Steve Gunn = Pacific Standard Time Presents-related programming

6 PERFORMANCES AND FILM FAMILY 7

Friday Flights Annual Outdoor Theater Production Roman Holidays at the Getty Villa Friday Flights is a series of interdisciplinary happenings Each fall, this production a classical tragedy or comedy You won’t need a passport to travel back in time at the that brings together a range of Los Angeles-based artists adapted for a contemporary audience in the Getty Villa’s Roman Holidays celebration this spring and summer. Discover to transform the Getty experience. The program invites dramatic Barbara and Lawrence Fleischman Theater, an the sights (and smells!) of ancient Rome, offer your prayers artists to respond to the Getty’s unique architecture and outdoor venue modeled after ancient Greek and Roman to Aphrodite, read your future in a sheep’s liver, and enjoy gardens and forge new connections to the collections and theaters. live musical and comedy performances by the historically exhibitions through music, performance, film, and other hysterical Troubador Theater Company. Check getty.edu/360 creative interventions. Check getty.edu/360 for the summer Iphigenia in Aulis for details. 2017 schedule. As the Greek army lies stagnant on the silent shores Weekends, April 1–September 3 of Aulis, King Agamemnon is faced with a harrowing decision. In return for the winds that would carry his army to victory over Troy, the goddess Artemis has demanded the impossible: the sacrifice of the king’s own daughter, Iphigenia. Presented by Chicago’s Court Theatre. Tickets available July 1. Thursdays–Saturdays, September 7–30, 8:00 p.m. Getty Villa: Barbara and Lawrence Fleischman Theater

Pictured: Lewis Pesacov of wild Up

Troubador Theater Company Photo of Stephanie Andrea Barron and Mark L. Montgomery by Joe Mazza. FAMILY

GETTY CENTER Dan Zanes with Claudia Eliaza, Pauline Jean, and Special Guests Garden Concerts for Kids Dan Zanes occupies a unique place in American music This free, outdoor music series for kids and their families in where sea shanties, , the spirit of early rock ‘n’ roll, the Getty Center’s Central Garden features some of the best and soulful originals collide. Grammy award-winner Zanes children’s musical artists from across the nation. will be joined by Haitian-American jazz vocalists Claudia Eliaza and Pauline Jean, among other special guests. Secret Agent 23 Skidoo Saturday and Sunday, August 12 and 13, Grammy-winning hip-hop artist, Secret Agent 23 Skidoo 4:00–5:30 p.m. combines the excitement of hip-hop with the magical Getty Center: Central Garden world of childhood. He performs classic hip-hop spiced with Motown, reggae, club thump, blues and the Sonia De Los Santos occasional pirate shanty—the perfect summer sound for the whole family. Sonia De Los Santos performs Latin American party tunes and new bilingual versions of American classics, presenting Photo: Dan Zanes with Claudia Eliaza, and Pauline Jean Saturday and Sunday, August 5 and 6, a personal, yet universal, musical story. Messages of joyful 4:00–5:30 p.m. community music-making and cultural bridge-building will GETTY VILLA Getty Center: Central Garden inspire and excite children and grown-ups alike. Saturday and Sunday, August 19 and 20, Art Detective Cards 4:00–5:30 p.m. Find the art and solve the mystery with these cards designed Getty Center: Central Garden for your family to use while exploring the galleries, gardens, and architecture. Available for free at the Entry Pavilion, Information Desk, and Family Forum.

GettyGuide® Family Favorites Discover the heroes, mythological creatures, athletes, and daily lives of the ancient Greek and Roman world with a multimedia tour just for families. Available for free on the first floor of the Museum.

Photo: Secret Agent 23 Skidoo 8 TALKS 9

Bacchus Uncorked Monet and Things: How the Artist Drinking in the Past: The Past on Tap: Feasts and Placed the World in Order Medieval Microbrews Fermented Brews in Ancient Europe Monet was passionate about nature, but he also was From sunrise to sunset, throughout the year, families in Hear from archaeologist Bettina Arnold how artifacts found at committed to organizing its myriad forms in highly structured, medieval Europe made and drank fermented beverages for burial sites, and residue scraped from inside a 2,500-year-old personalized compositions. Paul Tucker, professor emeritus of health, pleasure, and profit. Join curator Bryan C. Keene and bronze cauldron, shed light on feasting and power-drinking in art at the University of Massachusetts, explores the intricate certified beer expert Mark Mark Keene in savoring the history pre-Roman Europe. Then join certified beer expert Mark Mark relationships Monet established in his paintings and the ways of beer, ale, and mead in this tasting program that pairs art Keene to taste brews inspired by ancient ingredients, including they reveal aspects of his life and times. with medieval and (more delicious) modern brews. Beer tasting a malt-and-honey beverage based on the cauldron’s contents. Sunday, July 30, 3:00 p.m. enjoyed on the outdoor terrace following the presentation. Tickets: $65, includes appetizers. Complimentary parking. Getty Center: Museum Lecture Hall Complements the exhibition Illuminating Women in the 21 and over. Medieval World. Tickets $65 (includes appetizers). Saturday, July 15, 5:00–8:00 p.m. Photography and the Friday, August 4, 6:00–9:00 p.m. Sunday, July 16, 4:00–7:00 p.m. Post-Industrial City Getty Center: Harold M. Williams Auditorium Getty Villa: Auditorium and Café Terrace In the spirit of Thomas Annan who recorded the people, the social landscape, and the built environment in Glasgow Power in Patronage: during the rise of industry in 19th-century Scotland, this panel When Medieval Women Made Books convenes photographers who use their cameras to document In the Middle Ages, women of great wealth and social status American cities experiencing industrial decline in the late 20th often exercised their power and influence through the objects and early 21st centuries. they commissioned, especially books. Christine Sciacca, Wednesday, August 2, 7:00 p.m. associate curator at the Walters Art Museum, introduces Getty Center: Harold M. Williams Auditorium several women book patrons, including a duchess, a middle class woman, and a community of nuns who commissioned manuscripts for their personal use, who shaped the history of medieval book production as we know it today. Sunday, July 23, 3:00 p.m. The Drunken Harlot (detail), about 1255–1260, Unknown. Tempera Getty Center: Museum Lecture Hall colors, gold leaf, colored washes, pen and ink on parchment. The J. Paul Getty Museum

Free reservations required for all talks: getty.edu/360 TALKS

Choreography of the City: In Conversation: Happy Birthday, David Hockney Hans Scharoun’s Philharmonie Frank Gehry and Kurt W. Foster Lawrence Weschler, author of True to Life: Twenty-Five Years of as a Landscape of the Mind As a born storyteller, architect Frank Gehry casts his ideas into Conversations with David Hockney, convenes a conversation with friends, colleagues, and admirers of David Hockney. Despite striking differences, Los Angeles and Berlin have many anecdotal form. A man of vast experience and boundless spirit, commonalities. Both have large, diverse populations, and share he teaches by example, disarms with candid views, and charms Tuesday, August 8, 7:00 p.m. a public perception that has been shaped by music and film. with sensitivity and wit. In this conversation, Kurt W. Forster Getty Center: Harold M. Williams Auditorium The most unexpected connection between them resides in (Visiting Professor of the History of Architecture, Yale School two buildings for music performances – Berlin’s Philharmonie of Architecture, and founding director of the Getty Center for Euripides’s Iphigenia and the History of Art and the Humanities, 1984, now the Getty (1963), and the Walt Disney Concert Hall in Los Angeles the Downfall of Athens (2003). The key to this affinity is the architect Hans Scharoun Research Institute) and Frank Gehry explore the architectural (1893–1972), whose Philharmonie reinvented architecture differences and similarities between Berlin and Los Angeles. Classicist Nicholas Rudall, whose translation of Euripides’s from three archaic forms – the mountain, the cave, and the Wednesday, July 19, 7:00 p.m. Iphigenia in Aulis is featured in the current outdoor theater production at the Getty Villa, takes a closer look at Greek tent. This talk will be led by Kurt W. Forster, a professor from the Getty Center: Harold M. Williams Auditorium Yale School of Architecture and founding director of the Getty playwrights, their interpretations of the Agamemnon story, Center for the History of Art and the Humanities. and how these plays reflected life in ancient Athens. Wednesday, July 12, 7:00 p.m. Saturday, September 9, 3:00 p.m. Getty Center: Museum Lecture Hall Getty Villa: Auditorium Imperial Radiance: Luxury Arts in the Land of the Incas Joanne Pillsbury, of the Metropolitan Museum of Art, explores the development of luxury culture in the ancient Andes, from the earliest ornaments in gold created over 3,000 years ago in Peru, to the spectacular achievements of artists in the royal courts of the Inca, including Machu Picchu. Complementing the exhibition Golden Kingdoms, this talk casts new light on the brilliance of ancient American artists and their legacy. Sunday, Sept. 17, 3:00 p.m. Getty Center: Harold M. Williams Auditorium Walt Disney Concert Hall, 2015. Photograph by Hunter Kerhart. Free reservations required for all talks: getty.edu/360 Courtesy Hunter Kerhart. 10 COURSES 11

Artist-at-Work Demonstrations Drawing from Antiquity Enjoy presentations of historical art-making techniques Take part in the centuries-old tradition of sketching from related to the Museum’s collection and exhibitions. Meet ancient works by drawing from the Museum’s collection and artists, ask questions, and get close to the action. This is a free, sights at the Getty Villa. Supplies are provided, and all skill levels drop-in program. are welcome. Sign up begins 15 minutes before the start of the program at the Tour Meeting Place. This is a free program. Paper and Light Drop by as photographer Luther Gerlach explores the art Medusa and science of early photography while demonstrating The Gorgon head of Medusa was used in the ancient a variety of 19th-century photographic processes and world as a protective symbol. Find objects with the image materials including large-format cameras, lenses, and and learn about Medusa, then create a drawing either interactive cameras obscura. from imagination or based on existing work on view. Sundays, July 9–August 6, 1:00–3:00 p.m. Saturday, July 22, 11:00 a.m.–12:30 p.m. Tuesdays, July 18–August 1, 1:00–3:00 p.m. Getty Villa Getty Center: Museum Courtyard Theater Masks Arms and Armor Theatrical masks and artworks depicting masks were very Drop by as master blacksmith Tony Swatton demonstrates popular in antiquity. Learn about the role of transformation materials and techniques used in making arms and armor in ancient culture and religion, then create your own mask. of ancient Greece and Rome, from basic metal shaping to Saturday, August 12, 11:00 a.m.–12:30 p.m. fine surface embellishments. Getty Villa Saturdays, July 15, August 19, and September 9, 11:00 a.m.–12:00 p.m. and 1:30–2:30 p.m. Drawing Trees Getty Villa: Education Studio and Education Court Gardens with fruit and decorative trees were a vital part of ancient Roman villas. Explore the Getty Villa through its trees and learn more about their connection to antiquity. Experiment with various techniques, including “cloud” sketching and “marking” while drawing from many varieties of fruit and decorative trees. Saturday, September 16, 11:00 a.m.–12:30 p.m. Getty Villa COURSES

Drawing from the Masters Handling Session Gallery and Studio Courses Enjoy the tradition of sketching from original artworks at Experience what it would be like to take a museum object out Unique courses explore the fascinating world of art and ideas the Getty Center. Guest artists provide general guidance. All of its case for a closer look. Join educators and handle replica found in the Museum’s collection and current exhibitions. experience levels are welcome. Participants are encouraged objects along with the materials and tools that ancient artists Complimentary parking applies to all fee-based courses. to bring sketchpads. Sign up begins at 2:30 p.m. at the used to create the works of art on display in the galleries. This Information Desk. This is a free program. is a free, drop-in program. Art Circles Enrich your Saturday nights. Join an open-ended Plein Air Drawing Mosaics discussion in the galleries to heighten your appreciation Explore the art of drawing landscape views while working How were mosaics created from pieces of stone and glass? and understanding of the visual arts by exploring one in the Central Garden with artists Kaitlynn Redell and Learn how these intricate architectural decorations were masterpiece with an educator. The chosen work of art Deborah Shaw. made in this multisensory handling session. Touch tools changes every session, making each visit a new experience. Sundays, July 2 and 16, 3:30–5:30 p.m. and materials similar to those used by ancient mosaicists, Course fee $25 (includes a sandwich voucher). Meet at the Getty Center: Central Garden including tesserae, slaked lime, marble dust, and nippers. Information Desk for course introduction. Fridays, July 7–September 8, 11:00 a.m.–12:00 p.m. Saturdays, August 12 and September 9, Shifting Perspectives Getty Villa: Please confirm location at Tour Meeting Place 6:00–8:00 p.m. Experiment using multiple perspectives and composites to Getty Center: Museum galleries create unique drawing compositions with artist Marissa Mercado. Aromas of the Ancient World Sundays, August 6 and 20, 3:30–5:30 p.m. Perfume is an ancient art form going back 4,000 years. Join Getty Center: Museum galleries Saskia Wilson-Brown of the Los Angeles-based Institute for Art and Olfaction for a historical introduction to the art of perfumery. Discover the history of perfume making, Self-Portrait Drawing explore the materials used by ancient Greek and Romans, Discover the art of self-portraits while exploring how to and create a custom fragrance in this hands-on workshop. draw facial features and capture a personal likeness with Tickets $65 (include materials and parking). artist Peter Zokosky. Saturday, September 30, 12:30–4:30 p.m. Sundays, September 3 and 17, 3:30–5:30 p.m. Getty Villa: Meeting Rooms Getty Center: Museum galleries

12 JULY HIGHLIGHTS

SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 1

2 3 4 5 6 7 8 In Focus: Handling Sessions Jane and Page 12 Louise Wilson’s Sealander CLOSES Drawing from the Masters Page 12

9 10 11 12 13 14 15 Artist at Work Choreography Curator’s Handling Sessions Bacchus Uncorked Page 11 of the City Gallery Tour Page 12 Page 9 Page 10 Page 5 Artist at Work Page 11 16 17 18 19 20 21 22 Bacchus Uncorked Artist at Work In Conversation Handling Sessions Drawing from Page 9 Page 11 Page 10 Page 12 Antiquity Page 11 Artist at Work Page 11 Drawing from the Masters Page 12

23 24 25 26 27 28 29 Artist at Work Artist at Work Curator’s Handling Sessions Off the 405 Page 11 Page 11 Gallery Tour Page 12 Page 6 Page 5 Power and Curator’s Patronage Gallery Tour Page 9 Page 5

30 31 Getty Center Exhibition Family Berlin/Los Angeles CLOSES Getty Villa The Lure of Italy Tour Talk CLOSES Eyewitness Views CLOSES Performance Course Artist at Work Page 11 Concrete Poetry Film Food CLOSES Monet and Things Page 9

14 For a complete list of activities, please see the listings by program type. AUGUST HIGHLIGHTS

SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 1 2 3 4 5 Artist at Work Photography Handling Sessions Garden Concerts Page 11 and the Page 12 for Kids Post-Industrial City Page 8 Page 9 Drinking in the Past Page 9 Curator’s Gallery Tour Page 5

6 7 8 9 10 11 12 Garden Concerts Hockney Handling Sessions Art Circles for Kids Page 10 Page 12 Page 12 Page 8 Drawing from Artist at Work Antiquity Page 11 Page 11 Drawing from Garden Concerts the Masters for Kids Page 12 Page 8

13 14 15 16 17 18 19 Thomas Annan: Artist at Work Handling Sessions Garden Concerts Photograph Page 11 Page 12 for Kids of Glasgow Page 8 CLOSES Page 4 Artist at Work Now Then: Page 11 Chris Killip and the Making of In Flagrante CLOSES Page 3 Garden Concerts for Kids Page 8 20 21 22 23 24 25 26 Drawing from Handling Sessions Off the 405 the Masters Page 12 Page 6 Page 12 Garden Concerts for Kids Page 8

27 28 29 30 31

Getty Center Exhibition Family Getty Villa Tour Talk

Performance Course

Film Food

16 For a complete list of activities, please see the listings by program type. SEPTEMBER HIGHLIGHTS

SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 1 2 Handling Sessions Page 12

3 4 5 6 7 8 9 Drawing from Iphigenia in Aulis Iphigenia in Aulis Iphigenia in Aulis the Masters Page 7 Page 7 Page 7 Page 12 Handling Sessions Artist at Work Page 12 Page 11 Euripides’s Iphigenia Page 10 Art Circles Page 12

10 11 12 13 14 15 16 Iphigenia in Aulis Iphigenia in Aulis Iphigenia in Aulis Page 7 Page 7 Page 7 Curator’s Golden Kingdoms Gallery Tour OPENS Page 5 Page 1 The Metropolis in Latin America, Photography in Argentina, and Making Art Concrete OPEN Page 2 Drawing from Antiquity Page 11 17 18 19 20 21 22 23 Illuminating Women Iphigenia in Aulis Iphigenia in Aulis Iphigenia in Aulis in the Page 7 Page 7 Page 7 Medieval World CLOSES Sonorama! Page4 Page 6 Drawing from the Masters Page 12 Imperial Radiance Page 10 24 25 26 27 28 29 30 Iphigenia in Aulis Iphigenia in Aulis Iphigenia in Aulis Page 7 Page 7 Page 7 Aromas of the Ancient World Page 12

Getty Center Exhibition Family Getty Villa Tour Talk

Performance Course

Film Food

18 For a complete list of activities, please see the listings by program type. VISITOR INFORMATION 19

GETTY CENTER Admission and Parking Admission to the Getty Center is always free. On-site parking About (subject to availability) is $15 and is $10 after 3:00 p.m.; The Getty Center is home to the J. Paul Getty Museum, the no reservations required. Please visit getty.edu or call Getty Research Institute, the Getty Conservation Institute, (310) 440-7300 for more information. and the Getty Foundation. The Getty serves both the general public and a wide range of professional communities in Pay Once, Park Twice Los Angeles and throughout the world. Get same-day parking at both the Getty Center and Getty Villa for one $15 fee. Visit the Museum Information At the Museum, visitors will find exhibitions featuring the Desk at either location for a coupon good for same-day J. Paul Getty Museum’s collection of art from the Middle complimentary parking at the other site. Ages to the present, along with special exhibitions and public programming. Hours At the Getty Research Institute, visitors can explore exhibitions Tuesday through Friday, and Sunday, 10:00 a.m.–5:30 p.m. that help advance the understanding of the visual arts. Saturday, 10:00 a.m.–9:00 p.m. These include objects from the Research Institute’s special collections, which contain modern and contemporary SUMMER HOURS (through Friday, September 1): collections, art historical archives and manuscripts, rare Friday, 10:00 a.m.–9:00 p.m. books, architecture and design collections, prints, drawings, photographs, and optical devices. Getty Center Events Seating reservations required except as noted; visit getty.edu At the Getty Conservation Institute and Getty Foundation, or call (310) 440-7300. Notice of cancellation is appreciated. visitors can explore the local, national, and international work Reservations are held until 15 minutes before the start of the of these two institutions that fund, research, and address program and doors open 30 minutes prior. issues related to the conservation of museum collections, archaeological sites, and historic architecture.

The Getty Center is set against a backdrop of dramatic architecture, tranquil gardens, and breathtaking views. We invite you to explore! VISITOR INFORMATION

GETTY VILLA Hours Wednesday through Monday, 10:00 a.m.–5:00 p.m. About The Getty Villa is the original location of the J. Paul Getty SUMMER HOURS (through Saturday, August 26): Museum. It is an educational center and museum dedicated Saturday, 10:00 a.m.–9:00 p.m. to the study of the arts and cultures of ancient Greece, Rome, and Etruria. Getty Villa Events Event tickets are required to attend all programs presented Throughout the year, enjoy a wide-ranging program of in the Auditorium, and for other events except as noted. performances, talks, and symposia in the indoor Auditorium. Admission and event tickets must be obtained in advance In the summer, experience classical drama outdoors in the at getty.edu or by phone at (310) 440-7300 and must be Barbara and Lawrence Fleischman Theater. presented upon arrival. The site also hosts the UCLA/Getty Master’s Program, the only graduate-level program in the United States that focuses GETTY VILLA REINSTALLATION solely on archaeological and ethnographic materials. The Getty Villa is undergoing exciting changes, including a reinstallation of the collection, special loan objects from Admission and Parking other ancient cultures and the expansion of exhibition and family spaces to be completed in spring 2018. During this Admission to the Getty Villa is always free; advance, timed time, various galleries and outdoor spaces will occasionally be tickets are required for each adult individual and can be closed. Visit getty.edu/villa2018 for updates. obtained online at getty.edu or by calling (310) 440-7300. Parking is $15 and is $10 after 3:00 p.m. No walk-ins permitted except by showing a bus receipt or transfer, along with a Villa ticket.

Pay Once, Park Twice Get same-day parking at both the Getty Center and Getty Villa for one $15 fee. Visit the Museum Information Desk at either location for a coupon good for same-day complimentary parking at the other site.

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GETTY CENTER GETTY VILLA

The Restaurant Cafe Located in the Restaurant/Cafe building, the Restaurant offers The Cafe serves casual Mediterranean fare and has indoor full service in an elegant setting with views of the Santa and outdoor seating. Menu choices include soup, salads, Monica Mountains. Menus change seasonally. Reservations panini, pizzas, pastas, risotto, and desserts. Wine and beer are recommended. Call (310) 440-6810. are also available. Menu items feature organic, locally grown Restaurant Lunch Hours produce whenever possible. No reservations are required for Tuesday–Saturday: 11:30 a.m.–2:30 p.m. the Cafe. Sunday: 11:30 a.m.–3:00 p.m. Restaurant Dinner Hours Coffee Kiosk Saturday: 5:00–9:00 p.m. The Coffee Kiosk near the Cafe entrance offers coffee, hot tea, espresso drinks, lemonade, and bottled beverages, as well as Cafe grab-and-go items including house-made soup, hot and cold sandwiches, salads, and a selection of baked goods, desserts, The self-service Cafe is located on the lower level of the and ice cream. Restaurant/Cafe building and has indoor and outdoor dining areas. The extensive menu includes sandwiches, soups, salad, pizza, tacos and burritos, and grilled items. Wine and Tea by the Sea beer are also available. This program offers a special experience inspired by the herbs, vegetables, and fruits that grow in the Villa’s authentically Garden Terrace Cafe re-created first-century Roman gardens. $36 per person. Reservation recommended. This smaller cafe offers coffee, lunch, and snacks in an Call (800) 369-3059 or e-mail outdoor setting overlooking the Central Garden. [email protected] Offered Thursdays and Saturdays, 1:00 p.m. Coffee Carts Two coffee carts—one in the Museum Courtyard and one on the Plaza outside the Restaurant—offer coffee, hot tea, espresso drinks, and bottled beverages, as well as hot and cold food options. ALWAYS AVAILABLE

GETTY CENTER Sketching Gallery Orientation Film Located in the Museum’s East Pavilion, this gallery is designed A 12-minute film shows continuously in the Museum Theater. GettyGuide® for sketching from original works of art in a historic tradition GettyGuide® interactive multimedia content features audio that continues today. Materials provided. Family Forum recordings, videos, and information about the works of art on Ancient art comes alive in this hands-on space for families display at the Getty Museum. Pick up a multimedia player free Research Library that encourages shared learning and discovery. Temporarily of charge in the Museum Entrance Hall. A resource for scholars, college and university faculty, closed. graduate students, curators, and other researchers. Open Orientation Film Monday through Friday, 9:30 a.m.–5:00 p.m. Located in the Art Detective Cards Getty Research Institute building. Call (310) 440-7390 A 10-minute film shows continuously in two theaters in the Find the art and solve the mystery with these cards designed for more information. Museum Entrance Hall. for your family to enjoy while exploring the galleries, gardens, and architecture. Available for free at the Entry Pavilion and Family Room Architecture Tour Museum Information Desk. También ofrecida en español. This innovative space encourages families to collaborate on Discover more about Richard Meier’s architecture and the creative, hands-on activities designed to help them explore design of the Getty Center site in this 45-minute tour. Architecture Tour the Museum’s collection. Explore the architecture of the Getty Villa and learn about Garden Tour daily life in the ancient world in this 40-minute tour. Art Detective Cards The Central Garden, designed by Robert Irwin, is the focus of Find the art and solve the mystery with these cards designed this 45-minute tour. Garden Tour for your family to enjoy while exploring the galleries, gardens, Discover the rich mythological and cultural connections of and architecture. Available outside the Family Room and GETTY VILLA ancient flora in this 40-minute tour of the Getty Villa’s gardens. at the Family Cart in the Entrance Hall. También ofrecida en español. GettyGuide® Mondays, Wednesdays, Fridays, and Sundays ® GettyGuide interactive multimedia content features audio JOIN THE GETTY PATRON PROGRAM recordings, videos, and information about the works of art on display at the Getty Museum. Pick up a multimedia player free When we combine our efforts with your support, the result is of charge in the Museum Atrium. extraordinary. As a Patron, you’ll receive special benefits that will bring you closer than ever to the Getty. Learn more at getty.edu/about/development/

22 Non-Profit Organization 1200 Getty Center Drive, Suite 403 US Postage PAID Los Angeles, CA 90049-1685 USA Los Angeles, CA Permit No 32365 ON VIEW ELECTRONIC SERVICE REQUESTED Eyewitness Views: Making History in Eighteenth-Century Europe

The Musical Performance in the Teatro Argentina in Honor of the Marriage of the Dauphin, 1747, Giovanni Paolo Panini. Oil on canvas. Paris, Musée du Louvre, Department des Peintures. Image © RMN-Grand Palais / Art Resource, NY

Cover Image: Octopus Frontlet (detail), Moche culture, Peru, AD 300–600. Gold, chrysocolla, shells. Courtesy of the Museo de la Nación, Ministerio de Cultura del Perú