The Brick Architecture of Feilden Clegg Bradley Studios First Person
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Academy of Music; Academy of Music_____ and Or Common Academy of Music______2
NPS Form 10-900 (3-82) 0MB No. 1024-0018 Expires 10-31-87 United States Department of the Interior National Park Service For NPS use only National Register of Historic Places received Inventory Nomination Form date entered See instructions in How to Complete National Register Forms Type all entries complete applicable sections_________________ 1. Name___________________ historic______American Academy of Music; Academy of Music_____ and or common Academy of Music_______________________ 2. Location_________________ street & number 232-46 South Broad Street at SW., corner Locust Street not for publication Philadelphia city, town vicinity of P ennsylvania 42 county Philadelphia state code CO 3. Classification Category Ownership Status Present Use district public X occupied agriculture museum _ K- building(s) X private unoccupied commercial park structure both work in progress educational private residence site Public Acquisition, Accessible X entertainment religious object in process X yes: restricted government scientific being considered - yes: unrestricted __ industrial transportation .... no military __ other: 4. Owner of Property name Philadelphia Orchestra Association street & number 232-46 South Broad Street city, town Philadelphia vicinity of state Pennslyvania 5. Location of Legal Description courthouse, registry of deeds, etc. Philadelphia City Hall street & number Broad and Market Streets city, town Philadelphia state Pennsylvania 6. Representation in Existing Surveys title Historic American Buildings Survey has this property been determined eligible? yes no date 1957, 1963, 1965, 1967 JL federal state county local depository for survey records W ashing ton, D C city, town state 7. Description Condition Check one Check one excellent deteriorated unaltered ^ original site good ruins X altered moved date fair unexposed Interior Describe the present and original (if known) physical appearance This free standing brick Renaissance Revival Style building exhibits a free use of classical forms. -
Venice & the Common Ground
COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice. -
420 Architectural Works Compete for the European Union Prize for Contemporary Architecture – Mies Van Der Rohe Award 2015
EUROPEAN UNION PRIZE FOR CONTEMPORARY ARCHITECTURE MIES VAN DER ROHE AWARD 2015 420 ARCHITECTURAL WORKS COMPETE FOR THE EUROPEAN UNION PRIZE FOR CONTEMPORARY ARCHITECTURE – MIES VAN DER ROHE AWARD 2015 The European Commission and the Fundació Mies van der Rohe announced today the list of 420 projects competing for the European Union Prize for Contemporary Architecture – Mies van der Rohe Award 2015. 27% of the proposals deal with Housing while 24% are Cultural facilities. 11% are connected to Education, 5% to Offices and the other 33% include mostly Sport, Commercial, Governmental, Transport and Urban typologies. Initiated in 1987 after an agreement between the European Commission and the Barcelona City Hall, the 60.000€ prize is the highest award in European architecture and is awarded biennially to works completed within the previous two years. The principal objectives are to recognise and commend excellence in the field of architecture and to draw attention to the important contribution of European professionals in the development of new ideas and technologies and of the clients who support them. Previous winners include: Harpa - Reykjavik Concert Hall & Conference Centre; Reykjavik, by Peer Henning Larsen Architects / Teglgaard Jeppesen, Osbjørn Jacobsen; Studio Olafur Eliasson / Olafur Eliasson; Batteríid architects / Sigurður Einarsson Neues Museum, Berlin, by David Chipperfield Architects / David Chipperfield, in collaboration with Julian Harrap Norwegian National Opera & Ballet, Oslo, by SNØHETTA / Kjetil Trædal Thorsen, Tarald -
Architectsnewspaper 11 6.22.2005
THE ARCHITECTSNEWSPAPER 11 6.22.2005 NEW YORK ARCHITECTURE AND DESIGN WWW.ARCHPAPER.COM $3.95 GUGGENBUCKS, GUGGENDALES, CO GUGGENSOLES 07 MIAMI NICE LU ARTISTIC Z O GO HOME, LICENSING o DAMN YANKEES 12 Once again, the ever-expanding Guggenheim is moving to new frontiers. TOP OF THE A jury that included politicians, Frank CLASS Gehry and Thomas Krens has awarded 4 the design commission for the newest 17 museum in the Guggenheim orbitto VENTURI AND Enrique Norten for a 50-story structure on a cliff outside Guadalajara, Mexico's sec• SCOTT BROWN ond-largest city. The museum will cost BRITISH TEAM WINS VAN ALEN COMPETITION PROBE THE PAST the city about $250 million to build. 03 EAVESDROP But there is now a far less expensive 18 DIARY range of associations with the Guggenheim 20 PROTEST Coney Island Looks Up brand. The Guggenheim is actively 23 CLASSIFIEDS exploring the market for products that it On May 26 Sherida E. Paulsen, chair of the Fair to Coney Island in 1940, closed in 1968, can license, in the hope of Guggenheim- Van Alen Institute's board of trustees, and but the 250-foot-tall structure was land- ing tableware, jewelry, even paint. An Joshua J. Sirefman, CEO of the Coney marked in 1989. eyewear deal is imminent. Island Development Corporation (CIDC), Brooklyn-based Ramon Knoester and It's not the museum's first effort to announced the winners of the Parachute Eckart Graeve took the second place prize license products but it is its first planned Pavilion Design Competition at an event on of S5,000, and a team of five architects strategy to systematize licensing. -
Page 1 – 1 Barch Year 6 Continuity in Architecture
2010 Page 1 – 1 BArch Year 6 Continuity in Architecture Catalogue 2010 TABLE OF CONTENTS 2 – 3 Introduction from Head of School 4 – 17 BA (Hons) · Year 1 – 3 82 – 89 Research 4 – 5 Introduction 82 – 83 Architecture Research Centre at MIRIAD 6 – 9 Year 1 84 – 85 MA Architecture+Urbanism 10 – 13 Year 2 86 – 89 MARC · Manchester Architecture Research Centre 14 – 17 Year 3 18 – 81 BArch · Year 5 & 6 90 – 111 The School and the City 18 – 19 Introduction 90 – 91 msa squared International Collaboration & Exhibition 92 – 93 msa² · Manchester Society of Architects Design Awards 2010 22 – 29 Continuity in Architecture Year 5 & 6 96 – 97 MADF · Manchester Architecture & Design Festival Archaeology’s Places and Contemporary Uses · Venice 98 – 103 The Courtyard Project at the Manchester Museum Experiments in Urban Narratives · Manchester 104 – 107 Events month 108 – 109 mssa · the Manchester Student Society of Architecture 30 – 33 Emergent Urbanism Year 5 110 – 111 EASA 34 – 39 [Re_map] Year 6 International Workshop · Hannover 40 – 43 Prototype Year 5 44 – 47 Material-Space Year 5 48 – 53 Emergent Topographies Year 6 MAD-MAN 54 – 59 Displace Year 5 & 6 Heterotopia sequences workshop · Salerno & Naples, Italy 60 – 65 Biomimetics Year 5 & 6 Extreme Environments · Cornwall 66 – 71 msa Projects Year 5 & 6 Collaborations and Impact · Manchester City Council 72 – 75 Part-Time · Flexible Provision 76 – 77 BA · Humanities 78 – 79 BArch · Humanities 80 – 81 BArch · Technology · Climate Change, Proposition & Detail Page 1 Table of contents msa 2010 Catalogue 2010 INTRODUCTION Welcome to the 2010 review of the msa The school continues to be a popular and Student success this year includes the Kohn highly respected destination for the study of Pedersen Fox / Architecture Foundation Student – the catalogue summarises the breadth architecture in a city with a rich tradition and Travel Award won by Nandi (Marshal) Han, of activity within the school illustrating vibrant contemporary architectural scene. -
Architecture Program Report 7 September 2015
ARCHITECTURE PROGRAM REPORT FOR THE NATIONAL ARCHITECTURAL ACCREDITATION BOARD 7 SEPTEMBER 2015 THE IRWIN S. CHANIN SCHOOL OF ARCHITECTURE THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART NADER TEHRANI, DEAN ELIZABETH O’DONNELL, ASSOCIATE DEAN The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 The Cooper Union for the Advancement of Science and Art The Irwin S. Chanin School of Architecture Architecture Program Report for 2016 NAAB Visit for Continuing Accreditation Bachelor of Architecture (160 credits) Year of the Previous Visit: 2010 Current Term of Accreditation: From the VTR dated July 27, 2010 “The accreditation term is effective January 1, 2010. The Program is scheduled for its next accreditation visit in 2016.” Submitted to: The National Architectural Accrediting Board Date: 7 September 2015 The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Program Administrator: Nader Tehrani, Dean and Professor Chief administrator for the academic unit in which the Program is located: Nader Tehrani, Dean and Professor Chief Academic Officer of the Institution: NA President of the Institution: William Mea, Acting President Individual submitting the Architecture Program Report: Nader Tehrani, Dean and Professor Name of individual to whom questions should be directed: Elizabeth O’Donnell, Associate Dean and Professor (proportional-time) The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Section Page Section 1. Program Description I.1.1 History and Mission I.1.2 Learning Culture I.1.3 Social Equity I.1.4 Defining Perspectives I.1.5 Long Range Planning I.1.6 Assessment Section 2. -
Düsseldorf 'S Media Harbour
Düsseldorf ’s Media Harbour Culture, communication and creativity D üsseldorf ’s Media Harbour The development of part of the old harbour into prime office space and a new trendy district was a successful urban planning project that has served as a role model for similar projects in Germany. From commercial harbour to and a lively restaurant scene. Soon, there will also be architectural showcase residential properties in the Media Harbour. The When structural change set in during the seventies transition from commercial harbour to Media Har- and eighties it became obvious that the around 212 bour ref lects t he fundamenta l changes t hat have hectare commercial harbour site wouldn’t be needed taken place in Düsseldorf ’s economy. Today, the city for its origina l pur pose any longer. However, t he is predominantly a service hub with a strong indus- harbour’s location close to the city centre offered a trial background. This same structural change is also unique opportunity to transform it into an attractive evident in the Media Harbour, with the media, the district with offices, restaurants and hotels. movers and the shakers in the foreground and the typical harbour industries on the land spits further back. The city council decided to close the Berger Hafen and Zollhafen sections of the harbour in 1976. The Past and present wet dock was filled in to create the land on which the Plot for plot, each site was developed to ref lect its Rheinturm tower and the Landtag parliament build- future user’s requirements. An urban planning com- ing today stand. -
Chinatown Little Italy Hd Nrn Final
NPS Form 10-900 OMB No. 10024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking “x” in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter “N/A” for “not applicable.” For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer to complete all items. 1. Name of Property historic name Chinatown and Little Italy Historic District other names/site number 2. Location Roughly bounded by Baxter St., Centre St., Cleveland Pl. & Lafayette St. to the west; Jersey St. & street & number East Houston to the north; Elizabeth St. to the east; & Worth Street to the south. [ ] not for publication (see Bldg. List in Section 7 for specific addresses) city or town New York [ ] vicinity state New York code NY county New York code 061 zip code 10012 & 10013 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this [X] nomination [ ] request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements as set forth in 36 CFR Part 60. -
Architecture and Nation. the Schleswig Example, in Comparison to Other European Border Regions
In Situ Revue des patrimoines 38 | 2019 Architecture et patrimoine des frontières. Entre identités nationales et héritage partagé Architecture and Nation. The Schleswig Example, in comparison to other European Border Regions Peter Dragsbo Electronic version URL: http://journals.openedition.org/insitu/21149 DOI: 10.4000/insitu.21149 ISSN: 1630-7305 Publisher Ministère de la culture Electronic reference Peter Dragsbo, « Architecture and Nation. The Schleswig Example, in comparison to other European Border Regions », In Situ [En ligne], 38 | 2019, mis en ligne le 11 mars 2019, consulté le 01 mai 2019. URL : http://journals.openedition.org/insitu/21149 ; DOI : 10.4000/insitu.21149 This text was automatically generated on 1 May 2019. In Situ Revues des patrimoines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Architecture and Nation. The Schleswig Example, in comparison to other Europe... 1 Architecture and Nation. The Schleswig Example, in comparison to other European Border Regions Peter Dragsbo 1 This contribution to the anthology is the result of a research work, carried out in 2013-14 as part of the research program at Museum Sønderjylland – Sønderborg Castle, the museum for Danish-German history in the Schleswig/ Slesvig border region. Inspired by long-term investigations into the cultural encounters and mixtures of the Danish-German border region, I wanted to widen the perspective and make a comparison between the application of architecture in a series of border regions, in which national affiliation, identity and power have shifted through history. The focus was mainly directed towards the old German border regions, whose nationality changed in the wave of World War I: Alsace (Elsaβ), Lorraine (Lothringen) and the western parts of Poland (former provinces of Posen and Westpreussen). -
Rolex and Architecture 2016 Press
PRESS RELEASE ROLEX CONTINUES PARTNERSHIP WITH INTERNATIONAL ARCHITECTURE EXHIBITION – LA BIENNALE DI VENEZIA – AS 2016 EDITION OPENS Venice, 26 May 2016 – Rolex is supporting the world’s most important architecture exhibition, which runs from 28 May to 27 November in Venice. This marks the second of three editions (2014, 2016 and 2018) with Rolex as the exclusive Partner and Official Timepiece of the International Architecture Exhibition – La Biennale di Venezia. “We are very proud of our association with the Architecture Biennale,” said Arnaud Boetsch, Director Communication & Image at Rolex. “Architecture and watchmaking have much in common, as both must achieve a perfect rendering of function and aesthetic pleasure. This can only be accomplished by meeting the highest standards of precision and performance, something we at Rolex excel at and which is being showcased at the exhibition in this historic city over the next six months.” Rolex’s success as the world’s leading luxury watch brand can be traced back more than a century to company founder Hans Wilsdorf who was motivated by a sense of excellence at every level. He created nothing less than a new architecture for the watch case, making the iconic Oyster the first waterproof watch, one that, like great buildings, has stood the test of time. In the design and construction of its own buildings over the past 50 years, Rolex has demanded the same values of excellence manifest in its watchmaking. The company’s two newest buildings, a tower in Dallas, Texas, by Kengo Kuma and a building in Milan by Italy’s own Studio Albini, are the focus of an exhibition presented by Rolex in the Giardini. -
David Chipperfield.Indd
David Chipperfield http://www.davidchipperfi eld.co.uk/ David Chipperfield Background 1953 Born in London, UK 1978 Diploma in Architecture, ARchitectual Association, UK 1978-84 Worked for Douglas Stephen, Richard Rogers, and Nor man Foster 1985 Established David Chipperfield Architects Founder member of 9H Gallery, London, UK 1992-97 Trustee of the Architecture Foundation, London, UK Teaching Taught as a Visiting Professor at: Harvard University, Cambridge, Mass. USA Ecole Polytechnique, Lausanne, Switzerland London Institute, UK TAught as a Professor at: Staatliche Akademie der Bildenden Kunste, Suttgart Germany Mies van der Rohe Chair, Barcelona School of Architecture, Spain Awards and Prizes 81’ Schinkel Prize, special mention - 90’ Brithish Design and Art Direc tion Award ; Andrea Palladio Award for the Toyota Auto Kyoto building, Kyotot, Japan; British Design and Art Direction Award; Fi nancial Pantone Colour Award - 98’ AIA Award(UK) for KaistraBe Studios, Dusseldorf, Germany; RIBA Regional Award for the RIver and Rowing Museum, Henley-on-Thames, UK etc... David Chipperfield Design Philosophy The work of David Chipperfield Architects is based upon a solid foundation of design excellence, budget and programme control, pro- ficient project management and the achievement of best value and ar- chitectural quality. Working directly with architectural teams, David Chipperfield is actively involved in the design and supervision of each project from the initial concept stage, through planning, construction and completion. The practice is driven by a consistent philosophical approach, not a predetermined house style. As a result it aims to create specifically de- tailed buildings that are intimately connected to context and function. We believe that high quality design results from the continuity of the design process and intensive dialogue with the client, consultants, con- tractors and end users. -
CORB++ 6 Credits ARCH 456 Le Corbusier in Context 3 Cr
SUMMER 2015 MAY 18 – JUNE 26 CORB++ 6 credits ARCH 456 Le Corbusier in Context 3 cr. A Study of the architecture, painting, sculpture, applied arts and milieu of Corb ARCH 497 Reflective Recordings 3cr. A method of active observation and creative production Itinerary Map 4 countries 15 cities +/- Sites Le Corbusier Contemporary Architecture Architects UNStudio Group8 Shigeru Bahn Yi Architects Jean Tschumi Wiel Arets Architecture James Stirling and Partners Bernard Tschumi Phalt Architekten Spillman Delugan Meissel SANAA Eschle Architekten Mies van der Rohe Piano and Rogers Andrea Maffei Architects Hans Scharoun Jean Nouvel Cino Zucchi Archietti Santiago Calatrava Dominique Perrault Carta Associates Damien Karl Moser Lacaton and Vassal Fluchaire & Julien Cogne Gigon & Guyer Boerli Studio Holzer Kober Cormac David Chipperfield Institute for Lightweight Christophe Gulizzi Alsop Robert Maillart Structure Architects 2b_architectes Gustav Zeuner Institute for Computational Heinz Isler Matte Trucco Design Lacroix Chessex Renzo Piano Frei Otto Herzog and De Meuron Foster and Partners Jorg Schlaich Edouard Francois Eileen Gray Werner Sobek Manuelle Gautrand Rudy Rocciotti Hascher Jehle Architektur AS Architecture Studio Zaha Hadid GWJ Architektur Victor Laloux and Gae Kengo Kuma Otto and Werner Pfister Aulenti Museums of Modern and Contemporary Art Historic Buildings and Public Spaces Travel Expenses Estimated cost for the trip is $4200. This includes: Airfare 1200 Trains 560 Transit 105 Hotels 1300 Entries 215 Food 820 There is the potential for the cost to be less based on each students’ choice of flight and hotels. Costs are based on mid-priced hotels. Train fares are as of January, 2015 and may be less when booked.