Architects, Designers, Sculptors and Craftsmen from 1530
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And an Invitation to Help Us Preserve
HISTORICAL NOTES CONT’D (3) ST.NICHOLAS, ICKFORD. This and other Comper glass can be recognised by a tiny design of a strawberry plant in one corner. Vernon Stanley HISTORICAL NOTES ON OUR is commemorated in the Comper window at the end of GIFT AID DECLARATION the south aisle, representing St Dunstan and the Venerable WONDERFUL CHURCH Bede; the figure of Bede is supposed to have Stanley’s Using Gift Aid means that for every pound you features. give, we get an extra 28 pence from the Inland Revenue, helping your donation go further. AN ANCIENT GAME On the broad window sill of the triple window in the north aisle is scratched the frame for This means that £10 can be turned in to £12.80 a game played for many centuries in England and And an invitation to help us just so long as donations are made through Gift mentioned by Shakespeare – Nine Men’s Morris, a Aid. Imagine what a difference that could make, combination of the more modern Chinese Chequers and preserve it. and it doesn’t cost you a thing. noughts and crosses. It was played with pegs and pebbles. GILBERT SHELDON was Rector of Ickford 1636- So if you want your donation to go further, Gift 1660 and became Archbishop of Canterbury 1663-1677. Aid it. Just complete this part of the application The most distinguished person connected with this form before you send it back to us. church, he ranks amongst the most influential clerics to occupy the see of Canterbury. He became a Rector here a Name: __________________________ few years before the outbreak of the civil wars, and during that bad and difficult time he was King Charles I’s trusted Address: ____________________ advisor and friend. -
Holy Trinity Church Parish Profile 2018
Holy Trinity Church Headington Quarry, Oxford Parish Profile 2018 www.hthq.uk Contents 4 Welcome to Holy Trinity 5 Who are we? 6 What we value 7 Our strengths and challenges 8 Our priorities 9 What we are looking for in our new incumbent 10 Our support teams 11 The parish 12 The church building 13 The churchyard 14 The Vicarage 15 The Coach House 16 The building project 17 Regular services 18 Other services and events 19 Who’s who 20 Congregation 22 Groups 23 Looking outwards 24 Finance 25 C. S. Lewis 26 Community and communications 28 A word from the Diocese 29 A word from the Deanery 30 Person specification 31 Role description 3 Welcome to Holy Trinity Thank you for looking at our Are you the person God is calling Parish Profile. to help us move forward as we seek to discover God’s plan and We’re a welcoming, friendly purposes for us? ‘to be an open door church on the edge of Oxford. between heaven and We’re known as the C. S. Lewis Our prayers are with you as you earth, showing God’s church, for this is where Lewis read this – please also pray for worshipped and is buried, and us. love to all’ we also describe ourselves as ’the village church in the city’, because that’s what we are. We are looking for a vicar who will walk with us on our Christian journey, unite us, encourage and enable us to grow and serve God in our daily lives in the parish and beyond. -
Venice & the Common Ground
COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice. -
The Jesse Tree Pdf, Epub, Ebook
THE JESSE TREE PDF, EPUB, EBOOK Geraldine Mccaughrean | 96 pages | 21 Nov 2006 | Lion Hudson Plc | 9780745960760 | English | Oxford, United Kingdom The Jesse Tree PDF Book First Name. We cannot do it without your support. Many of the kings who ruled after David were poor rulers. As a maximum, if the longer ancestry from Luke is used, there are 43 generations between Jesse and Jesus. From Wikipedia, the free encyclopedia. Quite possibly this is also the forerunner of our own Christmas tree. The tree itself can be one of several types. The tree with five undulating branches carved in foliage rises from the sculptured recumbent form of Jesse. In the picture, the prophet Isaiah approaches Jesse from beneath whose feet is springing a tree, and wraps around him a banner with words upon it which translate literally as:- "A little rod from Jesse gives rise to a splendid flower", following the language of the Vulgate. Several 13th-century French cathedrals have Trees in the arches of doorways: Notre-Dame of Laon , Amiens Cathedral , and Chartres central arch, North portal - as well as the window. Jesus was a descendent of King David and Christians believe that Jesus is this new branch. I am One in a Million. Monstrance from Augsburg A late 17th-century monstrance from Augsburg incorporates a version of the traditional design, with Jesse asleep on the base, the tree as the stem, and Christ and twelve ancestors arranged around the holder for the host. Sometimes this is the only fully illuminated page, and if it is historiated i. -
420 Architectural Works Compete for the European Union Prize for Contemporary Architecture – Mies Van Der Rohe Award 2015
EUROPEAN UNION PRIZE FOR CONTEMPORARY ARCHITECTURE MIES VAN DER ROHE AWARD 2015 420 ARCHITECTURAL WORKS COMPETE FOR THE EUROPEAN UNION PRIZE FOR CONTEMPORARY ARCHITECTURE – MIES VAN DER ROHE AWARD 2015 The European Commission and the Fundació Mies van der Rohe announced today the list of 420 projects competing for the European Union Prize for Contemporary Architecture – Mies van der Rohe Award 2015. 27% of the proposals deal with Housing while 24% are Cultural facilities. 11% are connected to Education, 5% to Offices and the other 33% include mostly Sport, Commercial, Governmental, Transport and Urban typologies. Initiated in 1987 after an agreement between the European Commission and the Barcelona City Hall, the 60.000€ prize is the highest award in European architecture and is awarded biennially to works completed within the previous two years. The principal objectives are to recognise and commend excellence in the field of architecture and to draw attention to the important contribution of European professionals in the development of new ideas and technologies and of the clients who support them. Previous winners include: Harpa - Reykjavik Concert Hall & Conference Centre; Reykjavik, by Peer Henning Larsen Architects / Teglgaard Jeppesen, Osbjørn Jacobsen; Studio Olafur Eliasson / Olafur Eliasson; Batteríid architects / Sigurður Einarsson Neues Museum, Berlin, by David Chipperfield Architects / David Chipperfield, in collaboration with Julian Harrap Norwegian National Opera & Ballet, Oslo, by SNØHETTA / Kjetil Trædal Thorsen, Tarald -
Architectsnewspaper 11 6.22.2005
THE ARCHITECTSNEWSPAPER 11 6.22.2005 NEW YORK ARCHITECTURE AND DESIGN WWW.ARCHPAPER.COM $3.95 GUGGENBUCKS, GUGGENDALES, CO GUGGENSOLES 07 MIAMI NICE LU ARTISTIC Z O GO HOME, LICENSING o DAMN YANKEES 12 Once again, the ever-expanding Guggenheim is moving to new frontiers. TOP OF THE A jury that included politicians, Frank CLASS Gehry and Thomas Krens has awarded 4 the design commission for the newest 17 museum in the Guggenheim orbitto VENTURI AND Enrique Norten for a 50-story structure on a cliff outside Guadalajara, Mexico's sec• SCOTT BROWN ond-largest city. The museum will cost BRITISH TEAM WINS VAN ALEN COMPETITION PROBE THE PAST the city about $250 million to build. 03 EAVESDROP But there is now a far less expensive 18 DIARY range of associations with the Guggenheim 20 PROTEST Coney Island Looks Up brand. The Guggenheim is actively 23 CLASSIFIEDS exploring the market for products that it On May 26 Sherida E. Paulsen, chair of the Fair to Coney Island in 1940, closed in 1968, can license, in the hope of Guggenheim- Van Alen Institute's board of trustees, and but the 250-foot-tall structure was land- ing tableware, jewelry, even paint. An Joshua J. Sirefman, CEO of the Coney marked in 1989. eyewear deal is imminent. Island Development Corporation (CIDC), Brooklyn-based Ramon Knoester and It's not the museum's first effort to announced the winners of the Parachute Eckart Graeve took the second place prize license products but it is its first planned Pavilion Design Competition at an event on of S5,000, and a team of five architects strategy to systematize licensing. -
Page 1 – 1 Barch Year 6 Continuity in Architecture
2010 Page 1 – 1 BArch Year 6 Continuity in Architecture Catalogue 2010 TABLE OF CONTENTS 2 – 3 Introduction from Head of School 4 – 17 BA (Hons) · Year 1 – 3 82 – 89 Research 4 – 5 Introduction 82 – 83 Architecture Research Centre at MIRIAD 6 – 9 Year 1 84 – 85 MA Architecture+Urbanism 10 – 13 Year 2 86 – 89 MARC · Manchester Architecture Research Centre 14 – 17 Year 3 18 – 81 BArch · Year 5 & 6 90 – 111 The School and the City 18 – 19 Introduction 90 – 91 msa squared International Collaboration & Exhibition 92 – 93 msa² · Manchester Society of Architects Design Awards 2010 22 – 29 Continuity in Architecture Year 5 & 6 96 – 97 MADF · Manchester Architecture & Design Festival Archaeology’s Places and Contemporary Uses · Venice 98 – 103 The Courtyard Project at the Manchester Museum Experiments in Urban Narratives · Manchester 104 – 107 Events month 108 – 109 mssa · the Manchester Student Society of Architecture 30 – 33 Emergent Urbanism Year 5 110 – 111 EASA 34 – 39 [Re_map] Year 6 International Workshop · Hannover 40 – 43 Prototype Year 5 44 – 47 Material-Space Year 5 48 – 53 Emergent Topographies Year 6 MAD-MAN 54 – 59 Displace Year 5 & 6 Heterotopia sequences workshop · Salerno & Naples, Italy 60 – 65 Biomimetics Year 5 & 6 Extreme Environments · Cornwall 66 – 71 msa Projects Year 5 & 6 Collaborations and Impact · Manchester City Council 72 – 75 Part-Time · Flexible Provision 76 – 77 BA · Humanities 78 – 79 BArch · Humanities 80 – 81 BArch · Technology · Climate Change, Proposition & Detail Page 1 Table of contents msa 2010 Catalogue 2010 INTRODUCTION Welcome to the 2010 review of the msa The school continues to be a popular and Student success this year includes the Kohn highly respected destination for the study of Pedersen Fox / Architecture Foundation Student – the catalogue summarises the breadth architecture in a city with a rich tradition and Travel Award won by Nandi (Marshal) Han, of activity within the school illustrating vibrant contemporary architectural scene. -
Parish Paper 7, MARGARET STREET, LONDON W1W 8JG
All Saints Parish Paper 7, MARGARET STREET, LONDON W1W 8JG www.allsaintsmargaretstreet.co.uk JULY 2014 £1.00 VICAR’S LETTER While I was in New York for Fr Shin’s situation is rather different. It is possible to consecration, I came across an article encounter a good deal of what we might call, entitled “Liturgical Maximalism”. This “Liturgical Minimalism”. We had a lively was a term I had not encountered before. discussion at the PCC recently which grew Could the writer be referring to churches out of the recent experience of one member like All Saints, Margaret Street, or St Mary at a number of funerals at which the modern the Virgin, Times Square, where I was a version of the Lord’s Prayer was used, even guest; both places famous for their liturgy though it was clear that most people were and music? unfamiliar with it. The intention behind this is, I’m sure, often well-meaning; to make a In fact, the author was writing about a service accessible and intelligible to those diocese of one of the Orthodox Churches unfamiliar with church. It is certainly true in America. In the aftermath of clerical that on such occasions there will be people scandals, a new bishop had decided to present who don’t know the Lord’s Prayer raise standards of discipline by imposing in any version. However, the gently revised the full rigour of the orthodox liturgy as it traditional version is probably still part of is celebrated in the monasteries on Mount common memory in a way the new one Athos. -
Architecture Program Report 7 September 2015
ARCHITECTURE PROGRAM REPORT FOR THE NATIONAL ARCHITECTURAL ACCREDITATION BOARD 7 SEPTEMBER 2015 THE IRWIN S. CHANIN SCHOOL OF ARCHITECTURE THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART NADER TEHRANI, DEAN ELIZABETH O’DONNELL, ASSOCIATE DEAN The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 The Cooper Union for the Advancement of Science and Art The Irwin S. Chanin School of Architecture Architecture Program Report for 2016 NAAB Visit for Continuing Accreditation Bachelor of Architecture (160 credits) Year of the Previous Visit: 2010 Current Term of Accreditation: From the VTR dated July 27, 2010 “The accreditation term is effective January 1, 2010. The Program is scheduled for its next accreditation visit in 2016.” Submitted to: The National Architectural Accrediting Board Date: 7 September 2015 The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Program Administrator: Nader Tehrani, Dean and Professor Chief administrator for the academic unit in which the Program is located: Nader Tehrani, Dean and Professor Chief Academic Officer of the Institution: NA President of the Institution: William Mea, Acting President Individual submitting the Architecture Program Report: Nader Tehrani, Dean and Professor Name of individual to whom questions should be directed: Elizabeth O’Donnell, Associate Dean and Professor (proportional-time) The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Section Page Section 1. Program Description I.1.1 History and Mission I.1.2 Learning Culture I.1.3 Social Equity I.1.4 Defining Perspectives I.1.5 Long Range Planning I.1.6 Assessment Section 2. -
Düsseldorf 'S Media Harbour
Düsseldorf ’s Media Harbour Culture, communication and creativity D üsseldorf ’s Media Harbour The development of part of the old harbour into prime office space and a new trendy district was a successful urban planning project that has served as a role model for similar projects in Germany. From commercial harbour to and a lively restaurant scene. Soon, there will also be architectural showcase residential properties in the Media Harbour. The When structural change set in during the seventies transition from commercial harbour to Media Har- and eighties it became obvious that the around 212 bour ref lects t he fundamenta l changes t hat have hectare commercial harbour site wouldn’t be needed taken place in Düsseldorf ’s economy. Today, the city for its origina l pur pose any longer. However, t he is predominantly a service hub with a strong indus- harbour’s location close to the city centre offered a trial background. This same structural change is also unique opportunity to transform it into an attractive evident in the Media Harbour, with the media, the district with offices, restaurants and hotels. movers and the shakers in the foreground and the typical harbour industries on the land spits further back. The city council decided to close the Berger Hafen and Zollhafen sections of the harbour in 1976. The Past and present wet dock was filled in to create the land on which the Plot for plot, each site was developed to ref lect its Rheinturm tower and the Landtag parliament build- future user’s requirements. An urban planning com- ing today stand. -
Revue Française De Civilisation Britannique, XXII-1 | 2017 in Search of a Liturgical Patrimony: Anglicanism, Gallicanism & Tridentinism 2
Revue Française de Civilisation Britannique French Journal of British Studies XXII-1 | 2017 The Book of Common Prayer : Studies in Religious Transfer In Search of a Liturgical Patrimony: Anglicanism, Gallicanism & Tridentinism A la recherche d’un patrimoine liturgique : anglicanisme, gallicanisme et tridentinisme Peter M. Doll Electronic version URL: http://journals.openedition.org/rfcb/1236 DOI: 10.4000/rfcb.1236 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Electronic reference Peter M. Doll, « In Search of a Liturgical Patrimony: Anglicanism, Gallicanism & Tridentinism », Revue Française de Civilisation Britannique [Online], XXII-1 | 2017, Online since 02 May 2017, connection on 01 May 2019. URL : http://journals.openedition.org/rfcb/1236 ; DOI : 10.4000/rfcb.1236 This text was automatically generated on 1 May 2019. Revue française de civilisation britannique est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. In Search of a Liturgical Patrimony: Anglicanism, Gallicanism & Tridentinism 1 In Search of a Liturgical Patrimony: Anglicanism, Gallicanism & Tridentinism A la recherche d’un patrimoine liturgique : anglicanisme, gallicanisme et tridentinisme Peter M. Doll 1 The non-Roman catholicity of the Anglican liturgical tradition, which appeals so much to the Old Catholics, also provides a door for Roman Catholics to a half-forgotten Catholic patrimony. One of the most remarkable features of the pontificate of Benedict XVI was his determination to recover some of richness of liturgical tradition that he believed had been lost in the reforms since Vatican II.1 In 2007 he declared in the motu proprio Summorum Pontificum that both the Novus Ordo post-Vatican II rite of the Mass and the 1962 revision of the Tridentine rite were legitimate forms of the one Roman Rite, thereby breaking at a stroke the tradition that there should be only one version of the Roman Rite for the universal Church. -
York Minster Conservation Management Plan 2021
CONSERVATION MANAGEMENT PLAN VOL. 2 GAZETTEERS DRAFT APRIL 2021 Alan Baxter YORK MINSTER CONSERVATION MANAGEMENT PLAN VOL. 2 GAZETTEERS PREPARED FOR THE CHAPTER OF YORK DRAFT APRIL 2021 HOW TO USE THIS DOCUMENT This document is designed to be viewed digitally using a number of interactive features to aid navigation. These features include bookmarks (in the left-hand panel), hyperlinks (identified by blue text) to cross reference between sections, and interactive plans at the beginning of Vol III, the Gazetteers, which areAPRIL used to locate individual 2021 gazetteer entries. DRAFT It can be useful to load a ‘previous view’ button in the pdf reader software in order to retrace steps having followed a hyperlink. To load the previous view button in Adobe Acrobat X go to View/Show/ Hide/Toolbar Items/Page Navigation/Show All Page Navigation Tools. The ‘previous view’ button is a blue circle with a white arrow pointing left. York Minster CMP / April 2021 DRAFT Alan Baxter CONTENTS CONTENTS Introduction to the Gazetteers ................................................................................................ i Exterior .................................................................................................................................... 1 01: West Towers and West Front ................................................................................. 1 02: Nave north elevation ............................................................................................... 7 03: North Transept elevations....................................................................................