Anti-Corruption Agency to Probe Belgrade's Mayor
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Andrej Sakharov 19 Elena Bonner, Compagna Di Vita 21
a cura di Stefania Fenati Francesca Mezzadri Daniela Asquini Presentazione di Stefania Fenati 5 Noi come gli altri, gli altri come noi di Simonetta Saliera 9 L’Europa è per i Diritti Umani di Bruno Marasà 13 Il Premio Sakharov 15 Andrej Sakharov 19 Elena Bonner, compagna di vita 21 Premio Sakharov 2016 25 Nadia Murad Basee Taha e Lamiya Aji Bashar, le ragazze yazide Premio Sakharov 2015 35 Raif Badawi, il blogger che ha criticato l’Arabia Saudita Premio Sakharov 2014 43 Denis Mukwege, il medico congolese che aiuta le donne Premio Sakharov 2013 53 Malala Yousafzai, la ragazza pakistana Premio Sakharov 2012 59 Jafar Panahi, il regista indiano Nasrin Sotoudeh, l’avvocatessa iraniana Premio Sakharov 2011 69 Mohamed Bouazizi - Asmaa Mahfouz - Ali Ferzat - Razan Zaitouneh - Ahmed Al-Sanusi - Le donne e la Primavera araba Glossario 89 Carta dei Diritti Fondamentali dell’Unione Europea 125 Presentazione Stefania Fenati Responsabile Europe Direct Emilia-Romagna Il Premio Sakharov rappresenta un importante momento nel quale ogni anno, dal 1988 ad oggi, la voce dell’Unione europea si fa senti- re contro qualsiasi violazione dei diritti umani nel mondo, e riafferma la necessità di lavorare costantemente per il progresso dell’umanità. Ogni anno il Parlamento europeo consegna al vincitore del Premio Sakharov una somma di 50.000 euro nel corso di una seduta plena- ria solenne che ha luogo a Strasburgo verso la fine dell’anno. Tutti i gruppi politici del Parlamento possono nominare candidati, dopodi- ché i membri della commissione per gli affari esteri, della commis- sione per lo sviluppo e della sottocommissione per i diritti dell’uomo votano un elenco ristretto formato da tre candidati. -
Dragan Kapicic Myths of the Kafana Life Secrets of the Underground
investments s e i t r e p o offices r p y r u x u l houses apartments short renting Dragan Kapicic Myths of the Kafana Life Secrets of the Underground Belgrade Impressions of the foreigners who arrive to Serbia Beach in the Centre of the City 2 Editorial Contents ife in Belgrade is the real challenge for those who have decided to spend part of their THEY SAID ABOUT SERBIA 04 lives in the Serbian capital. Impressions of the foreigners who arrive LReferring to this, one of our collocutors to Serbia through economic and in this magazine issue was the most emotional - Dragan Kapicic, one-time diplomatic channels basketball ace and the actual President of the Basketball Federation of Serbia. ADA CIGANLIJA Belgrade is also the city of secrets since 06 it has become a settlement a couple Beach in the Centre of the City of thousands years ago. Mysteries are being revealed almost every day. INTERVIEW The remains of the Celtic, Roman, 10 Byzantine, and Turkish architectures DRAGAN KAPICIC, are entwined with the modern ones The Basketball Legend that have been shaping Belgrade since the end of the 19th century. Secretive is also the strange world SPIRIT OF THE OLD BELGRADE 12 of underground tunnels, caves and Myths of the Kafana Life shelters that we open to our readers. Many kilometres of such hidden places lie under the central city streets and APARTMENTS 18 parks. They became accessible for visitors only during the recent couple short RENTING of years. 27 Also, Belgrade has characteristic bohemian past that is being preserved HOUSES 28 in the traditions of restaurants and cafes. -
In New Iranian Cinema
UNIVERSITEIT VAN AMSTERDAM DEPARTMENT OF MEDIA STUDIES MASTER THESIS RETHINKING THE ’TYPICAL’ IN NEW IRANIAN CINEMA A STUDY ON (FEMALE) REPRESENTATION AND LOCATION IN JAFAR PANAHI’S WORK Master in Film and Media Studies Thesis supervisor: Dr. Gerwin van der Pol 2nd reader: Dr. Emiel Martens Date of Completion: 20th May 2019 i ABSTRACT Contemporary Iranian cinema has been acknowledged and praised by film critics, festivals and audiences worldwide. The recent international acclaim that Iranian films have received since the late 1980s, and particularly through the 1990s, show the significance that the films’ exhibition and reception outside Iran has played in the transformation of cinema in Iran, developing certain themes and aesthetics that have become known to be ‘typical’ Iranian and that are the focus of this paper. This survey explores Iranian film culture through the lens of Jafar Panahi and the poetics of his work. Panahi’ films, in past and present, have won numerous prizes within the international festival circuit and have been interpreted by audiences and critics around the world. Although officially banned from his profession since 2010, the Iranian filmmaker has found its ‘own’ creative ways to circumvent the limitations of censorship and express its nation’s social and political issues on screen. After providing a brief historical framework of the history of Iranian cinema since the 1990s, the survey will look at Panahi’s work within two categories. Panahi’s first three feature films will be explored under the aspects of Iranian children’s films, self-reflexivity and female representation(s). With regards to Panahi’s ‘exilic’ position and his current ban on filmmaking, the survey will analyze one of Panahi’s recent self-portrait works to exemplify the filmmaker use of ‘accented’ characteristics in terms of authorship and the meaning of location (open and closed spaces). -
Taxi, Un Jafar Panahi En Roue Libre Dans Le Marasme Téhéranais Hanieh Ziaei
Document generated on 09/27/2021 10:20 a.m. TicArtToc Diversité/Arts/Réflexion(s) Taxi, un Jafar Panahi en roue libre dans le marasme téhéranais Hanieh Ziaei « Clandestino » : créer en marge Number 6, Spring 2016 URI: https://id.erudit.org/iderudit/86872ac See table of contents Publisher(s) Diversité artistique Montréal (DAM) ISSN 2292-101X (print) 2371-4875 (digital) Explore this journal Cite this article Ziaei, H. (2016). Taxi, un Jafar Panahi en roue libre dans le marasme téhéranais. TicArtToc, (6), 32–35. Tous droits réservés © Hanieh Zahieh, 2016 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ) s ( réflexion Taxi, un Jafar Panahi en roue libre dans le marasme téhéranais Hanieh Ziaei petite fille de dix ans, nièce du réalisateur (Hana Saïdi), Dans son dernier film, Jafar Panahi nous invite dans un taxi téhéranais, dans lequel les passagers successifs la célèbre avocate engagée, Nasrin Sotoudeh, un ancien partagent leurs opinions sur le pouvoir d’État, et ce, en voisin et ami de longue date, une institutrice, un voleur, évoquant chacun une facette différente de la société un vendeur de films et de musique piratés, un étudiant iranienne. Ce docufiction fut cependant critiqué par la en cinéma, un enfant de la rue, un homme blessé après jeune génération, qui lui reprocha d’avoir donné une un accident de moto et sa compagne et enfin deux vieilles vision erronée, caricaturale et simpliste de la société. -
Lawyers War with Ministry Paralyses Serbian Judiciary
the speech that Serbia’s Prime Min Prime Serbia’s that speech the from quotes the of one Bell but Dolly sought. lawyers the changes substantial the deliver not do provisions the ed that stat Lawyers SerbianChamberof the 30th, October on laws related ries and Nota on Law the to amendments the isworsening. ny image to London audience London to image sells reformist Vučić on Continued A conflict. the to befound urgently resolution must say experts accusations, bitter trade lawyers striking and ministry justice Serbia’s While Serbian judiciary paralyses ministry with war Lawyers “I Dimitar reformer. economic great region’s himself asthe rebrand to wants peacemaker’ Balkan ‘the that confirms LSE the to speech Serbian leader’s The Gordana Gordana COMMENT Although the government adopted adopted government the Although Bechev ANDRIĆ sic Do You Remember Remember DoYou sic clas 1981 Emir Kusturica’s from anecho isnot that No, things.” new learning day, every am changing as ever and the acrimo the and as ever away isasfar on ministry the with adeal strike, on inSerbia went yers law since 50days bout page 3 shiners face face shiners Belgrade’s Belgrade’s last shoe- last +381 11 4030 306 114030 +381 oblivion Page 4 - - - - - - and underscoring the fact that the the that fact the underscoring and Parade Pride Gay recent the dled han government the how recalling freedom, media on questions tough off fending confidence, projected er 27 October Monday London School of Economics,LSE, on the at made Vučić, Aleksandar ister, 17 onSeptember onstrike went Serbian lawyers Facing a packed hall, Serbia’s lead hall,Serbia’s apacked Facing Issue No. -
The Arab Spring of Discontent
The Arab Spring of Discontent a collection from e-International Relations Created in November 2007 by students from the UK universities of Oxford, Leicester and Aberystwyth, e-International Relations Contents (e-IR) is a hub of information and analysis on some of the key is- sues in international politics. 4 Introductory notes As well as editorials contributed by students, leading academics 6 A Personal Perspective on the Tunisian Revolution and policy-makers, the website contains essays, diverse perspectives on global news, lecture podcasts, blogs written by 8 The Dictator is Dead,God Save the Dictator! some of the world’s top professors and the very latest research news from academia, politics and international development. 10 Tunisia: Was it a revolution? The pieces in this collection were published on e-International 12 The Egyptian People Demand the Fall of the Regime Relations during the first half of 2011, as events unfolded. 14 The EU & the Arab world: living up to the EU’s normative expectations 18 Yemen & the ‘Arab Spring’: Moving Beyond the Tribal Order? Front page image by Jonathan Rashad 21 The Arab Uprisings: Opportunities and Challenges for Iran 23 Cultural Emancipation & Political Liberation: The Iranian Green Movement 26 The Silence of Fear Shattered by the Voice of Protests in Iran 28 Why is Iran Championing Messianism to the Arab Masses? 34 The Persian Gulf Tinderbox 36 Libya: The First Stand or the Last Post for the Responsibility to Protect? 39 How to Save a Revolution 41 Did Diplomacy Succeed or Fail in Libya? Edited -
Urgent Action
First UA: 32/19 Index: MDE 13/9952/2019 Iran Date: 4 March 2019 URGENT ACTION WOMEN’S RIGHTS DEFENDER FACES 34 YEARS IN JAIL Prominent detained Iranian human rights lawyer, Nasrin Sotoudeh, faces up to 34 years in prison and 148 lashes, after two grossly unfair trials. The charges against her stem solely from her peaceful human rights work, including her defence of women protesting Iran’s abusive forced hijab (veiling) laws, and her outspoken opposition to the death penalty. TAKE ACTION: WRITE AN APPEAL IN YOUR OWN WORDS OR USE THIS MODEL LETTER Head of the Judiciary Sadegh Larijani C/o Permanent Mission of Iran to the UN Chemin du Petit-Saconnex 28 1209 Geneva, Switzerland Email: [email protected] Dear Mr Larijani, Nasrin Sotoudeh, a prominent human rights lawyer and women’s rights defender who has been arbitrarily detained in Tehran’s Evin prison since her arrest on 13 June 2018, faces a total of up to 34 years in prison and 148 lashes in relation to two onGoinG court cases. I appeal to you to release her as she is a prisoner of conscience. Nasrin Sotoudeh is awaitinG a court verdict followinG a grossly unfair trial that took place, in her and her lawyer’s absence, on 30 December 2018 before Branch 28 of the Revolutionary Court in Tehran. She has been prosecuted on seven charges, some of which are related to her opposition to forced hijab laws, includinG “incitinG corruption and prostitution” and “openly committinG a sinful act… by appearing in public without a hijab”. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Kask) in Ghent, Belgium in Master Film (Directing
Maximiliaan Dierickx +32 474 42 42 49 [email protected] www.mxmln.be Graduated cum laude at the Royal Academy of Fine Arts (Kask) in Ghent, Belgium in Master Film (directing). Department Audiovisual Arts. Languages: English (fluent), French (fluent), Dutch (native), German (conversational), Portuguese (beginner). Belgium Caviar May 2018 Solidaris As cinematographer. Commercial. Belgium SOAG Feb 2018 The Light Inside As cinematographer. Shortfilm. Belgium Caviar Jan 2018 Het Laatste Nieuws As cinematographer. Commercial. France HK Corp Dec 2017 - Jan 2018 Petit Biscuit As cinematographer. Musicvideo. Belgium Caviar Dec 2017 Audi As cinematographer. Commercial. Belgium Caviar Nov 2017 Het Laatste Nieuws As cinematographer. Commercial. France GMC Productions Sept 2017 - Jan 2018 Valence As cinematographer. Feature fiction film. Belgium Gaumont & Nexus Factory Nov 2016 - Dec 2016 Le Manoir As cinematographer. Feature fiction film. Brussels, Belgium Colonel Nov 2016 Croix Rouge As cinematographer. Commercial. Belgium & France Nexus Factory Jul 2016 - Oct 2016 La Foret As cinematographer. Series. Aalst, Belgium Caviar Apr 2016 Solidaris As cinematographer. Commercial. the World Off World & Canvas Nov 2015 - Jul 2016 Exitus As director & cinematographer. Documentary series about urban explorers, in Italy, France, the US, Georgia, … Lisbon, Portugal Amorarte Nov 2015 Tsar B - Escalate As director. Musicvideo. Gent, Belgium Amorarte Sep 2015 Culture Club - Halloween As director. Commercial. Amsterdam, Netherlands TBWA/Neboko Sep 2015 Albert Heijn As cinematographer. Commercial. Brussels, Belgium Czar Sep 2015 Artisanat As 2nd unit cinematographer. Commercial. Brussels, Belgium Czar Sep 2015 William Lawson’s - Join the clan As cinematographer. Commercial. Charleroi, Belgium Czar Aug 2015 Loïc Nottet As cinematographer. Musicvideo. Kapellen, Belgium Czar Jul 2015 Balthazar - Nightclub As cinematographer. -
121018 GHRN Sakharov Flyer
Sakharov Prize 2012 Panel Discussion Collaboration between the European Parliament Office in Scotland & Glasgow Human Rights Network (GHRN) The European Parliament's Sakharov Prize for Freedom of Thought is awarded annually to honour exceptional individuals who combat intolerance, fanaticism and oppression. Like Andrei Sakharov himself, all the winners of the prize have shown how much courage it takes to defend human rights and freedom of expression. The European Parliament Office in Scotland and the Glasgow Human Rights Network host this event at which students will mirror the process by which MEPs choose the winner of the Sakharov Prize. Students will present and argue the case for each nominee to receive the prize. Presentations will be followed by a discussion and vote among those present to determine the shortlist. After a further discussion, a vote will be taken to choose a winner - and we will see if the choice in Glasgow is the same as the choice made in Brussels! This year's nominees Ales Bialiatski imprisoned civil society activist fighting for freedom of thought and expression in Belarus. Joseph Francis founder and director of the Centre for Legal Aid, Assistance and Settlement (CLAAS). Victoire Ingabire Umuhoza, Déogratias Mushayidi, Bernard Ntaganda imprisoned Rwandan opposition politicians fostering dialogue and reconciliation. Pussy Riot Russian arrested after protesting in a cathedral against Russian president Vladimir Putin. Nasrin Sotoudeh imprisoned Iranian lawyer and human rights advocate. Jafar Panahi Iranian film director, screenwriter and film editor. Full details of the 2012 Sakharov Prize can be found on the European Parliament website. Thursday 18 October 2012 17.30 – 19.30 Wolfson Medical School Building, Seminar Room 3 (Gannochy) Location C8 on Campus map The event will conclude with refreshments served in the Wolfson Atrium All are welcome – event is free of charge Registration essential – please register by Tues 16 October http://ghrn-eorg.eventbrite.com/ www.glasgow.ac.uk/humanrights . -
Gde Ove Jeseni? U Beogradu... Where to This Fall? in Belgrade
besplatni primerak / complimentary copy Broj / No. 9, 2016. Gde ove jeseni? U Beogradu... Where to this fall? In Belgrade... EVENTS MAPS SIGHTSEEING RESTAURANTS uvodna reč / introductory word SadržajSadržaj / Content Editorial Urednik / Editor Uvodna reč: Snežana Tomić Ritam grada DTP / Layout Introductory word: Grid design d.o.o. Th e rhythm of the city 2 Fotografi je / Photos Infobox Tema broja: Gde ove jeseni? U Beogradu... Autorska prava / Copyright notice Tekst i fotografi je su vlasništvo Main topic: Where to this fall? In Belgrade... 4 Belgrade Info Guide-a. Sva prava zadžana. Ni jedan deo ove publikacije se Intervju - La Petite Cantine ne može reprodukovati ni u kom obliku, Interview - La Petite Cantine 16 osim u obliku kratkih izvoda za potrebe pregleda, bez prethodne pismene Top 10 atrakcija saglasnosti vlasnika autorskih prava. Top 10 attractions 18 Text and photos copyright Belgrade Info Guide. All rights reserved. No part Događaji of this publication may be reproduced Events 22 in any form, except brief extracts for the purpose of review, without written Umetnost permission from the publisher and copyright owner. Art 28 Belgrade Info Guide je nezavistan od plaćenih oglasa. Razgledanja Th e editorial content of Sightseeing 33 Belgrade Info Guide is independent from paid advertising. Gde kupovati Where to shop 37 Gde se smestiti Where to stay 38 CIP - Katalogizacija u publikaciji Gde jesti Narodna biblioteka Srbije, Where to eat 40 Beograd 338.48(497.11) Info Guide / urednik Gde se zabavljati Snežana Tomić - 2045, br. 8 Where to party 44 Beograd: Infobox, 2016 - (Beograd: Politika). Opšte informacije 21 cm Tromesečno. Basic info 46 Paralelni tekst na srpskom i engleskom jeziku. -
Cultural Isolation of Yugoslavia 1944–1960 and Its Impact on the Sphere
M. MILIN • CULTURAL ISOLATION OF YUGOSLAVIA ... UDK 78(497.11)“1944/1960“ DOI: 10.4312/mz.51.1.149-161 Melita Milin Muzikološki inštitut Srbske akademije znanosti in umetnosti, Beograd Institute of Musicology of the Serbian Academy of Sciences and Arts, Belgrade Cultural isolation of Yugoslavia 1944–1960 and its impact on the sphere of music: the case of Serbia1* Kulturna izolacija Jugoslavije med letoma 1944 in 1960 ter njen vpliv na področje glasbe: primer Srbije2** Prejeto: 17. januar 2015 Received: 17th January 2015 Sprejeto: 31. marec 2015 Accepted: 31st March 2015 Ključne besede: kulturna izolacija, srbska glasba, Keywords: Cultural isolation, Serbian music, Yugo- Jugoslavija, socialistični realizem, hladna vojna slavia, socialist realism, Cold war IZVLEČEK ABSTRACT V desetletjih po koncu druge svetovne vojne in In the decades after the end of WW2 and the estab- vzpostavitvi komunističnega režima v Jugoslaviji lishment of the communist regime in Yugoslavia, je kulturna osamitev Srbijo prizadela na podoben cultural isolation affected Serbia in more or less the način kot preostalih pet federativnih republik. Čla- same way as the other five federal republics. This nek raziskuje značilne vidike tega obdobja, kot so article examines aspects typical of that period, such stopnja glasbene izmenjave s tujim, t. i. zahodnim as the level of musical exchange with the foreign, svetom, ustvarjalne odzive srbskih skladateljev i.e. Western world; the creative responses of Serbian vseh generacij na povojna avantgardna gibanja, composers of all generations to post-war avant- gostujoče koncerte tujih glasbenikov in ansamblov garde movements; guest concerts of foreign musi- v Srbiji ter mednarodne turneje srbskih glasbeni- cians and ensembles in Serbia and the international kov, koncertne repertoarje in operne programe ter tours of Serbian musicians; repertoires on concert zapuščino tega obdobja.