1500+ Rabbis in Support of Welcoming Refugees
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EASTMAN NOTES JUNE 2004 Draft: Final Date: 6/15/2004 INSIDE
NOTES JUNE 2004 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR The right “stu≠” Dear Eastman Alumni: We like Notes’ new look, and it seems you do too. Response has been unani- mously favorable; perhaps we should consider a Steve Boerner–David Cowles NOTES presidential ticket for 2008. I’d vote for them; these two artists made “Notes Volume 22, Number 2 nouveau” a pleasure, and I’m glad the pleasure was conveyed in the magazine June 2004 itself. I write the stuff, but they (and our photographers) make it look good! We also had a tremendous response to our “Eastman Alumni on CD” feature; Editor see pages 33¬34. And enough of you commented on different editorial aspects of David Raymond Notes (not always favorably) that we have a “Letters to the Editor” section, which Assistant editor may be a first for us. Christina Casey This issue of Notes is admittedly filled with history, but Susan Conkling’s re- Contributing writers minder of the great women who shaped both American music and Eastman, and Martial Bednar Amy Blum Paul Burgett’s reminder of four black composers who Christine Corrado played an important part in Eastman history, are stories Contributing photographers worth telling. As is the story of the success of Howard Kurt Brownell Hanson’s Merry Mount at the Met in 1934—a remarkable Gelfand-Piper Photography event, when you think about it. I should add a special Bob Klein Photography word of thanks here to David Peter Coppen, the Sibley Carlos Ortiz Don Ver Ploeg/VP Communications Library Archivist, who is always helpful with providing Amy Vetter historical photographs and other materials for Notes, but Photography coordinator outdid himself for these three articles. -
Amy-Jill Levine
13 December 2018 Amy-Jill Levine University Professor of New Testament and Jewish Studies Mary Jane Werthan Professor of Jewish Studies Professor of New Testament Studies Divinity School and College of Arts and Science Vanderbilt University 411 21st Ave. S. Nashville, TN 37240 615-343-3967 (office) 615-343-9957 (fax) [email protected] ** Affiliated Professor Woolf Institute: Centre for the Study of Jewish-Christian Relations 12-14 Grange Road Cambridge CB3 9DU [email protected] Education: Smith College, Northampton, MA, B.A. (Magna cum Laude; High Honors in English and Religion), 1978. Duke University, Durham, NC, M.A. (Religion), 1981. Master's Thesis: "Universalism and Exclusivity: The Matthean Program of Salvation." Director: D. Moody Smith. Duke University, Durham, NC, Ph.D. (Religion), 1984. Dissertation: "The Matthean Program of Salvation History: A Contextual Analysis of the Exclusivity Logia." Director: D. Moody Smith. NEH Summer Institute, participant. Judaism and the Liberal Arts. Brown University, 1988; review conference, 1989. Honors, Fellowships, Grants: University of Richmond, Richmond, VA, Doctor of Divinity (hon.), 2003. Episcopal Theological Seminary of the Southwest, Austin, TX, Doctor of Humane Letters (hon.), 2008. University of South Carolina-Upstate, Spartanburg, SC, Doctor of Religious Education (hon.), 2009. Drury University, Springfield, MO, Doctor of Humane Letters (hon.), 2010. Christian Theological Seminary, Indianapolis, IN, Doctor of Humane Letters (hon.), 2011. Franklin College, Franklin, IN, Doctor of Divinity (hon.), 2015. --- NEH Assessment Committee: Religion and Asian Studies, 2018 --- Board of Electors to the Lady Margaret’s Professorship of Divinity, Cambridge University (2017-18). --- Levine 2 Invitation, plenary, 7th Annual Parliament of the Word’s Religions (Toronto, 2018), Women’s Assembly (declined with regret). -
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555020 bk Star Wars US 7/12/06 10:47 AM Page 4 High School, Larson later earned a high reputation in accusations of plagiarism. Star Wars writer-producer American television as the executive producer of high- (and computer games entrepreneur) George Lucas class ‘family entertainment’. In the early 1970s, famously sued – and lost – his claim for copyright following a stint with Quinn Martin, he signed with infringement, and notwithstanding this and other, more STAR WARS Universal Studios, where his productions included the recent, financial vicissitudes, the Battlestar Galactica television hit series Alias Smith And Jones and The Six concept, and its derivatives (of the on- and off-screen Million Dollar Man. His other good-humoured and varieties) have survived the intervening decades. In highly lucrative productions for the small screen have 2003, with Larson credited as ‘consulting producer’, it and other Sci-Fi Classics included Buck Rogers in the 25th Century (1979), The was successfully recreated as a television mini-series and Fall Guy (1981), Knight Rider (1982) and One West first screened on the American Sci Fi Channel and the Waikiki (1994). However, his most successful, and most ongoing TV series which it spawned was first shown in Richard Hayman and His Orchestra controversial, television production, with main themes Britain on Sky One (October 2004) and in the United and musical realisation by Stu Phillips (from 1974 his States, via Sci Fi, in January 2005. An even more regular Universal Studios co-producer) was Battlestar tangible, more visual offshoot of this ‘re-imagining’, in Galactica (1978). the form of a comic book series, was released by Riding on the popularity of Star Wars and ‘cobbled Dynamite Entertainment in 2006. -
The Year in Preview 2018-2019
THE YEAR IN PREVIEW 2018-2019 “In this house beats the heart of a family, In this house is the center of a community; We study and we pray, find meaning in each day— In this house, in this house, in this house.” —Beth A. Schafer YOU ASKED. TEMPLE ANSWERED. Welcome to the 2018-2019 program year, with a rich new slate of offerings for adult learning, prayer, families, music and gathering as a community. You’ll find plenty of learning opportunities with Temple clergy, expanded adult learning during the day, more Shabbat services for families with children of all ages, and a full schedule of community Shabbat dinners and lunches. Use this guide as a planner for an amazing journey of discovery ahead. And remember to watch weekly communications as schedules sometimes change. Could Temple be any more exciting? Yes, once you arrive, the real fun begins. CONTENTS Adult Learning 4 Shabbat 18 Endowed Letureships 8 Sharing Shabbat 20 Book Clubs 9 Women of Reform Judaism 22 Small Group Experiences 10 Brotherhood 23 Music Around Emanu-El 12 As We Age 24 Early Childhood 14 Social Justice 25 Youth Learning+Engagement 16 Temple Cares 26 3 ADULT LEARNING NEW 2018 Reform Judaism in the 21st Century Thursday, Oct. 4, 7PM, Stern Chapel Join the leaders of our movement for an inside look at the current landscape of Reform Judaism. • Rabbi Steven A. Fox, Chief Executive, Central Conference of American Rabbis • Rabbi Rick Jacobs, President, Union for Reform Judaism • Joshua Holo, Dean, Hebrew Union College-Los Angeles-Skirball Campus • Rabbi David E. -
Contributors
Contributors Rabbi Judith Z. Abrams, PhD, z”l, was the founder and direc- tor of Maqom (www.maqom.com), which was a pioneer in the area of online teaching of Talmud to adults. She authored over twenty books for adults and children, including The Other Talmud. Rabbi Richard F. Address, DMin, is the founder/director of www. jewishsacredaging.com. He served for over three decades on the staff of the Union for Reform Judaism as a regional director and as founder/ director of the Department of Jewish Family Concerns. Most recently he completed tenure as senior rabbi of Congregation M’kor Shalom in Cherry Hill, New Jersey. He currently serves as adjunct faculty at Hebrew Union College–Jewish Institute of Religion in New York. He was ordained by HUC-JIR in Cincinnati in 1972. Rabbi Carole B. Balin, PhD, is a professor of history at Hebrew Union College–Jewish Institute of Religion in New York. She is the 753 From The Sacred Calling: Four Decades of Women in the Rabbinate. Copyright © 2016 by the Central Conference of American Rabbis. Used by permission of Central Conference of American Rabbis. All rights reserved. Not to be distributed, sold or copied without express written permission. 754 • T HE S ACRED C ALLING narrator for the PBS special The Jewish People: A Story of Survival and a blogger for the Huffington Post, and she writes on topics ranging from the Maxwell House Haggadah to the history of bat mitzvah. Her most recent book, co-edited with Wendy Zierler, “To Tread on New Ground”: From the Hebrew Writings of Hava Shapiro, contains the life story and writing of the first woman to keep a diary in Hebrew, to compose a feminist manifesto in Hebrew, and to contribute prolifically to the Hebrew press. -
Thinking About Women
SHALOM HARTMAN INSTITUTE A JOURNAL OF JEWISH CONVERSATION • • CONVERSATION JEWISH OF JOURNAL A A JOURNAL OF JEWISH CONVERSATION Number 5 / Summer 2010 / $7.95 Number 5 / Summer 2010 • • 2010 Summer / 5 Number Thinking About SHALOM HARTMAN INSTITUTE HARTMAN SHALOM Women HAVRUTA A Journal of Jewish Conversation Table of Contents Number 5 / Summer 2010 Editor A Letter to our Readers ............................................. 2 Stuart Schoffman Associate Editors Thinking about Women ............................................. 4 Laura Major Feminism and Jewish Tradition Orr Scharf A Symposium Editorial Advisory Board Breaking the Silence ................................................. 28 Bill Berk Women’s Voices and Men’s Anxieties Alfredo Borodowski Ariel Picard By Channa Pinchasi Rachel Sabath- Beit Halachmi Dror Yinon Leah’s Prayers: A Feminist Reading .......................... 36 Noam Zion By Noam Zion Graphic Design Studio Rami & Jaki Jewish Poetry and the Feminist Imagination ............. 46 Cover photograph by Bruce Damonte The Gifts of Muriel Rukeyser By Laura Major From Silence to Empowerment ............................... 54 Women Reading Women in the Talmud Seder Nashim: A Women’s Beit Midrash Divine Qualities and Real Women .............................. 62 The Feminine Image in Kabbalah By Biti Roi Who is In and Who is Out.......................................... 70 The Two Voices of Ruth By Orit Avnery Published by the Shalom Hartman Institute, Jerusalem Afikoman /// Old Texts for New Times Contact us: “Without Regard -
Stu Phillipsphillips BBUFFY’SUFFY’S BOLEROSBOLEROS Musicmusic Toto Slayslay Vampiresvampires Byby
Music Soundtracks for Motion Pictures and Television V OLUME 4, NUMBER 7 Iron Mike Kamen Page 29 TTinyinyTTuunene TTiittaans!ns! MeetMeet thethe teamteam behindbehind WaWarnerrner BrothersBrothers AnimationAnimation scoringscoring BABATTLESTARTTLESTAR GALACTICAGALACTICA Up-to-the-centonUp-to-the-centon chatchat withwith StuStu PhillipsPhillips BBUFFY’SUFFY’S BOLEROSBOLEROS MusicMusic toto slayslay vampiresvampires byby 07> 7225274 93704 $4.95 U.S. • $5.95 Canada CONTENTS AUGUST 1999 features departments 22 Tiny Tune Titans 2 Editorial Arrivederci Animaniacs, bye-bye Batman, so-long Making Dreams Superman... We salute the second golden age of Come True Warner Bros. animation scoring. By Jeff Bond 4News Laurence Rosenthal Gets the Nod, and more 29 Iron Mike 5 Record Label Michael Kamen gives us the lowdown on his Round-up terrific new kid flick, The Iron Giant, and a What’s on the way new composition for the Millennium. 6Now Playing If you see one movie this summer, By Jeff Bond Movies and CDs in make sure it’s not... you know. release page 29 7 Concerts 32 A Return, or A New Hope? Live performances What are those familiar strains on multiplexes around the world everywhere? Here’s a dissection of John 9 Upcoming Film Williams’s themes for Episode One. Assignments By Doug Adams Who’s writing what 11 Mail Bag Two Slices of H20 interviews 15 In Concert Regaining Composure 30 Beat Guy Long-time percussionist Emil Richards is 17 TV Downbeat Hollywood’s different drummer. Fangs for the Memories You gotta love, love, love By Doug Adams Glen A. Larson’s vision. 36 Score page 35 Pocket reviews of The 35 View From the Bridge Red Violin, Rambo II, Stu Phillips steps back to the podium to Song of Bernadette, re-record his epic score to a TV show from many, summer song CDs, and many yahrens ago. -
Cultivating Curiosity About the Teaching of Classical Jewish Texts Jon A
Turn IT and Turn IT agaIn Studies in the Teaching and Learning of Classical Jewish Texts Jewish Identity in Post-Modern Society Series Editor: Roberta Rosenberg Farber – Yeshiva University Editorial Board: Sara Abosch – University of Memphis Geoffrey Alderman – University of Buckingham Yoram Bilu – Hebrew University Steven M. Cohen – Hebrew Union College – Jewish Institute of Religion Bryan Daves – Yeshiva University Sergio Della Pergola – Hebrew University Simcha Fishbane – Touro College Deborah Dash Moore – University of Michigan Uzi Rebhun – Hebrew University Reeva Simon – Yeshiva University Chaim I. Waxman – Rutgers University Turn IT and Turn IT agaIn Studies in the Teaching and Learning of Classical Jewish Texts Edited by Jon a. LEvISohn and SuSan P. FEndrICk Boston 2013 Library of Congress Cataloging-in-Publication Data: The bibliographic data for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-936235-63-6 (cloth) ISBN 978-1-61811-081-7 (electronic) Effective July 19, 2016, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. Cover design by Ivan Grave Published by Academic Studies Press in 2011 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com For our parents Steve and Sybil Levisohn Camille Munz Fendrick and David Fendrick And for our children Ariella, Maya, and Jesse Meira, Shoshana, Adina, Matan, and Elianna Contents Acknowledgements 8 Foreword Sharon Feiman-Nemser 11 1 Cultivating Curiosity about the Teaching of Classical Jewish Texts Jon A. -
Contents J Une 1998
CONTENTS J UNE 1998 Features Departments 19 Wrestling with the Industry 2 Editor’s Page The Society of Composers and Lyricists third The Summer of annual Film & TV Music Conference. Our Discontent By Lukas Kendall 4News 22 Gojira! King of the Deals, events, awards, Rubber Monsters and so much more On the eve of Godzilla's latest attempt at world 5 Record Label domination, we review two new CD releases and Round-up his entire career in Japanese cinema You know you want it By Jeff Bond 6Now Playing The theme is out there, and Movies and CDs in Mark Snow talks about it 27 Bruce Broughton release page 30 Buyer’s Guide 8 Concerts The first part of our latest composer spotlight, Live performances featuring works from 1991-1998 around the world Compiled by Jason Comerford, Jeff Bond and 8 Concert Report Doug Adams Goldsmith’s Music for Orchestra 10 Upcoming Film Interviews Assignments Who’s writing what 30 Mark Spots the X Series composer Mark Snow fights the future in 12 Mail Bag the big screen extension of The X-Files The Unsinkable By Doug Adams Jimmy H. Dinner music for a pack of 33 Music for Maniacs 16 Downbeat hungry leviathans A conversation with Jay Chattaway on the The Music is in the Mail page 22 occasion of the release of his first film soundtrack—17 years later 18 Reader Ads By David Friede 38 Score Capsule reviews of Reviews Lost in Space, Mercury Rising, Moby Dick, 36 From the Farthest Reaches to The Butcher Boy, Lolita, Just Plain Far Out and lots more Two long-awaited Chattaway CDs reviewed 40 FSM Marketplace 46 I Can’t Believe it’s a Soundtrack! Seven wacky CD releases reviewed 48 Retrograde Sale Away! We've cast our nets and pulled in a large catch of CD reviews page 38 ABOUT THE COVER: SCULLEY AND MULDER Film Score Monthly (ISSN 1077-4289) is published monthly for $29.95 per year by Lukas Kendall, 5455 Wilshire Blvd, Suite 1500, PLUMB THE DEPTHS OF DECEIT IN THE X-FILES. -
Copyright by Mark Diamond August 2018
Copyright By Mark Diamond August 2018 WILLIAM FLANAGAN: HIS LIFE AND MUSIC _______________ An Essay Presented to the Faculty of the Moores School of Music Kathrine G. McGovern College of the Arts University of Houston _______________ In Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts _______________ by Mark Diamond August 2018 WILLIAM FLANAGAN: HIS LIFE AND MUSIC _________________________ Mark Diamond APPROVED: _________________________ David Ashley White, D.M.A. Committee Chair _________________________ Joseph Evans, M.M. _________________________ Hector Vasquez _________________________ Timothy Jones, D.M.A. _________________________ Andrew Davis, Ph.D. Dean, Kathrine G. McGovern College of the Arts WILLIAM FLANAGAN: HIS LIFE AND MUSIC _______________ An Abstract of an Essay Presented to the Faculty of the Moores School of Music Kathrine G. McGovern College of the Arts University of Houston _______________ In Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts _______________ by Mark Diamond August 2018 Abstract The middle of the 20th century offers a rich and distinguished installment in American song literature. Hidden in the margins of this songbook is William Flanagan (1923-1969), a composer, music critic, and prominent social figure during the fifties and sixties. This essay sheds light on the underappreciated and underperformed composer while showing why William Flanagan belongs in today’s standard repertory. v Table of Contents Abstract ................................................................................................................................v -
Eastman Notes June 2004
NOTES DECEMBER 2004 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR Worth a thousand words Dear Eastman Alumni: As far as I know, George Eastman’s portrait has always hung in the School’s Main Hall. I wonder how many of the students who have passed by it over the NOTES years had more than a vague idea who Eastman was. They had ample opportunity Volume 23, Number 1 to fi nd out this year: the City of Rochester celebrated Eastman’s 150th birthday, December 2004 and the school bearing his name enthusiastically joined in. Eastman’s contributions are thrice-told tales around here, but they remain Editor a remarkable American story. Endowing a great American music school in an David Raymond upstate New York manufacturing city was an odd about-face for a turn-of-the- Assistant editor century captain of industry; but we can be glad a self-described “musical moron” Christina Casey decided to use his money and moral support to back his audacious proposal. Contributing writers Rochester’s community life, and America’s musical life, have never been the Martial Bednar Amy Blum same since 1921. Christine Corrado During the past few months, Mr. Eastman’s School Jun Qian showed off an acoustically improved concert hall; pre- Anna Reguero miered a new choral work and a new opera; planned a Russell Scarbrough Suzanne Stover new home for its Community Music School; hosted its Colin Wise most successful Alumni Weekend ever; welcomed im- Contributing photographers portant guests and alumni, including Mitch Miller (who Kurt Brownell received his BM in 1932, the year George Eastman died), Don Cochran Charles Strouse (BM ’47), and Dominick Argento (PhD Gelfand-Piper Photography ’58), all still going strong; and greeted the fi rst volume of Paul Grigsby Amy Vetter Vincent Lenti’s Eastman School history. -
Composers of Hollywood's Golden Age a Dissertation Submi
UNIVERSITY OF CALIFORNIA RIVERSIDE Projections of Musical Jewishness: Composers of Hollywood’s Golden Age A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Aaron J. Fruchtman August 2016 Dissertation Committee: Dr. Byron Adams, Chairperson Dr. Walter Aaron Clark Dr. Michael Alexander Dr. Daniel Goldmark Copyright by Aaron J. Fruchtman 2016 The Dissertation of Aaron J. Fruchtman is approved: ______________________________________________ ______________________________________________ ______________________________________________ ______________________________________________ Committee Chairperson University of California, Riverside Acknowledgements Despite locking myself away from the world to write this dissertation, I was supported by many individuals and institutions. I am grateful to my committee chair, Dr. Byron Adams, who always believed in my scholarly vision and made me want to become a musicologist. I am also grateful to my committee members: Profs. Walter Clark, Michael Alexander, and Daniel Goldmark. Each of you has made yourselves available to me over this journey and I am profoundly thankful for your words of wisdom. Two archivists deserve special praise: I would like to thank James D’Arc at Brigham Young University who shares my passion for the music of Max Steiner and made my visit to Provo most productive. At the University of Southern California, Edward Comstock constantly fielded my questions and requests and had time for wonderful conversations about our favorite Golden Age film composers. Likewise, thank you to Sandra Garcia-Myers at USC’s Cinematic Archive and Brett Service at USC’s Warner Bros. Archives for locating the numerous items I requested. Additionally, I would like to thank the staff of the Margaret Herrick Library, Syracuse University Libraries, American Heritage Center at the University of Wyoming, and University of California, Los Angeles Performing Arts Special Collections.