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NOLI ME TANGERE Omslag NOLI ME TANGERE for seven actors, seven singers and seven loudspeakers 2012 Text: Jörgen Dahlqvist Music: Kent Olofsson Noli me tangere 2012 Text: Jörgen Dahlqvist. Kompositör: Kent Olofsson Noli me Tangere är ett verk för sju sångare, sju skåDespelare och förinspelat material och kan ses som en samtiDa kommentar till Orlando di Lassos Lagrime di San Pietro (Petrus tårar). En Del av det musikaliska materialet bygger också på di Lassos verk och De båda verken kan också framföras tillsammans så som viD uruppförandet i april 2012. Noli me Tangere beskriver Den unga kvinnan Maria, hon som kallaDes synderska i brist på fullkomlighet, och som stod ensam vid Jesu siDa, men Det är också berättelsen om Den anDra Maria, hon som säljs för att män ska kunna köpa hennes kropp. Genom Denna Dubbelexponering blir vi alla båDe vår egen Petrus och vår egen JuDas som förråder våra närmaste och sedan vänder bort vår blick och förnekar det vi ser när vi står inför en människas liDanDe. Det är ett verk om människans skulD och ett sätt att köpslå meD liv som inte har föränDrats genom historien. Noli me tangere (latin 'rör inte viD mig') är De orD som Jesus enligt Johannesevangeliet 20:14-17 yttrade till Maria MagDalena, Då han efter sin uppståndelse uppenbaraDe sig för henne utanför graven Där hon stoD och grät. Även mötet i sig benämns Noli me tangere. "Rör inte viD mig, jag har ännu inte stigit upp till min faDer. Gå till mina bröDer och säg Dem att jag stiger upp till min faDer och er fader, min Gud och er Gud." Noli me tangere är ett av flera samarbeten mellan Dramatikern Jörgen Dahlqvist, konstnärlig ledare för Teatr Weimar och tonsättaren Kent Olofsson. Från 2012 har tematiken ofta varit centrerat kring filosofiska och etiska frågor kring Det moDerna Europas migrationspolitik. - - - - - - - Noli Me Tangere is a work for seven singers, seven actors and pre-recordeD material anD can be seen as a contemporary commentary on OrlanDo Di Lasso Lagrime di San Pietro (Saint Peter’s tears). Some of the musical material is also baseD on di Lasso’s work anD the two works may also be presenteD together as at the first performance in April 2012. Noli Me Tangere describes the young woman Maria, she who is calleD sinner for her lack of perfection, and who stood alone at the side of Jesus. But it is also the story of the other Mary, she who is solD so that men can buy her body. Through this double exposure we all become our own Peter anD our own JuDas who betrays our closest anD then turn away anD Deny what we see when we are faceD with a person's suffering. It is a work about human guilt and the way to bargain with life that has not changeD throughout history. Noli Me Tangere (Latin: 'do not touch me') are the worDs that Jesus accorDing to the Gospel of John (20: 14-17) uttereD to Mary MagDalene, when, after his resurrection, appeareD to her outside the tomb where she stooD anD crieD. Also the meeting itself is calleD Noli me tangere. "Do not touch me, I have not yet ascenDeD to my Father. Go to my brothers anD tell them, I am ascenDing to my Father anD your Father, to my God anD your God. " Noli Me Tangere is one of several collaborations between playwright Jörgen Dahlqvist, artistic director of Teatr Weimar and composer Kent Olofsson. From 2012, the themes have often been centreD on philosophical anD ethical issues surrounDing the migration policy of the moDern European. Performance notes: Noli me tangere is scoreD for three female actors, four male actors, seven singers: two sopranos, two altos, tenor, baritone and bass. The stage positions should be in a half circle from left to right: Female actors 1-3, Sopranos 1-2, Altos 1-2, Tenor, Barytone, Bass, Male actors 1-4. The voices can be amplifieD if neeDeD. The seven loudspeakers should be placed in a half circle, if possible partly surrounding the audience. The pre-recorDeD sounDs, voices anD electroacoustic material, are playeD back from a Max/MSP-patch, triggered as indicated in the score. An 8-channel sound interface is required for playback, each speaker has it’s own output channel. Duration: 24 minutes First performance by Vokalharmonin anD Teatr Weimar conDucteD by FreDrik Malmberg, April 2 2012 in Gustaf Adolf church, Stockholm Score Music: Kent Olofsson Noli me tangere Text: Jörgen Dahlqvist 1 q = c 50 ≈ 7 sec. p Soprano I 5 œ œ¯ œ¯ œ¯ & 4 œ ‰ 3 ‰ ma-gna niJ moJ ni 3 Soprano II π F p & 45 œ œ #œ œ il moJ Pie - troJ π F p Alto I 5 j & 4 œ œ il spears π F π Alto II 5 & 4 œ œil swordsR π F Tenor 5 œbœ V 4 il Baritone ? 5 4 Bass ? 5 4 1a Denna död Actor 1 F Väntan. Denna 5 som drabbat väntan. & 4 mig oss. Denna Actor 2 F 5 väntan. & 4 (eko) Actor 3 5 p Väntan. & 4 Actor 4 5 & 4 Actor 5 5 & 4 Actor 6 ? 5 4 Actor 7 ? 5 4 1a 1 ÷ 2 ˙ ÷ & ˙ 3 ÷ 4 ÷ 5 ÷ MaxMSP Init patch! 6 ÷ 7 ÷ Max: 1 © Kent Olofsson / Jörgen Dahlqvist 2012 Noli me tangere 2 5 S I œ¯ nœ¯ j r & J œ #œ œ ni moJ Pie - tro S II r & œ. #œ. œ painJ pain A I j j ˙ ‰ œ # œ & œ w œ j pain shame Pie - #troœ ohœ ohœ A II p πj j j j œ jœ œ & painœ . shame#œ w #Pieœ - troœ ohœ ohœ. π T j j j j V shame#œ shamenœ shamebœ Pieœ - btroœ ∏ π Bar œ œ ? J J pain pain Bs ? 1b Denna A1 p π Denna & väntan. väntan. Nej, inte än. Denna grav som Denna grav som A2 Hetta. Denna grav som drabbat oss, & Inte ännu. drabbat oss, drabbat oss, A3 FNu? Denna grav som & drabbat oss, A4 & A5 & A6 ? A7 ? 1b 1 ÷ 2 ÷ 3 ÷ 4 ÷ 5 ÷ 6 ÷ 5 7 ÷ Max: 2 Noli me tangere 3 9 3 3 p 3 P Í P S I π jp ¯ ‰ ‰ ‰ œ œ Œ œ w Œ œ œ¯ bœ & #Pieœ -troœ Pieœ -troœ Pie-tro Pie #troœ Jil maJ - π 3 p 3 P 3 Í p S II j ‰ ‰ ‰ Œ Œ # œ & #Pieœ -troœ Pieœ -troœ Pieœ -troœ aPieœ w troœ 3 3 3 A I π p P Í π & ‰ ‰ ‰ nœ œ Œ œ w Œ Pieœ -troœ Pieœ -troœ Pie-tro Pie eh˙. w 3 3 3 A II π p P Í π & ‰ ‰ ‰ Œ Œ Pieœ -troœ Pieœ -troœ Pieœ -troœ Pieœ w eh˙. w 3 3 3 T π p P Í V ‰ œ œ ‰ œ œ ‰ œ œ Œ bœ w Œ Pie-tro Pie-tro Pie-tro Pie 3 π p 3 P 3 Bar ‰ œ œ ‰ œ œ ‰ œ œ ? Œ Pie-tro Pie-tro Pie-tro Bs ? 1c A1 FEn del av oss. Och jag lever med det, lär mig leva med det sorgen, och sorgen & Som nu är en del av oss. A2 som nu är oss. Som nu som nu, som nu & är en del av mig, som jag nu måste leva med. A3 En del av oss. Och vi gråter, detta eviga gråtande & A4 & A5 & A6 ? A7 ? 1c 1 ÷ 2 ÷ 3 ÷ 4 ÷ 5 ÷ 6 ÷ 9 7 ÷ Max: 3 Noli me tangere 4 13 S I œ¯ ¯ ¯ ¯ ¯ j & J œ œ œ œ # œ œ #œ - gna - niJ - moJ niJ - moJ mo 6 p S II œ≈ j j & œ œ œ œ œ œ œ nœ ≈ spears swords ah 3 mo rir mo - rir œ œ#œ p 5 A I j j & #œ #œ j œ.. œ œ spears swords #painœ . shame #sorœ œ- rowœ. A II p & j j j spears#œ bpainœ bpainœ . shamebœ nsorœ -rowœ T V Bar ? Bs ? A1 och sorgen och gråten & Och väntar, denna väntan hetta och så gråter vi A2 så faller gråten, och så är vi väntan, och så är vi väntan och så är vi väntan & som väntar som väntar och som gråter och salten faller, fallande, gråten hettan hettan och väntan A3 det som är vår lott, denna väntan och gråtande som vi gråter som vi är gråtandet, som är oss nu, som vi gråter oss och väntar. & A4 & A5 & A6 ? A7 ? 1 ÷ 2 ÷ 3 ÷ 4 ÷ 5 ÷ 6 ÷ 13 7 ÷ Noli me tangere 5 2 17 ≈ 8 sec. F P S I ˙ œ 11 5 & J 8 Œ ‰œ œ. bœ œ ‰.‰œ 4 bohœ ah eh ah oh his> 3 S II Ø π F P j #˙. œ 11 Ó 5 & œ J 8 œ œœœ œ bœ ‰‰≈nœ œ 4 boh˙ œo -œo - œo - œo -œo -œo - œo - œo - œo -œo-ohœ ohœ ah ah oh his> F 3 3 A I π ‰ 11 jœ œ œœ œ œ ‰ ‰ ‰ 5 & w w #œ #œ œ 8 œ . œ 4 œ. oh wound - ed chest> F P A II Œ 11 Œ ‰. Œ ‰ 5 & #eh˙ 8 ‰ 4 ehœ œ ah #œ ohœ. œ œ chest> Fj P T œ 11 Ó ‰.Œ. 5 V ahœ. 8 ehœ œ bœ 4 F Bar ? 11 5 œ 8 4 ah Bs ? 11 5 8 4 1d 2a A1 Även när skymningen faller11 och det blir mörkt och 5 & mörkret sakta sänker sig så 8står jag kvar så står jag kvar 4 Och köttet tränger genom isen och kylan och A2 och vi står här och jag står här och jag stannar här även när dom andra har gått hettan och gråten11 och väntan och den våta asfalten 5 & 8 4 Och hettan köttet och köttet och väntan A3 och där var den bäste11 av oss alla som vi nu vakar vid, 5 & sanden asfalten 8hettan kylan isen svetten saltet tårarna 4 A4 11 5 & 8 4 A5 11 5 & 8 4 A6 ? 11 5 8 4 A7 ? 11 5 8 4 1d 2a 1 ÷ 2 ÷ 3 ÷ 4 ÷ 5 ÷ 6 ÷ 17 7 ÷ Max: 4 Max: 5 Noli me tangere 6 ≈ 10 sec.
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