Construction and Deconstruction of Maria Clara: History of an Imagined
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Grade 10 Music LM 4
DOWNLOAD K-12 MATERIALS AT DEPED TAMBAYAN20th and 21st Century Multimedia Forms richardrrr.blogspot.com Quarter IV: 20th AND 21st CENTURY MULTIMEDIA FORMS CONTENT STANDARDS The learner demonstrates understanding of... 1. Characteristic features of 20th and 21st century opera, musical play, ballet, and other multi-media forms. 2. The relationship among music, technology, and media. PERFORMANCE STANDARDS The learner... 1. Performs selections from musical plays, ballet, and opera in a satisfactory level of performance. 2. Creates a musical work, using media and technology. DEPEDLEARNING COMPETENCIES COPY The learner... 1. Describes how an idea or story in a musical play is presented in a live performance or video. 2. Explains how theatrical elements in a selected part of a musical play are combined with music and media to achieve certain effects. 3. Sings selections from musical plays and opera expressively. 4. Creates/improvises appropriate sounds, music, gestures, movements, and costumes using media and technology for a selected part of a musical play. 5. Presents an excerpt from a 20th or 21st century Philippine musical and highlights its similarities and differences to other Western musical p l a y s . From the Department of Education curriculum for MUSIC Grade 10 (2014) 141 All rights reserved. No part of this material may be reproduced or transmitted in any form or by any means - electronic or mechanical including photocopying without written permission from the DepEd Central Office. MUSIC Quarter IV OPERA IN THE PHILIPPINES he emergence of the Filipino opera started to take shape during the middle part of Tthe 19th century. Foreign performers, including instrumental virtuosi, as well as opera singers and Spanish zarzuela performers came to the country to perform for enthusiastic audiences. -
The Catholic Church and the Reproductive Health Bill Debate: the Philippine Experience
bs_bs_banner HeyJ LV (2014), pp. 1044–1055 THE CATHOLIC CHURCH AND THE REPRODUCTIVE HEALTH BILL DEBATE: THE PHILIPPINE EXPERIENCE ERIC MARCELO O. GENILO, SJ Loyola School of Theology, Philippines The leadership of the Church in the Philippines has historically exercised a powerful influence on politics and social life. The country is at least 80% Catholic and there is a deeply ingrained cultural deference for clergy and religious. Previous attempts in the last 14 years to pass a reproductive health law have failed because of the opposition of Catholic bishops. Thus the recent passage of the ‘Responsible Parenthood and Reproductive Health Act of 2012’ (R.A. 10354) was viewed by some Filipinos as a stunning failure for the Church and a sign of its diminished influence on Philippine society. This article proposes that the Church’s engagement in the reproductive health bill (RH Bill) debate and the manner of its discourse undermined its own campaign to block the law.1 The first part of the article gives a historical overview of the Church’s opposition to government family planning programs. The second part discusses key points of conflict in the RH Bill debate. The third part will examine factors that shaped the Church’s attitude and responses to the RH Bill. The fourth part will examine the effects of the debate on the Church’s unity, moral authority, and role in Philippine society. The fifth part will draw lessons for the Church and will explore paths that the Church community can take in response to the challenges arising from the law’s implementation. -
UNIVERSITY of CALIFORNIA RIVERSIDE Naming
UNIVERSITY OF CALIFORNIA RIVERSIDE Naming the Artist, Composing the Philippines: Listening for the Nation in the National Artist Award A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Neal D. Matherne June 2014 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. René T.A. Lysloff Dr. Sally Ann Ness Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Neal D. Matherne 2014 The Dissertation of Neal D. Matherne is approved: Committee Chairperson University of California, Riverside Acknowledgements This work is the result of four years spent in two countries (the U.S. and the Philippines). A small army of people believed in this project and I am eternally grateful. Thank you to my committee members: Rene Lysloff, Sally Ness, Jonathan Ritter, Christina Schwenkel. It is an honor to receive your expert commentary on my research. And to my mentor and chair, Deborah Wong: although we may see this dissertation as the end of a long journey together, I will forever benefit from your words and your example. You taught me that a scholar is not simply an expert, but a responsible citizen of the university, the community, the nation, and the world. I am truly grateful for your time, patience, and efforts during the application, research, and writing phases of this work. This dissertation would not have been possible without a year-long research grant (2011-2012) from the IIE Graduate Fellowship for International Study with funding from the Andrew W. Mellon Foundation. I was one of eighty fortunate scholars who received this fellowship after the Fulbright-Hays Doctoral Dissertation Research Abroad Program was cancelled by the U.S. -
Jose Rizal By: Marilou Diaz Abaya Film Review First, This Movie Is
Jose Rizal by: Marilou Diaz Abaya Film Review First, this movie is rated SPG. There are graphic depictions of violence and even torture. The opening few scenes depict some episodes from Rizal's novels. In one a Catholic priest rapes a Filipina. I guess I now know where the Mestizo (i.e., mixed blood) class came from in the Philippines. In the other scene a Catholic priest beats a child for alleged stealing. Strong thing, and it made me wonder how the Catholic Church could possibly retain any power in the country, if this is what the national hero thought about it. The movie tells the life story of Jose Rizal, the national hero of the Philippines. It covers his life from his childhood to his execution at the hands of the Spanish forces occupying the Philippines in the late 19th century. We are also thrown into the world of Rizal's novels (filmed in black and white), so we get a glimpse of how he viewed Filipino society under the Spanish heal. The movie introduces us to the life of subjugation of the Filipino people under the rule of the Spanish friars. From the execution of three Filipino priests in 1872 for alleged subversion to the harsh and unequal treatment of Filipino students in the schools, this film is a flashing indictment of Spanish colonial rule in the Philippines. We see scenes both from Rizal's actual life but also from his imagination The movie focuses on the condition of the society and also to the government at the time of the Spanish Colonization. -
Ready, but There Are Different Fonts Duterte Contra Deus
Ready, but there are different fonts Duterte Contra Deus Catholicism arrived in the Philippines in 1520 with Fernáo de Magãlhaes/Magellan. Almost 500 years later, the Church that helped to overthrow Ferdinand Marcos now faces two major challenges: how to fight another dictator and maintain the glory of the past in a society that is “more evangelized than catechized”? Patricia Fox, Regional Superior of the Sisters of Notre Dame de Sião Congregation, dedicated twenty- seven of her 72 years to the defense of the poor and oppressed in the Philippines. Accused of "involvement in illegal political activities", she was arrested on 16 April. On 3 November, she was expelled from the country, where she will not be able to return as a missionary. Upon arriving in Melbourne, after losing a tough legal battle, the Australian nun denounced President Rodrigo Duterte's “reign of tyranny”. “They have no right to criticize me”, said Duterte, who had ordered the deportation of Patricia Fox. He was indignant that she should have joined in a protest against the murder of farmers, but above all because she participated in an investigation of the extrajudicial executions he had ordered when he was Mayor of Davao, on the Island of Mindanao, in the south. Patricia Fox’s ordeal, and that of other members of the Catholic Church (three priests were shot in April and June of 2018, and in December 2017), shows the risk that one of the most influential institutions in the Philippines has had to face since Duterte won the elections in May 2016 to become Head of State, retaining a popularity of almost 80% despite the thousands of deaths. -
Questioning the Status of Rizal's Women in Noli Me Tangere and El Filibusterismo
Questioning the Status of Rizal's Women in Noli Me Tangere and El Filibusterismo Paulette M. Coulter University of Guam Abstract To an arguable extent, the novels of José Maria Rizal are European novels of the Belle Epoque, despite their setting., and, as such, they reflect the attitude toward women current in Europe in that era. In his novels Rizal’s female characters appear more as stereotypes than archetypes in several broad categories: the good mother (Narcisa), the virgin (Maria Clara, Juli, possibly Paulita Gomez), the harridan (the commandant's wife), the social or religious fanatic (Doña Victorina and Doña Patroncino), for example. In nearly every case in the novels and in his "Letter to the Women of Malolos," however, the individual woman is an exaggeration of an already exaggerated conception of womanhood, with its origins in the work of the Spanish friars. To an arguable extent, the novels of José Maria Rizal are European novels of the Belle Epoque, the golden age at the end of nineteenth century in Europe although their setting is the Philippines, and, as a result, they reflect the attitude toward women current in Europe in that era. Rizal was influenced by both the French novelists Alexandre Dumas, père, and Émile Zola as well as by the European high culture of his time, and his novels rank with theirs in terms of the large numbers of characters, detailed descriptions of the minutiae of everyday life, and complexity of interrelationships of characters in carrying out the plot. Rizal's novels also reflect the ideas of his times on the status and development of women. -
Philippine Journal of Public Administra Tion
PHILIPPINE JOURNAL OF PUBLIC ADMINISTRATION JANUARY-DECEMBER 2010 VOL. LIV NOS. 1&2 NOS. LIV VOL. 2010 JANUARY-DECEMBER ADMINISTRATION PUBLIC OF JOURNAL PHILIPPINE VOLUME LIVVOLUME JANUARY-DECEMBER 2010 NUMBERS 1 & 2 Hernandez Caraan Florano Co Reyes & Fernandez Brillantes Jr. Ocampo Grossmann Prakash Quah & Eun Sil Kim Kim Young Jong Ligthart of the Philippines Diliman, Association Schools Public Administration in Philippines, PUBLIC ADMINISTRATION Journal of the National College Public Administration and Governance, University PHILIPPINE JOURNAL and the Philippine Society for Public Administration Accountability in Aid Management A Proposed Integrity Model in the Administration of Labor Justice Institutionalizing Reforms through the Citizens Report Card The Long and Winding Road to Infrastructure Development Reform Corruption, Contradiction and Conscience : A Whistleblower’s Story A Reform Framework for Good Governance: Focus on Anti-Corruption Wicked Problems, Government Failures: Corruption and Lesser Evils Civil Society Anti-Corruption Efforts: The Case of Ukraine and the Philippines Role of Civil Society in Managing Anti-Corruption-Initiatives India Curbing Corruption in the Philippines: Is this an Impossible Dream? of Corruption Toward Improving the Quality of Life Through Controlling Culture An Overview of East Asian Anti-Corruption Research and Applications OF OVERVIEWPhilippine OF EAST Journal ASIAN of AC Public RESEARCH Administration, AND APPLICATIONS Vol. LIV Nos. 1-2 (Jan.-December 2010) 1 Whatever You Do, Never Use The C Word: an Overview of East Asian Anti-Corruption Research and Ap- plications MICHAEL LIGTHART * This article takes stock of 40 years of anti-corruption (AC) research & practices, the progress made and challenges ahead. It takes an East Asia tour, thus carving out the pre-conditions for effective Anti-Corruption Agencies. -
Cardinal Jaime Sin Instrumental in the People’S Revolution
Cardinal Jaime Sin Instrumental in the People’s Revolution Jaime L. Sin (born 1928) was a cardinal of the Roman Catholic Church who served in the Philippines. He was instrumental in the defeat of the Marcos regime in 1986 (during the EDSA Revolution, aka People Power Revolution). Jaime L. Sin, was born in the town of New Washington, Aklan, in the Visayan Islands of the Philippines on August 21, 1928. He was the seventh of nine children of Juan Sin and Maxima Lachica. Cardinal Sin began his missionary career in Jaro, Iloilo, where he attended the Jaro Archdiocesan Seminary of St. Vincent Ferrer. He was ordained a priest on April 3, 1954. He served as priest of the Diocese of Capiz from 1954 to 1957 and became rector of St. Pius X Seminary in Roxas City from 1957 to 1967. While serving in the church he obtained a bachelor's degree in education from the Immaculate Concepcion College in 1959. He assumed several positions in archdioceses in the Visayan Islands—and subsequently became metropolitan archbishop of Manila, the capital of the Philippines, in 1974. Sin was named cardinal by Pope Paul VI on May 26, 1976. Cardinal Sin was known for his good sense of humor. He jokingly called his residence "the House of Sin" and smiled at the ironic combination of his name and title. But in a largely Catholic country plagued by a dictatorship from 1972 to 1986, Cardinal Sin often suppressed his smiles. He increasingly criticized the Marcos regime for its indifference to the plight of the poor. -
Quarter IV: 20Th and 21St CENTURY MULTIMEDIA FORMS
DOWNLOAD K-12 MATERIALS AT DEPED TAMBAYAN 20th and 21st Century Multimedia Forms richardrrr.blogspot.com Quarter IV: 20th AND 21st CENTURY MULTIMEDIA FORMS CONTENT STANDARDS The learner demonstrates understanding of... 1. Characteristic features of 20th and 21st century opera, musical play, ballet, and other multi-media forms. 2. The relationship among music, technology, and media. PERFORMANCE STANDARDS The learner... 1. Performs selections from musical plays, ballet, and opera in a satisfactory level of performance. 2. Creates a musical work, using media and technology. DEPEDLEARNING COMPETENCIES COPY The learner... 1. Describes how an idea or story in a musical play is presented in a live performance or video. 2. Explains how theatrical elements in a selected part of a musical play are combined with music and media to achieve certain effects. 3. Sings selections from musical plays and opera expressively. 4. Creates/improvises appropriate sounds, music, gestures, movements, and costumes using media and technology for a selected part of a musical play. 5. Presents an excerpt from a 20th or 21st century Philippine musical and highlights its similarities and differences to other Western musical p l a y s . From the Department of Education curriculum for MUSIC Grade 10 (2014) 141 All rights reserved. No part of this material may be reproduced or transmitted in any form or by any means - electronic or mechanical including photocopying without written permission from the DepEd Central Office. MUSIC Quarter IV OPERA IN THE PHILIPPINES he emergence of the Filipino opera started to take shape during the middle part of Tthe 19th century. Foreign performers, including instrumental virtuosi, as well as opera singers and Spanish zarzuela performers came to the country to perform for enthusiastic audiences. -
Philippine Studies Ateneo De Manila University • Loyola Heights, Quezon City • 1108 Philippines
philippine studies Ateneo de Manila University • Loyola Heights, Quezon City • 1108 Philippines Catholics Rich in Spirit: El Shaddai’s Modern Engagements Katharine L. Wiegele Philippine Studies vol. 54, no, 4 (2006): 495–520 Copyright © Ateneo de Manila University Philippine Studies is published by the Ateneo de Manila University. Contents may not be copied or sent via email or other means to multiple sites and posted to a listserv without the copyright holder’s written permission. Users may down- load and print articles for individual, noncommercial use only. However, unless prior permission has been obtained, you may not download an entire issue of a journal, or download mul- tiple copies of articles. Please contact the publisher for any further use of this work at [email protected]. http://www.philippinestudies.net Fri June 27 13:30:20 2008 Catholics Rich in Spirit: El Shaddai's Modern Engagements Katharine L. Wiegele Drawing on ethnographic fieldwork in the Philippines, this article argues that El Shaddai, a popular Filipino Catholic charismatic movement, oflers a unique and relevant religious option by straddling a "modern" and Pentecostal-like approach to spirituality, ritual, and Christian life, on the one hand, and a Catholic social identity and communal life, on the other. Although El Shaddai members, unlike Pentecostals, maintain many of the traditional social attachments of Filipino Catholicism, El Shaddai's prosperity theology and mass mediated ritual forms contribute to diver- gent understandings of spiritual power and poverty, as well as a sense of demarginalization and self-determination. KEYWORDS: religion, modernity, mass media, culture, poverty David Martin (2002, 5) has spoken of the appeal of Pentecostal Chris- tianity worldwide as a "potently ambiguous" combination of engage- ments with modernity and the practice of ancient structures of shamanism and healing. -
SANCHEZ Final Defense Draft May 8
LET THE PEOPLE SPEAK: SOLIDARITY CULTURE AND THE MAKING OF A TRANSNATIONAL OPPOSITION TO THE MARCOS DICTATORSHIP, 1972-1986 BY MARK JOHN SANCHEZ DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History with a minor in Asian American Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Associate Professor Augusto Espiritu, Chair Professor Antoinette Burton Associate Professor Jose Bernard Capino Professor Kristin Hoganson Abstract This dissertation attempts to understand pro-democratic activism in ways that do not solely revolve around public protest. In the case of anti-authoritarian mobilizations in the Philippines, the conversation is often dominated by the EDSA "People Power" protests of 1986. This project discusses the longer histories of protest that made such a remarkable mobilization possible. A focus on these often-sidelined histories allows a focus on unacknowledged labor within social movement building, the confrontation between transnational and local impulses in political organizing, and also the democratic dreams that some groups dared to pursue when it was most dangerous to do so. Overall, this project is a history of the transnational opposition to the Marcos dictatorship in the Philippines. It specifically examines the interactions among Asian American, European solidarity, and Filipino grassroots activists. I argue that these collaborations, which had grassroots activists and political detainees at their center, produced a movement culture that guided how participating activists approached their engagements with international institutions. Anti-Marcos activists understood that their material realities necessitated an engagement with institutions more known to them for their colonial and Cold War legacies such as the press, education, human rights, international law, and religion. -
Losing Control: Freedom of the Press in Asia
Dedication In memory of Sander Thoenes, 7 November 1968 to 21 September 1999, and all other journalists who have died in pursuit of the truth. Sander, the Indonesia-based correspondent for the Financial Times of London was murdered because he was a journalist while on assignment in East Timor. Losing CONTROL Freedom of the Press in Asia • Louise Williams and Roland Rich (editors) G Australian ~ National ~ University E PRESS Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: Losing control : freedom of the press in Asia / edited by Louise Williams and Roland Rich. ISBN: 9781925021431 (paperback) 9781925021448 (ebook) Subjects: Freedom of the press--Asia. Government and the press--Asia. Journalism--Asia. Online journalism--Asia Other Authors/Contributors: Williams, Louise, 1961- editor. Rich, Roland Y., editor. Dewey Number: 323.445095 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Printed by Griffin Press First published by Asia Pacific Press, 2000. This edition © 2013 ANU E Press Losing I CONTENTS Contributors VII Preface Press freedom in Asia: an uneven terrain -Amanda Doronila XI Censors At work, censors out of work- Louise Williams 1 Brunei, Burma, Cambodia, laos, Mongolia A few rays of light- Roland Rich 16 China State power versus the Internet- Willy Wo-Lap Lam 37 Hong Kong A handover of freedom?- Chris Yeung 58 Indonesia Dancing in the dark- Andreas Harsono 7 4 Japan The warmth of the herd- Walter Hamilton 93 Malaysia In the grip of the government- Kean Wong 115 North Korea A black chapter- Krzysztof Darewicz 138 Philippines Free as a mocking bird- Sheila S.