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Information Packet for Prospective Students
Information Packet for Prospective Students This packet includes: ! Information about our major ! FAQs ! Press packet with news items on our students, faculty and alumni Be sure to visit our website for more information about our department: http://film.ucsc.edu/ For information about our facilities and to watch student films, visit SlugFilm: http://slugfilm.ucsc.edu/ If you have any questions, you can send an email to [email protected] Scroll Down for packet information More%information%can%be%found%on%the%UCSC%Admissions%website:%% UC Santa Cruz Undergraduate Admissions Film and Digital Media Introduction The Film and Digital Media major at UC Santa Cruz offers an integrated curriculum where students study the cultural impact of movies, television, video, and the Internet and also have the opportunity to pursue creating work in video and interactive digital media, if so desired. Graduates of the UC Santa Cruz Film and Digital Media program have enjoyed considerable success in the professional world and have gained admission to top graduate schools in the field. Degrees Offered ▪ B.A. ▪ M.A. ▪ Minor ▪ Ph.D. Study and Research Opportunities Department-sponsored independent field study opportunities (with faculty and department approval) Information for First-Year Students (Freshmen) High school students who plan to major in Film and Digital Media need no special preparation other than the courses required for UC admission. Freshmen interested in pursuing the major will find pertinent information on the advising web site, which includes a first-year academic plan. advising.ucsc.edu/summaries/summary-docs/FILM_FR.pdf Information for Transfers Transfer students should speak with an academic adviser at the department office prior to enrolling in classes to determine their status and to begin the declaration of major process as soon as possible. -
Universidade Federal De Juiz De Fora Programa De Pós-Graduação Em Comunicação
UNIVERSIDADE FEDERAL DE JUIZ DE FORA PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files PPGCOM/UFJF Fevereiro de 2017 Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files Dissertação apresentada ao Programa de Pós Graduação em Comunicação, área de concentração Comunicação e Sociedade, da Universidade Federal de Juiz de Fora, como requisito parcial para obtenção do grau de Mestre. Orientadora: Profª. Dra. Gabriela Borges Martins Caravela PPGCOM/UFJF Fevereiro de 2017 AGRADECIMENTOS Esse trabalho é norteado por desafios e um deles é encontrar uma forma de agradecer a minha orientadora, a professora Gabriela Borges, por todo o aprendizado ao longo desses anos. Entretanto, qualquer agradecimento feito aqui será ínfimo perto da sua importância na minha trajetória. Obrigada por em 2013, durante uma aula da especialização em Jornalismo Multiplataforma, ter me perguntado se eu gostaria de fazer mestrado e desde então ter estado ao meu lado. Obrigada pela confiança depositada em cada projeto, é sempre uma honra poder fazer parte das suas pesquisas e dos seus cronogramas que na hora parecem impossíveis de serem cumprimos, mas que no final sempre dão certo. Obrigada por toda generosidade com que conduziu não só essa dissertação, mas cada pesquisa que fizemos juntas (eu vou sentir saudades de falar no plural). Obrigada pelo incentivo e por acreditar que tudo isso seria possível desde o início. Obrigada por mostrar que o conhecimento é sempre construído com a ajuda do outro e que o aprendizado é constante. Serei sempre grata por tudo! À professora Soraya Ferreira por todo o aprendizado, carinho, abraços apertados e pelas digressões. -
(MCTICUT US More Necessary for Bands Volume XXXVI Storrs
Dispute Over Senior Budget Cut Only 50% Appropriated; (MCTICUT US More Necessary for Bands Volume XXXVI Storrs. Connecticut, Friday, March 17, 1950 No. 42 "To Hell with it:' was the comment made by Nathan Zeidenberg, senator and social chairman of the Senior Class, as he tore up the budget for the Senior Class "Coronation Ball" during the battle on the Senate floor Wednesday night over the requested $4,462 appropriation. Surrealist Art by Student l^^oi*. The Senate Finance Committee recommended that a partial appro- priation of $1,500 be given the dance committee, in order that arrange- From Red ments for a band could be made. Zeidenberg, chairman of the Senior TO be Shown Next Week Professor dance committee, hotly contested the partial appropriation. The Senate A letter will be sent to Profes- later voted to add $500 to the figure, making a total of $2,000. An exhibition of frameless — Unnamed Source* Isor Herbert T. Phillips, self-avow- At the Senate finance committee paintings in the surrealist mood Scholarship Funds ed Communist Party member, by by John Gregoropoulos will be Dr. Gamow. Physicist meeting on Tuesday, the budget for For Dorothy Culp the Philosophy Club, asking what ;the dance was neither approved nor held in the Parlors of the Com- topics he would consider discuss- To Lecture Monday, disapproved. The committee feh munity House from Monday eve- Reach $300 Figure that since the budget was of such a ning, March 20 to Thursday eve- ing at this University. Terry Oliv- Evolution, Progress controversial nature, it should be ning, March 23. -
Proceedings Book 2.Indb
69 Changing Icons: The Symbols of New York City in Film TERRI MEYER BOAKE University of Waterloo These architectural symbols also begin to differ- entiate “new” cities, whose prominent building are entirely contemporary, from “old” cities, whose icons begin to show, even by silhouette, the evo- lution of the architectural style that has come to represent the culture or zeitgeist of the place. The icons of Dubai all reside in the present. The collec- tion of symbols that represents London is capable of placing it in the past through the use of Big Ben or St. Paul’s, or in the present, via the London Eye. Likewise for Paris, the past and present are contrasted through the Eiffel Tower and the Lou- vre Pyramid. Strikingly absent from the New York suite, are the paired rectangular images of the Twin Towers. Without an alternate “modern” icon, the city has lately come to be characterized by notable buildings of the past – The Empire State 1 Fig. 1. Silhouettes of well known City Icons. Building, Statue of Liberty and St. Patrick’s Ca- thedral – leaving the identity of the present, quite THE ICONS OF THE CITY unfi lled. Not that there are no other contempo- rary towers in New York. The Seagram Building, The architectural icons of the City have long served ATT and Citicorp Towers, and new Hearst Building to allow fi lm directors to identify the location of have important places in the creation of modern the primary setting in the fi lm. Whether the fi lm New York. But, situated in midtown, they lack a has been shot in the studio, on location, or been presence on the skyline and can never be ade- created entirely through CGI technologies, these quately charged with enough meaning to replace symbols of the City provide viewers with imme- the felled Twin Towers. -
What Is Cosplay?
NO, REALLY: WHAT IS COSPLAY? Natasha Nesic A thesis submitted in partial fulfillment of the requirements for a B. A. in Anthropology with Honors. Mount Holyoke College May 2013 ACKNOWLEDGEMENTS “In anthropology, you can study anything.” This is what happens when you tell that to an impressionable undergrad. “No, Really: What is Cosplay?” would not have been possible without the individuals of the cosplay community, who gave their time, hotel room space, and unforgettable voices to this project: Tina Lam, Mario Bueno, Rob Simmons, Margaret Huey, Chris Torrey, Chris Troy, Calico Singer, Maxiom Pie, Cassi Mayersohn, Renee Gloger, Tiffany Chang, as well as the countless other cosplayers at AnimeNEXT, Anime Expo, and Otakon during the summer of 2012. A heap of gratitude also goes to Amanda Gonzalez, William Gonzalez, Kimberly Lee, Patrick Belardo, Elizabeth Newswanger, and Clara Bertagnolli, for their enthusiasm for this project—as well as their gasoline. And to my parents, Beth Gersh-Nesic and Dusan Nesic, who probably didn’t envision this eight years ago, letting me trundle off to my first animé convention in a homemade ninja getup and a face full of Watercolor marker. Many thanks as well to the Mount Holyoke College Anthropology Department, and the Office of Academic Deans for their financial support. Finally, to my advisor and mentor, Professor Andrew Lass: Mnogo hvala za sve. 1 Table of Contents Introduction.......................................................................................................................................3 -
Biblical Studies, Science Fiction, and the Marvel Cinematic Universe Aaron Ricker [email protected]
Journal for Interdisciplinary Biblical Studies ISSN 2633-0695 44 Vol 3.1 (Summer 2021) Call it Science: Biblical Studies, Science Fiction, and the Marvel Cinematic Universe Aaron Ricker [email protected] ABSTRACT In the virtual world elaborated in Marvel’s movies (the “Marvel Cinematic Universe” or MCU), “science” is creatively, strategically confused with “magic” and/or “religion.” Key supernatural/magical elements of the franchise’s comic-book source material are “retconned” (retroactively granted new narrative coherence and continuity) as advanced scientific marvels. I argue in the first section that a biblical studies perspective can shed valuable light on this contemporary sci-fi phenomenon, by highlighting the ideologically interested and culturally contingent character of “religious” phenomena like canons and marvels. The perspective thus provided can help elucidate the contexts and consequences of the MCU decision to retcon magical and religious cultural materials as scientific wonders. In the second section, I argue further that such reflection on science fiction and the MCU offers valuable perspective to biblical studies in return by opening new research avenues into the human and historical meaning of certain biblical traditions, in this case by recalling the sense of technology shock that must have sometimes accompanied ancient developments like the widespread use of war horses or the mass production of books—world-changing developments that modern biblical critics are not culturally primed to perceive and investigate as technological marvels. KEYWORDS Science; Science Fiction; Apocalyptic; Popular Culture; Miracles; Wonder; Marvel Cinematic Universe Introduction: Science Fiction, Biblical Studies, and the Marvel Cinematic Universe Marvel Studios is a popular-culture superpower. -
Marines Rescue Fishermen
HAWAII MARINE Voluntary payment for delivery to MCAS housing /$I per four week period. VOL. 11 NO. 24 KANEOHE BAY. HAWAII. JUNE 16, 1982 TWENTY-EIGHT PAGES If it NI, Marines rescue fishermen 11 NOR F PREPARE (i') drifted very close to the fiery vessel, so Wright and Lance Corporal Joel by Sgts Pepper Davis 13 L 1; they pushed it away with the rotors. Sauder, SAR swimmers, were able to and Chris Tonegatto "We talked about it and decided to bring the remaining victims to safety try to get them out with the horse within an hour after leaving the air ALli,! Five fishe'rmen were rescued from collar. Corporal (Mike) Murphy (crew station. Lq. nle. the ocean Thursday afternoon by the chief) lowered it, and one of the guys Bongyong Park, 34, captain of the pilots and crews of Marine Medium left the raft and swam to the collar. vessel Pan Am I; passengers Kim Helicopter Squadron-265, and Station After we hoisted him up, the collar was Chekun, 39; Jin Samseon, 32; and Operations Maintenance Squadron. lowered again, but nobody wanted to Heyun Oh, 21, all of Kalihi, were According to Captain Vincent chance leaving the raft to swim to it," treated for minor burns and abrasions Palencia, '265 pilot, he and his copilot, commented Palencia. and released. First Lieutenant Kelly Ellis, were Ellis added: "Our rotor wash kept conducting a functional check flight pushing the raft around and we had to Park explained that the fire started around 3:30 p.m., when they noticed a keep chasing it, so we gave it up." in the engine room around 2:30 p.m. -
Docuseries Flat Out, Produced by Vuguru the Non-fi Ction Camp
MAY / JUNE 13 THE REALITY REPORT Syfy’s Haunted Highway and adventures in the US $7.95$7.95 USD New Paranormal CanadaCanada $$8.958.95 CDN Int’lInt’l $$9.959.95 USD G<ID@KEF%+*-* 9L==8CF#EP L%J%GFJK8><G8@; 8LKF ALSO: UNSCRIPTED GOES ONLINE | U.S. CABLE SLATES REVEALED GIJIKJK; A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. RRealscreenealscreen Cover.inddCover.indd 1 116/05/136/05/13 22:16:16 PPMM Congratulations Bertram We are proud to call you family. CBS is proud to support the Realscreen Awards. ©2013 CBS Corporation RRS.23322.CBS.inddS.23322.CBS.indd 1 113-05-163-05-16 22:01:01 PPMM contents may / june 13 Sundance Grand Jury and Audience Award winner 35 42 Blood Brother is part of our annual Festival Report. BIZ Unscripted action at the NewFronts; Dubuc and Raven upped at A+E ......................................................... 9 Super 8 fi lm shot by Nixon’s top aides is featured in Our Nixon (Still courtesy of Dipper Films). IDEAS & EXECUTION U.S. cable nets unveil slates; crowdfunding words of wisdom ...........13 “The perception was you SPECIAL REPORTS could pitch a show on a THE REALITY REPORT A look into the Emmy Reality Peer Group; log line, put 10 cameras paranormal reality revamps .............................................................. 27 somewhere, and that STOCK FOOTAGE/ARCHIVE was reality.” 29 Super 8 rules in Our Nixon; 1895 Films’ 9-11: The Heartland Tapes; FOCAL Awards winners and UK copyright news ...............................35 FESTIVAL REPORT 19 Profi les of Gideon’s Army and Blood Brother .......................................40 PRODUCTION MUSIC Music shop execs reveal the dollars and sense behind scoring for shows .................................................45 THINK ABOUT IT Science Channel’s slate features a move into scripted Making talent agreements agreeable ...............................................48 drama, with 73 Seconds: The Challenger Investigation. -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
Newsletter 15/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/07 DIGITAL EDITION Nr. 212 - September 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/07 (Nr. 212) September 2007 editorial Hallo Laserdisc- und DVD-Fans, schen und japanischen DVDs Aus- Nach den in diesem Jahr bereits liebe Filmfreunde! schau halten, dann dürfen Sie sich absolvierten Filmfestivals Es gibt Tage, da wünscht man sich, schon auf die Ausgaben 213 und ”Widescreen Weekend” (Bradford), mit mindestens fünf Armen und 214 freuen. Diese werden wir so ”Bollywood and Beyond” (Stutt- mehr als nur zwei Hirnhälften ge- bald wie möglich publizieren. Lei- gart) und ”Fantasy Filmfest” (Stutt- boren zu sein. Denn das würde die der erfordert das Einpflegen neuer gart) steht am ersten Oktober- tägliche Arbeit sicherlich wesent- Titel in unsere Datenbank gerade wochenende das vierte Highlight lich einfacher machen. Als enthu- bei deutschen DVDs sehr viel mehr am Festivalhimmel an. Nunmehr siastischer Filmfanatiker vermutet Zeit als bei Übersee-Releases. Und bereits zum dritten Mal lädt die man natürlich schon lange, dass Sie können sich kaum vorstellen, Schauburg in Karlsruhe zum irgendwo auf der Welt in einem was sich seit Beginn unserer Som- ”Todd-AO Filmfestival” in die ba- kleinen, total unauffälligen Labor merpause alles angesammelt hat! dische Hauptstadt ein. Das diesjäh- inmitten einer Wüstenlandschaft Man merkt deutlich, dass wir uns rige Programm wurde gerade eben bereits mit genmanipulierten Men- bereits auf das Herbst- und Winter- offiziell verkündet und das wollen schen experimentiert wird, die ge- geschäft zubewegen. -
Get out to Vote – Don't Complain If You Don't
SouthBoston TODAYOnline • On Your Mobile • At Your Door OCTOBER 31, 2013; Vol.1 Issue 53 SERVING SOUTH BOSTONIANS AROUND THE GLOBE century. During those twenty years, the City has plodded along, doing lots of stuff, some good, some not This Week’s so good, depending upon whom you ask. In 2013, and likely for the rest Poll On of the first quarter of this century, doing good will not be good enough. Page 2 Boston has to be great at what it does. If Boston is to compete on a global scale, it needs great talent. If Boston is to welcome back the middle class and keep our educated talent here, South Boston Today it needs affordable middle market housing. If Boston wants families to stay here and raise their children, it needs great schools with great Get Out To Vote – teachers. If Boston wants safe and healthy neighborhoods, it needs Don’t Complain If You Don’t great leadership. If Boston wants fter 20 years, this political SOUTH BOSTON TODAY to embrace its burgeoning diversity @SBostonToday cliché is actually true – Staff Report and insure that economic prosperity This is the most important election of our city leaders has the reaches all neighborhoods, it needs A Go to our South Boston Today election of our generation. Although most direct effect on our quality of life great vision. we elected two new US Senators, The election for Mayor of Boston Getting from ‘Good to Great’ will page to vote on our weekly poll. Washington DC is still in gridlock and on November 5 is the first one require a mayor with vision, capacity, Make sure you like & share we can do very little about that.